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1
00:03:54,317 --> 00:03:56,866
WHOA.

2
00:04:03,160 --> 00:04:04,332
WHOA.

3
00:04:18,759 --> 00:04:21,979
WHO'S THAT STUMBLIN'
AROUND IN THE DARK?

4
00:04:22,137 --> 00:04:25,926
STATE YOUR BUSINESS
OR PREPARE TO GET WINGED!

5
00:04:26,099 --> 00:04:28,682
CALM YOURSELVES, GENTLEMEN.

6
00:04:28,852 --> 00:04:31,196
I MEAN YOU NO HARM.

7
00:04:31,354 --> 00:04:36,201
I'M SIMPLY A FELLOW WEARY TRAVELER.
WHOA, BOY.

8
00:04:37,527 --> 00:04:39,200
GOOD COLD EVENING, GENTLEMEN.

9
00:04:39,362 --> 00:04:41,706
I'M LOOKING FOR A PAIR OF SLAVE TRADERS

10
00:04:41,865 --> 00:04:43,538
THAT GO BY THE NAME
OF THE SPECK BROTHERS.

11
00:04:43,700 --> 00:04:45,532
MIGHT THAT BE YOU?

12
00:04:46,912 --> 00:04:49,654
WHO WANTS TO KNOW?
WELL, I DO.

13
00:04:49,831 --> 00:04:51,697
I'M DR. KING SCHULTZ.
THIS IS MY HORSE, FRITZ.

14
00:04:52,959 --> 00:04:56,452
WHAT KINDA DOCTOR?
DENTIST.

15
00:04:56,630 --> 00:04:58,428
NOW, ARE YOU THE SPECK BROTHERS?

16
00:04:58,590 --> 00:05:01,389
AND DID YOU PURCHASE THOSE MEN
AT THE GREENVILLE SLAVE AUCTION?

17
00:05:01,551 --> 00:05:04,134
SO WHAT?
SO I WISH TO PARLEY WITH YOU.

18
00:05:04,304 --> 00:05:07,638
SPEAK ENGLISH.
OH, I'M SORRY.

19
00:05:07,808 --> 00:05:10,027
PLEASE FORGIVE ME.
IT IS A SECOND LANGUAGE.

20
00:05:10,185 --> 00:05:13,485
NOW, AMONGST YOUR INVENTORY,
I'VE BEEN LED TO BELIEVE,

21
00:05:13,647 --> 00:05:16,059
IS A SPECIMEN I'M KEEN TO ACQUIRE.

22
00:05:16,233 --> 00:05:17,701
HELLO, YOU POOR DEVILS!

23
00:05:19,027 --> 00:05:21,610
IS THERE ONE AMONGST YOU
WHO WAS FORMERLY A RESIDENT

24
00:05:21,780 --> 00:05:25,080
OF THE CARRUCAN PLANTATION?

25
00:05:25,826 --> 00:05:28,045
I'M FROM THE CARRUCAN PLANTATION.

26
00:05:29,663 --> 00:05:31,040
WHO SAID THAT?

27
00:06:18,253 --> 00:06:19,630
WHAT'S YOUR NAME?

28
00:06:23,800 --> 00:06:25,666
DJANGO.

29
00:06:25,844 --> 00:06:28,586
THEN YOU ARE EXACTLY
THE ONE I'M LOOKING FOR.

30
00:06:30,473 --> 00:06:32,692
DO YOU KNOW WHO
THE BRITTLE BROTHERS ARE?

31
00:06:36,313 --> 00:06:37,303
WHO ARE THEY?

32
00:06:39,733 --> 00:06:41,349
BIG JOHN.

33
00:06:42,152 --> 00:06:43,495
ELLIS.

34
00:06:44,905 --> 00:06:48,819
ROGER.
SOMETIME THEY CALL HIM LIL RAJ.

35
00:06:50,201 --> 00:06:52,420
THEY WAS OVERSEERS
AT THE CARRUCAN PLANTATION.

36
00:06:52,579 --> 00:06:53,660
NOT ANYMORE.

37
00:06:56,750 --> 00:06:57,797
TELL ME...

38
00:06:58,376 --> 00:07:01,175
IF YOU WERE TO SEE
ANY OF THESE THREE GENTLEMEN AGAIN,

39
00:07:01,338 --> 00:07:04,012
WOULD YOU RECOGNIZE THEM?
HEY.

40
00:07:04,174 --> 00:07:06,643
STOP TALKIN' TO HIM LIKE THAT.
LIKE WHAT?

41
00:07:06,801 --> 00:07:08,337
LIKE THAT.

42
00:07:08,511 --> 00:07:10,798
MY GOOD MAN,
I'M SIMPLY TRYING TO ASCERTAIN...

43
00:07:10,972 --> 00:07:13,020
SPEAK ENGLISH, GODDAMN IT.

44
00:07:13,183 --> 00:07:14,924
EVERYBODY CALM DOWN.

45
00:07:15,101 --> 00:07:18,822
I'M SIMPLY A CUSTOMER
TRYING TO CONDUCT A TRANSACTION.

46
00:07:18,980 --> 00:07:21,984
I DON'T CARE. NO SALE.
NOW, OFF WITH YA.

47
00:07:22,150 --> 00:07:25,154
DON'T BE RIDICULOUS.
OF COURSE THEY'RE FOR SALE.

48
00:07:25,987 --> 00:07:27,455
MOVE IT.

49
00:07:27,614 --> 00:07:32,541
MY GOOD MAN, DID YOU SIMPLY GET CARRIED
AWAY WITH YOUR DRAMATIC GESTURE

50
00:07:32,702 --> 00:07:36,491
OR ARE YOU POINTING YOUR WEAPON AT ME
WITH LETHAL INTENTION?

51
00:07:37,582 --> 00:07:39,448
LAST CHANCE, FANCY PANTS.

52
00:07:40,877 --> 00:07:43,221
OH, VERY WELL.

53
00:08:11,992 --> 00:08:14,404
I'M SORRY TO PUT A BULLET IN YOUR BEAST,

54
00:08:14,577 --> 00:08:16,500
BUT I DIDN'T WANT YOU
TO DO ANYTHING RASH

55
00:08:16,663 --> 00:08:18,950
BEFORE YOU HAD A MOMENT
TO COME TO YOUR SENSES.

56
00:08:19,124 --> 00:08:22,549
YOU GODDAMN SON OF A BITCH!

57
00:08:22,711 --> 00:08:25,510
YOU SHOT ROSCOE!
WELL...

58
00:08:25,672 --> 00:08:27,379
AND YOU KILLED ACE!

59
00:08:27,549 --> 00:08:30,223
I ONLY SHOT YOUR BROTHER ONCE
HE THREATENED TO SHOOT ME.

60
00:08:30,385 --> 00:08:33,218
AND I DO BELIEVE I HAVE...
ONE, TWO, THREE, FOUR...

61
00:08:33,388 --> 00:08:36,358
FIVE WITNESSES
WHO CAN ATTEST TO THAT FACT.

62
00:08:36,516 --> 00:08:39,395
DAMN LEG'S BUSTED!
NO DOUBT.

63
00:08:39,561 --> 00:08:42,110
NOW, IF YOU COULD KEEP YOUR
CATERWAULING DOWN TO A MINIMUM,

64
00:08:42,272 --> 00:08:45,606
I'D LIKE TO FINISH MY LINE
OF INQUIRY WITH YOUNG DJANGO.

65
00:08:49,612 --> 00:08:53,071
GOD-FUCKIN'-DAMN IT!
AS I WAS SAYING...

66
00:08:53,241 --> 00:08:56,962
IF YOU WERE TO SEE THE BRITTLE
BROTHERS AGAIN, YOU COULD RECOGNIZE 'EM?

67
00:08:57,620 --> 00:08:59,327
YEAH.

68
00:08:59,497 --> 00:09:00,783
SOLD AMERICAN!

69
00:09:00,957 --> 00:09:04,928
SO, MR. SPECK? MR. SPECK?
HOW MUCH FOR YOUNG DJANGO HERE?

70
00:09:10,216 --> 00:09:12,833
THAT IRON IS NASTY BUSINESS.

71
00:09:18,058 --> 00:09:20,186
OH, COULD YOU HOLD THIS FOR A MOMENT?

72
00:09:22,312 --> 00:09:23,814
THANK YOU. DJANGO?

73
00:09:23,980 --> 00:09:25,846
GET UP ON THAT HORSE.

74
00:09:26,024 --> 00:09:27,822
ALSO, IF I WERE YOU,

75
00:09:27,984 --> 00:09:31,989
I'D TAKE THAT WINTER COAT
THE DEAR DEPARTED SPECK LEFT BEHIND.

76
00:09:46,127 --> 00:09:50,007
NIGGER!
DON'T YOU TOUCH MY BROTHER'S COAT.

77
00:10:00,683 --> 00:10:05,610
GODDAMN IT! OH!

78
00:10:07,273 --> 00:10:12,450
ONE HUNDRED... TEN... 20...

79
00:10:12,612 --> 00:10:14,444
AND FIVE...

80
00:10:15,698 --> 00:10:16,870
FOR YOUNG DJANGO HERE.

81
00:10:17,033 --> 00:10:19,195
AND SINCE HE WON'T
BE NEEDING IT ANYMORE,

82
00:10:19,369 --> 00:10:21,861
I'D LIKE TO PURCHASE YOUR BROTHER'S NAG.

83
00:10:22,580 --> 00:10:27,541
ALSO, MR. SPECK, I'M AFRAID
I WILL REQUIRE A BILL OF SALE.

84
00:10:27,710 --> 00:10:29,303
DO YOU HAVE ONE?

85
00:10:29,462 --> 00:10:32,375
YOU GO TO HELL, DENTIST.

86
00:10:32,549 --> 00:10:34,540
I THOUGHT NOT.

87
00:10:34,717 --> 00:10:38,210
NO WORRIES. I COME PREPARED.

88
00:10:42,559 --> 00:10:44,152
THANK YOU.

89
00:10:44,310 --> 00:10:47,894
THIS WILL SERVE NICELY
AS A BILL OF SALE.

90
00:11:00,243 --> 00:11:01,233
WHOA.

91
00:11:05,415 --> 00:11:08,874
NOW, AS TO YOU POOR DEVILS.

92
00:11:09,043 --> 00:11:14,095
SO, AS I SEE IT, WHEN IT COMES TO
THE SUBJECT OF WHAT TO DO NEXT,

93
00:11:14,257 --> 00:11:17,090
YOU GENTLEMEN HAVE TWO CHOICES.

94
00:11:17,260 --> 00:11:22,380
ONCE I'M GONE, YOU COULD LIFT
THAT BEAST OFF THE REMAINING SPECK,

95
00:11:22,557 --> 00:11:24,480
THEN CARRY HIM TO THE NEAREST TOWN.

96
00:11:24,642 --> 00:11:28,226
WHICH WOULD BE AT LEAST
37 MILES BACK THE WAY YOU CAME.

97
00:11:28,396 --> 00:11:34,074
OR TWO: YOU COULD UNSHACKLE YOURSELVES,
TAKE THAT RIFLE,

98
00:11:34,235 --> 00:11:36,784
PUT A BULLET IN HIS HEAD,
BURY THE TWO OF THEM DEEP,

99
00:11:36,946 --> 00:11:40,496
AND THEN MAKE YOUR WAY TO A
MORE ENLIGHTENED AREA OF THIS COUNTRY.

100
00:11:41,576 --> 00:11:42,748
CHOICE IS YOURS.

101
00:11:42,911 --> 00:11:47,280
OH, AND ON THE OFF CHANCE THERE ARE
ANY ASTRONOMY AFICIONADOS AMONGST YOU,

102
00:11:47,457 --> 00:11:50,461
THE NORTH STAR IS THAT ONE.

103
00:11:51,920 --> 00:11:55,083
TA-TA.

104
00:12:09,896 --> 00:12:13,992
NOW WAIT A MINUTE, FELLAS.
LET'S TALK ABOUT THIS!

105
00:12:17,612 --> 00:12:21,037
YOU GOTTA BE REASONABLE
IN A SITUATION LIKE THIS!

106
00:12:22,492 --> 00:12:25,496
I'M NOT A BAD GUY.
I'M JUST DOIN' MY JOB!

107
00:12:25,662 --> 00:12:29,246
BLUEBERRY, DIDN'T I
GIVE YOU MY LAST APPLE?

108
00:12:29,415 --> 00:12:32,385
TELL YOU WHAT, BOYS:
TAKE ME TO THE DOC IN EL PASO,

109
00:12:32,543 --> 00:12:34,591
I'LL GET YOU YOUR FREEDOM.

110
00:12:34,754 --> 00:12:38,509
NO. NO, PLEASE...

111
00:13:23,845 --> 00:13:25,222
ALL RIGHT, NOW.

112
00:13:25,388 --> 00:13:27,379
I'D LIKE YOU TO
TAKE TWO OF THESE TONIGHT...

113
00:13:27,557 --> 00:13:29,776
AND THEN IN THE MORNING...

114
00:13:31,894 --> 00:13:33,692
THAT'S A NIGGER ON A HORSE.

115
00:13:59,297 --> 00:14:01,095
WHAT'S EVERYBODY STARING AT?

116
00:14:01,257 --> 00:14:03,749
THEY AIN'T NEVER SEEN
NO NIGGER ON A HORSE BEFORE.

117
00:14:16,064 --> 00:14:17,054
WHOA.

118
00:14:27,116 --> 00:14:29,107
GOOD MORNING, INNKEEPER!

119
00:14:30,453 --> 00:14:32,922
TWO BEERS FOR TWO WEARY TRAVELERS.

120
00:14:33,081 --> 00:14:34,822
IT'S STILL A BIT EARLY.

121
00:14:34,999 --> 00:14:37,411
WE WON'T BE OPEN FOR ANOTHER HOUR.

122
00:14:37,585 --> 00:14:39,417
BY THEN, WE'LL BE SERVIN' BREAKFAST.

123
00:14:39,587 --> 00:14:45,003
WHOA, WHOA, WHOA, WHOA... WHAT
THE HELL YOU THINK YOU'RE DOING, BOY?

124
00:14:45,176 --> 00:14:47,270
GET THAT NIGGER OUTTA HERE!

125
00:14:50,807 --> 00:14:54,812
HELP! HELP!
INNKEEPER!

126
00:14:54,977 --> 00:14:58,140
REMEMBER, GET THE SHERIFF,
NOT THE MARSHAL.

127
00:14:58,314 --> 00:15:00,180
SHERIFF! HELP!

128
00:15:00,358 --> 00:15:01,974
ALAS.

129
00:15:03,361 --> 00:15:05,910
NOW WE MUST ACT AS OUR OWN BARTENDER.

130
00:15:08,324 --> 00:15:10,065
SIT DOWN, MY BOY.

131
00:15:19,752 --> 00:15:22,631
WHAT KIND OF DENTIST ARE YOU?

132
00:15:23,464 --> 00:15:28,061
DESPITE THAT CART, I HAVEN'T
PRACTICED DENTISTRY IN FIVE YEARS.

133
00:15:32,682 --> 00:15:35,982
BUT THESE DAYS,
I PRACTICE A NEW PROFESSION...

134
00:15:38,187 --> 00:15:39,564
BOUNTY HUNTER.

135
00:15:46,154 --> 00:15:47,986
DO YOU KNOW WHAT A BOUNTY HUNTER IS?

136
00:15:48,698 --> 00:15:49,745
NO.

137
00:15:49,907 --> 00:15:51,113
WELL...

138
00:15:52,743 --> 00:15:56,862
THE WAY THE SLAVE TRADE
DEALS IN HUMAN LIVES FOR CASH,

139
00:15:57,039 --> 00:15:59,383
A BOUNTY HUNTER DEALS IN CORPSES.

140
00:15:59,542 --> 00:16:01,761
HAT

141
00:16:05,506 --> 00:16:07,042
PROST.

142
00:16:15,224 --> 00:16:17,898
THE STATE PLACES A BOUNTY
ON A MAN'S HEAD.

143
00:16:18,060 --> 00:16:20,734
I TRACK THAT MAN, I FIND THAT MAN,
I KILL THAT MAN.

144
00:16:20,897 --> 00:16:24,868
AFTER I'VE KILLED HIM, I TRANSPORT THAT
MAN'S CORPSE BACK TO THE AUTHORITIES.

145
00:16:25,026 --> 00:16:27,734
SOMETIMES THAT'S EASIER SAID THAN DONE.

146
00:16:27,904 --> 00:16:30,703
I SHOW THAT CORPSE TO THE AUTHORITIES,
PROVING YES, INDEED,

147
00:16:30,865 --> 00:16:32,572
I TRULY HAVE KILLED HIM,

148
00:16:32,742 --> 00:16:35,746
AT WHICH POINT THE AUTHORITIES
PAY ME THE BOUNTY.

149
00:16:35,912 --> 00:16:39,246
SO, LIKE SLAVERY,
IT'S A FLESH FOR CASH BUSINESS.

150
00:16:40,875 --> 00:16:41,865
WHAT'S A BOUNTY?

151
00:16:45,671 --> 00:16:47,139
IT'S LIKE A REWARD.

152
00:16:47,298 --> 00:16:50,666
YOU KILL PEOPLE?
AND THEY GIVE YOU A REWARD?

153
00:16:50,843 --> 00:16:52,709
CERTAIN PEOPLE, YEAH.

154
00:16:52,887 --> 00:16:54,002
BAD PEOPLE?

155
00:16:54,180 --> 00:16:58,151
AH! BADDER THEY ARE,
BIGGER THE REWARD.

156
00:16:58,309 --> 00:17:00,596
WHICH BRINGS ME TO YOU.

157
00:17:00,770 --> 00:17:05,014
AND I MUST ADMIT, I'M AT A BIT OF
A QUANDARY WHEN IT COMES TO YOU.

158
00:17:05,191 --> 00:17:07,603
ON ONE HAND, I DESPISE SLAVERY.

159
00:17:07,777 --> 00:17:10,906
ON THE OTHER HAND, I NEED YOUR HELP.

160
00:17:11,072 --> 00:17:14,440
IF YOU'RE NOT IN A POSITION TO REFUSE,
ALL THE BETTER.

161
00:17:15,326 --> 00:17:18,000
SO, FOR THE TIME BEING, I'M GONNA
MAKE THIS SLAVERY MALARKEY

162
00:17:18,162 --> 00:17:20,381
WORK TO MY BENEFIT.

163
00:17:20,540 --> 00:17:25,205
STILL, HAVING SAID THAT, I FEEL GUILTY.

164
00:17:26,879 --> 00:17:32,136
SO, I WOULD LIKE THE TWO OF US
TO ENTER INTO AN AGREEMENT.

165
00:17:39,183 --> 00:17:41,015
I'M LOOKING FOR THE BRITTLE BROTHERS.

166
00:17:45,690 --> 00:17:47,033
HOWEVER, AT THIS ENDEAVOR,

167
00:17:47,191 --> 00:17:52,311
I'M AT A SLIGHT DISADVANTAGE INSOFAR
AS I DON'T KNOW WHAT THEY LOOK LIKE.

168
00:17:53,573 --> 00:17:56,452
BUT YOU DO. DON'T YA?

169
00:17:56,617 --> 00:17:58,836
I KNOW WHAT THEY LOOK LIKE ALL RIGHT.

170
00:17:58,995 --> 00:18:02,488
GOOD. SO HERE'S MY AGREEMENT.

171
00:18:02,665 --> 00:18:06,090
YOU TRAVEL WITH ME UNTIL WE FIND THEM.
WHERE WE GOIN?

172
00:18:06,252 --> 00:18:08,869
I HEAR AT LEAST TWO OF THEM
ARE OVERSEEING UP IN GATLINBURG,

173
00:18:09,046 --> 00:18:11,208
BUT I DON'T KNOW WHERE.

174
00:18:11,382 --> 00:18:15,683
THAT MEANS WE VISIT EVERY PLANTATION
IN GATLINBURG TILL WE FIND 'EM.

175
00:18:15,845 --> 00:18:21,102
AND WHEN WE FIND THEM,
YOU POINT THEM OUT, AND I KILL THEM.

176
00:18:22,143 --> 00:18:25,511
YOU DO THAT, I AGREE
TO GIVE YOU YOUR FREEDOM,

177
00:18:25,688 --> 00:18:29,807
$25 PER BRITTLE BROTHER. THAT'S $75.

178
00:18:29,984 --> 00:18:33,705
AND, AS IF ON CUE,
HERE COMES THE SHERIFF.

179
00:18:41,454 --> 00:18:46,961
OK, BOYS. FUN'S OVER. COME ON OUT.

180
00:18:49,587 --> 00:18:54,184
ALL RIGHT, FOLKS, CALM DOWN.

181
00:18:55,217 --> 00:18:56,924
GO ABOUT YOUR BUSINESS.

182
00:18:57,720 --> 00:19:00,098
THESE JOKERS WILL BE GONE SOON.

183
00:19:02,058 --> 00:19:07,474
NOW, WHY Y'ALL WANNA COME
INTO MY TOWN AND START TROUBLE?

184
00:19:07,647 --> 00:19:10,890
AND SCARE ALL THESE NICE PEOPLE.

185
00:19:12,068 --> 00:19:14,742
YOU AIN'T GOT NOTHING BETTER TO DO

186
00:19:14,904 --> 00:19:18,124
THAN TO COME INTO BILL SHARP'S TOWN

187
00:19:18,282 --> 00:19:20,535
AND SHOW YOUR ASS?

188
00:19:28,876 --> 00:19:32,790
WHAT'D YOU JUST DO TO OUR SHERIFF?

189
00:19:44,100 --> 00:19:46,444
NOW YOU CAN GET THE MARSHAL.

190
00:19:47,937 --> 00:19:50,281
MARSHAL! MARSHAL!

191
00:19:50,439 --> 00:19:52,692
SHOULD WE WAIT INSIDE?
CAN WE JUST LEAVE?

192
00:19:52,858 --> 00:19:54,064
AFTER YOU.

193
00:19:56,529 --> 00:20:00,739
MOVE THAT BUCKBOARD A LONG WAYS
ACROSS THE STREET FROM THE SALOON.

194
00:20:00,908 --> 00:20:03,787
I WANT SIX MEN, SIX RIFLES BEHIND IT.

195
00:20:03,953 --> 00:20:06,115
I WANT TWO MEN,
TWO RIFLES UP ON THIS ROOF.

196
00:20:06,288 --> 00:20:08,632
TWO MEN, TWO RIFLES ON THAT ROOF.

197
00:20:08,791 --> 00:20:11,761
ALL THE BARRELS AIMED
AT THAT FRONT DOOR.

198
00:20:11,919 --> 00:20:14,923
SOMEBODY GET POOR BILL
OUTTA THE GODDAMN STREET.

199
00:20:16,090 --> 00:20:18,252
YOU IN THE SALOON!

200
00:20:18,426 --> 00:20:21,760
WE GOT A HUNDRED RIFLES AIMED
AT EVERY WAY OUT OF THAT BUILDIN'.

201
00:20:22,471 --> 00:20:25,634
YOU GOT ONE CHANCE
TO GET OUT OF THIS ALIVE.

202
00:20:26,475 --> 00:20:29,120
YOU AND YOUR NIGGER COME OUT RIGHT NOW
WITH YOUR HANDS OVER YOUR HEAD,

203
00:20:29,145 --> 00:20:31,102
AND I MEAN RIGHT NOW.

204
00:20:32,231 --> 00:20:35,656
IS THIS THE MARSHAL
I HAVE THE PLEASURE OF ADDRESSING?

205
00:20:35,818 --> 00:20:37,616
YES, IT IS.

206
00:20:37,778 --> 00:20:39,872
THIS IS U.S. MARSHAL GILL TATUM.

207
00:20:40,030 --> 00:20:42,317
NA WUNDERBAR, MARSHAL.

208
00:20:42,825 --> 00:20:46,409
I HAVE RELIEVED MYSELF OF ALL WEAPONS,

209
00:20:46,579 --> 00:20:49,492
AND JUST AS YOU HAVE INSTRUCTED,

210
00:20:49,665 --> 00:20:52,339
I AM READY TO STEP OUTSIDE

211
00:20:52,501 --> 00:20:56,597
WITH MY HANDS RAISED ABOVE MY HEAD.

212
00:20:57,673 --> 00:21:00,085
I TRUST AS A REPRESENTATIVE

213
00:21:00,259 --> 00:21:03,627
OF THE CRIMINAL JUSTICE SYSTEM OF
THE UNITED STATES OF AMERICA,

214
00:21:03,804 --> 00:21:09,641
I SHAN'T BE SHOT DOWN IN THE STREET
BY EITHER YOU OR YOUR DEPUTIES

215
00:21:09,810 --> 00:21:12,643
BEFORE I'VE HAD MY DAY IN COURT.

216
00:21:12,813 --> 00:21:15,157
YOU MEAN LIKE YOU DID OUR SHERIFF.

217
00:21:15,316 --> 00:21:17,114
SHOT HIM DOWN LIKE A DOG IN THE STREET.

218
00:21:17,276 --> 00:21:19,620
YES, THAT'S EXACTLY WHAT I MEAN.

219
00:21:19,779 --> 00:21:25,457
DO I HAVE YOUR WORD AS A LAWMAN NOT TO
SHOOT ME DOWN LIKE A DOG IN THE STREET?

220
00:21:28,788 --> 00:21:32,031
WELL, MUCH AS WE'D ALL ENJOY
SEEING SOMETHING LIKE THAT,

221
00:21:32,208 --> 00:21:35,212
AIN'T NOBODY GONNA CHEAT
THE HANGMAN IN MY TOWN.

222
00:21:36,253 --> 00:21:39,223
FAIR ENOUGH, MARSHAL.
HERE WE COME.

223
00:21:41,050 --> 00:21:43,212
THEY'RE A LITTLE TENSE OUT THERE.

224
00:21:43,385 --> 00:21:46,844
SO DON'T MAKE ANY QUICK MOVEMENTS,
AND LET ME DO THE TALKING.

225
00:21:47,181 --> 00:21:49,855
COME AHEAD.

226
00:21:56,899 --> 00:21:58,151
YOU UNARMED?

227
00:21:58,317 --> 00:22:00,024
YES, INDEED WE ARE.

228
00:22:00,778 --> 00:22:04,112
MARSHAL TATUM, MAY I ADDRESS YOU
AND YOUR DEPUTIES,

229
00:22:04,281 --> 00:22:06,238
AND APPARENTLY THE
ENTIRE TOWN OF DAUGHTREY,

230
00:22:06,408 --> 00:22:08,752
AS TO THE INCIDENT THAT JUST OCCURRED?

231
00:22:10,079 --> 00:22:12,548
GO ON.
THANK YOU.

232
00:22:12,706 --> 00:22:14,834
MY NAME IS DR. KING SCHULTZ.

233
00:22:15,000 --> 00:22:18,243
LIKE YOURSELF, MARSHAL,
I'M A SERVANT OF THE COURT.

234
00:22:18,420 --> 00:22:21,845
THE MAN LYING DEAD IN THE DIRT,
WHO THE GOOD PEOPLE OF DAUGHTREY

235
00:22:22,007 --> 00:22:26,103
SAW FIT TO ELECT AS THEIR SHERIFF,
WHO WENT BY THE NAME OF BILL SHARP,

236
00:22:26,262 --> 00:22:30,859
IS ACTUALLY A WANTED OUTLAW
BY THE NAME OF WILLARD PECK,

237
00:22:31,016 --> 00:22:33,599
WITH A PRICE ON HIS HEAD OF $200.

238
00:22:33,769 --> 00:22:36,739
NOW THAT'S $200, DEAD OR ALIVE.

239
00:22:36,897 --> 00:22:38,240
THE HELL, YOU SAY!

240
00:22:38,399 --> 00:22:42,438
I'M AWARE THIS IS PROBABLY
DISCONCERTING NEWS.

241
00:22:42,611 --> 00:22:45,774
BUT I'M WILLING TO WAGER
THIS MAN WAS ELECTED SHERIFF

242
00:22:45,948 --> 00:22:48,440
SOMETIME IN THE PAST TWO YEARS?

243
00:22:49,368 --> 00:22:50,358
YEAH.

