0 00:00:05,000 --> 00:00:15,000 Kunjungi www.Hokijudi99.com Agen Judi Online Aman dan Terpercaya 1 00:01:02,002 --> 00:01:03,768 [♪♪♪] 2 00:01:29,630 --> 00:01:32,564 [♪♪♪] 3 00:01:37,070 --> 00:01:39,438 I JUST ALWAYS PUT PEOPLE UP ON THIS PEDESTAL, 4 00:01:39,473 --> 00:01:40,639 IN THIS LIGHT, 5 00:01:40,674 --> 00:01:41,673 AND THEN WHEN IT FADES, I RUN AWAY, 6 00:01:41,709 --> 00:01:42,474 AND THAT IS NOT FAIR TO ANYONE, 7 00:01:42,509 --> 00:01:43,542 SPECIFICALLY ME, 8 00:01:43,577 --> 00:01:44,476 RIGHT, DR. VEDDERS? 9 00:01:45,512 --> 00:01:46,778 GREAT WORK, KENDAHL. 10 00:01:46,813 --> 00:01:48,813 THANK YOU. 11 00:01:51,685 --> 00:01:52,484 WELL, NOW I'M SENSING 12 00:01:52,519 --> 00:01:54,919 THAT DEB HAS SOMETHING TO TELL US. 13 00:01:56,990 --> 00:01:58,357 DID YOU MEET SOMEONE? 14 00:01:58,392 --> 00:01:59,358 YOU MET SOMEONE, DIDN'T YOU? 15 00:01:59,393 --> 00:02:00,359 WHAT DOES HE LOOK LIKE? 16 00:02:00,394 --> 00:02:01,693 WHERE DID YOU MEET HIM? 17 00:02:01,729 --> 00:02:03,528 FIRST DATE TONIGHT. 18 00:02:03,564 --> 00:02:04,963 OH, MY GOD. 19 00:02:04,998 --> 00:02:06,598 HE'S GONNA LOVE YOU JUST AS MUCH AS WE DO. 20 00:02:08,502 --> 00:02:11,169 BIG STEPS ARE ALWAYS A LITTLE SCARY, 21 00:02:11,204 --> 00:02:12,103 BUT JUST REMEMBER, 22 00:02:12,139 --> 00:02:13,872 EVERYTHING THAT WE WANT IN LOVE AND LIFE 23 00:02:13,907 --> 00:02:15,707 IS JUST ON THE OTHER SIDE OF FEAR, 24 00:02:15,743 --> 00:02:18,343 SO RUN TOWARDS IT, NOT AWAY FROM IT. 25 00:02:19,880 --> 00:02:21,313 THAT IS SO TRUE. 26 00:02:21,348 --> 00:02:22,347 NOW, WHY... 27 00:02:22,383 --> 00:02:23,515 WHY DO I GET A FEELING 28 00:02:23,550 --> 00:02:26,184 THAT DEB ISN'T THE ONLY ONE WITH SOMETHING TO TELL US? 29 00:02:26,219 --> 00:02:28,320 THANK YOU, CHRIS. 30 00:02:28,355 --> 00:02:30,422 I JUST WANT ALL OF YOU TO KNOW, 31 00:02:30,457 --> 00:02:32,424 THAT YOU HAVE TRULY BEEN 32 00:02:32,459 --> 00:02:35,059 THE MOST WONDERFUL GROUP I HAVE LED 33 00:02:35,095 --> 00:02:36,995 AND BEEN A PART OF, 34 00:02:37,030 --> 00:02:38,830 AND AS WE HAVE BEEN PREPARING FOR, 35 00:02:38,865 --> 00:02:42,000 THIS IS GOING TO BE MY LAST DAY. 36 00:02:42,035 --> 00:02:43,067 ARE YOU SURE YOU'RE GONNA DO THIS? 37 00:02:43,103 --> 00:02:44,670 THE NEW DOCTOR IS BOTH AN UPGRADE 38 00:02:44,705 --> 00:02:46,104 AND AN OLD COLLEAGUE OF MINE. 39 00:02:46,139 --> 00:02:47,706 NOW, YOU ALL HAVE MY NUMBER UPSTATE. 40 00:02:47,741 --> 00:02:49,741 I'M JUST GOING TO BE TAKING A... 41 00:02:49,777 --> 00:02:50,776 WELL, A LITTLE "ME TIME" 42 00:02:50,811 --> 00:02:52,377 TO WORK ON MY MEMOIRS, 43 00:02:52,413 --> 00:02:53,745 RECONNECT WITH EVERYTHING. 44 00:02:53,781 --> 00:02:55,847 I WILL ALWAYS BE HERE FOR YOU. 45 00:02:55,882 --> 00:02:58,249 I DON'T BELIEVE THIS. 46 00:02:58,285 --> 00:02:59,685 -[CHAIR BANGING] -CHRIS... 47 00:02:59,720 --> 00:03:01,687 OKAY. 48 00:03:04,325 --> 00:03:06,725 IF YOU SAY, "BUT I STILL WANT TO BE FRIENDS," 49 00:03:06,760 --> 00:03:08,427 I'M GONNA LOSE IT. 50 00:03:08,462 --> 00:03:10,796 WELL, I WANT TO, BUT I WON'T. 51 00:03:10,831 --> 00:03:12,197 GOOD LUCK. 52 00:03:19,973 --> 00:03:20,972 AND GOOD DAY TO YOU... 53 00:03:21,007 --> 00:03:22,040 CALLUM. 54 00:03:22,075 --> 00:03:23,107 GOOD DAY TO YOU, SIR. 55 00:03:35,956 --> 00:03:37,789 [SIGHS HEAVILY] 56 00:04:39,686 --> 00:04:41,887 MY FATHER WAS A PSYCHOLOGIST 57 00:04:41,922 --> 00:04:43,555 WHO ALWAYS TAUGHT ME THAT WE'RE NOT HEALERS, 58 00:04:43,590 --> 00:04:45,824 BUT RATHER, MECHANICS. 59 00:04:45,859 --> 00:04:47,225 I USED TO LISTEN TO HIM 60 00:04:47,260 --> 00:04:49,528 OUTSIDE THE DOOR TO THIS VERY OFFICE. 61 00:04:49,563 --> 00:04:52,564 IN FACT, HE USED THE SAME RECORDING DEVICE 62 00:04:52,599 --> 00:04:53,998 FOR HIS OWN BESTSELLING... 63 00:04:54,034 --> 00:04:55,233 [TAPE REEL CRACKLING] 64 00:04:55,268 --> 00:04:56,501 ...MEMOIRS. 65 00:04:57,704 --> 00:04:58,670 [SIGHS] 66 00:05:05,846 --> 00:05:07,446 [CELL PHONE VIBRATES AND RINGS] 67 00:05:10,751 --> 00:05:11,817 HEY. 68 00:05:11,852 --> 00:05:12,851 UH, I'M, UH, 69 00:05:12,886 --> 00:05:15,987 KIND OF IN THE MIDDLE OF SOMETHING RIGHT NOW. 70 00:05:16,022 --> 00:05:17,188 WHAT? 71 00:05:17,223 --> 00:05:19,825 NO, NO, IT'S NOT LIKE THAT. 72 00:05:19,860 --> 00:05:21,927 NO, IT'S NOT. 73 00:05:21,962 --> 00:05:22,794 WELL, I CAN'T TALK ABOUT IT. 74 00:05:24,465 --> 00:05:25,897 WELL, ACTUALLY, I WON'T TALK ABOUT IT. 75 00:05:25,933 --> 00:05:27,866 IT'S MY JOB. 76 00:05:27,901 --> 00:05:30,368 WELL, YOU JUST CAN'T GO AROUND THREATENING PEOPLE 77 00:05:30,403 --> 00:05:33,204 LIKE YOU DID LAST WEEK. 78 00:05:33,239 --> 00:05:36,374 WELL, MAYBE I WON'T BE HERE WHEN YOU GET HOME EITHER. 79 00:05:36,409 --> 00:05:37,342 FINE. WHATEVER. 80 00:05:37,377 --> 00:05:41,780 LOOK, MAE, I JUST CAN'T DO THIS RIGHT NOW. 81 00:05:41,815 --> 00:05:42,714 [SIGHS] 82 00:05:44,585 --> 00:05:47,686 [♪♪♪] 83 00:05:51,959 --> 00:05:54,225 [FEEDBACK WHINES] 84 00:05:56,463 --> 00:05:58,697 [WINDOW SHATTERING DISTANTLY] 85 00:05:58,732 --> 00:06:00,164 HELLO? 86 00:06:29,195 --> 00:06:31,429 SOMEONE'S TRYING TO KILL ME. 87 00:06:31,464 --> 00:06:33,498 NO, NO, PLEASE... 88 00:06:33,534 --> 00:06:36,367 [BLOWS THUD, BODY SLUMPS] 89 00:06:41,174 --> 00:06:43,307 I AM OFF TO A GARAGE SALE. 90 00:06:43,343 --> 00:06:44,576 WHATCHA GOT THERE? 91 00:06:44,611 --> 00:06:46,778 THE FACT THAT YOU CAN'T TELL MEANS I'VE GOT MORE WORK TO DO. 92 00:06:46,813 --> 00:06:48,914 WE'RE MAKING A MAN-CAVE SLASH VIEWING ROOM 93 00:06:48,949 --> 00:06:49,981 IN THE BASEMENT. 94 00:06:50,017 --> 00:06:51,282 YOU KNOW, A VINTAGE THEATER VIBE 95 00:06:51,317 --> 00:06:52,250 BUT WITH NEW-SCHOOL TECH. 96 00:06:52,285 --> 00:06:53,652 AND OLD-SCHOOL LABOR 97 00:06:53,687 --> 00:06:54,953 LIKE ME AND MY DAD USED TO DO. 98 00:06:54,988 --> 00:06:57,088 OH, WELL, SOUNDS GOOD TO ME. 99 00:06:57,123 --> 00:06:58,924 WHAT'S THAT, DAD? 100 00:06:58,959 --> 00:07:00,358 MY WORK'S GETTIN' A COMPLEX. 101 00:07:00,393 --> 00:07:01,793 IT'S A MAN-CAVE DESIGN. 102 00:07:01,828 --> 00:07:02,727 I THINK IT LOOKS GREAT, 103 00:07:02,763 --> 00:07:04,796 BUT YOU NEED A NEW NAME FOR THE MAN-CAVE. 104 00:07:07,000 --> 00:07:08,266 DON'T WORRY, MOM. 105 00:07:08,301 --> 00:07:10,669 I WILL MAKE SURE IT'S EQUAL PARTS WOMAN-CAVE. 106 00:07:10,704 --> 00:07:11,603 [LOGAN AND JASON TOGETHER]: YOU WILL? 107 00:07:11,638 --> 00:07:12,470 MM-HMM. 108 00:07:12,505 --> 00:07:13,504 WELL, I GOTTA GO. 109 00:07:13,540 --> 00:07:15,139 YAY, WOMAN-CAVE. 110 00:07:15,175 --> 00:07:16,641 SEE YOU ALL TONIGHT. 111 00:07:16,677 --> 00:07:17,842 [JASON]: NO, HON', DON'T LEAVE ME WITH HER... 112 00:07:22,549 --> 00:07:23,715 I'M THINKING VELVET DRAPES. 113 00:07:23,750 --> 00:07:25,183 [CHOKES] 114 00:07:25,218 --> 00:07:26,718 WHAT DO YOU THINK? 115 00:07:26,753 --> 00:07:27,852 WHAT COLOR? 116 00:07:37,698 --> 00:07:39,464 [SIGHING] 117 00:07:39,499 --> 00:07:41,466 WELL, I WILL TAKE A TWO-HOUR DRIVE IN THE COUNTRY 118 00:07:41,501 --> 00:07:44,235 OVER 20 MINUTES IN RUSH-HOUR TRAFFIC ANY DAY. 119 00:07:44,270 --> 00:07:45,303 AGREED. 120 00:07:45,338 --> 00:07:46,905 I WANT A PLACE OUT HERE, 121 00:07:46,940 --> 00:07:49,841 SO PRETTY AND PEACEFUL. 122 00:07:49,876 --> 00:07:51,175 THE AIR SMELLS SO GOOD. 123 00:07:51,211 --> 00:07:52,143 MM-HMM. 124 00:07:52,178 --> 00:07:55,513 HUH, LOOKS LIKE A LOT OF GOOD PIECES HERE. 125 00:07:55,548 --> 00:07:56,681 THAT'S AN UNDERSTATEMENT. 126 00:07:59,853 --> 00:08:00,752 NO... 127 00:08:00,787 --> 00:08:01,987 WHAT? 128 00:08:02,022 --> 00:08:02,988 WELL, IT CAN'T BE. 129 00:08:03,023 --> 00:08:03,989 [GASPING] 130 00:08:04,024 --> 00:08:04,889 DO YOU THINK? 131 00:08:04,925 --> 00:08:05,991 I HOPE SO. 132 00:08:08,695 --> 00:08:10,128 OH, EXCUSE ME. 133 00:08:12,132 --> 00:08:14,032 IS THIS A 1905 PEACOCK MIRROR? 134 00:08:14,067 --> 00:08:15,199 COULD BE. 135 00:08:15,235 --> 00:08:16,668 THE HOUSE WAS MY HUSBAND'S FATHER'S. 136 00:08:16,703 --> 00:08:17,669 HE WAS THE COLLECTOR, 137 00:08:17,704 --> 00:08:20,772 I HAVE TO ADMIT, I KNOW NOTHING ABOUT ANTIQUES. 138 00:08:20,807 --> 00:08:22,206 WELL, I WOULD ESTIMATE THIS 139 00:08:22,242 --> 00:08:23,775 AT $12,000. 140 00:08:23,810 --> 00:08:24,709 WHAT! 141 00:08:24,745 --> 00:08:25,677 AT LEAST. 142 00:08:25,712 --> 00:08:26,711 REALLY? 143 00:08:26,747 --> 00:08:27,779 REALLY. 144 00:08:27,814 --> 00:08:29,114 I'M JENN, AND THIS IS DANI. 145 00:08:29,149 --> 00:08:30,548 WE OWN RAGS TO RICHES, 146 00:08:30,583 --> 00:08:32,450 AN ANTIQUE STORE A COUPLE OF TOWNS OVER, 147 00:08:32,485 --> 00:08:34,418 AND WE COULD SELL SOMETHING LIKE THIS 148 00:08:34,454 --> 00:08:36,087 IN OUR STORE ON CONSIGNMENT. 149 00:08:36,123 --> 00:08:37,155 OH, THAT WOULD BE GREAT, 150 00:08:37,190 --> 00:08:38,123 BECAUSE I'VE BEEN TRYING TO GET RID OF THIS CLUTTER 151 00:08:38,158 --> 00:08:39,257 FOR MONTHS. 152 00:08:39,292 --> 00:08:41,559 I'M DOWNSIZING FOR RETIREMENT. 153 00:08:41,594 --> 00:08:42,393 MY HUSBAND JUST... 154 00:08:42,428 --> 00:08:44,262 TOOK OFF AGAIN, 155 00:08:44,297 --> 00:08:46,631 AND LEFT ME WITH ALL THIS... STUFF. 156 00:08:46,667 --> 00:08:48,033 AND I'M OVERSHARING, AREN'T I? 157 00:08:48,068 --> 00:08:49,400 I'M SO SORRY. 158 00:08:49,435 --> 00:08:50,535 IT'S JUST A LITTLE OVERWHELMING 159 00:08:50,570 --> 00:08:53,038 WELL, WE ARE HERE TO HELP. 160 00:08:53,073 --> 00:08:54,139 WELL, GREAT, HELP AWAY. 161 00:08:54,174 --> 00:08:56,240 UM, LET ME, UH, WRAP THAT FOR YOU. 162 00:08:56,276 --> 00:08:57,275 OH, I'M MAE, BY THE WAY. 163 00:08:57,310 --> 00:08:59,077 SO IF YOU HAVE ANY QUESTIONS, I'LL BE AROUND, 164 00:08:59,112 --> 00:09:01,212 BUT YOU'LL PROBABLY KNOW THE ANSWER ANYWAY. 165 00:09:01,247 --> 00:09:02,747 -NICE TO MEET YOU, MAE. -OKAY. 166 00:09:04,250 --> 00:09:05,650 WOW... 167 00:09:05,686 --> 00:09:07,052 CAN YOU BELIEVE THAT FIND? 168 00:09:07,087 --> 00:09:08,319 AMAZING. 169 00:09:08,354 --> 00:09:10,288 WELL, IF THERE'S ONE, THERE COULD BE MORE. 170 00:09:10,323 --> 00:09:12,157 THIS COULD BE A GOOD MONTH FOR US. 171 00:09:12,192 --> 00:09:13,624 YOU KNOW, WHATEVER WE GET TODAY, 172 00:09:13,660 --> 00:09:15,226 WE COULD CATALOGUE LATER THIS AFTERNOON, 173 00:09:15,261 --> 00:09:16,961 AND HAVE IT IN THE STORE FOR SALE BY TOMORROW. 174 00:09:16,997 --> 00:09:17,929 SOUNDS LIKE A PLAN. 175 00:09:17,964 --> 00:09:19,597 OH... NO. 176 00:09:19,632 --> 00:09:20,565 WHAT? 177 00:09:20,600 --> 00:09:21,900 I'VE GOT THIS... 178 00:09:21,935 --> 00:09:23,902 VISION-BOARD PARTY THING 179 00:09:23,937 --> 00:09:25,636 I'M NOT EVEN SURE I WANT TO GO TO. 180 00:09:25,672 --> 00:09:26,805 "VISION-BOARD," IS THAT THE THING 181 00:09:26,840 --> 00:09:28,173 WHERE YOU PUT PICTURES ON A BOARD, 182 00:09:28,208 --> 00:09:29,607 AND YOU CARVE OUT YOUR FATE? 183 00:09:29,642 --> 00:09:30,641 YEAH, YOU VISUALIZE WHERE YOU WANNA BE 184 00:09:30,677 --> 00:09:32,177 IN 10 YEARS. 185 00:09:32,212 --> 00:09:35,080 IT SEEMS A TOUCH DESPERATE, THOUGH. 186 00:09:35,115 --> 00:09:36,081 NO, I THINK IT'S FUN. 187 00:09:36,116 --> 00:09:37,082 OR TRAUMATIC. 188 00:09:37,117 --> 00:09:37,982 [LAUGHS] 189 00:09:38,018 --> 00:09:40,085 MAYBE THE FOCUS SHOULD JUST BE ON WINE 190 00:09:40,120 --> 00:09:41,485 WITH THESE GIRLS. 191 00:09:41,521 --> 00:09:44,622 I MEAN, IT'S WEIRD PUTTING MY FATE AND MY FUTURE 192 00:09:44,657 --> 00:09:47,125 IN THE HANDS OF AN INANIMATE OBJECT, ISN'T IT? 193 00:09:47,160 --> 00:09:48,126 NO, I THINK TRYING SOMETHING NEW 194 00:09:48,161 --> 00:09:49,194 IS GOOD FOR YOU. 195 00:09:49,229 --> 00:09:50,195 HEY, SPEAKING OF NEW, 196 00:09:50,230 --> 00:09:51,696 COULD I GET YOUR GINGER VEGGIE STIR FRY RECIPE? 197 00:09:51,732 --> 00:09:52,831 YES. 198 00:09:52,866 --> 00:09:55,433 BUT AREN'T JASON AND LOGAN PRETTY MUCH MEAT-ATARIANS? 199 00:09:55,468 --> 00:09:58,002 YES, BUT I'M TRYING TO EXPAND THEIR HORIZONS. 200 00:09:58,038 --> 00:09:59,804 DANI, YOU SHOULD GO TONIGHT. 201 00:09:59,840 --> 00:10:00,705 YEAH? 202 00:10:00,741 --> 00:10:02,340 WORST-CASE SCENARIO, YOU HAVE A GOOD TIME. 203 00:10:02,375 --> 00:10:04,275 [SIGHS] OKAY, I'M IN. 204 00:10:07,513 --> 00:10:08,747 HMM, THAT'S INTERESTING. 205 00:10:11,351 --> 00:10:12,450 OH... 206 00:10:12,485 --> 00:10:14,853 LOOKS RARE. 207 00:10:14,888 --> 00:10:16,821 IF IT WORKS, IT COULD SELL. 208 00:10:16,857 --> 00:10:18,656 EXCUSE ME, MAE? 209 00:10:19,926 --> 00:10:21,292 DO YOU KNOW IF THIS WORKS? 210 00:10:21,327 --> 00:10:22,827 UH, AS FAR AS I KNOW. 211 00:10:22,863 --> 00:10:24,328 I THINK THERE'S SOME BLANK TAPES THERE, TOO. 212 00:10:24,364 --> 00:10:25,329 IS IT WORTH ANYTHING? 213 00:10:25,365 --> 00:10:27,465 POSSIBLY. 214 00:10:27,500 --> 00:10:28,432 FINGERS CROSSED. 215 00:10:29,569 --> 00:10:31,669 IT DOESN'T REALLY SCREAM RAGS TO RICHES MERCH', THOUGH, 216 00:10:31,704 --> 00:10:33,071 DOES IT? 217 00:10:33,106 --> 00:10:34,072 WELL, IF IT DOESN'T SELL, 218 00:10:34,107 --> 00:10:35,473 IT'LL BE COOL NEW DECOR FOR THE WOMAN-CAVE. 219 00:10:35,508 --> 00:10:37,308 -WOMAN-CAVE? -MM-HMM. 220 00:10:37,343 --> 00:10:39,510 OH, IT'S LIKE A MAN-CAVE BUT BETTER. 221 00:10:39,545 --> 00:10:40,845 OH. 222 00:10:54,928 --> 00:10:57,762 YOU KNOW, I THINK THIS IS MY FAVORITE PIECE IN THE STORE 223 00:10:57,798 --> 00:10:59,197 RIGHT NOW. 224 00:10:59,232 --> 00:11:00,265 THE THREE FATES? 225 00:11:00,300 --> 00:11:01,032 MM-HMM. 226 00:11:01,067 --> 00:11:03,201 THERE'S JUST SOMETHING SO ROMANTIC 227 00:11:03,236 --> 00:11:05,503 ABOUT THE IDEA OF YOUR LIFE BEING GUIDED, YOU KNOW, 228 00:11:05,538 --> 00:11:07,872 LAID OUT FOR YOU. 229 00:11:07,908 --> 00:11:11,176 EVERY STEP YOU TAKE IS A STEP CLOSER TO YOUR FATE. 230 00:11:11,211 --> 00:11:13,077 WELL, I THINK I FIGURED OUT THE FATE 231 00:11:13,113 --> 00:11:14,112 OF OUR TAPE RECORDER. 232 00:11:14,147 --> 00:11:15,213 WHICH IS? 233 00:11:15,248 --> 00:11:17,381 WELL, IT RETAILS FOR $800 ONLINE, 234 00:11:17,417 --> 00:11:19,383 AND IT SAYS THAT BUYERS ARE MOTIVATED. 235 00:11:19,419 --> 00:11:20,785 I MEAN, WE COULD TURN THIS OVER TODAY. 236 00:11:20,821 --> 00:11:22,921 AT 100% PROFIT AND THEN SOME. 237 00:11:22,956 --> 00:11:24,022 I WONDER HOW MUCH 238 00:11:24,057 --> 00:11:25,857 THE BLANK TAPES WOULD SELL FOR? 239 00:11:25,892 --> 00:11:29,060 WELL, I DON'T THINK THE TAPE ON THE TAKE-UP SPOOL 240 00:11:29,095 --> 00:11:30,094 IS BLANK, 241 00:11:30,130 --> 00:11:31,162 BUT LET'S FIND OUT. 242 00:11:35,068 --> 00:11:35,800 -OH. -UH-HUH... 243 00:11:35,836 --> 00:11:38,369 LOOK AT YOU, YOU LITTLE TECHIE. 244 00:11:41,741 --> 00:11:43,441 HOW DID YOU LEARN HOW TO DO THAT? 245 00:11:43,476 --> 00:11:45,376 AV CLUB SOPHOMORE YEAR. 246 00:11:45,411 --> 00:11:46,377 I DATED A BOY 247 00:11:46,412 --> 00:11:48,880 WITH THESE REALLY THICK COKE BOTTLE GLASSES. 248 00:11:48,915 --> 00:11:51,482 OH, HE WAS SO NERDY AND CUTE. 249 00:11:51,517 --> 00:11:53,417 AW... NERDY GUYS ARE THE BEST. 250 00:11:53,453 --> 00:11:54,485 I KNOW. 251 00:11:54,520 --> 00:11:55,653 YOU DON'T EVER TALK ABOUT HIM. 252 00:11:55,688 --> 00:11:56,721 WELL... 253 00:11:56,756 --> 00:11:57,822 IT HURTS A LITTLE. 254 00:11:57,858 --> 00:11:59,690 OH. SORRY. 255 00:12:01,995 --> 00:12:02,827 THERE, TRY IT NOW. 256 00:12:02,863 --> 00:12:03,928 AH. 257 00:12:03,964 --> 00:12:04,896 [ENTRY BELL JINGLES] 258 00:12:04,931 --> 00:12:05,964 HELLO. 259 00:12:05,999 --> 00:12:07,131 WELCOME TO RAGS TO RICHES. 260 00:12:07,167 --> 00:12:08,199 [CLICKS "PLAY" BUTTON] 261 00:12:09,870 --> 00:12:11,769 [FOOTSTEPS RUNNING] 262 00:12:11,804 --> 00:12:13,838 [MAN PANTING IN FEAR] 263 00:12:13,874 --> 00:12:16,607 SOMEONE'S TRYING TO KILL ME! 264 00:12:16,642 --> 00:12:17,909 NO... 265 00:12:17,944 --> 00:12:18,910 NO, PLEASE. 266 00:12:25,852 --> 00:12:28,086 [TAPE CRUNCHING AND CRINKLING] 267 00:12:28,121 --> 00:12:30,121 OH, NO. 268 00:12:31,958 --> 00:12:33,191 JENN? 269 00:12:33,226 --> 00:12:34,658 ARE YOU OKAY? 270 00:12:34,694 --> 00:12:36,194 THERE WAS A VOICE ON THE RECORDING. 