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(eerie music)
2
00:00:03,465 --> 00:00:09,477
♪
3
00:00:25,802 --> 00:00:28,306
(slow breathing)
4
00:00:28,306 --> 00:00:34,360
♪
5
00:00:55,653 --> 00:00:58,909
(eerie choir singing)
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(banging rattle)
7
00:01:00,245 --> 00:01:03,126
♪
8
00:01:03,126 --> 00:01:05,464
(radio static)
9
00:01:08,053 --> 00:01:10,600
(eerie choir singing)
10
00:01:10,600 --> 00:01:13,355
♪
11
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NEWS ANCHOR:
Our lead story...
12
00:01:14,482 --> 00:01:17,321
(eerie choir singing)
13
00:01:17,321 --> 00:01:19,075
(radio static)
14
00:01:19,075 --> 00:01:24,920
♪
15
00:01:26,422 --> 00:01:28,552
Our lead story today
takes us again
16
00:01:28,552 --> 00:01:32,309
to that hot zone‐‐ zone of
illegal, terrorist activity,
17
00:01:32,309 --> 00:01:33,562
our southern border.
18
00:01:33,562 --> 00:01:35,608
Our border crisis
continues to worsen,
19
00:01:35,608 --> 00:01:38,864
with more illegals than ever
coming into our country‐‐
20
00:01:38,864 --> 00:01:40,242
coming into our country...
21
00:01:40,242 --> 00:01:41,620
MALE:
She keeps asking questions
about them.
22
00:01:41,620 --> 00:01:43,498
MALE: Maybe we could try
behavior modification.
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MALE: Do you think
we should keep 'em in?
24
00:01:45,252 --> 00:01:46,880
MALE: It doesn't stay in
the system for a week.
25
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MALE: Is that what we want?
NEWS ANCHOR: Coming into
26
00:01:48,133 --> 00:01:50,763
our country,
claiming American jobs,
27
00:01:50,763 --> 00:01:53,143
draining precious resources,
28
00:01:53,143 --> 00:01:56,775
and committing an increasing
number of violent crimes.
29
00:01:56,775 --> 00:01:59,906
NEWS ANCHOR: The migrant caravan
of over 5,000 Central Americans
30
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is full of children.
31
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Many of these children
are traveling alone.
32
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NEWS ANCHOR:
At the successful pilot immigration
33
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and cultural
rehabilitation center.
34
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(patriotic music)
35
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NEWS ANCHOR:
The ringleader of last night's
murderous terrorist assault...
36
00:02:13,559 --> 00:02:15,688
MALE: It could be because
of her hormonal circuit,
37
00:02:15,688 --> 00:02:17,316
measure to fit in.
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00:02:17,316 --> 00:02:18,944
(mixed muttering voices)
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00:02:18,944 --> 00:02:20,615
NEWS ANCHOR:
Congress members
are grappling today
40
00:02:20,615 --> 00:02:22,242
with the most urgent
of questions:
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00:02:22,242 --> 00:02:24,623
when will action
finally be taken
42
00:02:24,623 --> 00:02:27,252
to end American suffering?
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(beeping)
44
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(choir singing)
45
00:02:52,512 --> 00:02:53,471
‐ Super nice.
46
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(male laughs)
47
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(soft music)
48
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MALE:
Hey.
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00:02:56,728 --> 00:03:00,360
♪
50
00:03:03,116 --> 00:03:05,412
♪
51
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(music darkens)
52
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♪
53
00:03:18,187 --> 00:03:19,691
(female screams)
54
00:03:19,691 --> 00:03:23,699
♪
55
00:03:36,307 --> 00:03:38,019
(older female sighs)
56
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(mellow music)
57
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♪
58
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(wind blowing)
59
00:04:16,387 --> 00:04:22,399
♪
60
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(ominous flourish)
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♪
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(sighs)
63
00:04:42,690 --> 00:04:44,944
♪
64
00:04:44,944 --> 00:04:46,823
(phone rings)
65
00:04:46,823 --> 00:04:48,326
♪
66
00:04:48,326 --> 00:04:49,788
(phone rings)
67
00:04:52,023 --> 00:04:53,057
‐ Bueno.
68
00:05:10,579 --> 00:05:11,706
(phone clicks)
69
00:05:15,213 --> 00:05:17,802
(festive music)
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♪
71
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(Spanish singing on radio)
72
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♪
73
00:06:08,027 --> 00:06:10,240
♪
74
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♪
75
00:06:37,545 --> 00:06:41,803
♪
76
00:06:41,803 --> 00:06:42,930
(slams drink)
77
00:06:42,930 --> 00:06:44,266
Psst.
78
00:06:44,266 --> 00:06:50,278
♪
79
00:06:56,541 --> 00:06:58,419
♪
80
00:07:12,447 --> 00:07:15,453
♪
81
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♪
82
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(rumbling)
83
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(intense music)
84
00:08:09,394 --> 00:08:15,406
♪
85
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(knife clatters)
86
00:08:24,341 --> 00:08:26,846
♪
87
00:08:26,846 --> 00:08:27,848
(grunts)
88
00:08:27,848 --> 00:08:33,860
♪
89
00:08:42,252 --> 00:08:43,505
(sighs)
90
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♪
91
00:08:49,725 --> 00:08:51,270
(layered whispering voices)
92
00:08:51,270 --> 00:08:53,274
FEMALE: [whispering] America.
MALE: [whispering] America.
93
00:08:53,274 --> 00:08:54,777
MALE: [whispering] America.
FEMALE: [whispering] America.
94
00:08:54,777 --> 00:08:56,154
(screaming)
95
00:08:56,154 --> 00:08:58,660
(grunting)
96
00:09:00,371 --> 00:09:01,624
(panting)
97
00:09:01,624 --> 00:09:02,668
‐ Okay.
98
00:09:02,668 --> 00:09:05,381
(panting)
99
00:09:20,537 --> 00:09:23,042
(rhythmic breathing)
100
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(rhythmic breathing)
101
00:09:40,201 --> 00:09:41,329
Calma, cuidado.
102
00:09:43,457 --> 00:09:45,002
(church bells ringing)
103
00:09:51,306 --> 00:09:53,435
(church bells ringing)
104
00:09:57,443 --> 00:09:58,747
‐ ¡Ay, mija!
105
00:10:07,923 --> 00:10:09,426
FEMALE: Marisol‐‐
106
00:10:34,935 --> 00:10:36,229
‐ Lupita...
107
00:11:08,252 --> 00:11:09,630
(soft music)
108
00:11:11,341 --> 00:11:13,763
♪
109
00:11:13,763 --> 00:11:14,723
(doorbell buzzes)
110
00:11:14,723 --> 00:11:16,017
(knock at door)
111
00:11:16,017 --> 00:11:17,646
♪
112
00:11:19,650 --> 00:11:21,654
(somber music)
113
00:11:23,490 --> 00:11:29,503
♪
114
00:11:42,821 --> 00:11:43,823
LUPITA:
Bueno.
115
00:11:47,204 --> 00:11:49,960
♪
116
00:11:54,260 --> 00:12:00,272
♪
117
00:12:28,370 --> 00:12:31,334
♪
118
00:12:33,923 --> 00:12:35,217
♪
119
00:12:35,217 --> 00:12:37,221
MARISOL:
Paola...
120
00:12:38,558 --> 00:12:39,685
♪
121
00:12:50,080 --> 00:12:52,126
♪
122
00:12:55,257 --> 00:13:01,269
♪
123
00:13:08,868 --> 00:13:09,912
♪
124
00:13:09,912 --> 00:13:11,039
MARISOL:
Gracias.
125
00:13:15,507 --> 00:13:17,844
♪
126
00:13:21,142 --> 00:13:22,394
♪
127
00:13:22,394 --> 00:13:26,027
(Lupita praying in Spanish)
128
00:13:26,027 --> 00:13:26,904
‐ Amen.
129
00:13:26,904 --> 00:13:28,281
(speaking Spanish)
130
00:13:28,281 --> 00:13:31,789
♪
131
00:13:31,789 --> 00:13:33,125
(praying in Spanish)
132
00:13:33,125 --> 00:13:36,924
(girls join)
133
00:13:36,924 --> 00:13:39,428
(prayer continues)
134
00:13:39,428 --> 00:13:45,440
♪
135
00:14:02,642 --> 00:14:05,272
(Spanish singing on radio)
136
00:14:05,272 --> 00:14:11,284
♪
137
00:14:26,481 --> 00:14:32,493
♪
138
00:14:38,673 --> 00:14:41,219
♪
139
00:14:43,056 --> 00:14:49,068
♪
140
00:14:58,211 --> 00:14:59,756
(El Zorro chuckles)
141
00:15:02,011 --> 00:15:06,269
♪
142
00:15:20,005 --> 00:15:21,132
(snaps fingers)
143
00:15:49,313 --> 00:15:50,315
(laughs)
144
00:15:57,705 --> 00:15:59,083
‐ Hey.
145
00:16:06,431 --> 00:16:07,934
(nervous laugh)
146
00:16:07,934 --> 00:16:10,439
(mellow music)
147
00:16:10,439 --> 00:16:12,527
♪
148
00:16:12,527 --> 00:16:14,948
(indistinct remarks)
149
00:16:14,948 --> 00:16:17,453
‐ (speaking Spanish)
150
00:16:17,453 --> 00:16:19,958
(indistinct chatter)
151
00:16:19,958 --> 00:16:25,970
♪
152
00:16:41,125 --> 00:16:43,714
(chimes tinkling)
153
00:16:43,714 --> 00:16:45,593
♪
154
00:16:45,593 --> 00:16:48,306
(low rumbling)
155
00:16:48,306 --> 00:16:53,984
♪
156
00:16:57,825 --> 00:16:58,994
♪
157
00:17:02,376 --> 00:17:08,388
♪
158
00:17:10,183 --> 00:17:14,066
(eerie music)
159
00:17:14,066 --> 00:17:15,277
(mellow music)
160
00:17:18,826 --> 00:17:20,580
(knock at door)
161
00:17:20,580 --> 00:17:25,506
♪
162
00:17:27,677 --> 00:17:31,267
♪
163
00:17:34,524 --> 00:17:39,826
♪
164
00:17:50,681 --> 00:17:51,808
EL ZORRO:
Ooh...
165
00:17:51,808 --> 00:17:53,227
(El Zorro laughs)
166
00:17:53,227 --> 00:17:54,104
Ooh!
167
00:17:54,104 --> 00:17:56,108
(appreciative laugh)
168
00:17:57,246 --> 00:17:58,520
Gracias.
169
00:18:00,701 --> 00:18:04,626
♪
170
00:18:10,805 --> 00:18:11,848
(El Zorro chuckles)
171
00:18:11,848 --> 00:18:15,105
♪
172
00:18:59,041 --> 00:19:00,348
(man chuckles)
173
00:19:33,929 --> 00:19:35,139
(pounds on the table)
174
00:19:35,139 --> 00:19:37,060
(singing)
175
00:19:37,060 --> 00:19:38,145
(pounds on the table)
176
00:19:38,145 --> 00:19:40,776
(riotous laughter)
177
00:20:40,604 --> 00:20:41,523
(taps table)
178
00:20:49,246 --> 00:20:50,541
(Chayan chuckles)
179
00:21:04,777 --> 00:21:05,863
(somber music)
180
00:21:09,787 --> 00:21:12,543
♪
181
00:21:16,175 --> 00:21:17,803
♪
182
00:21:22,437 --> 00:21:28,449
♪
183
00:21:35,672 --> 00:21:41,684
♪
184
00:21:46,193 --> 00:21:48,949
(Coyote singing)
185
00:21:48,949 --> 00:21:49,826
(taps beer on table)
186
00:21:49,826 --> 00:21:52,330
(tense music)
187
00:21:52,330 --> 00:21:58,342
♪
188
00:21:59,595 --> 00:22:02,225
(Coyote starts engine)
189
00:22:02,225 --> 00:22:08,237
♪
190
00:22:11,953 --> 00:22:15,126
♪
191
00:22:19,467 --> 00:22:20,596
♪
192
00:22:22,223 --> 00:22:23,434
♪
193
00:22:23,434 --> 00:22:24,817
(boy sighs)
194
00:22:27,066 --> 00:22:32,995
♪
195
00:22:34,080 --> 00:22:36,836
♪
196
00:22:50,279 --> 00:22:52,033
MARISOL: Ricky.
