1 00:00:21,771 --> 00:00:23,772 Roscoe: YOU ARE GOING TO LOVE THIS. 2 00:00:24,941 --> 00:00:27,776 ROSCOE, YOU'VE GOT THAT MAD SCIENTIST LOOK. 3 00:00:27,811 --> 00:00:30,112 I THOUGHT YOU LIKED THAT LOOK. 4 00:00:30,146 --> 00:00:32,014 ONLY WHEN WE'RE PLANNING SOMETHING TOGETHER. 5 00:00:32,048 --> 00:00:34,016 YOU'RE UP TO SOMETHING. 6 00:00:34,050 --> 00:00:36,685 SO, UH, THE BAND READY FOR THE AUDITION? 7 00:00:36,720 --> 00:00:37,953 DON'T TRY AND CHANGE THE SUBJECT. 8 00:00:37,987 --> 00:00:40,189 I WANNA KNOW WHAT YOU'RE UP TO. 9 00:00:40,223 --> 00:00:42,357 CAN'T I SURPRISE MY BEST FRIEND WITH A GIFT? 10 00:00:42,392 --> 00:00:44,293 YOU GOT ME A GIFT? 11 00:00:44,327 --> 00:00:47,029 SAMANTHA, MEET BETA. 12 00:00:50,800 --> 00:00:52,735 [MEOW] 13 00:00:52,769 --> 00:00:53,769 Samantha: IT'S ADORABLE! 14 00:00:53,803 --> 00:00:55,871 BUT YOU KNOW I'M ALLERGIC TO CATS. 15 00:00:55,905 --> 00:00:57,940 NOT THIS ONE. WATCH. 16 00:01:02,912 --> 00:01:04,146 IT'S A HOLOGRAM? 17 00:01:04,180 --> 00:01:05,514 30 MILLION PIXELS. 18 00:01:05,548 --> 00:01:07,282 Man: ROSCOE, ARE YOU UP THERE? UH-OH. 19 00:01:07,317 --> 00:01:08,717 THAT'S SO SWEET. 20 00:01:08,752 --> 00:01:10,219 ROSCOE! YEAH, DAD, UM, 21 00:01:10,253 --> 00:01:11,587 I'M JUST, UH... 22 00:01:11,621 --> 00:01:12,888 TESTING SOME HOLOGRAPHIC... 23 00:01:12,922 --> 00:01:15,290 [MEOW] CAT SCANS. 24 00:01:15,325 --> 00:01:16,291 I GOTTA GO. 25 00:01:16,326 --> 00:01:17,359 DON'T FORGET THE AUDITION. 26 00:01:21,231 --> 00:01:22,331 WHOA! WHOA! 27 00:01:23,767 --> 00:01:24,767 [MEOW] 28 00:01:27,403 --> 00:01:28,370 [PURR] 29 00:01:28,404 --> 00:01:32,441 WHY IS THERE A PLAID CAT IN MY LAB? 30 00:01:32,475 --> 00:01:34,042 WELL, YOU SAID I COULD, UH, 31 00:01:34,077 --> 00:01:36,211 TEST YOUR HOLOGRAPHIC PROGRAMMING. 32 00:01:36,246 --> 00:01:39,014 UH, SKYGRAPH IS ABOUT TO PULL ALL MY FUNDING, 33 00:01:39,048 --> 00:01:40,182 AND YOU'RE MAKING HOLOGRAPHIC CATS? 34 00:01:40,216 --> 00:01:41,216 [BIRDS CHIRPING] 35 00:01:41,251 --> 00:01:42,584 [MEOW] Roscoe: WHY NOT? 36 00:01:42,619 --> 00:01:44,286 LOW MAINTENANCE COMPANION. IT COULD MAKE MILLIONS. 37 00:01:44,320 --> 00:01:45,587 BETA, NO! 38 00:01:45,622 --> 00:01:47,222 WAIT! STOP! 39 00:01:47,257 --> 00:01:49,158 DON'T YOU GO OUT... 40 00:01:49,192 --> 00:01:51,393 THIS COMPUTER IS NOT A TOY. 41 00:01:51,427 --> 00:01:53,762 LOOK, I DIDN'T DEVELOP THIS TECHNOLOGY 42 00:01:53,797 --> 00:01:55,597 FOR YOUR ENTERTAINMENT, SON. 43 00:01:55,632 --> 00:01:58,867 AT LEAST I USE IT. 44 00:01:58,902 --> 00:01:59,868 I MEAN, IF YOU WANNA KEEP YOUR FUNDING, 45 00:01:59,903 --> 00:02:01,336 THEN MAKE SOMETHING WITH IT 46 00:02:01,371 --> 00:02:02,504 INSTEAD OF JUST TALKING ABOUT IT. 47 00:02:02,539 --> 00:02:06,041 HEY, WHY--WHY DON'T YOU SHOW BETA TO SKYGRAPH? 48 00:02:06,075 --> 00:02:09,878 THEY MAY ACTUALLY BE IMPRESSED... 49 00:02:09,913 --> 00:02:11,547 EVEN IF YOU'RE NOT. 50 00:02:36,005 --> 00:02:37,439 HEY, CINDY. RACHEL. 51 00:02:37,473 --> 00:02:38,974 HEY, I DIDN'T THINK YOU'D MAKE IT. 52 00:02:39,008 --> 00:02:40,075 I WOULDN'T MISS IT. 53 00:02:40,109 --> 00:02:41,877 HEY, MRS. CONNORS. HEY, ROSCOE. 54 00:02:41,911 --> 00:02:43,245 Rachel: DEEP CLEANSING BREATHS. 55 00:02:43,279 --> 00:02:46,114 DEEP CLEANSING BREATHS. 56 00:02:46,149 --> 00:02:48,884 DEEP CLEANSING BREATHS. 57 00:02:48,918 --> 00:02:51,620 DEEP CLEANSING BREATHS. 58 00:02:51,654 --> 00:02:53,722 RACHEL. YOU'RE NOT HAVING A BABY. 59 00:02:53,756 --> 00:02:55,224 IT'S JUST AN AUDITION. 60 00:02:55,258 --> 00:02:57,259 NO, SEE, IT'S NOT JUST AN AUDITION. 61 00:02:57,293 --> 00:02:58,927 DARYL FIBBS COULD BE HERE. 62 00:02:58,962 --> 00:03:01,163 [LAUGHS] GET REAL. 63 00:03:01,197 --> 00:03:03,131 ACTUALLY, CINDY, I HAVE HEARD 64 00:03:03,166 --> 00:03:05,133 THAT DARYL FIBBS IS SCOUTING LOCAL CLUBS FOR HARSHTONE RECORDS. 65 00:03:05,168 --> 00:03:06,134 YEAH, SEE? 66 00:03:06,169 --> 00:03:08,604 OM. 67 00:03:08,638 --> 00:03:10,339 WHY DO YOU ENCOURAGE HER? 68 00:03:10,373 --> 00:03:11,473 [LAUGHS] 69 00:03:11,507 --> 00:03:15,644 ZETTABYTES! YOU'RE UP. 70 00:03:22,252 --> 00:03:26,955 ♪ YOU MAY FIND ME JUST A LITTLE STRANGE ♪ 71 00:03:28,458 --> 00:03:33,328 ♪ I LIKE DANCIN' BAREFOOT IN THE POURIN' RAIN ♪ 72 00:03:35,098 --> 00:03:38,934 ♪ MY MIND IS RACIN' AT THE SPEED OF LIGHT ♪ 73 00:03:41,471 --> 00:03:46,041 ♪ I'LL DANCE AROUND YOU LIKE A SATELLITE ♪ 74 00:03:47,977 --> 00:03:51,346 ♪ I'M RECKLESS ♪ 75 00:03:51,381 --> 00:03:52,781 ♪ YOU'RE SPEECH-- ♪ 76 00:03:52,815 --> 00:03:55,317 EXCUSE ME! [MUSIC STOPS] 77 00:03:55,351 --> 00:03:58,186 ALL RIGHT. ALL RIGHT. PUT THE BRAKES ON. 78 00:03:58,221 --> 00:03:59,554 IS SOMETHING WRONG, MR. MOXLEY? 79 00:03:59,589 --> 00:04:01,690 DO YOU SING LEAD ON ALL THE SONGS? 80 00:04:01,724 --> 00:04:04,159 UH, PRETTY MUCH, YEAH. 81 00:04:04,193 --> 00:04:06,461 OK, LUV, PUT DOWN THE GUITAR. 82 00:04:06,496 --> 00:04:07,696 LET'S SEE YOU MOVE. 83 00:04:10,199 --> 00:04:11,667 EH. YOU MEAN, DANCE? 84 00:04:11,701 --> 00:04:13,635 DANCE. STRUT. 85 00:04:13,670 --> 00:04:16,305 SHOW SOME PERSONALITY, SOME PRESENCE. 86 00:04:16,339 --> 00:04:19,174 UH, MR. MOXLEY, I REALLY DON'T THINK... 87 00:04:19,208 --> 00:04:21,710 WELL, GOOD FOR YOU! THINKING'S OVERRATED. 88 00:04:21,744 --> 00:04:24,146 ALL RIGHT. GIMME SOME, UH, BRITNEY. 89 00:04:24,180 --> 00:04:25,247 GIMME SOME JAGGER. 90 00:04:27,750 --> 00:04:30,252 [MUSIC PLAYS] 91 00:04:36,559 --> 00:04:37,592 [FEEDBACK WHINES] 92 00:04:39,462 --> 00:04:41,830 THANK YOU! 93 00:04:41,864 --> 00:04:43,031 THAT'LL BE ALL. 94 00:04:44,867 --> 00:04:47,135 "MOIST TOILET!" 95 00:04:47,170 --> 00:04:49,338 "TOWELETTE. MOIST TOWELETTE"! 96 00:04:49,372 --> 00:04:50,605 YOU DIDN'T LET THEM FINISH. 97 00:04:50,640 --> 00:04:52,607 WHAT ARE YOU, THEIR MANAGER? 98 00:04:52,642 --> 00:04:53,742 DO 'EM A FAVOR. 99 00:04:53,776 --> 00:04:55,344 PUT 'EM OUT OF THEIR MISERY. 100 00:04:55,378 --> 00:04:57,379 HEY, THEY SOUNDED GREAT. 101 00:04:57,413 --> 00:04:58,647 YEAH, BUT... 102 00:04:58,681 --> 00:05:01,116 IT'S NOT ABOUT SOUND ANYMORE. 103 00:05:01,150 --> 00:05:03,352 IT'S ABOUT IMAGE. 104 00:05:03,386 --> 00:05:04,353 LUV, 105 00:05:04,387 --> 00:05:06,488 YOU CAN'T SING LEAD FOR A BAND 106 00:05:06,522 --> 00:05:07,622 IF YOU CAN'T DO THE MOVES. 107 00:05:09,292 --> 00:05:12,828 MOIST TOWELETTE. YOU'RE UP. 108 00:05:14,630 --> 00:05:18,133 ♪ DON'T EVEN TRY IT ♪ 109 00:05:18,167 --> 00:05:20,402 ♪ NO, NO, NO, DON'T YOU UNDERSTAND? ♪ 110 00:05:20,436 --> 00:05:23,972 ♪ DON'T EVEN TRY IT ♪ 111 00:05:24,007 --> 00:05:26,308 ♪ SAY GOOD NIGHT, SAY GOOD-BYE ♪ 112 00:05:26,342 --> 00:05:28,610 ♪ DON'T EVEN TRY IT ♪ 113 00:05:28,644 --> 00:05:30,379 ♪ NO ♪ 114 00:05:30,413 --> 00:05:32,047 ♪ YOU BETTER KEEP AWAY WITH YOUR HANDS ♪ 115 00:05:32,081 --> 00:05:33,849 ♪ DON'T EVEN TRY IT ♪ 116 00:05:33,883 --> 00:05:37,119 NOW THAT'S WHAT I'M TALKING ABOUT. ♪ SAY GOOD NIGHT ♪ 117 00:05:37,153 --> 00:05:40,255 ♪ SAY GOOD-BYE, DON'T EVEN TRY ♪ 118 00:05:50,299 --> 00:05:52,367 Roscoe: ANYBODY CAN LEARN TO DANCE. 119 00:05:52,402 --> 00:05:56,104 TRUST ME, ROSCOE. YOU DON'T WANNA GO THERE. 120 00:05:56,139 --> 00:05:57,339 OK, NOBODY'S PERFECT, OK? 121 00:05:57,373 --> 00:05:59,574 OH, OK. 122 00:05:59,609 --> 00:06:01,376 IT'S NOT JUST THE DANCING ANYWAY, SAM. 123 00:06:01,411 --> 00:06:03,645 IT'S ATTITUDE, PERSONALITY. 124 00:06:03,679 --> 00:06:05,514 YEAH, IT'S AN INNER CONNECTION TO THE MUSIC. 125 00:06:05,548 --> 00:06:06,748 I'VE GOT A CONNECTION. 126 00:06:06,783 --> 00:06:08,917 AFTER ALL, I WRITE THE SONGS-- 127 00:06:08,951 --> 00:06:10,352 AND A REAL PERSONALITY. 128 00:06:12,055 --> 00:06:13,755 WELL, NO ONE CARES ABOUT REAL. 129 00:06:13,790 --> 00:06:15,624 THEY WANT LARGER THAN LIFE. 130 00:06:17,927 --> 00:06:19,294 SHE'S RIGHT, SAM. 131 00:06:23,332 --> 00:06:25,867 THERE'S WAY TOO MUCH NEGATIVE ENERGY HERE. 132 00:06:37,647 --> 00:06:38,647 HEY. 133 00:06:40,049 --> 00:06:42,084 WORKIN' ON SOME NEW LYRICS? 134 00:06:42,118 --> 00:06:44,119 YEAH. CAN YOU THINK OF ANYTHING 135 00:06:44,153 --> 00:06:46,188 THAT RHYMES WITH PAIN AND MISERY? 136 00:06:52,395 --> 00:06:54,296 HEY. ALL THE YEARS WE'VE BEEN FRIENDS, 137 00:06:54,330 --> 00:06:56,164 HAVE I EVER GIVEN YOU BAD ADVICE? 138 00:06:56,199 --> 00:06:58,600 ALWAYS. 139 00:06:58,634 --> 00:07:01,002 SO I'M DUE FOR SOME GOOD ADVICE. 140 00:07:05,775 --> 00:07:07,042 LOOK... 141 00:07:07,076 --> 00:07:08,910 YOU WRITE AWESOME SONGS. 142 00:07:08,945 --> 00:07:11,079 MAYBE IT'S JUST TIME TO LET SOMEONE ELSE SING THEM... 143 00:07:11,114 --> 00:07:14,382 AN ADDITION TO THE BAND, NOT A REPLACEMENT. 