271 00:12:36,229 --> 00:12:39,864 I DON'T KNOW IF IT WAS REAL, BUT THEY SOUNDED SCARED. 272 00:12:39,900 --> 00:12:40,765 CAN YOU PLAY THIS BACK? 273 00:12:40,800 --> 00:12:41,699 UM... 274 00:12:45,571 --> 00:12:46,504 OKAY. 275 00:12:47,540 --> 00:12:48,639 OH. 276 00:12:48,674 --> 00:12:49,473 [CLICKING BUTTON] UH-OH. 277 00:12:49,509 --> 00:12:50,608 WHAT? 278 00:12:50,643 --> 00:12:52,810 COULD BE THE OSCILLATOR MAYBE? 279 00:12:52,845 --> 00:12:54,012 CAN YOU FIX IT? 280 00:12:54,047 --> 00:12:55,513 WELL, NO. 281 00:12:55,548 --> 00:12:57,181 THE GUY WITH THE COKE BOTTLE GLASSES 282 00:12:57,217 --> 00:12:58,682 GOT CONTACTS AND DUMPED ME 283 00:12:58,718 --> 00:12:59,784 BEFORE I COULD FINISH THE SEMESTER. 284 00:12:59,819 --> 00:13:00,684 I'M SORRY. 285 00:13:00,720 --> 00:13:02,453 OH, BUMMER. 286 00:13:02,488 --> 00:13:04,522 WHAT ELSE CAN I PLAY THIS ON? 287 00:13:04,557 --> 00:13:06,124 ANOTHER REEL-TO-REEL, 288 00:13:06,159 --> 00:13:07,858 BUT IT'LL BE HARD, EVERYTHING'S DIGITAL NOW. 289 00:13:07,894 --> 00:13:10,028 OKAY, WELL, I'LL JUST GET THIS FIXED. 290 00:13:10,063 --> 00:13:11,462 YOU THINK THE VOICE WAS REAL? 291 00:13:11,497 --> 00:13:12,530 I DON'T KNOW, 292 00:13:12,565 --> 00:13:14,632 BUT HE SOUNDED TERRIFIED. 293 00:13:14,667 --> 00:13:16,134 WHAT DID HE SAY? 294 00:13:17,770 --> 00:13:20,305 "SOMEONE'S TRYING TO KILL ME." 295 00:13:26,779 --> 00:13:28,413 HELLO? 296 00:13:28,448 --> 00:13:29,513 HI. 297 00:13:29,549 --> 00:13:32,216 I'M GUESSING BY YOUR NAME TAG THAT YOU WORK HERE? 298 00:13:32,252 --> 00:13:34,018 OWNER-OPERATOR. 299 00:13:34,054 --> 00:13:35,519 EMPLOYEE OF THE MONTH 12 YEARS RUNNING. 300 00:13:35,555 --> 00:13:37,255 ALSO ONLY EMPLOYEE. 301 00:13:37,290 --> 00:13:38,656 HOW CAN I HELP YOU? 302 00:13:38,691 --> 00:13:40,724 OH, I NEED TO GET THIS FIXED. 303 00:13:40,760 --> 00:13:42,994 UM, SORRY ABOUT THE MESS. 304 00:13:43,029 --> 00:13:45,997 WE HAVEN'T HAD TOO MANY CUSTOMERS RECENTLY. 305 00:13:46,032 --> 00:13:48,666 WELL, IF A CLUTTERED DESK IS A SIGN OF A CLUTTERED MIND, 306 00:13:48,701 --> 00:13:50,435 OF WHAT THEN IS AN EMPTY DESK A SIGN?" 307 00:13:50,470 --> 00:13:51,735 EINSTEIN. 308 00:13:51,771 --> 00:13:53,171 I'LL TAKE IT. 309 00:13:53,206 --> 00:13:54,772 [SNAPS CLICK OPEN] 310 00:13:54,807 --> 00:13:56,441 AH. 311 00:13:56,476 --> 00:13:57,908 A REEL-TO-REEL AUDIO RECORDER, 312 00:13:57,944 --> 00:13:59,844 A SERIOUS MACHINE. 313 00:13:59,879 --> 00:14:01,279 IT JAM ON YOU? 314 00:14:01,314 --> 00:14:02,513 IT DID. 315 00:14:02,548 --> 00:14:03,514 HOW DID YOU KNOW? 316 00:14:03,549 --> 00:14:04,515 'CAUSE IT'S RARE, 317 00:14:04,550 --> 00:14:06,184 IT'S REALLY... RARE, 318 00:14:06,219 --> 00:14:08,186 AND ALSO 'CAUSE I'VE ALREADY FIXED IT ONCE. 319 00:14:08,221 --> 00:14:10,688 YOU BOUGHT THIS FROM THAT THERAPIST GUY 320 00:14:10,723 --> 00:14:13,624 WHO RENTS THE ROOM OVER TOP DARREN'S DETAIL, YEAH? 321 00:14:13,659 --> 00:14:15,426 NO, ACTUALLY, I BOUGHT IT AT A YARD SALE. 322 00:14:15,462 --> 00:14:17,128 THERAPIST GUY? 323 00:14:17,163 --> 00:14:18,363 YEAH, THIS IS DEFINITELY IT. 324 00:14:18,398 --> 00:14:21,599 YEAH, I DELIVERED IT TO HIM, WHAT, ABOUT A WEEK AGO THERE? 325 00:14:21,634 --> 00:14:23,201 IT'S ALREADY BROKEN? 326 00:14:23,236 --> 00:14:26,037 SORRY, THESE OLDER MACHINES CAN BE FINICKY. 327 00:14:26,072 --> 00:14:27,405 SO YOU CAN FIX IT? 328 00:14:27,440 --> 00:14:28,572 FREE OF CHARGE, 329 00:14:28,608 --> 00:14:30,241 'CAUSE APPARENTLY I DIDN'T DO THE JOB PARTICULARLY WELL 330 00:14:30,276 --> 00:14:31,876 THE FIRST TIME. 331 00:14:31,911 --> 00:14:34,145 HOW LONG DO YOU THINK IT'LL TAKE? 332 00:14:34,180 --> 00:14:36,080 A COUPLE OF DAYS, GIVE OR TAKE. 333 00:14:39,452 --> 00:14:42,220 DO YOU HAVE ANYTHING ELSE HERE THAT WOULD PLAY THIS? 334 00:14:42,255 --> 00:14:44,989 NO, UH, SORRY. 335 00:14:45,025 --> 00:14:46,624 THAT'S THE ONLY ONE I'VE SEEN IN YEARS, 336 00:14:46,659 --> 00:14:48,559 BUT I CAN START WORKING ON THIS TODAY, IF YOU'D LIKE? 337 00:14:48,594 --> 00:14:50,094 THANK YOU. 338 00:14:52,298 --> 00:14:54,965 [♪♪♪] 339 00:15:06,812 --> 00:15:09,914 HOW COULD ONE THING HAVE SO MANY PIECES? 340 00:15:09,949 --> 00:15:11,749 DON'T SWEAT THE SMALL STUFF, SON, 341 00:15:11,784 --> 00:15:13,284 BUT MAYBE A HANDMADE UNIT 342 00:15:13,319 --> 00:15:16,254 WOULD HAVE BEEN THE BETTER WAY TO GO. 343 00:15:16,289 --> 00:15:18,822 I GUESS THIS'LL BE QUICKER AND EASIER. 344 00:15:18,858 --> 00:15:19,623 WELL, AS GRANDDAD ALWAYS USED TO SAY, 345 00:15:19,659 --> 00:15:22,493 NOTHING WORTHWHILE IS EVER EASY. 346 00:15:22,529 --> 00:15:23,661 YEAH, WELL, IT DEFINITELY LOOKED A LOT LESS COMPLICATED 347 00:15:23,696 --> 00:15:24,862 ON THE BOX. 348 00:15:24,897 --> 00:15:26,264 DON'T WORRY, WE'LL GET IT. 349 00:15:26,299 --> 00:15:27,331 YEAH, I KNOW. 350 00:15:27,367 --> 00:15:29,233 HOW HARD CAN IT BE, RIGHT? 351 00:15:30,470 --> 00:15:31,436 RIGHT. 352 00:15:35,375 --> 00:15:38,309 OKAY, YEAH, THIS COULD TAKE A WHILE. 353 00:15:38,344 --> 00:15:40,378 DID YOU BRING THE HAMMER, SCREWDRIVER, AND LEVEL? 354 00:15:40,413 --> 00:15:41,679 IT DIDN'T SAY I NEEDED ANY OF THOSE. 355 00:15:41,714 --> 00:15:42,813 IT DIDN'T? 356 00:15:43,883 --> 00:15:44,848 ONE SIZE FITS ALL. 357 00:15:46,219 --> 00:15:48,152 OH, BOY... 358 00:15:48,188 --> 00:15:50,821 THIS WILL TAKE A WHILE. 359 00:15:52,425 --> 00:15:53,458 HEY, HON'. 360 00:15:53,493 --> 00:15:54,225 HEY, SWEETHEART. 361 00:15:54,260 --> 00:15:56,160 SMELL'S GOOD. WHATCHA MAKIN'? 362 00:15:56,196 --> 00:15:57,428 GINGER VEGGIE STIR-FRY. 363 00:15:58,531 --> 00:15:59,964 VEGGIE? 364 00:15:59,999 --> 00:16:01,632 NO. 365 00:16:01,667 --> 00:16:02,633 GINGER VEGGIE. 366 00:16:02,668 --> 00:16:04,535 HONEY... 367 00:16:04,571 --> 00:16:05,803 YOU'VE GOT TO TRY NEW THINGS, 368 00:16:05,838 --> 00:16:07,538 YOU'RE SUCH A GUY. 369 00:16:07,574 --> 00:16:09,740 BUT YOU'RE A CUTE GUY. 370 00:16:09,775 --> 00:16:11,809 WELL, COMING FROM THE MOST BEAUTIFUL WOMAN IN THE WORLD, 371 00:16:11,844 --> 00:16:12,910 THAT MEANS A LOT. 372 00:16:12,945 --> 00:16:14,245 THANK YOU. 373 00:16:14,280 --> 00:16:15,746 SO, HOW'S IT GOING IN THE MAN-CAVE? 374 00:16:15,781 --> 00:16:17,881 WELL, IT'S A... SLOW START, 375 00:16:17,917 --> 00:16:19,150 BUT THE BONDING'S BEEN REALLY GREAT 376 00:16:19,185 --> 00:16:20,151 BETWEEN ME AND LOGAN. 377 00:16:20,186 --> 00:16:21,319 GOOD. 378 00:16:21,354 --> 00:16:23,588 AND HOW WAS THE REST OF YOUR DAY? 379 00:16:23,623 --> 00:16:25,055 FINE. 380 00:16:26,226 --> 00:16:27,492 I KNOW THAT LOOK. 381 00:16:27,527 --> 00:16:29,193 LOOK? 382 00:16:29,229 --> 00:16:32,096 YOU'RE STILL THINKING ABOUT THE RECORDING, AREN'T YOU? 383 00:16:32,132 --> 00:16:33,364 YES. 384 00:16:33,399 --> 00:16:35,733 I'M SORRY, I CAN'T HELP IT. 385 00:16:35,768 --> 00:16:37,235 WHAT IF IT WAS REAL? 386 00:16:37,270 --> 00:16:39,837 WHAT IF SOMEONE WAS TRULY IN DANGER? 387 00:16:39,872 --> 00:16:41,105 AND WHAT IF IT'S JUST SOMEONE MESSING AROUND? 388 00:16:41,141 --> 00:16:43,040 WHAT IF THEY WEREN'T? 389 00:16:43,075 --> 00:16:45,776 AND I REALLY KNOW THAT LOOK. 390 00:16:45,811 --> 00:16:48,712 WHAT LOOK? 391 00:16:48,748 --> 00:16:50,548 [♪♪♪] 392 00:17:40,433 --> 00:17:41,566 ARE YOU THE WIFE? 393 00:17:43,670 --> 00:17:46,103 NO, JUST AN ACQUAINTANCE OF HIS WIFE. 394 00:17:46,138 --> 00:17:47,738 DARREN. LIKE THE SIGN. 395 00:17:47,773 --> 00:17:49,273 JENN. 396 00:17:49,309 --> 00:17:51,175 HAVE YOU HEARD FROM DR. VEDDERS? 397 00:17:51,211 --> 00:17:53,611 NO, WHICH IS WHY I'M HERE. 398 00:17:53,646 --> 00:17:54,445 HE RENTS FROM ME, 399 00:17:54,480 --> 00:17:55,946 AND WANTED ME TO FIX THE KITCHEN SINK 400 00:17:55,981 --> 00:17:57,147 WHEN HE MOVED IN LAST WEEK, 401 00:17:57,183 --> 00:17:58,683 BUT I HAVE NOT HEARD FROM HIM. 402 00:17:58,718 --> 00:17:59,650 OH, REALLY? 403 00:17:59,686 --> 00:18:00,851 YEAH, 404 00:18:00,886 --> 00:18:02,186 AND HE'S NOT RETURNING MY CALLS. 405 00:18:02,222 --> 00:18:03,688 YOU DON'T HAVE A DIFFERENT NUMBER FOR HIM, 406 00:18:03,723 --> 00:18:04,988 BY THE WAY? 407 00:18:05,024 --> 00:18:06,657 NO, I'M SORRY, I DON'T. 408 00:18:06,693 --> 00:18:08,992 DO YOU BY CHANCE HAVE A SPARE KEY? 409 00:18:09,028 --> 00:18:10,794 MAYBE ONE OR BOTH OF US COULD GO IN 410 00:18:10,830 --> 00:18:11,696 AND TAKE A LOOK AROUND? 411 00:18:11,731 --> 00:18:13,163 OF COURSE. 412 00:18:20,240 --> 00:18:21,305 DR. VEDDERS? 413 00:18:25,811 --> 00:18:27,745 DR. VEDDERS? 414 00:18:32,552 --> 00:18:34,418 DR. VEDDERS? 415 00:19:01,213 --> 00:19:02,012 [GASPS] 416 00:19:09,861 --> 00:19:12,828 [POLICE RADIO CHATTER CRACKLES] 417 00:19:28,748 --> 00:19:29,714 YOU'RE ALL RIGHT? 418 00:19:29,749 --> 00:19:31,448 I'M FINE. 419 00:19:31,483 --> 00:19:34,051 SHOULD I EVEN ASK HOW YOU GOT HERE? 420 00:19:34,087 --> 00:19:35,352 LONG STORY. 421 00:19:35,387 --> 00:19:37,354 AND HERE WE GO. 422 00:19:37,389 --> 00:19:39,123 I BOUGHT A REEL-TO-REEL RECORDER AT A YARD SALE, 423 00:19:39,158 --> 00:19:40,524 AND WHEN I GOT IT BACK TO THE SHOP, 424 00:19:40,559 --> 00:19:41,658 AND I PLAYED IT, 425 00:19:41,694 --> 00:19:43,227 THERE WAS A VOICE SAYING "SOMEONE'S TRYING TO KILL ME." 426 00:19:43,262 --> 00:19:44,261 BUT THEN THE TAPE JAMMED, 427 00:19:44,296 --> 00:19:45,562 SO I TOOK IT TO BE FIXED. 428 00:19:45,598 --> 00:19:46,864 WELL, THE REPAIRMAN KNEW THE PREVIOUS OWNER, 429 00:19:46,899 --> 00:19:48,365 WHICH LED ME HERE. 430 00:19:49,736 --> 00:19:52,236 I GOTTA SAY, BETWEEN YOU AND RANDOM JOGGERS, 431 00:19:52,271 --> 00:19:54,371 I DON'T KNOW WHO FINDS MORE DEAD BODIES. 432 00:19:55,507 --> 00:19:56,540 LET ME GUESS, 433 00:19:56,575 --> 00:19:58,275 THERE'S MORE. 434 00:19:58,310 --> 00:19:59,376 HE'S WEARING A WEDDING RING, 435 00:19:59,411 --> 00:20:00,444 AND AT THE YARD SALE, 436 00:20:00,479 --> 00:20:01,212 HIS WIFE, MAE, SAID 437 00:20:01,247 --> 00:20:03,214 HE WOULD TAKE OFF WITHOUT WARNING, 438 00:20:03,249 --> 00:20:05,582 AND, WELL, WE USUALLY KNOW WHAT IT MEANS 439 00:20:05,618 --> 00:20:07,451 WHEN A MARRIED PERSON HAS A SIDE APARTMENT. 440 00:20:07,486 --> 00:20:08,452 HMM. 441 00:20:08,487 --> 00:20:09,987 OH, AND THERE'S A BOX INSIDE 442 00:20:10,022 --> 00:20:11,088 WITH A PRINTOUT FROM A BLOG. 443 00:20:11,124 --> 00:20:13,057 A LOCAL WRITER, DEB MACBETH. 444 00:20:13,092 --> 00:20:14,558 OKAY. 445 00:20:14,593 --> 00:20:15,392 GOOD JOB. 446 00:20:15,427 --> 00:20:16,627 ALRIGHT, UH, 447 00:20:16,662 --> 00:20:18,262 I'LL LOOK INTO ALL OF THAT. 448 00:20:18,297 --> 00:20:19,496 THANK YOU. 449 00:20:19,531 --> 00:20:20,464 OH... 450 00:20:21,467 --> 00:20:23,968 THIS IS WHERE THE RECORDER IS BEING REPAIRED. 451 00:20:25,204 --> 00:20:28,572 AND I'M GUESSING THIS IS EVIDENCE NOW. 452 00:20:29,642 --> 00:20:30,941 OKAY, I WILL... 453 00:20:30,977 --> 00:20:32,409 TALK TO YOU SOON. 454 00:20:32,444 --> 00:20:33,410 OH, FRANK... 455 00:20:33,445 --> 00:20:34,678 YES? 456 00:20:34,713 --> 00:20:36,280 YOU MIGHT WANT TO LOOK AT THE DRAG MARKS 457 00:20:36,315 --> 00:20:37,447 ON THE BACK OF HIS HEELS. 458 00:20:37,483 --> 00:20:39,016 I DIDN'T SEE ANY BLOOD. 459 00:20:39,051 --> 00:20:40,517 HE MIGHT'VE BEEN KILLED SOMEWHERE ELSE. 460 00:20:40,552 --> 00:20:42,319 OR THE KILLER CLEANED IT UP. 461 00:20:42,354 --> 00:20:43,788 WELL, OBSESSIVELY SO THEN. 462 00:20:43,823 --> 00:20:46,190 WHICH MIGHT TIE IN 463 00:20:46,225 --> 00:20:48,292 TO THE "LIVING WITH OCD" PRINTOUT IN THE BOX. 464 00:20:48,327 --> 00:20:50,127 BUT IT... 465 00:20:50,163 --> 00:20:52,096 IT'S YOUR CRIME SCENE SO... 466 00:20:52,131 --> 00:20:53,430 IT IS. 467 00:20:53,465 --> 00:20:54,464 YEAH. 468 00:20:54,500 --> 00:20:56,133 THANK YOU.. 469 00:21:01,240 --> 00:21:03,440 OH, HEY, SWEETHEART, 470 00:21:03,475 --> 00:21:04,842 I'M RUNNING A LITTLE LATE FOR DINNER. 471 00:21:04,877 --> 00:21:05,943 YEAH, NO PROBLEM. 472 00:21:05,978 --> 00:21:07,011 WHERE ARE YOU? 473 00:21:07,046 --> 00:21:08,846 ALMOST HOME. 474 00:21:08,881 --> 00:21:10,147 DO I HAVE TO GUESS WHAT'S GOING ON? 475 00:21:11,684 --> 00:21:14,218 I WAS WORRIED ABOUT WHOEVER WAS ON THE RECORDING, 476 00:21:14,253 --> 00:21:16,821 SO I FOLLOWED THE INFO FROM DREW AT THE AUDIO SHOP. 477 00:21:16,856 --> 00:21:19,023 OKAY. AND? 478 00:21:19,058 --> 00:21:20,825 WHEN I GOT TO THE APARTMENT, 479 00:21:20,860 --> 00:21:22,492 I FOUND THE ORIGINAL OWNER. 480 00:21:22,528 --> 00:21:24,295 "FOUND"? 481 00:21:24,330 --> 00:21:25,462 DEAD. 482 00:21:26,833 --> 00:21:27,698 YOU ALL RIGHT? 483 00:21:27,733 --> 00:21:29,166 UNHURT AND COMING HOME. 484 00:21:29,202 --> 00:21:30,201 [CHUCKLES AWKWARDLY] 485 00:21:30,236 --> 00:21:31,768 -LOVE YOU. -LOVE YOU, TOO. 486 00:21:35,407 --> 00:21:36,874 [♪♪♪] 487 00:21:46,785 --> 00:21:48,018 [SIGHING] 488 00:21:49,121 --> 00:21:50,554 HOW'S IT COMING ALONG? 489 00:21:50,589 --> 00:21:51,421 WELL, YOU KNOW, 490 00:21:51,457 --> 00:21:53,423 I KEEP THINKING ABOUT WHAT YOU SAID, 491 00:21:53,459 --> 00:21:56,660 "DON'T CALL IT A DREAM, CALL IT PLAN." 492 00:21:56,695 --> 00:21:58,395 BUT... I DON'T KNOW. 493 00:21:58,430 --> 00:21:59,730 IS IT POSSIBLE TO HAVE CRAFTER'S BLOCK? 494 00:21:59,765 --> 00:22:00,564 [CHUCKLES] 495 00:22:00,599 --> 00:22:02,833 WELL, YOU CAN'T EDIT A BLANK BOARD, 496 00:22:02,869 --> 00:22:04,501 SO I WOULD JUST THROW SOME STUFF ON 497 00:22:04,536 --> 00:22:05,702 AND SEE WHAT HAPPENS. 498 00:22:05,738 --> 00:22:07,504 YOU CAN ALWAYS PASTE OVER TOP. 499 00:22:07,539 --> 00:22:08,672 OKAY. 500 00:22:08,707 --> 00:22:10,540 IT CAN BE ANYTHING YOU WANT FOR YOURSELF IN 10 YEARS. 501 00:22:10,576 --> 00:22:13,710 A SMALLER WAIST LINE, A BIGGER FAMILY, A NEW CAREER. 502 00:22:13,746 --> 00:22:16,247 THE VISION-BOARD HELPS YOU EXTERNALIZE IT ALL, 503 00:22:16,282 --> 00:22:17,948 PUT YOUR PLAN INTO ACTION. 504 00:22:17,984 --> 00:22:19,716 WHAT IF YOU'RE NOT SURE OF YOUR PLAN? 505 00:22:19,752 --> 00:22:21,118 OUR MANTRA FOR THE EVENING..? 506 00:22:21,153 --> 00:22:22,619 "IF YOU WANT SOMETHING DIFFERENT, 507 00:22:22,654 --> 00:22:24,121 YOU MUST DO SOMETHING DIFFERENT." 508 00:22:24,156 --> 00:22:25,422 EXACTLY. 509 00:22:26,792 --> 00:22:28,425 WHAT IF YOU'RE NOT SURE WHAT YOU WANT? 510 00:22:28,460 --> 00:22:30,928 THEN I'D TRY SOME MORE VINO. 511 00:22:30,963 --> 00:22:32,029 [CHUCKLING] 512 00:22:32,064 --> 00:22:33,530 OKAY. 513 00:22:39,605 --> 00:22:41,071 CHEERS. 514 00:22:41,107 --> 00:22:42,406 [WRENCH CREAKING] 515 00:22:42,441 --> 00:22:44,775 ALL RIGHT. 516 00:22:44,810 --> 00:22:46,143 THERE WE GO, THE FRAME'S ALL DONE, 517 00:22:46,178 --> 00:22:47,111 NOW ALL WE GOTTA DO 518 00:22:47,146 --> 00:22:48,979 IS PUT ON THE DOORS, DRAWERS, AND SHELVES. 519 00:22:49,015 --> 00:22:50,981 IS IT BAD THAT WE FINISHED THE FRAME, 520 00:22:51,017 --> 00:22:52,749 BUT THERE'S STILL PARTS LEFT? 521 00:22:52,785 --> 00:22:53,784 HMM. 522 00:22:53,819 --> 00:22:54,818 THEY'RE SPARE PARTS, 523 00:22:54,853 --> 00:22:55,953 FOR WHEN THEY GET OLD, 524 00:22:55,988 --> 00:22:57,321 LIKE WITH THE BARBECUE. 525 00:22:57,356 --> 00:22:59,156 THE BARBECUE? 526 00:22:59,191 --> 00:23:01,625 THE LEFT SIDE STILL WORKS. 527 00:23:01,660 --> 00:23:02,927 HEY, I'M THINKING MOVIE POSTERS 528 00:23:02,962 --> 00:23:03,994 FOR THE WALL. 529 00:23:04,030 --> 00:23:05,495 OH, HI. 530 00:23:05,531 --> 00:23:06,363 HEY. 531 00:23:06,399 --> 00:23:07,464 I THOUGHT MAYBE YOU'D WANT SOME HELP 532 00:23:07,499 --> 00:23:08,665 WITH THE ACCENT WALL. 533 00:23:08,700 --> 00:23:10,767 WAIT, WE HAVE AN ACCENT WALL? 534 00:23:10,803 --> 00:23:13,337 COULD BE AN IDEA. 535 00:23:13,372 --> 00:23:14,738 AND, UH, MAYBE ADD A BIT OF A FEMININE TOUCH. 536 00:23:14,773 --> 00:23:15,839 HOW FEMININE? 537 00:23:15,874 --> 00:23:16,907 YEAH, HOW FEMININE? 538 00:23:16,943 --> 00:23:18,875 JUST THE RIGHT AMOUNT. 539 00:23:20,346 --> 00:23:21,912 OKAY, YOU GET ONE WALL, 540 00:23:21,948 --> 00:23:23,414 BUT, PLEASE, 541 00:23:23,449 --> 00:23:24,949 NO DRAPES. 542 00:23:24,984 --> 00:23:26,417 GOT IT. 543 00:23:26,452 --> 00:23:28,118 SO, HOW IS THE SHELF COMING ALONG? 