197
00:22:56,124 --> 00:22:58,630
(crickets chirring)
198
00:23:00,509 --> 00:23:02,011
(door creaks)
199
00:23:08,023 --> 00:23:10,612
(foreboding music)
200
00:23:10,612 --> 00:23:11,906
♪
201
00:23:13,994 --> 00:23:16,164
♪
202
00:23:16,164 --> 00:23:18,670
(Marisol grunting)
203
00:23:18,670 --> 00:23:21,174
♪
204
00:23:24,932 --> 00:23:26,393
(Chayan grunts)
205
00:23:26,393 --> 00:23:28,523
♪
206
00:23:28,523 --> 00:23:29,942
(Marisol pants)
207
00:23:29,942 --> 00:23:32,698
(both grunting)
208
00:23:32,698 --> 00:23:34,952
♪
209
00:23:34,952 --> 00:23:36,581
(panting)
210
00:23:36,581 --> 00:23:42,008
♪
211
00:23:42,926 --> 00:23:44,429
(Chayan grunts in pain)
212
00:23:44,429 --> 00:23:47,060
(grunting)
213
00:23:47,060 --> 00:23:48,312
(tense music)
214
00:23:48,312 --> 00:23:49,523
(Chayan chokes)
215
00:23:49,523 --> 00:23:51,068
♪
216
00:23:55,952 --> 00:23:57,330
♪
217
00:24:04,678 --> 00:24:06,056
(door slams)
218
00:24:06,056 --> 00:24:07,935
♪
219
00:24:27,098 --> 00:24:28,601
(clock ticking)
220
00:24:46,762 --> 00:24:48,766
Amen.
221
00:24:52,774 --> 00:24:53,902
(Chayan scoffs)
222
00:25:07,011 --> 00:25:09,140
(phone buzzes)
223
00:25:22,166 --> 00:25:28,555
♪
224
00:25:28,555 --> 00:25:30,057
(Chayan grunts)
225
00:25:30,057 --> 00:25:31,393
♪
226
00:25:36,821 --> 00:25:38,700
(Chayan speaking Spanish)
227
00:25:38,700 --> 00:25:39,910
Let's go, come on!
228
00:25:41,162 --> 00:25:46,882
♪
229
00:25:46,882 --> 00:25:48,260
(grunts)
230
00:25:48,260 --> 00:25:50,481
♪
231
00:25:55,775 --> 00:25:57,571
(blows a kiss)
232
00:25:57,571 --> 00:25:58,698
(laughs)
233
00:25:58,698 --> 00:25:59,324
(taps on truck)
234
00:25:59,324 --> 00:26:00,326
(speaking Spanish)
235
00:26:00,326 --> 00:26:06,338
♪
236
00:27:05,122 --> 00:27:07,669
(whistling)
237
00:27:07,669 --> 00:27:13,639
♪
238
00:27:14,975 --> 00:27:16,019
(turns off engine)
239
00:27:16,019 --> 00:27:22,031
♪
240
00:27:38,898 --> 00:27:40,652
(door rattles)
241
00:27:46,580 --> 00:27:48,333
(dog howling)
242
00:27:48,333 --> 00:27:49,732
(speaking Spanish)
243
00:28:13,551 --> 00:28:15,095
(Coyote howls)
244
00:28:15,095 --> 00:28:17,099
(Coyote laughs)
245
00:28:30,752 --> 00:28:32,505
(makes hissing sound)
246
00:28:34,593 --> 00:28:40,605
♪
247
00:28:50,126 --> 00:28:56,138
♪
248
00:28:57,892 --> 00:29:01,357
(Marisol panting)
249
00:29:01,357 --> 00:29:07,369
♪
250
00:29:27,535 --> 00:29:28,996
♪
251
00:29:28,996 --> 00:29:30,541
(Marisol sighs)
252
00:29:30,541 --> 00:29:36,553
♪
253
00:29:49,954 --> 00:29:53,213
♪
254
00:29:54,672 --> 00:29:56,258
♪
255
00:29:59,933 --> 00:30:01,185
(makes skeptical sound)
256
00:30:03,524 --> 00:30:04,692
‐ Ah!
257
00:30:09,076 --> 00:30:11,706
(laughing)
258
00:30:23,312 --> 00:30:24,439
(distant dogs yipping)
259
00:31:10,031 --> 00:31:11,408
(eerie sound)
260
00:31:11,408 --> 00:31:12,536
(eerie music)
261
00:31:12,536 --> 00:31:14,164
OSCAR: [whispering]
Hey, Marisol.
262
00:31:14,164 --> 00:31:15,375
‐ Hm?
263
00:31:15,375 --> 00:31:17,003
‐ Marisol.
264
00:31:17,003 --> 00:31:18,172
♪
265
00:31:19,968 --> 00:31:22,013
♪
266
00:31:23,976 --> 00:31:25,019
♪
267
00:31:26,898 --> 00:31:28,025
♪
268
00:31:32,535 --> 00:31:33,620
♪
269
00:31:36,041 --> 00:31:37,168
(stammers)
270
00:31:37,168 --> 00:31:38,421
♪
271
00:31:42,930 --> 00:31:43,932
(repeats)
272
00:31:43,932 --> 00:31:44,684
(muffled whimpers)
273
00:31:44,684 --> 00:31:46,145
(Oscar repeats himself)
274
00:31:46,145 --> 00:31:50,821
(Oscar repeats himself louder)
275
00:31:50,821 --> 00:31:53,075
(screaming)
276
00:31:53,075 --> 00:31:53,827
(gasping)
277
00:32:03,555 --> 00:32:04,264
‐ Shh.
278
00:32:05,391 --> 00:32:06,686
‐ Shh.
279
00:32:06,686 --> 00:32:09,191
(hum of engine)
280
00:32:09,191 --> 00:32:11,571
(tense music)
281
00:32:11,571 --> 00:32:13,449
Shh.
282
00:32:13,449 --> 00:32:19,086
♪
283
00:32:28,104 --> 00:32:29,607
Shh, shh!
284
00:32:45,681 --> 00:32:47,977
(hum of engine)
285
00:32:47,977 --> 00:32:50,566
(vehicle radio playing)
286
00:32:53,237 --> 00:32:55,826
(engine revving)
287
00:33:01,503 --> 00:33:04,719
(engine rumbling)
288
00:33:04,719 --> 00:33:07,265
(vehicle radio playing)
289
00:33:07,265 --> 00:33:12,776
♪
290
00:33:12,776 --> 00:33:14,404
CARTEL MEMBER:
Woo!
291
00:33:17,035 --> 00:33:19,247
(riotous shouting)
292
00:33:19,247 --> 00:33:21,293
(grunting)
293
00:33:21,293 --> 00:33:22,796
(sounds of impact)
294
00:33:27,138 --> 00:33:28,140
(shouting)
295
00:33:30,646 --> 00:33:32,106
(gunshot)
296
00:33:32,106 --> 00:33:33,400
(loud gasp)
297
00:33:39,997 --> 00:33:42,795
(gunshot)
298
00:33:42,795 --> 00:33:43,797
‐ Woo!
299
00:33:48,430 --> 00:33:49,517
♪
300
00:33:49,517 --> 00:33:50,268
(thud)
301
00:33:50,268 --> 00:33:51,311
CARTEL MEMBER:
Woo!
302
00:33:51,311 --> 00:33:52,188
(gunshot)
303
00:33:54,150 --> 00:33:55,696
(starting engine)
304
00:33:58,702 --> 00:34:00,288
(riotous shouting)
305
00:34:00,288 --> 00:34:02,208
(engine revving)
306
00:34:02,208 --> 00:34:03,920
(dramatic music)
307
00:34:10,016 --> 00:34:16,028
♪
308
00:34:17,280 --> 00:34:19,034
Ricky!
309
00:34:19,034 --> 00:34:22,165
(cartel member laughing)
310
00:34:24,169 --> 00:34:30,139
♪
311
00:34:32,561 --> 00:34:34,774
(horn honking)
312
00:34:34,774 --> 00:34:37,070
(Marisol sobbing)
313
00:34:37,070 --> 00:34:38,823
(cartel member laughing)
314
00:34:38,823 --> 00:34:41,537
♪
315
00:34:41,537 --> 00:34:44,585
BORDER PATROL:
This is the United States
Border Patrol.
316
00:34:44,585 --> 00:34:45,712
Stop where you are.
317
00:34:45,712 --> 00:34:47,090
Do not move.
318
00:34:47,090 --> 00:34:53,060
♪
319
00:34:55,774 --> 00:34:58,153
(dogs barking)
320
00:34:58,153 --> 00:35:00,074
(echoing pant)
321
00:35:01,159 --> 00:35:03,330
♪
322
00:35:03,330 --> 00:35:05,919
(hum of helicopter)
323
00:35:08,048 --> 00:35:10,595
(breathing and heartbeat)
324
00:35:13,601 --> 00:35:15,731
‐ Breathe, sweetie.
325
00:35:15,731 --> 00:35:17,233
You're safe now.
326
00:35:17,233 --> 00:35:18,987
(heartbeat)
327
00:35:18,987 --> 00:35:21,576
(breathing deeply)
328
00:35:25,876 --> 00:35:27,378
Keep breathing just like that.
329
00:35:27,378 --> 00:35:28,213
(voice echoes)
330
00:35:28,213 --> 00:35:29,340
You're doing great.
331
00:35:29,340 --> 00:35:30,301
(voice echoes)
332
00:35:30,301 --> 00:35:32,723
(breathing sounds)
333
00:35:32,723 --> 00:35:34,058
(Marisol moaning)
334
00:35:34,058 --> 00:35:36,939
There you go.
335
00:35:36,939 --> 00:35:41,072
Oh, I can see it.
336
00:35:41,072 --> 00:35:43,118
Keep going.
337
00:35:43,118 --> 00:35:47,836
Just one more push!
338
00:35:47,836 --> 00:35:50,257
(Marisol screaming)
339
00:35:50,257 --> 00:35:51,969
Oh!
340
00:35:51,969 --> 00:35:53,890
(light laugh)
341
00:35:53,890 --> 00:35:57,898
It's a beautiful baby girl!
342
00:35:57,898 --> 00:36:00,987
(Marisol breathes deeply)
343
00:36:00,987 --> 00:36:02,908
MARISOL:
My sweet girl.
344
00:36:07,668 --> 00:36:09,922
(birds chirping)
345
00:36:11,634 --> 00:36:15,767
(soft music)
346
00:36:15,767 --> 00:36:21,779
♪
347
00:37:00,690 --> 00:37:03,403
(female humming
"My Country, 'Tis of Thee")
348
00:37:03,403 --> 00:37:09,415
♪
349
00:37:25,364 --> 00:37:26,116
Where am I?
350
00:37:26,116 --> 00:37:27,619
(gasps)
351
00:37:27,619 --> 00:37:28,495
Where is she?
352
00:37:28,495 --> 00:37:29,873
FEMALE:
Oh, good morning!
353
00:37:29,873 --> 00:37:32,086
The little angel is sleeping.
354
00:37:32,086 --> 00:37:33,965
Come, come eat.
355
00:37:33,965 --> 00:37:35,593
I made you some soup.
356
00:37:35,593 --> 00:37:41,605
♪
357
00:37:53,336 --> 00:37:55,090
‐ Mm.
358
00:37:55,090 --> 00:37:56,510
♪
359
00:37:56,510 --> 00:37:57,721
Mm.
360
00:37:57,721 --> 00:38:02,021
♪
361
00:38:02,021 --> 00:38:04,777
(laughing)
362
00:38:04,777 --> 00:38:06,279
‐ It's not a race, honey.
363
00:38:06,279 --> 00:38:07,783
Not anymore.
364
00:38:07,783 --> 00:38:09,285
You're in America now,
365
00:38:09,285 --> 00:38:11,247
the land of plenty.
366
00:38:11,247 --> 00:38:12,291
♪
367
00:38:12,291 --> 00:38:13,920
‐ I'm sorry, it's just that
368
00:38:13,920 --> 00:38:16,385
I feel like I'm
still eating for two.
369
00:38:16,385 --> 00:38:18,139
Oh, this is delicious.
370
00:38:18,139 --> 00:38:19,100
You made this?
371
00:38:19,100 --> 00:38:19,976
FEMALE:
Someone once said
372
00:38:19,976 --> 00:38:21,522
you can judge a woman
373
00:38:21,522 --> 00:38:24,026
by the taste of
her homemade soup.