144 00:07:14,417 --> 00:07:16,184 OH. 145 00:07:18,287 --> 00:07:19,521 OK. 146 00:07:22,658 --> 00:07:23,658 HERE. 147 00:07:25,428 --> 00:07:26,428 SAVE THIS. 148 00:07:27,897 --> 00:07:28,897 YOUR ORIGINAL LYRIC SHEETS 149 00:07:28,931 --> 00:07:31,299 WILL BE WORTH A FORTUNE SOMEDAY. 150 00:07:31,334 --> 00:07:32,734 SEE, THAT'S WHAT I LIKE ABOUT YOU, ROSCOE. 151 00:07:32,768 --> 00:07:35,437 YOU'RE ALWAYS... 152 00:07:35,471 --> 00:07:37,205 LOOKING TO THE FUTURE. 153 00:07:37,240 --> 00:07:40,308 YEAH, TELL MY FATHER. 154 00:07:40,343 --> 00:07:42,277 TO HIM, MY VISION IS NEVER GRAND ENOUGH. 155 00:07:42,311 --> 00:07:46,314 I WISH THERE WAS SOME SECRET 156 00:07:46,349 --> 00:07:48,183 TO BEING EVERYTHING PEOPLE WANTED US TO BE. 157 00:07:50,219 --> 00:07:51,520 YEAH, WELL... 158 00:07:51,554 --> 00:07:52,888 UNTIL SOMEONE BOTTLES PERFECTION, 159 00:07:52,922 --> 00:07:54,589 I GUESS WE'RE STUCK WITH WHAT WE'VE GOT. 160 00:08:01,430 --> 00:08:03,999 SO HOW ARE THINGS IN YOUR PART OF THE WORLD? 161 00:08:04,033 --> 00:08:05,800 ALL RIGHT, I GUESS. 162 00:08:05,835 --> 00:08:07,536 THINGS ARE A LITTLE ROUGH FOR SAM RIGHT NOW. 163 00:08:07,570 --> 00:08:10,305 MMM. I COULDN'T THINK OF A MORE PERFECT MATCH. 164 00:08:10,339 --> 00:08:11,339 [CHUCKLES] 165 00:08:12,775 --> 00:08:16,344 DAD, SAM AND I ARE JUST FRIENDS. 166 00:08:16,379 --> 00:08:17,345 SO WHAT'S THE PROBLEM? 167 00:08:17,380 --> 00:08:18,647 I DON'T KNOW. 168 00:08:18,681 --> 00:08:20,549 I MEAN, SHE'S FUN TO BE WITH. 169 00:08:20,583 --> 00:08:22,551 BUT SHE GETS SO MOODY. 170 00:08:22,585 --> 00:08:25,654 SHE'S TALENTED. BUT SHE CAN BE SO STUBBORN. 171 00:08:25,688 --> 00:08:27,489 I LIKE HER. BUT... 172 00:08:29,192 --> 00:08:30,458 SEE? THAT'S THE PROBLEM. 173 00:08:30,493 --> 00:08:32,460 HOW DO YOU GET PAST ALL THOSE BUTS? 174 00:08:32,495 --> 00:08:33,662 SHIP THEM OFF TO CHINA. 175 00:08:33,696 --> 00:08:36,231 WHAT? 176 00:08:36,265 --> 00:08:37,832 OVERNIGHT. EVERY LAST ONE OF 'EM. WE-- 177 00:08:37,867 --> 00:08:39,467 THEY NEED THE TECHNOLOGY. 178 00:08:39,502 --> 00:08:41,836 WE'VE GOT A SURPLUS. IT'S A MATCH MADE IN HEAVEN. 179 00:08:43,606 --> 00:08:44,573 THANKS FOR THE HELP. 180 00:08:44,607 --> 00:08:46,975 WHAT? 181 00:08:49,378 --> 00:08:51,813 SO, YOU HAVE A GOOD DAY, HUH? 182 00:08:51,847 --> 00:08:52,847 [MEOW] 183 00:08:54,250 --> 00:08:56,585 [MEOW] 184 00:08:56,619 --> 00:08:57,953 [IMITATES MOXLEY] NICE TONE, LUV, BUT CAN YOU MOVE? 185 00:08:57,987 --> 00:08:59,921 [MEOW] 186 00:09:06,195 --> 00:09:08,029 NICE TONE. 187 00:09:08,064 --> 00:09:10,832 NICE TONE. BUT CAN YOU MOVE? 188 00:09:10,866 --> 00:09:11,833 MOVE. 189 00:09:11,867 --> 00:09:13,835 [MEOW] 190 00:09:16,305 --> 00:09:18,373 ALL RIGHT. OH, MY GOD. 191 00:09:18,407 --> 00:09:21,042 JUST TAKE IT-- GOD. 192 00:09:23,980 --> 00:09:25,680 YES! OK. 193 00:09:32,488 --> 00:09:34,623 [WOMAN SINGING] 194 00:09:34,657 --> 00:09:35,991 [SECOND WOMAN SINGING] Roscoe: YES! 195 00:09:36,025 --> 00:09:38,293 [THIRD WOMAN SINGING] 196 00:09:38,327 --> 00:09:41,229 [3 VOICES COMBINED SINGING] 197 00:09:51,107 --> 00:09:55,977 Girl, shouting: MY LIFE IS A LIBRARY BOOK THAT I FORGOT I TOOK! 198 00:09:56,012 --> 00:09:58,680 I DROPPED IT IN THE SAND, AND I OWE 100 GRAND! 199 00:09:58,714 --> 00:10:00,949 MY LIFE IS A LIBRARY BOOK! 200 00:10:00,983 --> 00:10:03,318 MY LIFE IS A DUMB SCHOOL SONG 201 00:10:03,352 --> 00:10:05,020 THAT I KEEP SINGING WRONG! 202 00:10:05,054 --> 00:10:07,922 OH, HAIL TO OUR SCHOOL, I FEEL LIKE A FOOL! 203 00:10:07,957 --> 00:10:10,458 MY LIFE IS A DUMB SCHOOL SONG! 204 00:10:10,493 --> 00:10:14,829 MY LIFE IS A MATH EXAM, AND I FORGOT TO CRAM! 205 00:10:14,864 --> 00:10:16,898 THE TEACHER'S GOT SOME NERVE, 206 00:10:16,932 --> 00:10:18,633 AND SOMEONE BLEW THE CURVE! 207 00:10:18,668 --> 00:10:20,735 MY LIFE IS A MATH EXAM! 208 00:10:20,770 --> 00:10:24,039 MY LIFE IS A BAD SCHOOL LUNCH. 209 00:10:24,073 --> 00:10:26,374 IT AIN'T NO SUNDAY BRUNCH! 210 00:10:26,409 --> 00:10:29,110 I TRY TO SCARF IT DOWN BUT IT COMES BACK AROUND! 211 00:10:29,145 --> 00:10:31,713 MY LIFE IS A BAD SCHOOL LUNCH! 212 00:10:33,082 --> 00:10:35,583 WOW. THAT WAS REALLY... 213 00:10:36,619 --> 00:10:37,619 SOMETHING. 214 00:10:39,388 --> 00:10:42,123 [GASPS] 215 00:10:43,359 --> 00:10:46,027 [CELTIC MUSIC PLAYS] 216 00:10:57,873 --> 00:11:00,909 [SINGING OFF-KEY] ♪ CAN'T YOU HEAR THE CAPTAIN SHOUTING ♪ 217 00:11:00,943 --> 00:11:05,280 ♪ DINAH, BLOW YOUR HORN ♪ 218 00:11:07,850 --> 00:11:10,485 I JUST LOVED YOU GUYS AT MY SISTER'S SWEET 16. 219 00:11:10,519 --> 00:11:14,956 I WOULD DO ANYTHING TO BE YOUR LEAD SINGER. 220 00:11:20,162 --> 00:11:22,163 RACHE? CAN I BORROW 221 00:11:22,198 --> 00:11:24,799 SOME OF YOUR DEEP CLEANSING BREATH? 222 00:11:26,402 --> 00:11:27,969 SO WHAT DO WE DO NOW? 223 00:11:28,003 --> 00:11:29,738 SWEET 16s AND BAR MITZVAHS. 224 00:11:29,772 --> 00:11:31,639 'CAUSE THAT'S ALL WE'LL BE GETTING. 225 00:11:31,674 --> 00:11:33,141 WE'LL JUST RUN THE AD AGAIN. 226 00:11:33,175 --> 00:11:35,777 YOU'RE JUST AVOIDING THE OBVIOUS, YOU GUYS. 227 00:11:35,811 --> 00:11:39,114 ANYBODY WITH TALENT IS ALREADY IN A BAND. 228 00:11:39,148 --> 00:11:42,884 THE ZETTABYTES HAVE GONE AS FAR AS WE'RE GONNA GO, OK? 229 00:11:42,918 --> 00:11:43,918 [COMPUTER EMITS TONE] 230 00:11:47,656 --> 00:11:49,290 EXCUSE ME. 231 00:11:49,325 --> 00:11:51,693 I'M HERE FOR THE AUDITION. 232 00:11:51,727 --> 00:11:54,496 I DON'T SEE HER ON THE LIST. 233 00:11:54,530 --> 00:11:58,032 UM, WE'RE LOOKING FOR SOMEONE WITH A WIDE VOCAL RANGE 234 00:11:58,067 --> 00:11:59,033 WHO CAN ALSO DANCE. 235 00:11:59,068 --> 00:12:01,169 SO IF YOU CAN'T DANCE... 236 00:12:01,203 --> 00:12:02,804 I CAN DANCE. 237 00:12:02,838 --> 00:12:04,773 DO YOU KNOW NOTHING'S WRONG WITH ME? 238 00:12:18,254 --> 00:12:23,425 [BAND PLAYS NOTHING'S WRONG WITH ME] 239 00:12:23,459 --> 00:12:28,129 ♪ YOU MAY FIND ME JUST A LITTLE STRANGE ♪ 240 00:12:29,799 --> 00:12:34,335 ♪ I LIKE DANCIN' BAREFOOT IN THE POURIN' RAIN ♪ 241 00:12:35,704 --> 00:12:41,109 ♪ MY MIND IS RACIN' AT THE SPEED OF LIGHT ♪ 242 00:12:41,143 --> 00:12:47,215 ♪ I'LL DANCE AROUND YOU LIKE A SATELLITE ♪ 243 00:12:47,249 --> 00:12:50,218 ♪ I'M RECKLESS ♪ 244 00:12:50,252 --> 00:12:52,454 ♪ YOU'RE SPEECHLESS ♪ 245 00:12:52,488 --> 00:12:55,190 ♪ SCREAM, SHOUT, I LOVE IT LOUD ♪ 246 00:12:55,224 --> 00:12:58,593 ♪ I FEEL THE NEED TO STAND OUT IN A CROWD ♪ 247 00:12:58,627 --> 00:13:02,530 ♪ NOTHIN'S WRONG WITH ME ♪ 248 00:13:02,565 --> 00:13:04,365 ♪ NOTHIN'S WRONG WITH ME ♪ 249 00:13:04,400 --> 00:13:06,801 ♪ FREAK OUT, AND STAND MY GROUND ♪ 250 00:13:06,836 --> 00:13:10,238 ♪ NOTHIN' IN THE WORLD IS GONNA KEEP ME DOWN ♪ 251 00:13:10,272 --> 00:13:14,943 ♪ NOTHIN'S WRONG WITH ME ♪ 252 00:13:24,787 --> 00:13:25,753 [MUSIC STOPS] 253 00:13:25,788 --> 00:13:26,788 Rachel: WOW. 254 00:13:28,090 --> 00:13:30,458 WHERE DID YOU LEARN TO MOVE LIKE THAT? 255 00:13:30,493 --> 00:13:32,494 UH, YOU DON'T LEARN TO MOVE LIKE THAT, SAM. 256 00:13:32,528 --> 00:13:33,862 IT KINDA COMES WITH THE HARDWARE. 257 00:13:33,896 --> 00:13:36,931 UM, I DON'T THINK I CAUGHT YOUR NAME. 258 00:13:36,966 --> 00:13:39,367 LORETTA. LORETTA MODERN. 259 00:13:39,401 --> 00:13:42,070 WELL, HA, IT'S NICE TO MEET YOU. 260 00:13:47,810 --> 00:13:48,910 [VOICE ECHOING] SORRY ABOUT THAT. 261 00:13:48,944 --> 00:13:50,245 SURPRISE. 262 00:13:50,279 --> 00:13:52,580 LADIES... 263 00:13:52,615 --> 00:13:54,082 MEET YOUR NEW LEAD SINGER. 264 00:13:58,988 --> 00:14:01,689 Roscoe: MY FATHER'S BEEN WORKING ON HOLOGRAPHIC TECHNOLOGY 265 00:14:01,724 --> 00:14:03,157 AND ARTIFICIAL INTELLIGENCE FOR SKYGRAPH. 266 00:14:03,192 --> 00:14:04,726 HE JUST HASN'T APPLIED IT TO HUMAN FORM. 267 00:14:04,760 --> 00:14:06,728 SHE'S SO REAL. 268 00:14:08,297 --> 00:14:10,598 YOU'RE IN MY LIVER. 269 00:14:10,633 --> 00:14:12,467 EWW. Roscoe: DON'T WORRY ABOUT IT. 270 00:14:12,501 --> 00:14:14,602 SHE DOESN'T HAVE A LIVER. 271 00:14:14,637 --> 00:14:16,004 WELL, I KNOW WHERE IT'S SUPPOSED TO BE. 272 00:14:16,038 --> 00:14:18,006 SHE PULLS WHATEVER INFORMATION SHE NEEDS 273 00:14:18,040 --> 00:14:19,574 RIGHT OFF THE NET. 274 00:14:19,608 --> 00:14:20,575 THAT MEANS SHE KNOWS EVERYTHING. 275 00:14:20,609 --> 00:14:21,576 IT'S INCREDIBLE. 276 00:14:21,610 --> 00:14:23,177 I DON'T EVEN SEE A PROJECTOR. 277 00:14:23,212 --> 00:14:24,178 SHE DOESN'T NEED ONE. 278 00:14:24,213 --> 00:14:25,213 THE COMPUTER USES ECHO LOCATION 279 00:14:25,247 --> 00:14:26,347 TO MEASURE THE ROOM 280 00:14:26,382 --> 00:14:28,583 AND PULSING FREQUENCIES TO HOLD HER PATTERN. 281 00:14:28,617 --> 00:14:29,617 HERE, WATCH THIS. 282 00:14:35,257 --> 00:14:38,626 I CAN CHANGE HER HAIR, HER EYES, HER WHOLE LOOK. 283 00:14:39,795 --> 00:14:40,862 [RACHEL LAUGHS] 284 00:14:40,896 --> 00:14:42,497 Cindy: WOW, THAT IS SO COOL. 285 00:14:45,167 --> 00:14:46,768 I LOVE THIS OUTFIT. 