544 00:23:28,154 --> 00:23:29,186 GREAT. 545 00:23:29,221 --> 00:23:30,587 GOT A FEW SPARE PARTS, 546 00:23:30,622 --> 00:23:33,357 BUT THE UNIT IS... 547 00:23:33,392 --> 00:23:35,259 [SLAPS PLANK] ...SOLID. 548 00:23:35,294 --> 00:23:37,428 [CRASHING] 549 00:23:37,463 --> 00:23:38,963 DAD...? 550 00:23:38,998 --> 00:23:39,964 HMM. 551 00:23:42,801 --> 00:23:44,201 HOW'S LOGAN DOING? 552 00:23:44,236 --> 00:23:45,269 HE'S GETTING THE HANG OF IT. 553 00:23:45,304 --> 00:23:46,270 OH. 554 00:23:46,305 --> 00:23:48,138 SO ALREADY A SUCCESS. 555 00:23:48,174 --> 00:23:50,341 YEAH, I'D SAY SO. 556 00:23:50,376 --> 00:23:51,942 ANYTHING EXCITING? 557 00:23:51,978 --> 00:23:54,511 WELL, DR. VEDDERS RAN A RELATIONSHIP GROUP 558 00:23:54,546 --> 00:23:55,779 AT THE COMMUNITY CENTER, 559 00:23:55,814 --> 00:23:57,448 AND IT SAYS HE RETIRED LAST WEEK. 560 00:23:57,483 --> 00:23:58,882 YOU'RE NOT LETTING THIS GO, ARE YOU? 561 00:23:58,917 --> 00:24:00,851 YOU ARE AN UNDERSTANDING MAN. 562 00:24:00,886 --> 00:24:02,486 YES, I AM. 563 00:24:04,156 --> 00:24:07,191 JASON, DO YOU THINK A PATIENT WOULD KILL THEIR DOCTOR? 564 00:24:08,427 --> 00:24:10,160 ANYTHING'S POSSIBLE. 565 00:24:10,196 --> 00:24:12,696 MAYBE SOMEONE IN THE GROUP GOT MAD THAT HE LEFT? 566 00:24:12,731 --> 00:24:15,866 SOMEONE WITH ABANDONMENT ISSUES COULD TAKE THAT PRETTY HARD. 567 00:24:15,901 --> 00:24:18,635 I MEAN, LIKE A SHELF THAT'S NOT PUT TOGETHER PROPERLY, 568 00:24:18,670 --> 00:24:21,872 A GROUP WITHOUT A LEADER FALLS APART. 569 00:24:21,907 --> 00:24:23,273 WHO GAVE ME UP? 570 00:24:35,754 --> 00:24:37,554 EXCUSE ME. 571 00:24:37,589 --> 00:24:38,655 CAN YOU TELL ME 572 00:24:38,690 --> 00:24:39,923 WHERE I MIGHT FIND DR. VEDDERS' 573 00:24:39,958 --> 00:24:41,825 "WHEN THE RELATIONSHIP ENDS" GROUP? 574 00:24:41,860 --> 00:24:44,194 IT'S ROOM 101, JUST DOWN THE HALL. 575 00:24:44,230 --> 00:24:46,263 BUT DR. VEDDERS RETIRED LAST THURSDAY. 576 00:24:46,298 --> 00:24:47,364 OH. 577 00:24:47,400 --> 00:24:48,999 BUT THE GROUP IS STILL MEETING? 578 00:24:49,035 --> 00:24:49,966 YEAH, YOU KNOW WHAT, 579 00:24:50,002 --> 00:24:50,634 I NEED TO HIT THE VENDING MACHINE ANYWAY, 580 00:24:50,669 --> 00:24:52,069 SO I'LL JUST WALK YOU DOWN. 581 00:24:52,104 --> 00:24:53,037 THAT'S SWEET OF YOU, THANK YOU. 582 00:24:57,243 --> 00:24:59,109 WHOEVER LET YOU GO MUST BE KICKING HIMSELF. 583 00:24:59,145 --> 00:25:00,777 ME? NO, I'M... 584 00:25:00,812 --> 00:25:02,779 WELL, I-I MEAN, THANK YOU. 585 00:25:02,814 --> 00:25:03,747 I HEAR VEDDERS WAS GREAT, 586 00:25:03,782 --> 00:25:05,182 BUT I'M NEW HERE. 587 00:25:05,217 --> 00:25:06,616 THE DOCTOR THEY GOT TO TAKE HIS SPOT 588 00:25:06,652 --> 00:25:07,617 IS SUPPOSED TO BE REALLY GOOD, TOO. 589 00:25:07,653 --> 00:25:10,054 I'M SURE YOU'LL BE BACK ON YOUR FEET IN NO TIME. 590 00:25:10,089 --> 00:25:11,922 I HEARD VEDDERS WAS GOOD. 591 00:25:11,957 --> 00:25:13,390 BY ALL ACCOUNTS, HE SEEMED WELL LIKED. 592 00:25:13,426 --> 00:25:14,458 "SEEMED"? 593 00:25:14,493 --> 00:25:17,528 I WAS TOLD THINGS GOT HEATED IN THERE SOMETIMES. 594 00:25:17,563 --> 00:25:19,029 YELLING AND WHATNOT. 595 00:25:19,065 --> 00:25:20,764 NOBODY LIKES A BREAK-UP. ALL PART OF IT, I GUESS. 596 00:25:20,799 --> 00:25:21,565 WELL, HERE WE ARE. 597 00:25:24,236 --> 00:25:25,102 WELL, THANK YOU. 598 00:25:25,137 --> 00:25:26,136 IT WAS NICE TO MEET YOU. 599 00:25:26,172 --> 00:25:27,237 IF, UH, YOU HAVE ANY QUESTIONS 600 00:25:27,273 --> 00:25:28,305 OR YOU NEED ANYTHING, 601 00:25:28,340 --> 00:25:29,239 YOU KNOW WHERE TO FIND ME. 602 00:25:29,275 --> 00:25:30,441 MUCH APPRECIATED. 603 00:25:30,476 --> 00:25:31,275 -GOOD LUCK IN THERE. -THANKS-- 604 00:25:31,310 --> 00:25:33,877 I GOTTA GET GOING, CAN WE WRAP THIS UP? 605 00:25:33,912 --> 00:25:36,580 I GUESS WE COULD LEAVE IT THERE, YES. 606 00:25:45,357 --> 00:25:46,756 DEB MACBETH? 607 00:25:47,926 --> 00:25:48,925 MAYBE. 608 00:25:48,961 --> 00:25:50,127 I LOVE YOUR BLOG. 609 00:25:50,162 --> 00:25:51,795 I-I THINK YOUR WRITING, 610 00:25:51,830 --> 00:25:53,564 AND EVERYTHING YOU'VE BEEN THROUGH, 611 00:25:53,599 --> 00:25:54,565 YOUR OUTLOOK, 612 00:25:54,600 --> 00:25:56,600 IT'S INSPIRING. 613 00:25:56,635 --> 00:25:57,501 THANKS. 614 00:25:57,536 --> 00:25:59,002 THAT'S ACTUALLY REALLY NICE. 615 00:25:59,037 --> 00:26:00,604 IS THIS THE GROUP YOU TALK ABOUT? 616 00:26:00,639 --> 00:26:02,639 PART OF IT. WE'RE MISSING A COUPLE. 617 00:26:02,674 --> 00:26:03,907 THANKS FOR READING. 618 00:26:03,942 --> 00:26:05,275 I WAS THINKING ABOUT JOINING THE GROUP, 619 00:26:05,311 --> 00:26:07,444 BUT I HEAR THERE'S A NEW DOCTOR. 620 00:26:07,480 --> 00:26:08,612 IS HE ANY GOOD? 621 00:26:08,647 --> 00:26:10,514 HE'S NOT DR. VEDDERS GOOD, 622 00:26:10,549 --> 00:26:12,282 BUT IT IS OUR FIRST SESSION, 623 00:26:12,318 --> 00:26:14,485 SO I'M SURE THERE'S A MASSIVE LEARNING CURVE WITH US. 624 00:26:15,654 --> 00:26:18,455 DO YOU HAVE ANY IDEA WHY DR. VEDDERS RETIRED? 625 00:26:18,491 --> 00:26:20,757 I WAS REALLY HOPING TO TOUCH BASE WITH HIM. 626 00:26:20,792 --> 00:26:22,959 SAID HE WAS WRITING HIS MEMOIRS 627 00:26:22,995 --> 00:26:25,529 AND SOMETHING ABOUT SORTING STUFF OUT. 628 00:26:25,564 --> 00:26:26,997 MAYBE I'LL SEE YOU IN GROUP. 629 00:26:27,032 --> 00:26:27,931 I'M SORRY, I DIDN'T CATCH YOUR NAME. 630 00:26:27,966 --> 00:26:28,798 JENN. 631 00:26:28,834 --> 00:26:29,799 NICE TO MEET YOU. 632 00:26:29,835 --> 00:26:30,767 LIKEWISE. 633 00:26:37,743 --> 00:26:39,109 EXCUSE ME? 634 00:26:41,380 --> 00:26:43,680 SO, YOU SAID YOUR SON'S BIKE WENT MISSING LAST THURSDAY? 635 00:26:43,715 --> 00:26:45,048 YES. 636 00:26:45,083 --> 00:26:46,283 AROUND THIS TIME, ACTUALLY. 637 00:26:47,886 --> 00:26:49,453 IT WAS LOCKED UP. 638 00:26:49,488 --> 00:26:50,754 YEAH, THAT DOESN'T SEEM TO STOP THEM. 639 00:26:52,358 --> 00:26:54,525 I'M NOT SEEING YOUR SON'S BIKE ANYWHERE. 640 00:26:57,530 --> 00:26:58,328 UH, WAIT. 641 00:26:58,364 --> 00:27:00,464 WHAT? 642 00:27:00,499 --> 00:27:02,633 UM... 643 00:27:02,668 --> 00:27:03,667 NOTHING. 644 00:27:03,702 --> 00:27:05,402 I THOUGHT I SAW SOMETHING. 645 00:27:05,437 --> 00:27:06,503 ARE YOU SURE IT WAS LAST THURSDAY? 646 00:27:07,706 --> 00:27:09,873 UH... PRETTY SURE. 647 00:27:09,908 --> 00:27:12,376 BUT WHO KNOWS, MAYBE HE DIDN'T LOCK IT UP PROPERLY. 648 00:27:12,411 --> 00:27:13,877 UM, THANK YOU FOR YOUR HELP. 649 00:27:13,912 --> 00:27:15,412 IF YOU SEE OR HEAR ANYTHING... 650 00:27:15,447 --> 00:27:16,380 SURE. 651 00:27:19,285 --> 00:27:21,418 FRANK, CALL ME WHEN YOU GET THIS MESSAGE. 652 00:27:21,453 --> 00:27:23,320 I'M AT THE COMMUNITY CENTER, 653 00:27:23,355 --> 00:27:25,689 AND, APPARENTLY, THE DAY THAT DR. VEDDERS RETIRED, 654 00:27:25,724 --> 00:27:27,857 HE AND A MALE PATIENT FROM THE GROUP 655 00:27:27,893 --> 00:27:30,927 GOT INTO AN ANGRY CONFRONTATION OUTSIDE IN THE PARKING LOT. 656 00:27:30,962 --> 00:27:32,696 I JUST THOUGHT YOU SHOULD KNOW. 657 00:27:32,731 --> 00:27:34,231 [CHISEL CHIPPING] 658 00:27:48,245 --> 00:27:49,265 MORE TEA? 659 00:27:49,315 --> 00:27:51,516 UH, NO. THANK YOU. 660 00:27:54,721 --> 00:27:56,788 NOW, I REALIZE THIS IS HARD, BUT... 661 00:27:56,823 --> 00:27:58,222 ANY IDEA WHY HE LEFT? 662 00:27:58,258 --> 00:27:59,991 I WOULD'VE REPORTED HIM MISSING, 663 00:28:00,026 --> 00:28:01,893 BUT I JUST THOUGHT HE LEFT ME. 664 00:28:01,928 --> 00:28:03,194 HAS HE TAKEN OFF BEFORE? 665 00:28:03,229 --> 00:28:04,496 ONCE IN A WHILE. 666 00:28:04,531 --> 00:28:07,465 HE WOULD ALWAYS GET SO STRESSED ABOUT WORK 667 00:28:07,501 --> 00:28:08,700 OR LIFE, 668 00:28:08,735 --> 00:28:09,901 HE'D TAKE OFF, 669 00:28:09,936 --> 00:28:10,868 I'D LET HIM COOL DOWN, 670 00:28:10,904 --> 00:28:12,504 THEN HE WOULD COME BACK. 671 00:28:12,539 --> 00:28:14,339 ANY PARTICULAR REASON HE'D BE STRESSED OUT? 672 00:28:14,374 --> 00:28:16,007 EDWARD... 673 00:28:16,042 --> 00:28:17,709 HE WAS SO EMPATHETIC, 674 00:28:17,744 --> 00:28:21,012 HE WOULD LITERALLY TAKE ON AND LIVE HIS PATIENT'S PROBLEMS. 675 00:28:21,047 --> 00:28:23,247 IT ALWAYS CAME FIRST OVER US. 676 00:28:23,283 --> 00:28:24,982 NOW, WHEN YOU LAST SPOKE WITH HIM, 677 00:28:25,018 --> 00:28:26,851 WHICH WAS... ABOUT A WEEK AGO, 678 00:28:26,886 --> 00:28:30,221 HOW WAS THAT LEFT? 679 00:28:30,256 --> 00:28:33,257 THERE HAD BEEN SOME CASH MISSING FROM THE ACCOUNT, 680 00:28:33,293 --> 00:28:35,827 AND HE WOULDN'T TELL ME WHERE IT WENT, 681 00:28:35,862 --> 00:28:38,095 SO IT HAD TO BE RELATED TO THE GROUP. 682 00:28:38,131 --> 00:28:40,031 HE WAS ALWAYS BY THE BOOKS 683 00:28:40,066 --> 00:28:42,200 WHEN IT CAME TO DOCTOR-PATIENT CONFIDENTIALITY. 684 00:28:43,603 --> 00:28:45,437 NOW, I HAVE TO BRING THIS UP, BUT... 685 00:28:45,472 --> 00:28:47,872 HE RENTED THE APARTMENT WHERE WE FOUND HIS BODY, 686 00:28:47,907 --> 00:28:49,841 PAID FOR IT IN CASH. 687 00:28:49,876 --> 00:28:50,875 HE... HE WHAT? 688 00:28:50,910 --> 00:28:53,511 HAD HE NEVER MENTIONED PERMANENTLY MOVING OUT? 689 00:28:53,547 --> 00:28:56,348 WHEN I SPOKE TO HIM THAT EVENING ON THE PHONE, 690 00:28:56,383 --> 00:28:59,083 HE SAID HE MIGHT NOT BE HERE WHEN I GOT BACK. 691 00:28:59,118 --> 00:29:00,618 ANYBODY THAT HE'D BE HIDING FROM? 692 00:29:00,654 --> 00:29:02,754 ANY ONE OF HIS PATIENTS. 693 00:29:02,789 --> 00:29:03,788 THERE WERE PROBLEMS IN THE GROUP? 694 00:29:03,824 --> 00:29:04,856 LIKE I SAID, 695 00:29:04,891 --> 00:29:06,458 THEIR PROBLEMS WERE HIS. 696 00:29:06,493 --> 00:29:07,625 IT COULD HAVE BEEN ANY ONE OF THEM. 697 00:29:07,661 --> 00:29:08,793 OKAY. 698 00:29:08,829 --> 00:29:10,862 NOW, GOING FROM THE DAY HE LEFT, 699 00:29:10,897 --> 00:29:11,963 WHEN YOU GOT HOME, 700 00:29:11,998 --> 00:29:13,631 WAS THERE ANY SIGN OF A STRUGGLE? 701 00:29:13,667 --> 00:29:15,867 CHAIRS OVERTURNED...? 702 00:29:15,902 --> 00:29:17,736 THE KITCHEN DOOR, THERE WAS BROKEN GLASS. 703 00:29:17,771 --> 00:29:20,204 I HAD JUST RETURNED FROM A TRIP DOWNSTATE. 704 00:29:20,240 --> 00:29:21,439 I JUST THOUGHT HE SLAMMED IT 705 00:29:21,475 --> 00:29:23,107 OUT OF ANGER. 706 00:29:23,142 --> 00:29:25,309 HE... DID HAVE A TEMPER. 707 00:29:25,345 --> 00:29:26,544 A TEMPER ENOUGH TO HURT YOU? 708 00:29:27,647 --> 00:29:29,381 NO. 709 00:29:29,416 --> 00:29:31,416 NO, NEVER. NO. 710 00:29:31,451 --> 00:29:33,518 THAT'S NOT WHO HE IS. 711 00:29:34,788 --> 00:29:36,521 THAT'S NOT WHO HE WAS. 712 00:29:38,525 --> 00:29:40,925 IT HAD TO BE SOMEBODY IN THAT GROUP. 713 00:29:43,663 --> 00:29:45,530 [SIGHS HEAVILY] 714 00:29:46,800 --> 00:29:48,099 LIVER MORTIS WAS FIXED 715 00:29:48,134 --> 00:29:49,667 WITH A VITREOUS HUMOR POTASSIUM LEVEL 716 00:29:49,703 --> 00:29:51,168 OF 20 MILLIMOLES PER LITER, 717 00:29:51,204 --> 00:29:54,606 SO I'D DEDUCT MISS PLUMMER'S BEEN DEAD, UM... 718 00:29:54,641 --> 00:29:56,274 46 HOURS. 719 00:29:56,309 --> 00:29:57,308 [SNIFFING] 720 00:29:57,343 --> 00:30:00,578 IS THAT CARAMEL MACCHIATO I SMELL? 721 00:30:00,614 --> 00:30:02,280 YOU GOT IT. 722 00:30:02,315 --> 00:30:03,247 OH, I'VE BEEN AVOIDING DAIRY, 723 00:30:03,283 --> 00:30:05,784 BUT I GUESS I'M GETTING CREAM-ATED EITHER WAY. 724 00:30:05,819 --> 00:30:06,618 [CHUCKLING] 725 00:30:06,653 --> 00:30:08,586 CREAM-ATED? 726 00:30:08,622 --> 00:30:10,087 OH, BOY. 727 00:30:10,123 --> 00:30:11,155 NOTHING? 728 00:30:13,693 --> 00:30:16,127 SO, WHAT CAN I DO FOR YOU? 729 00:30:16,162 --> 00:30:17,295 DR. VEDDERS WAS BROUGHT IN? 730 00:30:17,330 --> 00:30:18,430 AH... 731 00:30:18,465 --> 00:30:20,998 YOU KNOW I CAN'T TELL YOU THAT. 732 00:30:21,034 --> 00:30:22,600 I SAW THE BODY AT THE SCENE. 733 00:30:22,636 --> 00:30:24,669 WELL, THEN YOU'VE SEEN THE MULTIPLE STAB WOUNDS 734 00:30:24,704 --> 00:30:25,670 TO THE LOWER THORAX 735 00:30:25,705 --> 00:30:28,473 CAUSING LUNG COLLAPSE AND RESPIRATORY FAILURE. 736 00:30:28,508 --> 00:30:29,641 I DID. 737 00:30:29,676 --> 00:30:32,143 WHAT ABOUT THE MURDER WEAPON? 738 00:30:32,178 --> 00:30:33,711 I DIDN'T SEE A KNIFE. 739 00:30:33,747 --> 00:30:36,180 WELL, YOU MAY OR MAY NOT HAVE SEEN THE BONE FRAGMENTATIONS 740 00:30:36,215 --> 00:30:38,182 WHICH SUGGEST A HEAVIER BLADE, 741 00:30:38,217 --> 00:30:40,985 SOMETHING, UH, PERHAPS CLOSER TO, UM... 742 00:30:41,020 --> 00:30:43,287 A ROCK-CARVING CHISEL? 743 00:30:43,323 --> 00:30:44,522 WOW. 744 00:30:44,558 --> 00:30:46,791 UH, YES, THAT WOULD SURELY DO IT. 745 00:30:46,827 --> 00:30:48,993 AND THIS ATTACK WAS PROBABLY, 746 00:30:49,028 --> 00:30:50,695 IF I HAD TO GUESS-- 747 00:30:50,730 --> 00:30:52,831 IF YOU HAD TO GUESS, YOU'D GUESS LAST THURSDAY. 748 00:30:52,866 --> 00:30:54,499 THE DAY HE RETIRED. 749 00:30:54,534 --> 00:30:57,502 ANYTHING ELSE I MAY OR MAY NOT HAVE SEEN? 750 00:30:57,537 --> 00:30:59,471 FROM THE LEVEL OF THE FIRST PUNCTURE WOUND, 751 00:30:59,506 --> 00:31:02,139 I'D GUESS THE KILLER WAS SOMEONE OF A SHORTER STATURE. 752 00:31:02,175 --> 00:31:03,407 POSSIBLY A WOMAN? 753 00:31:03,443 --> 00:31:04,342 THERE'S NO WAY OF KNOWING GENDER, 754 00:31:04,377 --> 00:31:07,479 BUT WHOEVER IT WAS, WAS CERTAINLY ANGRY. 755 00:31:07,514 --> 00:31:10,915 ANGRY, LIKE A CRIME OF PASSION? 756 00:31:10,951 --> 00:31:12,851 USUALLY THE CASE WITH STABBINGS VERSUS SHOOTINGS. 757 00:31:12,886 --> 00:31:14,686 MORE PERSONAL. 758 00:31:14,721 --> 00:31:15,820 BUT ODDLY, 759 00:31:15,856 --> 00:31:18,556 IT LOOKED LIKE THE BODY HAD BEEN THOROUGHLY WASHED DOWN 760 00:31:18,592 --> 00:31:19,757 AFTERWARD. 761 00:31:19,793 --> 00:31:24,061 I DID SMELL SOME TYPE OF BLEACH OR SOMETHING CLOSE TO IT, 762 00:31:24,097 --> 00:31:25,597 MAYBE HAND SANITIZER. 763 00:31:25,632 --> 00:31:26,931 WITH THE IRRITATION TO THE SKIN, 764 00:31:26,967 --> 00:31:28,432 I'D GUESS THE CLEANER 765 00:31:28,468 --> 00:31:30,434 WAS SOMETHING A LITTLE MORE HEAVY DUTY, 766 00:31:30,470 --> 00:31:32,904 LIKE AN INDUSTRIAL CLEANER. 767 00:31:32,939 --> 00:31:34,906 BUT I HAVE TO ASK, 768 00:31:34,941 --> 00:31:38,442 WHAT LED YOU TO THIS CHISEL CONCLUSION? 769 00:31:38,478 --> 00:31:41,412 A SOUND ON A RECORDING. 770 00:31:41,447 --> 00:31:43,447 THANKS FOR COMING, FRANK. 771 00:31:43,483 --> 00:31:45,049 WELL, LUNCH IS ALWAYS BETTER WHEN IT'S FREE. 772 00:31:45,084 --> 00:31:46,885 THANK YOU. 773 00:31:46,920 --> 00:31:49,120 SO, WHO ARE YOU THINKING? 774 00:31:49,155 --> 00:31:51,188 WELL, AT THIS POINT, IT COULD BE ANYONE. 775 00:31:51,224 --> 00:31:53,625 I MEAN, IF WE LOOK AT THE WIFE MAE, 776 00:31:53,660 --> 00:31:56,027 SHE HAS NOTHING BUT FOOD AND GAS RECEIPTS 777 00:31:56,062 --> 00:31:59,463 TO PROVE HER ROAD-TRIP ALIBI THAT DAY, 778 00:31:59,499 --> 00:32:01,399 AND WITH THE TIME GAPS IN BETWEEN... 779 00:32:01,434 --> 00:32:03,067 SHE STILL COULD'VE DONE IT. 780 00:32:03,102 --> 00:32:04,268 MM-HMM, ADD TO THE FACT 781 00:32:04,303 --> 00:32:05,436 THAT SHE NEVER REPORTED HIM MISSING, 782 00:32:05,471 --> 00:32:06,504 AND BASICALLY IT SEEMS LIKE 783 00:32:06,540 --> 00:32:09,040 SHE'S SELLING OFF EVERYTHING THEY OWNED TOGETHER, 784 00:32:09,075 --> 00:32:10,041 PRETTY QUICKLY. 785 00:32:10,076 --> 00:32:11,275 WHEN I FIRST MET HER, 786 00:32:11,310 --> 00:32:14,045 SHE SAID SHE'D BEEN SELLING MONTHS BEFORE HIS DEATH, THOUGH. 787 00:32:14,080 --> 00:32:16,380 DOWNSIZING. 788 00:32:16,416 --> 00:32:19,283 YOU MENTIONED SOMETHING ABOUT VEDDERS' MALE PATIENT 789 00:32:19,318 --> 00:32:20,251 AT THE COMMUNITY CENTER? 790 00:32:23,322 --> 00:32:24,255 IS THIS THE GUY? 791 00:32:24,290 --> 00:32:25,723 YES. 792 00:32:25,759 --> 00:32:27,659 I SAW HIM ON THE SURVEILLANCE FOOTAGE. 793 00:32:27,694 --> 00:32:29,827 HE WENT AFTER VEDDERS, ANGRILY. 794 00:32:29,863 --> 00:32:32,129 I'LL HEAD OVER THERE AND CHECK IT OUT MYSELF. 795 00:32:32,165 --> 00:32:33,164 WHO IS HE? 796 00:32:33,199 --> 00:32:34,065 CHRIS SUDON. WIDOWED. 797 00:32:34,100 --> 00:32:37,134 HE'S A GENIUS HANDS-ON TEXTILE ENGINEER. 798 00:32:37,170 --> 00:32:39,070 WHAT DOES THAT MEAN? 799 00:32:39,105 --> 00:32:42,440 HE DEVELOPS PLASTICS AND FABRICATING MACHINES. 