374
00:38:24,026 --> 00:38:25,278
(laughs)
375
00:38:28,034 --> 00:38:29,538
‐ Oh...
FEMALE: Oh, oh, oh.
376
00:38:29,538 --> 00:38:30,623
Take it slow.
377
00:38:30,623 --> 00:38:31,792
No need to rush.
378
00:38:31,792 --> 00:38:32,794
When you're done,
379
00:38:32,794 --> 00:38:34,171
if you're feeling up to it,
380
00:38:34,171 --> 00:38:35,800
I'll take you out for a walk.
381
00:38:37,427 --> 00:38:40,058
It's a beautiful day out today.
382
00:38:40,058 --> 00:38:42,187
A perfect day
383
00:38:42,187 --> 00:38:43,649
to see your new home.
384
00:38:43,649 --> 00:38:49,661
♪
385
00:38:53,586 --> 00:38:54,838
(Marisol laughs)
386
00:38:54,838 --> 00:38:56,675
♪
387
00:38:56,675 --> 00:38:57,844
NEIGHBOR:
Hello friend.
388
00:38:57,844 --> 00:38:59,806
‐ Hi.
NEIGHBOR: Good morning.
389
00:38:59,806 --> 00:39:01,810
♪
390
00:39:01,810 --> 00:39:03,271
NEIGHBOR: Good morning.
‐ Good morning.
391
00:39:03,271 --> 00:39:09,283
♪
392
00:39:17,842 --> 00:39:20,096
(chimes tinkling)
393
00:39:20,096 --> 00:39:22,936
♪
394
00:39:22,936 --> 00:39:25,190
MARISOL:
Wow, so many paisanos.
395
00:39:25,190 --> 00:39:27,862
FEMALE:
Oh yes, lots of Latinos here.
396
00:39:27,862 --> 00:39:29,991
And people from
all over the world.
397
00:39:29,991 --> 00:39:31,244
Everyone's getting ready
398
00:39:31,244 --> 00:39:33,331
for our big celebration
this weekend.
399
00:39:33,331 --> 00:39:36,003
‐ Looks great, everybody.
FEMALE: Oh, Thomas?
400
00:39:36,003 --> 00:39:37,715
Thomas!
401
00:39:37,715 --> 00:39:39,218
Hello.
402
00:39:39,218 --> 00:39:41,723
Marisol, this is Thomas,
our town's mayor.
403
00:39:41,723 --> 00:39:42,976
Marisol is new here.
404
00:39:42,976 --> 00:39:43,978
THOMAS:
Oh, welcome, Marisol.
405
00:39:43,978 --> 00:39:45,105
We're so happy to have you.
406
00:39:45,105 --> 00:39:45,856
MARISOL:
Thank you.
407
00:39:45,856 --> 00:39:47,442
You have such a beautiful town.
408
00:39:47,442 --> 00:39:48,444
THOMAS:
Oh, thank you,
409
00:39:48,444 --> 00:39:49,488
but it's not just mine.
410
00:39:49,488 --> 00:39:51,618
Cape Joy is everyone's.
411
00:39:51,618 --> 00:39:52,620
It's yours too now, okay?
412
00:39:52,620 --> 00:39:53,831
‐ Oh.
THOMAS: And you let us know
413
00:39:53,831 --> 00:39:54,874
if there's anything
that any of us can do
414
00:39:54,874 --> 00:39:56,252
to make you feel at home.
415
00:39:56,252 --> 00:39:57,504
♪
416
00:39:57,504 --> 00:39:58,716
Congratulations, by the way.
417
00:39:58,716 --> 00:40:00,093
‐ Oh, thank you.
418
00:40:00,093 --> 00:40:02,890
THOMAS: Marisol, have you
ever seen fireworks?
419
00:40:02,890 --> 00:40:04,644
‐ Yeah, I mean, not often.
420
00:40:04,644 --> 00:40:06,397
‐ Okay, well,
at our Fourth of July party,
421
00:40:06,397 --> 00:40:08,527
they will absolutely
fill the sky.
422
00:40:08,527 --> 00:40:09,738
It's beautiful.
423
00:40:09,738 --> 00:40:11,240
It'll be a wonderful
experience for you.
424
00:40:11,240 --> 00:40:13,036
‐ When will that be?
MALE: Hey Thomas!
425
00:40:13,036 --> 00:40:14,539
Come take a look at this.
426
00:40:14,539 --> 00:40:16,417
‐ I'm so sorry, duty calls.
427
00:40:16,417 --> 00:40:17,795
We take the big day
very seriously here.
428
00:40:17,795 --> 00:40:19,048
It was nice to meet you,
Marisol.
429
00:40:19,048 --> 00:40:20,133
‐ Nice to meet you.
THOMAS: Hope to see you soon.
430
00:40:20,133 --> 00:40:21,803
Betty.
And if you feel like it,
431
00:40:21,803 --> 00:40:23,348
come by and help
with the preparations.
432
00:40:23,348 --> 00:40:24,391
There's nothing like chipping in
433
00:40:24,391 --> 00:40:25,770
to help feel at home
in the community.
434
00:40:25,770 --> 00:40:26,730
♪
435
00:40:26,730 --> 00:40:28,274
Looks great, guys.
436
00:40:28,274 --> 00:40:29,401
MARISOL:
He seems nice.
437
00:40:29,401 --> 00:40:32,407
BETTY:
Oh, he has been such a blessing
438
00:40:32,407 --> 00:40:33,660
for our little town.
439
00:40:33,660 --> 00:40:34,662
♪
440
00:40:34,662 --> 00:40:36,415
‐ This place is so...
441
00:40:36,415 --> 00:40:37,668
‐ Special?
442
00:40:37,668 --> 00:40:38,670
‐ Yeah!
443
00:40:38,670 --> 00:40:39,672
♪
444
00:40:39,672 --> 00:40:41,050
‐ We're very lucky.
445
00:40:41,050 --> 00:40:43,179
♪
446
00:40:43,179 --> 00:40:44,808
‐ I think I could call it home.
447
00:40:44,808 --> 00:40:46,520
♪
448
00:40:46,520 --> 00:40:47,939
‐ Well now,
449
00:40:47,939 --> 00:40:49,651
that's the spirit, darling.
450
00:40:49,651 --> 00:40:53,700
♪
451
00:40:53,700 --> 00:40:56,810
(music darkens)
452
00:40:56,810 --> 00:40:58,209
‐ Oscar?
453
00:40:58,209 --> 00:40:59,587
♪
454
00:40:59,587 --> 00:41:00,965
BETTY:
Marisol, are you all right?
455
00:41:00,965 --> 00:41:02,927
♪
456
00:41:02,927 --> 00:41:04,514
‐ Oscar!
457
00:41:04,514 --> 00:41:05,891
(Betty gasps)
458
00:41:05,891 --> 00:41:07,520
BETTY:
Marisol, wait!
459
00:41:07,520 --> 00:41:08,689
MARISOL:
I...
460
00:41:08,689 --> 00:41:10,776
I'm sorry, excuse me.
461
00:41:10,776 --> 00:41:12,154
FEMALE: Hi!
462
00:41:12,154 --> 00:41:13,824
MALE: Hi there!
463
00:41:13,824 --> 00:41:15,452
(indistinct chatter)
464
00:41:15,452 --> 00:41:17,582
THOMAS: All right, guys,
let's take these babies for a spin.
465
00:41:17,582 --> 00:41:21,464
GROUP ON LOUDSPEAKER:
♪ Oh, say can you see
466
00:41:21,464 --> 00:41:25,221
by the dawn's early light ♪
467
00:41:25,221 --> 00:41:29,313
♪ What so proudly we hailed
468
00:41:29,313 --> 00:41:33,362
at the twilight's
last gleaming?
469
00:41:33,362 --> 00:41:37,622
♪ Whose broad stripes
and bright stars
470
00:41:37,622 --> 00:41:41,713
through the perilous fight ♪
471
00:41:41,713 --> 00:41:42,882
♪ O'er the ram‐‐ ♪♪
472
00:41:42,882 --> 00:41:43,759
(screams)
473
00:41:43,759 --> 00:41:45,679
(sustained beep)
474
00:41:45,679 --> 00:41:47,600
(wind blowing)
475
00:41:50,981 --> 00:41:52,234
(gasps)
476
00:41:52,234 --> 00:41:54,739
(soft music)
477
00:41:54,739 --> 00:42:00,751
♪
478
00:42:12,525 --> 00:42:14,988
(music darkens)
479
00:42:14,988 --> 00:42:21,000
♪
480
00:42:29,349 --> 00:42:30,393
‐ Where is she?
481
00:42:30,393 --> 00:42:32,022
BETTY:
Oh!
482
00:42:32,022 --> 00:42:33,525
Feeling any better today?
483
00:42:33,525 --> 00:42:34,527
♪
484
00:42:34,527 --> 00:42:35,779
‐ Yes, thank you.
485
00:42:35,779 --> 00:42:40,413
♪
486
00:42:40,413 --> 00:42:42,042
Um, excuse me, ma'am,
487
00:42:42,042 --> 00:42:43,169
how did I get here?
488
00:42:43,169 --> 00:42:45,256
Why is it that I just
can't remember anything?
489
00:42:45,256 --> 00:42:47,302
‐ Please call me Betty.
490
00:42:47,302 --> 00:42:48,262
‐ Betty.
491
00:42:48,262 --> 00:42:50,016
‐ I'm so sorry.
492
00:42:50,016 --> 00:42:52,062
This must be very hard for you.
493
00:42:52,062 --> 00:42:54,567
You crossed the border
with your Coyote two days ago.
494
00:42:54,567 --> 00:42:56,195
Feeling any better today?
495
00:42:56,195 --> 00:42:58,575
♪
496
00:42:58,575 --> 00:43:01,330
‐ Uh, yes, thank you.
497
00:43:01,330 --> 00:43:02,415
Where are my things?
498
00:43:02,415 --> 00:43:04,211
I brought stuff with me, and‐‐
499
00:43:04,211 --> 00:43:06,048
BETTY: Oh, we can
get you all new stuff.
500
00:43:06,048 --> 00:43:08,427
Don't worry about
what you've lost;
501
00:43:08,427 --> 00:43:10,683
think instead of...
502
00:43:10,683 --> 00:43:12,561
all that you've gained.
503
00:43:12,561 --> 00:43:19,701
♪
504
00:43:19,701 --> 00:43:21,078
‐ Let me have her.
BETTY: Oh! No, no, no.
505
00:43:21,078 --> 00:43:21,913
She just ate.
506
00:43:21,913 --> 00:43:23,834
You just rest.
507
00:43:23,834 --> 00:43:24,711
‐ I'm fine.
508
00:43:24,711 --> 00:43:25,713
(chuckling)
509
00:43:25,713 --> 00:43:27,465
‐ Great, fantastic.
510
00:43:27,465 --> 00:43:28,802
♪
511
00:43:28,802 --> 00:43:31,432
I wish I could go out
and help with the decorations.
512
00:43:31,432 --> 00:43:32,560
I'm just too old now.
513
00:43:32,560 --> 00:43:35,481
I can hardly hold
a hammer steady.
514
00:43:35,481 --> 00:43:36,985
I know.
515
00:43:36,985 --> 00:43:39,239
Why don't you go out and help?
516
00:43:39,239 --> 00:43:40,617
Everyone is there.
517
00:43:40,617 --> 00:43:41,703
‐ I don't know anybody.
518
00:43:41,703 --> 00:43:42,997
BETTY:
Oh, nonsense, you know Thomas,
519
00:43:42,997 --> 00:43:44,374
and you can make
all new friends.
520
00:43:44,374 --> 00:43:47,631
Besides, Thomas can help you
get a job right away too.
521
00:43:47,631 --> 00:43:49,092
You don't want everybody else
522
00:43:49,092 --> 00:43:51,931
snatching up all
your opportunities, do you?
523
00:43:51,931 --> 00:43:54,311
Gotta provide for
the little one, right?
524
00:43:54,311 --> 00:44:00,323
♪
525
00:44:03,245 --> 00:44:06,126
(orchestral music)
526
00:44:06,126 --> 00:44:08,088
NEIGHBOR: Hello there!
NEIGHBOR: It's gonna be great!