244
00:22:50,536 --> 00:22:53,961
I KNOW THIS BECAUSE THREE
YEARS AGO, HE WAS RUSTLING CATTLE

245
00:22:54,123 --> 00:22:57,582
FROM THE B.C. CORRIGAN CATTLE COMPANY
OF LUBBOCK, TEXAS.

246
00:22:57,751 --> 00:23:01,540
NOW, THIS IS A WARRANT
MADE OUT BY

247
00:23:01,714 --> 00:23:07,392
CIRCUIT COURT JUDGE HENRY ALLEN
LAUDERMILK OF AUSTIN, TEXAS.

248
00:23:07,553 --> 00:23:09,260
YOU'RE ENCOURAGED TO WIRE HIM.

249
00:23:09,430 --> 00:23:14,482
HE'LL BACK UP WHO I AM AND
WHO YOUR DEAR DEPARTED SHERIFF WAS.

250
00:23:22,651 --> 00:23:26,565
IN OTHER WORDS, MARSHAL,
YOU OWE ME $200.

251
00:23:35,247 --> 00:23:36,749
I'LL BE DAMNED.

252
00:24:04,818 --> 00:24:08,368
AFTER THIS BRITTLE BUSINESS
IS BEHIND US,

253
00:24:08,530 --> 00:24:14,071
YOU'LL BE A FREE MAN, WITH A HORSE,
$75 IN YOUR BACK POCKET...

254
00:24:16,872 --> 00:24:18,283
WHAT'S YOUR PLAN AFTER THAT?

255
00:24:20,542 --> 00:24:24,388
FIND MY WIFE, AND BUY HER FREEDOM.

256
00:24:26,632 --> 00:24:31,502
DJANGO, I HAD NO IDEA
YOU WERE A MARRIED MAN.

257
00:24:32,012 --> 00:24:34,299
DO MOST SLAVES BELIEVE IN MARRIAGE?

258
00:24:34,473 --> 00:24:38,057
OH, ME AND MY WIFE DO.

259
00:24:38,227 --> 00:24:42,403
OLD MAN CARRUCAN DIDN'T.
THAT'S WHY WE, UH... WE RUN OFF.

260
00:24:43,607 --> 00:24:45,223
DJANGO.

261
00:24:45,901 --> 00:24:48,484
DJANGO, DJANGO.

262
00:24:48,654 --> 00:24:51,362
YOU GOT SAND, DJANGO.

263
00:24:52,074 --> 00:24:53,940
BOY'S GOT SAND.

264
00:24:55,744 --> 00:24:58,873
I GOT NO USE FOR A NIGGER WITH SAND.

265
00:25:00,582 --> 00:25:04,075
I WANT YOU TO BURN A RUNAWAY "R"
RIGHT HERE ON HIS CHEEK.

266
00:25:04,253 --> 00:25:05,300
AND THE GIRL, TOO.

267
00:25:07,423 --> 00:25:12,213
AND I WANT YOU TO TAKE 'EM TO
THE GREENVILLE AUCTION AND SELL 'EM.

268
00:25:13,053 --> 00:25:14,919
BOTH OF 'EM.

269
00:25:15,097 --> 00:25:16,838
SEPARATELY.

270
00:25:19,309 --> 00:25:20,652
AND THIS ONE...

271
00:25:23,272 --> 00:25:25,980
YOU WILL SELL HIM CHEAP.

272
00:25:27,943 --> 00:25:29,445
IN GREENVILLE...

273
00:25:31,989 --> 00:25:34,959
THERE SHOULD BE SOME SORT
OF A RECORDS OFFICE.

274
00:25:42,166 --> 00:25:44,385
YOU KNOW WHEN SHE WAS SOLD...

275
00:25:45,836 --> 00:25:48,806
YOU KNOW WHERE SHE CAME FROM,

276
00:25:48,964 --> 00:25:50,796
AND YOU KNOW HER NAME.

277
00:25:51,592 --> 00:25:53,128
WHAT IS HER NAME?

278
00:25:53,302 --> 00:25:54,975
BROOMHILDA.

279
00:25:56,555 --> 00:25:59,798
WHAT?
BROOM-HILDA.

280
00:25:59,975 --> 00:26:01,932
BROOMHILDA?
HM-MM.

281
00:26:04,021 --> 00:26:07,025
WERE HER OWNERS GERMAN?
YEAH, HOW YOU KNOW?

282
00:26:07,900 --> 00:26:09,460
SHE WASN'T BORN ON
THE CARRUCAN PLANTATION.

283
00:26:09,485 --> 00:26:12,034
SHE WAS RAISED BY A GERMAN MISTRESS,
THE VON SHAFTS.

284
00:26:12,196 --> 00:26:14,324
SHE SPEAK A LITTLE GERMAN, TOO.

285
00:26:14,490 --> 00:26:16,231
YOUR WIFE?
HM-MM.

286
00:26:16,408 --> 00:26:18,385
WHEN SHE WAS LITTLE, HER MISTRESS
TAUGHT HER SO SHE'D HAVE SOMEBODY

287
00:26:18,410 --> 00:26:20,003
TO SPEAK GERMAN WITH.

288
00:26:21,580 --> 00:26:24,163
WELL, LET ME GET THIS STRAIGHT.

289
00:26:24,333 --> 00:26:28,930
YOUR SLAVE WIFE SPEAKS GERMAN
AND HER NAME IS BROOMHILDA VON SHAFT?

290
00:26:29,088 --> 00:26:30,203
YEP.

291
00:26:34,259 --> 00:26:37,001
THEY CALL ME HILDI.

292
00:26:53,695 --> 00:26:59,293
WHEN WE GAIN ACCESS TO THESE
PLANTATIONS, WE'LL BE PUTTING ON AN ACT.

293
00:27:00,619 --> 00:27:03,361
YOU'LL BE PLAYING A CHARACTER.

294
00:27:10,254 --> 00:27:11,369
HM?

295
00:27:12,089 --> 00:27:13,500
NO?

296
00:27:20,514 --> 00:27:24,974
DURING THE ACT, YOU CAN
NEVER BREAK CHARACTER.

297
00:27:26,061 --> 00:27:27,597
DO YOU UNDERSTAND?

298
00:27:28,355 --> 00:27:30,904
YEAH. DON'T BREAK CHARACTER.

299
00:27:33,235 --> 00:27:37,149
AND YOUR CHARACTER
IS THAT OF THE VALET.

300
00:27:37,906 --> 00:27:39,408
WHAT THAT IS?

301
00:27:40,325 --> 00:27:42,703
THAT'S A FANCY WORD FOR SERVANT.

302
00:27:42,870 --> 00:27:44,122
VALET?
HM-MM.

303
00:27:45,622 --> 00:27:50,128
AND NOW, DJANGO, YOU MAY CHOOSE
YOUR CHARACTER'S COSTUME.

304
00:27:52,546 --> 00:27:54,378
YOUSE GONNA LET ME
PICK OUT MY OWN CLOTHES?

305
00:27:54,548 --> 00:27:55,504
BUT OF COURSE.

306
00:28:24,286 --> 00:28:25,492
WHOA.

307
00:28:29,791 --> 00:28:33,375
IT'S AGAINST THE LAW FOR NIGGERS
TO RIDE HORSES IN THIS TERRITORY.

308
00:28:33,545 --> 00:28:36,913
THIS IS MY VALET.
MY VALET DOES NOT WALK.

309
00:28:37,090 --> 00:28:40,970
I SAID NIGGERS ON HORSES...
HIS NAME IS DJANGO.

310
00:28:41,136 --> 00:28:43,935
HE'S A FREE MAN.
HE CAN RIDE WHAT HE PLEASES.

311
00:28:44,097 --> 00:28:47,556
NOT ON MY PROPERTY.
NOT AROUND MY NIGGERS, HE CAN'T.

312
00:28:48,227 --> 00:28:53,222
MY GOOD SIR,
PERHAPS WE GOT OFF ON THE WRONG BOOT.

313
00:28:53,398 --> 00:28:55,867
ALLOW ME TO UNRING THIS BELL.

314
00:28:56,026 --> 00:28:59,872
MY NAME IS DR. KING SCHULTZ.
THIS IS MY VALET, DJANGO.

315
00:29:00,030 --> 00:29:02,158
AND THESE ARE OUR HORSES,
TONY AND FRITZ.

316
00:29:05,994 --> 00:29:07,371
MR. BENNETT?

317
00:29:07,537 --> 00:29:11,747
I'VE BEEN LED TO BELIEVE THAT YOU
ARE A GENTLEMAN AND A BUSINESSMAN.

318
00:29:11,917 --> 00:29:15,888
AND IT IS FOR THESE ATTRIBUTES
WE'VE RIDDEN FROM TEXAS TO TENNESSEE

319
00:29:16,046 --> 00:29:17,969
TO PARLEY WITH YOU NOW.

320
00:29:18,799 --> 00:29:23,100
I WISH TO PURCHASE
ONE OF YOUR NIGGER GALS.

321
00:29:24,638 --> 00:29:27,733
YOU AND YOUR JIMMIE
RODE FROM TEXAS TO TENNESSEE

322
00:29:27,891 --> 00:29:29,689
TO BUY ONE OF MY NIGGER GALS?

323
00:29:29,851 --> 00:29:31,524
NO APPOINTMENT, NO NOTHIN?

324
00:29:31,687 --> 00:29:33,610
OH, I'M AFRAID SO.

325
00:29:33,772 --> 00:29:36,184
WELL, WHAT IF I WAS TO SAY
I DON'T LIKE YOU?

326
00:29:36,358 --> 00:29:38,031
OR YOUR FANCY-PANTS NIGGER?

327
00:29:38,193 --> 00:29:40,412
AND I WOULDN'T SELL YOU A TINKER'S DAMN.

328
00:29:40,570 --> 00:29:42,527
NOW WHAT YOU GOT TO SAY ABOUT THAT?

329
00:29:45,867 --> 00:29:47,790
MR. BENNETT.

330
00:29:47,953 --> 00:29:51,196
IF YOU ARE THE BUSINESSMAN
I'VE BEEN LED TO BELIEVE YOU TO BE,

331
00:29:51,373 --> 00:29:56,550
I HAVE 5,000 THINGS I MIGHT SAY
THAT COULD CHANGE YOUR MIND.

332
00:30:00,757 --> 00:30:04,216
WELL, COME ON INSIDE AND GET
YOURSELF SOMETHIN' COOL TO DRINK.

333
00:30:06,221 --> 00:30:07,302
HM-MM.

334
00:30:18,734 --> 00:30:20,691
OH, MAYBE WHILE WE DISCUSS BUSINESS,

335
00:30:20,861 --> 00:30:23,410
YOU COULD PROVIDE ONE OF
YOUR LOVELIEST BLACK CREATURES

336
00:30:23,572 --> 00:30:25,950
TO ESCORT DJANGO HERE
AROUND YOUR MAGNIFICENT GROUNDS.

337
00:30:26,116 --> 00:30:28,278
OH, WELL, ABSOLUTELY!
UH, BETINA.

338
00:30:28,452 --> 00:30:30,193
YESSIR, BIG DADDY?
UH...

339
00:30:30,370 --> 00:30:32,236
WHAT'S YOUR JIMMIE'S NAME AGAIN?

340
00:30:32,414 --> 00:30:33,916
DJANGO.
DJANGO.

341
00:30:34,082 --> 00:30:36,244
BETINA, SUGAR, COULD YOU
TAKE DJANGO THERE

342
00:30:36,418 --> 00:30:39,638
AND TAKE HIM AROUND THE GROUNDS HERE
AND SHOW HIM ALL THE PRETTY STUFF.

343
00:30:39,796 --> 00:30:41,082
AS YOU PLEASE, BIG DADDY.

344
00:30:41,256 --> 00:30:45,170
OH, MR. BENNETT, I MUST REMIND YOU,
DJANGO IS A FREE MAN.

345
00:30:45,344 --> 00:30:48,678
HE CANNOT BE TREATED LIKE A SLAVE.
HE... WITHIN THE BOUNDS OF GOOD TASTE,

346
00:30:48,847 --> 00:30:51,339
HE MUST BE TREATED
AS AN EXTENSION OF MYSELF.

347
00:30:51,516 --> 00:30:54,520
UNDERSTOOD, SCHULTZ. BETINA, SUGAR?
YES'M?

348
00:30:54,686 --> 00:30:59,317
DJANGO ISN'T A SLAVE.
DJANGO IS A FREE MAN, YOU UNDERSTAND?

349
00:31:00,650 --> 00:31:02,961
YOU CAN'T TREAT HIM LIKE ANY
OF THE OTHER NIGGERS AROUND HERE,

350
00:31:02,986 --> 00:31:05,899
'CAUSE HE AIN'T LIKE ANY OF THE
OTHER NIGGERS AROUND HERE. YOU GOT IT?

351
00:31:06,073 --> 00:31:08,952
YOU WANT I SHOULD
TREAT HIM LIKE WHITE FOLKS?

352
00:31:09,117 --> 00:31:12,246
NO. THAT'S NOT WHAT I SAID.

353
00:31:12,412 --> 00:31:14,961
THEN I DON'T KNOW WHAT YOU WANT,
BIG DADDY.

354
00:31:15,457 --> 00:31:19,963
YES, I CAN SEE THAT. UH...

355
00:31:20,128 --> 00:31:24,588
WHAT'S THE NAME OF THAT PECKERWOOD BOY
FROM TOWN THAT WORKS WITH THE GLASS?

356
00:31:24,758 --> 00:31:26,715
HIS MAMA WORK OVER AT THE LUMBERYARD.

357
00:31:26,885 --> 00:31:29,627
OH, YOU MEAN JERRY.
THAT'S THE BOY'S NAME. JERRY!

358
00:31:29,805 --> 00:31:31,307
YOU KNOW JERRY, DON'T YOU, SUGAR?

359
00:31:31,473 --> 00:31:34,602
YES'M, BIG DADDY.
WELL, THAT'S IT, THEN.

360
00:31:34,768 --> 00:31:37,738
YOU JUST TREAT HIM LIKE YOU WOULD JERRY.

361
00:31:44,694 --> 00:31:47,402
THAT HOUSE WE JUST LEFT FROM
IS THE BIG HOUSE.

362
00:31:51,660 --> 00:31:53,822
THAT THERE IS THE PANTRY.

363
00:31:53,995 --> 00:31:57,488
THAT'S WHERE BIG DADDY
HANG ALL HIS DEAD MEAT.

364
00:31:57,666 --> 00:31:59,714
PO' LITTLE SQUIRRELS.

365
00:32:01,420 --> 00:32:03,832
WHAT YOU DO FOR YOUR MASSA?

366
00:32:04,005 --> 00:32:05,806
DIDN'T YOU HEAR HIM TELL YOU
I AIN'T NO SLAVE?

367
00:32:05,924 --> 00:32:08,336
SO YOU REALLY FREE?
YES, I'S FREE.

368
00:32:08,510 --> 00:32:10,854
YOU MEAN YOU WANNA DRESS LIKE THAT?

369
00:32:12,681 --> 00:32:15,150
BETINA, I NEED TO ASK YOU SOMETHIN'.
WHAT YOU WANT?

370
00:32:15,308 --> 00:32:18,403
I'M LOOKIN' FOR THREE WHITE MEN.
THREE BROTHERS. OVERSEERS.

371
00:32:18,562 --> 00:32:20,030
THEIR NAME IS BRITTLE. YOU KNOW 'EM?

372
00:32:20,188 --> 00:32:22,054
BRITTLE?
YES, BRITTLE.

373
00:32:22,232 --> 00:32:26,533
JOHN BRITTLE, ELLIS BRITTLE,
ROGER BRITTLE, SOMETIME CALLED LIL RAJ.

374
00:32:26,695 --> 00:32:28,527
I DON'T KNOW THEM.

375
00:32:29,114 --> 00:32:30,946
THEY COULD BE USIN' A DIFFERENT NAME.

376
00:32:31,116 --> 00:32:33,369
THEY WOULDA COME TO THE PLANTATION
THIS PAST YEAR.

377
00:32:33,535 --> 00:32:36,152
YOU MEAN THE SHAFFERS?
MAYBE.

378
00:32:36,329 --> 00:32:38,457
THREE BROTHERS?
UH-HUH.

379
00:32:38,623 --> 00:32:40,364
THEY HERE?
UH-HUH.

380
00:32:40,542 --> 00:32:42,283
COULD YOU POINT ONE OF 'EM OUT TO ME?

381
00:32:42,461 --> 00:32:44,748
WELL, ONE'S OVER IN THAT FIELD.

382
00:32:58,852 --> 00:33:00,579
OLD MAN CARRUCAN AIN'T
GONNA APPRECIATE THIS, NOW.

383
00:33:00,604 --> 00:33:01,725
SHE WORK IN THE HOUSE, JOHN.

384
00:33:01,730 --> 00:33:03,748
YOU COULD MESS HER SKIN UP,
AND YOU GONNA MESS HER UP

385
00:33:03,773 --> 00:33:05,876
AND SHE AIN'T GONNA BE WORTH...
SHE AIN'T GONNA BE WORTH A DAMN THING.

386
00:33:05,901 --> 00:33:07,767
NOW, YOUR BIBLE SAY...

387
00:33:12,365 --> 00:33:14,676
LOOK, I TOLD YOU
THAT I WAS ONE THAT MADE HER DO IT.

388
00:33:14,701 --> 00:33:16,317
YOU READY?

389
00:33:16,495 --> 00:33:18,930
SHE DIDN'T WANNA RUN OFF WITH ME. IF
ANYBODY SHOULD BE GETTIN' WHUPPED NOW,

390
00:33:18,955 --> 00:33:20,474
IT SHOULD BE ME. IT SHOULD BE ME, JOHN.

391
00:33:20,499 --> 00:33:23,469
NOW, I BEEN HERE LONG ENOUGH, YOU KNOW
ME, YOU KNOW ME A LONG TIME, NOW.

392
00:33:33,220 --> 00:33:35,260
YOU KNOW MASSA CARRUCAN
AIN'T GONNA APPRECIATE THIS.

393
00:33:35,347 --> 00:33:36,963
SHE'S A... SHE'S A HOUSE SLAVE.

394
00:33:37,140 --> 00:33:40,565
SHE A HOUSE SLAVE, SHE CAN'T BE...

395
00:33:59,579 --> 00:34:02,412
ON MY KNEES. I'M ASKING YOU THIS,
PLEASE. AIN'T THIS WHAT YOU WANT?

396
00:34:02,582 --> 00:34:04,462
I'M KEEPING IT FUNNY FOR YOU.
NOW, JOHN, PLEASE.

397
00:34:10,423 --> 00:34:11,538
I'S ON MY KNEES, JOHN.

398
00:34:11,716 --> 00:34:13,673
I LIKE THE WAY YOU BEG, BOY.

399
00:34:17,639 --> 00:34:19,983
IS THAT WHO YOU WAS LOOKIN' FOR?

400
00:34:21,810 --> 00:34:22,982
YEP.

401
00:34:24,271 --> 00:34:25,557
WHERE THE OTHER TWO AT?

402
00:34:25,730 --> 00:34:29,485
THEY BY THE STABLE,
PUNISHIN' LITTLE JODY FOR BREAKIN' EGGS.

403
00:34:29,651 --> 00:34:31,324
THEY WHIPPIN' LITTLE JODY?

404
00:34:31,945 --> 00:34:33,811
POINT ME IN THAT DIRECTION.

405
00:34:34,322 --> 00:34:37,542
YOU GO TO THAT TREE
AND KEEP GOIN' THAT-A WAY.

406
00:34:42,163 --> 00:34:44,257
GO GET THAT WHITE MAN
I CAME HERE WITH.

407
00:34:45,875 --> 00:34:47,310
COME ON, NOW.
NO, NO, PLEASE!

408
00:34:47,335 --> 00:34:48,837
COME ON, GIRLIE.
PLEASE!

409
00:34:49,004 --> 00:34:51,553
COME ON. GET YOU SET UP NOW.

410
00:34:51,715 --> 00:34:54,184
"AND THE LORD SAID,
'THE FEAR OF YE..."

411
00:34:54,342 --> 00:34:57,312
"AND THE DREAD OF YE

412
00:34:57,470 --> 00:34:59,757
SHALL BE ON EVERY BEAST
OF THE EARTH."'

413
00:35:01,057 --> 00:35:02,434
COME HERE NOW, WOMAN!

414
00:35:02,601 --> 00:35:05,696
YOU'D BETTER GIVE ME THAT ARM!

415
00:35:22,871 --> 00:35:24,612
OK, SHE'S READY!

416
00:35:38,720 --> 00:35:42,725
AND AFTER THIS, WE'LL SEE
IF YOU BREAK EGGS AGAIN.

417
00:35:46,144 --> 00:35:48,067
JOHN BRITTLE!

418
00:36:08,625 --> 00:36:11,299
YOU REMEMBER ME?

419
00:36:22,222 --> 00:36:24,600
I LIKE THE WAY YOU DIE, BOY.

420
00:36:30,355 --> 00:36:32,904
GODDAMN SON OF A BITCH!

421
00:36:50,959 --> 00:36:52,427
KEEP IT FUNNY!

422
00:37:17,986 --> 00:37:19,454
Y'ALL WANNA SEE SOMETHIN?

423
00:37:22,949 --> 00:37:24,622
NO!

424
00:37:34,753 --> 00:37:36,289
WHO WERE THEY?

425
00:37:37,005 --> 00:37:40,009
THAT'S BIG JOHN,
AND THAT'S LIL RAJ.

426
00:37:40,175 --> 00:37:41,677
WHERE'S ELLIS?

427
00:37:41,843 --> 00:37:44,187
HE'S THE ONE HIGHTAILIN' IT
ACROSS THAT FIELD RIGHT NOW.

428
00:37:49,017 --> 00:37:50,519
YOU SURE THAT'S HIM?
YEAH.

429
00:37:50,685 --> 00:37:52,608
POSITIVE?
I DON'T KNOW.

430
00:37:52,771 --> 00:37:55,165
YOU DON'T KNOW IF YOU'RE POSITIVE?
I DON'T KNOW WHAT "POSITIVE" MEAN.

431
00:37:55,190 --> 00:37:56,442
IT MEANS YOU'RE SURE.
YES.

432
00:37:56,608 --> 00:37:58,895
"YES," WHAT?
YES, I'M SURE THAT'S ELLIS BRITTLE.

433
00:38:12,123 --> 00:38:13,716
I'M POSITIVE HE DEAD.

434
00:38:18,755 --> 00:38:19,745
DJANGO!

435
00:38:21,549 --> 00:38:23,961
EVERYBODY CALM DOWN.

436
00:38:24,135 --> 00:38:26,388
WE MEAN NO ONE ELSE ANY HARM.

437
00:38:26,554 --> 00:38:28,090
WHO ARE YOU TWO JOKERS?

438
00:38:28,264 --> 00:38:31,268
I AM DR. KING SCHULTZ,
A LEGAL REPRESENTATIVE

439
00:38:31,434 --> 00:38:34,108
OF THE CRIMINAL JUSTICE SYSTEM OF
THE UNITED STATES OF AMERICA.

440
00:38:34,270 --> 00:38:38,867
THE MAN TO MY LEFT IS DJANGO FREEMAN.
HE'S MY DEPUTY.

441
00:38:39,025 --> 00:38:40,982
IN MY POCKET IS A WARRANT,

442
00:38:41,152 --> 00:38:45,248
SIGNED BY CIRCUIT COURT JUDGE
HENRY ALLEN LAUDERMILK OF AUSTIN, TEXAS,

443
00:38:45,406 --> 00:38:49,286
FOR THE ARREST AND CAPTURE,
DEAD OR ALIVE,

444
00:38:49,452 --> 00:38:54,447
OF JOHN BRITTLE,
ROGER BRITTLE AND ELLIS BRITTLE.

445
00:38:54,624 --> 00:38:56,718
THEY WERE GOIN' BY THE NAME SHAFFER.

446
00:38:58,127 --> 00:39:02,246
YOU KNOW THEM BY THE NAME OF SHAFFER,
BUT THE BUTCHERS' REAL NAME WAS BRITTLE.

447
00:39:02,423 --> 00:39:04,096
THESE ARE WANTED MEN.

448
00:39:04,259 --> 00:39:05,727
THE LAW WANTS 'EM FOR MURDER.

449
00:39:05,885 --> 00:39:10,004
NOW, I REITERATE, THE WARRANT
STATES DEAD OR ALIVE,

450
00:39:10,181 --> 00:39:13,481
SO WHEN MR. FREEMAN AND MYSELF
EXECUTED THESE MEN ON SIGHT,

451
00:39:13,643 --> 00:39:17,102
WE WERE OPERATING
WITHIN OUR LEGAL BOUNDARIES.

452
00:39:18,231 --> 00:39:22,600
I REALIZE PASSIONS ARE HIGH,

453
00:39:22,777 --> 00:39:26,816
BUT I MUST WARN YOU,
THE PENALTY FOR TAKING DEADLY FORCE

454
00:39:26,990 --> 00:39:29,430
AGAINST AN OFFICER OF THE COURT
IN THE PERFORMANCE OF HIS DUTY

455
00:39:29,534 --> 00:39:33,448
IS YOU'LL BE HUNG BY THE NECK
UNTIL YOU'RE DEAD.

456
00:39:36,332 --> 00:39:41,202
NOW, MAY I PLEASE REMOVE THE WARRANT
FROM MY POCKET SO YOU MAY EXAMINE IT?

457
00:39:43,298 --> 00:39:44,413
GIMME.

458
00:40:00,982 --> 00:40:02,325
SATISFIED?

459
00:40:08,823 --> 00:40:11,110
MAY I HAVE THAT BACK, PLEASE?

460
00:40:16,831 --> 00:40:19,835
GET OFF MY LAND.
POSTHASTE.

461
00:40:20,501 --> 00:40:24,927
LOAD UP THE BODIES AS QUICKLY AS YOU CAN
AND LET'S GET OUTTA HERE.

462
00:40:50,782 --> 00:40:54,275
YEAH, THAT'S THEM SONS-A-BITCHES.

463
00:41:34,325 --> 00:41:35,577
COME ON, MEN!

464
00:41:37,787 --> 00:41:41,280
WE'RE COMING FOR YOU, NIGGER!
HEE-HAW!

465
00:41:50,508 --> 00:41:54,934
NOW, UNLESS THEY START SHOOTIN' FIRST,
NOBODY SHOOT 'EM.

466
00:41:55,096 --> 00:41:57,315
THAT'S WAY TOO SIMPLE FOR THESE JOKERS.

467
00:41:58,057 --> 00:42:00,674
WE'RE GONNA WHUP THAT
NIGGER-LOVER TO DEATH.

468
00:42:00,852 --> 00:42:05,904
AND I'M GONNA PERSONALLY
STRIP AND CLIP THAT GARBOON MYSELF.

469
00:42:09,777 --> 00:42:10,983
DAMN.

470
00:42:12,321 --> 00:42:14,938
I CAN'T SEE FUCKIN' SHIT
OUTTA THIS THING.

471
00:42:15,867 --> 00:42:17,153
WE READY OR WHAT?

472
00:42:17,326 --> 00:42:19,704
AW, HOLD ON,
I'M FUCKIN' WITH MY EYEHOLES.

473
00:42:19,871 --> 00:42:22,249
OH... OH, SHIT.

474
00:42:22,415 --> 00:42:24,634
I JUST MADE IT WORSE.

475
00:42:24,792 --> 00:42:26,840
WHO MADE THIS GODDAMN SHIT?

476
00:42:27,003 --> 00:42:29,973
WILLARD'S WIFE.
WELL, MAKE YOUR OWN GODDAMN MASKS!

477
00:42:30,131 --> 00:42:33,715
LOOK, NOBODY'S SAYIN'
THEY DON'T APPRECIATE WHAT JENNY DID.

478
00:42:33,885 --> 00:42:36,468
WELL, IF ALL I HAD TO DO
WAS CUT A HOLE IN A BAG,

479
00:42:36,637 --> 00:42:38,310
I COULDA CUT IT BETTER THAN THIS!

480
00:42:38,473 --> 00:42:41,272
WHAT ABOUT YOU, ROBERT?
CAN YOU SEE?