800 00:32:42,475 --> 00:32:44,809 THAT'S HOW HIS BOSS DESCRIBES IT, AT LEAST. 801 00:32:46,145 --> 00:32:47,979 SO HE WOULD HAVE ACCESS 802 00:32:48,014 --> 00:32:50,448 TO INDUSTRIAL CLEANERS WE WOULDN'T. 803 00:32:50,483 --> 00:32:51,716 TRAMMEL SAID 804 00:32:51,751 --> 00:32:54,285 THE BODY WAS WIPED DOWN WITH SOME TYPE OF CLEANING CHEMICAL. 805 00:32:54,320 --> 00:32:56,520 I KNOW. 806 00:32:56,556 --> 00:32:58,590 HE DOES HAVE A PREVIOUS ASSAULT CHARGE, 807 00:32:58,625 --> 00:33:00,625 AND CURRENTLY, 808 00:33:00,660 --> 00:33:03,327 I'M HAVING SERIOUS PROBLEMS LOCATING THIS GUY. 809 00:33:03,362 --> 00:33:04,796 HE HAS ZERO PAPER TRAILS, 810 00:33:04,831 --> 00:33:06,698 ONLINE OR OTHERWISE. 811 00:33:06,733 --> 00:33:09,000 HE EVEN GETS HIS MAIL DELIVERED TO A P.O. BOX. 812 00:33:09,035 --> 00:33:10,635 ASIDE FROM THAT, 813 00:33:10,670 --> 00:33:12,303 I SAW DEB, 814 00:33:12,338 --> 00:33:15,339 SHE HAD THESE FRESH SCRATCHES ON HER HANDS, 815 00:33:15,374 --> 00:33:17,775 MAYBE FROM A STRUGGLE. 816 00:33:17,811 --> 00:33:18,876 ALL RIGHT, SURE, 817 00:33:18,912 --> 00:33:20,277 DEB'S BLOG PAGES WERE AT AN APARTMENT 818 00:33:20,313 --> 00:33:22,446 WHERE A BODY TURNS UP. 819 00:33:22,482 --> 00:33:24,716 YOU KNOW, THE PLACE WAS PAID FOR IN CASH, 820 00:33:24,751 --> 00:33:26,150 IT'S ALL THE MAKINGS OF A LOVE NEST, 821 00:33:26,185 --> 00:33:28,185 I GET IT. 822 00:33:28,221 --> 00:33:32,090 BUT THERE'S ONE MORE THING THAT IS STARTING TO CONCERN ME. 823 00:33:33,727 --> 00:33:34,859 KENDAHL HARTMAN, 824 00:33:34,894 --> 00:33:36,027 SHE'S ONE OF THE GROUP MEMBERS. 825 00:33:36,062 --> 00:33:37,194 SHE WAS LAST SEEN 826 00:33:37,230 --> 00:33:39,130 THE DAY DR. VEDDERS RETIRED. 827 00:33:39,165 --> 00:33:41,032 MAYBE ON THE RUN, 828 00:33:41,067 --> 00:33:43,167 OR ANOTHER VICTIM. 829 00:33:43,202 --> 00:33:45,369 WHY THE MUGSHOT? 830 00:33:45,404 --> 00:33:48,806 SHE'D HAD A RESTRAINING ORDER PUT AGAINST HER BY AN EX. 831 00:33:48,842 --> 00:33:51,876 SHE STILL HAS A PATTERN OF UNHEALTHY RELATIONSHIPS 832 00:33:51,911 --> 00:33:52,877 ACCORDING TO HER MOTHER. 833 00:33:52,912 --> 00:33:54,478 SO, ONE WITH A MARRIED MAN 834 00:33:54,514 --> 00:33:56,313 WOULD DEFINITELY FALL INTO THAT CATEGORY. 835 00:33:56,349 --> 00:33:57,314 MM-HMM. 836 00:33:57,350 --> 00:33:59,984 AND I WAS TOLD THAT SHE'S THE OUTDOORSY TYPE, 837 00:34:00,020 --> 00:34:03,187 SO SHE FREQUENTLY TAKES CAMPING, HIKING TRIPS. 838 00:34:03,222 --> 00:34:05,322 BUT AFTER MY VISIT, 839 00:34:05,358 --> 00:34:07,558 HER MOTHER FILED A MISSING PERSON'S REPORT. 840 00:34:07,593 --> 00:34:09,560 THAT REEL-TO-REEL RECORDER... 841 00:34:09,595 --> 00:34:10,461 VEDDERS HAS A HOUSE, 842 00:34:10,496 --> 00:34:12,263 BUT HE GETS IT DELIVERED TO THE APARTMENT. 843 00:34:12,298 --> 00:34:13,397 WHY? 844 00:34:13,432 --> 00:34:14,932 NONE OF HIS OTHER THINGS WERE THERE. 845 00:34:14,968 --> 00:34:15,767 IT'S PROBABLY A LOT CHEAPER 846 00:34:15,802 --> 00:34:16,367 TO GET IT DELIVERED TO THE APARTMENT 847 00:34:16,402 --> 00:34:17,434 THAN ALL THE WAY UPSTATE. 848 00:34:17,470 --> 00:34:19,737 SO HE GOES TO THE APARTMENT THE DAY HE RETIRED, 849 00:34:19,773 --> 00:34:20,805 AND THEN HE GOES HOME. 850 00:34:21,875 --> 00:34:23,908 LOOKS THAT WAY. 851 00:34:25,311 --> 00:34:27,344 SO NOW, WITH EVERYONE A SUSPECT... 852 00:34:27,380 --> 00:34:30,247 WE'RE KIND OF BACK AT THE BEGINNING OF EVERYTHING. 853 00:34:30,283 --> 00:34:32,550 YEAH, WELL, THAT'S JUST LIKE ME. 854 00:34:32,585 --> 00:34:34,585 YOU KNOW MY VISION-BOARD WAS PRACTICALLY BLANK? 855 00:34:34,620 --> 00:34:35,553 IT REALLY MADE ME THINK 856 00:34:35,588 --> 00:34:37,454 I NEED SOME KIND OF DIRECTION IN MY LIFE. 857 00:34:37,490 --> 00:34:39,757 LIKE A BUCKET LIST OR SOMETHING. 858 00:34:39,793 --> 00:34:43,360 YOU KNOW, I'VE ALWAYS WANTED TO TRY THAT ADVENTURE ZIPLINING. 859 00:34:43,396 --> 00:34:44,528 YOU SHOULD COME WITH ME. 860 00:34:44,564 --> 00:34:46,064 IF YOU WANT SOMETHING DIFFERENT, 861 00:34:46,099 --> 00:34:47,732 YOU MUST DO SOMETHING DIFFERENT. 862 00:34:47,767 --> 00:34:49,266 BUT I WAS JUST... 863 00:34:49,302 --> 00:34:50,234 HEADED OUT. 864 00:34:50,269 --> 00:34:51,368 OH? 865 00:34:51,404 --> 00:34:52,369 YOU KNOW, I CALLED DR. VEDDERS' WIFE, 866 00:34:52,405 --> 00:34:53,871 WHERE WE BOUGHT THE RECORDER. 867 00:34:53,907 --> 00:34:55,239 I THOUGHT I MIGHT DRIVE UP THERE, 868 00:34:55,274 --> 00:34:56,640 AND SEE WHAT OTHER HIDDEN GEMS SHE HAS. 869 00:34:56,676 --> 00:34:57,641 OH. 870 00:34:57,677 --> 00:34:59,543 YOU KNOW, WE BOTH KNOW YOU'RE NOT GOING THERE 871 00:34:59,579 --> 00:35:01,045 FOR THE ANTIQUES. 872 00:35:01,081 --> 00:35:03,047 TRUE. 873 00:35:03,083 --> 00:35:07,085 BUT I DO ENJOY A GOOD COUNTRY DRIVE. 874 00:35:07,120 --> 00:35:08,119 OKAY, I BUY THAT. 875 00:35:08,154 --> 00:35:09,120 I'LL SEE YOU LATER. 876 00:35:17,968 --> 00:35:19,234 HEY, CHECK IT OUT. 877 00:35:19,269 --> 00:35:20,268 I FOUND THIS OLD POPCORN MACHINE 878 00:35:20,303 --> 00:35:22,037 FOR SALE IN ADLINGROVE. 879 00:35:22,072 --> 00:35:22,938 IT'S PERFECT, 880 00:35:22,973 --> 00:35:24,806 IT'LL TOTALLY ADD TO THE THEATER THEME. 881 00:35:24,842 --> 00:35:26,575 WELL, SINCE WE'RE BUILDING THE ENTERTAINMENT UNIT BY HAND, 882 00:35:26,610 --> 00:35:27,509 WE'RE GONNA NEED SOME LUMBER. 883 00:35:27,545 --> 00:35:29,444 WE CAN PICK UP THE MACHINE ON THE WAY HOME. 884 00:35:29,479 --> 00:35:31,246 YEAH, THAT'D BE GREAT. 885 00:35:31,281 --> 00:35:32,548 HERE, TAKE THIS. 886 00:35:33,617 --> 00:35:34,516 TOP CORNER. 887 00:35:36,020 --> 00:35:37,052 ALL THE WAY? 888 00:35:37,087 --> 00:35:38,620 ALL THE WAY UP, YEAH. 889 00:35:38,656 --> 00:35:40,121 YOU KNOW, 890 00:35:40,157 --> 00:35:42,257 WHEN I WAS YOUR AGE, 891 00:35:42,292 --> 00:35:44,660 YOUR GRANDPA, HE ALWAYS HAD TWO PROJECTS ON THE GO, 892 00:35:44,695 --> 00:35:46,929 AND HE WAS ALWAYS ROPING ME IN. 893 00:35:46,964 --> 00:35:49,431 ALL I WANTED TO DO WAS HANG OUT WITH MY FRIENDS. 894 00:35:49,466 --> 00:35:51,567 THAT SOUNDS VAGUELY FAMILIAR. 895 00:35:51,602 --> 00:35:52,601 YEAH, YEAH. 896 00:35:52,636 --> 00:35:54,469 [CHUCKLING] 897 00:35:54,504 --> 00:35:56,638 SOMETIMES, I WISH I COULD GO BACK IN TIME, 898 00:35:56,674 --> 00:35:58,774 NOT TO CHANGE ANYTHING, BUT... 899 00:35:58,809 --> 00:36:01,142 JUST TO LIVE IN THOSE MOMENTS A LITTLE LONGER. 900 00:36:01,178 --> 00:36:03,244 NAH, I TOTALLY GET YOU. 901 00:36:03,280 --> 00:36:05,047 ALL RIGHT, LET'S GO GET THE STUFF. 902 00:36:06,650 --> 00:36:08,149 LET'S SEE THAT MACHINE AGAIN. 903 00:36:08,185 --> 00:36:09,851 HERE, CHECK IT OUT. 904 00:36:09,887 --> 00:36:11,486 YOU KNOW WHAT-- I LOVE POPCORN. 905 00:36:11,521 --> 00:36:13,789 YOU KNOW WHO LOVES IT MORE? FRANK. 906 00:36:13,824 --> 00:36:16,291 SO HE'S GONNA BE HERE A LOT-- A LOT MORE THAN HE USUALLY IS. 907 00:36:30,708 --> 00:36:33,341 [PRESSURE HOSE HISSING] 908 00:36:38,082 --> 00:36:39,648 [WHOOSHING AND SPLASHING] 909 00:36:39,683 --> 00:36:42,283 MAE? 910 00:36:43,186 --> 00:36:44,686 MAE! 911 00:36:44,722 --> 00:36:46,989 OH, UH... HI. 912 00:36:47,024 --> 00:36:47,923 HI, JENN. 913 00:36:47,958 --> 00:36:49,992 I'M SORRY, I DIDN'T MEAN TO STARTLE YOU. 914 00:36:50,027 --> 00:36:51,226 NO, IT'S, UM... 915 00:36:51,261 --> 00:36:53,161 IT'S JUST ME, I'M A LITTLE BIT ON EDGE. 916 00:36:53,196 --> 00:36:55,764 I'M JUST TRYING TO KEEP BUSY. 917 00:36:57,735 --> 00:36:59,367 UM, DO YOU, UH... 918 00:36:59,402 --> 00:37:00,301 SHOULD WE GO INSIDE? 919 00:37:00,337 --> 00:37:01,803 SURE. 920 00:37:01,839 --> 00:37:03,371 GREAT. 921 00:37:06,576 --> 00:37:07,408 PLEASE COME IN. 922 00:37:07,444 --> 00:37:09,511 THANK YOU. 923 00:37:11,281 --> 00:37:14,683 IS THAT AN 18TH-CENTURY PRUSSIAN PLATE? 924 00:37:14,718 --> 00:37:17,552 I DON'T KNOW, YOU TELL ME. 925 00:37:17,587 --> 00:37:20,022 COULD BE 1750 OR 1755. 926 00:37:20,057 --> 00:37:21,857 WHY, IS IT WORTH SOMETHING? 927 00:37:21,892 --> 00:37:22,590 IF IT'S REAL, 928 00:37:22,626 --> 00:37:25,027 IT COULD BE WORTH $185,000. 929 00:37:25,062 --> 00:37:25,927 WOW. 930 00:37:25,963 --> 00:37:26,728 [CHUCKLES IN DISBELIEF] 931 00:37:26,764 --> 00:37:28,797 OKAY, WELL, PLEASE KEEP LOOKING. 932 00:37:30,034 --> 00:37:32,600 OH. NO, IT'S AN ANNIVERSARY REPLICA, 933 00:37:32,636 --> 00:37:34,069 BUT IT STILL COULD BE WORTH SOMETHING. 934 00:37:34,104 --> 00:37:35,537 OKAY, WELL, I'LL TAKE WHAT I CAN GET. 935 00:37:35,572 --> 00:37:36,371 WOULD YOU LIKE TEA? 936 00:37:36,406 --> 00:37:37,338 PLEASE. 937 00:38:22,319 --> 00:38:24,385 MILK AND SUGAR? 938 00:38:24,421 --> 00:38:26,254 PLEASE! 939 00:38:34,598 --> 00:38:36,331 BISCUITS? 940 00:38:36,366 --> 00:38:37,933 THAT WOULD BE LOVELY. 941 00:38:39,103 --> 00:38:40,802 [CAMERA APP SNAPS] 942 00:38:40,838 --> 00:38:42,570 [FOOTSTEPS APPROACH] 943 00:38:44,307 --> 00:38:45,140 SHALL WE SIT? 944 00:38:46,276 --> 00:38:47,709 OH. THANK YOU. 945 00:38:49,780 --> 00:38:53,281 I WAS SORRY TO HEAR ABOUT DR. VEDDERS' PASSING. 946 00:38:55,652 --> 00:38:56,818 EXCUSE ME? 947 00:38:56,854 --> 00:38:58,920 HIS PASSING. 948 00:38:58,956 --> 00:39:00,588 I'M SORRY, 949 00:39:00,624 --> 00:39:01,957 I SHOULDN'T PRY. 950 00:39:01,992 --> 00:39:04,692 I DIDN'T SAY ANYTHING ABOUT ANYBODY PASSING. 951 00:39:04,728 --> 00:39:06,427 I-I... 952 00:39:06,463 --> 00:39:08,163 I MUST HAVE READ ABOUT IT IN THE NEWSPAPER. 953 00:39:08,198 --> 00:39:09,530 NO, YOU DIDN'T. 954 00:39:09,566 --> 00:39:12,300 WE DIDN'T REPORT IT TO THE NEWSPAPERS. 955 00:39:13,470 --> 00:39:14,836 OH... 956 00:39:14,872 --> 00:39:16,671 [CHUCKLES MIRTHLESSLY] 957 00:39:16,706 --> 00:39:20,142 YOU'RE NOT HERE JUST FOR THE ANTIQUES, ARE YOU? 958 00:39:20,177 --> 00:39:21,810 I DIDN'T KILL MY HUSBAND. 959 00:39:21,845 --> 00:39:23,645 WE HAD PROBLEMS, BUT THEY WERE FIXABLE. 960 00:39:25,015 --> 00:39:25,914 NOW, I DON'T KNOW WHICH ONE OF THEM DID IT, 961 00:39:25,949 --> 00:39:27,515 BUT IF YOU'RE LOOKING TO BLAME SOMEBODY, 962 00:39:27,550 --> 00:39:29,184 GO AND TALK TO THE GIRLS IN THE GROUP. 963 00:39:29,219 --> 00:39:30,351 THEY WERE ALL AFTER HIM, 964 00:39:30,387 --> 00:39:31,452 ONE WAY OR ANOTHER. 965 00:39:40,664 --> 00:39:43,165 HAVE A NICE DAY, MRS. SHANNON. 966 00:39:50,507 --> 00:39:51,673 [SIGHS, SCOFFING] 967 00:40:00,284 --> 00:40:02,150 HEY, FRANK. 968 00:40:02,186 --> 00:40:03,251 I DIDN'T HEAR BACK, 969 00:40:03,287 --> 00:40:04,219 I WANTED TO MAKE SURE 970 00:40:04,254 --> 00:40:05,821 YOU GOT THE PICTURE OF THE CHISEL I SENT YOU. 971 00:40:05,856 --> 00:40:06,822 SURE DID. 972 00:40:06,857 --> 00:40:08,089 WE ALSO STOPPED AT MAE'S 973 00:40:08,125 --> 00:40:09,557 AND RETRIEVED THE ACTUAL CHISEL. 974 00:40:09,592 --> 00:40:11,359 IT APPEARS IT HAS BLOOD STAINS. 975 00:40:11,394 --> 00:40:13,929 JUST SENT IT OUT FOR TESTING. 976 00:40:13,964 --> 00:40:15,363 HOW'D YOU KNOW IT WAS A CHISEL? 977 00:40:16,466 --> 00:40:18,666 OH... EDUCATED GUESS. 978 00:40:18,702 --> 00:40:19,835 TRAMMEL? 979 00:40:20,904 --> 00:40:23,671 WE MIGHT'VE BOUNCED SOME THINGS BACK AND FORTH. 980 00:40:23,707 --> 00:40:24,572 MM-HMM. 981 00:40:24,607 --> 00:40:25,440 SO THE KILLER DROPS THE WEAPON IN A PANIC, 982 00:40:25,475 --> 00:40:28,009 AND CAN'T GET IT OUT OF THE FLOOR VENT. 983 00:40:28,045 --> 00:40:30,011 MAE THINKS IT'S SOMEONE IN THE GROUP, 984 00:40:30,047 --> 00:40:32,247 THAT THERE'S SOME TYPE OF AFFAIR. 985 00:40:32,282 --> 00:40:34,049 DID YOU FIND DEB? 986 00:40:34,084 --> 00:40:34,916 DEB IS IN CUSTODY. 987 00:40:34,952 --> 00:40:37,052 I WAS JUST GOING TO SPEAK TO HER NOW. 988 00:40:37,087 --> 00:40:38,320 NICE WORK. 989 00:40:39,456 --> 00:40:41,022 ANYTHING ELSE? 990 00:40:41,058 --> 00:40:44,059 I'LL LET YOU FOCUS ON ONE SUSPECT AT A TIME. 991 00:40:45,095 --> 00:40:46,194 GOOD. 992 00:40:49,333 --> 00:40:50,732 LIKE I SAID, I HAD AN ART CLASS 993 00:40:50,767 --> 00:40:51,867 AND THEN A DATE AFTER. 994 00:40:51,902 --> 00:40:53,634 HE'LL CONFIRM. 995 00:40:53,670 --> 00:40:54,736 HE DID. 996 00:40:58,742 --> 00:41:01,042 ARE THOSE SCARS ON YOUR HAND? 997 00:41:01,078 --> 00:41:04,379 YEAH, IT'S JUST A NERVOUS OCD THING. 998 00:41:04,414 --> 00:41:06,547 GETS BAD WHEN I'M EXTRA STRESSED. 999 00:41:08,151 --> 00:41:08,884 YOU EVER SEEN ONE OF THESE? 1000 00:41:10,754 --> 00:41:11,753 IN CLASS. 1001 00:41:11,788 --> 00:41:13,388 WHY? 1002 00:41:13,423 --> 00:41:14,455 THAT WAS FOUND AT DR. VEDDERS' HOME OFFICE 1003 00:41:14,491 --> 00:41:15,456 WITH BLOOD ON IT. 1004 00:41:17,194 --> 00:41:18,960 WELL, THAT'S SOMEONE TRYING TO FRAME ME. 1005 00:41:18,996 --> 00:41:19,761 YOU CAN GET A CHISEL ANYWHERE. 1006 00:41:21,331 --> 00:41:23,298 ANY IDEA WHY MRS. VEDDERS WOULD THINK 1007 00:41:23,333 --> 00:41:24,499 EITHER YOU OR KENDAHL 1008 00:41:24,534 --> 00:41:27,002 WAS HAVING AN AFFAIR WITH HER HUSBAND? 1009 00:41:27,037 --> 00:41:29,304 HE WAS LIKE A FATHER FIGURE TO US. 1010 00:41:29,339 --> 00:41:31,773 THERE WAS NEVER ANYTHING LIKE THAT. 1011 00:41:35,178 --> 00:41:36,111 YES? 1012 00:41:36,146 --> 00:41:37,178 IT'S NOTHING. 1013 00:41:37,214 --> 00:41:39,247 I DON'T KNOW. 1014 00:41:39,283 --> 00:41:40,581 I DID SEE DR. VEDDERS 1015 00:41:40,617 --> 00:41:41,783 AND KENDAHL, 1016 00:41:41,818 --> 00:41:43,018 THAT DAY THAT HE RETIRED, 1017 00:41:43,053 --> 00:41:45,954 IN THE COMMUNITY CENTER PARKING LOT. 1018 00:41:45,989 --> 00:41:47,789 HE PASSED HER A NOTE, 1019 00:41:47,824 --> 00:41:50,458 BUT I JUST FIGURED IT WAS ADVICE OR SOMETHING. 1020 00:41:50,493 --> 00:41:51,960 HE ALWAYS HAD THESE MANTRAS. 1021 00:41:51,995 --> 00:41:53,094 BUT THEN... 1022 00:41:53,130 --> 00:41:55,130 THEN...? 1023 00:41:55,165 --> 00:41:58,133 WELL, THEN IT WAS ALMOST LIKE THEY LEFT TOGETHER. 1024 00:41:58,168 --> 00:42:00,601 LIKE SHE FOLLOWED HIM. 1025 00:42:00,637 --> 00:42:03,071 LIKE THEY WERE GOING SOMEWHERE TOGETHER? 1026 00:42:04,141 --> 00:42:05,140 WHERE? 1027 00:42:05,175 --> 00:42:07,642 I HAVE NO CLUE. 1028 00:42:07,677 --> 00:42:09,610 BUT I DO KNOW THAT KENDAHL'S A SWEETHEART. 1029 00:42:09,646 --> 00:42:10,378 SHE'S NOT A KILLER. 1030 00:42:10,414 --> 00:42:12,147 ALL RIGHT. 1031 00:42:12,182 --> 00:42:14,049 BUT HUMOR ME, 1032 00:42:14,084 --> 00:42:16,985 IF IT ISN'T YOU OR KENDAHL, 1033 00:42:17,020 --> 00:42:20,521 WHO IS IT? 1034 00:42:20,557 --> 00:42:22,690 IF I WERE TO GUESS, 1035 00:42:22,725 --> 00:42:25,526 I'D SAY A JEALOUS WIFE'S A DANGEROUS THING. 1036 00:42:26,830 --> 00:42:28,463 THANKS FOR COMING IN. 1037 00:42:28,498 --> 00:42:29,831 IT'S NOT LIKE WE HAVE THE BEST, 1038 00:42:29,866 --> 00:42:31,333 OR ANY TECH DEPARTMENT. 1039 00:42:31,368 --> 00:42:32,533 NO PROBLEM. 1040 00:42:32,569 --> 00:42:35,003 MY LIFE DOESN'T USUALLY RUN AT THIS LEVEL OF EXCITEMENT, 1041 00:42:35,038 --> 00:42:37,839 SO IT'S FUN FOR ME TO-- 1042 00:42:37,874 --> 00:42:39,341 [RECORDING OF RUNNING FOOTSTEPS] 1043 00:42:39,376 --> 00:42:40,875 [VEDDERS PANTING IN FEAR] 1044 00:42:40,910 --> 00:42:42,677 SOMEONE'S TRYING TO KILL ME! 1045 00:42:42,712 --> 00:42:43,644 NO... 1046 00:42:43,680 --> 00:42:45,146 NO, PLEASE. 1047 00:42:45,182 --> 00:42:46,348 [MUFFLED BLOWS AND BODY SLUMPING] 1048 00:42:46,383 --> 00:42:48,216 [CLATTER OF TOOL DROPPING, VOICE WHISPERING] 1049 00:42:48,251 --> 00:42:49,317 CAN YOU REWIND THAT? 1050 00:42:49,353 --> 00:42:50,251 PLAY IT AGAIN. 1051 00:42:50,287 --> 00:42:51,919 JUST MAKE IT A LITTLE LOUDER. 1052 00:42:51,955 --> 00:42:53,955 HANG ON. 1053 00:42:55,359 --> 00:42:57,725 [VOICE WHISPERING] 1054 00:42:57,760 --> 00:42:59,160 THOSE ARE WHISPERS. 1055 00:42:59,196 --> 00:43:01,162 IS THERE ANY WAY YOU CAN AMPLIFY THAT LAST SOUND? 1056 00:43:01,198 --> 00:43:01,863 [CLICKS MACHINE OFF] 1057 00:43:01,898 --> 00:43:04,265 IF I HAD A DIGITAL RECORDING. 1058 00:43:04,301 --> 00:43:06,001 -CAN YOU MAKE ONE? -YEAH, ABSOLUTELY. 