527
00:44:08,088 --> 00:44:14,100
♪
528
00:44:21,616 --> 00:44:22,910
MARISOL:
Hey, Ricky!
529
00:44:22,910 --> 00:44:24,747
Hi.
530
00:44:24,747 --> 00:44:25,666
TEACHER:
Come, come, children.
531
00:44:25,666 --> 00:44:26,751
(eerie music)
532
00:44:31,678 --> 00:44:32,763
MALE:
Hello.
533
00:44:36,144 --> 00:44:38,650
(indistinct conversation)
534
00:44:38,650 --> 00:44:39,986
FEMALE:
Hi.
535
00:44:39,986 --> 00:44:41,029
MARISOL:
Hi.
536
00:44:41,029 --> 00:44:42,282
THOMAS:
Marisol!
537
00:44:42,282 --> 00:44:44,871
Hey, good to see you again.
538
00:44:44,871 --> 00:44:46,373
MARISOL: Hi.
THOMAS: Hi.
539
00:44:46,373 --> 00:44:47,668
So, what do you think
540
00:44:47,668 --> 00:44:49,296
of our beautiful little
American town so far?
541
00:44:49,296 --> 00:44:51,133
MARISOL:
Um, it's, um...
542
00:44:53,178 --> 00:44:55,016
It's confusing.
543
00:44:55,016 --> 00:44:56,310
THOMAS:
Here, come have a seat.
544
00:45:02,573 --> 00:45:04,911
You weren't prepared for
such a big change, right?
545
00:45:08,042 --> 00:45:09,712
You'd be surprised
how many people
546
00:45:09,712 --> 00:45:10,672
experience that sort of thing
547
00:45:10,672 --> 00:45:11,841
when they move to a new country.
548
00:45:11,841 --> 00:45:13,553
It's perfectly normal.
549
00:45:13,553 --> 00:45:14,805
We call it culture shock.
550
00:45:14,805 --> 00:45:16,768
‐ Culture shock.
THOMAS: And everybody here
551
00:45:16,768 --> 00:45:18,688
has felt the way
that you have.
552
00:45:18,688 --> 00:45:20,066
Even me.
553
00:45:20,066 --> 00:45:21,276
‐ Really?
‐ Oh yeah.
554
00:45:21,276 --> 00:45:24,449
Yeah, I traveled to India
in grad school.
555
00:45:24,449 --> 00:45:29,292
I haven't sweat that much
since, well, ever.
556
00:45:29,292 --> 00:45:30,545
And the food.
557
00:45:30,545 --> 00:45:31,673
It was delicious,
558
00:45:31,673 --> 00:45:33,718
but I don't think
there was a single day
559
00:45:33,718 --> 00:45:36,223
where my body wasn't in crisis.
560
00:45:36,223 --> 00:45:37,350
(Marisol laughs)
561
00:45:40,189 --> 00:45:42,068
What were you hoping for
when you came here?
562
00:45:42,068 --> 00:45:43,863
When you crossed?
563
00:45:43,863 --> 00:45:45,116
‐ Um...
564
00:45:47,997 --> 00:45:49,124
It's...
565
00:45:50,084 --> 00:45:51,587
‐ I understand.
566
00:45:51,587 --> 00:45:54,009
You know, people dream
of a place like this
567
00:45:54,009 --> 00:45:56,221
because change is good.
568
00:45:56,221 --> 00:45:58,225
We dream of
having the freedom
569
00:45:58,225 --> 00:46:00,229
of waking up on
any given morning
570
00:46:00,229 --> 00:46:01,566
and starting over.
571
00:46:01,566 --> 00:46:03,235
The freedom to
choose to be happy
572
00:46:03,235 --> 00:46:06,450
instead of feeling like the
world makes that impossible.
573
00:46:06,450 --> 00:46:08,747
It's not my place
to tell you how to feel,
574
00:46:08,747 --> 00:46:13,005
but our little town
works for people.
575
00:46:14,592 --> 00:46:16,763
And you have a new
life to look out for,
576
00:46:16,763 --> 00:46:18,223
not just your own.
577
00:46:18,223 --> 00:46:22,398
If you can, try to
choose to be happy.
578
00:46:24,277 --> 00:46:25,655
What have you got to lose?
579
00:46:25,655 --> 00:46:28,285
(soft, tense music)
580
00:46:28,285 --> 00:46:28,912
♪
581
00:46:28,912 --> 00:46:30,289
‐ Right.
582
00:46:30,289 --> 00:46:31,416
♪
583
00:46:31,416 --> 00:46:32,753
Okay.
584
00:46:32,753 --> 00:46:33,671
‐ Yeah?
‐ Yeah.
585
00:46:33,671 --> 00:46:35,382
‐ Okay, great.
586
00:46:35,382 --> 00:46:37,763
And why don't you help me
organize for the big event?
587
00:46:37,763 --> 00:46:38,640
‐ Me?
‐ Yeah, yeah,
588
00:46:38,640 --> 00:46:40,017
you could do decorations.
589
00:46:40,017 --> 00:46:41,269
Get to know some of us,
590
00:46:41,269 --> 00:46:43,357
I think you'd be a natural.
591
00:46:43,357 --> 00:46:44,400
‐ I think I can
do that, yeah.
592
00:46:44,400 --> 00:46:45,529
‐ Okay, perfect.
593
00:46:45,529 --> 00:46:46,906
And then I'll see
you tomorrow, okay?
594
00:46:46,906 --> 00:46:49,620
‐ Okay.
‐ Oh, Marisol?
595
00:46:49,620 --> 00:46:51,123
Come by the
mess hall tonight.
596
00:46:51,123 --> 00:46:52,793
We're doing pizza.
‐ Looking forward to it.
597
00:46:52,793 --> 00:46:54,547
THOMAS:
Okay, I'll see you there.
598
00:46:54,547 --> 00:47:00,559
♪
599
00:47:17,593 --> 00:47:18,678
MARISOL:
Hi.
600
00:47:18,678 --> 00:47:22,895
♪
601
00:47:22,895 --> 00:47:24,690
Oh, sorry.
602
00:47:24,690 --> 00:47:27,403
♪
603
00:47:27,403 --> 00:47:28,698
‐ Marisol, hey!
604
00:47:28,698 --> 00:47:29,825
I'm glad you made it.
605
00:47:29,825 --> 00:47:31,203
Grab a seat, I want to
talk to you in a second.
606
00:47:31,203 --> 00:47:33,081
Excuse me.
MARISOL: Okay.
607
00:47:33,081 --> 00:47:37,841
♪
608
00:47:37,841 --> 00:47:39,720
‐ Oh, hey!
609
00:47:39,720 --> 00:47:44,062
♪
610
00:47:44,062 --> 00:47:45,439
‐ Cabrón.
611
00:47:45,439 --> 00:47:49,113
♪
612
00:47:49,113 --> 00:47:50,742
‐ Oh, hey.
613
00:47:50,742 --> 00:47:56,503
♪
614
00:47:57,965 --> 00:48:00,135
‐ Oh, sorry.
615
00:48:00,135 --> 00:48:05,730
♪
616
00:48:05,730 --> 00:48:06,983
Hi.
617
00:48:06,983 --> 00:48:12,995
♪
618
00:48:18,505 --> 00:48:19,758
Mm.
619
00:48:19,758 --> 00:48:25,770
♪
620
00:48:26,731 --> 00:48:29,360
(intensifying chewing sounds)
621
00:48:29,360 --> 00:48:34,412
♪
622
00:48:34,412 --> 00:48:36,917
(chaotic music)
623
00:48:36,917 --> 00:48:42,888
♪
624
00:48:45,017 --> 00:48:47,731
(fetal heartbeat)
625
00:48:47,731 --> 00:48:50,235
(panting)
626
00:48:50,235 --> 00:48:52,783
(eerie music)
627
00:48:52,783 --> 00:48:55,914
♪
628
00:48:55,914 --> 00:48:58,418
(screaming)
629
00:48:58,418 --> 00:49:03,930
♪
630
00:49:08,564 --> 00:49:09,440
(screaming)
631
00:49:09,440 --> 00:49:10,693
(gasps)
632
00:49:21,214 --> 00:49:23,803
(baby crying)
633
00:49:45,220 --> 00:49:47,809
(soft music)
634
00:49:47,809 --> 00:49:53,821
♪
635
00:50:05,970 --> 00:50:08,976
BETTY:
Hurry up, you're gonna be late.
636
00:50:08,976 --> 00:50:11,815
♪
637
00:50:11,815 --> 00:50:13,819
‐ What‐‐ what's happened?
‐ She was crying and crying
638
00:50:13,819 --> 00:50:16,324
and you wouldn't wake up.
639
00:50:16,324 --> 00:50:18,746
‐ I'm sorry.
640
00:50:18,746 --> 00:50:21,501
Give her to me‐‐
‐ No, I've got this.
641
00:50:21,501 --> 00:50:25,008
You don't want to be
late for your first day.
642
00:50:25,008 --> 00:50:25,843
Hurry up.
643
00:50:25,843 --> 00:50:31,855
♪
644
00:50:55,653 --> 00:50:57,031
MARISOL:
Ricky.
645
00:50:57,031 --> 00:50:58,784
♪
646
00:50:58,784 --> 00:51:01,414
Hey, Ricky.
647
00:51:01,414 --> 00:51:02,626
How are you?
648
00:51:02,626 --> 00:51:05,047
‐ Hello, Miss, it's a
pleasure to meet you.
649
00:51:07,510 --> 00:51:10,683
‐ It's Marisol
from Mexico.
650
00:51:10,683 --> 00:51:13,689
‐ My name's Ricky, it's
a pleasure to meet you.
651
00:51:13,689 --> 00:51:15,067
‐ We crossed the
border together.
652
00:51:15,067 --> 00:51:16,402
Remember that?
653
00:51:18,031 --> 00:51:19,701
‐ It's a pleasure to‐‐
654
00:51:19,701 --> 00:51:21,705
‐ Okay, uh...
655
00:51:25,337 --> 00:51:31,307
♪ Mexicanos,
al grito de guerra ♪
656
00:51:31,307 --> 00:51:37,319
♪ El acero aprestad
y el bridón ♪
657
00:51:37,319 --> 00:51:43,289
♪ Y retiemble en
sus centros la tierra ♪
658
00:51:43,289 --> 00:51:48,718
♪ Al sonoro
rugir del cañón ♪♪
659
00:51:48,718 --> 00:51:51,305
(eerie sounds)
660
00:51:53,476 --> 00:51:55,982
(panting)
661
00:51:59,113 --> 00:52:02,494
‐ Okay, children,
class is beginning.
662
00:52:02,494 --> 00:52:03,748
In we go.
663
00:52:05,752 --> 00:52:08,256
(eerie music)
664
00:52:08,256 --> 00:52:10,135
♪
665
00:52:12,724 --> 00:52:13,976
♪
666
00:52:20,489 --> 00:52:21,742
♪
667
00:52:25,583 --> 00:52:30,133
♪
668
00:52:31,512 --> 00:52:34,141
MARISOL:
Hey, Santo.
669
00:52:34,141 --> 00:52:36,647
‐ Well, hello
there, friend.
670
00:52:36,647 --> 00:52:38,149
‐ Are you okay?
671
00:52:38,149 --> 00:52:39,528
I saw you last
night at dinner.
672
00:52:39,528 --> 00:52:41,280
‐ Dinner was delicious.
673
00:52:41,280 --> 00:52:43,661
Best pizza in town,
wouldn't you say?
674
00:52:43,661 --> 00:52:46,165
And the barbecue tomorrow
is gonna be oh‐so‐delicious.
675
00:52:46,165 --> 00:52:47,292
‐ No, no,
listen to me, Santo.
676
00:52:47,292 --> 00:52:49,673
THOMAS:
Marisol, you made it.
677
00:52:49,673 --> 00:52:51,927
‐ Yeah, hi, I‐‐ I was
just talking to San‐‐
678
00:52:51,927 --> 00:52:54,139
‐ Santo Cristobal
at your service.
679
00:52:54,139 --> 00:52:56,394
‐ The banner looks
fabulous, amigo.
680
00:52:56,394 --> 00:52:57,772
Marisol, walk with me.
681
00:52:57,772 --> 00:52:59,108
Gotta work on
some bulletins.
682
00:52:59,108 --> 00:53:00,778
Very important
bulletins, come on.
683
00:53:00,778 --> 00:53:02,991
Go over here, help
everybody out, okay?