481
00:42:41,434 --> 00:42:42,640
NOT TOO GOOD.

482
00:42:42,810 --> 00:42:47,145
I MEAN, IF I DON'T MOVE MY HEAD I CAN
SEE YOU PRETTY GOOD, MORE OR LESS.

483
00:42:47,315 --> 00:42:50,808
BUT WHEN I START RIDIN', THE BAG'S
MOVIN' ALL OVER, AND I'M RIDIN' BLIND.

484
00:42:50,985 --> 00:42:53,079
SHIT.
YEAH.

485
00:42:53,613 --> 00:42:55,286
I JUST MADE MINE WORSE.

486
00:42:56,115 --> 00:42:57,230
OH, GOD.

487
00:42:57,408 --> 00:42:58,944
ANYBODY BRING ANY EXTRA BAGS?

488
00:42:59,118 --> 00:43:02,088
NO, NOBODY BROUGHT AN EXTRA BAG!

489
00:43:02,246 --> 00:43:03,862
I'M JUST ASKIN'.

490
00:43:04,040 --> 00:43:05,838
DO WE HAVE TO WEAR 'EM WHEN WE RIDE?

491
00:43:06,000 --> 00:43:07,206
OH, WELL, SHITFIRE!

492
00:43:07,376 --> 00:43:10,471
IF YOU DON'T WEAR 'EM AS YOU RIDE UP,
THAT JUST DEFEATS THE PURPOSE!

493
00:43:10,630 --> 00:43:12,587
WELL, I CAN'T SEE
IN THIS FUCKIN' THING!

494
00:43:12,757 --> 00:43:15,610
I CAN'T BREATHE IN THIS FUCKIN' THING
AND I CAN'T RIDE IN THIS FUCKIN' THING!

495
00:43:15,635 --> 00:43:18,047
WELL, FUCK ALL Y'ALL! I'M GOIN' HOME!

496
00:43:18,221 --> 00:43:22,010
NOW, I WATCHED MY WIFE WORK ALL DAY
GETTIN' 30 BAGS TOGETHER

497
00:43:22,183 --> 00:43:24,174
FOR YOU UNGRATEFUL SONS-A-BITCHES,

498
00:43:24,352 --> 00:43:28,107
AND ALL I CAN HEAR IS
CRITICIZE, CRITICIZE, CRITICIZE!

499
00:43:28,272 --> 00:43:31,435
FROM NOW ON, DON'T ASK ME
OR MINE FOR NOTHIN'!

500
00:43:32,735 --> 00:43:35,614
NOW, LOOK, LET'S NOT FORGET
WHY WE'RE HERE.

501
00:43:35,780 --> 00:43:38,875
WE GOT A KILLER NIGGER
OVER THAT HILL THERE!

502
00:43:39,033 --> 00:43:40,510
AND WE GOTTA MAKE A LESSON OUT OF HIM.

503
00:43:40,535 --> 00:43:44,381
OK, I'M CONFUSED.
ARE THE BAGS ON OR OFF?

504
00:43:44,539 --> 00:43:49,329
I THINK WE ALL THINK
THE BAG WAS A NICE IDEA.

505
00:43:49,502 --> 00:43:50,623
YEAH.

506
00:43:50,628 --> 00:43:54,724
BUT, NOT POINTIN' ANY FINGERS,
THEY COULDA BEEN DONE BETTER.

507
00:43:55,675 --> 00:43:59,396
SO HOW 'BOUT NO BAGS THIS TIME,

508
00:43:59,554 --> 00:44:04,549
BUT NEXT TIME WE DO THE BAGS RIGHT
AND THEN WE GO FULL REGALIA.

509
00:44:04,725 --> 00:44:06,765
I LIKE THAT IDEA A LOT.
YOU GET MY VOTE, ROBERT.

510
00:44:06,894 --> 00:44:10,228
WAIT A MINUTE!
I DIDN'T SAY NO BAGS.

511
00:44:10,398 --> 00:44:12,389
BUT NOBODY CAN SEE.

512
00:44:12,567 --> 00:44:13,648
SO?

513
00:44:13,818 --> 00:44:15,684
SO IT'D BE NICE TO SEE.

514
00:44:15,862 --> 00:44:20,618
GODDAMN IT! THIS IS A RAID!
I CAN'T SEE, YOU CAN'T SEE!

515
00:44:20,783 --> 00:44:26,165
SO WHAT? ALL THAT MATTERS IS CAN
THE FUCKIN' HORSE SEE! THAT'S A RAID!

516
00:44:26,330 --> 00:44:29,129
SONS OF BITCHES!

517
00:44:29,917 --> 00:44:31,624
I CAN'T SEE SHIT!

518
00:44:31,794 --> 00:44:35,424
THERE HE IS! GET THAT NIGGER
OUT FROM UNDER THAT WAGON!

519
00:44:36,257 --> 00:44:38,248
AND GET THAT NIGGER-LOVER
OUTTA THE WAGON!

520
00:44:38,426 --> 00:44:40,042
THAT NIGGER AIN'T DOWN HERE,
BIG DADDY!

521
00:44:40,219 --> 00:44:41,630
WHAT?
THEY TRICKED US!

522
00:44:41,804 --> 00:44:42,851
WELL, WHERE ARE THEY?

523
00:44:43,014 --> 00:44:44,425
AUF WIEDERSEHEN.

524
00:44:50,146 --> 00:44:51,944
OH!

525
00:44:52,106 --> 00:44:53,153
BULL'S-EYE.

526
00:44:56,152 --> 00:44:59,452
LOOK AT 'EM RUN.

527
00:45:02,074 --> 00:45:04,657
YEAH, COWARDS TEND TO DO THAT.

528
00:45:04,827 --> 00:45:06,784
GODDAMN IT!

529
00:45:12,919 --> 00:45:14,171
GODDAMN IT!

530
00:45:18,799 --> 00:45:20,506
WOULD YOU CARE TO?

531
00:45:27,308 --> 00:45:29,140
CAN'T SEE SHIT OUTTA THIS!

532
00:45:29,769 --> 00:45:31,931
HE'S GETTING AWAY.
I GOT HIM.

533
00:45:33,981 --> 00:45:35,449
BIG DADDY'S GETTING AWAY.

534
00:45:35,608 --> 00:45:36,860
I GOT HIM.

535
00:45:52,124 --> 00:45:53,171
GOT HIM.

536
00:45:58,005 --> 00:46:01,009
THE KID'S A NATURAL.

537
00:46:11,686 --> 00:46:15,475
HOW YOU KNOW BROOMHILDA'S
FIRST MASTERS WAS GERMAN?

538
00:46:15,648 --> 00:46:17,901
BROOMHILDA IS A GERMAN NAME.

539
00:46:18,067 --> 00:46:20,775
IF THEY NAMED HER,
IT STANDS TO REASON THEY'D BE GERMAN.

540
00:46:20,945 --> 00:46:23,198
LOTS OF GALS WHERE YOU'RE FROM
NAMED BROOMHILDA?

541
00:46:23,990 --> 00:46:26,960
BROOMHILDA IS THE NAME OF A CHARACTER

542
00:46:27,118 --> 00:46:31,032
IN THE MOST POPULAR
OF ALL THE GERMAN LEGENDS.

543
00:46:31,205 --> 00:46:33,162
THERE'S A STORY ABOUT BROOMHILDA?

544
00:46:33,332 --> 00:46:35,039
OH, YES, THERE IS.

545
00:46:41,090 --> 00:46:44,549
DO YOU KNOW IT?
OH, EVERY GERMAN KNOWS THAT STORY.

546
00:46:50,975 --> 00:46:52,352
WOULD YOU LIKE ME TO TELL YOU?

547
00:46:53,853 --> 00:46:59,849
WELL, BROOMHILDA WAS A PRINCESS.

548
00:47:01,694 --> 00:47:05,790
SHE WAS A DAUGHTER OF WOTAN,
GOD OF ALL GODS.

549
00:47:06,824 --> 00:47:10,044
ANYWAY, HER FATHER IS REALLY MAD AT HER.

550
00:47:10,202 --> 00:47:11,454
WHAT SHE DO?

551
00:47:12,413 --> 00:47:13,881
I CAN'T EXACTLY REMEMBER.

552
00:47:14,040 --> 00:47:16,714
SHE DISOBEYS HIM IN SOME WAY.

553
00:47:16,876 --> 00:47:20,039
SO HE PUTS HER ON TOP OF THE MOUNTAIN.

554
00:47:20,713 --> 00:47:21,828
BROOMHILDA'S ON A MOUNTAIN?

555
00:47:22,006 --> 00:47:23,258
IT'S A GERMAN LEGEND,

556
00:47:23,424 --> 00:47:26,223
THERE'S ALWAYS GOING TO BE
A MOUNTAIN IN THERE SOMEWHERE.

557
00:47:26,385 --> 00:47:30,424
AND HE PUTS A FIRE-BREATHING DRAGON
THERE TO GUARD THE MOUNTAIN.

558
00:47:32,099 --> 00:47:37,185
AND HE SURROUNDS HER
IN A CIRCLE OF HELLFIRE.

559
00:47:38,647 --> 00:47:42,982
AND THERE, BROOMHILDA SHALL REMAIN.

560
00:47:44,278 --> 00:47:49,569
UNLESS A HERO ARISES
BRAVE ENOUGH TO SAVE HER.

561
00:47:50,659 --> 00:47:52,252
DOES A FELLA ARISE?

562
00:47:52,411 --> 00:47:55,381
YES, DJANGO, AS A MATTER OF FACT,
HE DOES.

563
00:47:55,539 --> 00:47:57,587
A FELLA NAMED SIEGFRIED.

564
00:47:58,292 --> 00:47:59,292
DOES SIEGFRIED SAVE HER?

565
00:48:01,462 --> 00:48:04,079
QUITE SPECTACULARLY SO.

566
00:48:05,132 --> 00:48:09,251
HE SCALES THE MOUNTAIN,
BECAUSE HE'S NOT AFRAID OF IT.

567
00:48:09,970 --> 00:48:14,146
HE SLAYS THE DRAGON,
BECAUSE HE'S NOT AFRAID OF HIM.

568
00:48:14,308 --> 00:48:16,800
AND HE WALKS THROUGH HELLFIRE...

569
00:48:19,146 --> 00:48:21,524
BECAUSE BROOMHILDA'S WORTH IT.

570
00:48:25,653 --> 00:48:27,326
I KNOW HOW HE FEEL.

571
00:48:28,781 --> 00:48:31,660
I THINK I'M JUST
STARTING TO REALIZE THAT.

572
00:48:37,164 --> 00:48:41,340
NOW, LOOK, DJANGO...

573
00:48:44,255 --> 00:48:48,294
I DON'T DOUBT THAT ONE DAY
YOU'LL SAVE YOUR LADY LOVE...

574
00:48:49,427 --> 00:48:53,011
BUT I CAN'T LET YOU GO TO
GREENVILLE IN A GOOD CONSCIENCE.

575
00:48:54,056 --> 00:48:58,516
A SLAVE AUCTION TOWN IN MISSISSIPPI
ISN'T THE PLACE FOR YOU TO VISIT.

576
00:48:58,686 --> 00:49:01,565
FREE OR NOT, IT'S JUST TOO DANGEROUS.

577
00:49:04,525 --> 00:49:06,687
BUT LET ME ASK YOU A QUESTION.

578
00:49:14,201 --> 00:49:16,613
HOW DO YOU LIKE THE
BOUNTY HUNTING BUSINESS?

579
00:49:18,122 --> 00:49:20,466
KILL WHITE FOLKS
AND THEY PAY YOU FOR IT?

580
00:49:21,292 --> 00:49:22,635
WHAT'S NOT TO LIKE?

581
00:49:22,793 --> 00:49:25,205
NOW, I HAVE TO ADMIT,
WE MAKE A GOOD TEAM.

582
00:49:25,379 --> 00:49:28,212
I THOUGHT YOU WAS MAD AT ME
FOR KILLIN' BIG JOHN AND LIL RAJ.

583
00:49:28,382 --> 00:49:30,476
YEAH, ON THAT OCCASION
YOU WERE A TAD OVERZEALOUS,

584
00:49:30,634 --> 00:49:32,591
BUT NORMALLY, THAT'S A GOOD THING.

585
00:49:33,387 --> 00:49:35,606
HOW'D YOU LIKE TO PARTNER UP
FOR THE WINTER?

586
00:49:35,764 --> 00:49:37,755
WHAT YOU MEAN "PARTNER UP"?

587
00:49:37,933 --> 00:49:42,234
YOU WORK WITH ME THROUGH THE WINTER
TILL THE SNOW MELTS...

588
00:49:43,230 --> 00:49:45,221
I GIVE YOU A THIRD OF MY BOUNTIES.

589
00:49:46,442 --> 00:49:50,356
SO WE MAKE SOME MONEY THIS WINTER,
AND WHEN THE SNOW MELTS,

590
00:49:50,529 --> 00:49:53,442
I'LL TAKE YOU TO GREENVILLE MYSELF

591
00:49:53,616 --> 00:49:56,836
AND WE'LL FIND
WHERE THEY SENT YOUR WIFE.

592
00:50:01,081 --> 00:50:02,822
WHY YOU CARE WHAT HAPPEN TO ME?

593
00:50:04,585 --> 00:50:06,542
WHY YOU CARE IF I FIND MY WIFE?

594
00:50:06,712 --> 00:50:08,089
FRANKLY...

595
00:50:09,381 --> 00:50:12,260
I'VE NEVER GIVEN ANYBODY
THEIR FREEDOM BEFORE.

596
00:50:12,426 --> 00:50:16,272
AND NOW THAT I HAVE,
I FEEL VAGUELY RESPONSIBLE FOR YOU.

597
00:50:17,515 --> 00:50:21,236
PLUS, WHEN A GERMAN MEETS A REAL LIFE
SIEGFRIED, THAT'S KIND OF A BIG DEAL.

598
00:50:23,771 --> 00:50:26,650
AS A GERMAN, I'M OBLIGED
TO HELP YOU ON YOUR QUEST

599
00:50:26,815 --> 00:50:29,432
TO RESCUE YOUR BELOVED BROOMHILDA.

600
00:52:38,739 --> 00:52:39,729
YOU GOT HER.

601
00:52:46,538 --> 00:52:51,465
OOH. WHAT HAPPENED TO MR. "I WANNA
SHOOT WHITE FOLKS FOR MONEY"?

602
00:52:51,627 --> 00:52:54,335
HIS SON'S WITH HIM.
WELL, GOOD.

603
00:52:54,505 --> 00:52:56,098
HE'LL HAVE A LOVED ONE WITH HIM.

604
00:52:56,256 --> 00:52:58,748
MAYBE EVEN SHARE A LAST WORD.

605
00:53:00,761 --> 00:53:02,809
THAT'S BETTER THAN MOST OF THEM GET.

606
00:53:02,971 --> 00:53:05,258
DAMN SIGHT BETTER THAN HE DESERVES.

607
00:53:13,440 --> 00:53:14,783
PUT DOWN THE RIFLE.

608
00:53:17,778 --> 00:53:19,485
DON'T WORRY, I'M NOT MAD AT YOU.

609
00:53:20,280 --> 00:53:22,624
LET'S TAKE OUT SMITTY BACALL'S HANDBILL.

610
00:53:26,578 --> 00:53:28,080
READ IT ALOUD.

611
00:53:28,956 --> 00:53:30,754
CONSIDER THAT TODAY'S LESSON.

612
00:53:33,168 --> 00:53:35,842
"WANTED. DEAD OR ALIVE."

613
00:53:36,797 --> 00:53:40,711
"SMITTY BACALL AND THE
SMITTY BACALL"

614
00:53:40,884 --> 00:53:43,137
GANG.
"GANG."

615
00:53:43,303 --> 00:53:46,967
"FOR MURDER AND STAGECOACH...

616
00:53:48,392 --> 00:53:49,928
ROBBERY."

617
00:53:50,102 --> 00:53:52,901
"SEVEN-ZERO-ZERO-ZERO..."
SEVEN THOUSAND.

618
00:53:53,063 --> 00:53:54,406
THOUSAND.

619
00:53:54,565 --> 00:53:58,775
"$7,000 FOR SMITTY BACALL."

620
00:53:58,944 --> 00:54:04,030
"$1,500 FOR EACH OF HIS...

621
00:54:04,199 --> 00:54:05,997
GANG..."

622
00:54:07,035 --> 00:54:09,026
MEM...
"MEMBERS."

623
00:54:09,747 --> 00:54:14,378
"KNOWN MEMBERS OF THE SMITTY BACALL
GANG ARE AS FOLLAS:"

624
00:54:14,543 --> 00:54:16,284
FOLLOWS.
"FOLLOWS."

625
00:54:16,462 --> 00:54:20,183
"DANDY MICHAELS, GERALD NASH AND..."

626
00:54:21,300 --> 00:54:23,223
CRAZY CRAIG KOONS.

627
00:54:24,219 --> 00:54:26,472
THAT IS WHO SMITTY BACALL IS.

628
00:54:26,638 --> 00:54:29,517
IF SMITTY BACALL WANTED
TO START A FARM AT 22,

629
00:54:29,683 --> 00:54:31,640
THEY WOULD NEVER HAVE PRINTED THAT.

630
00:54:32,352 --> 00:54:35,777
BUT SMITTY BACALL
WANTED TO ROB STAGECOACHES

631
00:54:35,939 --> 00:54:38,351
AND HE DIDN'T MIND
KILLING PEOPLE TO DO IT.

632
00:54:39,026 --> 00:54:42,360
DO YOU WANT TO SAVE YOUR WIFE
BY DOING WHAT I DO?

633
00:54:43,614 --> 00:54:45,082
THIS IS WHAT I DO.

634
00:54:45,240 --> 00:54:48,790
I KILL PEOPLE AND
SELL THEIR CORPSES FOR CASH.

635
00:54:49,703 --> 00:54:53,492
THIS CORPSE IS WORTH $7,000.

636
00:54:53,665 --> 00:54:55,884
NOW QUIT YOUR PUSSYFOOTING
AND SHOOT HIM.

637
00:55:06,011 --> 00:55:07,388
PA?

638
00:55:07,554 --> 00:55:08,897
PA!

639
00:55:17,356 --> 00:55:19,063
HERE.

640
00:55:19,233 --> 00:55:21,327
YOU NEED TO KEEP THIS
SMITTY BACALL HANDBILL.

641
00:55:21,485 --> 00:55:23,579
WHY?
IT'S GOOD LUCK.

642
00:55:23,737 --> 00:55:26,536
YOU ALWAYS KEEP THE HANDBILL
OF YOUR FIRST BOUNTY.

643
00:56:14,454 --> 00:56:15,865
THAT'S ACCURATE.

644
00:57:24,191 --> 00:57:27,320
DOCTOR, DJANGO, HOW THE HELL ARE YA?

645
00:57:28,362 --> 00:57:30,524
WHO THE HELL-A YOU GOT THERE?

646
00:57:30,697 --> 00:57:32,654
THE WILSON-LOWE GANG.

647
00:57:32,824 --> 00:57:35,828
WHO THE HELL IS THE WILSON-LOWE GANG?

648
00:57:36,536 --> 00:57:41,076
BAD CHUCK WILSON AND MEANER
BOBBY LOWE AND THREE OF THEIR ACOLYTES.

649
00:57:41,249 --> 00:57:44,879
HUH. WELL, JUST LEAVE 'EM OUT HERE,
THEY AIN'T GOING NOWHERE.

650
00:57:45,045 --> 00:57:47,423
WHY DON'T YOU COME IN THEN
OUT OF THE SNOWY SNOW

651
00:57:47,589 --> 00:57:49,421
AND GET YOURSELVES SOME COFFEE.

652
00:57:49,591 --> 00:57:52,140
WE HAD A BIRTHDAY YESTERDAY.
GOT SOME CAKE.

653
00:57:52,302 --> 00:57:53,713
PRETTY GOOD.

654
00:58:15,867 --> 00:58:18,211
MOVE ALONG!

655
00:58:23,542 --> 00:58:25,636
MOVE IT, BOY!

656
00:58:27,170 --> 00:58:28,422
KEEP MOVIN'.

657
00:58:28,588 --> 00:58:30,545
GET ON UP ON THAT AUCTION BLOCK.

658
00:58:32,092 --> 00:58:34,470
DON'T LET THAT MUD SLOW YOU DOWN.
KEEP GOING.

659
00:58:50,902 --> 00:58:52,154
KEEP GOIN'!

660
00:58:54,614 --> 00:58:58,528
"BROOMHILDA VON SHAFT. AGE 27.

661
00:58:58,702 --> 00:59:00,113
'R' ON RIGHT CHEEK."

662
00:59:01,788 --> 00:59:04,041
CALVIN CANDIE.

663
00:59:04,207 --> 00:59:08,633
HE OWNS THE FOURTH BIGGEST COTTON
PLANTATION IN MISSISSIPPI: CANDYLAND.

664
00:59:08,795 --> 00:59:10,138
CANDYLAND?

665
00:59:10,297 --> 00:59:11,378
OH, SO YOU'VE HEARD OF IT.

666
00:59:11,548 --> 00:59:13,642
AIN'T NO SLAVE AIN'T HEARD OF CANDYLAND.

667
00:59:13,800 --> 00:59:16,474
WELL, APPARENTLY,
THAT'S WHERE YOUR WIFE IS...

668
00:59:16,636 --> 00:59:18,447
AND THAT'S THE REPELLANT GENTLEMAN

669
00:59:18,472 --> 00:59:22,022
WHO OWNS HER. LET'S JUST HOPE SHE
WORKS IN THE HOUSE, NOT IN THE FIELD.

670
00:59:22,184 --> 00:59:24,312
OH, NO, SHE AIN'T NO FIELD NIGGER.

671
00:59:24,478 --> 00:59:26,469
SHE... SHE PRETTY.

672
00:59:27,147 --> 00:59:29,070
AND SHE TALK GOOD, TOO.

673
00:59:30,650 --> 00:59:32,491
BUT WHEN THEY TORE HER BACK UP
AND THEN THEY...

674
00:59:33,653 --> 00:59:35,815
BURNED THAT RUNAWAY "R"
ON HER CHEEK...

675
00:59:37,240 --> 00:59:38,412
THEY GODDAMNED HER.

676
00:59:43,121 --> 00:59:44,639
SHE AIN'T NO FIELD NIGGER
BUT SHE AIN'T GOOD ENOUGH

677
00:59:44,664 --> 00:59:46,655
FOR THE HOUSE NO MORE EITHER.

678
00:59:46,833 --> 00:59:48,268
THEY GONNA TRY TO
MAKE HER A COMFORT GIRL.

679
00:59:48,293 --> 00:59:50,159
WHAT'S A COMFORT...? OH.

680
00:59:51,088 --> 00:59:52,374
NOT WHILE I GOT FREEDOM.

681
00:59:53,965 --> 00:59:55,763
NOT WHILE I GOT MY GUN.

682
00:59:58,845 --> 01:00:00,552
SO DO WE OFFER TO BUY HER?

683
01:00:03,183 --> 01:00:04,560
SO...

684
01:00:06,144 --> 01:00:07,817
SAY...

685
01:00:09,981 --> 01:00:13,201
A MAN WANTS TO BUY A HORSE.

686
01:00:13,360 --> 01:00:15,408
NEEDS TO BUY A HORSE.

687
01:00:16,363 --> 01:00:19,333
HE WALKS UP TO THE FARMER'S FARM,
AND HE KNOCKS ON THE FARMER'S DOOR

688
01:00:19,491 --> 01:00:21,164
AND ASKS THE FARMER TO BUY HIS HORSE.

689
01:00:21,326 --> 01:00:23,124
AND DO YOU KNOW WHAT THE FARMER SAYS?

690
01:00:23,286 --> 01:00:25,505
THE FARMER SAYS NO.

691
01:00:26,998 --> 01:00:31,959
WELL, I SAY FUCK THAT FARMER,
AND I'M STEALIN' THAT HORSE.

692
01:00:32,129 --> 01:00:36,248
FAIR ENOUGH. BUT NOW YOU'RE A HORSE
THIEF, AND THEY HANG HORSE THIEVES.

693
01:00:36,424 --> 01:00:38,625
NOT TO MENTION THE HORSE
GOES BACK TO ITS ORIGINAL OWNER

694
01:00:38,718 --> 01:00:40,334
BECAUSE THE HORSE IS STILL HIS PROPERTY.

695
01:00:40,512 --> 01:00:44,392
WE NEED HER AND WE NEED A BILL OF SALE.

696
01:00:44,558 --> 01:00:47,158
WELL, IF WE AIN'T GONNA TRY TO BUY HER,
THEN HOW WE GONNA GET HER?

697
01:00:47,936 --> 01:00:51,520
MAY I OFFER AN ALTERNATIVE
PLAN OF ACTION?

698
01:00:51,690 --> 01:00:53,192
GO AHEAD.

699
01:00:53,358 --> 01:00:57,898
SO... THE MAN WALKS UP
TO THE FARMER'S FARM,

700
01:00:58,071 --> 01:00:59,607
HE KNOCKS ON THE FARMER'S DOOR...

701
01:01:00,323 --> 01:01:05,375
AND ASKS NOT TO BUY THE HORSE,
BUT THE FARM.

702
01:01:05,537 --> 01:01:08,905
AND MAKES AN OFFER SO RIDICULOUS,

703
01:01:09,082 --> 01:01:11,881
THE FARMER IS FORCED TO SAY YES.

704
01:01:12,752 --> 01:01:15,494
WE GONNA OFFER TO BUY CANDYLAND?
NO, IT'S FAR TOO BIG.

705
01:01:15,672 --> 01:01:18,915
BUT APPARENTLY THIS FARMER
AIN'T ALL ABOUT THE FARM.

706
01:01:20,385 --> 01:01:22,433
HOW MUCH DO YOU KNOW
ABOUT MANDINGO FIGHTING?

707
01:01:22,596 --> 01:01:23,586
WHAT?

708
01:01:23,763 --> 01:01:26,596
CAN YOU CONVINCINGLY
MASQUERADE AS SOMEONE

709
01:01:26,766 --> 01:01:28,439
WHO IS AN EXPERT ON MANDINGO FIGHTING?

710
01:01:28,602 --> 01:01:29,649
WHY?

711
01:01:29,811 --> 01:01:33,441
<i>BECAUSE MY CHARACTER IS THAT
OF A BIG MONEY BUYER FROM DUSSELDORF,</i>

712
01:01:33,607 --> 01:01:37,032
<i>HERE IN GREENVILLE TO BUY MY WAY
INTO THE MANDINGO FIGHT GAME.</i>

713
01:01:37,194 --> 01:01:41,108
<i>AND YOUR CHARACTER IS A MANDINGO EXPERT
I HIRED TO HELP ME DO IT.</i>

714
01:01:41,281 --> 01:01:43,238
<i>THEY CALL THAT "ONE-EYED CHARLEY."</i>

715
01:01:46,328 --> 01:01:47,796
BONJOUR.

716
01:01:50,874 --> 01:01:53,787
WE'RE HERE TO SEE MR. CALVIN CANDIE.

717
01:01:53,960 --> 01:01:55,553
<i>ENTRAZ.</i>

718
01:01:58,048 --> 01:01:59,516
THANK YOU.
HM-MM.

719
01:02:00,550 --> 01:02:03,167
YOU WANT ME TO PLAY A BLACK SLAVER?

720
01:02:03,345 --> 01:02:06,019
AIN'T NOTHIN' LOWER THAN A BLACK SLAVER.

721
01:02:06,181 --> 01:02:09,640
A BLACK SLAVER IS LOWER
THAN THE HEAD HOUSE NIGGER...

722
01:02:10,310 --> 01:02:12,438
AND, BUDDY,
THAT'S PRETTY FUCKIN' LOW.

723
01:02:13,563 --> 01:02:15,554
THEN PLAY HIM THAT WAY.

724
01:02:15,732 --> 01:02:19,771
GIVE ME YOUR BLACK SLAVER.

725
01:02:22,447 --> 01:02:27,408
<i>♪ ALONG CAME THE 219
TOOT! TOOT! PEANUT BUTTER!</i>

726
01:02:31,164 --> 01:02:33,030
DR. SCHULTZ!