1059 00:43:06,036 --> 00:43:07,035 IS IT JUST ME, 1060 00:43:07,070 --> 00:43:07,935 OR DOES THAT SOUND LIKE 1061 00:43:07,971 --> 00:43:08,736 A MAN'S VOICE OTHER THAN DR. VEDDERS' 1062 00:43:08,771 --> 00:43:09,537 AT THE END? 1063 00:43:09,572 --> 00:43:11,906 YEAH, I THINK THAT'S WHAT IT IS. 1064 00:43:11,941 --> 00:43:13,941 ANY WAY YOU CAN TELL? 1065 00:43:13,977 --> 00:43:15,410 WELL, I'LL SEE WHAT I CAN DO. 1066 00:43:17,414 --> 00:43:18,413 [SIGHS HEAVILY] 1067 00:43:18,448 --> 00:43:21,716 WE'VE BEEN FOCUSING ON THREE FEMALE SUSPECTS. 1068 00:43:21,751 --> 00:43:24,585 MAYBE IT'S JUST ONE MAN. 1069 00:43:30,428 --> 00:43:31,794 HI! 1070 00:43:31,829 --> 00:43:33,129 HOW DID ZIPLINING GO? 1071 00:43:33,164 --> 00:43:34,063 GONE. 1072 00:43:34,099 --> 00:43:35,364 WAY GONE. 1073 00:43:35,400 --> 00:43:37,032 OH, WAIT, GONE AS IN NOT HAPPENING? 1074 00:43:37,068 --> 00:43:39,735 NO, I COULDN'T EVEN CLICK "CONFIRM PAYMENT" ON THE SITE. 1075 00:43:39,770 --> 00:43:41,504 HOW ARE THINGS GOING WITH YOU? 1076 00:43:41,539 --> 00:43:42,405 OH, GOOD. 1077 00:43:42,440 --> 00:43:44,307 I WAS JUST READING DEB MACBETH'S BLOG. 1078 00:43:44,342 --> 00:43:46,075 THE CUTS ON HER HANDS, SHE'S HAD THEM BEFORE. 1079 00:43:46,111 --> 00:43:48,010 MOST LIKELY FROM OVERWASHING 1080 00:43:48,045 --> 00:43:49,479 IN TIMES OF OCD STRESS, 1081 00:43:49,514 --> 00:43:51,380 AND SHE JUST RECENTLY STARTED DATING 1082 00:43:51,416 --> 00:43:53,015 AFTER A BAD BREAKUP. 1083 00:43:53,050 --> 00:43:53,916 I WAS THINKING, 1084 00:43:53,951 --> 00:43:56,519 MAYBE THAT LITERALLY OPENED OLD WOUNDS, 1085 00:43:56,554 --> 00:43:59,054 COUPLED WITH DR. VEDDERS, HER SUPPORT SYSTEM, LEAVING. 1086 00:43:59,090 --> 00:44:00,856 SO IT COULD STILL BE THE WIFE? 1087 00:44:00,891 --> 00:44:01,724 POSSIBLY. 1088 00:44:01,759 --> 00:44:02,625 BUT FRANK CALLED 1089 00:44:02,660 --> 00:44:04,427 AND THERE'S A MALE VOICE ON THE RECORDING, 1090 00:44:04,462 --> 00:44:06,229 PRESUMABLY THE KILLER. 1091 00:44:06,264 --> 00:44:07,597 MAYBE TWO KILLERS? 1092 00:44:07,632 --> 00:44:08,631 COULD BE, 1093 00:44:08,666 --> 00:44:11,501 BUT A CRIME OF PASSION, IT FEELS LIKE... ONE. 1094 00:44:11,536 --> 00:44:12,735 I DON'T KNOW. 1095 00:44:12,770 --> 00:44:14,170 SO ZIPLINING, 1096 00:44:14,205 --> 00:44:16,272 NOT THE LIFE DIRECTION YOU WERE LOOKING FOR? 1097 00:44:16,307 --> 00:44:18,741 NO, BECAUSE I WAS LOOKING FOR A LIFE DIRECTION, 1098 00:44:18,776 --> 00:44:21,344 NOT A DEATH DIRECTION. 1099 00:44:21,379 --> 00:44:23,212 THE GUIDE ON THE SITE WAS CUTE, THOUGH. 1100 00:44:23,248 --> 00:44:24,847 WELL, THAT'S A PLUS. 1101 00:44:24,882 --> 00:44:26,849 YOU KNOW, IF ONLY YOU COULD FIND A WAY 1102 00:44:26,884 --> 00:44:28,451 OF COMBINING THE THOUGHT OF THE THRILL RIDE 1103 00:44:28,486 --> 00:44:29,918 WITH THE ACTUAL DATING RIDE. 1104 00:44:29,954 --> 00:44:31,521 IT'S FUNNY YOU SHOULD SAY THAT. 1105 00:44:31,556 --> 00:44:33,756 LOOK AT THIS. 1106 00:44:33,791 --> 00:44:35,358 30-SECOND SPEED-DATING? 1107 00:44:35,393 --> 00:44:37,793 IF YOU DON'T LIKE 'EM, WAIT 30 SECONDS. 1108 00:44:37,828 --> 00:44:40,896 HUH, THAT'S VERY EFFICIENT. 1109 00:44:40,931 --> 00:44:42,598 HMM, 1110 00:44:42,634 --> 00:44:44,900 I WONDER IF "K.H." IS KENDAHL HARTMAN? 1111 00:44:44,935 --> 00:44:47,203 THAT'S THE STALKER WOMAN FROM THE GROUP, RIGHT? 1112 00:44:47,238 --> 00:44:49,272 IT IS. 1113 00:44:49,307 --> 00:44:51,340 HMM, "PAGE NOT FOUND." 1114 00:44:56,981 --> 00:44:58,481 [CALL RINGING] 1115 00:44:58,516 --> 00:44:59,448 HEY, WHAT'S UP, MOM? 1116 00:44:59,484 --> 00:45:01,950 LOGAN, UM... CAN YOU FIND ANY ONLINE INFO... 1117 00:45:01,986 --> 00:45:04,820 FOR A USER "KH1976"? 1118 00:45:04,855 --> 00:45:06,789 YEAH, YEAH, NO PROBLEM. 1119 00:45:06,824 --> 00:45:08,924 JUST HANG ON ONE SECOND, OKAY? 1120 00:45:26,477 --> 00:45:28,911 YEAH, THE PROFILE'S PRETTY LOCKED DOWN. 1121 00:45:28,946 --> 00:45:30,979 THERE HASN'T BEEN A POSTING IN ABOUT A WEEK OR SO. 1122 00:45:31,015 --> 00:45:32,781 BUT SOME OF THE PAST PUBLIC CHECK-INS 1123 00:45:32,817 --> 00:45:33,982 SHOW THE WOMAN FROM THAT PICTURE 1124 00:45:34,018 --> 00:45:36,819 UP AT EAGLE ROCK'S CAMPGROUND FAIRLY OFTEN. 1125 00:45:36,854 --> 00:45:38,987 YEAH, IT LOOKS LIKE SHE'S CONNECTED 1126 00:45:39,023 --> 00:45:40,956 TO HER OWN LANDSCAPE BUSINESS, TOO. 1127 00:45:40,991 --> 00:45:42,358 YEAH, I'LL SEND YOU A LINK, A NUMBER, 1128 00:45:42,393 --> 00:45:43,492 AND A SCREEN CAP, 'KAY? 1129 00:45:43,528 --> 00:45:44,527 OH, THANKS, SWEETIE. 1130 00:45:44,562 --> 00:45:46,462 YEAH, NO PROBLEM. SEE YA. 1131 00:45:46,497 --> 00:45:47,796 EVERYTHING OKAY WITH YOUR MOM? 1132 00:45:47,832 --> 00:45:48,831 YEAH, SHE'S FINE. 1133 00:45:48,866 --> 00:45:50,032 SHE JUST WANTED ME TO HELP HER WITH SOME INFO. 1134 00:45:50,067 --> 00:45:50,999 ALL RIGHT. 1135 00:45:51,035 --> 00:45:52,268 WELL, I NEED YOU TO HELP ME WITH THIS LUMBER. 1136 00:45:52,303 --> 00:45:54,237 ALL RIGHT. 1137 00:46:01,546 --> 00:46:02,878 "LOVE'S A GIFT 1138 00:46:02,913 --> 00:46:04,847 ALREADY DELIVERED BROKEN. 1139 00:46:04,882 --> 00:46:06,682 GOODBYE, DOC." 1140 00:46:06,718 --> 00:46:08,117 THAT SOUNDS CRYPTIC. 1141 00:46:08,152 --> 00:46:10,018 AND INCRIMINATING. 1142 00:46:11,222 --> 00:46:13,021 WHERE ARE YOU OFF TO? 1143 00:46:13,057 --> 00:46:14,189 I'M GOING CAMPING. 1144 00:46:14,225 --> 00:46:15,358 OH. 1145 00:46:15,393 --> 00:46:17,326 OBVIOUSLY. 1146 00:46:17,362 --> 00:46:20,796 FRANK, I THINK I MAY HAVE FOUND KENDAHL FROM THE GROUP. 1147 00:46:20,831 --> 00:46:23,031 I'M HEADED UP TO EAGLE ROCK TO CHECK IT OUT, 1148 00:46:23,067 --> 00:46:25,134 SO CALL ME, OR MEET ME UP THERE. 1149 00:46:30,074 --> 00:46:32,207 [CAR ENGINE STARTS] 1150 00:46:54,064 --> 00:46:57,667 [♪♪♪] 1151 00:47:22,126 --> 00:47:23,292 WOW! 1152 00:47:23,328 --> 00:47:24,460 IMPRESSIVE. 1153 00:47:24,495 --> 00:47:25,394 [CHUCKLES] 1154 00:47:25,430 --> 00:47:28,631 THE DIRECTIONS WERE CONFUSING AT FIRST... 1155 00:47:28,666 --> 00:47:30,032 BUT I GOT THE HANG OF IT. 1156 00:47:30,067 --> 00:47:31,066 WHAT ARE WE GONNA DO 1157 00:47:31,101 --> 00:47:34,203 WITH ALL THIS LUMBER? 1158 00:47:34,238 --> 00:47:35,170 WAIT... 1159 00:47:36,240 --> 00:47:37,506 I'VE GOT IT. 1160 00:47:39,410 --> 00:47:40,710 LEVELS. 1161 00:47:40,745 --> 00:47:42,445 WE CAN BUILD LEVELS, 1162 00:47:42,480 --> 00:47:43,379 JUST LIKE IN A REAL MOVIE THEATER. 1163 00:47:43,414 --> 00:47:44,380 I SEE IT, TOO. 1164 00:47:44,415 --> 00:47:45,781 YEAH, ME TOO. 1165 00:47:45,817 --> 00:47:47,049 WAIT, HOW? 1166 00:47:47,084 --> 00:47:47,983 WELL, WE'D NEED SOME MORE MATERIALS, 1167 00:47:48,018 --> 00:47:49,418 BUT... 1168 00:47:49,454 --> 00:47:50,386 IT'S DOABLE, RIGHT? 1169 00:47:50,421 --> 00:47:51,420 TOTALLY. 1170 00:47:51,456 --> 00:47:52,655 I'M SO PROUD OF YOU. 1171 00:47:52,690 --> 00:47:53,989 THANKS, DAD. 1172 00:47:54,024 --> 00:47:55,624 MOM'S GONNA LOVE THIS. 1173 00:48:06,270 --> 00:48:08,237 EXCUSE ME, 1174 00:48:08,272 --> 00:48:10,939 ARE YOU BY CHANCE KENDAHL HARTMAN? 1175 00:48:10,975 --> 00:48:11,940 UH, NO. 1176 00:48:17,782 --> 00:48:20,148 WELL, UH, THANK YOU, 1177 00:48:20,184 --> 00:48:21,484 I DIDN'T MEAN TO BOTHER YOU. 1178 00:48:29,326 --> 00:48:31,727 [KENDAHL'S CELL PHONE RINGS] 1179 00:48:34,031 --> 00:48:35,798 [SILENCES RINGING] 1180 00:48:35,833 --> 00:48:36,999 DO I KNOW YOU? 1181 00:48:37,034 --> 00:48:38,934 NO. 1182 00:48:38,969 --> 00:48:42,104 I'M HERE TO TALK TO YOU ABOUT DR. VEDDERS. 1183 00:48:42,139 --> 00:48:43,972 I DON'T KNOW IF YOU'VE HEARD, BUT HE PASSED AWAY. 1184 00:48:44,008 --> 00:48:46,709 WHAT? NO. 1185 00:48:46,744 --> 00:48:47,810 I'M SORRY. 1186 00:48:47,845 --> 00:48:48,778 I DON'T KNOW WHAT TO SAY... 1187 00:48:48,813 --> 00:48:50,813 WH-WHEN? 1188 00:48:50,848 --> 00:48:52,147 ABOUT A WEEK AGO. 1189 00:48:52,182 --> 00:48:54,116 THE DAY HE RETIRED, ACTUALLY. 1190 00:48:54,151 --> 00:48:55,785 HOW? 1191 00:48:55,820 --> 00:48:57,686 UH, A HEART ATTACK, OR AN ACCIDENT? 1192 00:48:57,722 --> 00:48:59,555 I'M AFRAID HE WAS MURDERED. 1193 00:48:59,590 --> 00:49:00,723 WHAT? 1194 00:49:00,758 --> 00:49:01,957 WHY? 1195 00:49:01,992 --> 00:49:02,792 I DON'T KNOW. 1196 00:49:02,827 --> 00:49:04,293 THE POLICE ARE TRYING TO FIND OUT. 1197 00:49:04,328 --> 00:49:05,528 I JUST THOUGHT YOU SHOULD KNOW. 1198 00:49:05,563 --> 00:49:06,995 I KNOW YOU TWO WERE CLOSE. 1199 00:49:07,031 --> 00:49:08,363 CLOSER THAN CLOSE. 1200 00:49:08,399 --> 00:49:10,633 I MEAN, IT WAS HARD ON ALL OF US WHEN HE LEFT. 1201 00:49:10,668 --> 00:49:13,602 KENDAHL, DID HE SAY ANYTHING ON THE DAY THAT HE LEFT? 1202 00:49:15,039 --> 00:49:15,871 HE WAS A GOOD A MAN. 1203 00:49:15,907 --> 00:49:16,572 HE WAS A GREAT MAN. 1204 00:49:16,607 --> 00:49:17,973 HE WAS JUST TRYING TO HELP ME. 1205 00:49:18,008 --> 00:49:20,242 I JUST ALWAYS DO THIS THING. 1206 00:49:20,277 --> 00:49:22,144 I-I PUT PEOPLE-- AND SPECIFICALLY MEN-- 1207 00:49:22,179 --> 00:49:24,313 IN THIS LIGHT, ON THIS PEDESTAL. 1208 00:49:24,348 --> 00:49:25,748 DOESN'T MATTER IF IT'S A TEACHER OR IF IT'S A BOYFRIEND. 1209 00:49:25,783 --> 00:49:27,249 I JUST GET REALLY, REALLY CLINGY. 1210 00:49:27,284 --> 00:49:29,051 IT'S OKAY. 1211 00:49:29,086 --> 00:49:30,820 I UNDERSTAND, IT'S HARD TO LET GO. 1212 00:49:30,855 --> 00:49:32,220 I LOVED HIM. 1213 00:49:33,424 --> 00:49:34,857 NO, NOT LIKE THAT. 1214 00:49:34,892 --> 00:49:36,258 I MEAN, LIKE A FATHER. 1215 00:49:36,293 --> 00:49:37,560 OTHER PEOPLE MAY HAVE THOUGHT 1216 00:49:37,595 --> 00:49:38,727 THAT IT WAS MORE THAN THAT, 1217 00:49:38,763 --> 00:49:40,128 BUT IT WAS NEVER, EVER MORE THAN THAT. 1218 00:49:41,231 --> 00:49:42,465 I UNDERSTAND. 1219 00:49:42,500 --> 00:49:45,601 I UNDERSTAND, YOU WERE SCARED OF LOSING A FRIEND AND A MENTOR. 1220 00:49:45,636 --> 00:49:47,536 I WAS SCARED OF MRS. VEDDERS. 1221 00:49:47,572 --> 00:49:49,071 WHY? 1222 00:49:49,106 --> 00:49:50,072 SHE THREATENED DEB AND I 1223 00:49:50,107 --> 00:49:52,441 TO STAY AWAY FROM HIM A COUPLE OF WEEKS AGO. 1224 00:49:52,477 --> 00:49:54,409 SHE WAS ANGRY AND SHE WAS HURT. 1225 00:49:54,445 --> 00:49:55,344 I GET IT, I WOULD HAVE BEEN ANGRY, TOO, 1226 00:49:55,379 --> 00:49:56,779 IF I THOUGHT SOMETHING ELSE WAS GOING ON. 1227 00:49:56,814 --> 00:49:59,014 ANGRY ENOUGH TO KILL HER HUSBAND? 1228 00:49:59,049 --> 00:50:01,249 ON THAT DAY? YEAH. 1229 00:50:01,285 --> 00:50:03,318 I DON'T KNOW IF I SHOULD BE TELLING YOU ANY OF THIS... 1230 00:50:04,388 --> 00:50:05,521 [QUIETLY] THERE IS SOMETHING ELSE... 1231 00:50:05,556 --> 00:50:07,022 THERE IS SOMEONE ELSE. 1232 00:50:07,057 --> 00:50:08,023 WHO? 1233 00:50:08,058 --> 00:50:09,091 I NEED TO GO. 1234 00:50:09,126 --> 00:50:10,359 WHY? 1235 00:50:10,394 --> 00:50:11,627 KENDAHL, IS SOMEONE AFTER YOU? 1236 00:50:11,662 --> 00:50:13,428 I NEED TO GO, AND YOU SHOULD, TOO-- 1237 00:50:13,464 --> 00:50:15,397 KENDAHL, LET ME CALL THE POLICE. 1238 00:50:15,432 --> 00:50:17,600 I CAN GET YOU PROTECTION, KEEP YOU SAFE. 1239 00:50:17,635 --> 00:50:19,234 IN FACT, I HAVE A FRIEND OF MINE, 1240 00:50:19,269 --> 00:50:20,870 WHO WILL BE HERE IN 20 MINUTES, HE'S A DETECTIVE, AND-- 1241 00:50:20,905 --> 00:50:21,837 KENDAHL! 1242 00:50:24,108 --> 00:50:25,207 [CELL PHONE VIBRATES] 1243 00:50:25,242 --> 00:50:26,241 JENN? 1244 00:50:26,276 --> 00:50:27,109 I WAS JUST CALLING YOU. 1245 00:50:27,144 --> 00:50:29,111 FRANK, I FOUND KENDAHL AT EAGLE ROCK. 1246 00:50:29,146 --> 00:50:31,213 I THINK SHE'S IN DANGER. 1247 00:50:33,518 --> 00:50:34,416 FRANK... 1248 00:50:34,451 --> 00:50:35,784 SOMEONE'S FOLLOWING HER, HURRY! 1249 00:50:35,820 --> 00:50:36,719 OKAY, I'M ON MY WAY, 1250 00:50:36,754 --> 00:50:38,954 BUT GET SOMEWHERE SAFE UNTIL I GET THERE. 1251 00:50:47,498 --> 00:50:48,998 [TWIG CRACKS AHEAD] 1252 00:50:49,033 --> 00:50:51,901 [PANTING IN FRIGHT] 1253 00:50:55,172 --> 00:50:58,306 [CELL PHONE RINGS] 1254 00:50:58,342 --> 00:50:59,775 -KENDAHL? -HELP ME, PLEASE. 1255 00:50:59,810 --> 00:51:01,577 I KNOW WHO KILLED DR. VEDDERS. 1256 00:51:01,612 --> 00:51:02,444 WHO? 1257 00:51:02,479 --> 00:51:03,913 [KENDAHL SCREAMS] 1258 00:51:07,852 --> 00:51:08,817 [TIRES SQUEALING] 1259 00:51:13,500 --> 00:51:14,800 THANKS FOR LETTING ME LOOK AROUND. 1260 00:51:14,868 --> 00:51:16,634 I APPRECIATE IT. 1261 00:51:19,606 --> 00:51:22,374 THE SHERIFF'S CONFIRMED BLUNT-FORCE TRAUMA. 1262 00:51:22,409 --> 00:51:23,408 KENDAHL SAID 1263 00:51:23,444 --> 00:51:25,177 MAE VEDDERS THREATENED THE WOMEN IN THE GROUP. 1264 00:51:25,212 --> 00:51:26,178 WELL, THAT'S INTERESTING, 1265 00:51:26,213 --> 00:51:27,011 BECAUSE ACCORDING TO DEB, 1266 00:51:27,047 --> 00:51:28,213 DR. VEDDERS HANDED KENDAHL A NOTE 1267 00:51:28,248 --> 00:51:30,048 ON THE DAY HE DIED. 1268 00:51:30,084 --> 00:51:32,350 SHE FOLLOWED HIM OUT, LOOKED LIKE THEY LEFT TOGETHER. 1269 00:51:32,386 --> 00:51:33,685 BUT THERE WAS NO AFFAIR WITH KENDAHL. 1270 00:51:33,720 --> 00:51:34,852 OKAY, 1271 00:51:34,888 --> 00:51:36,821 WELL THEN, HOW IS HER STUFF AT AN APARTMENT HE RENTED? 1272 00:51:36,856 --> 00:51:37,855 I DON'T KNOW, 1273 00:51:37,891 --> 00:51:40,024 MAYBE DR. VEDDERS WAS JUST HELPING KENDAHL OUT. 1274 00:51:40,060 --> 00:51:40,892 [SIGHS] 1275 00:51:40,927 --> 00:51:43,395 WELL, WE CAN CROSS DEB OFF THE LIST, 1276 00:51:43,430 --> 00:51:45,763 DESPITE HER FINGERPRINTS BEING ON THE MURDER WEAPON. 1277 00:51:45,799 --> 00:51:47,532 SHE HAS A SOLID ALIBI. 1278 00:51:47,568 --> 00:51:49,901 WELL, YOU SAID IT WAS A MALE VOICE ON THE RECORDING. 1279 00:51:49,936 --> 00:51:52,337 MAYBE SOMEBODY WAS TRYING TO FRAME DEB. 1280 00:51:52,372 --> 00:51:54,038 WHAT'S THE LATEST WITH CHRIS SUDON? 1281 00:51:54,074 --> 00:51:55,173 CHRIS SUDON'S A GHOST. 1282 00:51:55,209 --> 00:51:56,241 WE'RE STILL TRYING TO LOCATE HIM, 1283 00:51:56,276 --> 00:51:58,110 BUT WHO KNOWS WHERE, OR WHEN, 1284 00:51:58,145 --> 00:52:00,044 OR IF HE'LL EVER SHOW UP AGAIN. 1285 00:52:01,482 --> 00:52:02,447 HUMOR ME. 1286 00:52:02,483 --> 00:52:03,582 ALL RIGHT. 1287 00:52:03,617 --> 00:52:05,016 WHAT IF CHRIS AND KENDAHL HAD A THING, 1288 00:52:05,051 --> 00:52:06,184 BUT HE GETS JEALOUS 1289 00:52:06,220 --> 00:52:08,920 BECAUSE HE THINKS KENDAHL HAS SOMETHING FOR DR. VEDDERS, 1290 00:52:08,955 --> 00:52:09,921 WHICH SHE DOESN'T? 1291 00:52:09,956 --> 00:52:11,356 BY ALL NEIGHBORS' ACCOUNTS, 1292 00:52:11,391 --> 00:52:14,392 SUDON HASN'T DATED SINCE HIS WIFE PASSED AWAY. 1293 00:52:14,428 --> 00:52:18,863 WHERE ARE YOU GETTING KENDAHL AND SUDON HAVING AN AFFAIR? 1294 00:52:18,898 --> 00:52:20,865 KENDAHL HAD A C.S. INITIAL NECKLACE. 1295 00:52:20,900 --> 00:52:23,701 MAYBE THE "C.S." STANDS FOR CHRIS SUDON? 1296 00:52:23,737 --> 00:52:26,438 WELL, IF I EVER FIND HIM, I'LL BRING IT UP. 1297 00:52:26,473 --> 00:52:29,874 I'M GOING TO TOUCH BACK WITH MAE ABOUT THAT THREAT, TOO. 1298 00:52:29,909 --> 00:52:31,376 ANYTHING ELSE? 1299 00:52:31,411 --> 00:52:34,179 NO, I THINK WE'RE UP TO DATE. 1300 00:52:37,083 --> 00:52:38,916 FRANK... 1301 00:52:38,952 --> 00:52:41,085 WHAT DOES THAT LOOK LIKE TO YOU? 1302 00:52:42,422 --> 00:52:44,722 A PIECE OF FABRIC? 1303 00:52:51,431 --> 00:52:52,464 [CAMERA APP SNAPS] 1304 00:53:01,508 --> 00:53:03,875 [DRILL WHINING] 1305 00:53:05,111 --> 00:53:07,145 HEY, CHECK IT OUT. 1306 00:53:07,181 --> 00:53:09,581 I FOUND A CLEAR-OUT SALE FOR THIS OLD STORAGE SPACE. 1307 00:53:09,616 --> 00:53:11,149 THE GUY IS A TOTAL MOVIE BUFF. 1308 00:53:11,185 --> 00:53:12,450 IT LOOKS LIKE HE HAS EVERYTHING. 1309 00:53:12,486 --> 00:53:13,618 NEW-SCHOOL DIMMERS, 1310 00:53:13,654 --> 00:53:15,487 SOME OLD-SCHOOL LIGHTS, 1311 00:53:15,522 --> 00:53:16,321 SOME COOL MOVIE PROPS... 1312 00:53:16,356 --> 00:53:17,989 NICE JOB, SON. 1313 00:53:18,024 --> 00:53:19,624 YEAH, IT'S COMING TOGETHER. 1314 00:53:19,660 --> 00:53:21,159 IT IS, 1315 00:53:21,195 --> 00:53:23,795 BUT NEW SCHOOL IS STILL GONNA HAVE TO SWING A HAMMER, 1316 00:53:23,830 --> 00:53:26,130 UNLESS THEY HAVE AN APP FOR THAT AS WELL? 1317 00:53:26,166 --> 00:53:27,799 YEAH, NO, NO, I THINK THEY DO. 1318 00:53:31,338 --> 00:53:32,304 SO CLEVER... 1319 00:53:37,377 --> 00:53:38,276 HEY. 1320 00:53:38,312 --> 00:53:39,143 HEY. 1321 00:53:39,179 --> 00:53:40,745 I'M DANI. 1322 00:53:42,516 --> 00:53:44,282 AND YOU ARE..? 1323 00:53:44,318 --> 00:53:45,950 UM... 1324 00:53:45,985 --> 00:53:47,385 SORRY. 