684
00:53:02,991 --> 00:53:05,161
Hey, guys,
we have a new helper.
685
00:53:05,161 --> 00:53:06,665
Okay, so we just need
to spread these balloons
686
00:53:06,665 --> 00:53:09,044
all over, uh,
well, the gazebo.
687
00:53:09,044 --> 00:53:11,633
(tense music)
688
00:53:11,633 --> 00:53:17,812
♪
689
00:53:17,812 --> 00:53:20,818
‐ Well, hello there, friend.
‐ Santo Cristobal, remember me?
690
00:53:23,197 --> 00:53:26,663
We crossed the border
together with Ricky.
691
00:53:26,663 --> 00:53:30,211
Do you remember
El Zorro? Chayan?
692
00:53:30,211 --> 00:53:31,590
Do you...
693
00:53:31,590 --> 00:53:34,094
(eerie music)
694
00:53:34,094 --> 00:53:36,683
♪
695
00:53:36,683 --> 00:53:39,271
(praying in Spanish)
696
00:53:52,464 --> 00:53:53,926
Amen.
697
00:53:53,926 --> 00:53:57,850
♪
698
00:53:57,850 --> 00:54:00,480
(labored breathing)
699
00:54:00,480 --> 00:54:03,111
♪
700
00:54:04,739 --> 00:54:07,202
(speaking in Spanish)
701
00:54:07,202 --> 00:54:09,248
‐ Okay.
702
00:54:09,248 --> 00:54:11,252
‐ He sold us out.
703
00:54:11,252 --> 00:54:12,254
‐ He did?
704
00:54:12,254 --> 00:54:13,757
♪
705
00:54:13,757 --> 00:54:16,262
SANTO: I remember being
connected to something.
706
00:54:16,262 --> 00:54:18,224
It was hooked
to my head.
707
00:54:18,224 --> 00:54:19,853
Why the fuck am I
talking English?
708
00:54:19,853 --> 00:54:21,857
MARISOL: Please, Santo,
Santo, calm down.
709
00:54:21,857 --> 00:54:24,111
‐ Don't fucking
touch me, bitch.
710
00:54:24,111 --> 00:54:25,823
‐ Okay, okay.
711
00:54:25,823 --> 00:54:28,119
Santo,
look at me.
712
00:54:28,119 --> 00:54:29,873
SANTO:
My tattoos!
713
00:54:29,873 --> 00:54:32,377
Where are my tattoos?
714
00:54:32,377 --> 00:54:34,089
(swearing in Spanish)
715
00:54:34,089 --> 00:54:35,508
(shrieks)
716
00:54:35,508 --> 00:54:38,097
(Santo grunting, groaning)
717
00:54:38,097 --> 00:54:39,851
♪
718
00:54:39,851 --> 00:54:40,644
Fuck.
719
00:54:40,644 --> 00:54:43,274
(Santo grunting, groaning)
720
00:54:43,274 --> 00:54:49,286
♪
721
00:54:51,666 --> 00:54:53,503
‐ Stop it!
722
00:54:59,516 --> 00:55:00,266
(gasps)
723
00:55:00,266 --> 00:55:02,354
(panting)
724
00:55:04,483 --> 00:55:06,863
Oh, no, no, no.
725
00:55:06,863 --> 00:55:09,409
(sniffling)
726
00:55:10,621 --> 00:55:12,415
‐ Okay.
BETTY: Rise and shine.
727
00:55:12,415 --> 00:55:16,298
The park looks
absolutely gorgeous today.
728
00:55:23,814 --> 00:55:26,903
TEACHER: Marisol,
nice to see you again.
729
00:55:31,580 --> 00:55:34,084
‐ Oye, Santo.
‐ Marisol.
730
00:55:34,084 --> 00:55:47,152
(praying in Spanish)
731
00:55:47,152 --> 00:55:48,279
Amen.
732
00:55:52,454 --> 00:55:54,458
‐ Marisol.
‐ Yes.
733
00:55:54,458 --> 00:55:57,214
Hey, hey, hey, don't
freak out on me, man.
734
00:55:57,214 --> 00:55:59,468
♪
735
00:55:59,468 --> 00:56:00,596
‐ How did we get here?
736
00:56:00,596 --> 00:56:02,600
♪
737
00:56:02,600 --> 00:56:04,311
‐ I don't know.
738
00:56:04,311 --> 00:56:05,731
We were in
a desert, right?
739
00:56:05,731 --> 00:56:08,695
And then I
woke up here
740
00:56:08,695 --> 00:56:10,114
in this
fucking place.
741
00:56:10,114 --> 00:56:12,870
♪
742
00:56:12,870 --> 00:56:15,834
SANTO:
Yeah, this fucking place.
743
00:56:15,834 --> 00:56:18,632
♪
744
00:56:18,632 --> 00:56:19,884
‐ What about you?
What do you remember?
745
00:56:19,884 --> 00:56:21,972
‐ I‐‐ I remember
running...
746
00:56:21,972 --> 00:56:24,226
♪
747
00:56:24,226 --> 00:56:25,228
...and a truck.
748
00:56:25,228 --> 00:56:26,230
‐ Mm‐hm.
SANTO: Fucking narcos
749
00:56:26,230 --> 00:56:27,984
were chasing us.
750
00:56:27,984 --> 00:56:29,862
But then nothing.
751
00:56:29,862 --> 00:56:31,490
♪
752
00:56:31,490 --> 00:56:33,829
Doesn't make any sense.
753
00:56:33,829 --> 00:56:36,250
‐ That's 'cause nothing
in this place makes sense.
754
00:56:36,250 --> 00:56:37,502
♪
755
00:56:37,502 --> 00:56:41,720
Look at it, nobody ever
leaves, there's no cars.
756
00:56:41,720 --> 00:56:44,016
And then there's
no sense of time.
757
00:56:44,016 --> 00:56:45,018
♪
758
00:56:45,018 --> 00:56:47,272
‐ I feel like
I'm being watched.
759
00:56:47,272 --> 00:56:53,284
♪
760
00:57:12,740 --> 00:57:14,660
‐ Don't trust
anybody, Santo.
761
00:57:14,660 --> 00:57:16,288
♪
762
00:57:16,288 --> 00:57:18,042
We gotta get
out of here.
763
00:57:18,042 --> 00:57:23,762
♪
764
00:57:34,575 --> 00:57:36,955
(mellow music)
765
00:57:36,955 --> 00:57:42,967
♪
766
00:57:52,528 --> 00:57:54,657
THOMAS: This looks
stunning, everybody.
767
00:57:54,657 --> 00:57:56,828
This could be
our best one yet.
768
00:57:56,828 --> 00:57:59,207
No, you know what, this is
definitely our best one yet.
769
00:57:59,207 --> 00:58:00,919
And you,
terrific work.
770
00:58:00,919 --> 00:58:03,299
I mean, really,
above and beyond.
771
00:58:03,299 --> 00:58:04,844
‐ Why thank you, Thomas.
772
00:58:04,844 --> 00:58:06,180
I'm really happy
you like it.
773
00:58:06,180 --> 00:58:08,560
I really like
to help, you know.
774
00:58:08,560 --> 00:58:11,231
(intensifying shouting
in Spanish)
775
00:58:17,995 --> 00:58:19,122
THOMAS:
Keep up the good work.
776
00:58:19,122 --> 00:58:20,082
‐ Thank you.
777
00:58:20,082 --> 00:58:26,094
♪
778
00:58:34,110 --> 00:58:35,739
Beautiful day, right?
779
00:58:35,739 --> 00:58:37,325
♪
780
00:58:37,325 --> 00:58:38,620
(Oscar laughs)
781
00:58:38,620 --> 00:58:44,632
♪
782
00:58:51,353 --> 00:58:53,858
(intense music)
783
00:58:53,858 --> 00:58:59,870
♪
784
00:59:22,791 --> 00:59:25,129
‐ Shit, he's getting away.
785
00:59:25,129 --> 00:59:31,141
♪
786
01:00:01,159 --> 01:00:07,171
♪
787
01:00:35,937 --> 01:00:36,981
(Marisol gasps)
788
01:00:36,981 --> 01:00:39,486
(eerie music)
789
01:00:39,486 --> 01:00:45,498
♪
790
01:00:54,015 --> 01:00:56,521
(panting)
791
01:00:56,521 --> 01:00:58,398
♪
792
01:00:58,398 --> 01:01:00,987
(whimpering)
793
01:01:00,987 --> 01:01:06,999
♪
794
01:01:12,761 --> 01:01:15,266
(whimpering)
795
01:01:15,266 --> 01:01:21,278
♪
796
01:01:37,811 --> 01:01:40,316
(clanging)
797
01:01:40,316 --> 01:01:42,194
♪
798
01:01:42,194 --> 01:01:44,700
(hyperventilating)
799
01:01:44,700 --> 01:01:50,712
♪
800
01:01:55,931 --> 01:01:58,435
(Marisol whimpering)
801
01:01:58,435 --> 01:02:02,318
♪
802
01:02:02,318 --> 01:02:04,322
THOMAS:
Marisol, did you follow?
803
01:02:04,322 --> 01:02:05,324
♪
804
01:02:05,324 --> 01:02:07,203
‐ Shh!
GEORGE: Thomas?
805
01:02:07,203 --> 01:02:08,455
THOMAS:
Yes, sir?
806
01:02:08,455 --> 01:02:10,710
♪
807
01:02:10,710 --> 01:02:12,547
GEORGE:
How's everyone faring?
808
01:02:12,547 --> 01:02:14,092
How's the little guy?
809
01:02:14,092 --> 01:02:15,595
Any better?
810
01:02:15,595 --> 01:02:18,559
♪
811
01:02:18,559 --> 01:02:20,062
THOMAS:
Worse.
812
01:02:20,062 --> 01:02:21,106
He hasn't
made it a day,
813
01:02:21,106 --> 01:02:22,358
I don't think it's
realistic to think
814
01:02:22,358 --> 01:02:23,987
that he'll make it
through a full week.
815
01:02:23,987 --> 01:02:24,863
GEORGE:
Oh.
816
01:02:24,863 --> 01:02:29,247
♪
817
01:02:29,247 --> 01:02:32,003
Kids, they always
insist on dying.
818
01:02:32,003 --> 01:02:33,589
♪
819
01:02:33,589 --> 01:02:35,760
‐ Their immune systems
can't handle the tranquilizers
820
01:02:35,760 --> 01:02:37,346
the ways
an adult can.
821
01:02:37,346 --> 01:02:39,601
♪
822
01:02:39,601 --> 01:02:41,856
If we could take 'em out
and get a control test
823
01:02:41,856 --> 01:02:43,066
to safe dosage‐‐
824
01:02:43,066 --> 01:02:44,737
GEORGE:
We don't have time
for a control test, Tom.
825
01:02:44,737 --> 01:02:46,239
It's not gonna work
in the big picture
826
01:02:46,239 --> 01:02:49,495
of every single guest
needs a bespoke experience.
827
01:02:49,495 --> 01:02:50,749
We need to know
they'll be safe
828
01:02:50,749 --> 01:02:52,501
at least for
the entire duration
829
01:02:52,501 --> 01:02:56,342
of the week sequence on
a standard entry dose without fail.
830
01:02:56,342 --> 01:02:57,846
Now, that's
how the numbers add up.
831
01:02:57,846 --> 01:03:00,769
You understand
that, right?
832
01:03:00,769 --> 01:03:01,645
‐ Yes.
GEORGE: Good.
833
01:03:01,645 --> 01:03:02,731
Now speaking
of stability,
834
01:03:02,731 --> 01:03:04,777
how's our VIP
doing here?
835
01:03:04,777 --> 01:03:06,404
‐ Better.
836
01:03:06,404 --> 01:03:07,866
Still not settling
with degree
837
01:03:07,866 --> 01:03:09,410
of predictability
that we'd like.
838
01:03:09,410 --> 01:03:11,414
‐ We have the midwife
on vigilant surveillance, yes?
839
01:03:11,414 --> 01:03:15,047
‐ Yes, sir, I recoded the
firewall bot myself yesterday.
840
01:03:15,047 --> 01:03:18,053
GEORGE:
Oh, god.
841
01:03:18,053 --> 01:03:19,848
She...
842
01:03:19,848 --> 01:03:25,610
They... are the
most precious guests
843
01:03:25,610 --> 01:03:27,404
we've got in here.