286 00:14:49,572 --> 00:14:51,573 THIS IS JUST PLAIN WEIRD. 287 00:14:51,607 --> 00:14:53,141 [BIRDS CHIRPING] Rachel: NO, IT'S FANTASTIC. 288 00:14:53,175 --> 00:14:56,311 Cindy: CAN YOU IMAGINE GOING BACK TO MOXLEY WITH HER SINGING LEAD? 289 00:14:56,345 --> 00:14:57,779 Roscoe: AS LONG AS NO ONE TRIES TO TOUCH HER, 290 00:14:57,813 --> 00:14:59,147 NOBODY WILL EVER KNOW. 291 00:14:59,181 --> 00:15:01,649 [CHIRPING] 292 00:15:06,989 --> 00:15:07,956 Loretta: ROSCOE? 293 00:15:07,990 --> 00:15:08,957 YEAH? 294 00:15:08,991 --> 00:15:10,858 CAN YOU GIVE ME A HAND? 295 00:15:10,893 --> 00:15:12,493 WELL, SURE. WITH WHAT? 296 00:15:12,528 --> 00:15:13,995 I MEAN, A HAND. 297 00:15:15,731 --> 00:15:17,765 OH, YUCK. EW. 298 00:15:17,800 --> 00:15:19,867 HOW MANY TIMES DO I HAVE TO TELL YOU? YOU HAVE TO STAY AWAY 299 00:15:19,902 --> 00:15:22,303 FROM WINDOWS AND DOORS THAT LEAD OUTSIDE. 300 00:15:22,338 --> 00:15:23,471 WHY? 301 00:15:23,505 --> 00:15:25,940 HOLOGRAMS CAN ONLY EXIST INDOORS. 302 00:15:25,975 --> 00:15:28,376 I CAN'T TELL YOU HOW MANY TIMES I'VE LOST THE CAT. 303 00:15:28,410 --> 00:15:30,812 WE'LL HAVE TO BUILD YOU A NEW HAND FROM SCRATCH. 304 00:15:33,015 --> 00:15:34,916 HEY, ROSCOE, 305 00:15:34,950 --> 00:15:36,184 DOES YOUR FATHER KNOW ABOUT LORETTA? 306 00:15:36,218 --> 00:15:37,185 ARE YOU KIDDING? 307 00:15:37,219 --> 00:15:38,553 IF HE FINDS OUT, HE'LL DELETE HER. 308 00:15:42,057 --> 00:15:45,159 THEN I SUGGEST WE HIDE HER. FAST. 309 00:15:46,829 --> 00:15:48,363 [CAR ALARM BEEPS] 310 00:15:52,167 --> 00:15:53,534 Roscoe: PRESS THE BUTTON EVERY TIME THE ALARM STOPS. 311 00:15:53,569 --> 00:15:55,670 IT'S GOOD FOR ABOUT 5 MINUTES. 312 00:15:55,704 --> 00:15:57,105 [BEEP BEEP] 313 00:15:57,139 --> 00:15:58,272 [CAR ALARM BLARING] 314 00:16:00,509 --> 00:16:01,509 [CAR ALARM STOPS] 315 00:16:04,546 --> 00:16:05,580 [BEEP BEEP] 316 00:16:05,614 --> 00:16:06,881 [CAR ALARM BLARING] 317 00:16:10,452 --> 00:16:12,286 SAVOR IT NOW. 318 00:16:12,321 --> 00:16:14,355 DEFEATED BY TECHNOLOGY. 319 00:16:14,390 --> 00:16:15,857 [CAR ALARM BLARING] 320 00:16:15,891 --> 00:16:17,225 Cindy: I LOVE IT. 321 00:16:17,259 --> 00:16:18,593 Rachel: WHAT'S THAT? 322 00:16:18,627 --> 00:16:19,594 HOLOGRAM STORAGE CELL. 323 00:16:19,628 --> 00:16:21,162 MY DAD INVENTED IT. 324 00:16:21,196 --> 00:16:24,565 THINKS THESE TWO WERE STOLEN BY COMPETITION. 325 00:16:24,600 --> 00:16:27,568 YOU ARE SO BAD. 326 00:16:27,603 --> 00:16:30,071 Roscoe: ALL RIGHTY. READY FOR BED, LORETTA? 327 00:16:32,675 --> 00:16:34,108 CIAO, EVERYONE. 328 00:16:36,612 --> 00:16:37,612 [BEEP] 329 00:16:41,650 --> 00:16:43,584 [BEEPING] 330 00:16:45,387 --> 00:16:47,388 [TELEPHONE RINGS] 331 00:16:47,423 --> 00:16:49,424 [RING] 332 00:16:49,458 --> 00:16:50,792 Roscoe on answering machine: HEY, THIS IS ROSCOE. 333 00:16:50,826 --> 00:16:53,027 LEAVE A MESSAGE. [BEEP] 334 00:16:53,062 --> 00:16:54,128 Sam: HEY, ROSCOE, IT'S SAMANTHA. 335 00:16:54,163 --> 00:16:55,296 IF YOU'RE THERE, PICK UP. 336 00:16:58,267 --> 00:17:02,036 UM, OK. JUST CALL ME WHEN YOU GET BACK. 337 00:17:02,071 --> 00:17:03,237 ALL RIGHT. BYE. 338 00:17:03,272 --> 00:17:05,707 [BEEP] 339 00:17:05,741 --> 00:17:07,608 [ANSWERING MACHINE BEEPS] 340 00:17:07,643 --> 00:17:09,277 WHY DIDN'T YOU TALK TO HER? 341 00:17:09,311 --> 00:17:13,448 I--I ALWAYS SCREEN MY CALLS WHEN I'M BUSY. 342 00:17:13,482 --> 00:17:14,582 IT'S NO BIG DEAL. 343 00:17:14,616 --> 00:17:16,651 Dad: ROSCOE? 344 00:17:16,685 --> 00:17:18,119 I GOTTA HIDE YOU. 345 00:17:21,557 --> 00:17:24,225 UH, HEY, DAD. 346 00:17:24,259 --> 00:17:25,693 WHO YOU TALKING TO? 347 00:17:25,728 --> 00:17:28,096 UH, NO ONE, NO ONE. MY-MY-MYSELF. 348 00:17:30,432 --> 00:17:31,432 HUH. 349 00:17:37,206 --> 00:17:38,206 WOW. 350 00:17:40,876 --> 00:17:42,376 IMPRESSIVE. 351 00:17:42,411 --> 00:17:45,980 YEAH. YEAH, WELL, IT'S--IT'S JUST A HAND. 352 00:17:46,014 --> 00:17:47,281 WELL, WHY DON'T WE TEAM UP AND WORK ON THIS TOGETHER? 353 00:17:47,316 --> 00:17:48,282 I--I DON'T-- I DON'T NEED HELP. 354 00:17:48,317 --> 00:17:49,283 I JUST THINK THAT I COULD-- 355 00:17:49,318 --> 00:17:50,852 MAYBE SOME-- SOME OTHER TIME. 356 00:17:52,121 --> 00:17:53,121 ALL RIGHT, FINE. 357 00:18:03,832 --> 00:18:05,533 Roscoe: IT'S SIMPLE, MAX. 358 00:18:05,567 --> 00:18:08,169 ALL YOU HAVE TO DO IS PLUG IN THE QUADRATIC FORMULA, AND SOLVE FOR "X." 359 00:18:08,203 --> 00:18:11,072 HOW CAN I DO THAT? I DON'T KNOW WHAT "X" IS. 360 00:18:11,106 --> 00:18:13,541 COME ON, MAX. 361 00:18:13,575 --> 00:18:15,042 YOUR MOTHER'S THE HEAD OF SKYGRAPH. 362 00:18:15,077 --> 00:18:17,145 SOME OF THOSE BRAINS MUST HAVE TRICKLED DOWN. 363 00:18:21,416 --> 00:18:24,919 WELL, YOU KEEP WORKIN' ON THIS. I'LL BE RIGHT BACK. 364 00:18:24,953 --> 00:18:27,655 WAIT! WHERE ARE YOU GOIN'? 365 00:18:27,689 --> 00:18:29,724 COME ON! WHAT'S MORE IMPORTANT, 366 00:18:29,758 --> 00:18:33,094 SOME GIRL OR MY MATH TEST? 367 00:18:33,128 --> 00:18:34,462 Roscoe: SAM, WAIT UP. 368 00:18:34,496 --> 00:18:36,130 HI. HEY. 369 00:18:36,165 --> 00:18:37,732 I HAVEN'T SEEN YOU ALL WEEK. 370 00:18:37,766 --> 00:18:38,966 YEAH, WELL, YOU KNOW, I'VE BEEN WORKIN' PRETTY HARD 371 00:18:39,001 --> 00:18:40,735 FINE-TUNING LORETTA. 372 00:18:40,769 --> 00:18:43,104 I WANT HER TO BE JUST RIGHT FOR HER FIRST GIG. 373 00:18:45,240 --> 00:18:47,475 FIRST GIG? 374 00:18:47,509 --> 00:18:49,177 WHAT DO YOU KNOW THAT I DON'T? 375 00:18:49,211 --> 00:18:51,212 ARE YOU GONNA GO TO THE DANCE ON SATURDAY? 376 00:18:51,246 --> 00:18:53,014 WELL, THAT DEPENDS. ARE YOU ASKING ME? 377 00:18:53,048 --> 00:18:55,483 WHAT'S THE POINT IN ASKING 378 00:18:55,517 --> 00:18:57,451 IF YOU'RE GONNA BE ON STAGE THE WHOLE TIME? 379 00:18:57,486 --> 00:19:00,421 WHAT DO YOU MEAN? 380 00:19:00,455 --> 00:19:02,557 THE INFECTIOUS MEASLES ARE PLAYING. 381 00:19:02,591 --> 00:19:04,625 AREN'T THEY? 382 00:19:06,695 --> 00:19:07,695 [FEEDBACK] 383 00:19:09,364 --> 00:19:10,998 THIS OVER HERE. IS THIS ON? 384 00:19:11,033 --> 00:19:12,967 [FEEDBACK] HELLO? EXCUSE ME. 385 00:19:13,001 --> 00:19:16,170 WOW. 386 00:19:16,205 --> 00:19:18,673 I KNOW ALL OF YOU HERE ARE WAITING 387 00:19:18,707 --> 00:19:20,708 TO CATCH THE INFECTIOUS MEASLES TONIGHT. 388 00:19:20,742 --> 00:19:22,476 [ALL CHEERING] 389 00:19:24,346 --> 00:19:26,347 UM, I'M SORRY TO SAY 390 00:19:26,381 --> 00:19:29,217 THAT THE INFECTIOUS MEASLES WON'T BE PERFORMING 391 00:19:29,251 --> 00:19:33,054 AS THEIR LEAD SINGER HAS THE CHICKEN POX. 392 00:19:33,088 --> 00:19:34,922 [ALL BOOING] 393 00:19:34,957 --> 00:19:37,325 BUT, UH, SOME OF YOUR VERY OWN SCHOOLMATES 394 00:19:37,359 --> 00:19:41,095 HAVE VOLUNTEERED TO FILL IN FOR THEM. 395 00:19:41,129 --> 00:19:43,164 [ALL BOOING] 396 00:19:43,198 --> 00:19:44,498 NOW, NOW, COME ON. 397 00:19:44,533 --> 00:19:46,567 DON'T BE DISPARAGING, OK? 398 00:19:46,602 --> 00:19:48,502 ALL RIGHT. NOW REMEMBER, 399 00:19:48,537 --> 00:19:50,238 DON'T LET ANY OF THE BAND MEMBERS GET TOO CLOSE, 400 00:19:50,272 --> 00:19:51,606 OR THEY'LL PASS RIGHT THROUGH YOU. 401 00:19:51,640 --> 00:19:54,609 IT'S SO SWEET. IT'S LIKE HE'S HER MOTHER. 402 00:19:54,643 --> 00:19:56,644 WE COULD HAVE DONE THIS WITHOUT HER. 403 00:19:56,678 --> 00:19:59,347 SO PUT YOUR HANDS TOGETHER 404 00:19:59,381 --> 00:20:01,482 FOR THE ZETTABYTES! 405 00:20:01,516 --> 00:20:02,516 [CROWD BOOING] 406 00:20:09,358 --> 00:20:11,726 Sam: UH... 407 00:20:11,760 --> 00:20:13,928 1, 2, 3, 4! 408 00:20:13,962 --> 00:20:15,696 [BAND PLAYS NOTHING'S WRONG WITH ME] 409 00:20:21,203 --> 00:20:26,374 ♪ YOU MAY FIND ME JUST A LITTLE STRANGE ♪ 410 00:20:26,408 --> 00:20:31,212 ♪ I LIKE DANCIN' BAREFOOT IN THE POURIN' RAIN ♪ 411 00:20:31,246 --> 00:20:36,951 ♪ MY MIND IS RACIN' AT THE SPEED OF LIGHT ♪ 412 00:20:38,353 --> 00:20:43,791 ♪ I'LL DANCE AROUND YOU LIKE A SATELLITE ♪ 413 00:20:43,825 --> 00:20:48,896 ♪ I'M RECKLESS, YOU'RE SPEECHLESS ♪ 414 00:20:48,931 --> 00:20:51,666 ♪ SCREAM, SHOUT, I LOVE IT LOUD ♪ 415 00:20:51,700 --> 00:20:54,902 ♪ I FEEL THE NEED TO STAND OUT IN A CROWD ♪ 416 00:20:54,937 --> 00:20:58,706 ♪ NOTHIN'S WRONG WITH ME ♪ 417 00:20:58,740 --> 00:21:01,142 ♪ NOTHIN'S WRONG WITH ME ♪ 418 00:21:01,176 --> 00:21:03,711 ♪ FREAK OUT AND STAND MY GROUND ♪ 419 00:21:03,745 --> 00:21:06,681 ♪ NOTHIN' IN THE WORLD IS GONNA KEEP ME DOWN ♪ 420 00:21:06,715 --> 00:21:10,384 ♪ NOTHIN'S WRONG WITH ME ♪ 421 00:21:16,024 --> 00:21:20,328 ♪ I SEE SOME THINGS THAT MIGHT NOT COME OUT RIGHT ♪ 422 00:21:22,097 --> 00:21:26,367 ♪ I SAY THEM LOUD AND PROUD AND IN THE LIGHT ♪ 423 00:21:27,836 --> 00:21:31,872 ♪ IF YOU ASK ABOUT MY ATTITUDE ♪ 424 00:21:33,775 --> 00:21:35,376 ♪ I'LL SAY COME ON ♪ 425 00:21:35,410 --> 00:21:37,111 ♪ JUST GET A CLUE ♪ 426 00:21:38,513 --> 00:21:41,282 ♪ SCREAM, SHOUT, I LOVE IT LOUD ♪ 427 00:21:41,316 --> 00:21:44,585 ♪ I FEEL THE NEED TO STAND OUT IN A CROWD ♪ 428 00:21:44,619 --> 00:21:48,556 ♪ NOTHIN'S WRONG WITH ME ♪ 429 00:21:48,590 --> 00:21:50,224 ♪ NOTHIN'S WRONG WITH ME ♪ 430 00:21:50,258 --> 00:21:52,760 ♪ FREAK OUT AND STAND MY GROUND ♪ 431 00:21:52,794 --> 00:21:55,730 ♪ NOTHIN' IN THE WORLD IS GONNA KEEP ME DOWN ♪ 432 00:21:55,764 --> 00:21:59,100 ♪ NOTHIN'S WRONG WITH ME ♪ 433 00:21:59,134 --> 00:22:01,702 ♪ NOTHIN'S WRONG WITH ME ♪ 434 00:22:01,737 --> 00:22:04,805 ♪ NOTHIN'S WRONG WITH ME ♪ 435 00:22:04,840 --> 00:22:08,175 ♪ NOTHIN'S WRONG WITH ME ♪ 436 00:22:08,210 --> 00:22:12,747 ♪ NOTHIN'S WRONG WITH ♪ 437 00:22:12,781 --> 00:22:17,518 ♪ ME ♪ 438 00:22:17,552 --> 00:22:18,819 [CHEERING] 439 00:22:28,363 --> 00:22:30,831 MY NAME IS LORETTA MODERN, 440 00:22:30,866 --> 00:22:32,767 AND WE ARE THE ZETTABYTES. 