1325 00:53:47,421 --> 00:53:49,120 I'M A LITTLE NERVOUS. 1326 00:53:49,155 --> 00:53:50,988 OH, WELL, DON'T WORRY, WE ALL ARE. 1327 00:53:51,024 --> 00:53:52,857 GREAT. 1328 00:53:54,595 --> 00:53:56,628 SO, WHY DON'T YOU TELL ME A LITTLE SOMETHING 1329 00:53:56,663 --> 00:53:57,962 ABOUT YOURSELF? 1330 00:53:57,997 --> 00:53:59,197 ME? 1331 00:53:59,233 --> 00:54:00,665 THERE'S NOT MUCH TO TELL. 1332 00:54:00,701 --> 00:54:02,334 I'M SURE THAT'S NOT TRUE. 1333 00:54:02,369 --> 00:54:03,968 NO. 1334 00:54:04,003 --> 00:54:05,337 THERE'S NOTHING. 1335 00:54:07,241 --> 00:54:08,673 [TIMER BELL DINGS] 1336 00:54:08,709 --> 00:54:10,174 YOU LOOK FIT. 1337 00:54:10,210 --> 00:54:11,309 DO YOU WORK OUT? 1338 00:54:11,345 --> 00:54:13,545 UH... YOGALATES, 1339 00:54:13,580 --> 00:54:16,981 AND I DO SOME WEIGHTS. 1340 00:54:17,016 --> 00:54:18,116 WHAT DO YOU PRESS? 1341 00:54:19,219 --> 00:54:20,485 CIDER IN THE FALL. 1342 00:54:20,520 --> 00:54:21,886 ELEVATORS BUTTONS. 1343 00:54:21,921 --> 00:54:24,055 I'M A BIG PRESSER ALL AROUND. 1344 00:54:25,392 --> 00:54:27,225 [TIMER BELL DINGS] 1345 00:54:27,261 --> 00:54:28,727 WELL, HEY THERE. 1346 00:54:28,762 --> 00:54:31,028 HEY THERE, YOURSELF. 1347 00:54:31,064 --> 00:54:32,196 I LIKE YOUR SHIRT. 1348 00:54:32,232 --> 00:54:33,431 THANKS. 1349 00:54:33,467 --> 00:54:34,866 YOU KNOW WHAT IT'S MADE OF? 1350 00:54:34,901 --> 00:54:36,868 PLEASE DON'T SAY "BOYFRIEND MATERIAL." 1351 00:54:36,903 --> 00:54:38,035 OH, I'M NOT GONNA. 1352 00:54:38,071 --> 00:54:39,003 OKAY. 1353 00:54:39,038 --> 00:54:41,273 YEAH, I WAS. 1354 00:54:41,308 --> 00:54:42,340 SORRY. 1355 00:54:42,376 --> 00:54:43,441 NO, IT'S OKAY, 1356 00:54:43,477 --> 00:54:46,678 IT'S JUST, THIS IS KIND OF AN UNNATURAL ENVIRONMENT. 1357 00:54:46,713 --> 00:54:49,046 UM, BUT I REALLY THINK I SHOULD GO. 1358 00:54:49,082 --> 00:54:51,048 GREAT, WHERE WE GOING? 1359 00:54:51,084 --> 00:54:53,451 WELL, A LITTLE CRAZY AT THIS POINT. [LAUGHS] 1360 00:54:53,487 --> 00:54:55,052 BUT NO, IT WAS REALLY GREAT MEETING YOU, 1361 00:54:55,088 --> 00:54:57,489 AND I HOPE YOU FIND WHAT YOU'RE LOOKING FOR. 1362 00:54:59,125 --> 00:55:00,992 [TIMER BELL DINGS] 1363 00:55:02,462 --> 00:55:04,896 JENN, DO YOU HAVE TIME FOR A CHIT-CHAT? 1364 00:55:04,931 --> 00:55:06,030 PLEASE SAY YES. 1365 00:55:06,065 --> 00:55:07,231 OH, THANK GOODNESS. 1366 00:55:07,267 --> 00:55:08,833 YEAH, OKAY... 1367 00:55:10,236 --> 00:55:12,236 DON'T TELL THE KIDS, 1368 00:55:12,272 --> 00:55:14,238 BUT I SAVED US THE LAST PIECE OF PIE. 1369 00:55:14,274 --> 00:55:15,440 I WON'T, BUT I SHOULDN'T. 1370 00:55:15,475 --> 00:55:16,341 IT'S GETTING LATE. 1371 00:55:16,376 --> 00:55:18,242 WELL, THAT'S WHEN IT TASTES THE BEST. 1372 00:55:18,278 --> 00:55:19,411 THEN YOU HAVE IT. 1373 00:55:20,814 --> 00:55:22,414 WHAT DID I DO TO DESERVE YOU? 1374 00:55:22,449 --> 00:55:23,581 [GIGGLING] 1375 00:55:29,122 --> 00:55:30,588 WE HAVE AN AUDIENCE. 1376 00:55:30,624 --> 00:55:31,556 HI. 1377 00:55:31,591 --> 00:55:32,624 HI! 1378 00:55:32,659 --> 00:55:34,091 I'M NOT INTERRUPTING, AM I? 1379 00:55:34,127 --> 00:55:36,260 THE DOOR'S ALWAYS OPEN. 1380 00:55:36,296 --> 00:55:39,230 AW, DID I MISS DINNER? 1381 00:55:39,265 --> 00:55:40,398 HAVE SOME PIE. 1382 00:55:40,434 --> 00:55:41,333 OH, YUM. 1383 00:55:41,368 --> 00:55:43,901 UM, I'LL BE INSIDE IF YOU NEED ANYTHING. 1384 00:55:43,937 --> 00:55:44,936 OKAY. 1385 00:55:44,971 --> 00:55:45,937 SEE YA. 1386 00:55:47,441 --> 00:55:48,740 HERE'S A FORK FOR YOU. 1387 00:55:48,775 --> 00:55:50,508 THANK YOU. 1388 00:55:50,544 --> 00:55:52,777 SEE, THAT'S WHAT I NEED FOR MY VISION BOARD. 1389 00:55:52,813 --> 00:55:54,178 JASON? 1390 00:55:54,214 --> 00:55:55,447 NO. 1391 00:55:55,482 --> 00:55:57,982 I MISSED THAT WHOLE... 1392 00:55:58,017 --> 00:56:00,184 HIGH SCHOOL, STORYBOOK, 1393 00:56:00,220 --> 00:56:02,119 FATED THING THAT YOU GUYS HAVE. 1394 00:56:02,155 --> 00:56:03,054 YOU KNOW, 1395 00:56:03,089 --> 00:56:05,523 THAT GOT THE WHOLE DESTINY BALL ROLLING. 1396 00:56:05,559 --> 00:56:07,525 OH, WELL, IT'S NOT ALWAYS STORYBOOK, 1397 00:56:07,561 --> 00:56:10,862 BUT IT'S CERTAINLY THE BEST YEARS OF MY LIFE. 1398 00:56:10,897 --> 00:56:12,764 I JUST FEEL LIKE I'M THREE STEPS FORWARD, 1399 00:56:12,799 --> 00:56:15,032 THREE STEPS BACK ON THIS WHOLE THING. 1400 00:56:15,068 --> 00:56:15,933 WELL, HEY, IF YOU TAKE TWO STEPS TO THE RIGHT 1401 00:56:15,969 --> 00:56:16,801 INSTEAD OF BACK, 1402 00:56:16,837 --> 00:56:19,103 YOU'LL BE DOING THE TANGO, MY FRIEND. 1403 00:56:19,138 --> 00:56:20,137 I LOVE YOUR MIND. 1404 00:56:20,173 --> 00:56:21,373 [CHUCKLING] 1405 00:56:21,408 --> 00:56:23,040 I'M SORRY ABOUT THIS AFTERNOON. 1406 00:56:23,076 --> 00:56:24,175 [SIGHS] 1407 00:56:24,210 --> 00:56:27,445 ANYTHING NEW WITH THE CASE? 1408 00:56:27,481 --> 00:56:30,782 WELL, THE MURDER WEAPON IS SOMETHING THAT DEB USES 1409 00:56:30,817 --> 00:56:32,149 ON A WEEKLY BASIS, 1410 00:56:32,185 --> 00:56:34,185 BUT IT WAS FOUND AT MAE VEDDERS' HOUSE. 1411 00:56:34,220 --> 00:56:37,655 BUT THEN THERE'S THE MALE VOICE ON THE RECORDING, SO... 1412 00:56:37,691 --> 00:56:39,323 THREE STEPS FORWARD, THREE STEPS BACK. 1413 00:56:39,359 --> 00:56:41,826 IF THEY COULD FIND CHRIS SUDON, 1414 00:56:41,862 --> 00:56:43,828 THEY MIGHT BE ABLE TO TIE IT ALL TOGETHER. 1415 00:56:49,669 --> 00:56:51,002 WHAT DOES THIS LOOK LIKE TO YOU? 1416 00:56:51,037 --> 00:56:52,537 HMM. 1417 00:56:52,572 --> 00:56:53,538 I'M NOT SURE. 1418 00:56:54,908 --> 00:56:56,574 MAYBE A CHEST POCKET OR SOMETHING? 1419 00:56:56,610 --> 00:56:57,909 THAT'S WHAT I WAS THINKING. 1420 00:56:57,944 --> 00:56:59,677 LIKE FROM A UNIFORM. 1421 00:56:59,713 --> 00:57:00,879 YEAH, FROM, UM, 1422 00:57:00,914 --> 00:57:02,046 AN INDUSTRIAL JACKET, 1423 00:57:02,081 --> 00:57:03,314 OR COVERALLS MAYBE. 1424 00:57:03,349 --> 00:57:05,850 CHRIS SUDON IS A TEXTILE ENGINEER. 1425 00:57:05,886 --> 00:57:09,186 SO SHE GRABBED HIS POCKET WHEN HE ATTACKED HER? 1426 00:57:09,222 --> 00:57:12,223 HE WAS WEARING DARK CLOTHING IN THE COMMUNITY CENTER FOOTAGE. 1427 00:57:12,258 --> 00:57:15,993 MAYBE HE IS TIED TO THE MURDERS. 1428 00:57:16,029 --> 00:57:18,630 PERHAPS I SHOULD MAKE A TRIP BACK TO THE COMMUNITY CENTER. 1429 00:57:20,400 --> 00:57:22,199 A TRIP. 1430 00:57:22,235 --> 00:57:25,069 THAT'S WHAT I NEED FOR MY VISION-BOARD. 1431 00:57:26,740 --> 00:57:28,339 WHAT WOULD WE DO WITHOUT US? 1432 00:57:29,609 --> 00:57:30,608 I DON'T KNOW. 1433 00:57:30,644 --> 00:57:31,976 [CHUCKLING] 1434 00:57:34,648 --> 00:57:36,848 HAVE YOU EVER MET CHRIS SUDON? 1435 00:57:36,883 --> 00:57:38,550 I MAY BE A LOT OF THINGS, BUT I'M NOT A CHEATER. 1436 00:57:38,585 --> 00:57:40,017 NO, I'VE NEVER MET HIM. 1437 00:57:40,053 --> 00:57:42,253 AND ACCORDING TO KENDAHL, NEITHER IS YOUR HUSBAND. 1438 00:57:42,288 --> 00:57:44,221 AN EYEWITNESS AT THE COMMUNITY CENTER 1439 00:57:44,257 --> 00:57:45,156 SAYS THEY SAW KENDAHL 1440 00:57:45,191 --> 00:57:47,091 FOLLOW DR. VEDDERS OUT OF THE PARKING LOT 1441 00:57:47,126 --> 00:57:48,693 LIKE THEY WERE GOING SOMEWHERE, 1442 00:57:48,728 --> 00:57:50,194 WHICH I'M ASSUMING 1443 00:57:50,229 --> 00:57:52,764 IS TO THE APARTMENT HE HAD RENTED FOR HER. 1444 00:57:52,799 --> 00:57:54,398 HOW IS THAT NOT AN AFFAIR? 1445 00:57:54,434 --> 00:57:56,468 I MEAN, THAT EXPLAINS WHERE THE MONEY WENT. 1446 00:57:56,503 --> 00:57:58,102 WELL, EVEN IF HE'S NOT HAVING AN AFFAIR, 1447 00:57:58,137 --> 00:58:00,572 TO SOMEONE LOOKING IN, 1448 00:58:00,607 --> 00:58:02,574 IT DEFINITELY SEEMS THAT WAY. 1449 00:58:02,609 --> 00:58:04,108 I KNOW I'D BE MAD. 1450 00:58:04,143 --> 00:58:06,210 I LOVED MY HUSBAND. 1451 00:58:06,245 --> 00:58:07,278 LOVE. 1452 00:58:07,313 --> 00:58:09,213 THAT NEVER CHANGES OR DIES, 1453 00:58:09,248 --> 00:58:11,716 AND I WOULD NEVER HURT HIM OR ANYONE. 1454 00:58:11,751 --> 00:58:12,951 BUT YOU DID THREATEN THOSE WOMEN? 1455 00:58:12,986 --> 00:58:13,985 NOT PHYSICALLY. 1456 00:58:14,020 --> 00:58:15,152 YOU GET A LITTLE PROTECTIVE. 1457 00:58:15,188 --> 00:58:16,921 IT DOESN'T MAKE ME A KILLER. 1458 00:58:16,957 --> 00:58:17,989 AND MRS. SHANNON MENTIONED 1459 00:58:18,024 --> 00:58:19,457 YOU WERE PRESSURE-WASHING THE SHED, 1460 00:58:19,493 --> 00:58:22,827 WHICH SEEMS LIKE YOU WERE... 1461 00:58:22,863 --> 00:58:24,629 THAT I WAS WASHING AWAY EVIDENCE? 1462 00:58:24,664 --> 00:58:26,063 NO, I WASN'T. 1463 00:58:26,099 --> 00:58:28,466 AND I AM SORRY IF I SCARED THOSE GIRLS. 1464 00:58:28,502 --> 00:58:30,568 I WAS REALLY HURT. 1465 00:58:30,604 --> 00:58:33,972 I WAS BEYOND HURT, I WAS DEVASTATED, 1466 00:58:34,007 --> 00:58:35,339 AND THE BOTTOM LINE IS, 1467 00:58:35,375 --> 00:58:39,777 I JUST WANTED MY HUSBAND BACK IN MY LIFE. 1468 00:58:39,813 --> 00:58:44,415 I AM NOT THE PERSON YOU'RE LOOKING FOR. 1469 00:58:44,450 --> 00:58:46,818 AND I THINK YOU KNOW THAT NOW. 1470 00:58:55,290 --> 00:58:56,722 FRANK, HEY. 1471 00:58:56,757 --> 00:58:57,823 OH, HEY, JENN. 1472 00:58:57,858 --> 00:58:58,924 I'M JUST REVISITING THE FOOTAGE 1473 00:58:58,959 --> 00:59:00,426 FROM THE OTHER DAY. 1474 00:59:00,461 --> 00:59:01,427 WAIT A MINUTE, 1475 00:59:01,462 --> 00:59:02,662 YOU WEREN'T ACTUALLY LOOKING FOR YOUR SON'S BIKE 1476 00:59:02,697 --> 00:59:03,496 THE OTHER DAY. 1477 00:59:03,531 --> 00:59:04,297 SORRY. 1478 00:59:04,332 --> 00:59:06,965 NO WORRIES, UNDER THE CIRCUMSTANCES. 1479 00:59:07,001 --> 00:59:08,067 ANYTHING I CAN DO TO HELP. 1480 00:59:08,102 --> 00:59:09,569 ANY NEW LEADS? 1481 00:59:11,038 --> 00:59:12,104 NO. 1482 00:59:12,139 --> 00:59:13,339 MAE WAS PRETTY SINCERE, 1483 00:59:13,374 --> 00:59:14,440 AND THERE'S NO EVIDENCE 1484 00:59:14,475 --> 00:59:16,576 OF HER EVER KNOWING CHRIS SUDON. 1485 00:59:16,611 --> 00:59:18,110 WHAT WAS IT YOU WANTED TO SHOW ME? 1486 00:59:18,145 --> 00:59:19,478 OH, RIGHT. 1487 00:59:19,514 --> 00:59:22,248 THE FABRIC WE FOUND AT THE CAMPSITE. 1488 00:59:22,283 --> 00:59:24,016 MAYBE IT WAS RIPPED OFF IN A STRUGGLE. 1489 00:59:24,051 --> 00:59:25,585 IT'S A HEAVIER FABRIC, 1490 00:59:25,620 --> 00:59:27,353 LIKE COVERALLS 1491 00:59:27,388 --> 00:59:28,521 A TEXTILE ENGINEER MIGHT WEAR? 1492 00:59:28,556 --> 00:59:29,822 BUT IT WON'T HOLD UP IN COURT. 1493 00:59:32,327 --> 00:59:33,125 BUT THAT MIGHT. 1494 00:59:34,562 --> 00:59:35,595 THE FABRIC ON HIS COAT IS SIMILAR. 1495 00:59:39,567 --> 00:59:42,301 [FRANK]: THE WHOLE THING LOOKS PRETTY HEATED. 1496 00:59:42,337 --> 00:59:43,469 BUT THEN HE JUST WALKS OFF. 1497 00:59:43,504 --> 00:59:44,437 FOR WHAT IT'S WORTH, 1498 00:59:44,472 --> 00:59:45,671 I'VE HEARD THIS GUY'S HAD SEVERAL RUN-INS 1499 00:59:45,707 --> 00:59:46,672 WITH PEOPLE HERE. 1500 00:59:46,708 --> 00:59:47,540 PHYSICAL RUN-INS? 1501 00:59:47,575 --> 00:59:50,876 VERBAL, BUT ENOUGH TO SCARE THEM ALL. 1502 00:59:50,911 --> 00:59:52,411 LOOK, THERE'S KENDAHL. 1503 00:59:53,581 --> 00:59:55,481 IT DEFINITELY LOOKS LIKE SHE'S FOLLOWING VEDDERS. 1504 00:59:55,516 --> 00:59:58,951 SO KENDAHL FOLLOWS HIM TO THE DETAIL SHOP? 1505 01:00:00,355 --> 01:00:01,220 FRANK... 1506 01:00:01,256 --> 01:00:03,989 THAT'S THE CAR THAT WAS AT THE CAMPSITE. 1507 01:00:04,024 --> 01:00:07,025 WHOEVER IS IN THAT CAR, THAT'S OUR MURDERER. 1508 01:00:07,061 --> 01:00:08,527 SO KENDAHL WASN'T THE STALKER. 1509 01:00:08,563 --> 01:00:10,463 SHE WAS BEING STALKED. 1510 01:00:10,498 --> 01:00:12,898 WELL, IT LOOKS LIKE A GUY IN THAT CAR. 1511 01:00:12,933 --> 01:00:14,800 WHAT KIND OF CAR DOES CHRIS SUDON DRIVE? 1512 01:00:14,835 --> 01:00:16,569 WELL, AGAIN, THERE'S NO RECORD ON THIS GUY. 1513 01:00:16,604 --> 01:00:17,670 DOESN'T EVEN HAVE A LICENSE. 1514 01:00:17,705 --> 01:00:18,638 LIKE I SAID, 1515 01:00:18,673 --> 01:00:20,473 HE LIKES TO LIVE OFF THE GRID WHENEVER HE CAN. 1516 01:00:21,576 --> 01:00:22,575 DID YOU EVER SEE HIM 1517 01:00:22,610 --> 01:00:24,310 DRIVE ANYTHING AROUND HERE? 1518 01:00:24,345 --> 01:00:25,844 UH, I DON'T KNOW. 1519 01:00:25,880 --> 01:00:26,845 YEAH, ACTUALLY, 1520 01:00:26,881 --> 01:00:28,514 I THINK I DID, BUT... 1521 01:00:28,549 --> 01:00:29,649 I COULDN'T TELL YOU THE MAKE OF THE CAR. 1522 01:00:31,419 --> 01:00:33,919 SO HOW DO YOU GET HIM? 1523 01:00:33,954 --> 01:00:35,688 WELL, WE CLARIFY HIS VOICE ON THE MURDER TAPE, 1524 01:00:35,723 --> 01:00:37,089 WE LIGHTEN UP THE SURVEILLANCE FOOTAGE, 1525 01:00:37,124 --> 01:00:39,191 WE GATHER SOME MORE EVIDENCE 1526 01:00:39,226 --> 01:00:41,059 WHEN THE DNA COMES BACK-- 1527 01:00:41,095 --> 01:00:42,328 BUT YOU STILL HAVE TO FIND HIM. 1528 01:00:42,363 --> 01:00:43,228 BINGO. 1529 01:00:49,270 --> 01:00:51,036 SCORE. CHECK OUT THESE LIGHTS. 1530 01:00:52,907 --> 01:00:53,572 [CHUCKLES] 1531 01:00:53,608 --> 01:00:55,775 NOW, THOSE ARE OLD-SCHOOL. 1532 01:00:55,810 --> 01:00:56,542 WE COULD THROW THEM ON SOME DIMMERS, 1533 01:00:56,577 --> 01:00:58,611 AND I CAN CONTROL THEM ON MY PHONE. 1534 01:00:58,646 --> 01:01:00,780 AND DAD, WE COULD USE THESE FILM REELS 1535 01:01:00,815 --> 01:01:01,714 MOUNT THEM ON THE WALL. 1536 01:01:01,749 --> 01:01:02,682 GREAT. 1537 01:01:02,717 --> 01:01:03,549 GUYS, CHECK THIS OUT! 1538 01:01:06,421 --> 01:01:07,353 WHAT'S THAT SMELL? 1539 01:01:07,388 --> 01:01:08,587 SUCCESS. 1540 01:01:08,623 --> 01:01:09,422 IT'S PERFECT. 1541 01:01:09,457 --> 01:01:10,456 NOW WE HAVE AN USHER FOR THE DOOR, 1542 01:01:10,491 --> 01:01:12,792 AND, YOU KNOW, IT'LL GO WITH YOUR VELVET DRAPES. 1543 01:01:12,827 --> 01:01:16,228 OH... SO NOW YOU LIKE THE DRAPES? 1544 01:01:17,298 --> 01:01:19,264 YEAH, THEY'RE... THEY'RE COOL ENOUGH. 1545 01:01:19,300 --> 01:01:20,165 FIRST THINGS FIRST, 1546 01:01:20,201 --> 01:01:22,368 YOU'RE GONNA HAVE TO WASH THIS BEAST. 1547 01:01:23,404 --> 01:01:24,737 WILL DO. 1548 01:01:25,840 --> 01:01:27,906 JASON? 1549 01:01:27,942 --> 01:01:29,608 LOGAN! HANNAH! 1550 01:01:30,578 --> 01:01:31,377 CAN I COME IN? 1551 01:01:31,412 --> 01:01:32,678 [GASPS] 1552 01:01:34,181 --> 01:01:36,248 I'M SORRY, BUT NOW IS NOT A GOOD TIME. 1553 01:01:36,283 --> 01:01:38,751 NOW IS THE ONLY TIME. 1554 01:01:42,790 --> 01:01:44,423 DEB MENTIONED YOU CAME BY GROUP 1555 01:01:44,459 --> 01:01:46,258 ASKING QUESTIONS? 1556 01:01:46,293 --> 01:01:48,093 YEAH? YOU KNOW, YOU SHOULD THINK 1557 01:01:48,128 --> 01:01:50,295 ABOUT UNLISTING YOUR HOME ADDRESS ONLINE. 1558 01:01:50,331 --> 01:01:51,129 HOW CAN I HELP YOU? 1559 01:01:51,165 --> 01:01:53,499 I KNOW YOU'VE BEEN LOOKING FOR ME. 1560 01:01:53,534 --> 01:01:56,836 I REALLY THINK THAT DETECTIVE LYNWOOD 1561 01:01:56,871 --> 01:01:58,637 IS WHO YOU SHOULD SPEAK WITH. 1562 01:01:58,673 --> 01:01:59,938 IN FACT, HE'S ON HIS WAY HERE RIGHT NOW. 1563 01:01:59,974 --> 01:02:00,906 I DON'T TRUST COPS. 1564 01:02:00,941 --> 01:02:01,974 UH-UH. 1565 01:02:02,009 --> 01:02:04,176 I JUST NEED YOU TO LISTEN. 1566 01:02:04,211 --> 01:02:05,845 OKAY. 1567 01:02:05,880 --> 01:02:08,748 DR. VEDDERS, HE WAS OUR SUPPORT SYSTEM. 1568 01:02:08,783 --> 01:02:09,648 YEAH? 1569 01:02:09,684 --> 01:02:10,683 AND THAT GROUP-- 1570 01:02:10,718 --> 01:02:13,085 IT MIGHT HAVE HAD ITS DIFFERENCES, 1571 01:02:13,120 --> 01:02:14,820 BUT WE WOULD NEVER HURT EACH OTHER. 1572 01:02:14,856 --> 01:02:15,954 I'M SURE YOU WOULDN'T. 1573 01:02:15,990 --> 01:02:17,923 [SCOFFS] BUT YOU OBVIOUSLY HEARD 1574 01:02:17,958 --> 01:02:19,759 THAT I HAD A DISAGREEMENT THAT DAY, 1575 01:02:19,794 --> 01:02:22,261 AND I'M SURE THAT THOSE SECURITY CAMERAS-- 1576 01:02:22,296 --> 01:02:24,830 I'M SURE THEY DID A GREAT JOB AT SELLING THE IDEA 1577 01:02:24,866 --> 01:02:26,499 THAT I WOULD KILL SOMEBODY IN A RAGE. 1578 01:02:26,534 --> 01:02:28,367 I-I-I NEVER SAID-- 1579 01:02:28,403 --> 01:02:30,002 AND MY PREVIOUS ASSAULT CHARGE, 1580 01:02:30,037 --> 01:02:32,104 THAT MAKES ME LOOK GUILTY, TOO. 1581 01:02:32,139 --> 01:02:33,305 I GET IT. 1582 01:02:33,340 --> 01:02:36,575 WHAT WAS THE ARGUMENT ABOUT, IF YOU DON'T MIND ME ASKING? 