844
01:03:27,404 --> 01:03:28,533
♪
845
01:03:28,533 --> 01:03:30,285
‐ I know, sir,
but I'm not sure
846
01:03:30,285 --> 01:03:32,541
how the meds are
affecting the baby.
847
01:03:32,541 --> 01:03:35,547
Could be a stillbirth
or birth defects.
848
01:03:35,547 --> 01:03:37,049
GEORGE:
How likely is that?
849
01:03:37,049 --> 01:03:38,928
‐ This will literally
be the first time
850
01:03:38,928 --> 01:03:42,184
that a birth happens under
these conditions, ever.
851
01:03:42,184 --> 01:03:44,690
I can't project,
but it's likely.
852
01:03:44,690 --> 01:03:46,694
Trauma and drugs usually
aren't a great thing
853
01:03:46,694 --> 01:03:48,948
for a pregnant woman.
854
01:03:48,948 --> 01:03:50,325
‐ All right,
when's she due?
855
01:03:50,325 --> 01:03:52,539
♪
856
01:03:52,539 --> 01:03:55,085
‐ Any day now.
857
01:03:55,085 --> 01:03:56,421
‐ Oh.
858
01:03:56,421 --> 01:03:57,924
♪
859
01:03:57,924 --> 01:04:00,847
It's amazing what the
human body can accomplish
860
01:04:00,847 --> 01:04:02,809
given no
other choice.
861
01:04:02,809 --> 01:04:08,821
♪
862
01:04:14,541 --> 01:04:15,793
(gasps)
863
01:04:20,929 --> 01:04:25,563
‐ Shh, you're
having a bad dream.
864
01:04:25,563 --> 01:04:27,859
‐ Give her to me.
‐ Oh, you poor thing.
865
01:04:27,859 --> 01:04:29,362
‐ No, fucking
give her to me now.
866
01:04:29,362 --> 01:04:31,366
Give her to me,
give her to me.
867
01:04:31,366 --> 01:04:33,203
(eerie sound)
868
01:04:33,203 --> 01:04:35,833
BETTY: Your attitude
is not healthy
869
01:04:35,833 --> 01:04:37,461
for the baby
to be around.
870
01:04:38,463 --> 01:04:40,635
(eerie sounds)
871
01:04:40,635 --> 01:04:44,977
♪
872
01:04:44,977 --> 01:04:46,104
MARISOL: Wait,
where are you going?
873
01:04:46,104 --> 01:04:48,985
♪
874
01:04:48,985 --> 01:04:50,613
(banging)
875
01:04:50,613 --> 01:04:51,991
Betty?
876
01:04:51,991 --> 01:04:53,619
♪
877
01:04:53,619 --> 01:04:54,997
Betty?
878
01:04:54,997 --> 01:04:58,879
♪
879
01:04:58,879 --> 01:05:01,384
("Betty" echoes)
880
01:05:01,384 --> 01:05:04,891
♪
881
01:05:04,891 --> 01:05:07,772
(eerie sounds, laughter)
882
01:05:07,772 --> 01:05:09,526
DISTORTED VOICE:
Marisol!
883
01:05:09,526 --> 01:05:12,782
♪
884
01:05:15,412 --> 01:05:16,790
(eerie music jab)
885
01:05:20,047 --> 01:05:22,677
(dramatic eerie music)
886
01:05:22,677 --> 01:05:27,394
♪
887
01:05:36,914 --> 01:05:39,669
(gasps, pants)
888
01:05:39,669 --> 01:05:40,880
(eerie music)
889
01:05:40,880 --> 01:05:42,424
(metal clangs)
890
01:05:42,424 --> 01:05:44,930
(panting)
891
01:05:44,930 --> 01:05:46,265
♪
892
01:05:46,265 --> 01:05:48,938
(disembodied voices
speaking Spanish)
893
01:06:05,220 --> 01:06:07,266
‐ Get me out of here.
894
01:06:08,435 --> 01:06:11,065
Get me out of here,
get me out of here.
895
01:06:11,065 --> 01:06:13,779
Get me out of here!
896
01:06:14,781 --> 01:06:18,163
Get me out of here!
897
01:06:18,163 --> 01:06:21,795
♪
898
01:06:21,795 --> 01:06:23,465
GEORGE: She bounced
from the system.
899
01:06:23,465 --> 01:06:25,051
How is that
even possible?
900
01:06:25,051 --> 01:06:26,345
♪
901
01:06:26,345 --> 01:06:27,724
‐ She must have
found the gate.
902
01:06:27,724 --> 01:06:29,185
GEORGE: Come on,
can't you make this thing better
903
01:06:29,185 --> 01:06:30,479
so they don't
find their way out.
904
01:06:30,479 --> 01:06:31,982
THOMAS: I flagged her
as a flight risk,
905
01:06:31,982 --> 01:06:33,485
so if she goes
through the gate again
906
01:06:33,485 --> 01:06:34,821
she'll end up
in this escape loop.
907
01:06:34,821 --> 01:06:36,491
‐ And you've never
noticed this type of behavior
908
01:06:36,491 --> 01:06:38,996
from her before?
‐ No, sir.
909
01:06:38,996 --> 01:06:40,625
First time.
910
01:06:40,625 --> 01:06:43,631
‐ Hm, all right,
well, put her back
911
01:06:43,631 --> 01:06:46,260
in that loop of
yours for an hour.
912
01:06:46,260 --> 01:06:47,387
She'll tire
herself out.
913
01:06:47,387 --> 01:06:49,601
Then merge her and the
baby back in the system.
914
01:06:49,601 --> 01:06:50,853
‐ Okay.
915
01:06:50,853 --> 01:06:54,611
♪
916
01:06:54,611 --> 01:06:56,990
GEORGE: You know what
I did before I did this, Tom?
917
01:06:56,990 --> 01:07:01,625
I served on a board of a
private corrections company.
918
01:07:01,625 --> 01:07:04,839
Private prisons,
in layman's terms.
919
01:07:04,839 --> 01:07:08,597
A lot of people don't know
that private prisons work.
920
01:07:08,597 --> 01:07:10,601
People willing to work
at these facilities
921
01:07:10,601 --> 01:07:15,360
make a profit and the
taxpayers make a savings.
922
01:07:15,360 --> 01:07:18,116
We solved an urgent
nationwide problem
923
01:07:18,116 --> 01:07:22,499
in a safe, humane,
and discreet way.
924
01:07:22,499 --> 01:07:25,046
You know what that
taught me, Tom?
925
01:07:25,046 --> 01:07:27,134
It taught me you gotta
focus on the big picture,
926
01:07:27,134 --> 01:07:28,637
the bottom line.
927
01:07:28,637 --> 01:07:31,267
I know this is all
difficult to bear,
928
01:07:31,267 --> 01:07:34,608
it's upsetting, but
you must not let it
929
01:07:34,608 --> 01:07:36,778
distract you from
the big picture.
930
01:07:36,778 --> 01:07:38,616
‐ There has got
to be a better version
931
01:07:38,616 --> 01:07:40,620
of the big picture
than this.
932
01:07:40,620 --> 01:07:44,418
‐ Nobody gives a fuck
about these people, Tom.
933
01:07:44,418 --> 01:07:47,174
Look, this way they're not
crowding up the prisons,
934
01:07:47,174 --> 01:07:49,303
they're not being
separated from their kids,
935
01:07:49,303 --> 01:07:50,890
they're not being
physically mistreated.
936
01:07:50,890 --> 01:07:54,939
Tax money is saved to be
used long‐term for good.
937
01:07:54,939 --> 01:07:58,572
Now that is a small cost to
pay for all this, isn't it?
938
01:07:58,572 --> 01:07:59,824
♪
939
01:07:59,824 --> 01:08:01,452
‐ Yes.
‐ Good.
940
01:08:01,452 --> 01:08:02,830
'Cause if the
Pentagon finds out
941
01:08:02,830 --> 01:08:04,458
about security
breaches like this,
942
01:08:04,458 --> 01:08:06,713
they're gonna buy
somebody else's solution.
943
01:08:06,713 --> 01:08:08,592
♪
944
01:08:08,592 --> 01:08:10,428
THOMAS: Sir, we didn't
win this contract
945
01:08:10,428 --> 01:08:12,892
because we could build
a virtual holding cell.
946
01:08:12,892 --> 01:08:15,146
We won it because we
promised these people
947
01:08:15,146 --> 01:08:18,277
a humane,
happy transition.
948
01:08:18,277 --> 01:08:20,073
♪
949
01:08:20,073 --> 01:08:24,206
‐ I'm not paying you to give
them the American Dream, Tom.
950
01:08:24,206 --> 01:08:27,129
♪
951
01:08:27,129 --> 01:08:29,258
We're paid to keep
them out of it.
952
01:08:29,258 --> 01:08:34,393
♪
953
01:08:34,393 --> 01:08:35,478
(gasps)
954
01:08:36,480 --> 01:08:39,027
(grunts in pain)
955
01:08:44,914 --> 01:08:46,167
(baby cooing)
956
01:08:46,167 --> 01:08:48,756
(eerie music)
957
01:08:48,756 --> 01:08:53,932
♪
958
01:08:53,932 --> 01:08:56,145
(bones cracking)
959
01:08:56,145 --> 01:08:57,397
‐ What‐‐
960
01:08:57,397 --> 01:08:58,984
THOMAS'S DISTORTED VOICE:
It's okay, Marisol.
961
01:08:58,984 --> 01:09:00,361
It's me, Thomas.
962
01:09:00,361 --> 01:09:01,489
(whimpering)
963
01:09:01,489 --> 01:09:04,119
I know you must be
very confused right now.
964
01:09:04,119 --> 01:09:05,790
Do you remember where
you woke up earlier,
965
01:09:05,790 --> 01:09:08,629
before you
woke up here?
966
01:09:08,629 --> 01:09:09,631
‐ Yeah.
967
01:09:09,631 --> 01:09:11,300
Yeah, yeah, yeah,
you were there,
968
01:09:11,300 --> 01:09:13,012
and there was‐‐
there was this other man.
969
01:09:13,012 --> 01:09:16,770
THOMAS'S DISTORTED VOICE:
His name is George Atwood.
970
01:09:16,770 --> 01:09:18,147
He's the man who
built this place.
971
01:09:18,147 --> 01:09:19,316
MARISOL:
What is this place?
972
01:09:19,316 --> 01:09:21,320
Why are you
keeping me here?
973
01:09:21,320 --> 01:09:23,324
What is this place?
974
01:09:23,324 --> 01:09:24,577
‐ I wanted to be
a part of something
975
01:09:24,577 --> 01:09:25,830
that would change
the world.
976
01:09:25,830 --> 01:09:27,834
(grunts in pain)
977
01:09:27,834 --> 01:09:29,712
Offer people like
you some respite,
978
01:09:29,712 --> 01:09:33,344
a taste of what
you came here for
979
01:09:33,344 --> 01:09:34,848
but might never find.
980
01:09:34,848 --> 01:09:36,183
(door opens)
981
01:09:36,183 --> 01:09:37,435
Marisol, I'm sorry,
I don't have time
982
01:09:37,435 --> 01:09:39,064
to explain this
to you right now.
983
01:09:39,064 --> 01:09:41,945
‐ No, no, I have a
child inside of me.
984
01:09:41,945 --> 01:09:43,907
Please, please, please.
985
01:09:43,907 --> 01:09:44,951
‐ Look, listen to me,
986
01:09:44,951 --> 01:09:46,830
because you
found the gateway,
987
01:09:46,830 --> 01:09:48,332
I had to mark you as
a potential deserter.
988
01:09:48,332 --> 01:09:49,836
That means if you go
through the gateway again,
989
01:09:49,836 --> 01:09:51,338
you'll get tossed
back into the lab,
990
01:09:51,338 --> 01:09:53,426
it's a closed
repetitious loop.
991
01:09:53,426 --> 01:09:55,973
(dog barking)
992
01:09:55,973 --> 01:09:57,350
♪
993
01:09:57,350 --> 01:09:58,185
Do you hear that?
994
01:09:58,185 --> 01:10:00,231
(dog barking)
995
01:10:00,231 --> 01:10:01,735
The dogs.
996
01:10:01,735 --> 01:10:02,695
When the dogs
bark like that,
997
01:10:02,695 --> 01:10:04,489
it means the
system is down
998
01:10:04,489 --> 01:10:05,868
for maintenance.