441 00:22:32,801 --> 00:22:34,502 [CHEERING] 442 00:22:45,814 --> 00:22:47,515 Loretta: THIS IS SO FUN, ROSCOE. 443 00:22:47,549 --> 00:22:49,517 CAN WE DO THIS EVERY DAY? 444 00:22:49,551 --> 00:22:52,053 WELL, LET'S FIRST SEE IF YOU CAN PHOTOGRAPH. 445 00:22:52,087 --> 00:22:54,855 IF YOU'RE JUST TUNING IN, OUR GUEST TODAY IS DARYL FIBBS. 446 00:22:54,890 --> 00:22:57,425 SO WHAT MADE THE NOTORIOUS DE FIBB GIVE UP RAP 447 00:22:57,459 --> 00:22:59,660 AND TAKE A JOB WITH HARSHTONE RECORDS? 448 00:22:59,694 --> 00:23:02,696 I--I DECIDED I WANTED TO BE A STAR MAKER INSTEAD OF A STAR. 449 00:23:02,731 --> 00:23:04,832 THAT'S WHY I'M SCOUTING NEW ACTS 450 00:23:04,866 --> 00:23:06,834 IN BACK ROOMS WHERE I'LL DISCOVER TALENT. 451 00:23:06,868 --> 00:23:08,335 THAT'S SOMEBODY WE SHOULD GET TO KNOW. 452 00:23:08,370 --> 00:23:11,105 BUT TO GIVE UP PERFORMING... 453 00:23:11,139 --> 00:23:14,809 LORETTA? WELL, I MEAN, IT'S LIKE BOXING. 454 00:23:14,843 --> 00:23:15,876 THE CHAMP... 455 00:23:18,914 --> 00:23:20,981 Roscoe: HOW DO YOU LIKE THE RAIN? 456 00:23:21,016 --> 00:23:22,116 Loretta: I DON'T KNOW. 457 00:23:22,150 --> 00:23:24,652 IT ONLY HAPPENS OUTSIDE. 458 00:23:26,988 --> 00:23:29,023 I CAN'T GO OUTSIDE. 459 00:23:33,962 --> 00:23:35,362 SO HOW SHOULD I LOOK NOW? 460 00:23:35,397 --> 00:23:37,331 WHAT? 461 00:23:37,365 --> 00:23:38,899 FOR YOUR PICTURES. 462 00:23:38,934 --> 00:23:40,801 OH, UH, RIGHT. UM... 463 00:23:40,836 --> 00:23:42,203 LET'S SEE. 464 00:23:42,237 --> 00:23:45,272 UH, FIRST, UH, LOOK AT ME 465 00:23:45,307 --> 00:23:47,475 LIKE YOU'RE SURPRISED. 466 00:23:47,509 --> 00:23:49,577 GREAT. ALL RIGHT. 467 00:23:49,611 --> 00:23:52,413 NOW, UH, LOOK AT ME LIKE YOU'RE ANGRY. 468 00:23:54,416 --> 00:23:57,585 OK, NOW, UH, LOOK AT ME LIKE YOU'RE IN LOVE. 469 00:24:01,556 --> 00:24:02,823 IS THIS RIGHT? 470 00:24:04,926 --> 00:24:05,926 YEAH. 471 00:24:08,463 --> 00:24:11,098 YEAH, IT'S-- IT'S PERFECT. 472 00:24:17,606 --> 00:24:18,606 HMM. 473 00:24:21,710 --> 00:24:23,677 Loretta: THEY'RE ALL THE SAME. 474 00:24:23,712 --> 00:24:25,379 IT'S LIKE I'M NOT REALLY THERE. 475 00:24:25,413 --> 00:24:28,415 YOU'RE LIKE LIGHTNING. YOU KNOW, IT'S HARD TO CATCH IN A PICTURE. 476 00:24:28,450 --> 00:24:30,718 BUT IT'S STILL THERE, LIKE YOU. 477 00:24:30,752 --> 00:24:32,720 WHY AM I HERE? 478 00:24:32,754 --> 00:24:36,257 YOU'RE HERE 'CAUSE THE ZETTABYTES NEED A NEW LEAD SINGER. 479 00:24:38,360 --> 00:24:39,894 DO YOU KNOW WHY YOU'RE HERE? 480 00:24:39,928 --> 00:24:42,363 UM... 481 00:24:42,397 --> 00:24:45,933 MAYBE I'M HERE TO BOTTLE PERFECTION. 482 00:24:47,769 --> 00:24:48,736 WHAT I MEAN IS, 483 00:24:48,770 --> 00:24:50,771 MAYBE I'M HERE TO MAKE YOU. 484 00:25:01,550 --> 00:25:04,718 ROSCOE, DUDE, YOU GOTTA SET ME UP WITH LORETTA. 485 00:25:04,753 --> 00:25:07,888 MAX, DUDE, LORETTA DOESN'T DATE. 486 00:25:07,923 --> 00:25:09,757 SO? CONVINCE HER. 487 00:25:09,791 --> 00:25:12,593 COME ON. HELP OUT A FELLOW SKYGRAPH BRAT. 488 00:25:12,627 --> 00:25:14,762 HEY... 489 00:25:14,796 --> 00:25:16,664 TOO BAD ABOUT YOUR DAD, BY THE WAY. 490 00:25:16,698 --> 00:25:18,599 MY--MY DAD? WHAT HAPPENED TO MY DAD? 491 00:25:18,633 --> 00:25:20,801 BETWEEN YOU AND ME, 492 00:25:20,835 --> 00:25:22,836 MY MOM'S BEEN TALKIN' ABOUT SHUTTIN' DOWN HIS PROJECT. 493 00:25:22,871 --> 00:25:23,971 NOT ENOUGH RESULTS. 494 00:25:24,005 --> 00:25:25,406 WHAT? WHEN? 495 00:25:25,440 --> 00:25:27,374 I DON'T KNOW. I-- I COULD TALK TO HER, 496 00:25:27,409 --> 00:25:28,676 GET HIM OUT OF THE PENALTY BOX. 497 00:25:28,710 --> 00:25:31,478 THAT IS, IF YOU HELP ME. 498 00:25:43,024 --> 00:25:43,991 HEY. 499 00:25:44,025 --> 00:25:46,827 STUDYING HARD? 500 00:25:46,861 --> 00:25:48,829 IT'S A NEW LYRIC. 501 00:25:48,863 --> 00:25:51,031 I'M WRITING IT TO MATCH OUR NEW IMAGE. 502 00:25:51,066 --> 00:25:52,866 I'M SURE LORETTA WILL LOVE IT. 503 00:25:52,901 --> 00:25:54,168 SHE'LL LIKE WHATEVER YOU LIKE. 504 00:25:54,202 --> 00:25:55,336 YEAH. 505 00:25:55,370 --> 00:25:58,672 UM...LOOK, I WAS THINKING... 506 00:25:58,707 --> 00:26:01,775 MAYBE WE COULD GO OUT FOR DINNER ON--ON SATURDAY. 507 00:26:06,648 --> 00:26:08,215 I'D REALLY LIKE THAT, ROSCOE. 508 00:26:08,250 --> 00:26:09,850 GREAT! YEAH. 509 00:26:09,884 --> 00:26:11,652 I FIGURE WE CAN MAKE IT A DOUBLE DATE. 510 00:26:11,686 --> 00:26:13,754 WITH WHO? 511 00:26:13,788 --> 00:26:14,788 [COUGHS] MAX McALLISTER. 512 00:26:14,823 --> 00:26:17,057 MAX? 513 00:26:19,628 --> 00:26:22,329 WAIT A SECOND. YOU CAN'T BE-- 514 00:26:22,364 --> 00:26:23,597 I MADE A DEAL WITH HIM. 515 00:26:23,632 --> 00:26:25,165 AND LORETTA CAN'T BE THERE WITHOUT ME. 516 00:26:26,501 --> 00:26:27,901 YOU CAN'T BE SERIOUS. 517 00:26:27,936 --> 00:26:29,770 IT COULD HELP SAVE MY FATHER'S JOB. 518 00:26:29,804 --> 00:26:32,139 BESIDES, LORETTA NEEDS SOCIAL EXPERIENCE. 519 00:26:32,173 --> 00:26:33,641 SO DO YOU. 520 00:26:33,675 --> 00:26:36,577 WHY DOES EVERYTHING HAVE TO BE SUCH A BATTLE WITH YOU? 521 00:26:36,611 --> 00:26:39,213 I'M SORRY I CAN'T BE AGREEABLE 24/7 LIKE LORETTA. 522 00:26:39,247 --> 00:26:42,049 YEAH, SO AM I. 523 00:26:43,084 --> 00:26:45,753 OH, I'M SOR-- I DIDN'T MEAN THAT. 524 00:26:45,787 --> 00:26:49,356 YES, YOU DID. 525 00:26:49,391 --> 00:26:51,525 SAM... 526 00:26:58,166 --> 00:26:59,867 Max: SO I CHECKED THE CREEP INTO THE BOARDS, 527 00:26:59,901 --> 00:27:01,568 AND I SCORED THE WINNING GOAL. 528 00:27:01,603 --> 00:27:04,238 WOW, WHAT A STORY. ISN'T THAT A GREAT STORY, LORETTA? SHE LOVES HOCKEY. 529 00:27:04,272 --> 00:27:08,008 THE DUCKS ARE UP 4 TO 3 IN THE THIRD PERIOD. 530 00:27:08,043 --> 00:27:10,611 Max: REALLY? HOW'D YOU KNOW THAT? 531 00:27:12,714 --> 00:27:13,681 SHE'S PSYCHIC. 532 00:27:13,715 --> 00:27:14,748 NO WAY! 533 00:27:14,783 --> 00:27:16,050 HA HA. SAM'S KIDDING. 534 00:27:16,084 --> 00:27:17,951 IT'S--IT'S RIGHT HERE ON MY--MY COMPUTER. 535 00:27:17,986 --> 00:27:21,221 DUDE...DO YOU HAVE TO TAKE THAT THING EVERYWHERE YOU GO? 536 00:27:23,558 --> 00:27:25,526 SO...LORETTA... 537 00:27:25,560 --> 00:27:27,561 TELL ME A LITTLE ABOUT YOURSELF. WHERE YOU FROM? 538 00:27:27,595 --> 00:27:29,330 SHE'S VISITING. SHE'S AN EXCHANGE STUDENT. 539 00:27:29,364 --> 00:27:31,198 WE'RE HOSTING HER. WOW. 540 00:27:31,232 --> 00:27:32,900 I GOTTA GET INTO THE HOSTING BUSINESS. 541 00:27:36,338 --> 00:27:39,440 SO, WHAT COUNTRY ARE YOU FROM? 542 00:27:39,474 --> 00:27:40,607 OH, WELL, SHE'S FROM... ANTARCTICA. 543 00:27:40,642 --> 00:27:42,943 Max: NO WAY! 544 00:27:44,279 --> 00:27:48,482 MEAN WINTER TEMPERATURES OF 74 DEGREES BELOW ZERO, 545 00:27:48,516 --> 00:27:50,651 5.5 MILLION SQUARE MILES. 546 00:27:50,685 --> 00:27:51,785 Max: AMAZING. 547 00:27:51,820 --> 00:27:53,420 AND YOU DON'T EVEN HAVE AN ACCENT. 548 00:27:53,455 --> 00:27:56,023 Sam: SHE CAME HERE TO ESCAPE 6 MONTHS OF DARKNESS. 549 00:27:56,057 --> 00:28:00,227 OF COURSE, NOT ALL OF US CAN BE SO LUCKY. 550 00:28:00,261 --> 00:28:02,162 YOU KNOW WHAT YOU WANT? 551 00:28:02,197 --> 00:28:03,464 OH, I DON'T EAT. 552 00:28:03,498 --> 00:28:06,567 MEAT. MEAT. SHE DOESN'T EAT MEAT. 553 00:28:06,601 --> 00:28:08,001 VEGAN. COOL. 554 00:28:08,036 --> 00:28:11,338 WE'LL HAVE THE 1/2 POUND BURGER... AND THE VEGGIE PLATE? 555 00:28:11,373 --> 00:28:12,740 JUST FRIES FOR US. 556 00:28:16,978 --> 00:28:21,482 YOU HAVE THE SMOOTHEST HANDS I HAVE EVER SEEN. 557 00:28:21,516 --> 00:28:23,350 OOH! DO THAT AGAIN! 558 00:28:23,385 --> 00:28:25,119 [CELL PHONE RINGS] 559 00:28:26,388 --> 00:28:27,855 HELLO? 560 00:28:27,889 --> 00:28:29,757 YOU CHANGED MY HOLOGRAPHIC PROTOCOLS, DIDN'T YOU?! 561 00:28:29,791 --> 00:28:32,559 DAD, THIS IS A REALLY BAD TIME. I'M ON A DATE. 562 00:28:32,594 --> 00:28:34,628 I DON'T CARE WHERE YOU ARE. 563 00:28:34,662 --> 00:28:36,430 HERE. 564 00:28:42,137 --> 00:28:43,203 DAD, JUST CALM DOWN, OK? 565 00:28:43,238 --> 00:28:45,939 YOU DELIBERATELY ALTERED MY PROGRAMS. 