727
01:02:33,208 --> 01:02:36,428
GOOD TO SEE YOU AGAIN!
MR. MOGUY.

728
01:02:36,586 --> 01:02:39,385
THANK YOU FOR YOUR ASSISTANCE
IN CREATING THE OPPORTUNITY

729
01:02:39,547 --> 01:02:42,346
FOR THIS APPOINTMENT.
NONSENSE, IT'S MY JOB.

730
01:02:42,509 --> 01:02:45,342
SO THIS IS THE ONE-EYED CHARLEY
I'VE HEARD SO MUCH ABOUT.

731
01:02:45,512 --> 01:02:47,924
YES, THIS IS DJANGO FREEMAN.

732
01:02:48,098 --> 01:02:50,772
DJANGO, THIS IS MR. CANDIE'S LAWYER,
LEONIDE MOGUY.

733
01:02:50,934 --> 01:02:52,891
JUST CALL ME LEO.

734
01:02:53,061 --> 01:02:56,224
CALVIN'S IN THE JULIUS CAESAR ROOM.
YOU ALL WANNA FOLLOW ME?

735
01:02:56,398 --> 01:02:58,758
HOW LONG HAVE YOU BEEN
ASSOCIATED WITH MR. CANDIE?

736
01:02:58,858 --> 01:03:01,327
OH, CALVIN'S FATHER AND I
WERE ABOUT 11

737
01:03:01,486 --> 01:03:03,284
WHEN WE WENT TO
BOARDING SCHOOL TOGETHER.

738
01:03:03,446 --> 01:03:06,541
CALVIN'S FATHER'S FATHER
PUT ME THROUGH LAW SCHOOL.

739
01:03:06,700 --> 01:03:09,704
ONE COULD ALMOST SAY
I WAS RAISED TO BE CALVIN'S LAWYER.

740
01:03:09,869 --> 01:03:11,610
ONE COULD ALMOST SAY YOUSE A NIGGER.

741
01:03:12,497 --> 01:03:13,908
WHAT DID YOU SAY?

742
01:03:14,082 --> 01:03:16,824
I SAID...
NOTHING, HE'S JUST BEING CHEEKY.

743
01:03:17,377 --> 01:03:21,803
UH, ANYTHING ELSE ABOUT MR. CANDIE
THAT I SHOULD KNOW BEFORE I MEET HIM?

744
01:03:21,965 --> 01:03:23,956
YES, HE IS A BIT OF A FRANCOPHILE.

745
01:03:24,134 --> 01:03:25,932
WHAT CIVILIZED PEOPLE AREN'T?

746
01:03:26,094 --> 01:03:28,347
AND HE PREFERS MONSIEUR CANDIE
TO MR. CANDIE.

747
01:03:31,141 --> 01:03:35,146
HE DOESN'T SPEAK FRENCH. DON'T SPEAK
FRENCH TO HIM, IT'LL EMBARRASS HIM.

748
01:03:38,064 --> 01:03:40,317
GET BACK ON TOP, NOW!
TURN AROUND!

749
01:03:40,483 --> 01:03:43,783
THERE YOU GO.

750
01:03:45,655 --> 01:03:47,908
WHY DO YOU WANT TO GET IN
THE MANDINGO BUSINESS?

751
01:03:50,744 --> 01:03:54,499
YOU DON'T INTEND TO ALLOW YOUR SECOND
TO MAKE THE PROPER INTRODUCTIONS?

752
01:03:55,248 --> 01:03:57,114
QUIT STALLING, NOW.

753
01:03:57,292 --> 01:03:58,635
ANSWER THE QUESTION.

754
01:04:01,296 --> 01:04:04,721
THE AWFUL TRUTH? I'M BORED.

755
01:04:04,883 --> 01:04:07,261
THIS SEEMS LIKE A GOOD BIT OF FUN.

756
01:04:12,182 --> 01:04:14,173
WELL, COME ON OVER.

757
01:04:14,351 --> 01:04:17,059
WE GOT US A FIGHT GOIN' ON
THAT'S A GOOD BIT OF FUN.

758
01:04:21,107 --> 01:04:22,575
WON'T YOU ACCOMPANY ME TO THE BAR?

759
01:04:31,826 --> 01:04:34,306
YOU DON'T WEAR A HAT IN THE HOUSE,
WHITE MAN. EVEN I KNOW THAT.

760
01:04:43,380 --> 01:04:44,860
DR. SCHULTZ.
WHAT A RARE PLEASURE.

761
01:04:44,964 --> 01:04:46,375
KEEP FIGHTING, NIGGERS.

762
01:04:46,549 --> 01:04:49,348
AND I MIGHT ADD, AN HONOR.
HONOR TO MEET YOU.

763
01:04:49,511 --> 01:04:51,434
PLEASE HAVE A SEAT,
THE PLEASURE'S ALL MINE.

764
01:04:51,596 --> 01:04:55,089
GET FREE MAN DJANGO HERE
WHATEVER HE WANTS.

765
01:04:55,266 --> 01:04:57,553
AND I'LL HAVE SWEET TEA AND BOURBON.

766
01:05:17,205 --> 01:05:20,243
USE YOUR WEIGHT, BOY,
USE YOUR WEIGHT! THERE YOU GO.

767
01:05:20,417 --> 01:05:22,670
HE'S MUCH BIGGER AND STRONGER!

768
01:05:22,836 --> 01:05:24,429
COME ON, NOW!

769
01:05:24,587 --> 01:05:27,079
HE'S NOT DOING WHAT I TOLD HIM,
FOR GOD'S SAKES.

770
01:05:31,177 --> 01:05:33,976
COME ON, NOW, BOY!
IT'S A FIGHT TO THE DEATH!

771
01:05:34,139 --> 01:05:37,234
YOU EITHER HIT HIM OR ARE YOU AIN'T?

772
01:05:45,233 --> 01:05:48,328
BIG FRED, COME ON!

773
01:05:48,486 --> 01:05:50,022
TURN HIM AROUND! NOW...

774
01:05:53,825 --> 01:05:58,160
USE YOUR STRENGTH, BOY!
COME ON, NOW! USE YOUR STRENGTH!

775
01:06:00,248 --> 01:06:02,046
THERE YOU GO!

776
01:06:03,376 --> 01:06:05,845
THERE YOU GO! LOOK AT THAT.

777
01:06:06,921 --> 01:06:09,891
SEE, I TOLD YOU TO PUT
SOME MORE POWER IN THERE.

778
01:06:10,049 --> 01:06:12,097
DO WHAT I TOLD YOU, BOY!

779
01:06:12,260 --> 01:06:13,728
THERE YOU GO!

780
01:06:13,887 --> 01:06:16,174
NO!
DO WHAT I TOLD YA!

781
01:06:16,347 --> 01:06:19,385
BLIND HIM BLACK, BOY!
BLIND HIM BLACK!

782
01:06:21,811 --> 01:06:24,303
OH, NO, LUIGI.

783
01:06:27,525 --> 01:06:31,439
WHOO! WHOO-HOO-HOO!

784
01:06:32,071 --> 01:06:33,243
OH...

785
01:06:43,791 --> 01:06:45,077
FINISH HIM.

786
01:06:49,380 --> 01:06:51,121
GO ON, BOY, FINISH HIM!

787
01:06:55,637 --> 01:06:57,344
THAT'S WHY THEY
CALL HIM BIG FRED.

788
01:06:57,514 --> 01:07:00,939
WORTH EVERY PENNY.
WELL, ARRIVEDERCI, LUIGI.

789
01:07:01,100 --> 01:07:03,319
COME ON UP, NOW, BOY.
GET YOURSELF A REST.

790
01:07:03,478 --> 01:07:06,482
YOU DID A FINE JOB.
A REAL FINE JOB.

791
01:07:07,106 --> 01:07:08,813
MERCEDES.

792
01:07:29,921 --> 01:07:31,127
TEQUILA.

793
01:07:41,140 --> 01:07:42,642
WHAT'S YOUR NAME?

794
01:07:44,811 --> 01:07:46,313
DJANGO.

795
01:07:48,731 --> 01:07:50,404
CAN YOU SPELL IT?

796
01:07:52,527 --> 01:07:56,566
D-J-A-N-G-O.

797
01:07:58,074 --> 01:07:59,576
THE D IS SILENT.

798
01:07:59,742 --> 01:08:01,335
I KNOW.

799
01:08:09,294 --> 01:08:12,787
MR. MOGUY, WANT YOU TO
TAKE CARE OF MY NEW BOY HERE.

800
01:08:12,964 --> 01:08:14,671
YOU FIND HIM A ROOM
WITH A SOFT BED,

801
01:08:14,841 --> 01:08:17,424
THEN YOU BRING HIM UP
A PONY TO LICK HIS POLE.

802
01:08:17,594 --> 01:08:20,394
BUT YOU BE READY TO TRAVEL TO CANDYLAND
TOMORROW MORNING, NOW, YA HEAR?

803
01:08:20,513 --> 01:08:21,503
YESSIR, MONSIEUR CANDIE.

804
01:08:21,681 --> 01:08:25,561
BEFORE YOU GO,
ROSCOE, GET FRED HERE A TALL BEER.

805
01:08:29,397 --> 01:08:32,401
YOU ENJOY THAT, BOY.
YOU'VE EARNED IT.

806
01:08:32,567 --> 01:08:33,853
YESSIR.

807
01:08:43,369 --> 01:08:47,158
WHAT'S YOUR NAME, BOY?
HIS NAME IS DJANGO FREEMAN.

808
01:08:50,710 --> 01:08:52,326
WHERE'D YOU DIG HIM UP?

809
01:08:52,503 --> 01:08:55,746
A FORTUITOUS TURN OF EVENTS
BROUGHT DJANGO AND MYSELF TOGETHER.

810
01:08:57,467 --> 01:08:59,561
I'VE HEARD TELL ABOUT YOU.

811
01:09:00,303 --> 01:09:03,045
I HEARD YOU BEEN TELLING EVERYBODY
THEM MANDINGOS AIN'T NO DAMN GOOD.

812
01:09:03,222 --> 01:09:05,350
AIN'T NOTHIN' NOBODY
IS SELLIN' IS WORTH BUYIN'.

813
01:09:05,516 --> 01:09:09,726
I'M CURIOUS... WHAT MAKES YOU
SUCH A MANDINGO EXPERT?

814
01:09:11,689 --> 01:09:14,101
I'M CURIOUS WHAT MAKES YOU SO CURIOUS.

815
01:09:17,403 --> 01:09:19,497
WHAT DID YOU SAY, BOY?
CALM DOWN, BUTCH.

816
01:09:20,531 --> 01:09:21,874
NO OFFENSE GIVEN...

817
01:09:22,700 --> 01:09:23,906
NONE TAKEN.

818
01:09:24,077 --> 01:09:25,784
MONSIEUR CANDIE...

819
01:09:25,953 --> 01:09:29,446
I'D APPRECIATE IF YOU COULD
DIRECT YOUR LINE OF INQUIRY TOWARD ME.

820
01:09:29,624 --> 01:09:31,092
ONE...

821
01:09:31,709 --> 01:09:34,838
YOU DO NOT HAVE ANYTHING TO DRINK.
CAN I GET YOU A TASTY REFRESHMENT?

822
01:09:35,004 --> 01:09:37,837
YES! I'LL HAVE A BEER.
WUNDERBAR.

823
01:09:38,007 --> 01:09:39,839
ROSCOE, A BEER
FOR THE MAN WITH THE BEARD,

824
01:09:40,009 --> 01:09:41,841
AND I WILL HAVE A
POLYNESIAN PEARL DIVER.

825
01:09:42,011 --> 01:09:44,105
DO NOT SPARE THE RUM.

826
01:09:44,263 --> 01:09:47,756
DOC... I AM A SEASONED SLAVER.

827
01:09:47,934 --> 01:09:49,641
YOU ARE, WELL, YOU ARE A NEOPHYTE.

828
01:09:49,811 --> 01:09:54,931
I'M SIMPLY TRYIN' TO ASCERTAIN IF THIS
COWBOY HERE IS TAKIN' ADVANTAGE OF YOU.

829
01:09:56,401 --> 01:09:59,621
WITH ALL DUE RESPECT, MONSIEUR CANDIE...

830
01:10:00,321 --> 01:10:02,187
I DIDN'T SEEK YOU
OUT FOR YOUR ADVICE.

831
01:10:02,365 --> 01:10:04,493
I SOUGHT YOU OUT TO
PURCHASE A FIGHTING NIGGER

832
01:10:04,659 --> 01:10:07,208
AT ABOVE TOP-DOLLAR MARKET PRICE.

833
01:10:07,370 --> 01:10:09,919
NOW I WAS UNDER THE IMPRESSION,
WHEN YOU GRANTED ME AN AUDIENCE,

834
01:10:10,081 --> 01:10:12,459
IT WOULD BE TO DISCUSS BUSINESS.

835
01:10:15,169 --> 01:10:17,638
WELL, WE WEREN'T TALKIN' BUSINESS YET.

836
01:10:17,797 --> 01:10:20,141
WE WERE DISCUSSIN' MY CURIOSITY.

837
01:10:22,427 --> 01:10:23,417
THANK YOU.

838
01:10:23,594 --> 01:10:26,302
ROSCOE, COCO,
GO OUTSIDE AND PLAY.

839
01:10:28,307 --> 01:10:31,766
SHEBA... YOU STAY RIGHT THERE.

840
01:10:31,936 --> 01:10:33,472
I KNOW YOU DIDN'T MEAN ME.

841
01:10:35,231 --> 01:10:37,723
PROST!
GERMAN.

842
01:10:38,651 --> 01:10:42,440
NOW, ACCORDING TO MOGUY,
IF I DO BUSINESS WITH YOU,

843
01:10:42,613 --> 01:10:44,661
I'M DOING BUSINESS WITH BOTH Y'ALL.

844
01:10:44,824 --> 01:10:47,236
HE DOES THE EYEBALLIN',
YOU THE BILLFOLD? IS THAT IT?

845
01:10:47,410 --> 01:10:51,165
WELL, YOU DON'T MAKE IT SOUND
TOO FLATTERING, BUT MORE OR LESS, YEAH.

846
01:10:51,330 --> 01:10:52,502
HM.

847
01:10:53,791 --> 01:10:54,781
SO...

848
01:10:54,959 --> 01:10:56,882
BRIGHT BOY...

849
01:10:57,044 --> 01:10:59,004
MOGUY TELLS ME
YOU LOOKED OVER MY AFRICAN FLESH

850
01:10:59,172 --> 01:11:01,334
AND YOU WAS
NONE TOO IMPRESSED, HUH?

851
01:11:01,507 --> 01:11:03,009
NOT FOR TOP DOLLAR.

852
01:11:05,178 --> 01:11:07,226
WELL, THEN,
WE GOT NOTHIN' MORE TO TALK ABOUT.

853
01:11:07,388 --> 01:11:09,516
YOU SEE, YOU WANNA BUY
A BEAT-ASS NIGGER FROM ME,

854
01:11:09,682 --> 01:11:11,935
THOSE ARE THE BEAT-ASS NIGGERS
I WANNA SELL SO...

855
01:11:12,101 --> 01:11:14,058
HE DON'T WANNA BUY THE NIGGERS
YOU WANNA SELL.

856
01:11:15,021 --> 01:11:18,184
HE WANTS THE NIGGER
YOU DON'T WANNA SELL.

857
01:11:18,357 --> 01:11:22,658
WELL, I DON'T SELL THE NIGGERS
I DON'T WANNA SELL.

858
01:11:24,906 --> 01:11:28,570
WELL, YOU WON'T SELL YOUR BEST.

859
01:11:28,743 --> 01:11:31,155
YOU WON'T EVEN SELL YOUR SECOND BEST.

860
01:11:31,329 --> 01:11:34,993
BUT YOUR THIRD BEST...?
YOU DON'T WANT TO SELL HIM EITHER.

861
01:11:35,166 --> 01:11:39,080
BUT IF I MADE YOU AN OFFER SO RIDICULOUS
YOU'D BE FORCED TO CONSIDER IT...

862
01:11:39,879 --> 01:11:41,927
WHO KNOWS WHAT COULD HAPPEN?

863
01:11:44,258 --> 01:11:46,545
AND WHAT DO YOU CONSIDER RIDICULOUS?

864
01:11:47,553 --> 01:11:51,649
FOR A TRULY TALENTED SPECIMEN,
THE RIGHT NIGGER?

865
01:11:53,392 --> 01:11:55,440
HOW MUCH WOULD YOU SAY, DJANGO?

866
01:11:58,815 --> 01:12:00,522
TWELVE THOUSAND DOLLARS.

867
01:12:05,071 --> 01:12:09,076
WELL, GENTLEMEN, YOU HAD MY CURIOSITY,

868
01:12:09,242 --> 01:12:11,165
BUT NOW YOU HAVE MY ATTENTION.

869
01:12:24,841 --> 01:12:30,519
WILLIE. WILLIE.
HOLD UP! HOLD UP. AH!

870
01:12:30,680 --> 01:12:33,092
GOOD MORNING, GENTLEMEN.
GOOD DR. SCHULTZ.

871
01:12:33,266 --> 01:12:37,180
BEAUTIFUL MORNING, ISN'T IT?
YOU COULDN'T HAVE PICKED A BETTER ONE.

872
01:12:37,353 --> 01:12:40,232
PLEASE, WON'T YOU TAKE A RIDE WITH US
HERE IN THE VICTORIA.

873
01:12:40,398 --> 01:12:41,934
OH, THANK YOU VERY MUCH.

874
01:12:42,108 --> 01:12:44,236
YOU CAN TIE YOUR HORSE UP BACK THERE.

875
01:12:52,451 --> 01:12:53,737
DJANGO.

876
01:12:58,541 --> 01:13:02,171
WHERE I PART COMPANY FROM MANY
OF MY PHRENOLOGIST COLLEAGUES

877
01:13:02,336 --> 01:13:07,513
IS I BELIEVE THERE IS A LEVEL
ABOVE BRIGHT, ABOVE TALENTED,

878
01:13:07,675 --> 01:13:11,794
ABOVE LOYAL THAT A NIGGER CAN ASPIRE TO.

879
01:13:11,971 --> 01:13:16,636
SAY, ONE NIGGER THAT
JUST POPS UP IN 10,000.

880
01:13:16,809 --> 01:13:18,311
THE EXCEPTIONAL NIGGER.

881
01:13:19,312 --> 01:13:21,360
BRIGHT DAY, HUH, BRIGHT BOY?

882
01:13:22,481 --> 01:13:23,653
SUN IS UP.

883
01:13:24,817 --> 01:13:26,683
SHINING ON ALL OF US.

884
01:13:31,449 --> 01:13:34,362
HAVE A SEAT, DOC.
THANK YOU.

885
01:13:34,535 --> 01:13:35,821
QUITE AN HONOR.

886
01:13:35,995 --> 01:13:37,702
THE HONOR IS ALL OURS.
THANK YOU.

887
01:13:37,872 --> 01:13:41,240
<i>BUT I DO BELIEVE THAT,
GIVEN TIME,</i>

888
01:13:41,417 --> 01:13:44,387
EXCEPTIONAL NIGGERS
LIKE BRIGHT BOY HERE...

889
01:13:45,338 --> 01:13:47,170
BECOME IF NOT FREQUENT...

890
01:13:48,424 --> 01:13:50,040
MORE FREQUENT.

891
01:13:51,802 --> 01:13:56,399
BRIGHT BOY,
YOU ARE THAT ONE IN 10,000.

892
01:13:56,557 --> 01:13:59,436
THE NAME OF THE GAME IS KEEP UP,
NOT CATCH UP, NIGGER.

893
01:14:12,323 --> 01:14:13,700
WHOA!

894
01:14:15,201 --> 01:14:18,626
TOUCH YOUR GUNS, YOU DIE.
EVERYBODY, CALM DOWN!

895
01:14:18,788 --> 01:14:20,711
NOW I SAW THE WHOLE THING.
NO HARM DONE.

896
01:14:20,873 --> 01:14:21,920
ARE YOU KIDDING ME?

897
01:14:22,083 --> 01:14:24,074
THIS NIGGER JUST...
I SAID NO HARM DONE!

898
01:14:24,251 --> 01:14:26,800
NOW TAKE YOUR HAND OFF YOUR PISTOL!

899
01:14:27,880 --> 01:14:30,679
BUTCH, THAT MEANS YOU TOO.

900
01:14:31,884 --> 01:14:34,888
EVERYBODY STOP ANTAGONIZING MY GUEST.

901
01:14:36,389 --> 01:14:38,608
HOOT! GET BACK UP ON YOUR HORSE.

902
01:14:39,350 --> 01:14:40,886
HE BROKE MY COLLARBONE!

903
01:14:41,060 --> 01:14:45,361
FOR GOD'S SAKE, SOMEBODY PLEASE HELP
HOOT HERE BACK UP ON HIS GODDAMN HORSE.

904
01:14:45,523 --> 01:14:48,561
YESSIR, BOSS.
OH, NOW YOU ARE ONE LUCKY NIGGER.

905
01:14:49,944 --> 01:14:51,462
YOU BETTER LISTEN TO YOUR BOSS,
WHITE BOY.

906
01:14:51,487 --> 01:14:53,956
OH, I'M GONNA GO
WALKING IN THE MOONLIGHT WITH YOU.

907
01:14:54,115 --> 01:14:55,913
YOU WANNA HOLD MY HAND?

908
01:15:02,498 --> 01:15:05,172
WILLIE, TAKE US HOME.

909
01:15:07,420 --> 01:15:09,411
START MOVING!

910
01:15:15,803 --> 01:15:17,055
HEAD 'EM OUT!

911
01:16:02,683 --> 01:16:04,284
YOU GOT A PROBLEM
WITH YOUR EYEBALL, BOY?

912
01:16:04,393 --> 01:16:05,645
NO, SIR.

913
01:16:05,811 --> 01:16:07,313
YOU WANT A BOOT HEEL IN IT?

914
01:16:08,522 --> 01:16:09,478
NO, SIR.

915
01:16:09,648 --> 01:16:12,686
THEN YOU KEEP YOUR
GODDAMN EYEBALLS OFF ME.

916
01:16:12,860 --> 01:16:15,989
YOU FLASH THAT BAD LOOK AT ME AGAIN,
I'LL GIVE YOU A REASON NOT TO LIKE ME.

917
01:16:16,259 --> 01:16:17,795
NOW MOVE, NIGGER!

918
01:16:19,929 --> 01:16:22,057
YOU NIGGERS ARE GONNA
UNDERSTAND SOMETHING ABOUT ME.

919
01:16:22,223 --> 01:16:24,089
I'M WORSE THAN ANY OF THESE
WHITE MEN HERE.

920
01:16:24,267 --> 01:16:27,851
YOU GET THE MOLASSES OUT YOUR ASS,
YOU KEEP YOUR GODDAMN EYEBALLS OFF ME.

921
01:16:28,021 --> 01:16:31,059
HE IS A RAMBUNCTIOUS SORT,
AIN'T HE?

922
01:16:31,232 --> 01:16:32,575
INDEED.

923
01:16:35,069 --> 01:16:38,437
MAY WE STOP FOR A MOMENT
SO I MAY PUT A WORD IN MY MAN'S EAR?

924
01:16:38,615 --> 01:16:42,336
YOU KNOW, I'M EXPECTING TO FALL IN LOVE
ONCE I SEE THE SPECIMENS AT CANDYLAND,

925
01:16:42,493 --> 01:16:45,588
SO BEFORE THAT MOMENT,
IT WOULD BE GOOD IF I COULD HAVE

926
01:16:45,747 --> 01:16:50,116
A CONFIDENTIAL STRATEGY MEETING
WITH MY CONFIDANT.

927
01:16:53,087 --> 01:16:54,919
YOU MIND TELLING ME
WHAT THE HELL YOU DOING?

928
01:16:55,089 --> 01:16:57,137
I CONFIRMED THAT BROOMHILDA'S
AT CANDYLAND.

929
01:17:01,179 --> 01:17:03,762
YOU'RE SURE IT'S HER?
HE DIDN'T CALL HER BY NAME,

930
01:17:03,932 --> 01:17:07,300
BUT SHE'S A YOUNG LADY, WHIP MARKS
ON HER BACK AND SPEAKS GERMAN.

931
01:17:07,477 --> 01:17:09,343
NOW, WHILE IT'S NOT WISE TO ASSUME,

932
01:17:09,520 --> 01:17:11,989
IN THIS INSTANCE,
I THINK IT'S PRETTY SAFE.

933
01:17:12,148 --> 01:17:16,779
POINT BEING, DON'T GET SO
CARRIED AWAY WITH YOUR RETRIBUTION.

934
01:17:16,945 --> 01:17:18,902
YOU LOSE SIGHT OF WHY WE'RE HERE.

935
01:17:19,072 --> 01:17:20,873
YOU THINK I LOST SIGHT OF THAT?
YES, I DO.

936
01:17:21,032 --> 01:17:23,524
STOP ANTAGONIZING CANDIE.

937
01:17:23,701 --> 01:17:28,662
YOU'RE GOING TO BLOW THIS WHOLE CHARADE,
OR MORE THAN LIKELY GET US BOTH KILLED.

938
01:17:28,831 --> 01:17:33,496
AND I, FOR ONE, DON'T INTEND TO DIE
IN CHICKASAW COUNTY, MISSISSIPPI, USA.

939
01:17:33,670 --> 01:17:36,674
I'M NOT ANTAGONIZING HIM.
I'M INTRIGUING HIM.

940
01:17:36,839 --> 01:17:39,388
YOU'RE YELLING ABUSE
AT THESE POOR SLAVES.

941
01:17:40,385 --> 01:17:45,801
I RECALL THE MAN WHO HAD ME
KILL ANOTHER MAN IN FRONT OF HIS SON

942
01:17:45,974 --> 01:17:47,772
AND HE DIDN'T BAT A EYE.

943
01:17:49,185 --> 01:17:50,300
YOU REMEMBER THAT?

944
01:17:52,563 --> 01:17:53,906
YEAH, OF COURSE I REMEMBER.

945
01:17:54,065 --> 01:17:57,524
WHAT YOU SAID WAS THAT
THIS IS MY WORLD...

946
01:17:58,486 --> 01:18:00,477
AND IN MY WORLD YOU GOTTA GET DIRTY.

947
01:18:01,489 --> 01:18:04,368
SO THAT'S WHAT I'M DOING.
I'M GETTIN' DIRTY.

948
01:18:08,037 --> 01:18:11,200
WELL, YOU'RE PARAPHRASING A TAD, BUT...

949
01:18:12,667 --> 01:18:14,761
THAT WAS THE GENERAL GIST.

950
01:18:18,506 --> 01:18:20,008
SEE YOU AT CANDYLAND.

951
01:18:27,724 --> 01:18:30,307
ALL RIGHT, NIGGERS, BACK AT IT.

952
01:18:31,602 --> 01:18:33,650
THAT MEANS YOU TOO, MOONLIGHT.

953
01:19:21,027 --> 01:19:23,906
I'LL BE. D'ARTAGNAN!

954
01:19:24,072 --> 01:19:27,315
NOW, BOY, WHY DO A
FOOL THING LIKE RUN OFF?

955
01:19:27,492 --> 01:19:29,586
I CAN'T FIGHT NO MORE, MONSIEUR CANDIE.

956
01:19:29,744 --> 01:19:31,030
YES, YOU CAN.

957
01:19:31,204 --> 01:19:34,754
YOU MIGHT NOT BE ABLE TO WIN,
BUT YOUR ASS CAN FIGHT.

958
01:19:34,916 --> 01:19:37,328
MR. STONESIPHER, WOULD YOU PLEASE
SHUT THESE GODDAMN DOGS UP?

959
01:19:37,502 --> 01:19:40,119
I CANNOT HEAR MYSELF THINK!
QUIET DOWN, MARSHA!

960
01:19:40,296 --> 01:19:42,344
MARSHA, HUSH UP! MARSHA!

961
01:19:42,507 --> 01:19:44,043
HUSH UP! HEY!

962
01:19:44,217 --> 01:19:46,834
GET THESE GODDAMN DOGS
AWAY FROM THIS NIGGER!