1583 01:02:38,145 --> 01:02:40,479 I DIDN'T WANT HIM TO GO. 1584 01:02:40,515 --> 01:02:42,448 I KNEW THE GROUP WOULD FALL APART WITHOUT HIM, 1585 01:02:42,483 --> 01:02:43,416 AND IT HAS. 1586 01:02:43,451 --> 01:02:45,451 AND I KNEW THERE WAS SOMETHING ELSE GOING ON. 1587 01:02:46,353 --> 01:02:47,787 SOMETHING? 1588 01:02:47,822 --> 01:02:49,622 WAIT, SOMETHING AS IN SOMEONE? 1589 01:02:49,657 --> 01:02:51,657 LIKE KENDAHL? 1590 01:02:51,692 --> 01:02:52,691 ABSOLUTELY. 1591 01:02:53,694 --> 01:02:55,160 OKAY, WELL, 1592 01:02:55,195 --> 01:02:57,329 WHY DON'T WE JUST DISCUSS IT WITH DETECTIVE LYNWOOD, 1593 01:02:57,364 --> 01:02:58,464 EVEN IF IT'S JUST BY PHONE-- 1594 01:02:59,667 --> 01:03:01,300 I SAID NO COPS! 1595 01:03:04,939 --> 01:03:05,838 OKAY. 1596 01:03:05,873 --> 01:03:07,540 SOMETHING WAS UP. 1597 01:03:07,575 --> 01:03:10,476 HER AND DR. VEDDERS WERE SPENDING TIME AFTER SESSIONS, 1598 01:03:10,511 --> 01:03:12,411 AND IT WASN'T LIKE HE WAS WITH HER IN ANY KIND OF WAY, 1599 01:03:12,447 --> 01:03:14,313 'CAUSE HE WASN'T, SO... 1600 01:03:14,348 --> 01:03:16,148 WHY WERE THEY STILL MEETING, HUH? 1601 01:03:16,183 --> 01:03:17,917 I DON'T KNOW. 1602 01:03:17,952 --> 01:03:19,718 HELP ME OUT. 1603 01:03:19,754 --> 01:03:21,086 I KNOW THAT I'M A SUSPECT. 1604 01:03:21,121 --> 01:03:23,422 I KNOW THAT YOU JUST LOOK AT THOSE PRIORS 1605 01:03:23,458 --> 01:03:25,223 ON ME AND KENDAHL'S RECORDS, 1606 01:03:25,259 --> 01:03:28,494 BUT YOU DON'T SEE HOW TRUMPED UP ALL THOSE CHARGES WERE, DO YOU? 1607 01:03:28,529 --> 01:03:29,995 SO YOU'RE SAYING 1608 01:03:30,030 --> 01:03:31,697 THE KILLER IS SOMEONE OUTSIDE THE GROUP? 1609 01:03:31,732 --> 01:03:32,698 WHO? 1610 01:03:32,733 --> 01:03:33,732 [SCOFFS] 1611 01:03:33,768 --> 01:03:34,867 I DON'T KNOW, 1612 01:03:34,902 --> 01:03:35,901 BUT IT ISN'T ME. 1613 01:03:36,871 --> 01:03:38,236 HEY! 1614 01:03:38,272 --> 01:03:39,204 [GASPS] JASON! 1615 01:03:41,275 --> 01:03:42,341 DAD? 1616 01:03:42,376 --> 01:03:43,909 KIDS, GO OUTSIDE. 1617 01:03:43,945 --> 01:03:45,110 CALL FRANK! 1618 01:03:45,145 --> 01:03:46,745 IF TWO PEOPLE ARE DEAD ALREADY, 1619 01:03:46,781 --> 01:03:48,447 THERE'S GONNA BE MORE, INCLUDING YOU. 1620 01:03:48,483 --> 01:03:50,850 SOMEONE'S COVERING THEIR TRACKS. 1621 01:03:50,885 --> 01:03:53,418 I'M SURE DETECTIVE LYNWOOD WILL BE HAPPY TO LISTEN. 1622 01:04:05,265 --> 01:04:07,700 I KNOW WHAT YOU'RE GONNA SAY. 1623 01:04:07,735 --> 01:04:09,201 THAT I LOVE YOU, 1624 01:04:09,236 --> 01:04:11,236 AND I'M SO THANKFUL THAT YOU'RE OKAY? 1625 01:04:13,273 --> 01:04:16,208 YOU KNOW I SUPPORT YOU AND EVERYTHING YOU DO. 1626 01:04:16,243 --> 01:04:18,210 I DO. 1627 01:04:18,245 --> 01:04:20,746 THIS CASE IS JUST TOO CLOSE TO HOME 1628 01:04:20,781 --> 01:04:22,047 RIGHT NOW. 1629 01:04:22,082 --> 01:04:23,916 I KNOW, 1630 01:04:23,951 --> 01:04:25,484 BUT I FEEL LIKE I'M RIGHT THERE. 1631 01:04:25,520 --> 01:04:27,152 SO CLOSE. 1632 01:04:27,187 --> 01:04:29,655 MAYBE IT'S TIME WE LET THE PROS TAKE OVER. 1633 01:04:29,690 --> 01:04:31,590 KEEP WORKING THE CASE, 1634 01:04:31,626 --> 01:04:33,492 BUT FROM A DISTANCE, YOU KNOW? 1635 01:04:33,528 --> 01:04:34,760 JUST TAKE A BREATH. 1636 01:04:34,795 --> 01:04:36,294 YEAH. 1637 01:04:36,330 --> 01:04:38,731 MAYBE YOU'RE RIGHT. 1638 01:04:38,766 --> 01:04:40,499 -YOU OKAY? -YEAH. 1639 01:04:40,535 --> 01:04:42,902 I SAW THE GREASE ON CHRIS SUDON'S HANDS. 1640 01:04:42,937 --> 01:04:45,504 HE'S NOT THE TYPE TO CLEAN UP AFTER HIMSELF. 1641 01:04:45,540 --> 01:04:47,339 THE BOSS CONFIRMS THAT HE WAS TWO TOWNS OVER 1642 01:04:47,374 --> 01:04:48,641 THE DAY OF VEDDERS' MURDER. 1643 01:04:48,676 --> 01:04:50,442 SO HE'S NOT OUR GUY? 1644 01:04:50,477 --> 01:04:52,344 DOESN'T LOOK LIKE IT. 1645 01:04:52,379 --> 01:04:55,414 SO, YOU KNOW, WE FORGE AHEAD. 1646 01:04:55,449 --> 01:04:57,917 YOU'RE JUST LUCKY JASON SHOWED UP WHEN HE DID. 1647 01:04:57,952 --> 01:04:59,251 AGREED. 1648 01:04:59,286 --> 01:05:01,453 SO, WE HAVE THE AUDIO TECH HERE. 1649 01:05:01,488 --> 01:05:02,387 DO YOU WANT TO LISTEN IN? 1650 01:05:05,526 --> 01:05:08,627 I THINK I'M GOING TO TAKE A STEP BACK FOR A MOMENT, 1651 01:05:08,663 --> 01:05:09,929 AND CATCH MY BREATH. 1652 01:05:09,964 --> 01:05:12,130 OKAY. 1653 01:05:12,166 --> 01:05:13,098 WELL, I'LL KEEP YOU POSTED. 1654 01:05:14,802 --> 01:05:15,935 HOME? 1655 01:05:15,970 --> 01:05:17,670 YES. 1656 01:05:20,374 --> 01:05:23,542 SO, I'M THINKING, UH, ADVENTURE, 1657 01:05:23,578 --> 01:05:25,711 BUT NOTHING TOO SCARY. 1658 01:05:25,746 --> 01:05:28,380 I'M THINKING HOT, BUT NOT STIFLING, 1659 01:05:28,415 --> 01:05:31,216 AND I WANT DIFFERENT... 1660 01:05:31,251 --> 01:05:33,652 BUT NOT TOO "CULTURE-SHOCKEY." 1661 01:05:33,688 --> 01:05:34,620 IS THAT A WORD? 1662 01:05:35,856 --> 01:05:38,557 OKAY, UM, WHAT ABOUT MAUI? 1663 01:05:38,593 --> 01:05:42,061 THE HUMIDITY JUST FRIZZES MY HAIR OUT. 1664 01:05:42,096 --> 01:05:44,129 OKAY, UM... 1665 01:05:44,164 --> 01:05:45,698 REYKJAVIK, ICELAND. 1666 01:05:45,733 --> 01:05:48,634 WHALE WATCHING, NATURAL HOTSPRINGS... 1667 01:05:48,669 --> 01:05:50,069 IT'S JUST SO MUCH ICE, THOUGH. 1668 01:05:50,104 --> 01:05:51,169 ISN'T IT? 1669 01:05:51,205 --> 01:05:53,538 UM, IT'S MODERATE, ACTUALLY, 1670 01:05:53,574 --> 01:05:56,408 BUT OKAY, UM... 1671 01:05:56,443 --> 01:05:58,143 CALIFORNIA. 1672 01:05:58,178 --> 01:06:00,378 HOT, BUT DRY. 1673 01:06:00,414 --> 01:06:01,480 YOUR HAIR WOULD LOOK GREAT. 1674 01:06:01,515 --> 01:06:02,815 IT WOULD. 1675 01:06:02,850 --> 01:06:03,849 BUT I'VE BEEN. 1676 01:06:03,884 --> 01:06:05,550 DO YOU HAVE ANY PACKAGE PRICES? 1677 01:06:07,287 --> 01:06:08,320 UM... 1678 01:06:12,359 --> 01:06:13,892 [♪♪♪] 1679 01:06:22,069 --> 01:06:24,069 DREW? 1680 01:06:24,105 --> 01:06:25,838 DREW FORSTER? 1681 01:06:25,873 --> 01:06:28,107 AV CLUB AT OAK GROVE? 1682 01:06:28,142 --> 01:06:29,374 DANI? 1683 01:06:29,409 --> 01:06:31,510 OH, YOU REMEMBER MY NAME. 1684 01:06:31,545 --> 01:06:33,045 SHOULD I NOT? 1685 01:06:33,080 --> 01:06:34,013 WHAT ARE YOU DOING HERE? 1686 01:06:34,048 --> 01:06:35,180 YOU MOVED AWAY. 1687 01:06:35,215 --> 01:06:38,283 YEAH, I MOVED BACK A WHILE AGO. 1688 01:06:38,318 --> 01:06:40,886 BUT I NEVER GET TO THIS SIDE OF TOWN, THOUGH. 1689 01:06:40,921 --> 01:06:42,121 I'M JUST ON MY WAY OVER TO THE POLICE STATION 1690 01:06:42,156 --> 01:06:44,123 FOR A CASE I'M WORKING ON. 1691 01:06:44,158 --> 01:06:46,191 WOW, YOU'RE A DETECTIVE? 1692 01:06:46,226 --> 01:06:47,793 NO... OH! [CHUCKLES] 1693 01:06:47,828 --> 01:06:49,261 BETTER. AUDIO ENGINEER. 1694 01:06:49,296 --> 01:06:50,195 I OWN MY OWN SHOP. 1695 01:06:50,230 --> 01:06:51,196 YOU? 1696 01:06:51,231 --> 01:06:52,464 SAME. 1697 01:06:52,499 --> 01:06:54,432 NO, NOT AN AUDIO ENGINEER, 1698 01:06:54,468 --> 01:06:55,834 BUT I CO-OWN THIS. 1699 01:06:56,837 --> 01:06:57,870 WITH JENN? 1700 01:06:57,905 --> 01:06:58,837 YEAH, YOU KNOW HER? 1701 01:06:58,873 --> 01:07:00,105 YEAH, SHE'S THE ONE THAT BROUGHT ME THE CASE. 1702 01:07:00,141 --> 01:07:02,274 LITER-- IT'S LITERALLY A CASE. 1703 01:07:02,309 --> 01:07:03,909 THE REEL-TO-REEL. 1704 01:07:03,944 --> 01:07:05,443 RIGHT. 1705 01:07:05,479 --> 01:07:10,015 WOW, THIS IS EITHER FATE, OR JUST PLAIN FREAKY. 1706 01:07:12,119 --> 01:07:15,220 [♪♪♪] 1707 01:07:17,858 --> 01:07:19,758 I'VE SEPARATED AND NORMALIZED 1708 01:07:19,794 --> 01:07:22,494 EACH OF THE LOUDER WAVEFORMS INTO INDIVIDUAL WORDS 1709 01:07:22,529 --> 01:07:23,962 AND THEN SPACED THEM OUT ON THE TIMELINE. 1710 01:07:25,199 --> 01:07:28,567 WHEN PLAYED WITH BREAKS IN BETWEEN, 1711 01:07:28,602 --> 01:07:30,803 I CAN HEAR EXACTLY WHAT THE KILLER'S SAYING. 1712 01:07:30,838 --> 01:07:32,171 I'LL LOOP IT AND YOU CAN HEAR IT, TOO. 1713 01:07:32,206 --> 01:07:33,505 ALRIGHT. 1714 01:07:33,540 --> 01:07:35,240 [WHISPERED VOICE LOOP] WHERE IS SHE? 1715 01:07:36,443 --> 01:07:37,309 WHERE IS SHE? 1716 01:07:38,846 --> 01:07:41,479 THAT CERTAINLY DOESN'T SOUND LIKE CHRIS SUDON. 1717 01:07:41,515 --> 01:07:42,948 WELL, LOOKING AT THE PITCH AND THE FREQUENCIES, 1718 01:07:42,983 --> 01:07:45,217 IT'S NOT THE SAME AS DR. VEDDERS' VOICE. 1719 01:07:46,721 --> 01:07:49,727 WELL... THAT THROWS MY LIST OF SUSPECTS 1720 01:07:49,777 --> 01:07:51,208 RIGHT OUT THE WINDOW. 1721 01:07:55,625 --> 01:07:58,000 YOU KNOW, WE'VE HAD THE THREE FATES HERE 1722 01:07:58,161 --> 01:07:59,193 FOR A WHILE. 1723 01:07:59,229 --> 01:08:00,861 IS IT A COINCIDENCE 1724 01:08:00,897 --> 01:08:03,031 THAT DREW JUST SHOWED UP OUT OF THE BLUE? 1725 01:08:03,066 --> 01:08:04,999 I MEAN, EVEN HE SAID IT WAS FREAKY. 1726 01:08:05,035 --> 01:08:06,034 SEE? 1727 01:08:06,069 --> 01:08:07,035 FATE WAS ALWAYS HERE, 1728 01:08:07,070 --> 01:08:08,436 IT JUST HAD TO FIND YOU. 1729 01:08:08,471 --> 01:08:10,471 SO HOW'S YOUR TRIP COMING ALONG? 1730 01:08:10,507 --> 01:08:11,639 OH, I'M NOT GOING ANYWHERE. 1731 01:08:12,675 --> 01:08:14,242 ALL THE ADVENTURE'S RIGHT HERE. 1732 01:08:15,678 --> 01:08:16,511 CASE IN POINT. 1733 01:08:16,546 --> 01:08:17,545 [ENTRY BELL JINGLES] 1734 01:08:17,580 --> 01:08:18,679 HEY, FRANK. 1735 01:08:18,714 --> 01:08:20,781 HEY. 1736 01:08:20,816 --> 01:08:22,750 I THOUGHT YOU'D WANT TO HEAR THIS. 1737 01:08:23,886 --> 01:08:24,919 [VOICE WHISPERS] WHERE IS SHE? 1738 01:08:26,523 --> 01:08:28,722 SO, THAT'S WHY KENDAHL WAS HIDING AT THE CAMPGROUND, 1739 01:08:28,758 --> 01:08:29,990 SOMEONE WAS LOOKING FOR HER. 1740 01:08:30,026 --> 01:08:32,026 SPECIFICALLY A MALE. 1741 01:08:32,062 --> 01:08:34,162 OKAY, WE KNOW THAT KENDAHL HAD THAT PAST RUN-IN WITH HER EX 1742 01:08:34,197 --> 01:08:35,629 WHO HAD THE RESTRAINING ORDER AGAINST HER, 1743 01:08:35,665 --> 01:08:37,565 BUT SUDON SAID THOSE CHARGES WERE TRUMPED UP. 1744 01:08:37,600 --> 01:08:39,800 FRANK, MAYBE IT'S THE OTHER WAY AROUND. 1745 01:08:39,835 --> 01:08:42,836 MAYBE KENDAHL'S EX IS THE STALKER. 1746 01:08:42,872 --> 01:08:44,072 I'M BETTING THAT GUY DRIVING THE CAR 1747 01:08:44,107 --> 01:08:45,573 IN THE SURVEILLANCE FOOTAGE 1748 01:08:45,608 --> 01:08:47,341 IS THE VOICE ON THIS REEL. 1749 01:08:57,087 --> 01:08:58,686 [ENTRY ALERT CHIMES] 1750 01:08:58,721 --> 01:08:59,687 HEY... 1751 01:09:01,357 --> 01:09:02,656 OH, HEY. 1752 01:09:02,692 --> 01:09:05,093 UH, SORRY- SORRY ABOUT THE MESS. 1753 01:09:05,128 --> 01:09:05,859 WE DON'T GET MANY BEAUTIFUL-- 1754 01:09:05,895 --> 01:09:09,063 UH... CUSTOMERS... THESE DAYS. 1755 01:09:09,099 --> 01:09:10,264 [CHUCKLES AWKWARDLY] 1756 01:09:10,300 --> 01:09:11,765 WOW. 1757 01:09:11,801 --> 01:09:13,201 THIS IS... 1758 01:09:13,236 --> 01:09:14,435 A GRAVEYARD? 1759 01:09:14,471 --> 01:09:15,436 YEAH, I KNOW. 1760 01:09:15,472 --> 01:09:16,837 NO, NO, 1761 01:09:16,872 --> 01:09:19,207 NO, IT'S LIKE A TIME CAPSULE. 1762 01:09:19,242 --> 01:09:20,408 [GASPS] 1763 01:09:20,443 --> 01:09:22,610 WITH OLD FRIENDS. 1764 01:09:22,645 --> 01:09:23,711 THIS IS THE SAME MAKE 1765 01:09:23,746 --> 01:09:25,946 AS THE ONE IN AV CLUB, RIGHT? 1766 01:09:25,982 --> 01:09:27,248 YOU STILL KNOW YOUR STUFF. 1767 01:09:27,283 --> 01:09:29,049 WELL, I HAD A GOOD TEACHER. 1768 01:09:29,085 --> 01:09:30,951 MR. FURSE WAS THE MAN. 1769 01:09:30,987 --> 01:09:32,786 I MEANT YOU. 1770 01:09:32,822 --> 01:09:34,255 OH. 1771 01:09:37,260 --> 01:09:38,692 CAN I ASK YOU A QUESTION? 1772 01:09:38,728 --> 01:09:40,928 I THINK YOU JUST DID. 1773 01:09:40,963 --> 01:09:42,796 OH. [LAUGHS] YES. 1774 01:09:42,832 --> 01:09:43,897 CAN I ASK YOU ANOTHER QUESTION? 1775 01:09:43,933 --> 01:09:45,366 SURE. 1776 01:09:47,337 --> 01:09:48,469 WHY DID... 1777 01:09:48,505 --> 01:09:49,803 WHY DID YOU BREAK UP WITH ME? 1778 01:09:49,839 --> 01:09:51,872 WHAT? 1779 01:09:51,907 --> 01:09:53,307 N'UH-UH. 1780 01:09:53,343 --> 01:09:55,576 YOU... YOU BROKE UP WITH ME. 1781 01:09:55,612 --> 01:09:57,645 NO. REALLY? NO. 1782 01:09:57,680 --> 01:09:58,746 YEAH. 1783 01:09:58,781 --> 01:10:00,080 YEAH, YOU HAVE THE HONOR 1784 01:10:00,116 --> 01:10:01,949 OF BEING THE ONLY GUY TO EVER DUMP ME. 1785 01:10:01,984 --> 01:10:02,816 NO. NO, NO, NO, NO. 1786 01:10:02,852 --> 01:10:04,252 NO, NO... 1787 01:10:04,287 --> 01:10:05,386 I SPECIFICALLY REMEMBER, 1788 01:10:05,421 --> 01:10:06,787 WHEN I LOST THE COKE BOTTLE GLASSES, 1789 01:10:06,822 --> 01:10:07,988 YOU LOST INTEREST. 1790 01:10:08,024 --> 01:10:10,424 YOU HAD GIRLS ALL OVER YOU. 1791 01:10:10,460 --> 01:10:12,460 Y-YEAH, OKAY, 1792 01:10:12,495 --> 01:10:14,495 BUT STILL, YOU... YOU BACKED AWAY, 1793 01:10:14,531 --> 01:10:15,829 AND THEN YOU STOPPED COMING TO CLUB. 1794 01:10:15,865 --> 01:10:17,231 NO, I... 1795 01:10:20,836 --> 01:10:23,103 WOW, YOU'RE RIGHT. 1796 01:10:23,139 --> 01:10:26,274 YOU WERE JUST GETTING ALL THIS ATTENTION, 1797 01:10:26,309 --> 01:10:27,808 AND I WASN'T GETTING ANY, 1798 01:10:27,843 --> 01:10:30,144 AND I GUESS I JUST BACKED OFF. 1799 01:10:30,180 --> 01:10:33,080 YOU KNOW... 1800 01:10:33,115 --> 01:10:36,150 THERE WAS NO FORMAL DUMPING BY EITHER OF US, 1801 01:10:36,186 --> 01:10:37,685 COME TO THINK OF IT. 1802 01:10:37,720 --> 01:10:39,453 SO TECHNICALLY, WE'RE STILL DATING? 1803 01:10:39,489 --> 01:10:42,256 [CHUCKLES] YEAH, TECHNICALLY. 1804 01:10:43,660 --> 01:10:45,859 DID YOU KNOW THE REASON WHY I GOT THOSE CONTACT LENSES 1805 01:10:45,895 --> 01:10:47,261 IN THE FIRST PLACE? 1806 01:10:47,297 --> 01:10:48,762 MM-MM. 1807 01:10:48,798 --> 01:10:52,266 I WANTED YOU TO LIKE ME MORE, 1808 01:10:52,302 --> 01:10:53,467 AND... 1809 01:10:53,503 --> 01:10:55,636 I WANTED TO SEE YOU BETTER. 1810 01:10:56,972 --> 01:10:58,172 OH. 1811 01:10:58,208 --> 01:10:59,173 OH NO, THAT WAS... 1812 01:10:59,209 --> 01:11:00,174 THAT WAS TOO MUCH, RIGHT? 1813 01:11:00,210 --> 01:11:01,175 SOMETIMES, I JUST, I GO... 1814 01:11:01,211 --> 01:11:02,176 I SAY TOO MUCH, AND... 1815 01:11:02,212 --> 01:11:03,344 NO. NO, NO, NO. 1816 01:11:03,379 --> 01:11:04,512 YOU'RE GREAT. 1817 01:11:04,547 --> 01:11:05,546 YOU'RE REALLY GREAT. 1818 01:11:05,582 --> 01:11:06,647 YOU'RE JUST, YOU'RE DOING... 1819 01:11:06,683 --> 01:11:07,781 [SIGHS] ... FINE. 1820 01:11:07,817 --> 01:11:08,882 I'M RAMBLING. 1821 01:11:08,918 --> 01:11:10,218 OH... 1822 01:11:10,253 --> 01:11:11,885 YEAH, YOU ARE, BUT I GET IT, 1823 01:11:11,921 --> 01:11:14,822 AND IT-IT-IT'S REALLY CUTE. 1824 01:11:14,857 --> 01:11:17,124 LIKE, IT'S BEYOND CUTE. 1825 01:11:25,735 --> 01:11:28,236 OH, HOW'S THE VISION-BOARD LOOKING? 1826 01:11:28,271 --> 01:11:29,970 OH, IT'S STILL KINDA BLIND. 1827 01:11:30,873 --> 01:11:32,139 BLIND. 1828 01:11:32,174 --> 01:11:33,173 [GASPING] 1829 01:11:33,209 --> 01:11:34,908 LIKE, BAD VISION, 1830 01:11:34,944 --> 01:11:39,179 AND CONTACT LENSES AND COKE BOTTLE GLASSES. 1831 01:11:39,215 --> 01:11:40,715 [GASPING] IS IT JUST ME, 1832 01:11:40,750 --> 01:11:42,916 OR ARE THE STARS ALIGNING? 1833 01:11:42,952 --> 01:11:45,219 I THINK THE STARS ARE ALIGNING. 1834 01:11:45,255 --> 01:11:46,420 DID YOU FIND KENDAHL'S EX? 1835 01:11:46,456 --> 01:11:48,556 FRANK IS WORKING ON IT AS WE SPEAK. 1836 01:11:48,591 --> 01:11:50,057 GETTING THE NAME SHOULD BE EASY. 1837 01:11:50,092 --> 01:11:51,759 TRACKING HIM DOWN IS THE NEXT STEP. 1838 01:11:51,794 --> 01:11:53,227 OKAY, WHAT DO YOU KNOW? 1839 01:11:53,263 --> 01:11:54,595 WELL, IT LOOKS LIKE KENDAHL'S EX 1840 01:11:54,631 --> 01:11:56,764 FOLLOWED HER TO THE COMMUNITY CENTER, 1841 01:11:56,799 --> 01:11:58,198 AND THEN FOLLOWED KENDAHL AND DR. VEDDERS 1842 01:11:58,234 --> 01:12:00,100 TO THE APARTMENT. 1843 01:12:00,136 --> 01:12:01,369 UNLESS... 1844 01:12:01,404 --> 01:12:03,036 UNLESS WHAT? 1845 01:12:03,072 --> 01:12:06,206 WHAT IF HE WAS ALREADY AT THE COMMUNITY CENTER? 1846 01:12:06,242 --> 01:12:08,576 LIKE, WAITING? 1847 01:12:08,611 --> 01:12:10,878 HE'D KNOW SHE'D BE THERE IF SHE WENT EVERY WEEK. 1848 01:12:10,913 --> 01:12:13,847 WELL, I WAS THINKING ABOUT THAT POCKET PATCH I FOUND. 1849 01:12:13,883 --> 01:12:17,351 MAYBE SOMETHING LIKE A JANITOR? 