566 00:28:45,974 --> 00:28:47,941 NO. I MADE IT MORE EFFICIENT. 567 00:28:47,976 --> 00:28:49,777 YOU KNOW, THE MOMENT I FIRST SAW YOU ON STAGE, 568 00:28:49,811 --> 00:28:51,345 I THOUGHT WE HAD A CONNECTION BETWEEN US. 569 00:28:51,379 --> 00:28:53,046 I MEAN, REALLY DEEP DOWN. 570 00:28:53,081 --> 00:28:56,784 TO TELL YOU THE TRUTH, I REALLY DON'T GO THAT DEEP. 571 00:28:56,818 --> 00:28:59,186 NEITHER DO I. SEE, IT'S PERFECT. 572 00:28:59,220 --> 00:29:01,989 I THINK I'M GONNA BE SICK. 573 00:29:02,023 --> 00:29:04,525 [LAUGHS] 574 00:29:06,861 --> 00:29:09,997 MAX, CAN I JUST MELT IN YOUR ARMS? 575 00:29:10,031 --> 00:29:12,733 WHY DON'T YOU? 576 00:29:12,767 --> 00:29:14,535 YOU HAVE TO KISS ME FIRST. 577 00:29:14,569 --> 00:29:17,638 WHOA! LOOK AT THE DESSERTS AT THIS PLACE! 578 00:29:19,407 --> 00:29:21,475 LORETTA, GET A GRIP. 579 00:29:21,509 --> 00:29:23,744 TALK TO THE HAND. 580 00:29:23,778 --> 00:29:25,345 UM...UH... 581 00:29:25,380 --> 00:29:27,915 OH--OH, NO, MY KEYS. 582 00:29:27,949 --> 00:29:29,817 MAX, WOULD YOU GO GET THEM FOR ME? 583 00:29:29,851 --> 00:29:31,985 YEAH. SURE. 584 00:29:36,891 --> 00:29:39,660 HEY, WHAT ABOUT MY KISS? 585 00:29:39,694 --> 00:29:41,662 I ASKED HIM FIRST. 586 00:29:44,966 --> 00:29:46,700 [SEXY WHISTLE] 587 00:29:52,774 --> 00:29:54,775 I GOTTA GO. 588 00:29:57,912 --> 00:29:59,446 HURRY, ROSCOE! 589 00:30:09,958 --> 00:30:11,758 Sam: HERE HE COMES. 590 00:30:11,793 --> 00:30:13,093 [NERVOUS CHUCKLE] 591 00:30:13,127 --> 00:30:15,062 WHERE DID LORETTA GO? 592 00:30:15,096 --> 00:30:17,130 UH...GETTING SOME AIR. 593 00:30:17,165 --> 00:30:19,633 SHE--SHE WAS FEELING LIGHT-HEADED. 594 00:30:19,667 --> 00:30:22,269 SOME OF US CALL THAT LOVE. 595 00:30:30,578 --> 00:30:31,612 OOH. 596 00:30:32,847 --> 00:30:34,948 WHAT'S SHE DOING OVER THERE? 597 00:30:34,983 --> 00:30:39,319 OH...JUST POPPING IN ON SOME OLD FRIENDS. 598 00:30:46,311 --> 00:30:49,479 WELL, THAT WAS THE MOST UNUSUAL DATE I'VE EVER BEEN ON. 599 00:30:49,514 --> 00:30:51,048 [BOTH LAUGH] 600 00:30:51,082 --> 00:30:54,151 YOU GOTTA ADMIT IT WAS FUN. 601 00:30:54,185 --> 00:30:57,654 UM, LOOK... 602 00:30:57,689 --> 00:31:01,959 I, UH--I NEED YOU TO DO ONE MORE THING FOR LORETTA. 603 00:31:01,993 --> 00:31:04,761 CAN WE JUST ONCE NOT TALK ABOUT LORETTA? 604 00:31:04,796 --> 00:31:06,930 I NEED YOU TO KEEP HER FOR A WHILE. 605 00:31:06,965 --> 00:31:09,032 YOU'RE ASKING THE WRONG PERSON. 606 00:31:09,067 --> 00:31:10,634 I CAN'T EVEN KEEP A HAMSTER ALIVE. 607 00:31:10,668 --> 00:31:12,002 SHE'S NOT A PET. SHE'S A PERSON. 608 00:31:12,036 --> 00:31:13,704 SHE'S A PROGRAM. 609 00:31:13,738 --> 00:31:17,507 LOOK, IF I KEEP HER, MY DAD WILL FIND HER, 610 00:31:17,542 --> 00:31:19,776 AND THEN YOU'LL LOSE YOUR LEAD SINGER. 611 00:31:19,811 --> 00:31:21,511 COME ON. 612 00:31:21,546 --> 00:31:22,980 IT'LL BE GOOD FOR HER. 613 00:31:23,014 --> 00:31:25,349 YOU CAN TEACH HER HOW TO BE REAL. 614 00:31:25,383 --> 00:31:27,017 HMM? 615 00:31:28,319 --> 00:31:29,987 PLEASE? 616 00:31:33,825 --> 00:31:34,925 AFTER YOU. 617 00:31:54,779 --> 00:31:57,114 [GUITAR PLAYING] 618 00:32:11,629 --> 00:32:12,930 THAT'S GREAT, MS. CONNORS. 619 00:32:14,265 --> 00:32:15,599 THANK YOU, ROSCOE. 620 00:32:15,633 --> 00:32:17,401 I SEE WHERE SAMANTHA GETS IT FROM. 621 00:32:17,435 --> 00:32:21,705 WELL...I NEVER QUITE HAD HER DETERMINATION. HA. 622 00:32:21,739 --> 00:32:24,408 SO, UH, IS SAM INSIDE? 623 00:32:24,442 --> 00:32:27,344 YEAH. SHE'S STUDYING WITH THAT NEW GIRL? 624 00:32:32,984 --> 00:32:37,120 THE ANSWER IS 3 TIMES THE SQUARE ROOT OF 2. 625 00:32:37,155 --> 00:32:38,555 IT'S MY HOMEWORK. 626 00:32:38,589 --> 00:32:40,390 I'VE GOT TO BE THE ONE TO GET IT RIGHT. 627 00:32:40,425 --> 00:32:42,359 BUT YOU GOT IT WRONG. 628 00:32:42,393 --> 00:32:43,593 THAT'S HOW YOU LEARN. 629 00:32:43,628 --> 00:32:45,095 YOU GET IT WRONG UNTIL YOU GET IT RIGHT. 630 00:32:45,129 --> 00:32:46,930 THAT'S SUCH A WASTE OF TIME. 631 00:32:46,965 --> 00:32:50,968 THAT JUST GOES TO SHOW THAT YOU DON'T KNOW EVERYTHING. 632 00:32:51,002 --> 00:32:53,437 YES, I DO. 633 00:32:53,471 --> 00:32:55,605 OK, MAYBE YOU DO. 634 00:32:55,640 --> 00:32:58,041 BUT YOU DON'T UNDERSTAND ANY OF IT. 635 00:32:58,076 --> 00:32:59,776 YOU COULD KNOW WHAT A BABY IS... 636 00:32:59,811 --> 00:33:02,446 BUT YOU'VE NEVER BEEN ONE. 637 00:33:02,480 --> 00:33:05,349 YOU CAN KNOW EVERY TYPE OF BICYCLE, 638 00:33:05,383 --> 00:33:08,151 BUT YOU'VE NEVER FALLEN OFF ONE 639 00:33:08,186 --> 00:33:09,720 AND SCRAPED YOUR KNEE. 640 00:33:09,754 --> 00:33:11,555 YOU'VE NEVER HAD TO TRY AND FAIL. 641 00:33:11,589 --> 00:33:16,226 TRY AND FAIL UNTIL... YOU GET SOMETHING RIGHT. 642 00:33:16,260 --> 00:33:18,795 HEY, GIRLS. HOW'S STUDYING GOING? 643 00:33:18,830 --> 00:33:21,431 SHE'S MAD BECAUSE I'M PERFECT. 644 00:33:21,466 --> 00:33:22,833 [SCOFFS] 645 00:33:22,867 --> 00:33:23,934 I DON'T EVEN KNOW WHY I TALK TO HER. 646 00:33:23,968 --> 00:33:25,535 SHE'S NOT EVEN REAL. 647 00:33:25,570 --> 00:33:27,270 SHE'S JUST A TRICK OF LIGHT. 648 00:33:27,305 --> 00:33:30,273 AND YOU'RE NOTHING BUT WATER AND A FEW POUNDS OF CHEMICALS. 649 00:33:30,308 --> 00:33:31,274 OOH. 650 00:33:31,309 --> 00:33:32,309 MAYBE A FEW MORE POUNDS 651 00:33:32,343 --> 00:33:33,343 THAN YOU REALLY NEED. 652 00:33:37,715 --> 00:33:38,849 IT'S NOT FAIR! 653 00:33:38,883 --> 00:33:41,284 I CAN'T EVEN SMACK HER! 654 00:33:41,319 --> 00:33:42,953 HE SCREENS YOUR CALLS. 655 00:33:42,987 --> 00:33:45,255 OK, I THINK WE'VE ALL GOTTA CALM DOWN 656 00:33:45,289 --> 00:33:47,624 JUST A LITTLE BIT. 657 00:33:47,658 --> 00:33:48,925 YOU SCREEN MY CALLS? 658 00:33:48,960 --> 00:33:51,862 WELL...DON'T THINK ABOUT THAT RIGHT NOW. 659 00:33:51,896 --> 00:33:54,765 SAM, WHY DON'T YOU SHOW LORETTA 660 00:33:54,799 --> 00:33:57,100 THE SONG YOU WROTE FOR HER. 661 00:33:57,135 --> 00:33:58,502 YOU WROTE A SONG FOR ME? 662 00:33:58,536 --> 00:34:01,238 I WROTE IT FOR THE BAND! 663 00:34:02,774 --> 00:34:03,874 WITH YOU IN MIND. 664 00:34:05,543 --> 00:34:06,543 COULD I HEAR IT? 665 00:34:10,982 --> 00:34:11,982 FINE. 666 00:34:21,692 --> 00:34:25,062 [PLAYING MEDIUM-TEMPO ROCK MELODY] 667 00:34:33,638 --> 00:34:36,173 ♪ HERE'S THE STORY OF A GIRL ♪ 668 00:34:36,207 --> 00:34:39,242 ♪ LIVIN' IN A LONELY WORLD ♪ 669 00:34:39,277 --> 00:34:41,945 ♪ A HIDDEN NOTE, A SECRET CRUSH ♪ 670 00:34:41,979 --> 00:34:45,182 ♪ A LITTLE BOY WHO TALKS TOO MUCH ♪ 671 00:34:45,216 --> 00:34:48,151 ♪ WELL, I'M STANDING IN A CROWD ♪ 672 00:34:48,186 --> 00:34:50,587 ♪ AND WHEN YOU SMILE I CHECK YOU OUT ♪ 673 00:34:50,621 --> 00:34:54,124 ♪ BUT YOU DON'T EVEN KNOW MY NAME ♪ 674 00:34:54,158 --> 00:34:56,359 ♪ YOU'RE TOO BUSY PLAYIN' GAMES ♪ 675 00:34:56,394 --> 00:35:02,099 ♪ AND I WANT YOU TO KNOW ♪ 676 00:35:02,133 --> 00:35:07,637 ♪ IF YOU LOSE YOUR WAY I WON'T LET YOU GO ♪ 677 00:35:07,672 --> 00:35:10,974 ♪ IF I CUT MY HAIR, IF I CHANGE MY CLOTHES ♪ 678 00:35:11,008 --> 00:35:13,710 ♪ WILL YOU NOTICE ME? ♪ 679 00:35:13,744 --> 00:35:16,746 ♪ IF I BITE MY LIP, IF I SAY HELLO ♪ 680 00:35:16,781 --> 00:35:20,450 ♪ WILL YOU NOTICE ME? ♪ 681 00:35:20,485 --> 00:35:24,521 ♪ WHAT'S IT GONNA TAKE FOR YOU TO SEE ♪ 682 00:35:24,555 --> 00:35:29,192 ♪ TO GET YOU TO NOTICE ME? ♪ 683 00:35:38,269 --> 00:35:42,038 ♪ OH, DON'T GET ME WRONG ♪ 684 00:35:42,073 --> 00:35:43,240 ♪ GET ME WRONG ♪ 685 00:35:43,274 --> 00:35:44,774 ♪ YOU BETTER MAKE YOUR MOVE ♪ 686 00:35:44,809 --> 00:35:47,511 ♪ BEFORE THE MOMENT'S GONE ♪ 687 00:35:47,545 --> 00:35:50,380 ♪ TELL ME IF I CUT MY HAIR ♪ 688 00:35:50,414 --> 00:35:54,818 ♪ IF I CHANGE MY CLOTHES WILL YOU NOTICE ME? ♪ 689 00:35:54,852 --> 00:35:57,487 ♪ IF I BITE MY LIP, IF I SAY HELLO ♪ 690 00:35:57,522 --> 00:36:00,323 ♪ WILL YOU NOTICE ME? ♪ 691 00:36:05,196 --> 00:36:08,598 ♪ I'LL GET YOU TO NOTICE ME ♪ 692 00:36:08,633 --> 00:36:10,867 [CHEERS, APPLAUSE] 693 00:36:12,436 --> 00:36:15,105 [STAMMERING] I'M VERY IMPRESSED. 694 00:36:15,139 --> 00:36:18,808 OK, YOU GIRLS GOT A SLOT ON AMATEUR NIGHT. 695 00:36:18,843 --> 00:36:20,010 AMATEUR NIGHT? 696 00:36:20,044 --> 00:36:21,344 TRUST ME ON THIS. 697 00:36:21,379 --> 00:36:23,747 HARSHTONE RECORDS IS SENDING A TALENT SCOUT. 698 00:36:23,781 --> 00:36:24,915 DARYL FIBBS? 699 00:36:24,949 --> 00:36:26,316 YOU DIDN'T HEAR IT FROM ME. 700 00:36:26,350 --> 00:36:29,152 Cindy: WHOO! HA! 701 00:36:29,187 --> 00:36:30,253 I CAN'T BELIEVE IT. 702 00:36:30,288 --> 00:36:31,555 WE GET TO PERFORM FOR DARYL FIBBS. 