963
01:19:56,354 --> 01:19:59,813
COME ON NOW, BOY...
GET ON OUT THAT TREE.

964
01:19:59,982 --> 01:20:01,655
YESSIR.

965
01:20:24,215 --> 01:20:26,343
HOW LONG WAS HE LOOSE?

966
01:20:26,509 --> 01:20:29,752
A NIGHT. DAY.

967
01:20:29,929 --> 01:20:31,545
HALF THE OTHER NIGHT.

968
01:20:32,682 --> 01:20:34,218
HOW FAR HE GET OFF THE PROPERTY?

969
01:20:34,392 --> 01:20:36,099
'BOUT 20 MILES OFF THE PROP.

970
01:20:36,269 --> 01:20:38,397
PRETTY FAR CONSIDERING
THAT LIMP HE GOT.

971
01:20:38,563 --> 01:20:39,940
HM.

972
01:20:41,190 --> 01:20:44,524
MR. MOGUY, WHO WAS D'ARTAGNAN
SUPPOSED TO FIGHT ON FRIDAY?

973
01:20:44,694 --> 01:20:46,310
ONE-A THIS NEW LOT.

974
01:20:47,488 --> 01:20:50,196
WELL, WAY HE LOOKS NOW, A BLIND INDIAN
WOULDN'T BET A BEAD ON HIM.

975
01:20:50,366 --> 01:20:53,010
PLEASE, MONSIEUR
CANDIE, I AIN'T GOT IT IN ME NO MORE.

976
01:20:53,035 --> 01:20:54,555
NOW, NOW, NOW, NOW, NOW.
I CAN'T...

977
01:20:54,704 --> 01:20:57,116
NOW, NO BEGGIN'.

978
01:20:57,290 --> 01:20:59,759
NO PLAYIN' ON MY SOFT HEART.

979
01:21:03,212 --> 01:21:05,761
YOU IN TROUBLE NOW, SON.
YESSIR.

980
01:21:08,676 --> 01:21:12,226
I DONE PAID $500 FOR YOU.

981
01:21:12,388 --> 01:21:17,258
WHEN I PAY $500, THEN I EXPECT
TO GET FIVE FIGHTS OUT OF A NIGGER

982
01:21:17,435 --> 01:21:19,813
'FORE HE ROLL OVER AND PLAY DEAD.
SIR.

983
01:21:19,979 --> 01:21:23,859
YOU GOT TO UNDERSTAND
THAT I'M RUNNIN' A BUSINESS HERE.

984
01:21:24,025 --> 01:21:26,733
YOU FOUGHT THREE FIGHTS.
BUT I WON EVERY ONE.

985
01:21:26,903 --> 01:21:28,405
YES, YOU DID. YES, YOU DID.

986
01:21:28,571 --> 01:21:31,575
BUT THAT LAST ONE, YOU MUDDLED THE LINE
BETWEEN WINNIN' AND LOSIN'.

987
01:21:31,741 --> 01:21:32,788
YESSIR.

988
01:21:37,663 --> 01:21:41,293
I PAY $500, I WANT FIVE GODDAMN FIGHTS!

989
01:21:41,459 --> 01:21:44,008
SO WHAT ABOUT MY $500, HUH?

990
01:21:45,880 --> 01:21:47,803
WHAT ABOUT MY $500?

991
01:21:49,342 --> 01:21:50,878
YOU GONNA REIMBURSE ME?

992
01:21:56,891 --> 01:21:59,269
YOU EVEN KNOW WHAT "REIMBURSE" MEANS?

993
01:21:59,435 --> 01:22:01,483
HUH?

994
01:22:07,777 --> 01:22:09,484
I'LL REIMBURSE YOU!

995
01:22:13,241 --> 01:22:14,447
YOU WILL?

996
01:22:15,660 --> 01:22:17,196
YEP.

997
01:22:19,956 --> 01:22:22,664
YOU'LL PAY $500

998
01:22:22,833 --> 01:22:26,292
FOR PRACTICALLY A ONE-EYED OLD JOE
AIN'T FIT TO PUSH A BROOM?

999
01:22:26,462 --> 01:22:27,577
NO, HE WON'T.

1000
01:22:29,840 --> 01:22:31,934
HE JUST TIRED OF YOU
TOYIN' WITH HIM IS ALL.

1001
01:22:32,843 --> 01:22:34,800
MATTER OF FACT, SO AM I.

1002
01:22:34,971 --> 01:22:37,440
BUT WE AIN'T PAYIN' A PENNY
FOR THAT PICKANINNY.

1003
01:22:37,598 --> 01:22:39,478
AIN'T GOT NO USE FOR HIM.
AIN'T THAT RIGHT, DOC?

1004
01:22:41,143 --> 01:22:42,349
YOU HEARD HIM.

1005
01:22:51,529 --> 01:22:55,284
YOU'RE GONNA HAVE TO EXCUSE
MR. STONESIPHER'S SLACK-JAWED GAZE.

1006
01:22:55,449 --> 01:22:59,113
HE AIN'T NEVER SEEN A
NIGGER LIKE YOU EVER IN HIS LIFE.

1007
01:22:59,912 --> 01:23:01,869
AIN'T THAT RIGHT, MR. STONESIPHER?

1008
01:23:04,125 --> 01:23:05,593
THAT RIGHT.

1009
01:23:06,586 --> 01:23:07,929
FOR THAT MATTER...

1010
01:23:09,213 --> 01:23:10,806
NOR HAVE I.

1011
01:23:16,887 --> 01:23:18,059
NOW...

1012
01:23:19,223 --> 01:23:22,352
SEEIN' AS YOU WON'T PAY A PENNY
FOR THIS PICKANINNY HERE...

1013
01:23:24,854 --> 01:23:28,188
YOU WON'T MIND ME HANDLIN'
THIS NIGGER ANY WAY I SEE FIT?

1014
01:23:29,317 --> 01:23:30,853
HE'S YOUR NIGGER.

1015
01:23:34,614 --> 01:23:36,708
MR. STONESIPHER?

1016
01:23:37,491 --> 01:23:41,462
LET MARSHA AND HER BITCHES
SEND D'ARTAGNAN TO NIGGER HEAVEN.

1017
01:23:41,621 --> 01:23:46,411
MARSHA! MARSHA, HEY, GET HIM!

1018
01:23:47,877 --> 01:23:50,096
GET 'IM, GET 'IM!

1019
01:23:51,130 --> 01:23:53,622
YEAH!
WHOO!

1020
01:23:53,799 --> 01:23:55,210
WHOO-EE!

1021
01:24:23,579 --> 01:24:25,627
YOUR BOSS LOOKS A LITTLE
GREEN AROUND THE GILLS

1022
01:24:25,790 --> 01:24:27,952
FOR A BLOOD SPORT LIKE NIGGER FIGHTING.

1023
01:24:28,125 --> 01:24:32,756
NAH, HE JUST AIN'T USED TO SEEIN'
A MAN RIPPED APART BY DOGS IS ALL.

1024
01:24:33,339 --> 01:24:34,625
HM.

1025
01:24:35,716 --> 01:24:37,093
YOU ARE USED TO IT?

1026
01:24:37,259 --> 01:24:40,229
I'M JUST A LITTLE MORE
USED TO AMERICANS THAN HE IS.

1027
01:24:40,388 --> 01:24:45,110
HM.
NOW, MONSIEUR CANDIE...

1028
01:24:45,267 --> 01:24:46,883
WHENEVER YOU'RE READY.

1029
01:24:47,061 --> 01:24:50,429
WE RODE FIVE HOURS
SO YOU COULD SHOW OFF YOUR STOCK.

1030
01:24:50,606 --> 01:24:52,222
LET'S GET TO IT.

1031
01:24:53,442 --> 01:24:57,811
'CAUSE AS OF NOW,
IF HE'S AN EXAMPLE, I AIN'T IMPRESSED.

1032
01:25:00,032 --> 01:25:01,443
FOLLOW ME.

1033
01:26:58,734 --> 01:27:01,442
LINE 'EM UP TO THE LEFT HERE NOW, BOY.

1034
01:27:03,072 --> 01:27:04,449
STAND UP STRAIGHT, NOW!

1035
01:27:05,616 --> 01:27:06,902
GET UP THERE.

1036
01:27:07,076 --> 01:27:09,659
GET UP THERE, BOY. COME ON.

1037
01:27:09,829 --> 01:27:11,445
GIVE ME A LINE! GIVE ME A LINE!

1038
01:27:11,622 --> 01:27:13,716
GET IN LINE THERE! STRAIGHTEN UP!

1039
01:28:13,350 --> 01:28:14,966
HELLO! STEPHEN, MY BOY!

1040
01:28:15,144 --> 01:28:17,818
YEAH, YEAH, YEAH.
HELLO, MY ASS.

1041
01:28:17,980 --> 01:28:20,950
WHO THIS NIGGER UP ON THAT NAG?

1042
01:28:21,108 --> 01:28:24,442
STEPHEN, YOU HAVE NAILS FOR BREAKFAST?
WHAT'S-A MATTER? WHY YOU SO ORNERY?

1043
01:28:24,612 --> 01:28:26,990
YOU MISS ME, HUH?
OH, YESSIR.

1044
01:28:27,156 --> 01:28:30,706
I MISS YOU LIKE A HOG MISS SLOP!

1045
01:28:30,868 --> 01:28:34,782
LIKE A BABY MISS MAMMY'S TITTY.

1046
01:28:34,955 --> 01:28:38,801
I MISS YOU LIKE I MISSES
A ROCK IN MY SHOE.

1047
01:28:41,211 --> 01:28:45,671
NOW, I AXED YOU:
WHO THIS NIGGER ON THAT NAG?

1048
01:28:45,841 --> 01:28:47,514
HEY, SNOWBALL?

1049
01:28:48,719 --> 01:28:52,303
WANNA KNOW MY NAME OR
THE NAME OF MY HORSE, YOU ASK ME.

1050
01:28:52,473 --> 01:28:55,306
JUST WHO THE HELL YOU CALLIN'
"SNOWBALL," HORSE BOY?

1051
01:28:55,476 --> 01:28:57,236
I'LL SNATCH YOUR
BLACK ASS OFF THAT NAG THERE

1052
01:28:57,311 --> 01:28:58,829
AND IN THE MUD SO FAST...
WHOA, WHOA, WHOA!

1053
01:28:58,854 --> 01:29:00,974
MAKE YOUR HEAD SPIN.
STEPHEN, STEPHEN, STEPHEN.

1054
01:29:01,106 --> 01:29:05,407
LET'S KEEP IT FUNNY.
DJANGO HERE'S A FREE MAN.

1055
01:29:05,569 --> 01:29:07,947
THIS NIGGER HERE?
THAT NIGGER THERE.

1056
01:29:08,113 --> 01:29:10,366
LET ME AT LEAST
INTRODUCE THE TWO OF YOU.

1057
01:29:10,532 --> 01:29:14,321
DJANGO, THIS IS ANOTHER CHEEKY
BLACK BUGGER LIKE YOURSELF, STEPHEN.

1058
01:29:14,495 --> 01:29:17,738
STEPHEN, THIS HERE'S DJANGO.
YOU TWO OUGHTA HATE EACH OTHER.

1059
01:29:17,915 --> 01:29:21,920
CALVIN, JUST WHO THE HELL IS THIS NIGGER
YOU FEELS THE NEED TO ENTERTAIN?

1060
01:29:22,086 --> 01:29:26,000
DJANGO AND HIS FRIEND IN GRAY HERE,
DR. SCHULTZ, ARE CUSTOMERS.

1061
01:29:26,173 --> 01:29:27,550
AND THEY ARE OUR GUESTS, STEPHEN.

1062
01:29:27,716 --> 01:29:31,209
AND YOU, YOU OLD DECREPIT BASTARD,
OUGHTA SHOW THEM EVERY HOSPITALITY.

1063
01:29:31,387 --> 01:29:33,765
YOU UNDERSTAND THAT?
YESSIR. HIM I UNDERSTAND.

1064
01:29:33,931 --> 01:29:35,741
BUT I DON'T KNOW WHY
I GOT TO TAKE LIP OFF THIS NIGGER.

1065
01:29:35,766 --> 01:29:38,383
YOU DON'T HAVE TO KNOW WHY.
DO YOU UNDERSTAND?

1066
01:29:39,395 --> 01:29:40,897
YESSIR. I UNDERSTAND.

1067
01:29:41,063 --> 01:29:43,532
WELL, GOOD.
THEY'RE SPENDIN' THE NIGHT.

1068
01:29:43,691 --> 01:29:45,819
GO UP IN THE GUEST BEDROOMS
AND GET TWO READY.

1069
01:29:46,986 --> 01:29:48,659
HE GONNA STAY IN THE BIG HOUSE?

1070
01:29:48,821 --> 01:29:51,040
STEPHEN, HE'S A SLAVER.
IT'S DIFFERENT.

1071
01:29:51,198 --> 01:29:53,781
IN THE BIG HOUSE?
WELL, YOU GOT A PROBLEM WITH THAT?

1072
01:29:53,951 --> 01:29:56,238
OH, NO.
I AIN'T GOT NO PROBLEM WITH IT,

1073
01:29:56,412 --> 01:29:58,597
IF YOU AIN'T GOT NO PROBLEM
WITH BURNIN' THE BED, THE SHEETS,

1074
01:29:58,622 --> 01:30:01,100
THE PILLOWCASES, EVERYTHING ELSE WHEN
THIS BLACK-ASS MOTHERFUCKER'S GONE!

1075
01:30:01,125 --> 01:30:03,378
THAT IS MY PROBLEM!
THEY ARE MINE TO BURN!

1076
01:30:03,544 --> 01:30:05,763
NOW YOUR PROBLEM RIGHT NOW
IS MAKIN' A GOOD IMPRESSION!

1077
01:30:05,921 --> 01:30:07,982
AND I WANT YOU TO START SOLVIN'
THAT PROBLEM RIGHT NOW

1078
01:30:08,007 --> 01:30:09,623
AND GET THEM GODDAMN ROOMS READY!

1079
01:30:11,760 --> 01:30:13,683
YESSIR, MONSIEUR CANDIE.

1080
01:30:15,139 --> 01:30:16,311
GO ON, NOW.

1081
01:30:17,224 --> 01:30:19,636
CAN'T BELIEVE YOU BROUGHT
A NIGGER TO STAY IN THE BIG HOUSE.

1082
01:30:19,810 --> 01:30:21,286
YOUR DADDY ROLLIN' OVER
IN HIS GODDAMNED GRAVE.

1083
01:30:21,311 --> 01:30:24,861
MAN, THE LIP ON HIM. WHOO!
HE'S GETTIN' WORSE AND WORSE.

1084
01:30:25,024 --> 01:30:26,196
NOW...

1085
01:30:26,358 --> 01:30:31,023
WHERE IS MY BEAUTIFUL SISTER?!

1086
01:30:31,196 --> 01:30:34,291
THERE SHE IS!
WHOO-HOO-HOO-HOO!

1087
01:30:34,450 --> 01:30:39,502
DR. SCHULTZ, THIS ATTRACTIVE
SOUTHERN BELLE IS MY WIDOWED SISTER.

1088
01:30:39,663 --> 01:30:43,668
DARLIN', YOU ARE A TONIC FOR TIRED EYES.

1089
01:30:44,918 --> 01:30:48,286
MAY I PRESENT TO YOU
LARA LEE CANDIE-FITZWILLY.

1090
01:30:48,464 --> 01:30:51,832
CHESTER, RODNEY, CHICKEN CHARLY.
Y'ALL GET YOUR ASS OVER BY THAT PEN.

1091
01:30:52,009 --> 01:30:54,137
COME ON, CHARLY. COME ON, NOW!
LET'S GO.

1092
01:30:54,303 --> 01:30:55,350
YOU KNOW WHERE IT IS.

1093
01:30:55,512 --> 01:30:57,253
LIKE YOU ON A ROPE!

1094
01:30:58,474 --> 01:31:01,216
NIGGERS DON'T WALK AROUND HERE,
NIGGERS RUN!

1095
01:31:01,935 --> 01:31:04,939
MONSIEUR CANDIE?
HM?

1096
01:31:05,105 --> 01:31:08,894
YEAH. ABOUT THAT MATTER ABOUT THE
NIGGER GIRL YOU WERE TALKING ABOUT?

1097
01:31:09,068 --> 01:31:10,024
NIGGER GAL?

1098
01:31:10,194 --> 01:31:13,198
YEAH, I BELIEVE YOU MENTIONED
SHE SPOKE GERMAN.

1099
01:31:13,363 --> 01:31:15,946
AH, YES! HILDI, WHAT ABOUT HER?

1100
01:31:16,116 --> 01:31:20,292
DO YOU THINK BEFORE THE DEMONSTRATION,
YOU COULD SEND HER AROUND TO MY ROOM?

1101
01:31:20,454 --> 01:31:24,630
YOU LITTLE DICKENS, YOU.
I DON'T SEE WHY NOT.

1102
01:31:24,792 --> 01:31:28,160
STEPHEN, WHEN YOU GET THROUGH SHOWIN'
THEM TO THEIR ROOMS, GO FETCH HILDI,

1103
01:31:28,337 --> 01:31:30,169
GET HER CLEANED UP
AND SMELLIN' REAL NICE,

1104
01:31:30,339 --> 01:31:31,899
AND SENT OVER TO
DR. SCHULTZ'S ROOM HERE.

1105
01:31:31,924 --> 01:31:33,597
ACTUALLY, MONSIEUR CANDIE, SIR,

1106
01:31:33,759 --> 01:31:36,433
THERE'S-A SOMETHIN'
I AIN'T TOLD YOU 'BOUT YET.

1107
01:31:36,637 --> 01:31:40,301
WHAT?
UH, HILDI IN THE HOT BOX.

1108
01:31:41,809 --> 01:31:43,089
WHAT'S SHE DOIN' THERE?

1109
01:31:43,143 --> 01:31:45,885
WHAT YOU THINK SHE
DOIN' THERE IN THE HOT BOX?

1110
01:31:46,063 --> 01:31:47,531
SHE BEIN' PUNISHED.

1111
01:31:47,689 --> 01:31:50,033
WHAT SHE DO?
SHE RUN OFF AGAIN.

1112
01:31:50,192 --> 01:31:52,866
JESUS CHRIST, STEPHEN, HOW MANY PEOPLE
RAN AWAY WHILE I WAS GONE?

1113
01:31:53,028 --> 01:31:55,520
TWO.
WHEN DID SHE GO?

1114
01:31:55,697 --> 01:31:58,189
LAST NIGHT.
THEY BRUNG HER BACK THIS MORNING.

1115
01:31:58,367 --> 01:32:01,041
HOW BAD DID STONESIPHER'S DOGS
TEAR HER UP?

1116
01:32:01,954 --> 01:32:05,447
LUCKY FOR HER,
THEY WAS OUT CHASIN' D'ARTAGNAN'S ASS.

1117
01:32:05,624 --> 01:32:09,925
BILL AND CODY WENT LOOKIN' FOR HER,
FOUND HER, BRUNG HER BACK.

1118
01:32:10,087 --> 01:32:13,000
NOW, SHE A LITTLE BEAT-UP.
BUT SHE DONE THAT TO HER OWN DAMN SELF

1119
01:32:13,173 --> 01:32:14,525
RUNNIN' THROUGH THEM
DAMN BUSHES AND SHIT.

1120
01:32:14,550 --> 01:32:16,223
HOW LONG SHE BEEN IN THE BOX?

1121
01:32:16,385 --> 01:32:19,184
HOW LONG YOU THINK
SHE BEEN IN THERE? ALL DAMN DAY.

1122
01:32:19,346 --> 01:32:22,020
AND THE LITTLE BITCH
GOT TEN MORE DAYS TO BE IN THERE.

1123
01:32:22,182 --> 01:32:25,220
STILL, TAKE HER OUT.
TAKE HER OUT? WHY?

1124
01:32:25,394 --> 01:32:29,308
BECAUSE I SAID SO, THAT'S WHY.
DR. SCHULTZ IS MY GUEST.

1125
01:32:29,481 --> 01:32:30,437
HILDI IS MY NIGGER.

1126
01:32:30,607 --> 01:32:33,770
SOUTHERN HOSPITALITY DICTATES
I MAKE HER AVAILABLE TO HIM.

1127
01:32:33,944 --> 01:32:37,164
BUT, MONSIEUR CANDIE, SHE RUN OFF.
JESUS CHRIST, STEPHEN.

1128
01:32:37,322 --> 01:32:39,734
WHAT IS THE POINT OF HAVIN'
A NIGGER THAT SPEAKS GERMAN

1129
01:32:39,908 --> 01:32:42,377
IF YOU CAN'T WHEEL 'EM OUT
WHEN YOU HAVE A GERMAN GUEST?

1130
01:32:42,536 --> 01:32:46,712
NOW, I REALIZE IT IS INCONVENIENT,
BUT STILL, YOU TAKE HER ASS OUT.

1131
01:32:46,874 --> 01:32:48,046
YESSIR.

1132
01:32:49,334 --> 01:32:51,917
LARA LEE!
WILL YOU AND CORA BE RESPONSIBLE

1133
01:32:52,087 --> 01:32:55,455
FOR GETTIN' HILDI CLEANED UP
AND PRESENTABLE FOR DR. SCHULTZ HERE.

1134
01:32:55,632 --> 01:32:57,009
OF COURSE, DARLIN'.

1135
01:32:57,176 --> 01:33:02,046
NOW, GENTLEMEN, I DO APOLOGIZE, BUT I AM
WEARY FROM OUR TRAVELS BEYOND WORDS.

1136
01:33:02,222 --> 01:33:05,101
IT IS TIME FOR ME TO REST MY TIRED EYES.

1137
01:33:09,938 --> 01:33:12,680
Y'ALL DONE HEARD THE MAN!
GET HER ASS UP OUTTA THERE!

1138
01:33:12,858 --> 01:33:15,407
CORA! COME HERE!

1139
01:33:15,569 --> 01:33:18,607
GET OVER THERE AND GET HER CLEANED UP,
BRING HER BACK OVER HERE TO DR...

1140
01:33:18,780 --> 01:33:21,158
WHAT HE SAY YOUR NAME IS? SHOOTS?
SCHULTZ.

1141
01:33:21,325 --> 01:33:23,794
SCHULTZ. GET HER BACK OVER HERE.
HURRY UP, GIRL.

1142
01:33:23,952 --> 01:33:27,320
YESSIR.

1143
01:34:10,916 --> 01:34:13,624
COME ON, GIRL. STAND UP.

1144
01:34:43,657 --> 01:34:47,207
IS YOU COMIN' WITH ME OR IS YOU GONNA
SLEEP IN THAT LITTLE BOX OVER YONDER?

1145
01:36:22,381 --> 01:36:23,849
HELLO, LADIES.

1146
01:36:24,007 --> 01:36:27,375
DR. SCHULTZ.
MAY I INTRODUCE TO YOU BROOMHILDA?

1147
01:36:31,556 --> 01:36:34,025
HILDI, THIS IS DR. SCHULTZ.

1148
01:36:35,477 --> 01:36:37,605
IT'S A PLEASURE TO MEET YOU, BROOMHILDA.

1149
01:36:38,647 --> 01:36:40,991
I'VE HEARD A LOT OF
GOOD THINGS ABOUT YOU.

1150
01:36:41,149 --> 01:36:43,948
WELL, IT'S NOT EVERY NIGGER
SPEAKS GERMAN, DON'T YA KNOW.

1151
01:36:47,197 --> 01:36:49,188
AS I LOOK AT YOU NOW, BROOMHILDA,

1152
01:36:49,366 --> 01:36:54,327
I CAN SEE ALL THE PASSIONS YOU INSPIRE
ARE COMPLETELY JUSTIFIED.

1153
01:36:57,666 --> 01:37:00,010
THE DOCTOR HERE SPEAKS GERMAN.

1154
01:37:02,003 --> 01:37:03,960
AND I'VE BEEN INFORMED YOU DO AS WELL?

1155
01:37:05,507 --> 01:37:07,669
GO AHEAD, GIRL.
SPEAK A LITTLE GERMAN.

1156
01:37:14,224 --> 01:37:15,840
HA!

1157
01:37:16,017 --> 01:37:18,008
ASTONISHING.

1158
01:37:24,985 --> 01:37:27,204
AND I SHALL BRING YOU...
MUCH OBLIGED.

1159
01:37:36,705 --> 01:37:37,820
<i>JA.</i>

1160
01:38:01,229 --> 01:38:02,697
DON'T BE AFRAID.

1161
01:38:40,769 --> 01:38:43,261
HM. PARDON.

1162
01:38:50,862 --> 01:38:52,148
<i>DANKE.</i>

1163
01:40:37,594 --> 01:40:39,187
HEY, LITTLE TROUBLE MAKER.

1164
01:40:47,771 --> 01:40:51,071
YOU SILVER-TONGUED DEVIL, YOU.

1165
01:40:52,651 --> 01:40:54,127
HURRY UP, GIRL.
THESE READY, MISS CORA.

1166
01:40:54,152 --> 01:40:55,513
NO, NO, NO, THEY DRINKIN' TONIGHT.

1167
01:40:55,570 --> 01:40:58,610
GO DOWNSTAIRS, GET THE BIG JUG WITH THE
RED STUFF MONSIEUR CANDIE LIKE, HEAR?

1168
01:40:58,698 --> 01:41:01,440
GET YOUR BIG PRETTY ASS OUT THE WAY.
YOU KNOW YOU LIKE IT.

1169
01:41:01,618 --> 01:41:03,837
THAT'S 'CAUSE
YOU KNOWS WHAT I LIKE.

1170
01:41:03,995 --> 01:41:06,578
OOH!
COME ON WITH THESE BISCUITS, GIRL.

1171
01:41:06,748 --> 01:41:12,551
LOOK, MONSIEUR CANDIE, THEY WERE
ALL FINE SPECIMENS, NO DOUBT ABOUT IT.

1172
01:41:12,712 --> 01:41:17,081
BUT THE BEST THREE BY FAR WERE SAMSON...

1173
01:41:18,468 --> 01:41:20,069
WHAT'S THAT OTHER ONE'S NAME?
GOLDIE.

1174
01:41:20,220 --> 01:41:23,554
GOLDIE. AND ESKIMO JOE.

1175
01:41:23,723 --> 01:41:26,306
BY THE WAY, WHY IS HE CALLED ESKIMO JOE?

1176
01:41:26,476 --> 01:41:29,571
YOU NEVER KNOW HOW
THESE NIGGER NICKNAMES GET STARTED.

1177
01:41:29,729 --> 01:41:32,312
HIS NAME WAS JOE, MAYBE ONE DAY
HE SAID HE WAS COLD. WHO KNOWS?

1178
01:41:35,985 --> 01:41:41,333
WELL, REGARDLESS, SAMSON'S YOUR BEST.
WE ALL KNOW THAT.

1179
01:41:41,491 --> 01:41:45,212
YOU WILL NEVER SELL HIM,
AND I CAN SEE WHY. HE'S A CHAMPION.

1180
01:41:45,370 --> 01:41:49,125
HM-HM.
ALL THREE ARE CHAMPIONS.

1181
01:41:49,791 --> 01:41:51,885
SAMSON'S THE CHAMPION.

1182
01:41:52,043 --> 01:41:53,841
THEM OTHER TWO PRETTY GOOD.

1183
01:41:55,130 --> 01:41:56,731
CALVIN, NOW WHAT'S
THIS NIGGER YOU LET...

1184
01:41:56,798 --> 01:41:57,913
IT'S ALL RIGHT.

1185
01:41:58,091 --> 01:42:00,185
YOU HAVE TO UNDERSTAND,
MONSIEUR CANDIE,

1186
01:42:00,343 --> 01:42:03,711
WHILE ADMITTEDLY A NEOPHYTE
IN THE NIGGER FIGHT GAME,

1187
01:42:03,888 --> 01:42:08,189
I DO HAVE A LITTLE BIT OF A BACKGROUND
IN THE EUROPEAN TRAVELING CIRCUS.

1188
01:42:08,351 --> 01:42:09,432
IS THAT RIGHT?