999
01:10:05,868 --> 01:10:07,830
♪
1000
01:10:07,830 --> 01:10:09,626
You did that.
1001
01:10:09,626 --> 01:10:12,505
Something about you,
about your condition
1002
01:10:12,505 --> 01:10:15,386
is fighting the
assimilation protocol.
1003
01:10:15,386 --> 01:10:18,351
You are a strong
one, Marisol,
1004
01:10:18,351 --> 01:10:19,604
and I need you
to stay like that
1005
01:10:19,604 --> 01:10:23,110
for all three
of our sakes.
1006
01:10:23,110 --> 01:10:24,822
‐ And I need you to
get me out of here.
1007
01:10:24,822 --> 01:10:27,995
THOMAS'S DISTORTED VOICE:
Yes, not just you, everybody.
1008
01:10:27,995 --> 01:10:32,128
But I need time
to do it right.
1009
01:10:32,128 --> 01:10:33,715
Do you trust me, Marisol?
1010
01:10:33,715 --> 01:10:34,968
‐ No, no, I don't trust you.
1011
01:10:34,968 --> 01:10:36,011
Why the fuck should I?
1012
01:10:36,011 --> 01:10:37,765
‐ Because you
don't have a choice.
1013
01:10:37,765 --> 01:10:38,892
♪
1014
01:10:38,892 --> 01:10:40,646
I get why you don't,
I understand that.
1015
01:10:40,646 --> 01:10:42,273
I thought that I could
make things better,
1016
01:10:42,273 --> 01:10:43,986
but I trusted
the wrong people.
1017
01:10:43,986 --> 01:10:46,741
♪
1018
01:10:46,741 --> 01:10:49,287
I need you to
blend in, Marisol.
1019
01:10:49,287 --> 01:10:51,375
Your life might
depend on it.
1020
01:10:51,375 --> 01:10:53,504
‐ What? What do
you mean blend in?
1021
01:10:53,504 --> 01:10:55,299
♪
1022
01:10:55,299 --> 01:10:56,427
What do you mean blend
in? What do you mean?
1023
01:10:56,427 --> 01:10:58,557
Answer me!
1024
01:10:58,557 --> 01:11:00,644
‐ Oh, did you have
another bad dream.
1025
01:11:00,644 --> 01:11:02,397
‐ Agh!
BETTY: Poor girl.
1026
01:11:02,397 --> 01:11:03,650
I think you should
get some rest.
1027
01:11:03,650 --> 01:11:06,614
MARISOL:
No, no, no, no, no, no!
1028
01:11:06,614 --> 01:11:07,533
Fuck you!
1029
01:11:07,533 --> 01:11:08,869
(grunts in pain)
1030
01:11:15,549 --> 01:11:18,137
(eerie music)
1031
01:11:18,137 --> 01:11:21,811
♪
1032
01:11:21,811 --> 01:11:24,692
(soft, tense music)
1033
01:11:24,692 --> 01:11:28,324
♪
1034
01:11:28,324 --> 01:11:30,579
(applause)
1035
01:11:30,579 --> 01:11:36,591
♪
1036
01:11:47,947 --> 01:11:49,534
‐ Okay, everybody,
1037
01:11:49,534 --> 01:11:50,953
I just want to
thank you all
1038
01:11:50,953 --> 01:11:52,080
for your hard work.
1039
01:11:52,080 --> 01:11:53,708
Tonight's
gonna be fabulous.
1040
01:11:53,708 --> 01:11:54,585
Now, who's hungry?
1041
01:11:54,585 --> 01:11:55,419
(cheering)
1042
01:11:55,419 --> 01:11:56,965
All right,
let's eat.
1043
01:11:56,965 --> 01:11:58,552
♪
1044
01:11:58,552 --> 01:11:59,971
MARISOL:
Oye, Santo.
1045
01:11:59,971 --> 01:12:01,098
‐ Yeah?
1046
01:12:01,098 --> 01:12:04,104
‐ I need you to listen
to me very careful.
1047
01:12:04,104 --> 01:12:10,116
♪
1048
01:12:17,505 --> 01:12:20,011
(lively patriotic music)
1049
01:12:20,011 --> 01:12:25,981
♪
1050
01:12:47,398 --> 01:12:48,275
‐ Thanks.
1051
01:12:48,275 --> 01:12:49,654
♪
1052
01:12:49,654 --> 01:12:52,158
(intense chewing sounds)
1053
01:12:52,158 --> 01:12:53,118
♪
1054
01:12:53,118 --> 01:12:55,666
(gurgling machinery)
1055
01:13:08,482 --> 01:13:11,739
♪
1056
01:13:15,539 --> 01:13:21,551
♪
1057
01:13:27,312 --> 01:13:28,188
WAITRESS:
Ready for dessert?
1058
01:13:28,188 --> 01:13:30,067
Ice cream or
apple pie, Miss?
1059
01:13:30,067 --> 01:13:31,821
‐ No thanks.
1060
01:13:31,821 --> 01:13:34,200
‐ Cape Joy makes the
best homemade apple pie.
1061
01:13:34,200 --> 01:13:35,202
Would you like
ice cream with that?
1062
01:13:35,202 --> 01:13:38,208
MARISOL:
No, I want nothing.
1063
01:13:38,208 --> 01:13:40,087
‐ I'm sorry, ma'am,
we're out of that.
1064
01:13:40,087 --> 01:13:41,799
‐ Would you like ‐‐
MARISOL: Out of what?
1065
01:13:41,799 --> 01:13:44,095
WAITRESS: I'm sorry, ma'am,
we're out of that.
1066
01:13:44,095 --> 01:13:45,431
‐ What do you mean?
1067
01:13:45,431 --> 01:13:47,811
Oh, oh, you
don't get it.
1068
01:13:47,811 --> 01:13:51,068
Yo no quiero postre.
1069
01:13:51,068 --> 01:13:52,946
‐ Ma'am, if you don't
want any dessert..
1070
01:13:52,946 --> 01:13:54,074
(dogs barking)
1071
01:13:54,074 --> 01:13:55,201
Is there a problem
with your dessert?
1072
01:13:55,201 --> 01:13:56,453
MARISOL: Yes, there's
a fucking problem.
1073
01:13:56,453 --> 01:13:58,666
I don't want apple pie,
I don't want fucking ice cream.
1074
01:13:58,666 --> 01:14:01,421
I want arroz con leche,
do you have that?
1075
01:14:01,421 --> 01:14:02,966
What about pan dulce,
do you have that?
1076
01:14:02,966 --> 01:14:05,722
Que tal un pinche flan,
do you have that?
1077
01:14:05,722 --> 01:14:08,603
(dogs barking)
1078
01:14:08,603 --> 01:14:10,607
Of course you don't.
1079
01:14:10,607 --> 01:14:11,859
Pinche robot.
1080
01:14:11,859 --> 01:14:14,364
(dogs barking)
1081
01:14:15,992 --> 01:14:21,253
♪ Mexicanos,
al grito de guerra ♪
1082
01:14:21,253 --> 01:14:26,096
♪ El acero aprestad
y el bridón ♪
1083
01:14:26,096 --> 01:14:30,856
♪ Y retiemble en sus
centros la tierra ♪
1084
01:14:30,856 --> 01:14:33,945
♪ Al sonoro
rugir del cañón ♪♪
1085
01:14:33,945 --> 01:14:37,243
GEORGE: Ladies
and gentlemen, my friends,
1086
01:14:37,243 --> 01:14:39,456
the moment you have
been waiting for
1087
01:14:39,456 --> 01:14:40,750
has finally arrived.
1088
01:14:40,750 --> 01:14:44,967
As your governor, I am
honored to officially declare
1089
01:14:44,967 --> 01:14:49,643
this year's Fourth of
July celebrations have,
1090
01:14:49,643 --> 01:14:52,482
wait for it, begun!
1091
01:14:52,482 --> 01:14:53,776
(cheering)
1092
01:14:53,776 --> 01:14:58,536
Join me outside for a very
special fireworks display.
1093
01:14:58,536 --> 01:15:00,624
Thank you.
How are you?
1094
01:15:00,624 --> 01:15:02,753
Good, good, good,
good, good, good.
1095
01:15:02,753 --> 01:15:07,303
♪
1096
01:15:07,303 --> 01:15:09,767
(fireworks exploding)
1097
01:15:09,767 --> 01:15:12,355
(cheering)
1098
01:15:18,660 --> 01:15:22,041
That was quite a stunt
you played the other night.
1099
01:15:22,041 --> 01:15:26,174
No one ever found the
end of Main Street before.
1100
01:15:26,174 --> 01:15:28,262
‐ It's a pleasure to
meet you, Governor.
1101
01:15:28,262 --> 01:15:29,682
I'm Marisol.
1102
01:15:29,682 --> 01:15:32,186
‐ George, George Atwood.
1103
01:15:32,186 --> 01:15:34,315
It's a pleasure, Marisol.
1104
01:15:37,446 --> 01:15:39,325
How's your baby?
1105
01:15:41,539 --> 01:15:42,456
(George laughs)
1106
01:15:42,456 --> 01:15:43,585
Look at this.
1107
01:15:43,585 --> 01:15:44,587
Ah.
1108
01:15:44,587 --> 01:15:47,216
(fireworks exploding)
1109
01:15:52,936 --> 01:15:54,188
‐ Mm.
1110
01:15:54,188 --> 01:15:55,692
(fireworks exploding)
1111
01:15:55,692 --> 01:15:59,324
Oof.
GEORGE: What's the matter?
1112
01:15:59,324 --> 01:16:02,581
(Marisol grunting)
1113
01:16:02,581 --> 01:16:03,833
Okay, get up.
1114
01:16:03,833 --> 01:16:04,835
(fireworks exploding)
1115
01:16:04,835 --> 01:16:06,046
What are you doing?
1116
01:16:06,046 --> 01:16:07,048
Marisol, get up.
1117
01:16:07,048 --> 01:16:08,216
(Marisol screams)
1118
01:16:08,216 --> 01:16:09,553
What the fuck is going on?
1119
01:16:09,553 --> 01:16:14,228
(beeping)
1120
01:16:14,228 --> 01:16:16,232
(Marisol screams)
1121
01:16:16,232 --> 01:16:17,861
Oh, Santo, hurry up.
1122
01:16:17,861 --> 01:16:20,366
(dogs barking)
1123
01:16:20,366 --> 01:16:23,121
(dramatic music)
1124
01:16:23,121 --> 01:16:25,752
(beeping intensifies)
1125
01:16:25,752 --> 01:16:29,968
♪
1126
01:16:29,968 --> 01:16:32,516
(alarm blares)
1127
01:16:32,516 --> 01:16:34,853
♪
1128
01:16:34,853 --> 01:16:36,231
‐ Shit, Marisol.
1129
01:16:36,231 --> 01:16:38,861
(Marisol screaming)
1130
01:16:38,861 --> 01:16:44,873
♪
1131
01:16:46,501 --> 01:16:49,132
(Marisol screaming)
1132
01:16:49,132 --> 01:16:51,721
GEORGE:
What the fuck is going on?
1133
01:16:51,721 --> 01:16:54,601
Stop it, stop it, stop it!
1134
01:16:54,601 --> 01:16:56,146
Get the fuck off!
1135
01:16:56,146 --> 01:16:58,233
(commotion)
1136
01:16:58,233 --> 01:17:02,659
(Marisol panting)
1137
01:17:02,659 --> 01:17:03,786
(Marisol coughing)
1138
01:17:03,786 --> 01:17:07,293
(gasping)
1139
01:17:10,800 --> 01:17:11,802
‐ No, no.
1140
01:17:16,269 --> 01:17:18,775
(eerie music)
1141
01:17:18,775 --> 01:17:20,152
♪
1142
01:17:25,162 --> 01:17:27,667
(soft music)
1143
01:17:27,667 --> 01:17:32,677
♪
1144
01:17:34,138 --> 01:17:35,390
No, no.
1145
01:17:35,390 --> 01:17:37,938
(whimpering)
1146
01:17:37,938 --> 01:17:40,067
♪
1147
01:17:40,067 --> 01:17:42,446
Santo, Santo, Santo.
1148
01:18:04,407 --> 01:18:05,827
Sí, seguro.
1149
01:18:05,827 --> 01:18:07,664
Okay, okay.