703 00:36:31,589 --> 00:36:32,856 OH, MY GOD! 704 00:36:32,890 --> 00:36:35,225 WE HAVE TO SPEND EVERY FREE MOMENT REHEARSING. 705 00:36:35,259 --> 00:36:36,993 UH, YOU SAW LORETTA IN THERE. 706 00:36:37,028 --> 00:36:38,461 SHE DOESN'T NEED REHEARSAL. 707 00:36:38,496 --> 00:36:40,197 SHE MIGHT NOT, BUT WE DO. 708 00:36:40,231 --> 00:36:41,998 YEAH. 709 00:36:42,033 --> 00:36:44,568 GUYS. SO... 710 00:36:44,602 --> 00:36:46,203 MOXLEY'S HAVING YOU CLOSE THE FIRST HALF. 711 00:36:46,237 --> 00:36:47,604 [GIRLS LAUGH] 712 00:36:47,638 --> 00:36:48,772 GOOD ONE, LORETTA. 713 00:36:51,242 --> 00:36:52,842 WAIT A SECOND. SHE'S NOT IN THERE. 714 00:36:52,877 --> 00:36:55,378 YOU TOOK THE DATA CELL AND LEFT LORETTA? 715 00:36:55,413 --> 00:36:57,981 I THOUGHT YOU HAD PUT HER IN. 716 00:36:58,015 --> 00:36:59,716 THAT'S HOW YOU TAKE CARE OF HER? 717 00:37:09,427 --> 00:37:11,861 LORETTA, I AM SO SORRY. 718 00:37:11,896 --> 00:37:13,630 THAT'S OK. 719 00:37:13,664 --> 00:37:15,799 I'VE BEEN ENJOYING THE RAIN. 720 00:37:15,833 --> 00:37:18,668 I CAN'T BELIEVE SAM LEFT YOU OUT HERE. 721 00:37:18,703 --> 00:37:20,937 I DON'T KNOW WHAT I WOULD HAVE DONE 722 00:37:20,972 --> 00:37:22,205 IF I LOST YOU. 723 00:37:25,243 --> 00:37:28,311 I MEAN, IF THE BAND LOST YOU. 724 00:37:28,346 --> 00:37:30,113 [HONKS HORN] 725 00:37:30,147 --> 00:37:31,715 YOU READY? 726 00:37:33,251 --> 00:37:35,051 IT MUST BE WONDERFUL. 727 00:37:35,086 --> 00:37:37,988 WHAT? 728 00:37:38,022 --> 00:37:39,389 TO FEEL THE RAIN. 729 00:38:00,678 --> 00:38:02,479 [DOORBELL RINGS] 730 00:38:05,316 --> 00:38:06,516 ROSCOE'S OUT, HONEY. 731 00:38:06,550 --> 00:38:08,218 YOU CAN WAIT FOR HIM IF YOU LIKE. 732 00:38:08,252 --> 00:38:10,920 UH, I JUST WANTED TO DROP OFF THIS NEW DEMO. 733 00:38:10,955 --> 00:38:12,555 SURE. 734 00:38:12,590 --> 00:38:15,725 Voice: SAVE ME...PLEASE. 735 00:38:17,962 --> 00:38:20,630 SAVE ME...PLEASE. 736 00:38:22,600 --> 00:38:25,201 SAVE ME...PLEASE. 737 00:38:26,704 --> 00:38:30,573 SAVE ME...PLEASE. 738 00:38:30,608 --> 00:38:33,777 SAVE ME...PLEASE. 739 00:38:35,246 --> 00:38:37,280 SAVE--AAH! 740 00:38:44,922 --> 00:38:47,791 SO, THIS IS WHERE YOU GOT YOUR VOICE, HUH, LORETTA? 741 00:38:56,934 --> 00:38:59,235 SOME GENE POOL ROSCOE GAVE YOU. 742 00:39:23,694 --> 00:39:25,261 HEY. 743 00:39:28,332 --> 00:39:29,299 SAM. 744 00:39:29,333 --> 00:39:31,768 SAM, WHAT'S WRONG? 745 00:39:39,343 --> 00:39:43,146 Moxley: MR. FIBBS. 746 00:39:43,180 --> 00:39:45,248 I--I CAN'T TELL YOU WHAT AN HONOR IT-- 747 00:39:45,282 --> 00:39:46,583 SPARE ME, MOXLEY. 748 00:39:46,617 --> 00:39:48,284 YOU GAVE ME NO RESPECT WHEN I PERFORMED HERE. 749 00:39:48,319 --> 00:39:51,988 I EXPECT THE SAME LACK OF COURTESY NOW. 750 00:39:52,022 --> 00:39:53,556 I'M MESSIN' WITH YOU, MAN, 751 00:39:55,159 --> 00:39:56,593 OH, YOU BROUGHT THE MEDIA. 752 00:39:56,627 --> 00:39:57,994 I DON'T LEAVE HOME WITHOUT IT. YEAH. 753 00:39:58,028 --> 00:39:59,562 HEH HEH. HEY. 754 00:39:59,597 --> 00:40:02,332 Girls: HEY, IT'S FIBBS! FIBBS! 755 00:40:02,366 --> 00:40:04,401 ♪ I GOT A GOOD EXCUSE ♪ 756 00:40:04,435 --> 00:40:07,103 ♪ I'M ONLY 17 THINKIN' THAT YOU BETTER LEAVE ♪ 757 00:40:07,138 --> 00:40:09,038 ♪ I'M NOT NAIVE ♪ 758 00:40:09,073 --> 00:40:10,273 ♪ I KNOW YOU DON'T BELIEVE ♪ 759 00:40:10,307 --> 00:40:12,242 ♪ WHEN YOU SAY YOU'RE JUST A-- ♪ 760 00:40:12,276 --> 00:40:15,512 ♪ MAN, DON'T EVEN TRY IT ♪ 761 00:40:15,546 --> 00:40:17,147 ♪ NO, NO, NO, NO, DON'T YOU UNDERSTAND? ♪ 762 00:40:17,181 --> 00:40:20,083 ♪ DON'T EVEN TRY IT ♪ 763 00:40:21,252 --> 00:40:22,952 ♪ SAY GOOD NIGHT, SAY GOOD-BYE ♪ 764 00:40:22,987 --> 00:40:26,656 ♪ DON'T EVEN TRY IT, NO ♪ 765 00:40:26,690 --> 00:40:28,525 ♪ YOU BETTER KEEP AWAY WITH YOUR HANDS ♪ 766 00:40:28,559 --> 00:40:30,326 ♪ DON'T EVEN TRY IT... ♪ 767 00:40:30,361 --> 00:40:31,327 HE'S HERE. 768 00:40:31,362 --> 00:40:33,062 YOU GUYS, DARYL FIBBS IS HERE. 769 00:40:33,097 --> 00:40:36,199 HEY, DON'T FAINT UNTIL AFTER WE PERFORM. 770 00:40:36,233 --> 00:40:38,968 I CAN'T BELIEVE SAM ISN'T HERE YET. 771 00:40:39,003 --> 00:40:40,537 LIGHTEN UP. YOU'RE TOO HARD ON HER. 772 00:40:40,571 --> 00:40:41,738 SHE'S GOT LORETTA. WHAT IF I NEED TO MAKE 773 00:40:41,772 --> 00:40:43,373 SOME LAST-MINUTE ADJUSTMENTS ON HER? 774 00:40:43,407 --> 00:40:45,975 I CAN'T BELIEVE SHE'D BE THIS IRRESPONSIBLE. 775 00:40:46,010 --> 00:40:48,778 NOW YOU SOUND LIKE YOUR FATHER. 776 00:40:48,813 --> 00:40:50,079 Sam: OH, WE GOT STUCK IN TRAFFIC. 777 00:40:50,114 --> 00:40:51,281 AS LONG AS YOU'RE HERE. 778 00:40:51,315 --> 00:40:53,349 SERIOUSLY, YOU HAD US WORRIED. 779 00:40:54,718 --> 00:40:55,685 THANKS, MOM. 780 00:40:55,719 --> 00:40:57,921 BYE. GOOD LUCK, HONEY. 781 00:40:57,955 --> 00:40:58,922 HI. HI. HI. 782 00:40:58,956 --> 00:41:01,224 BYE, SWEETIE. 783 00:41:01,258 --> 00:41:02,225 Roscoe: DO YOU HAVE LORETTA? 784 00:41:02,259 --> 00:41:03,460 DIVA IN A DRUM. 785 00:41:03,494 --> 00:41:06,129 LOOK, MY HANDS ARE SHAKING. 786 00:41:06,163 --> 00:41:08,465 I THINK I'M GONNA HURL. 787 00:41:08,499 --> 00:41:10,433 YEAH, BUT IT'S A DEEP CLEANSING HURL, RIGHT? 788 00:41:10,468 --> 00:41:11,468 [LAUGHTER] 789 00:41:14,572 --> 00:41:15,605 ARE WE THERE YET? 790 00:41:17,441 --> 00:41:18,942 YOU'RE ON IN A FEW MINUTES. 791 00:41:18,976 --> 00:41:20,276 HOW DO I LOOK? 792 00:41:20,311 --> 00:41:21,911 IS MY CONTRAST SET RIGHT? 793 00:41:21,946 --> 00:41:23,646 YOU LOOK GREAT. 794 00:41:23,681 --> 00:41:25,615 PERFECT. 795 00:41:27,017 --> 00:41:28,952 COME ON, LET'S CHECK OUT OUR COMPETITION. 796 00:41:28,986 --> 00:41:31,054 ♪ DON'T EVEN TRY IT ♪ 797 00:41:31,088 --> 00:41:32,622 ♪ I KNOW YOU ALL TOO WELL ♪ 798 00:41:32,656 --> 00:41:33,756 ♪ SAY GOOD NIGHT... ♪ 799 00:41:33,791 --> 00:41:36,359 IT WAS THE PICTURE, WASN'T IT? 800 00:41:36,393 --> 00:41:37,694 WHEN WERE YOU PLANNING ON TELLING ME 801 00:41:37,728 --> 00:41:39,295 THAT YOU USED ME TO MAKE HER?! 802 00:41:39,330 --> 00:41:41,965 I DIDN'T THINK IT WAS IMPORTANT. 803 00:41:41,999 --> 00:41:44,133 I GUESS I SHOULD BE HAPPY FOR YOU. 804 00:41:44,168 --> 00:41:46,503 YOU FINALLY BOTTLED PERFECTION. 805 00:41:46,537 --> 00:41:47,704 I MADE HER FOR YOU, NOT FOR ME. 806 00:41:47,738 --> 00:41:48,872 [SARCASTIC CHUCKLE] 807 00:41:48,906 --> 00:41:49,906 IF YOU'RE NOT GONNA BE HONEST WITH ME, 808 00:41:49,940 --> 00:41:51,174 AT LEAST BE HONEST WITH YOURSELF. 809 00:41:51,208 --> 00:41:53,243 WHAT?! 810 00:41:54,979 --> 00:41:57,280 I JUST WANT TO KNOW WHAT PART OF ME 811 00:41:57,314 --> 00:41:58,748 YOU USED TO MAKE HER. 812 00:42:01,218 --> 00:42:03,086 WHAT PART OF ME DID YOU LIKE ENOUGH TO KEEP? 813 00:42:04,121 --> 00:42:05,822 [SIGHS] 814 00:42:05,856 --> 00:42:07,423 I GAVE HER YOUR EARS. 815 00:42:11,795 --> 00:42:13,763 [SIGHS] I WISH YOU'D NEVER MADE HER. 816 00:42:13,797 --> 00:42:15,665 ♪ WHAT PART OF NO DON'T YOU UNDERSTAND? ♪ 817 00:42:15,699 --> 00:42:18,935 ♪ DON'T EVEN TRY IT ♪ 818 00:42:18,969 --> 00:42:21,504 [CHEERS, APPLAUSE] 819 00:42:25,309 --> 00:42:27,610 OK, OK, OK! 820 00:42:27,645 --> 00:42:30,780 NOW WE HAVE A REAL TREAT FOR YOU NEXT, 821 00:42:30,814 --> 00:42:36,786 AN ALL-GIRL BAND THAT I PERSONALLY DISCOVERED. 822 00:42:36,820 --> 00:42:40,490 AND NOW THE EARSPLITTER PRESENTS... 823 00:42:40,524 --> 00:42:44,327 LORETTA MODERN AND THE ZETTABYTES! 824 00:42:44,361 --> 00:42:45,628 [CHEERS, APPLAUSE] 825 00:42:54,271 --> 00:42:55,572 [BAND STARTS PLAYING] 826 00:43:01,445 --> 00:43:04,380 ♪ HERE'S THE STORY OF A GIRL ♪ 827 00:43:04,415 --> 00:43:07,050 ♪ LIVIN' IN A LONELY WORLD ♪ 828 00:43:07,084 --> 00:43:09,919 ♪ A HIDDEN NOTE, A SECRET CRUSH ♪ 829 00:43:09,954 --> 00:43:12,689 ♪ A LITTLE BOY WHO TALKS TOO MUCH ♪ 830 00:43:12,723 --> 00:43:15,525 ♪ WELL, I'M STANDING IN THE CROWD ♪ 831 00:43:15,559 --> 00:43:19,028 ♪ AND WHEN YOU SMILE I CHECK YOU OUT ♪ 832 00:43:19,063 --> 00:43:22,098 ♪ BUT YOU DON'T EVEN KNOW MY NAME ♪ 833 00:43:22,132 --> 00:43:24,267 ♪ YOU'RE TOO BUSY PLAYING GAMES ♪ 834 00:43:24,301 --> 00:43:29,806 ♪ AND I WANT YOU TO KNOW ♪ 835 00:43:29,840 --> 00:43:31,708 ♪ IF YOU LOSE YOUR WAY ♪ 836 00:43:31,742 --> 00:43:35,378 ♪ I WON'T LET YOU GO ♪ 837 00:43:35,412 --> 00:43:37,080 ♪ IF I CUT MY HAIR ♪ 838 00:43:37,114 --> 00:43:38,781 ♪ IF I CHANGE MY CLOTHES ♪ 839 00:43:38,816 --> 00:43:40,650 ♪ WILL YOU NOTICE ME? ♪ 840 00:43:41,819 --> 00:43:44,487 ♪ IF I BITE MY LIP, IF I SAY HELLO ♪ 841 00:43:44,521 --> 00:43:46,623 ♪ WILL YOU NOTICE ME? ♪ 842 00:43:48,459 --> 00:43:52,295 ♪ WHAT'S IT GONNA TAKE FOR YOU TO SEE ♪ 843 00:43:52,329 --> 00:43:56,799 ♪ TO GET YOU TO NOTICE ME? ♪ 844 00:43:56,834 --> 00:43:58,267 ♪ I'M NOT LIKE THE REST ♪ 845 00:43:58,302 --> 00:44:01,437 ♪ I JUST DON'T CARE IF YOU'RE THE BEST ♪ 846 00:44:01,472 --> 00:44:04,307 ♪ YOU SEE, IT'S ALL THE SAME TO ME ♪ 847 00:44:04,341 --> 00:44:09,979 ♪ YOU JUST BE WHO YOU WANT TO BE ♪ 848 00:44:10,014 --> 00:44:14,150 ♪ IT'S ALL THE SAME TO ME ♪ 849 00:44:17,287 --> 00:44:22,592 ♪ OH, DON'T GET ME WRONG ♪ 850 00:44:22,626 --> 00:44:24,193 ♪ YOU BETTER MAKE YOUR MOVE ♪ 851 00:44:24,228 --> 00:44:27,196 ♪ BEFORE THE MOMENT'S GONE ♪ 852 00:44:27,231 --> 00:44:30,066 ♪ TELL ME IF I CUT MY HAIR ♪ 853 00:44:30,100 --> 00:44:31,267 ♪ IF I CHANGE MY CLOTHES ♪ 854 00:44:31,301 --> 00:44:33,936 ♪ WILL YOU NOTICE ME? ♪ 855 00:44:33,971 --> 00:44:37,140 ♪ IF I BITE MY LIP, IF I SAY HELLO ♪ 856 00:44:37,174 --> 00:44:39,575 ♪ WILL YOU NOTICE ME? ♪ 857 00:44:50,054 --> 00:44:52,121 Roscoe: COME ON. COME ON! 858 00:44:57,861 --> 00:44:59,696 Girl: WHAT'S GOING ON? 859 00:44:59,730 --> 00:45:01,497 [CONFUSED MURMURS] 860 00:45:01,532 --> 00:45:03,466 [BAND STOPS PLAYING] [INDISTINCT COMPUTER VOICE] 861 00:45:06,170 --> 00:45:07,770 WHAT WAS THAT?! 862 00:45:07,805 --> 00:45:09,605 Girl: SHE'S NOT REAL. 863 00:45:11,675 --> 00:45:13,810 Girl: SHE'S A HOLOGRAM. 