1189
01:42:09,602 --> 01:42:13,698
HENCE, I HAVE BIG IDEAS
WHEN IT COMES TO PRESENTATION.

1190
01:42:13,857 --> 01:42:14,813
HM.

1191
01:42:14,983 --> 01:42:17,452
I NEED SOMETHING MORE
THAN JUST A BIG NIGGER.

1192
01:42:19,195 --> 01:42:21,414
YEAH, HE NEEDS TO HAVE PANACHE.

1193
01:42:21,573 --> 01:42:24,668
NEED TO HAVE WHAT? WHAT?
PANACHE. UH...

1194
01:42:24,826 --> 01:42:27,568
A SENSE OF SHOWMANSHIP.
SHOWMANSHIP, YES.

1195
01:42:27,746 --> 01:42:30,966
I WANT TO BE ABLE TO BILL HIRN
AS THE BLACK HERCULES.

1196
01:42:32,917 --> 01:42:34,397
THE BLACK HERCULES,
ISN'T THAT CLEVER?

1197
01:42:34,461 --> 01:42:35,451
MORE LIKE NIGGER-LES.

1198
01:42:37,922 --> 01:42:43,304
I SAID, AND I QUOTE:
"I WOULD PAY TOP DOLLAR FOR...

1199
01:42:43,803 --> 01:42:46,602
'THE RIGHT NIGGER."'

1200
01:42:46,765 --> 01:42:51,066
NOW I'M NOT SAYING THAT ESKIMO JOE
IS THE WRONG NIGGER, PER SE.

1201
01:42:51,227 --> 01:42:53,935
BUT IS HE RIGHT AS RAIN?

1202
01:42:55,190 --> 01:42:56,601
OH, DR. SCHULTZ,

1203
01:42:56,775 --> 01:43:00,564
I WILL HAVE YOU KNOW THERE
IS NO ONE IN THE NIGGER FIGHT GAME

1204
01:43:00,737 --> 01:43:02,660
THAT APPRECIATES
THE VALUE OF SHOWMANSHIP

1205
01:43:02,822 --> 01:43:04,563
MORE THAN MONSIEUR
CALVIN J. CANDIE HERE.

1206
01:43:04,741 --> 01:43:05,731
NOBODY.

1207
01:43:05,909 --> 01:43:07,789
BUT ONE MUST NOT FORGET
THE MOST IMPORTANT THING

1208
01:43:07,911 --> 01:43:09,311
IN THE NIGGER FIGHT GAME.
HM-MM.

1209
01:43:09,454 --> 01:43:11,445
AND THAT IS A NIGGER
THAT CAN WIN FIGHTS.

1210
01:43:11,623 --> 01:43:12,829
HM-MM.

1211
01:43:12,999 --> 01:43:17,209
NOW THAT SHOULD BE YOUR FIRST, SECOND,
THIRD, FOURTH, AND FIFTH CONCERN.

1212
01:43:17,378 --> 01:43:19,458
NOW, AFTER YOU HAVE THAT,
AND YOU KNOW YOU HAVE THAT,

1213
01:43:19,589 --> 01:43:23,560
THEN YOU CAN START
TO IMPLEMENT A GRAND DESIGN.

1214
01:43:23,718 --> 01:43:26,267
IN OTHER WORDS, FIRST THING IS FIRST.

1215
01:43:26,429 --> 01:43:27,897
FIRST THING'S FIRST.

1216
01:43:35,563 --> 01:43:38,931
OOH! I SEE YOU TWO GETTIN' ON.

1217
01:43:39,108 --> 01:43:40,974
FAMOUSLY.

1218
01:43:41,736 --> 01:43:44,410
OH, MONSIEUR CANDIE,
YOU CAN'T IMAGINE WHAT IT'S LIKE

1219
01:43:44,572 --> 01:43:47,906
NOT TO HEAR YOUR
NATIVE TONGUE IN FOUR YEARS.

1220
01:43:48,076 --> 01:43:49,956
WELL, HELL,
I CAN'T IMAGINE TWO WEEKS IN BOSTON.

1221
01:43:52,330 --> 01:43:54,378
TWO WEEKS IN BOSTON!

1222
01:43:54,541 --> 01:43:57,340
MONSIEUR CANDIE, YOU A MESS!

1223
01:43:57,502 --> 01:43:59,209
TWO WEEKS IN BOSTON!

1224
01:43:59,379 --> 01:44:04,590
I CAN'T EXPRESS THE JOY I FELT
CONVERSING IN MY MOTHER TONGUE.

1225
01:44:04,759 --> 01:44:08,855
AND HILDI IS A CHARMING
CONVERSATION COMPANION.

1226
01:44:09,013 --> 01:44:10,879
WELL, BE CAREFUL NOW,
DR. SCHULTZ.

1227
01:44:11,057 --> 01:44:12,400
YOU MIGHT-A CAUGHT YOURSELF

1228
01:44:12,559 --> 01:44:13,952
A LITTLE DOSE OF NIGGER LOVE.
HM!

1229
01:44:13,977 --> 01:44:16,071
NIGGER LOVE'S
A POWERFUL EMOTION, BOY.

1230
01:44:16,229 --> 01:44:18,220
HM!
IT'S LIKE A POOL OF BLACK TAR.

1231
01:44:18,398 --> 01:44:20,014
ONCE IT CATCHES YOUR ASS, YOU'RE CAUGHT.

1232
01:44:20,191 --> 01:44:23,161
YESSIR, YOU STUCK.

1233
01:44:23,319 --> 01:44:24,855
I DON'T KNOW, DOCTOR.

1234
01:44:25,029 --> 01:44:27,282
YOU CAN LAY ON ALL THE
GERMAN SWEET TALK YOU WANT,

1235
01:44:27,448 --> 01:44:31,954
BUT IT LOOKS LIKE THIS PONY'S
GOT BIG EYES FOR DJANGO.

1236
01:44:34,372 --> 01:44:36,841
WELL, NATURALLY.

1237
01:44:37,000 --> 01:44:40,630
IT IS THE SOARING EAGLE
THAT ATTRACTS HER ATTENTION,

1238
01:44:40,795 --> 01:44:43,594
NOT THE PLUCKED CHICKEN.

1239
01:44:43,756 --> 01:44:46,248
DR. SCHULTZ, DON'T BE
SO DOWN ON YOURSELF.

1240
01:44:46,426 --> 01:44:48,349
YOU ARE QUITE THE DAPPER
EUROPEAN GENTLEMAN.

1241
01:44:48,511 --> 01:44:49,696
YOU GOT TO CLEAN THESE DISHES,

1242
01:44:49,721 --> 01:44:51,882
YOU GOT TO PUT YOUR ELBOW
IN THESE DISHES, YOU HEAR ME?

1243
01:44:51,890 --> 01:44:54,109
YOU KNOW THAT NIGGER, DON'T YOU?

1244
01:44:55,018 --> 01:44:56,304
WHO?
"WHO?"

1245
01:44:56,477 --> 01:44:59,572
DON'T "WHO" ME, BITCH.
YOU KNOW WHO I'M TALKIN' ABOUT.

1246
01:45:01,316 --> 01:45:03,307
AT THE TABLE?

1247
01:45:03,484 --> 01:45:04,736
I DON'T KNOW HIM.

1248
01:45:04,903 --> 01:45:07,941
YOU DON'T KNOW HIM.
NO.

1249
01:45:08,114 --> 01:45:10,947
"NO," WHAT?
NO, SIR.

1250
01:45:15,580 --> 01:45:18,049
YOU WOULDN'T LIE TO ME, NOW, WOULD YOU?

1251
01:45:22,253 --> 01:45:23,459
OK.

1252
01:45:24,714 --> 01:45:27,843
YEAH. IF YOU SAY SO.

1253
01:45:34,307 --> 01:45:37,732
ESKIMO JOE'S A QUALITY NIGGER,
NO DOUBT ABOUT IT.

1254
01:45:39,103 --> 01:45:44,280
BUT IF IT WAS MY MONEY,
I WOULDN'T PAY NO $12,000 FOR HIM.

1255
01:45:44,442 --> 01:45:46,786
WHAT WOULD YOUR PRICE BE?

1256
01:45:46,945 --> 01:45:48,902
WELL, IF I WAS INCLINED
TO BE GENEROUS...

1257
01:45:49,072 --> 01:45:52,531
AND I DON'T KNOW WHY
I WOULD BE INCLINED TO BE GENEROUS...

1258
01:45:53,493 --> 01:45:56,736
9,000. MAYBE.

1259
01:45:57,997 --> 01:46:03,800
DR. SCHULTZ, LET ME RECLARIFY HOW
THIS WHOLE NEGOTIATION CAME ABOUT.

1260
01:46:03,962 --> 01:46:06,124
YOU SEE, IT WASN'T ME
WHO CAME TO YOU TO SELL A NIGGER.

1261
01:46:06,297 --> 01:46:07,253
SURE WASN'T.

1262
01:46:07,423 --> 01:46:09,130
IT WAS YOU WHO APPROACHED ME TO BUY ONE.

1263
01:46:09,300 --> 01:46:11,462
SURE WAS.
NOW, THAT $9,000 FIGURE

1264
01:46:11,636 --> 01:46:14,197
BRIGHT BOY'S BEEN BANDYIN' ABOUT,
THAT AIN'T TOO FAR OFF FROM RIGHT.

1265
01:46:14,222 --> 01:46:15,942
AND IF I WANTED TO SELL
ESKIMO JOE FOR THAT,

1266
01:46:16,015 --> 01:46:18,985
I COULD DO SO ANY DAY OF THE WEEK.
ANY DAY.

1267
01:46:19,143 --> 01:46:23,387
BUT, LIKE YOU SAID IN GREENVILLE,
DOCTOR... I DON'T WANT TO SELL HIM.

1268
01:46:24,023 --> 01:46:28,028
IT WAS ONLY YOUR RIDICULOUS
OFFER OF $12,000

1269
01:46:28,194 --> 01:46:31,027
THAT MADE ME EVEN CONSIDER IT.
HM-MM.

1270
01:46:39,205 --> 01:46:43,301
YOU KNOW, MONSIEUR CANDIE,
YOU DO POSSESS THE POWER OF PERSUASION.

1271
01:46:47,213 --> 01:46:49,625
WHY NOT?
MONSIEUR CANDIE, YOU HAVE A DEAL.

1272
01:46:49,799 --> 01:46:53,133
ESKIMO JOE, $12,000.
HOORAY, DOCTOR.

1273
01:46:53,302 --> 01:46:55,430
HOORAY.
AND A WISE DECISION THAT IS.

1274
01:46:55,596 --> 01:46:59,146
HOWEVER, THAT IS
A TREMENDOUS AMOUNT OF MONEY.

1275
01:46:59,308 --> 01:47:02,471
AND THE WAY YOU HAVE
YOUR MR. MOGUY, I HAVE A LAWYER.

1276
01:47:02,645 --> 01:47:04,443
PERSNICKETY MAN NAMED TUTTLE.

1277
01:47:04,605 --> 01:47:07,700
AND I WOULD NEED MY MR. TUTTLE
TO DRAW UP A LEGAL CONTRACT

1278
01:47:07,859 --> 01:47:10,897
BEFORE I'D FEEL COMFORTABLE EXCHANGING
THAT AMOUNT OF MONEY FOR FLESH.

1279
01:47:11,070 --> 01:47:12,060
HM-MM.

1280
01:47:12,238 --> 01:47:13,911
NOT TO MENTION HAVING
ESKIMO JOE EXAMINED

1281
01:47:14,073 --> 01:47:16,690
BY A PHYSICIAN OF MY CHOOSING.
NATURALLY.

1282
01:47:16,868 --> 01:47:21,590
SO, SAY I RETURN IN ABOUT...

1283
01:47:23,750 --> 01:47:26,037
FIVE DAYS TIME.
FIVE DAYS?

1284
01:47:26,210 --> 01:47:27,462
WITH MY MR. TUTTLE.

1285
01:47:27,628 --> 01:47:29,676
AND THEN MY MR. TUTTLE
AND YOUR MR. MOGUY

1286
01:47:29,839 --> 01:47:32,809
CAN HASH OUT THE FINER
DETAILS BETWEEN THEMSELVES.

1287
01:47:33,634 --> 01:47:36,672
I SAY SPLENDID, DOCTOR. SPLENDID.

1288
01:47:37,430 --> 01:47:38,602
GENTLEMEN...

1289
01:47:39,599 --> 01:47:41,590
MAY I PROPOSE A TOAST.

1290
01:47:43,978 --> 01:47:48,848
TO ESKIMO JOE.
OR SHALL WE CALL HIM THE BLACK HERCULES?

1291
01:47:49,025 --> 01:47:51,699
TO THE BLACK HERCULES.

1292
01:47:51,861 --> 01:47:53,238
THE BLACK HERCULES.

1293
01:47:53,404 --> 01:47:54,815
TO THE BLACK HERCULES.

1294
01:47:54,989 --> 01:47:58,835
YOU WAS RIGHT, DOCTOR.
THAT NAME DO HAVE PAN-ASS.

1295
01:47:58,993 --> 01:48:00,404
HM.

1296
01:48:00,578 --> 01:48:03,821
HILDI, TOP MY DRINK OFF.

1297
01:48:06,918 --> 01:48:11,970
SO, HILDI, HOW YOU LIKE SERVIN'
AT THE BIG TABLE IN THE BIG HOUSE, HUH?

1298
01:48:12,131 --> 01:48:15,351
WHEN MONSIEUR CANDIE TALK TO YOU,
YOU ANSWERS.

1299
01:48:15,510 --> 01:48:18,252
I LIKE IT A LOT, MONSIEUR CANDIE.
HM-MM.

1300
01:48:18,429 --> 01:48:21,171
IT'S A LOT BETTER THAN SIZZLIN'
IN THAT HOT BOX OR DRAGGIN' YOUR ASS

1301
01:48:21,349 --> 01:48:22,692
THROUGH A BRAMBLE BUSH.

1302
01:48:22,850 --> 01:48:25,971
BUT MAYBE IT'S NOT QUITE AS MUCH FUN AS
GETTIN' TO PLEASURE ALL THEM MANDINGOS,

1303
01:48:26,104 --> 01:48:27,830
HUH, SUGAR BEAR?
OH, LORD, SHE LIKE THEM NIGGERS.

1304
01:48:27,855 --> 01:48:29,027
SURE DO.
LIKE SAMSON? HUH?

1305
01:48:29,190 --> 01:48:30,658
NO, SIR.

1306
01:48:30,817 --> 01:48:32,160
YOU KNOW, MONSIEUR CANDIE,

1307
01:48:32,318 --> 01:48:35,982
THE DOCTOR HERE MIGHT BE INTERESTED
IN SEEIN' HILDI'S PEELED BACK,

1308
01:48:36,155 --> 01:48:39,398
SEEIN' AS HOW THEY DON'T HAVE
MANY NIGGERS WHERE HE COME FROM.

1309
01:48:39,575 --> 01:48:41,703
DR. SCHULTZ,
WHEN YOU WAS ALONE WITH HILDI, HERE,

1310
01:48:41,869 --> 01:48:44,907
DID YOU JUST SPEAK GERMAN
OR DID YOU GET TO TAKE HER CLOTHES OFF?

1311
01:48:45,081 --> 01:48:46,822
NO, WE JUST TALKED AND...

1312
01:48:46,999 --> 01:48:49,377
OH, SO YOU
HAVEN'T SEEN HER BACK?

1313
01:48:49,544 --> 01:48:51,342
I HAVEN'T...
NO, NO, NO, NO.

1314
01:48:51,504 --> 01:48:53,552
STEPHEN'S RIGHT,
YOU MIGHT FIND THIS INTERESTING.

1315
01:48:53,714 --> 01:48:56,809
HILDI, GO ON, TAKE OFF YOUR DRESS.
SHOW DR. SCHULTZ YOUR BACK HERE.

1316
01:48:56,968 --> 01:48:58,925
GO ON.
UH, CALVIN.

1317
01:48:59,095 --> 01:49:01,473
I JUST GOT HER ALL DRESSED UP
AND LOOKIN' NICE.

1318
01:49:01,639 --> 01:49:04,552
BUT, LARA LEE,
DR. SCHULTZ IS FROM DUSSELDORF.

1319
01:49:04,725 --> 01:49:07,729
THEY DON'T GOT NIGGERS THERE.
HE IS A MAN OF MEDICINE.

1320
01:49:07,895 --> 01:49:10,478
I'M SURE IT WOULD FASCINATE HIM,
THE NIGGERS' ENDURANCE FOR PAIN.

1321
01:49:10,648 --> 01:49:14,232
THESE NIGGERS ARE TOUGH,
DR. SCHULTZ, NO DOUBT ABOUT IT.

1322
01:49:14,402 --> 01:49:16,564
HILDI'S GOT SOMETHIN'
LIKE FOUR LASHES ON HER BACK.

1323
01:49:16,737 --> 01:49:18,737
LARA LEE JUST GET ONE,
SHE'D LOSE HER GODDAMN MIND.

1324
01:49:18,865 --> 01:49:20,091
SURE WOULD.
LOOK AT THAT, DOCTOR.

1325
01:49:20,116 --> 01:49:22,369
IT'S LIKE A PAINTIN'. LOOK AT THAT.
CALVIN!

1326
01:49:23,161 --> 01:49:26,199
WE ARE EATING. AIN'T NO ONE WANNA
LOOK AT HER WHIPPED UP BACK.

1327
01:49:27,874 --> 01:49:30,286
FINE. FINE, FINE, FINE, FINE.

1328
01:49:30,459 --> 01:49:33,133
AFTER DINNER, THEN, STEPHEN.
AFTER DINNER.

1329
01:49:34,338 --> 01:49:36,136
DURING THE BRANDIES, GENTLEMEN, HM?

1330
01:49:42,513 --> 01:49:44,049
CORA, COME GET THIS GIRL!

1331
01:49:47,518 --> 01:49:50,738
SHE A MESS.
YES, MA'AM. OH!

1332
01:49:50,897 --> 01:49:53,366
WHY ARE YOU ALL UNDONE?
I JUST GOT YOU DONE UP.

1333
01:49:53,524 --> 01:49:54,867
COME ON IN HERE.

1334
01:50:01,365 --> 01:50:05,154
BABY, YOU ON STEPHEN BAD SIDE,
AND YOU NEED TO BE ON HIS BLIND SIDE.

1335
01:50:05,328 --> 01:50:07,285
YOU SAY YOU AIN'T KNOW HIM.

1336
01:50:08,414 --> 01:50:09,495
HUH?

1337
01:50:09,665 --> 01:50:15,263
I SAID, YOU SAID YOU AIN'T KNOW HIM.

1338
01:50:16,422 --> 01:50:19,790
I DON'T.
YES, YOU DO.

1339
01:50:21,969 --> 01:50:23,585
MR. STEPHEN...

1340
01:50:24,597 --> 01:50:25,587
I DON'T.

1341
01:50:25,765 --> 01:50:28,257
WHY IS YOU LYING TO ME?

1342
01:50:30,645 --> 01:50:31,988
I AIN'T.

1343
01:50:32,146 --> 01:50:34,638
THEN WHY IS YOU CRYING?

1344
01:50:34,815 --> 01:50:36,977
YOU SCARIN' ME.

1345
01:50:37,151 --> 01:50:41,065
WHY IS I'M SCARING YOU?
BECAUSE YOU SCARY.

1346
01:50:42,740 --> 01:50:45,835
TO SPEAK GERMAN
THIS AFTERNOON WITH HILDI

1347
01:50:45,993 --> 01:50:49,122
WAS POSITIVELY SOUL-ENRICHING.

1348
01:50:49,288 --> 01:50:52,167
DOCTOR,
THAT WARMS MY HEART TO HEAR THAT.

1349
01:50:52,333 --> 01:50:55,166
YOU STAY RIGHT HERE.

1350
01:51:00,508 --> 01:51:05,014
YOU INDICATED EARLIER
YOU'D BE WILLING TO PART WITH HILDI.

1351
01:51:05,179 --> 01:51:08,012
WHY, YES.
YESSIREE BOB, I DID.

1352
01:51:10,017 --> 01:51:15,979
IN THAT CASE, ALLOW ME
TO PROPOSE ANOTHER PROPOSITION.

1353
01:51:16,148 --> 01:51:17,525
I'M ALL EARS.

1354
01:51:17,692 --> 01:51:19,399
HURRY UP, GODDAMN IT!

1355
01:51:20,027 --> 01:51:21,620
MONSIEUR CANDIE...
STEPHEN!

1356
01:51:22,655 --> 01:51:25,124
YOU JUST INTERRUPTED DR. SCHULTZ HERE.

1357
01:51:26,242 --> 01:51:28,370
I'M SORRY, DR. SCHULTZ.

1358
01:51:28,536 --> 01:51:31,244
MY EARS AIN'T WORTH A DAMN THESE DAYS.

1359
01:51:31,414 --> 01:51:32,529
EXCUSE HIM.

1360
01:51:32,707 --> 01:51:36,462
MONSIEUR CANDIE, COULD I GET
A WORD WITH YOU IN THE KITCHEN?

1361
01:51:36,627 --> 01:51:38,550
YOU MEAN GET UP OUT OF MY CHAIR?

1362
01:51:38,713 --> 01:51:42,047
IF YOU COULD MANAGE IT.
WHY?

1363
01:51:42,216 --> 01:51:46,062
IT'S ABOUT DESSERT.
WHAT ABOUT DESSERT?

1364
01:51:46,220 --> 01:51:48,837
I'D RATHER DISCUSS THAT IN PRIVATE.

1365
01:51:49,015 --> 01:51:50,881
WE'RE HAVING WHITE CAKE!

1366
01:51:51,058 --> 01:51:53,402
WHAT SORT OF MELODRAMA
COULD BE BREWING BACK THERE?

1367
01:51:53,561 --> 01:51:57,896
YOU RIGHT, MONSIEUR CANDIE.
YOU RIGHT. I'LL HANDLE IT MYSELF.

1368
01:51:58,065 --> 01:51:59,863
MEET ME IN THE LIBRARY.

1369
01:52:00,026 --> 01:52:03,121
I JUST CAN'T UNDERSTAND WHY YOU
WON'T COME TALK TO THESE NIGGERS.

1370
01:52:03,279 --> 01:52:05,145
SHIT GET FUCKED UP AROUND HERE,
YOU BLAME ME.

1371
01:52:05,323 --> 01:52:10,318
FINE! FINE. FRIEND STEPHEN,
I WILL BE ALONG MOMENTARILY.

1372
01:52:10,494 --> 01:52:11,666
YESSIR.

1373
01:52:12,580 --> 01:52:16,244
WELL, GENTLEMEN, AS YOU CAN SEE,

1374
01:52:16,417 --> 01:52:18,258
TALENTED AS THEY ARE,
NO DOUBT, IN THE KITCHEN,

1375
01:52:18,336 --> 01:52:21,966
FROM TIME TO TIME,
ADULT SUPERVISION IS REQUIRED.

1376
01:52:24,967 --> 01:52:26,765
IF YOU'LL EXCUSE ME A MOMENT.

1377
01:52:32,933 --> 01:52:34,731
YOU MAY CLEAR
THE DINNER SERVICE.

1378
01:52:36,187 --> 01:52:39,555
YOU HEARD HIM. GO ON!
GET! HURRY UP, GIRL.

1379
01:52:39,732 --> 01:52:45,148
SO, DR. SCHULTZ, WHY DON'T YOU
REGALE US WITH A TALE OF THE CIRCUS.

1380
01:52:45,321 --> 01:52:47,995
THE CIRCUS?

1381
01:52:54,455 --> 01:52:56,253
WHAT IS THE MATTER?

1382
01:53:01,504 --> 01:53:06,590
THEM MOTHERFUCKERS
AIN'T HERETO BUY NO MANDINGOS.

1383
01:53:06,759 --> 01:53:10,309
THEY WANTS THAT GIRL.

1384
01:53:10,471 --> 01:53:13,213
STEPHEN, WHAT THE HELL
ARE YOU TALKING ABOUT? HM?

1385
01:53:13,391 --> 01:53:16,554
THEY PLAYING YOUR ASS FOR A FOOL
IS WHAT I'M TALKING ABOUT.

1386
01:53:16,727 --> 01:53:20,391
THEY AIN'T HERE FOR
NO MUSCLEBOUND JIMMIE.

1387
01:53:20,564 --> 01:53:22,726
THEY HERE FOR THAT GIRL.

1388
01:53:22,900 --> 01:53:25,517
WH... WHAT GIRL? HILDI?

1389
01:53:25,694 --> 01:53:29,324
YEAH, HILDI. HER AND DJANGO,
THEM NIGGERS KNOW EACH OTHER.

1390
01:53:31,033 --> 01:53:32,626
HE JUST BOUGHT ESKIMO JOE.

1391
01:53:32,785 --> 01:53:35,163
DID HE GIVE YOU ANY MONEY?
NO! NOT YET. BUT...

1392
01:53:35,329 --> 01:53:37,798
THEN HE AIN'T BOUGHT DIDDLY.
NOT YET, NOHOW.

1393
01:53:37,957 --> 01:53:40,210
BUT HE'S JUST ABOUT TO BUY

1394
01:53:40,376 --> 01:53:43,596
WHO HE COME HERE TO BUY
WHEN I INTERRUPTED HIM.

1395
01:53:43,754 --> 01:53:46,758
"THANK YOU, STEPHEN."
YOU'RE WELCOME, CALVIN.

1396
01:53:52,179 --> 01:53:54,170
WHERE YOU GETTIN' ALL THIS?

1397
01:53:55,307 --> 01:53:57,243
WHY WOULD THEY GO THROUGH
ALL THAT TROUBLE FOR A NIGGER

1398
01:53:57,268 --> 01:53:59,760
WITH A CHEWED UP BACK,
AIN'T WORTH $300?

1399
01:53:59,937 --> 01:54:04,238
THEY DOIN' IT 'CAUSE THAT NIGGER
DJANGO'S IN LOVE WITH HILDI.

1400
01:54:04,400 --> 01:54:06,232
SHE PROBABLY HIS WIFE.

1401
01:54:06,402 --> 01:54:09,201
NOW, WHY THAT GERMAN GIVES A FUCK
WHO THAT UPPITY SON OF A BITCH

1402
01:54:09,363 --> 01:54:12,458
IS IN LOVE WITH,
I'M SURE I DON'T KNOW.

1403
01:54:15,035 --> 01:54:16,992
IF SHE'S WHO THEY WANT...

1404
01:54:17,580 --> 01:54:21,881
WHY THIS WHOLE SNAKE OIL PITCH
ABOUT MANDINGOS, THEN?

1405
01:54:22,042 --> 01:54:25,535
YOU WOULDN'T PAY NO
NEVER MIND TO NO $300.

1406
01:54:25,713 --> 01:54:31,186
BUT THAT 12,000? THAT MADE YOU
REAL FRIENDLY, NOW, DIDN'T IT?

1407
01:54:33,888 --> 01:54:35,561
YES, IT DID.

1408
01:54:38,893 --> 01:54:40,509
HIS WIFE, HUH?

1409
01:54:44,398 --> 01:54:48,119
IF IT HAD BEEN A SNAKE,
IT WOULD HAVE BIT ME.

1410
01:54:51,405 --> 01:54:53,396
THOSE LYING...

1411
01:54:54,241 --> 01:55:00,237
GODDAMN TIME-WASTIN'
SONS OF BITCHES.

1412
01:55:02,458 --> 01:55:03,630
SONS OF BITCHES!

1413
01:55:04,251 --> 01:55:09,041
OUT OF NEW ORLEANS, SO I HAVE QUITE
A BIT OF PRACTICE WITH THEATER TYPES.

1414
01:55:10,299 --> 01:55:11,767
OH, THERE YOU ARE.

1415
01:55:11,926 --> 01:55:14,725
I WAS BEGINNING TO THINK THAT YOU
AND THAT OLD CROW RUN OFF TOGETHER.

1416
01:55:16,514 --> 01:55:18,676
THAT'D BE A HELL OF A NOTE, WOULDN'T IT?

1417
01:55:18,849 --> 01:55:21,944
LARA LEE, I WAS JUST
LOOKING OUT THE BIG WINDOW.