1150
01:18:07,664 --> 01:18:09,835
(deep breathing)
1151
01:18:10,837 --> 01:18:13,425
(deep breathing)
1152
01:18:13,425 --> 01:18:15,555
♪
1153
01:18:15,555 --> 01:18:18,351
(screaming)
1154
01:18:19,688 --> 01:18:22,986
(screaming)
1155
01:18:25,490 --> 01:18:27,996
(screaming)
1156
01:18:27,996 --> 01:18:33,841
♪
1157
01:18:40,228 --> 01:18:42,107
♪
1158
01:18:42,107 --> 01:18:43,569
(screaming)
1159
01:18:43,569 --> 01:18:46,115
♪
1160
01:18:48,996 --> 01:18:50,875
(screaming)
1161
01:18:50,875 --> 01:18:56,887
♪
1162
01:19:03,859 --> 01:19:06,406
(baby crying)
1163
01:19:06,406 --> 01:19:08,911
♪
1164
01:19:10,247 --> 01:19:16,259
♪
1165
01:19:25,402 --> 01:19:28,617
‐ Oh, gracias, gracias,
gracias, gracias.
1166
01:19:28,617 --> 01:19:31,497
♪
1167
01:19:31,497 --> 01:19:34,045
(alarm blares)
1168
01:19:34,045 --> 01:19:40,057
♪
1169
01:19:47,154 --> 01:19:49,701
(dramatic music)
1170
01:19:49,701 --> 01:19:53,041
♪
1171
01:19:53,041 --> 01:19:54,418
(coughing)
1172
01:19:54,418 --> 01:20:00,430
♪
1173
01:20:08,531 --> 01:20:10,075
GEORGE: How the fuck
did this happen, Tom?
1174
01:20:10,075 --> 01:20:12,204
She disappeared right in front
of my fuckin' eyes.
1175
01:20:12,204 --> 01:20:13,456
‐ [stuttering] I think
she went into labor.
1176
01:20:13,456 --> 01:20:14,960
I'm seeing a massive
spike in her adrenaline
1177
01:20:14,960 --> 01:20:16,420
that must have caused
the system to short.
1178
01:20:16,420 --> 01:20:17,590
GEORGE:
Oh, god dammit.
1179
01:20:17,590 --> 01:20:18,968
10‐45, all
security units,
1180
01:20:18,968 --> 01:20:21,557
we have a critical breach
on the physical facility.
1181
01:20:21,557 --> 01:20:22,600
Do not let
anyone out alive.
1182
01:20:22,600 --> 01:20:24,563
I repeat, nobody
gets out alive.
1183
01:20:24,563 --> 01:20:26,065
SECURITY:
We should open fire, sir.
1184
01:20:26,065 --> 01:20:27,109
‐ Yes, fucking fire.
1185
01:20:27,109 --> 01:20:29,113
Choke 'em out, bash
their fucking skulls in.
1186
01:20:29,113 --> 01:20:31,743
I don't care,
nobody gets out.
1187
01:20:31,743 --> 01:20:34,749
I'll have us extracted at the
emergency exit in two minutes.
1188
01:20:34,749 --> 01:20:36,127
Now shut this thing down.
1189
01:20:36,127 --> 01:20:38,256
Counting on you
to do the right thing.
1190
01:20:38,256 --> 01:20:42,974
♪
1191
01:20:42,974 --> 01:20:44,101
(gun cocks)
1192
01:20:44,101 --> 01:20:49,111
♪
1193
01:20:50,363 --> 01:20:53,829
‐ I'm thinking about the
bigger picture, George.
1194
01:20:53,829 --> 01:20:55,123
(gunshot)
1195
01:20:56,500 --> 01:20:59,006
(soft, eerie music)
1196
01:20:59,006 --> 01:21:05,018
♪
1197
01:21:15,413 --> 01:21:17,919
(alarm blaring)
1198
01:21:17,919 --> 01:21:22,512
♪
1199
01:21:22,512 --> 01:21:24,306
(alarm ringing)
1200
01:21:25,141 --> 01:21:27,730
(dramatic music)
1201
01:21:27,730 --> 01:21:29,734
♪
1202
01:21:31,404 --> 01:21:37,416
♪
1203
01:21:41,550 --> 01:21:42,802
(gasps)
1204
01:21:42,802 --> 01:21:48,814
♪
1205
01:21:52,070 --> 01:21:54,576
(grunting)
1206
01:21:54,576 --> 01:22:00,588
♪
1207
01:22:10,691 --> 01:22:11,943
SECURITY:
You're fucking dead.
1208
01:22:11,943 --> 01:22:17,955
♪
1209
01:22:20,043 --> 01:22:21,462
OSCAR:
Marisol?
1210
01:22:21,462 --> 01:22:24,301
♪
1211
01:22:25,971 --> 01:22:29,478
♪
1212
01:22:29,478 --> 01:22:32,067
(grunting)
1213
01:22:32,067 --> 01:22:38,079
♪
1214
01:22:58,996 --> 01:23:01,125
♪
1215
01:23:05,634 --> 01:23:07,889
♪
1216
01:23:09,767 --> 01:23:13,901
♪
1217
01:23:16,363 --> 01:23:18,785
♪
1218
01:23:21,415 --> 01:23:23,169
♪
1219
01:23:24,547 --> 01:23:29,264
♪
1220
01:24:27,590 --> 01:24:28,842
(Oscar chokes)
1221
01:24:28,842 --> 01:24:31,723
♪
1222
01:24:42,369 --> 01:24:43,580
♪
1223
01:24:46,335 --> 01:24:52,347
♪
1224
01:24:57,329 --> 01:24:58,359
‐ Marisol.
1225
01:24:58,359 --> 01:25:03,369
♪
1226
01:25:04,622 --> 01:25:07,252
♪
1227
01:25:09,005 --> 01:25:10,091
Vámonos.
1228
01:25:10,091 --> 01:25:15,393
♪
1229
01:25:15,393 --> 01:25:17,898
(shouting in Spanish)
1230
01:25:17,898 --> 01:25:23,910
♪
1231
01:25:27,417 --> 01:25:28,628
ANNOUNCER:
Attention.
1232
01:25:28,628 --> 01:25:30,047
Please return to
your designated...
1233
01:25:33,930 --> 01:25:35,141
ANNOUNCER:
...your own seat.
1234
01:25:35,141 --> 01:25:36,351
Attention.
1235
01:25:36,351 --> 01:25:38,397
Please return to
your designated room.
1236
01:25:38,397 --> 01:25:40,652
There has been
a security breach.
1237
01:25:40,652 --> 01:25:42,782
This is for
your own safety.
1238
01:25:42,782 --> 01:25:43,992
Attention.
1239
01:25:43,992 --> 01:25:46,246
Please return to your
designated room.
1240
01:25:46,246 --> 01:25:48,292
There has been
a security breach.
1241
01:25:48,292 --> 01:25:50,296
This is for
your own safely.
1242
01:25:52,133 --> 01:25:56,893
Uno, dos, tres!
1243
01:25:56,893 --> 01:25:59,022
(grunting)
1244
01:25:59,022 --> 01:26:01,569
(mellow music)
1245
01:26:01,569 --> 01:26:07,581
♪
1246
01:26:39,562 --> 01:26:42,358
♪
1247
01:26:43,737 --> 01:26:49,749
♪
1248
01:26:51,001 --> 01:26:53,590
(fireworks exploding)
1249
01:26:53,590 --> 01:26:59,560
♪
1250
01:27:11,876 --> 01:27:15,466
♪
1251
01:27:15,466 --> 01:27:17,095
SANTO:
Marisol.
1252
01:27:18,765 --> 01:27:20,769
♪
1253
01:27:20,769 --> 01:27:22,648
‐ No.
1254
01:27:24,902 --> 01:27:28,283
♪
1255
01:27:32,000 --> 01:27:33,545
♪
1256
01:27:36,258 --> 01:27:40,391
♪
1257
01:27:43,523 --> 01:27:49,034
♪
1258
01:27:50,494 --> 01:27:52,123
♪
1259
01:27:52,123 --> 01:27:55,797
VOCALIST: (singing in Spanish)
1260
01:27:55,797 --> 01:27:57,008
MARISOL:
Santo?
1261
01:27:57,008 --> 01:28:00,431
VOCALIST: (singing in Spanish)
1262
01:28:16,338 --> 01:28:20,847
♪
1263
01:28:31,577 --> 01:28:35,585
(fireworks exploding)
1264
01:28:35,585 --> 01:28:41,597
♪
1265
01:29:01,344 --> 01:29:03,015
ANCHOR: We're continuing
our coverage today
1266
01:29:03,015 --> 01:29:05,604
of the recent and
tragic situation
1267
01:29:05,604 --> 01:29:06,981
at the successful pilot
1268
01:29:06,981 --> 01:29:09,987
Immigration and Cultural
Rehabilitation Center.
1269
01:29:09,987 --> 01:29:12,241
CHRISTINE: Greg, over to you.
GREG: Thank you, Christine.
1270
01:29:12,241 --> 01:29:15,624
We're here about 30
miles south of our border
1271
01:29:15,624 --> 01:29:18,253
at what the illegal
immigrant community
1272
01:29:18,253 --> 01:29:22,512
crossing into America
calls a stash house.
1273
01:29:22,512 --> 01:29:25,017
It's believed
that the ringleader
1274
01:29:25,017 --> 01:29:29,150
of last night's terrorist
murderous assault stayed here.
1275
01:29:29,150 --> 01:29:30,402
(knocks)
1276
01:29:30,402 --> 01:29:31,404
It's open, it's open.
Come in, come in.
1277
01:29:31,404 --> 01:29:32,908
Oh, hello, hello, sir.
1278
01:29:32,908 --> 01:29:34,870
Hi, come in here‐‐ come in here,
get this, get this, get this.
1279
01:29:34,870 --> 01:29:37,416
(commotion)
1280
01:29:41,884 --> 01:29:44,389
[poor Spanish attempt]
Senores, ho‐la.
1281
01:29:44,389 --> 01:29:47,270
Can you confirm
Marisol Ramirez
1282
01:29:47,270 --> 01:29:49,525
recently stayed here?
1283
01:29:49,525 --> 01:29:52,154
‐ Uh...
1284
01:29:52,154 --> 01:29:54,868
GREG:
Did Marisol Ramirez‐‐
1285
01:29:54,868 --> 01:30:00,045
COYOTE:
(speaking Spanish)
1286
01:30:00,045 --> 01:30:01,172
‐ Sí, sí, sí.
1287
01:30:01,172 --> 01:30:02,926
This is my beautiful home.
1288
01:30:02,926 --> 01:30:05,515
(speaking Spanish)
1289
01:30:18,958 --> 01:30:23,593
GREG: Innocent Americans just
trying to help the migrants
1290
01:30:23,593 --> 01:30:25,722
while solving
our border crisis
1291
01:30:25,722 --> 01:30:28,185
lost their lives.
1292
01:30:28,185 --> 01:30:30,189
We're sending our
thoughts and prayers
1293
01:30:30,189 --> 01:30:31,650
to their families.
1294
01:30:31,650 --> 01:30:34,072
GREG: Back to you, Christine.
CHRISTINE: This just in.
1295
01:30:34,072 --> 01:30:36,535
The President's
25th tweet of today
1296
01:30:36,535 --> 01:30:40,334
once again reiterates his
firm wish for the wall.
1297
01:30:40,334 --> 01:30:43,423
Quote, "Need funding
for the Wall NOW.
1298
01:30:43,423 --> 01:30:48,350
'Dear illegals, remember as
you sew, so shall you reep.
1299
01:30:48,350 --> 01:30:49,812
SO TRU!!!"
1300
01:30:49,812 --> 01:30:53,736
Moving on, the pyrotechnics
of last night's July 4th
1301
01:30:53,736 --> 01:30:56,617
literally blew us away,
pun intended.
1302
01:30:56,617 --> 01:30:59,247
Across the country,
our beloved celebration
1303
01:30:59,247 --> 01:31:01,334
was bigger and
brighter than ever.
1304
01:31:01,334 --> 01:31:03,756
Jeremy will be here with
the best videos of the night
1305
01:31:03,756 --> 01:31:06,219
sent in by viewers
right after the break.
1306
01:31:06,219 --> 01:31:08,766
(lively patriotic music)
1307
01:31:08,766 --> 01:31:10,937
♪
1308
01:31:14,611 --> 01:31:17,366
(soft music)