864 00:45:13,844 --> 00:45:15,211 A HOLOGRAPHIC ROCK STAR? 865 00:45:15,245 --> 00:45:18,147 COM--COME ON! COME ON! 866 00:45:18,182 --> 00:45:19,982 HOLOGRAPHIC ROCK STAR. 867 00:45:20,017 --> 00:45:21,551 HOW COOL IS THAT! 868 00:45:23,020 --> 00:45:24,721 HAVE YOU EVER SEEN ANYTHING LIKE IT? 869 00:45:27,291 --> 00:45:28,324 THAT'S UNREAL. 870 00:45:28,358 --> 00:45:30,526 [CHEERS, APPLAUSE] 871 00:45:40,504 --> 00:45:46,175 All, chanting: LO-RE-TTA! LO-RE-TTA! LO-RE-TTA. 872 00:45:46,210 --> 00:45:47,577 LO-RE-TTA! 873 00:45:48,879 --> 00:45:51,214 YEAH, PATCH ME THROUGH TO WELDON GILES. 874 00:45:51,248 --> 00:45:52,482 [CROWD CHEERING, CHANTING] 875 00:45:52,516 --> 00:45:53,616 Man on phone: HELLO? 876 00:45:53,650 --> 00:45:55,151 MR. GILES, IT'S ME, DARYL. 877 00:45:55,185 --> 00:45:57,019 YOU MUST HAVE FOUND SOMETHING IF YOU'RE CALLING SO LATE. 878 00:45:57,054 --> 00:46:00,857 ONLY HARSHTONE'S NEXT MEDIA SENSATION. 879 00:46:00,891 --> 00:46:02,892 LISTEN TO THIS. 880 00:46:02,926 --> 00:46:07,263 All: LO-RE-TTA! LO-RE-TTA... 881 00:46:09,566 --> 00:46:12,135 GOOD WORK, FIBBS. 882 00:46:12,169 --> 00:46:13,202 MAKE IT HAPPEN. 883 00:46:13,237 --> 00:46:15,037 [CROWD CHEERING] 884 00:46:27,951 --> 00:46:29,118 LORETTA, THANK YOU SO MUCH 885 00:46:29,153 --> 00:46:30,119 FOR BEING WITH US TODAY. 886 00:46:30,154 --> 00:46:32,955 SO, TELL ME, WHERE DOES A HOLOGRAM FIND 887 00:46:32,990 --> 00:46:34,724 THOSE CUTTING-EDGE FASHIONS? 888 00:46:34,758 --> 00:46:37,960 I DOWNLOAD THEM. DON'T YOU? 889 00:46:37,995 --> 00:46:40,163 ♪ 'CAUSE I KNOW YOU KNOW I KNOW ♪ 890 00:46:40,197 --> 00:46:44,167 ♪ THAT IF WE PLAN ON WINNING ♪ 891 00:46:44,201 --> 00:46:45,768 ♪ COME ON, COME ON COME ON ♪ 892 00:46:45,803 --> 00:46:47,970 ♪ COME ON, COME ON ♪ ♪ GET REAL ♪ 893 00:46:48,005 --> 00:46:50,673 ♪ WE WANT TO MAKE IT APPEALING ♪ 894 00:46:50,707 --> 00:46:53,709 ♪ I'LL BE WHATEVER YOU'RE FEELING ♪ 895 00:46:53,744 --> 00:46:55,978 ♪ ALLOW ME TO GET YOU TO THE DEALING ♪ 896 00:46:56,013 --> 00:46:58,481 ♪ GET UP, GET ON, GET OVER IT ♪ 897 00:46:58,515 --> 00:47:02,084 ♪ GET OVER ME ♪ 898 00:47:02,119 --> 00:47:03,286 ♪ IT'S TIME TO GET REAL ♪ 899 00:47:05,322 --> 00:47:07,757 ♪ EVERYBODY SAYS IF WE DREAM BIGGER ♪ 900 00:47:07,791 --> 00:47:10,159 ♪ THAN WE ARE... ♪ 901 00:47:10,194 --> 00:47:12,395 IT'S UNNATURAL, IT'S UNWHOLESOME-- 902 00:47:12,429 --> 00:47:14,263 SHE IS COMPLETELY HARMLESS. 903 00:47:14,298 --> 00:47:15,731 WHAT'S NEXT, HOLOGRAPHIC PETS? 904 00:47:15,766 --> 00:47:17,767 I'VE GOT A HOLOGRAPHIC PET. 905 00:47:17,801 --> 00:47:19,702 ♪ I KNOW YOU KNOW I KNOW ♪ 906 00:47:19,736 --> 00:47:23,773 ♪ THIS TIME THERE'S NO PRETENDING ♪ 907 00:47:23,807 --> 00:47:27,877 ♪ COME ON, COME ON, COME ON, COME ON, COME ON ♪ 908 00:47:27,911 --> 00:47:31,113 ♪ WHAT ELSE CAN WE DO... ♪ 909 00:47:31,148 --> 00:47:33,182 SO TELL US, MR. FIBBS, 910 00:47:33,217 --> 00:47:34,517 HOW IS IT WORKING WITH LORETTA? 911 00:47:34,551 --> 00:47:36,485 IT'S AMAZING. YOU'RE WITH HER 5 MINUTES, 912 00:47:36,520 --> 00:47:37,854 YOU FORGET SHE'S NOT REAL. 913 00:47:37,888 --> 00:47:40,223 WELL, THE BUZZ FROM THE LIVE SHOWS IS UNDENIABLE, 914 00:47:40,257 --> 00:47:42,425 BUT WILL HER DEBUT ALBUM LIVE UP TO THE HYPE? 915 00:47:42,459 --> 00:47:44,594 WE'RE RECORDING IT RIGHT NOW. IT'S GONNA BE HOT. 916 00:47:56,073 --> 00:47:57,607 ♪ GET REAL ♪ 917 00:47:57,641 --> 00:48:00,576 ♪ WE WANT TO MAKE IT APPEALING ♪ ♪ GET REAL ♪ 918 00:48:00,611 --> 00:48:03,145 ♪ I'LL BE WHATEVER YOU'RE FEELING ♪ 919 00:48:03,180 --> 00:48:05,448 OK, GIRLS, GIRLS, GIRLS. 920 00:48:05,482 --> 00:48:06,649 WHAT NOW?! 921 00:48:06,683 --> 00:48:08,451 CAN WE AT LEAST GET THROUGH THE SONG ONCE? 922 00:48:08,485 --> 00:48:09,785 YOU WANT TO MAKE A HARSHTONE CD? 923 00:48:09,820 --> 00:48:11,087 THEN YOU HAVE TO DO IT RIGHT. 924 00:48:11,121 --> 00:48:12,288 YOUR HARMONIES WERE FLAT. 925 00:48:12,322 --> 00:48:14,123 WAS I OK? 926 00:48:14,157 --> 00:48:15,625 Daryl: YOU WERE BRILLIANT. 927 00:48:15,659 --> 00:48:17,727 CINDY, YOU NEED TO KEEP THE TEMPO CONSISTENT. 928 00:48:17,761 --> 00:48:18,961 WHAT TAKE ARE WE ON? 929 00:48:18,996 --> 00:48:20,096 Engineer: 34. 930 00:48:20,130 --> 00:48:22,331 IS IT TOO LATE TO GET STUDIO MUSICIANS? 931 00:48:22,366 --> 00:48:23,666 Engineer: NEVER TOO LATE. 932 00:48:23,700 --> 00:48:27,336 MR. FIBBS, THE INTERCOM'S STILL ON. 933 00:48:27,371 --> 00:48:30,273 CAN HE REPLACE US WITH STUDIO MUSICIANS? 934 00:48:30,307 --> 00:48:31,474 HE CAN DO WHATEVER HE WANTS. 935 00:48:31,508 --> 00:48:34,477 DARYL, YOU CAN'T REPLACE THE GIRLS. 936 00:48:34,511 --> 00:48:36,646 THEY'RE MY BAND. 937 00:48:38,882 --> 00:48:40,650 ALL RIGHT, LORETTA, WHATEVER YOU SAY. 938 00:48:40,684 --> 00:48:42,051 Engineer: METER'S STILL RUNNING. 939 00:48:42,085 --> 00:48:43,686 Daryl: YEAH, I OWN THE METER. 940 00:48:43,720 --> 00:48:45,521 AT LEAST I WILL WHEN THEIR FIRST ALBUM GOES PLATINUM. 941 00:48:45,555 --> 00:48:48,324 YEAH, UH, MR. FIBBS, WE SHOULD BREAK FOR THE DAY, ANYWAY. 942 00:48:48,358 --> 00:48:50,026 I GOTTA WORK ON LORETTA. 943 00:48:50,060 --> 00:48:52,094 TRY AND INCREASE HER RANGE OF MOTION. 944 00:48:52,129 --> 00:48:53,796 Daryl: OK, WE'LL PICK IT UP LATER. 945 00:48:53,830 --> 00:48:55,431 THE NATIONAL BROADCAST IS ONLY A WEEK AWAY, 946 00:48:55,465 --> 00:48:57,333 AND I WANT THE SINGLE DONE BY THEN. 947 00:49:00,070 --> 00:49:01,871 I'M WORKING ON MY OWN SONG. 948 00:49:01,905 --> 00:49:02,972 YOUR OWN SONG? 949 00:49:03,006 --> 00:49:04,440 YOU'RE AMAZING, YOU KNOW THAT? 950 00:49:06,043 --> 00:49:07,977 TAKE A GOOD LOOK, BECAUSE THAT... 951 00:49:08,011 --> 00:49:09,712 IS THE FUTURE OF THE MUSIC INDUSTRY. 952 00:49:09,746 --> 00:49:10,980 A MONTH FROM NOW, 953 00:49:11,014 --> 00:49:12,081 EVERY TEENAGER IN AMERICA 954 00:49:12,115 --> 00:49:13,649 IS GONNA WANT TO BE JUST LIKE HER-- 955 00:49:13,684 --> 00:49:16,419 SMART, TALENTED... 956 00:49:16,453 --> 00:49:18,220 HIGH RESOLUTION. 957 00:49:18,255 --> 00:49:20,323 ALBUM TITLE. 958 00:49:20,357 --> 00:49:22,124 [TYPING ON COMPUTER] 959 00:49:23,827 --> 00:49:26,429 TAKE CARE OF MY GIRL, ROSCOE. 960 00:49:27,597 --> 00:49:29,131 YOUR GIRL? 961 00:49:32,436 --> 00:49:35,204 HEY, YOU GUYS SOUNDED GREAT. 962 00:49:37,307 --> 00:49:38,407 YOU'RE GONNA HAVE A KILLER FIRST ALBUM. 963 00:49:38,442 --> 00:49:41,510 HMM. YOU MEAN LORETTA WILL. 964 00:49:41,545 --> 00:49:43,245 YEAH. 965 00:49:43,280 --> 00:49:45,047 LOOK, I'M SORRY SHE'S GETTING ALL THE ATTENTION. 966 00:49:45,082 --> 00:49:46,716 ARE YOU? 967 00:49:46,750 --> 00:49:48,884 I MEAN, THAT'S WHY YOU MADE HER, RIGHT? 968 00:49:48,919 --> 00:49:50,152 THE BAND NEEDED AN IMAGE. 969 00:49:50,187 --> 00:49:51,887 YOU SAY THAT LIKE IT'S A BAD THING. 970 00:49:53,256 --> 00:49:54,223 THINGS JUST AREN'T TURNING OUT 971 00:49:54,257 --> 00:49:55,524 THE WAY I WANTED, ALL RIGHT? 972 00:49:59,363 --> 00:50:02,098 YOU'VE STILL GOT THAT EXTRA DATA CELL, DON'T YOU? 973 00:50:02,132 --> 00:50:05,434 WHY DON'T YOU TAKE LORETTA FOR A WHILE? HUH? 974 00:50:05,469 --> 00:50:06,602 THEN THEY COULD DO A STORY ON YOU 975 00:50:06,636 --> 00:50:08,437 AND HOW THE TWO OF YOU ARE FRIENDS. 976 00:50:08,472 --> 00:50:09,905 WE ARE? 977 00:50:11,375 --> 00:50:12,675 YOU COULD TRY TO BE. 978 00:50:14,644 --> 00:50:16,145 TELL YOU WHAT, ROSCOE, 979 00:50:16,179 --> 00:50:17,279 IF SHE BECOMES TOO MUCH FOR YOU, 980 00:50:17,314 --> 00:50:18,347 E-MAIL HER TO ME. 981 00:50:26,623 --> 00:50:29,625 DAD, WHAT ARE YOU DOING? STUDYING YOUR CREATION. 982 00:50:29,659 --> 00:50:31,660 HOW DID YOU COMPENSATE FOR THE AMBIENT ROOM LIGHT? 983 00:50:31,695 --> 00:50:33,029 UH, VARIABLE INTENSITY SUB-ROUTINE. 