1418
01:55:22,102 --> 01:55:25,140
BILLY CRASH IS OUT THERE
DEALING WITH SOME SHADY SLAVER

1419
01:55:25,314 --> 01:55:26,540
TRYING TO SELL A PASSEL OF PONIES.

1420
01:55:26,565 --> 01:55:30,445
WOULD YOU BE A DEAR, GO OUT THERE
AND GIVE THEM GALS AN EYEBALL? HM?

1421
01:55:30,611 --> 01:55:32,864
OF COURSE, BROTHER.
THANK YOU, DARLING.

1422
01:55:46,126 --> 01:55:49,847
YEAH. BUSINESS NEVER SLEEPS.
HM-MM.

1423
01:55:51,882 --> 01:55:54,795
APROPOS, BEFORE YOUR EXIT,

1424
01:55:54,969 --> 01:55:58,974
WE WERE DISCUSSING THE POSSIBILITY
OF MY PURCHASING BROOMHILDA.

1425
01:55:59,139 --> 01:56:02,052
AH, YES. YES, WE WERE, DOCTOR.

1426
01:56:02,226 --> 01:56:04,354
AND WE WILL AGAIN. IN A MOMENT.

1427
01:56:20,828 --> 01:56:22,876
WHO'S YOUR LITTLE FRIEND?

1428
01:56:27,835 --> 01:56:29,337
THIS IS BEN.

1429
01:56:30,671 --> 01:56:35,666
HE'S A OLD JOE THAT
LIVED AROUND HERE FOR A LONG TIME.

1430
01:56:35,843 --> 01:56:38,255
AND I DO MEAN A LONG DAMN TIME.

1431
01:56:39,346 --> 01:56:43,101
OLD BEN HERE TOOK CARE OF MY DADDY...

1432
01:56:43,976 --> 01:56:46,024
AND MY DADDY'S DADDY.

1433
01:56:46,186 --> 01:56:48,769
TILL HE UP AND KEELED OVER ONE DAY...

1434
01:56:51,609 --> 01:56:53,282
OLD BEN TOOK CARE OF ME.

1435
01:56:55,863 --> 01:56:59,652
GROWING UP THE SON OF A HUGE
PLANTATION OWNER IN MISSISSIPPI

1436
01:56:59,825 --> 01:57:05,696
PUTS A WHITE MAN IN CONTACT
WITH A WHOLE LOTTA BLACK FACES.

1437
01:57:07,333 --> 01:57:12,624
I SPENT MY WHOLE LIFE HERE,
RIGHT HERE IN CANDYLAND...

1438
01:57:13,881 --> 01:57:17,670
SURROUNDED BY BLACK FACES.

1439
01:57:19,720 --> 01:57:22,064
NOW, SEEING THEM EVERY DAY,
DAY IN, DAY OUT,

1440
01:57:29,104 --> 01:57:31,573
WHY DON'T THEY KILL US?

1441
01:57:34,568 --> 01:57:39,745
NOW, RIGHT OUT THERE ON THAT PORCH,
THREE TIMES A WEEK FOR 50 YEARS,

1442
01:57:39,907 --> 01:57:44,834
OLD BEN HERE WOULD
SHAVE MY DADDY WITH A STRAIGHT RAZOR.

1443
01:57:44,995 --> 01:57:50,115
NOW, IF I WAS OLD BEN, I WOULDA
CUT MY DADDY'S GODDAMN THROAT

1444
01:57:50,292 --> 01:57:53,717
AND IT WOULDN'T HAVE TAKEN ME
NO 50 YEARS TO DO IT, NEITHER.

1445
01:57:56,256 --> 01:57:57,758
BUT HE NEVER DID.

1446
01:57:59,635 --> 01:58:00,921
WHY NOT?

1447
01:58:02,304 --> 01:58:07,094
YOU SEE, THE SCIENCE OF PHRENOLOGY

1448
01:58:07,267 --> 01:58:12,353
IS CRUCIAL TO UNDERSTANDING
THE SEPARATION OF OUR TWO SPECIES.

1449
01:58:14,191 --> 01:58:17,912
IN THE SKULL OF THE AFRICAN HERE,

1450
01:58:18,070 --> 01:58:20,198
THE AREA ASSOCIATED
WITH SUBMISSIVENESS

1451
01:58:20,364 --> 01:58:25,871
IS LARGER THAN ANY HUMAN OR ANY OTHER
SUBHUMAN SPECIES ON PLANET EARTH.

1452
01:58:41,385 --> 01:58:43,342
IF YOU EXAMINE...

1453
01:58:44,722 --> 01:58:46,884
THIS PIECE OF SKULL HERE...

1454
01:58:53,188 --> 01:58:56,772
YOU WILL NOTICE
THREE DISTINCT DIMPLES.

1455
01:59:00,362 --> 01:59:04,083
HERE, HERE AND HERE.

1456
01:59:04,241 --> 01:59:05,493
NOW...

1457
01:59:05,659 --> 01:59:10,654
IF I WAS HOLDING THE SKULL
OF AN ISAAC NEWTON OR GALILEO,

1458
01:59:10,831 --> 01:59:13,323
THESE THREE DIMPLES WOULD BE
FOUND IN THE AREA OF THE SKULL

1459
01:59:13,500 --> 01:59:16,834
MOST ASSOCIATED WITH... CREATIVITY.

1460
01:59:17,504 --> 01:59:19,336
BUT THIS IS THE SKULL OF OLD BEN.

1461
01:59:19,965 --> 01:59:22,093
AND IN THE SKULL OF OLD BEN,

1462
01:59:22,259 --> 01:59:24,546
UNBURDENED BY GENIUS,

1463
01:59:24,720 --> 01:59:28,896
THESE THREE DIMPLES EXIST IN THE AREA
OF THE SKULL MOST ASSOCIATED WITH...

1464
01:59:30,017 --> 01:59:31,360
SERVILITY.

1465
01:59:32,352 --> 01:59:34,093
NOW, BRIGHT BOY...

1466
01:59:35,022 --> 01:59:37,184
I WILL ADMIT YOU ARE PRETTY CLEVER.

1467
01:59:39,651 --> 01:59:41,745
BUT IF I TOOK THIS HAMMER HERE...

1468
01:59:43,864 --> 01:59:46,208
AND I BASHED IN YOUR SKULL WITH IT...

1469
01:59:47,201 --> 01:59:52,549
YOU WOULD HAVE THE SAME
THREE DIMPLES IN THE SAME PLACE...

1470
01:59:53,791 --> 01:59:55,259
AS OLD BEN.

1471
01:59:56,376 --> 01:59:59,960
HEY! NOW LAY YOUR PALMS
FLAT ON THAT TABLETOP!

1472
02:00:00,130 --> 02:00:03,100
IF YOU LIFT THOSE PALMS
OFF THAT TURTLE SHELL TABLETOP,

1473
02:00:03,258 --> 02:00:06,501
MR. POOCH IS GONNA LET LOOSE
WITH BOTH BARRELS OF THAT SAWED-OFF.

1474
02:00:07,596 --> 02:00:10,725
THERE HAVE BEEN A LOT OF LIES SAID
AROUND THIS DINNER TABLE HERE TONIGHT,

1475
02:00:10,891 --> 02:00:13,235
BUT THAT YOU CAN BELIEVE!

1476
02:00:13,393 --> 02:00:16,192
MR. MOGUY, WOULD YOU BE
SO KIND AS TO COLLECT THE PISTOL

1477
02:00:16,355 --> 02:00:18,733
HANGING OFF THESE BOYS' HIPS HERE?

1478
02:00:23,445 --> 02:00:25,857
THANK YOU EVER SO MUCH.
DOCTOR.

1479
02:00:30,410 --> 02:00:31,787
WHERE WERE WE?

1480
02:00:36,250 --> 02:00:37,661
JACKASS.

1481
02:00:41,672 --> 02:00:43,174
AH, YES.

1482
02:00:43,340 --> 02:00:46,082
I DO BELIEVE YOU WERE
JUST GETTING READY TO MAKE ME

1483
02:00:46,260 --> 02:00:48,729
A PROPOSITION TO BUY BROOMHILDA.

1484
02:00:48,887 --> 02:00:50,264
AM I RIGHT?

1485
02:00:54,268 --> 02:00:55,611
RIGHT.

1486
02:00:58,021 --> 02:00:59,523
BRING OUT HILDI!

1487
02:01:02,276 --> 02:01:03,812
GET OVER THERE YONDER.

1488
02:01:05,279 --> 02:01:07,532
SIT YOUR ASS IN THAT GODDAMN...

1489
02:01:07,698 --> 02:01:09,091
LAY YOUR HAND
FLAT ON THAT TABLETOP.

1490
02:01:09,116 --> 02:01:10,652
NOW SHUT YOUR MOUTH!

1491
02:01:14,955 --> 02:01:17,538
DR. SCHULTZ, IN GREENVILLE,

1492
02:01:17,708 --> 02:01:20,450
YOU YOURSELF SAID THAT
FOR THE RIGHT NIGGER

1493
02:01:20,627 --> 02:01:24,962
YOU'D BE WILLIN' TO PAY WHAT SOME
MAY CONSIDER IS A RIDICULOUS AMOUNT.

1494
02:01:25,132 --> 02:01:28,170
TO WHICH ME MYSELF SAID,
"WHAT IS YOUR DEFINITION OF RIDICULOUS?"

1495
02:01:28,343 --> 02:01:32,314
TO WHICH YOU SAID, "$12,000."

1496
02:01:33,098 --> 02:01:34,839
NOW, CONSIDERING Y'ALL

1497
02:01:35,017 --> 02:01:36,974
HAVE RIDDEN A WHOLE LOT OF MILES,

1498
02:01:37,144 --> 02:01:41,115
WENT THROUGH A WHOLE LOT OF TROUBLE,
AND DONE SPREAD A WHOLE LOT OF BULL

1499
02:01:41,273 --> 02:01:43,685
TO PURCHASE THIS
LOVELY LADY RIGHT HERE,

1500
02:01:43,859 --> 02:01:49,821
IT WOULD APPEAR THAT BROOMHILDA IS,
IN FACT... THE RIGHT NIGGER.

1501
02:01:49,990 --> 02:01:53,745
AND IF Y'ALL WANT TO LEAVE
CANDYLAND WITH BROOMHILDA,

1502
02:01:53,911 --> 02:01:59,543
THE PRICE IS $12,000.

1503
02:01:59,708 --> 02:02:03,497
AND I TAKE IT YOU PREFER THE "TAKE IT
OR LEAVE IT" STYLE OF NEGOTIATION?

1504
02:02:05,756 --> 02:02:07,292
YES, I DO, DOCTOR.

1505
02:02:08,133 --> 02:02:11,137
YOU SEE,
UNDER THE LAWS OF CHICKASAW COUNTY,

1506
02:02:11,303 --> 02:02:14,853
BROOMHILDA HERE IS MY PROPERTY.

1507
02:02:15,015 --> 02:02:20,135
AND I CAN CHOOSE TO DO WITH
MY PROPERTY WHATEVER I SO DESIRE!

1508
02:02:21,229 --> 02:02:23,516
AND IF Y'ALL THINK MY PRICE...

1509
02:02:24,191 --> 02:02:26,899
FOR THIS NIGGER HERE
IS TOO STEEP...

1510
02:02:27,069 --> 02:02:30,528
WHAT I'M GONNA DESIRE TO DO IS...

1511
02:02:34,451 --> 02:02:37,580
TAKE THIS GODDAMN HAMMER HERE
AND BEAT HER ASS TO DEATH WITH IT!

1512
02:02:37,746 --> 02:02:39,874
RIGHT IN FRONT OF BOTH Y'ALL!
EASY, BIG FELLA.

1513
02:02:40,040 --> 02:02:44,546
THEN WE CAN EXAMINE THE THREE DIMPLES
INSIDE BROOMHILDA'S SKULL!

1514
02:02:44,711 --> 02:02:48,887
NOW, WHAT'S IT GONNA BE, DOC?
HUH?

1515
02:02:49,049 --> 02:02:50,525
WHAT'S IT GONNA BE?

1516
02:02:50,550 --> 02:02:54,430
MAY I LIFT THE HANDS OFF THE TABLETOP
IN ORDER TO REMOVE MY BILLFOLD?

1517
02:02:55,639 --> 02:02:56,982
YES, YOU MAY.

1518
02:03:10,737 --> 02:03:11,943
THAT 12.

1519
02:03:15,993 --> 02:03:17,859
SOLD!

1520
02:03:18,036 --> 02:03:20,585
TO THE MAN WITH THE EXCEPTIONAL BEARD

1521
02:03:20,747 --> 02:03:24,081
AND HIS UNEXCEPTIONAL NIGGER.

1522
02:03:29,923 --> 02:03:32,210
MR. MOGUY.
YES, CALVIN?

1523
02:03:32,384 --> 02:03:36,048
WILL YOU MAKE THESE GENTLEMEN
A RECEIPT FOR $12,000, PLEASE?

1524
02:03:36,221 --> 02:03:37,962
$12,000.

1525
02:03:41,101 --> 02:03:43,263
IT WAS A PLEASURE DOING
BUSINESS WITH Y'ALL.

1526
02:03:44,146 --> 02:03:45,887
NOW, GENTLEMEN...

1527
02:03:47,107 --> 02:03:48,973
IF YOU CARE TO
JOIN ME IN THE PARLOR...

1528
02:03:49,943 --> 02:03:52,412
WE WILL BE SERVING WHITE CAKE.

1529
02:05:20,742 --> 02:05:22,085
WELL DONE, CALVIN.

1530
02:05:24,579 --> 02:05:27,458
EXCUSE ME.
EXCUSE ME, MA'AM?

1531
02:05:28,917 --> 02:05:32,581
COULD YOU PLEASE STOP PLAYING BEETHOVEN?
TAKE YOUR HANDS OFF THE HARP!

1532
02:05:36,842 --> 02:05:37,923
DOCTOR!

1533
02:05:38,093 --> 02:05:40,710
DOCTOR, YOU CAN'T GO IN THERE!
STEPHEN, STEPHEN.

1534
02:05:40,887 --> 02:05:42,197
HE AIN'T GOT NO BUSINESS
GOING IN THERE.

1535
02:05:42,222 --> 02:05:43,565
LET IT BE.

1536
02:05:43,723 --> 02:05:45,646
HE'S JUST A LITTLE UPSET, THAT'S ALL.

1537
02:05:45,809 --> 02:05:47,220
I'LL HANDLE THIS.

1538
02:06:13,086 --> 02:06:14,372
WHITE CAKE?

1539
02:06:15,380 --> 02:06:17,633
I DON'T GO IN FOR SWEETS, THANK YOU.

1540
02:06:18,675 --> 02:06:19,881
HM.

1541
02:06:27,601 --> 02:06:30,309
YOU BROODING ABOUT ME
GETTING THE BEST OF YOU, HUH?

1542
02:06:31,021 --> 02:06:35,777
ACTUALLY, I WAS THINKING OF THAT
POOR DEVIL YOU FED TO THE DOGS TODAY.

1543
02:06:35,942 --> 02:06:37,774
D'ARTAGNAN.

1544
02:06:38,570 --> 02:06:42,359
AND I WAS WONDERING WHAT
DUMAS WOULD MAKE OF ALL THIS.

1545
02:06:42,532 --> 02:06:44,000
COME AGAIN?

1546
02:06:47,078 --> 02:06:51,117
ALEXANDRE DUMAS.
HE WROTE <i>THE THREE MUSKETEERS.</i>

1547
02:06:51,291 --> 02:06:52,964
YES, OF COURSE, DOCTOR.

1548
02:06:53,126 --> 02:06:54,662
I FIGURED YOU MUST BE AN ADMIRER.

1549
02:06:54,836 --> 02:06:59,262
YOU NAMED YOUR SLAVE
AFTER HIS NOVEL'S LEAD CHARACTER.

1550
02:06:59,424 --> 02:07:03,145
NOW, IF ALEXANDRE DUMAS
HAD BEEN THERE TODAY,

1551
02:07:03,303 --> 02:07:05,260
I WONDER WHAT
HE WOULD HAVE MADE OF IT.

1552
02:07:07,307 --> 02:07:09,139
YOU DOUBT HE'D APPROVE, HUH?

1553
02:07:11,353 --> 02:07:16,530
YES. HIS APPROVAL WOULD BE
A DUBIOUS PROPOSITION AT BEST.

1554
02:07:18,818 --> 02:07:20,616
SOFT-HEARTED FRENCHIE.

1555
02:07:22,489 --> 02:07:24,708
ALEXANDRE DUMAS IS BLACK.

1556
02:07:28,536 --> 02:07:31,335
ARE THESE BROOMHILDA'S PAPERS?
YES, THEY ARE.

1557
02:07:31,498 --> 02:07:33,171
MAY I?
OF COURSE.

1558
02:07:33,333 --> 02:07:34,710
THANK YOU.

1559
02:07:36,836 --> 02:07:39,806
THAT IS HER BILL OF SALE,
HER OWNERSHIP HISTORY,

1560
02:07:39,965 --> 02:07:42,127
AND, OF COURSE,
HER FREEDOM PAPERS, DOCTOR.

1561
02:07:42,300 --> 02:07:44,519
WOULD YOU HAVE INK AND PEN FOR ME?

1562
02:07:45,762 --> 02:07:48,675
RIGHT OVER THERE ON THAT LITTLE TABLE.
THANK YOU.

1563
02:08:09,995 --> 02:08:11,201
THANK YOU.

1564
02:08:14,791 --> 02:08:17,078
BROOMHILDA VON SHAFT...

1565
02:08:19,337 --> 02:08:21,715
CONSIDER YOURSELF A FREE WOMAN.

1566
02:08:33,643 --> 02:08:35,600
MR. CANDIE...

1567
02:08:37,564 --> 02:08:41,353
NORMALLY,
I WOULD SAY AUF WIEDERSEHEN.

1568
02:08:41,526 --> 02:08:45,986
BUT SINCE WHAT AUF WIEDERSEHEN ACTUALLY
MEANS IS "TILL I SEE YOU AGAIN"

1569
02:08:46,156 --> 02:08:48,500
AND SINCE I NEVER
WISH TO SEE YOU AGAIN,

1570
02:08:48,658 --> 02:08:53,323
TO YOU, SIR... I SAY, "GOODBYE."

1571
02:08:57,208 --> 02:08:58,494
LET'S GO.

1572
02:08:59,461 --> 02:09:00,997
COME ON.

1573
02:09:02,714 --> 02:09:04,808
ONE MORE MOMENT, DOCTOR!

1574
02:09:06,676 --> 02:09:07,723
WHAT?

1575
02:09:12,432 --> 02:09:14,560
IT'S A CUSTOM HERE IN THE SOUTH...

1576
02:09:15,060 --> 02:09:20,442
ONCE A BUSINESS DEAL IS CONCLUDED
THAT THE TWO PARTIES SHAKE HANDS.

1577
02:09:21,274 --> 02:09:23,322
IT IMPLIES GOOD FAITH.

1578
02:09:23,485 --> 02:09:26,523
I'M NOT FROM THE SOUTH.
BUT YOU ARE...

1579
02:09:26,696 --> 02:09:28,983
IN MY HOUSE, DOCTOR.

1580
02:09:29,866 --> 02:09:32,779
SO I'M AFRAID I MUST INSIST.
INSIST?

1581
02:09:32,952 --> 02:09:34,943
ON WHAT?
THAT I SHAKE YOUR HAND?

1582
02:09:35,121 --> 02:09:38,421
OH, THEN I'M AFRAID
I MUST INSIST IN THE OPPOSITE DIRECTION.

1583
02:09:39,042 --> 02:09:42,046
YOU KNOW WHAT I THINK YOU ARE?
WHAT YOU THINK I AM?

1584
02:09:42,212 --> 02:09:44,010
NO, I DON'T.

1585
02:09:45,673 --> 02:09:50,884
I THINK YOU ARE A BAD LOSER.
AND I THINK YOU'RE AN ABYSMAL WINNER.

1586
02:09:51,054 --> 02:09:56,015
NEVERTHELESS, HERE IN CHICKASAW
COUNTY, A DEAL AIN'T DONE

1587
02:09:56,184 --> 02:09:58,801
UNTIL THE TWO PARTIES
HAVE SHOOK HANDS.

1588
02:09:59,687 --> 02:10:02,520
EVEN AFTER ALL THAT PAPER SIGNIN',
DON'T MEAN SHIT...

1589
02:10:03,483 --> 02:10:06,976
YOU DON'T SHAKE MY HAND.

1590
02:10:07,946 --> 02:10:13,624
IF I DON'T SHAKE YOUR HAND,
YOU'RE GONNA THROW AWAY $12,000?

1591
02:10:13,785 --> 02:10:15,526
I DON'T THINK SO.

1592
02:10:16,538 --> 02:10:17,710
MR. POOCH?

1593
02:10:19,541 --> 02:10:24,263
IF SHE TRIES TO LEAVE HERE BEFORE THIS
NIGGER-LOVING GERMAN SHAKES MY HAND,

1594
02:10:24,421 --> 02:10:26,162
YOU CUT HER ASS DOWN.

1595
02:10:48,194 --> 02:10:51,528
YOU REALLY WANT ME TO SHAKE YOUR HAND?

1596
02:10:53,199 --> 02:10:54,792
I INSIST.

1597
02:10:55,869 --> 02:10:58,543
IF YOU INSIST.

1598
02:11:15,138 --> 02:11:18,142
NO! CALVIN!

1599
02:11:19,225 --> 02:11:20,818
CALVIN!

1600
02:11:27,150 --> 02:11:29,642
I'M SORRY. I COULDN'T RESIST.

1601
02:11:41,915 --> 02:11:44,077
NIGGER'S GONE CRAZY! HELP!

1602
02:11:44,250 --> 02:11:46,048
HELP, HE'S KILLING EVERYONE!

1603
02:11:52,008 --> 02:11:53,055
AH!

1604
02:12:03,102 --> 02:12:04,217
HOLY...!

1605
02:12:04,395 --> 02:12:06,614
SHIT! SON OF A BITCH!

1606
02:12:10,777 --> 02:12:11,983
DAMN IT! FUCKIN'...!

1607
02:12:12,153 --> 02:12:14,497
GET THE...!

1608
02:12:16,491 --> 02:12:17,959
DAMN IT, SON OF A BITCH!

1609
02:12:18,117 --> 02:12:19,653
WHAT...? FUCKING...

1610
02:12:19,827 --> 02:12:21,443
GODDAMN IT!

1611
02:12:22,789 --> 02:12:25,076
WHAT THE FUCK IS GOING ON?

1612
02:12:25,250 --> 02:12:27,207
YOU SHOT ME!

1613
02:12:27,377 --> 02:12:30,472
YOU STUPID SON OF A BITCH!
SORRY, JESSIE!

1614
02:12:30,630 --> 02:12:34,749
WHO THE FUCK GAVE A NIGGER
A GODDAMN GUN?

1615
02:13:04,789 --> 02:13:05,904
AIM LOW!

1616
02:13:08,251 --> 02:13:10,083
NIGGER! GONNA KILL...!

1617
02:13:11,045 --> 02:13:13,207
GOD! OH, MY GOD!

1618
02:13:13,381 --> 02:13:15,338
MOTHERFUCKER!

1619
02:13:24,183 --> 02:13:25,355
SHIT!

1620
02:14:22,325 --> 02:14:23,406
SHIT.

1621
02:14:35,588 --> 02:14:36,999
HOLD YOUR FIRE!

1622
02:14:40,426 --> 02:14:41,928
HOLD YOUR FIRE!

1623
02:14:43,846 --> 02:14:45,712
STOP SHOOTIN', GODDAMN IT!

1624
02:14:54,524 --> 02:14:55,867
DJANGO!

1625
02:14:56,025 --> 02:14:57,277
WHAT?

1626
02:15:00,488 --> 02:15:02,104
WE GOT YOUR WOMAN!

1627
02:15:03,533 --> 02:15:06,025
BILLY CRASH HERE GOT HIS PISTOL
UPSIDE HER HEAD.

1628
02:15:06,202 --> 02:15:08,785
YOU DON'T STOP ALL THAT CARRYING ON,

1629
02:15:08,955 --> 02:15:11,993
HE GONNA BLOW HER GODDAMN BRAINS OUT.

1630
02:15:12,166 --> 02:15:16,137
AND THAT AIN'T NO THREAT, HORSE BOY.
THAT THERE IS A PROMISE.

1631
02:15:17,755 --> 02:15:18,961
OR...

1632
02:15:19,132 --> 02:15:22,136
YOU CAN GIVE UP,
THROW YOUR GUN OUT...

1633
02:15:23,261 --> 02:15:25,423
WE WON'T KILL HILDI.
HORSESHIT!

1634
02:15:25,596 --> 02:15:29,317
HONEST INJUN, DJANGO.
I SWEAR 'FORE GOD.

1635
02:15:30,393 --> 02:15:35,024
YOU GIVE UP,
AIN'T NO HARM GONNA COME TO HER.

1636
02:15:36,482 --> 02:15:38,894
AND I'M SUPPOSED TO BELIEVE
YOUR BLACK ASS?

1637
02:15:39,068 --> 02:15:41,921
PERSONALLY, I DON'T GIVE A GOOD GODDAMN
WHAT YOU BELIEVE OR DON'T BELIEVE!

1638
02:15:41,946 --> 02:15:44,984
I BELIEVE IF YOU DON'T
GIVE UP IN THE NEXT TEN SECONDS,

1639
02:15:45,158 --> 02:15:49,038
WE GONNA BLOW THIS BITCH'S BRAINS OUT!
BELIEVE THAT!

1640
02:15:51,289 --> 02:15:55,044
DON'T DO IT.
YOU GIVE ME UP.

1641
02:15:55,209 --> 02:15:57,041
SIX!
JUST LET ME GO.

1642
02:15:57,211 --> 02:15:58,747
SEVEN!
THEY GOT TOO MUCH.

1643
02:15:58,921 --> 02:16:00,514
DJANGO.
EIGHT!

1644
02:16:00,673 --> 02:16:03,165
I LOVE YOU.
NINE!

1645
02:16:03,342 --> 02:16:05,436
HOLD IT!
NO.

1646
02:16:07,430 --> 02:16:08,511
I GIVE UP.

1647
02:16:09,724 --> 02:16:12,466
I CAN'T HEAR YOU, NIGGER.

1648
02:16:12,643 --> 02:16:15,135
I SAID I GIVE UP!

1649
02:16:38,252 --> 02:16:40,801
NO!

1650
02:16:41,964 --> 02:16:43,432
NO!

1651
02:18:14,682 --> 02:18:17,265
COCK-A-DOODLE-DO, NIGGER.

1652
02:18:22,565 --> 02:18:24,693
SO Y'ALL BOUNTY HUNTERS, HUH?

1653
02:18:25,651 --> 02:18:28,393
I KNEW THERE WAS SOMETHING
FISHY ABOUT Y'ALL.

1654
02:18:29,405 --> 02:18:31,624
WE FOUND YOUR WANTED POSTERS...

1655
02:18:32,199 --> 02:18:34,418
AND BOOK OF FIGURES
IN YOUR SADDLEBAGS.

1656
02:18:35,828 --> 02:18:37,444
I GOT TO SAY...

1657
02:18:38,164 --> 02:18:41,464
I AIN'T NEVER HEARD OF
NO BLACK BOUNTY HUNTER BEFORE.

1658
02:18:41,626 --> 02:18:44,664
BLACK BOY PAID TO KILL WHITE MEN?
HOW'D YOU LIKE THAT LINE OF WORK?

1659
02:18:45,713 --> 02:18:48,330
PROBABLY PRETTY GOOD WHILE IT LASTED,
HUH?

1660
02:18:57,808 --> 02:18:59,640
TIME TO SAY GOOD NIGHT
TO THEM NUTS, BLACKIE.

1661
02:18:59,810 --> 02:19:02,484
ON THREE. ONE...

1662
02:19:02,647 --> 02:19:05,526
I GOT YOU. TWO...

1663
02:19:05,691 --> 02:19:08,911
CALM DOWN, NOW, HERE IT COMES.

1664
02:19:09,070 --> 02:19:11,653
CAPTAIN?