1850 01:12:19,255 --> 01:12:20,421 WHERE ARE YOU GOING? 1851 01:12:20,456 --> 01:12:22,055 DON'T WORRY, I'M CALLING FRANK. 1852 01:12:22,091 --> 01:12:23,924 [SIGHS] 1853 01:12:31,133 --> 01:12:33,200 SO YOU KNOW HIS NAME, BUT DO YOU HAVE HIM IN CUSTODY? 1854 01:12:33,235 --> 01:12:34,067 NO CUSTODY, 1855 01:12:34,103 --> 01:12:36,570 BUT CALLUM SELSKI SEEMS TO BE OUR MAN. 1856 01:12:36,606 --> 01:12:37,672 CALLUM SELSKI, 1857 01:12:37,707 --> 01:12:40,040 THAT WOULD EXPLAIN THE C.S. ON THE INITIAL NECKLACE. 1858 01:12:40,075 --> 01:12:42,042 BUT NO SIGN OF HIM? 1859 01:12:42,077 --> 01:12:43,911 WELL, I WENT BY HIS HOUSE, HE WASN'T THERE. 1860 01:12:43,946 --> 01:12:45,546 HE MIGHT HAVE GIVEN ME THE SLIP. 1861 01:12:45,581 --> 01:12:46,914 YOU KNOW, COME TO THINK OF IT, 1862 01:12:46,949 --> 01:12:49,317 KENDAHL SAID THAT SOMETIMES IN RELATIONSHIPS, 1863 01:12:49,352 --> 01:12:50,818 SHE DID PUT PEOPLE ON A PEDESTAL. 1864 01:12:50,853 --> 01:12:52,453 WELL, HE MIGHT BE THE TYPE, 1865 01:12:52,488 --> 01:12:53,587 WHERE, YOU KNOW, 1866 01:12:53,623 --> 01:12:55,723 IF HE'S NO LONGER THE CENTER OF SOMEONE'S ATTENTION, 1867 01:12:55,758 --> 01:12:58,058 WELL, HE MIGHT FIND HIMSELF IN A PRETTY LONELY PLACE. 1868 01:12:58,093 --> 01:12:59,960 AND A JEALOUS PLACE. 1869 01:12:59,995 --> 01:13:01,395 MAYBE HE MISREADS THE SIGNS 1870 01:13:01,431 --> 01:13:03,230 OF HER RELATIONSHIP WITH VEDDERS, 1871 01:13:03,265 --> 01:13:05,333 HE THREATENS HER, AND SHE TAKES OFF. 1872 01:13:05,368 --> 01:13:08,736 HE THEN FOLLOWS VEDDERS HOME LOOKING FOR HER. 1873 01:13:08,771 --> 01:13:10,604 WHAT ABOUT HER EX'S CAR? 1874 01:13:10,640 --> 01:13:13,106 DOES IT MATCH THE DESCRIPTION OF THE ONE AT THE CAMPSITE? 1875 01:13:13,142 --> 01:13:14,141 UH, YUP, 1876 01:13:14,176 --> 01:13:15,209 DARK GRAY. 1877 01:13:16,946 --> 01:13:18,679 WELL THEN, YOU BETTER GET HERE. 1878 01:13:18,715 --> 01:13:20,180 WHY? WHERE ARE YOU? 1879 01:13:20,216 --> 01:13:21,782 THE COMMUNITY CENTER. 1880 01:13:21,818 --> 01:13:23,584 GET OUT OF THERE. 1881 01:13:23,619 --> 01:13:24,518 FRANK... 1882 01:13:24,554 --> 01:13:26,787 HE GOT A JOB HERE SO HE COULD FOLLOW HER. 1883 01:13:26,823 --> 01:13:28,456 I'M ON MY WAY. GET OUT OF THERE NOW! 1884 01:13:29,692 --> 01:13:30,591 [BLOW THUDS HEAVILY] 1885 01:13:34,697 --> 01:13:35,863 IT'S A POSSIBLE 10-35 IN PROGRESS. 1886 01:13:35,898 --> 01:13:38,466 WE NEED ALL AVAILABLE UNITS TO THE COMMUNITY CENTER NOW! 1887 01:13:38,501 --> 01:13:39,633 YOU'RE WITH ME. 1888 01:13:39,669 --> 01:13:41,101 COME ON. 1889 01:13:45,641 --> 01:13:47,307 [♪♪♪] 1890 01:13:55,885 --> 01:13:57,685 [JENN WINCING] 1891 01:13:58,988 --> 01:14:00,588 [TOOLS SNIPPING] 1892 01:14:14,169 --> 01:14:15,636 [PHONE POWERS ON WITH A CHIME] 1893 01:14:18,107 --> 01:14:19,907 AH-AH... 1894 01:14:19,942 --> 01:14:22,042 THERE'S NO RECEPTION DOWN HERE ANYWAY. 1895 01:14:22,077 --> 01:14:23,010 NOW THAT I THINK ABOUT IT, 1896 01:14:23,045 --> 01:14:24,478 THE WHOLE ROOM IS PRACTICALLY SOUND-PROOFED 1897 01:14:24,514 --> 01:14:25,713 TO BLOCK OUT THE NOISE OF THE BOILER. 1898 01:14:25,748 --> 01:14:27,047 SO IF IT HELPS TO SCREAM, 1899 01:14:27,082 --> 01:14:28,649 THAT'S FINE BY ME. 1900 01:14:28,684 --> 01:14:30,751 THIS ISN'T GOING TO MAKE IT ALL GO AWAY. 1901 01:14:30,787 --> 01:14:32,653 I NEED TO KNOW WHAT YOU KNOW. 1902 01:14:32,688 --> 01:14:34,221 THAT THE POLICE ARE ON THEIR WAY HERE, 1903 01:14:34,256 --> 01:14:35,890 AND THEY KNOW WHO YOU ARE. 1904 01:14:35,925 --> 01:14:37,558 "THEY" OR ONE DETECTIVE THAT CAN BE TAKEN OUT? 1905 01:14:37,593 --> 01:14:39,427 ALL OF THEM KNOW. 1906 01:14:39,462 --> 01:14:40,828 WELL THEN... 1907 01:14:40,863 --> 01:14:42,029 WE'LL MAKE SURE WE TIME THIS RIGHT 1908 01:14:42,064 --> 01:14:42,897 FOR THEIR ARRIVAL. 1909 01:14:42,932 --> 01:14:44,498 TIME WHAT? 1910 01:14:44,534 --> 01:14:45,198 DO YOU KNOW HOW MANY PEOPLE DIE 1911 01:14:45,234 --> 01:14:46,567 IN BOILER EXPLOSIONS EVERY YEAR? 1912 01:14:48,471 --> 01:14:50,571 WE KNOW ALL ABOUT KENDAHL. 1913 01:14:52,041 --> 01:14:54,575 YOU KNOW, THEY ARE AVOIDABLE ACCIDENTS, JENN, 1914 01:14:54,610 --> 01:14:57,210 PEOPLE JUST DON'T TAKE THE TIME TO HAVE THEM CHECKED. 1915 01:14:57,246 --> 01:14:58,278 SO, IF ANYTHING HAPPENS TO ME OR ANYONE, 1916 01:14:58,314 --> 01:14:59,346 THE POLICE WILL BE LOOKING FOR YOU. 1917 01:14:59,381 --> 01:15:00,380 AND I'LL BE OUT BACK 1918 01:15:00,416 --> 01:15:01,381 AND OUTTA TOWN 1919 01:15:01,417 --> 01:15:04,618 LONG BEFORE THE FIRST FIRE TRUCK EVEN SHOWS. 1920 01:15:04,654 --> 01:15:06,353 THE CHARGES THAT YOU FILED AGAINST KENDAHL 1921 01:15:06,388 --> 01:15:08,255 WERE OBVIOUSLY THE OTHER WAY AROUND. 1922 01:15:08,290 --> 01:15:10,190 DO YOU KNOW WHAT IT'S LIKE 1923 01:15:10,225 --> 01:15:12,092 TO NEVER FIT IN? 1924 01:15:12,127 --> 01:15:14,428 TO NEVER BE A PART OF ANYTHING 1925 01:15:14,464 --> 01:15:16,630 OR THAT FEELING OF NEVER BEING WANTED? 1926 01:15:16,666 --> 01:15:19,199 SHE FILLED IN LIFE'S BLANKS, 1927 01:15:19,234 --> 01:15:20,734 THE BIG EMPTY PLACES. 1928 01:15:20,770 --> 01:15:22,970 BUT SOMETHING WENT WRONG. 1929 01:15:23,005 --> 01:15:25,205 KENDAHL JOINED THE GROUP, 1930 01:15:25,240 --> 01:15:26,807 AND HER FOCUS BECAME VEDDERS. 1931 01:15:26,843 --> 01:15:28,241 BUT YOU KNEW IT WASN'T THAT TYPE OF AFFECTION. 1932 01:15:28,277 --> 01:15:29,477 WHATEVER IT WAS, 1933 01:15:29,512 --> 01:15:31,378 HE HAD HER HEART, AND SHE HAD MINE, 1934 01:15:31,413 --> 01:15:33,481 BROKEN AS IT IS. 1935 01:15:33,516 --> 01:15:34,949 I WAS BACK TO RUNNING ON EMPTY, 1936 01:15:34,984 --> 01:15:36,149 AND PEOPLE AREN'T MEANT TO RUN ON EMPTY. 1937 01:15:36,185 --> 01:15:36,951 SO TO GET BACK AT HER 1938 01:15:36,986 --> 01:15:40,454 YOU FILED A FAKE RESTRAINING ORDER? 1939 01:15:40,490 --> 01:15:43,924 DISCREDITING ANY FUTURE CLAIMS THAT YOU WERE STALKING HER? 1940 01:15:43,960 --> 01:15:45,693 IT IS WHAT IT IS. 1941 01:15:53,778 --> 01:15:54,977 SO YOU... 1942 01:15:55,012 --> 01:15:56,645 YOU SAW HER LEAVE THAT DAY... 1943 01:15:57,648 --> 01:15:59,448 YOU SAW HER FOLLOW HIM. 1944 01:16:02,219 --> 01:16:04,753 SO YOU GOT IN YOUR CAR AND YOU FOLLOWED HER. 1945 01:16:20,204 --> 01:16:21,303 YOU'D BEEN FOLLOWING HER FOR A WHILE, 1946 01:16:21,338 --> 01:16:23,138 THAT'S WHY SHE HAD TO GET AWAY FROM YOU. 1947 01:16:33,484 --> 01:16:35,050 AMAZING. 1948 01:16:35,086 --> 01:16:36,518 THANK YOU. 1949 01:16:41,558 --> 01:16:42,691 [JENN CONTINUES]: AND WHEN YOU SAW 1950 01:16:42,727 --> 01:16:45,160 THAT DR. VEDDERS WAS HELPING HER GET HER OWN PLACE, 1951 01:16:45,195 --> 01:16:46,695 A PLACE AWAY FROM YOU, 1952 01:16:46,731 --> 01:16:49,464 YOU CONFRONT HER. 1953 01:16:53,537 --> 01:16:55,704 [KENDAHL]: HE'S NOT JUST GONNA LET ME LEAVE. 1954 01:16:55,740 --> 01:16:56,972 ARE YOU SURE YOU HAVE TO GO? 1955 01:16:57,008 --> 01:16:58,841 CAN YOU STAY JUST A LITTLE LONGER? 1956 01:16:58,876 --> 01:17:00,809 WE'RE THE ONLY ONES WHO KNOW ABOUT THIS PLACE. 1957 01:17:00,845 --> 01:17:03,145 YOU'LL BE SAFE HERE AS LONG AS YOU NEED ME. 1958 01:17:03,180 --> 01:17:04,312 RENT'S COVERED. 1959 01:17:04,348 --> 01:17:05,547 BUT WHAT IF HE FINDS ME? 1960 01:17:05,582 --> 01:17:07,049 HE WON'T. JUST LOCK THE DOOR, 1961 01:17:07,084 --> 01:17:08,550 AND CALL ME IF YOU HAVE ANY PROBLEMS. 1962 01:17:08,585 --> 01:17:09,584 MY PHONE IS ALWAYS ON. 1963 01:17:09,620 --> 01:17:11,153 -THANK YOU. -YOU'RE WELCOME. 1964 01:17:13,024 --> 01:17:14,456 BYE. 1965 01:17:15,793 --> 01:17:16,959 [SNAPS DEADBOLT SHUT] 1966 01:17:18,562 --> 01:17:19,695 ARE YOU WITH HIM NOW? 1967 01:17:19,730 --> 01:17:20,896 NO. 1968 01:17:20,931 --> 01:17:22,564 I LOVE YOU. I WANT TO BE WITH YOU. 1969 01:17:22,599 --> 01:17:24,033 NO, NO, NO, YOU LOVE THE IDEA OF ME. 1970 01:17:24,068 --> 01:17:25,167 NO. YOU'RE NOT LEAVING. 1971 01:17:36,513 --> 01:17:37,846 [JENN CONTINUES]: WHEN SHE TAKES OFF, 1972 01:17:37,882 --> 01:17:39,848 AND YOU THINK WITH VEDDERS, 1973 01:17:39,884 --> 01:17:42,151 YOU FOLLOW THEM. 1974 01:17:47,191 --> 01:17:49,124 [TIRES SQUEALING] 1975 01:18:07,912 --> 01:18:10,012 BUT SHE WASN'T WITH HIM. 1976 01:18:11,782 --> 01:18:14,316 YOU GET TO VEDDERS' HOUSE, 1977 01:18:14,351 --> 01:18:17,552 AND YOU THINK THEY'RE INSIDE TOGETHER. 1978 01:18:22,359 --> 01:18:26,428 YOU GO IN AND FIND VEDDERS ALONE, 1979 01:18:26,463 --> 01:18:28,097 YOUR JEALOUSY TAKES OVER 1980 01:18:28,132 --> 01:18:29,798 AND, OUT OF CONTROL, YOU KILL HIM. 1981 01:18:31,468 --> 01:18:32,901 [CHISEL DROPS, CLATTERING] 1982 01:18:36,607 --> 01:18:37,940 [CHISEL CLANGS INTO VENT] 1983 01:18:37,975 --> 01:18:39,541 [GASPING IN PANIC] 1984 01:18:50,287 --> 01:18:51,153 [GROANS IN FRUSTRATION] 1985 01:18:55,059 --> 01:18:56,725 WHERE IS SHE? 1986 01:18:57,628 --> 01:18:59,061 WHERE IS SHE? 1987 01:19:00,731 --> 01:19:02,264 WHERE IS SHE? 1988 01:19:02,299 --> 01:19:03,932 [JENN CONTINUES]: IN A PANIC, YOU REALIZE 1989 01:19:03,968 --> 01:19:05,267 THAT YOU'VE GOT TO CLEAN UP, 1990 01:19:05,302 --> 01:19:07,069 COVER YOUR TRACKS. 1991 01:19:18,849 --> 01:19:22,484 SO YOU TAKE DR. VEDDERS' BODY BACK TO KENDAHL'S NEW APARTMENT 1992 01:19:22,519 --> 01:19:26,789 TO EITHER PIN THE CRIME ON HER, OR MAKE A STATEMENT. 1993 01:19:26,824 --> 01:19:29,191 "IF I CAN'T HAVE YOU, NO ONE CAN." 1994 01:19:29,226 --> 01:19:30,558 OR MAYBE... 1995 01:19:30,594 --> 01:19:32,294 MAYBE YOU WERE HOPING, 1996 01:19:32,329 --> 01:19:34,029 WITH VEDDERS OUT OF THE WAY, 1997 01:19:34,064 --> 01:19:36,731 HER ATTENTION WOULD GO BACK TO YOU. 1998 01:19:36,767 --> 01:19:37,766 I'M GUESSING 1999 01:19:37,802 --> 01:19:39,534 YOU PLANTED THAT PIECE OF FABRIC AT THE CAMPSITE 2000 01:19:39,569 --> 01:19:40,869 TO FRAME CHRIS SUDON? 2001 01:19:42,339 --> 01:19:47,642 EVERYTHING I DID, I DID BECAUSE I LOVED HER. 2002 01:19:47,678 --> 01:19:49,011 LOVE HER. 2003 01:19:49,046 --> 01:19:49,978 [STEAM VALVE HISSING] 2004 01:19:53,184 --> 01:19:56,018 IF YOU RUN NOW, YOU WILL BE RUNNING FOREVER! 2005 01:19:56,053 --> 01:19:57,419 AND LIKE YOU SAID, 2006 01:19:57,454 --> 01:19:59,822 YOU CAN ONLY RUN ON EMPTY FOR SO LONG! 2007 01:19:59,857 --> 01:20:00,889 I KNOW. 2008 01:20:00,925 --> 01:20:02,691 [STEAM HISSING, VALVES BURSTING] 2009 01:20:02,726 --> 01:20:04,392 TIME TO GO. 2010 01:20:25,549 --> 01:20:26,348 FREEZE! 2011 01:20:48,172 --> 01:20:49,804 GET DOWN. 2012 01:20:49,840 --> 01:20:51,373 CLASP YOUR HANDS. 2013 01:20:51,408 --> 01:20:52,774 YOU'RE UNDER ARREST. 2014 01:20:56,914 --> 01:20:59,081 [STEAM HISSING] 2015 01:21:09,526 --> 01:21:10,825 WHERE IS SHE? 2016 01:21:10,861 --> 01:21:11,626 GET DOWN! 2017 01:21:15,332 --> 01:21:16,098 THERE'S BEEN A MISTAKE! 2018 01:21:16,133 --> 01:21:17,465 PLEASE... 2019 01:21:18,702 --> 01:21:19,801 [PLAYING RECORDING] 2020 01:21:19,836 --> 01:21:21,370 THERE'S NO RECEPTION DOWN HERE ANYWAY... 2021 01:21:22,606 --> 01:21:23,939 COME ON. 2022 01:21:23,974 --> 01:21:24,907 COME ON... 2023 01:21:28,879 --> 01:21:29,978 [BOTH PANTING IN RELIEF] 2024 01:21:32,116 --> 01:21:33,615 OH... 2025 01:21:35,052 --> 01:21:37,286 [♪♪♪] 2026 01:21:41,959 --> 01:21:44,359 [DOORBELL RINGS] 2027 01:21:44,395 --> 01:21:47,195 [JAUNTY KNOCKING] 2028 01:21:47,231 --> 01:21:48,030 HELLO, LYNWOODS! 2029 01:21:48,065 --> 01:21:49,164 HI! 2030 01:21:49,199 --> 01:21:50,165 HI, WE'RE HERE FOR THE PREMIERE, 2031 01:21:50,200 --> 01:21:51,366 SPECIFICALLY THE FREE POPCORN. 2032 01:21:51,402 --> 01:21:52,067 WELL THEN, COME IN. 2033 01:21:52,102 --> 01:21:54,169 SALLY, HI! IT'S BEEN TOO LONG! 2034 01:21:54,204 --> 01:21:54,869 OH, IT'S SO GOOD TO SEE YOU. 2035 01:21:54,905 --> 01:21:56,538 I BROUGHT REINFORCEMENTS. 2036 01:21:56,573 --> 01:21:58,673 CHOCOLATE IN BOTH HANDS IS A BALANCED DIET. 2037 01:21:58,708 --> 01:21:59,707 I COULDN'T AGREE MORE. 2038 01:21:59,743 --> 01:22:01,043 [CHUCKLING] 2039 01:22:01,078 --> 01:22:03,178 THEY ARE SO EXCITED TO SHOW US THE "MAN CAVE." 2040 01:22:03,213 --> 01:22:04,646 I CAN'T WAIT TO SEE IT. 2041 01:22:04,681 --> 01:22:05,480 SHALL I TAKE THESE DOWN. 2042 01:22:05,515 --> 01:22:07,282 OH, SURE, THANK YOU. 2043 01:22:07,318 --> 01:22:08,716 SO, WHAT'S THE UPDATE? 2044 01:22:08,752 --> 01:22:10,385 WELL, LET'S SEE, 2045 01:22:10,421 --> 01:22:13,155 A FULLY-SIGNED CONFESSION FROM THE SECURITY GUARD. 2046 01:22:13,190 --> 01:22:14,289 DEB'S GETTING MARRIED, 2047 01:22:14,325 --> 01:22:15,390 SUDON'S GONNA BE THE EMCEE. 2048 01:22:15,426 --> 01:22:16,491 OH. 2049 01:22:16,526 --> 01:22:17,525 AND MRS. VEDDERS', 2050 01:22:17,561 --> 01:22:19,227 WELL, SHE'S GONNA BE DONATING 2051 01:22:19,263 --> 01:22:20,895 SOME OF HER INSURANCE MONEY TO THE COMMUNITY CENTER 2052 01:22:20,931 --> 01:22:22,030 IN HER HUSBAND'S NAME. 2053 01:22:22,066 --> 01:22:23,031 OH. 2054 01:22:23,067 --> 01:22:24,632 NICE WORK, DETECTIVE. 2055 01:22:24,668 --> 01:22:26,835 WELL, I CAN'T LET YOU DO MY WHOLE JOB. 2056 01:22:26,870 --> 01:22:29,004 [LAUGHING] 2057 01:22:29,039 --> 01:22:31,974 AFTER MANY TRIALS... 2058 01:22:32,009 --> 01:22:34,142 ...TRIBULATIONS... 2059 01:22:34,178 --> 01:22:35,543 ...AND HARD WORK, 2060 01:22:35,579 --> 01:22:37,579 BOTH OLD SCHOOL AND NEW SCHOOL, 2061 01:22:37,614 --> 01:22:38,913 WE PRESENT TO YOU, 2062 01:22:38,949 --> 01:22:40,148 THE MANCAVE! 2063 01:22:40,184 --> 01:22:42,417 THE WOMANCAVE. 2064 01:22:42,453 --> 01:22:44,686 THE SHAN-CAVE! 2065 01:22:44,721 --> 01:22:46,021 WOW! 2066 01:22:46,056 --> 01:22:47,489 -OH! [GASPS OF DELIGHT] -IT LOOKS GREAT! 2067 01:22:47,524 --> 01:22:49,691 [APPLAUDING] 2068 01:22:49,726 --> 01:22:51,893 WELL... OKAY, 2069 01:22:51,928 --> 01:22:54,696 I DON'T WANT TO STEAL ANYBODY'S SUNSHINE, BUT... 2070 01:22:54,731 --> 01:22:56,931 I GAVE UP ON MY VISIONBOARD, 2071 01:22:56,967 --> 01:22:59,234 AND IT'S BECAUSE OF YOU GUYS. 2072 01:22:59,269 --> 01:23:01,870 NOW, A WEEK AGO, I WENT OUT LOOKING 2073 01:23:01,905 --> 01:23:03,171 FOR WHAT I WANTED IN MY LIFE, 2074 01:23:03,207 --> 01:23:06,375 AND I CONTEMPLATED ZIPLINING, 2075 01:23:06,410 --> 01:23:08,743 AND THEN, UM, I TRIED 2076 01:23:08,778 --> 01:23:11,513 THAT 30-SECOND SPEED-DATING, WHICH... NO. 2077 01:23:11,548 --> 01:23:14,516 AND THEN, I PLANNED A LIFE-CHANGING TRIP 2078 01:23:14,551 --> 01:23:15,683 TO... WHEREVER, 2079 01:23:15,719 --> 01:23:17,452 AND I REALIZED, 2080 01:23:17,488 --> 01:23:20,255 THAT I DON'T WANT MY LIFE TO CHANGE. 2081 01:23:20,290 --> 01:23:22,224 MY FUTURE IS IN THIS TOWN, 2082 01:23:22,259 --> 01:23:23,525 SPECIFICALLY, 2083 01:23:23,560 --> 01:23:25,227 IN THIS ROOM. 2084 01:23:25,262 --> 01:23:26,861 I DON'T HAVE TO LOOK FORWARD, 2085 01:23:26,897 --> 01:23:28,430 I JUST HAVE TO LOOK HERE. 2086 01:23:28,465 --> 01:23:30,632 [ALL GUSHING FONDLY] AW, DANI... 2087 01:23:30,667 --> 01:23:32,067 AW... 2088 01:23:33,137 --> 01:23:34,636 YOU GUYS ARE MY EVERYTHING. 2089 01:23:34,671 --> 01:23:35,537 [TEXT MESSAGE CHIMES] 2090 01:23:35,572 --> 01:23:37,105 OH. 2091 01:23:37,141 --> 01:23:38,873 [GASPS] IT'S FROM DREW. 2092 01:23:38,909 --> 01:23:39,941 [GROANS] 2093 01:23:39,976 --> 01:23:40,942 WELL, ALMOST EVERYTHING. 2094 01:23:40,977 --> 01:23:42,310 [LAUGHTER] 2095 01:23:42,346 --> 01:23:44,112 WHAT IS HE SAYING? 2096 01:23:44,148 --> 01:23:46,648 HE WANTS TO GO FOR COFFEE. 2097 01:23:46,683 --> 01:23:47,615 ALRIGHT... 2098 01:23:47,651 --> 01:23:49,284 SO, UH, WHAT ARE WE WATCHING? 2099 01:23:49,319 --> 01:23:51,219 WELL, AFTER MUCH DELIBERATION, 2100 01:23:51,255 --> 01:23:52,654 WE DECIDED ON A CLASSIC. 2101 01:23:52,689 --> 01:23:55,090 IT HAS ROMANCE, A JOURNEY, AND A TRIUMPH. 2102 01:23:55,125 --> 01:23:56,991 FAST AND FURIOUS 8! 2103 01:23:57,027 --> 01:23:58,060 FATE OF THE FURIOUS. 2104 01:23:58,095 --> 01:23:59,161 WHOO! 2105 01:23:59,196 --> 01:24:00,962 LIGHTS! 2106 01:24:06,603 --> 01:24:07,502 [LOGAN]: LEGALLY BLONDE? 2107 01:24:07,538 --> 01:24:08,403 [SALLY GASPS IN DELIGHT] 2108 01:24:08,439 --> 01:24:09,637 I LOVE THIS MOVIE. 2109 01:24:09,673 --> 01:24:11,239 A ROMANCE, A JOURNEY, 2110 01:24:11,275 --> 01:24:12,974 AND A TRIUMPH. 2111 01:24:19,883 --> 01:24:23,785 [♪♪♪]