1665
02:19:11,822 --> 02:19:13,563
MISS LARA WANT TO SEE YOU.

1666
02:19:14,408 --> 02:19:18,322
SOMETHING TO DO
WITH THE OLD MAN'S FUNERAL.

1667
02:19:18,496 --> 02:19:22,285
OH, AND SHE CHANGED HER MIND
'BOUT SNIPPING DJANGO.

1668
02:19:23,084 --> 02:19:25,917
SHE GONNA GIVE HIM
TO THE LEQUINT DICKEY PEOPLE.

1669
02:19:27,755 --> 02:19:29,883
WELL, SHE DIDN'T
WASTE A MINUTE TELLING ME.

1670
02:19:37,139 --> 02:19:38,937
HOW DISAPPOINTING.

1671
02:20:01,872 --> 02:20:03,215
YOU LEAVIN'.

1672
02:20:04,875 --> 02:20:07,913
THIS HERE WHAT YOU TAKE WITH YOU.

1673
02:20:11,298 --> 02:20:14,757
YOUR BLACK ASS HAS BEEN ALL THEM
MOTHERFUCKERS AT THE BIG HOUSE

1674
02:20:14,927 --> 02:20:18,352
COULD TALK ABOUT
FOR THE LAST FEW HOURS.

1675
02:20:18,514 --> 02:20:22,235
SEEM LIKE WHITE FOLK AIN'T NEVER
HAD A BRIGHT IDEA IN THEY LIFE

1676
02:20:22,393 --> 02:20:25,101
WAS COMING UP WITH ALL
KINDS OF WAYS TO KILL YOUR ASS.

1677
02:20:25,271 --> 02:20:30,562
NOW, MIND YOU, MOST OF THEM IDEAS HAD
TO DO WITH FUCKIN' WITH YOUR FUN PARTS.

1678
02:20:30,735 --> 02:20:36,276
NOW, THAT MAY SEEM LIKE A GOOD IDEA,
BUT TRUTH IS...

1679
02:20:37,867 --> 02:20:40,120
WHEN YOU SNIP A NIGGER'S NUTS,

1680
02:20:40,286 --> 02:20:44,496
MOST OF THEM BLEED OUT IN,
OH, ABOUT, HM... SEVEN MINUTES.

1681
02:20:44,665 --> 02:20:46,258
MOST OF 'EM.

1682
02:20:46,459 --> 02:20:49,622
WELL, MORE THAN MOST.

1683
02:20:50,379 --> 02:20:56,216
THEN I SAYS: "SHITFIRE."

1684
02:20:56,385 --> 02:21:00,390
"THE NIGGERS WE SELL TO LEQUINT DICKEY
GOT IT WORSE THAN THAT."

1685
02:21:01,432 --> 02:21:04,140
AND THEY STILL SAYIN',
"LET'S WHIP HIM TO DEATH."

1686
02:21:04,310 --> 02:21:07,610
OR "THROW HIM TO THE MANDINGOS."
"FEED HIM TO STONESIPHER'S DOGS."

1687
02:21:07,772 --> 02:21:10,992
AND I SAID,
"WHAT'S SO SPECIAL ABOUT THAT?"

1688
02:21:11,150 --> 02:21:13,278
"WE DO THAT SHIT ALL THE TIME."

1689
02:21:13,444 --> 02:21:19,315
"HELL'S BELLS, THE NIGGERS WE SELL TO
LEQUINT DICKEY GOT IT WORSE THAN THAT."

1690
02:21:20,451 --> 02:21:23,159
LO AND BEHOLD,

1691
02:21:23,329 --> 02:21:28,176
OUT OF NOWHERE, MISS LARA
COME UP WITH THE BRIGHT IDEA

1692
02:21:28,334 --> 02:21:31,793
OF GIVING YOUR ASS TO THE
LEQUINT DICKEY MINING COMPANY.

1693
02:21:34,173 --> 02:21:39,293
AND AS A SLAVE OF THE
LEQUINT DICKEY MINING COMPANY,

1694
02:21:39,470 --> 02:21:43,020
HENCEFORTH, TILL THE DAY YOU DIE,

1695
02:21:43,182 --> 02:21:46,311
ALL DAY, EVERY DAY,

1696
02:21:46,477 --> 02:21:49,310
YOU WILL BE SWINGING
A SLEDGEHAMMER,

1697
02:21:49,480 --> 02:21:54,111
TURNING BIG ROCKS INTO LITTLE ROCKS.

1698
02:21:54,276 --> 02:21:58,873
NOW, WHEN YOU GET THERE,
THEY GONNA TAKE AWAY YOUR NAME,

1699
02:21:59,031 --> 02:22:01,944
GIVE YOU A NUMBER
AND A SLEDGEHAMMER,

1700
02:22:02,118 --> 02:22:04,530
AND SAY, "GET TO WORK!"

1701
02:22:04,703 --> 02:22:07,115
ONE WORD OF SASS,
THEY CUTS OUT YOUR TONGUE.

1702
02:22:07,289 --> 02:22:09,633
AND THEY GOOD AT IT TOO.
YOU WON'T BLEED OUT.

1703
02:22:09,792 --> 02:22:13,456
OH, THEY DOES THAT REAL GOOD.

1704
02:22:13,629 --> 02:22:15,222
THEY GONNA WORK YA.

1705
02:22:15,381 --> 02:22:20,376
ALL DAY, EVERY DAY,
TILL YOUR BACK GIVE OUT.

1706
02:22:20,553 --> 02:22:23,136
THEN THEY'RE GONNA HIT YOU
IN THE HEAD WITH A HAMMER,

1707
02:22:23,305 --> 02:22:25,717
THROW YOUR ASS DOWN THE NIGGER HOLE.

1708
02:22:25,891 --> 02:22:31,273
AND THAT WILL BE THE STORY OF YOU,
DJANGO.

1709
02:23:10,311 --> 02:23:12,871
AND WHAT'S
THE GOLDEN RULE, FRANKIE, EH?

1710
02:23:12,938 --> 02:23:15,066
YOU DON'T ROOT ABOS.

1711
02:23:19,820 --> 02:23:21,288
HEY, WHITE BOY.

1712
02:23:22,823 --> 02:23:24,985
I SAID, HEY, WHITE BOY.

1713
02:23:25,159 --> 02:23:28,254
SHUT UP, BLACK. YOU AIN'T GOT
NOTHING TO SAY I WANT TO HEAR.

1714
02:23:28,412 --> 02:23:30,699
HOW'D YOU LIKE TO MAKE $11,000?

1715
02:23:30,873 --> 02:23:32,045
DO WHAT, NOW?

1716
02:23:32,208 --> 02:23:38,011
I SAID HOW'D YOU LIKE TO MAKE $11,000?
11,500, ACTUALLY.

1717
02:23:38,172 --> 02:23:40,129
WHAT THE FUCK ARE YOU TALKING ABOUT?

1718
02:23:40,299 --> 02:23:44,964
BACK THERE AT THAT PLANTATION,
CANDYLAND, THERE WAS AN $11,500 FORTUNE,

1719
02:23:45,137 --> 02:23:47,970
JUST SITTIN' THERE.
AND Y'ALL RODE RIGHT PAST IT.

1720
02:23:48,933 --> 02:23:50,640
YOU BE DAMNED, BLACKIE,
WE'RE NOT BANDITS.

1721
02:23:50,809 --> 02:23:55,019
I AIN'T SAYING THAT. NICE THING
ABOUT THIS FORTUNE IS IT AIN'T ILLEGAL.

1722
02:23:55,189 --> 02:23:56,600
YOU CAN'T STEAL IT.

1723
02:23:56,774 --> 02:23:58,447
YOU GOT TO EARN IT, WHITE BOY.

1724
02:23:59,401 --> 02:24:01,392
YOU GOT SOMETHING TO SAY, MATE,
YOU SAY IT.

1725
02:24:01,570 --> 02:24:04,790
THE $11,500 FORTUNE WAITIN'
FOR YOU BACK AT CANDYLAND

1726
02:24:04,949 --> 02:24:07,077
IS IN THE FORM OF A
"WANTED DEAD OR ALIVE" BOUNTY

1727
02:24:07,243 --> 02:24:09,587
ON SMITTY BACALL AND THE BACALL GANG.

1728
02:24:09,745 --> 02:24:11,213
WHO THE FUCK IS SMITTY BACALL?

1729
02:24:11,372 --> 02:24:14,672
SMITTY BACALL IS THE LEADER OF THIS
MURDEROUS GANG OF STAGECOACH ROBBERS,

1730
02:24:14,833 --> 02:24:16,426
THE BACALL GANG.

1731
02:24:16,585 --> 02:24:19,828
THERE'S A $7,000
"WANTED DEAD OR ALIVE" BOUNTY ON HIM,

1732
02:24:20,005 --> 02:24:23,339
$1,500 FOR EACH

1733
02:24:23,509 --> 02:24:26,752
DANDY MICHAELS, GERALD NASH,

1734
02:24:26,929 --> 02:24:29,637
AND CRAZY CRAIG KOONS.

1735
02:24:29,807 --> 02:24:31,218
NOW, ALL FOUR OF THEM GENTLEMEN,

1736
02:24:31,392 --> 02:24:33,520
THEY BACK THERE AT CANDYLAND
LAUGHING THEIR ASS OFF.

1737
02:24:33,686 --> 02:24:37,350
YOU KNOW WHY?
'CAUSE THEY JUST GOT AWAY WITH MURDER.

1738
02:24:37,523 --> 02:24:39,059
BUT IT AIN'T GOT TO BE THAT WAY.

1739
02:24:39,233 --> 02:24:42,533
YOU AND YOUR MATES, Y'ALL CAN RIDE BACK
THERE AND Y'ALL CAN GO GET THAT MONEY.

1740
02:24:42,695 --> 02:24:43,855
WHAT'D THESE JOKERS DO AGAIN?

1741
02:24:43,946 --> 02:24:47,439
THESE SONS OF BITCHES,
THEY KILLED INNOCENT PEOPLE.

1742
02:24:47,616 --> 02:24:50,859
STAGECOACH ROBBERY.
INNOCENT WHITE PEOPLE.

1743
02:24:51,954 --> 02:24:54,958
I GOT THE HANDBILL RIGHT HERE
IN MY POCKET, IF YOU LET ME GET IT.

1744
02:24:55,124 --> 02:24:56,296
GET IT OUT.

1745
02:24:58,043 --> 02:25:03,300
"WANTED. DEAD OR ALIVE. SMITTY
BACALL AND THE SMITTY BACALL GANG."

1746
02:25:03,465 --> 02:25:04,942
BUT YOU'RE A SLAVE.
"FOR MURDER..."

1747
02:25:04,967 --> 02:25:07,611
I AIN'T NO GODDAMN SLAVE.
"AND STAGECOACH ROBBERY."

1748
02:25:07,636 --> 02:25:08,916
DO I SOUND LIKE A FUCKIN' SLAVE?

1749
02:25:09,221 --> 02:25:10,782
"$7,000 FOR SMITTY BACALL."
HM?

1750
02:25:10,848 --> 02:25:13,647
THAT'S A SHITLOAD.
I'M A BOUNTY HUNTER.

1751
02:25:15,060 --> 02:25:17,643
YESTERDAY, AS A FREE MAN,

1752
02:25:17,813 --> 02:25:22,353
I RODE INTO CANDYLAND ON A HORSE
WITH MY GERMAN WHITE PARTNER,

1753
02:25:22,526 --> 02:25:24,062
DR. KING SCHULTZ.

1754
02:25:24,236 --> 02:25:28,992
WE TRACKED THE BACALL GANG ALL THE WAY
FROM TEXAS TO CHICKASAW COUNTY.

1755
02:25:29,158 --> 02:25:32,071
WE FINALLY FOUND THEIR ASS
LAYIN' LOW IN CANDYLAND.

1756
02:25:32,244 --> 02:25:35,737
WE WENT IN THERE TO GET 'EM,
THINGS WENT SOUR,

1757
02:25:35,914 --> 02:25:39,248
MY PARTNER GOT KILLED,
CALVIN CANDIE GOT SHOT,

1758
02:25:39,418 --> 02:25:43,594
THEN EVERYBODY THERE
DECIDED TO BLAME ME, SO HERE I AM.

1759
02:25:45,591 --> 02:25:47,514
BUT Y'ALL KNOW I AIN'T ON THAT MANIFEST.

1760
02:25:47,676 --> 02:25:50,475
AND ALL Y'ALL KNOW
I AIN'T SUPPOSED TO BE ON THIS TRIP.

1761
02:25:50,637 --> 02:25:53,971
BUT THEM FOUR MEN IS STILL BACK THERE,
THEY'RE STILL WANTED,

1762
02:25:54,141 --> 02:25:57,441
AND THAT 11,500 IS UP FOR GRABS,
AND THE LAST THING THEY'D EXPECT

1763
02:25:57,603 --> 02:25:59,856
IS Y'ALL RIDIN' BACK IN THERE
AND GETTIN' IT.

1764
02:26:00,022 --> 02:26:01,763
WHAT'S THE DEAL?

1765
02:26:01,940 --> 02:26:05,399
YOU TELL US WHO THEY ARE
AND WE TURN YOU LOOSE?

1766
02:26:05,569 --> 02:26:08,448
NO, NO, NO, NO.
I AIN'T GONNA TELL YOU WHO THEY ARE.

1767
02:26:08,614 --> 02:26:12,107
BUT, YOU GIVE ME A PISTOL,
ONE OF THEM HORSES,

1768
02:26:12,284 --> 02:26:16,790
AND $500 OF THAT 11,500,
AND I'LL POINT 'EM OUT TO YOU.

1769
02:26:16,955 --> 02:26:18,821
THIS IS A REAL HANDBILL.

1770
02:26:18,999 --> 02:26:20,184
NOW JUST 'CAUSE IT'S A REAL HANDBILL

1771
02:26:20,209 --> 02:26:22,303
DOESN'T MEAN THAT OTHER
BUNCH OF MALARKEY IS.

1772
02:26:22,461 --> 02:26:28,389
NOW WHY WOULD A SLAVE HAVE A "WANTED
DEAD OR ALIVE" HANDBILL IN HIS POCKET?

1773
02:26:33,055 --> 02:26:35,854
DID THAT BLACK RIDE
INTO CANDYLAND YESTERDAY?

1774
02:26:42,189 --> 02:26:46,160
ALL RIGHT, I'M GONNA ASK YOU AGAIN.

1775
02:26:47,361 --> 02:26:49,978
I WANT YOU TO REMEMBER,
I DON'T LIKE LIARS.

1776
02:26:50,697 --> 02:26:52,529
IS HE A CANDYLAND SLAVE,

1777
02:26:52,699 --> 02:26:56,488
OR DID HE RIDE IN WITH A WHITE MAN
ON A HORSE YESTERDAY?

1778
02:26:56,662 --> 02:27:00,326
YEAH. THEY WALKED US
FROM THE GREENVILLE AUCTION,

1779
02:27:00,499 --> 02:27:03,048
AND HE RODE IN ON A HORSE
WITH A WHITE MAN.

1780
02:27:03,710 --> 02:27:07,886
NOW THIS WHITE MAN,
WAS THE BLACK HIS SLAVE?

1781
02:27:08,048 --> 02:27:09,550
HE WEREN'T NO SLAVE.

1782
02:27:09,716 --> 02:27:13,562
YOU FUCKIN' SURE ABOUT THAT?
DAMN SURE.

1783
02:27:17,516 --> 02:27:21,066
WHAT HAPPENED OVER IN CANDYLAND?
BUNCH-A SHOOTIN'.

1784
02:27:21,228 --> 02:27:23,026
MASSA GOT SHOT.

1785
02:27:23,188 --> 02:27:25,316
WHO SHOT HIM?
THE GERMAN.

1786
02:27:25,482 --> 02:27:26,529
WHY'D HE DO THAT?

1787
02:27:27,192 --> 02:27:30,651
NIGGER AND THE GERMAN WAS ACTIN'
LIKE THEY WERE SLAVERS BUT THEY WASN'T.

1788
02:27:30,821 --> 02:27:33,916
WELL, WHAT WERE THEY?
BOUNTY HUNTERS.

1789
02:27:34,992 --> 02:27:38,326
FUCK ME, ROY.
I MEAN, THIS COULD BE BIG, MATE.

1790
02:27:39,371 --> 02:27:42,591
WELL, SMOKE, YOU GOT A DEAL.

1791
02:27:44,084 --> 02:27:46,917
I GOT ONE MORE CONDITION.
WHAT'S THAT?

1792
02:27:47,087 --> 02:27:50,876
WHEN WE GET THERE, WHEN TIME COME...

1793
02:27:52,259 --> 02:27:55,229
YOU LET ME HELP YOU KILL 'EM.
HEY...

1794
02:27:55,387 --> 02:27:57,060
YOU'RE A FUNNY BUGGER.

1795
02:27:57,222 --> 02:27:59,600
CUT HIM LOOSE.
YEAH, YEAH.

1796
02:27:59,766 --> 02:28:01,564
YOU GOT YOURSELF A DEAL, BLACKIE.

1797
02:28:01,727 --> 02:28:03,889
YOU GOT YOURSELF A DEAL, MATE.

1798
02:28:04,062 --> 02:28:05,769
HEY!

1799
02:28:05,939 --> 02:28:07,339
YOU'RE ALL RIGHT FOR A BLACK FELLA.

1800
02:28:07,441 --> 02:28:08,693
OH, YEAH.

1801
02:28:13,906 --> 02:28:15,579
THERE WE GO.
THERE YOU GO, MATE.

1802
02:28:15,741 --> 02:28:17,118
YEAH.

1803
02:28:17,284 --> 02:28:19,958
WE'RE GONNA GIVE YOU
THAT PACKHORSE OVER THERE.

1804
02:28:20,120 --> 02:28:22,077
WHAT THEM SADDLEBAGS GOT IN 'EM?

1805
02:28:22,247 --> 02:28:24,113
DYNAMITE.
NO. I AIN'T RIDIN' NO HORSE

1806
02:28:24,291 --> 02:28:26,214
WITH NO GODDAMN DYNAMITE ON ITS BACK.

1807
02:28:26,376 --> 02:28:28,242
I CAN UNDERSTAND THAT.

1808
02:28:28,420 --> 02:28:31,253
FRANKIE, WHY DON'T YOU
TAKE THEM STICKS OFF THAT HORSE

1809
02:28:31,423 --> 02:28:33,255
AND STICK 'EM IN THE NIGGER CAGE.

1810
02:28:34,885 --> 02:28:37,047
A LITTLE DYNAMITE FOR YOU
BLACK FELLAS TO PLAY WITH.

1811
02:28:48,607 --> 02:28:51,281
NOW, FLOYD, YOU GOT THAT
RIFLE UP ON THE WAGON, DON'T YA?

1812
02:28:51,443 --> 02:28:52,433
YEAH, RIGHT.

1813
02:28:52,611 --> 02:28:55,160
WHY DON'T YOU GIVE HIM
YOUR GUN AND GUN BELT?

1814
02:28:55,322 --> 02:28:56,608
RIGHTO.

1815
02:28:56,782 --> 02:28:59,911
NOW, DON'T DROP THE FUCKIN' THING,
ALL RIGHT?

1816
02:29:00,077 --> 02:29:02,990
I'VE JUST HAD THE SIGHTS FIXED
AND THEY'RE PERFECT.

1817
02:29:03,163 --> 02:29:04,278
OH, THAT'S GOOD TO KNOW.

1818
02:30:36,673 --> 02:30:38,380
THROW ME UP THAT DYNAMITE.

1819
02:32:08,807 --> 02:32:10,423
JAKE!
YEAH?

1820
02:32:10,600 --> 02:32:13,968
GET OUT THERE AND SEE WHAT'S
WRONG WITH THEM GODDAMN DOGS!

1821
02:32:18,775 --> 02:32:20,732
D'ARTAGNAN, MOTHERFUCKERS!

1822
02:32:26,032 --> 02:32:27,534
HEY!

1823
02:33:50,408 --> 02:33:51,785
AUF WIEDERSEHEN.

1824
02:34:52,220 --> 02:34:53,813
IT'S ME, BABY.

1825
02:35:42,270 --> 02:35:45,274
<i>♪ IN THE SWEET</i>

1826
02:35:45,440 --> 02:35:49,445
<i>♪ BY-AND-BY</i>

1827
02:35:50,528 --> 02:35:53,236
<i>♪ WE WILL MEET</i>

1828
02:35:53,406 --> 02:35:57,320
<i>♪ ON THAT BEAUTIFUL SHORE</i>

1829
02:35:59,579 --> 02:36:03,698
<i>♪ BY-AND-BY</i>

1830
02:36:03,875 --> 02:36:08,085
<i>♪ BY-AND-BY</i>

1831
02:36:08,254 --> 02:36:10,382
<i>♪ WE WILL MEET</i>

1832
02:36:10,548 --> 02:36:13,222
<i>♪ WE WILL MEET BY-AND-BY</i>
CORA?

1833
02:36:13,385 --> 02:36:15,638
WOULD YOU PREPARE US SOME COFFEE?

1834
02:36:15,804 --> 02:36:17,932
SHEBA, YOU HELP HER.

1835
02:36:18,098 --> 02:36:19,441
COME ON.

1836
02:36:21,393 --> 02:36:24,727
<i>♪ IN THE SWEET</i>

1837
02:36:24,896 --> 02:36:27,115
<i>♪ BY-AND-BY</i>

1838
02:36:27,273 --> 02:36:29,492
<i>♪ OH... ♪</i>

1839
02:36:29,651 --> 02:36:33,406
OH, Y'ALL GONNA BE TOGETHER WITH CALVIN
IN THE BY-AND-BY, ALL RIGHT.

1840
02:36:39,619 --> 02:36:41,747
JUST A BIT SOONER
THAN Y'ALL WAS EXPECTIN'.

1841
02:36:50,463 --> 02:36:51,999
BILLY CRASH.

1842
02:36:52,173 --> 02:36:53,984
NOW, WHERE WERE WE?

1843
02:36:54,009 --> 02:36:56,478
OH, THAT'S RIGHT.

1844
02:36:56,636 --> 02:37:01,005
LAST TIME I SEEN YOU,
YOU HAD YOUR HANDS ON MY...

1845
02:37:13,611 --> 02:37:17,070
D-JANGO!
YOU BLACK SON OF A BITCH!

1846
02:37:17,240 --> 02:37:18,617
THE D IS SILENT, HILLBILLY.

1847
02:37:19,200 --> 02:37:21,066
OH, NO!

1848
02:37:23,079 --> 02:37:25,787
NOW, ALL YOU BLACK FOLKS,

1849
02:37:25,957 --> 02:37:29,325
I SUGGEST YOU GET AWAY
FROM ALL THESE WHITE FOLKS.

1850
02:37:30,295 --> 02:37:31,968
NOT YOU, STEPHEN.

1851
02:37:32,505 --> 02:37:34,667
YOU RIGHT WHERE YOU BELONG.

1852
02:37:37,052 --> 02:37:41,478
CORA, BEFORE YOU GO,
WILL YOU TELL MISS LARA GOODBYE?

1853
02:37:41,639 --> 02:37:46,486
DO WHAT NOW?
I SAID, "TELL MISS LARA GOODBYE."

1854
02:37:48,104 --> 02:37:50,323
BYE, MISS LARA.

1855
02:37:54,069 --> 02:37:55,241
Y'ALL TWO RUN ALONG NOW.

1856
02:38:13,797 --> 02:38:18,257
STEPHEN, HOW YOU LIKE MY NEW DUDS?

1857
02:38:19,260 --> 02:38:21,843
YOU KNOW, BEFORE NOW I DIDN'T KNOW
THAT BURGUNDY WAS MY COLOR.

1858
02:38:33,483 --> 02:38:35,406
I COUNT SIX SHOTS, NIGGER.

1859
02:38:36,861 --> 02:38:38,693
I COUNT TWO GUNS, NIGGER.

1860
02:38:42,700 --> 02:38:44,532
YOU SAID IN 76 YEARS ON THIS PLANTATION,

1861
02:38:44,702 --> 02:38:47,319
YOU SEEN ALL MANNER-A SHIT
DONE TO NIGGERS.

1862
02:38:47,497 --> 02:38:50,535
BUT I NOTICE,
YOU DIDN'T MENTION KNEECAPPIN'.

1863
02:38:51,000 --> 02:38:54,163
OH, GOD! MOTHERFUCKER! DAMN IT!

1864
02:38:54,337 --> 02:38:56,297
SEVENTY-SIX YEARS, STEPHEN.

1865
02:38:56,381 --> 02:38:58,191
HOW MANY NIGGERS YOU THINK
YOU SEE COME AND GO, HUH?

1866
02:38:58,216 --> 02:38:59,809
SEVEN THOUSAND?

1867
02:38:59,968 --> 02:39:01,675
EIGHT THOUSAND?

1868
02:39:01,845 --> 02:39:03,552
NINE THOUSAND?

1869
02:39:03,721 --> 02:39:06,520
NINE THOUSAND, NINE HUNDRED
AND NINETY-NINE?

1870
02:39:06,683 --> 02:39:09,061
EVERY SINGLE WORD THAT CAME
OUT OF CALVIN CANDIE'S MOUTH

1871
02:39:09,227 --> 02:39:10,570
WAS NOTHIN' BUT HORSESHIT.

1872
02:39:10,728 --> 02:39:14,574
BUT HE WAS RIGHT ABOUT ONE THING:
I AM THAT ONE NIGGER IN 10,000.

1873
02:39:17,402 --> 02:39:19,143
YOU SON OF A BITCH!

1874
02:39:19,320 --> 02:39:22,062
YOU MOTHERFUCKER!

1875
02:39:22,240 --> 02:39:24,527
OH, SWEET JESUS,
LET ME KILL THIS NIGGER!

1876
02:39:26,119 --> 02:39:29,089
YOU AIN'T GONNA GET AWAY WITH THIS,
DJANGO!

1877
02:39:29,247 --> 02:39:31,238
THEY GONNA CATCH YOUR BLACK ASS.

1878
02:39:31,416 --> 02:39:33,703
YOU GONNA BE ON THE
WANTED POSTERS NOW, NIGGER.

1879
02:39:33,877 --> 02:39:36,710
THE BOUNTY HUNTERS
GONNA BE LOOKIN' FOR YOU.

1880
02:39:36,880 --> 02:39:41,124
YOU CAN RUN, NIGGER,
BUT THEY GONNA FIND YOUR ASS!

1881
02:39:41,301 --> 02:39:45,215
AND WHEN THEY DO, OH, LORD,
WHAT THEY GONNA DO TO YOUR ASS!

1882
02:39:45,388 --> 02:39:48,096
THEY AIN'T GONNA JUST KILL YOU, NIGGER!

1883
02:39:48,266 --> 02:39:50,007
YOU DONE FUCKED UP!

1884
02:39:50,185 --> 02:39:52,279
THIS CANDYLAND, NIGGER!

1885
02:39:52,437 --> 02:39:55,145
YOU CAN'T DESTROY CANDYLAND!

1886
02:39:55,315 --> 02:39:58,945
WE BEEN HERE!
THERE'S ALWAYS GONNA BE A CANDYLAND!

1887
02:40:09,954 --> 02:40:13,504
CAN'T NO NIGGER GUNFIGHTER
KILL ALL THE WHITE FOLKS IN THE WORLD!

1888
02:40:13,666 --> 02:40:16,283
THEY GONNA FIND YOUR BLACK ASS!

1889
02:40:20,840 --> 02:40:23,423
DJANGO!

1890
02:40:23,593 --> 02:40:25,971
YOU UPPITY SON OF A...

1891
02:41:00,755 --> 02:41:02,291
HEY, LITTLE TROUBLE MAKER.

1892
02:41:02,966 --> 02:41:04,889
HEY, BIG TROUBLE MAKER.

1893
02:41:32,203 --> 02:41:36,834
YOU KNOW WHAT THEY ARE GOING TO CALL
YOU? "THE FASTEST GUN IN THE SOUTH."

1894
02:41:44,465 --> 02:41:46,058
LET'S GET OUTTA HERE.

1895
02:45:14,926 --> 02:45:16,462
WHO WAS THAT NIGGER?