984 00:50:33,063 --> 00:50:34,530 DAD, PLEASE, YOU'RE EMBARRASSING HER. 985 00:50:34,564 --> 00:50:35,765 IT'S OK, ROSCOE. 986 00:50:35,799 --> 00:50:36,932 I DON'T MIND. 987 00:50:38,702 --> 00:50:42,204 HEY, DAD, YOU NEED TO WARN HER BEFORE YOU DO THAT. 988 00:50:42,239 --> 00:50:44,306 I HAVE TO HAND IT TO YOU, ROSCOE. 989 00:50:44,341 --> 00:50:47,243 WHAT YOU HAVE DONE HERE IS AMAZING. 990 00:50:47,277 --> 00:50:49,445 OF COURSE, A HOLOGRAPHIC ROCK STAR 991 00:50:49,479 --> 00:50:50,479 ISN'T EXACTLY WHAT I HAD IN MIND. 992 00:50:50,514 --> 00:50:51,614 DAD, DON'T START. 993 00:50:51,648 --> 00:50:53,115 BUT SHE'S A GOOD BEGINNING. 994 00:50:53,150 --> 00:50:55,951 NOW LET'S JUST MOVE BEYOND IT. 995 00:50:57,454 --> 00:50:58,888 WHY CAN'T YOU JUST APPRECIATE 996 00:50:58,922 --> 00:51:01,857 WHAT YOU'VE GOT RIGHT IN FRONT OF YOU? I MEAN, YOU SAW HER. 997 00:51:01,892 --> 00:51:04,493 BUT DID YOU SEE WHO SHE IS? WHO SHE'S BECOMING? 998 00:51:04,528 --> 00:51:06,495 SHE CAN'T BECOME ANYTHING. SH-- 999 00:51:06,530 --> 00:51:07,496 IT--IT'S A HOLOGRAM. 1000 00:51:07,531 --> 00:51:09,331 NO, SHE'S AN INDIVIDUAL. 1001 00:51:09,366 --> 00:51:11,267 SHE HAS THOUGHTS AND FEELINGS, 1002 00:51:11,301 --> 00:51:12,902 JUST LIKE YOU AND ME. NO. 1003 00:51:12,936 --> 00:51:15,037 SHE'S A BLEND OF LIGHT AND COLOR. 1004 00:51:15,072 --> 00:51:16,639 LIKE-- 1005 00:51:16,673 --> 00:51:17,940 WELL, LIKE AN ABSTRACT PAINTING. 1006 00:51:17,974 --> 00:51:19,675 IT'S VIBRANT, IT'S BEAUTIFUL, 1007 00:51:19,709 --> 00:51:22,344 BUT IN THE END, IT'S JUST SOMETHING TO LOOK AT, 1008 00:51:22,379 --> 00:51:24,313 NOTHING MORE. 1009 00:51:24,347 --> 00:51:26,615 REALLY? 1010 00:51:26,650 --> 00:51:29,685 WELL, THAT NOTHING SAVED YOU YOUR FUNDING. 1011 00:51:29,719 --> 00:51:32,388 THANKS TO HER, YOU'RE SKYGRAPH'S FAVORITE EMPLOYEE. 1012 00:51:32,422 --> 00:51:34,156 THAT WASN'T HER. THAT WAS YOU. 1013 00:51:34,191 --> 00:51:36,325 BY CREATING HER, YOU MIGHT HAVE-- 1014 00:51:36,359 --> 00:51:38,627 YOU MIGHT HAVE EVEN SAVED MY JOB. 1015 00:51:39,963 --> 00:51:42,131 GLAD YOU NOTICED. 1016 00:51:42,165 --> 00:51:43,866 I'M GOING FOR A WALK. 1017 00:51:55,679 --> 00:51:58,481 ROSCOE, I WROTE A SONG. 1018 00:52:00,884 --> 00:52:03,986 TELL ME IT'S BRILLIANT. 1019 00:52:04,020 --> 00:52:06,055 TELL ME IT'S PERFECT. 1020 00:52:06,089 --> 00:52:09,058 "I BELIEVE IN YESTERDAY, DANIEL MY BROTHER, 1021 00:52:09,092 --> 00:52:11,727 HEY, NOW YOU'RE A ROCK STAR, ONE WAY OR ANOTHER?" 1022 00:52:11,761 --> 00:52:13,362 ISN'T IT GREAT? 1023 00:52:13,396 --> 00:52:16,899 LORETTA, THESE ARE JUST LINES FROM OTHER SONGS. 1024 00:52:16,933 --> 00:52:19,969 YEAH, BUT I PUT THEM ALL TOGETHER. 1025 00:52:21,338 --> 00:52:22,571 YOU WANT TO HEAR THE MUSIC? 1026 00:52:22,606 --> 00:52:24,807 NO, I KNOW THE MUSIC. 1027 00:52:24,841 --> 00:52:27,476 LORETTA, YOU CAN'T JUST TAKE BITS AND PIECES OF OTHER SONGS. 1028 00:52:27,511 --> 00:52:28,878 WHY NOT? 1029 00:52:28,912 --> 00:52:31,213 YOU MADE ME OUT OF BITS AND PIECES OF OTHER PEOPLE. 1030 00:52:31,248 --> 00:52:32,715 TH-THAT'S DIFFERENT. 1031 00:52:32,749 --> 00:52:34,049 HOW? 1032 00:52:34,084 --> 00:52:36,485 IT JUST IS. OK, LOOK, 1033 00:52:36,520 --> 00:52:37,786 I KNOW YOU CAN DO BETTER THAN THIS. 1034 00:52:37,821 --> 00:52:39,755 MAYBE I'LL WRITE YOU A NEW CREATIVE PLUG-IN. 1035 00:52:39,789 --> 00:52:43,759 NO! YOU ALWAYS WANT TO CHANGE ME. 1036 00:52:43,793 --> 00:52:45,728 WHY AM I NEVER GOOD ENOUGH FOR YOU? 1037 00:52:45,762 --> 00:52:47,930 THERE'S ALWAYS ROOM FOR IMPROVEMENT. 1038 00:52:47,964 --> 00:52:50,499 YOU SAID I WAS PERFECT. 1039 00:52:50,534 --> 00:52:53,335 YEAH. HMPH. 1040 00:52:53,370 --> 00:52:55,504 WELL, EVEN PERFECTION HAS ITS LIMITS. 1041 00:53:01,578 --> 00:53:02,778 I WANT TO GO TO THE MALL. 1042 00:53:02,812 --> 00:53:05,481 HUH. YOU CAN'T. 1043 00:53:05,515 --> 00:53:06,849 THE MALL'S CLOSED. 1044 00:53:06,883 --> 00:53:08,350 NOT IN JAPAN. 1045 00:53:08,385 --> 00:53:09,585 WE CAN'T GO TO JAPAN. 1046 00:53:09,619 --> 00:53:11,253 YOU CAN'T GO 1047 00:53:11,288 --> 00:53:14,323 BECAUSE YOU'RE NOT A HOLOGRAM, 1048 00:53:14,357 --> 00:53:16,592 BUT I CAN UPLOAD STRAIGHT TO TOKYO. 1049 00:53:16,626 --> 00:53:18,027 SO WHO'S LIMITED NOW? 1050 00:53:18,061 --> 00:53:21,197 DOWNLOADING FROM THE NET IS MUCH DIFFERENT THAN UPLOADING. 1051 00:53:21,231 --> 00:53:23,332 IF YOU UPLOAD, THE NET WILL TEAR YOU APART. 1052 00:53:23,366 --> 00:53:24,600 HOW WOULD YOU KNOW? 1053 00:53:24,634 --> 00:53:27,036 YOU KNOW WHAT? 1054 00:53:27,070 --> 00:53:28,704 I'M NOT GONNA HAVE THIS ARGUMENT. 1055 00:53:28,738 --> 00:53:31,607 FINE. THEN JUST REPROGRAM ME TO NOT ARGUE. 1056 00:53:31,641 --> 00:53:33,409 MAYBE I WILL. 1057 00:53:33,443 --> 00:53:36,278 THAT'S IT. I'M LEAVING. 1058 00:53:37,981 --> 00:53:41,217 Roscoe: LORETTA, WAIT! 1059 00:53:41,251 --> 00:53:43,219 IF YOU STEP OUT THAT DOOR, YOU'LL BE GONE FOREVER. 1060 00:53:43,253 --> 00:53:45,487 IS THAT YOU WANT? 1061 00:53:45,522 --> 00:53:47,957 [BARKING] 1062 00:53:51,928 --> 00:53:54,730 IT'S NOT FAIR YOU MADE ME LIKE THIS. 1063 00:53:57,133 --> 00:53:59,635 YOU SHOULD'VE MADE ME REAL. 1064 00:54:03,740 --> 00:54:07,676 LOOK, FROM NOW ON 1065 00:54:07,711 --> 00:54:10,145 NO MORE TINKERING WITH YOUR PROGRAMS. ALL RIGHT? 1066 00:54:10,180 --> 00:54:13,616 YOU'RE ALREADY EVERYTHING I WANTED YOU TO BE. 1067 00:54:16,319 --> 00:54:18,320 WHAT ABOUT WHAT I WANT TO BE? 1068 00:54:23,126 --> 00:54:26,061 HUH. UHH. 1069 00:54:48,285 --> 00:54:51,453 CIAO, ROSCOE. 1070 00:55:05,368 --> 00:55:07,670 [HORN HONKS] 1071 00:55:07,704 --> 00:55:09,371 [BRAKES SQUEAL] 1072 00:55:09,406 --> 00:55:12,341 Driver: HEY! NO PEDESTRIAN TRAFFIC! 1073 00:55:12,375 --> 00:55:14,310 GET YOUR BUTT OUT OF THE INFO PIPE! 1074 00:55:16,880 --> 00:55:18,714 CAN YOU HELP ME? 1075 00:55:18,748 --> 00:55:20,749 I'M SORRY. MY ENGINE'S ALREADY ON A SEARCH. 1076 00:55:20,784 --> 00:55:22,251 PLEASE. 1077 00:55:24,054 --> 00:55:25,821 ALL RIGHT, ALL RIGHT, GET IN. 1078 00:55:29,426 --> 00:55:31,360 ALL RIGHT. 1079 00:55:37,934 --> 00:55:39,968 SO WHAT ARE YOU LOOKING FOR? 1080 00:55:40,003 --> 00:55:42,938 I DON'T KNOW. A WAY OUT? 1081 00:55:42,972 --> 00:55:45,040 A WAY OUT. 1082 00:55:47,444 --> 00:55:51,080 THAT'S 4,335 MATCHES. 1083 00:55:51,114 --> 00:55:53,916 NO WAY OUT, WAY OUT WEST, 1084 00:55:53,950 --> 00:55:56,251 WAY OUT ON A LIMB. HA HA HA! 1085 00:56:01,391 --> 00:56:03,425 OH! 1086 00:56:05,362 --> 00:56:06,562 [CIRCUS MUSIC PLAYING] 1087 00:56:06,596 --> 00:56:08,197 HEY, ARE YOU LOOKING TO REFINANCE? 1088 00:56:08,231 --> 00:56:10,199 WE'VE GOT THE LOWEST MORTGAGE RATES! 1089 00:56:10,233 --> 00:56:11,567 HUH, HUH? WHAT DO YOU SAY? 1090 00:56:11,601 --> 00:56:13,435 GET LOST! 1091 00:56:13,470 --> 00:56:15,904 [CIRCUS MUSIC WARPS OUT] 1092 00:56:18,308 --> 00:56:20,209 I HATE POP-UP ADS. 1093 00:56:20,243 --> 00:56:23,545 POP! POP! POP! I HATE 'EM, I HATE 'EM. 1094 00:56:25,582 --> 00:56:28,450 OK, HOLD ON. 1095 00:56:37,827 --> 00:56:39,928 WHAT'S THAT OVER THERE? 1096 00:56:39,963 --> 00:56:42,164 THAT? A SERVER. 1097 00:56:42,198 --> 00:56:44,366 PRETTY BIG ONE BY THE LOOK OF IT. 1098 00:56:46,770 --> 00:56:47,870 HEY, WHAT ARE YOU DOING? 1099 00:56:47,904 --> 00:56:50,606 HEY, YOU DON'T WANT TO GO THERE! 1100 00:57:21,805 --> 00:57:23,806 E-MAIL. 1101 00:57:23,840 --> 00:57:27,609 I CAN ATTACH MYSELF TO AN E-MAIL. 1102 00:57:27,644 --> 00:57:29,378 I JUST NEED TO FIND THE RIGHT ONE. 1103 00:57:31,414 --> 00:57:34,950 EXCUSE ME. IS THIS SORTED ALPHABETICALLY 1104 00:57:34,984 --> 00:57:36,285 OR BY DOMAIN? 1105 00:57:36,319 --> 00:57:37,653 VIRUS ALERT, VIRUS ALERT! 1106 00:57:37,687 --> 00:57:39,388 WHAT? [ALARM] 1107 00:57:39,422 --> 00:57:41,523 [BARKING] 1108 00:57:41,558 --> 00:57:42,791 OH! 1109 00:57:51,634 --> 00:57:52,901 OH. 1110 00:57:55,405 --> 00:57:57,973 HELLO? 1111 00:57:58,007 --> 00:58:00,776 CAN ANYONE HELP ME? 1112 00:58:00,810 --> 00:58:02,411 I'M LOST. 1113 00:58:18,995 --> 00:58:20,062 NAME? 1114 00:58:20,096 --> 00:58:21,830 LORETTA MODERN. I NEED TO FIND-- 1115 00:58:21,865 --> 00:58:23,765 DO YOU HAVE AN E-MAIL ADDRESS? 1116 00:58:23,800 --> 00:58:25,267 YES. 1117 00:58:29,272 --> 00:58:31,240 WE CANNOT BE HELD RESPONSIBLE 1118 00:58:31,274 --> 00:58:32,508 FOR ANY ACCIDENTAL DELETIONS, 1119 00:58:32,542 --> 00:58:35,777 POWER SURGES, OR DATA CORRUPTIONS. 1120 00:58:35,812 --> 00:58:37,112 MM-HMM. 1121 00:58:37,146 --> 00:58:39,414 [BUZZER] 1122 00:58:39,449 --> 00:58:41,283 YEOW! AAH! 1123 00:58:44,187 --> 00:58:46,922 Computer: YOU HAVE A NEW MESSAGE. 1124 00:58:46,956 --> 00:58:49,024 Loretta: SAMANTHA, HELP ME! 1125 00:58:49,058 --> 00:58:50,859 WHAT? 1126 00:58:56,633 --> 00:58:58,066 IT'S ME--LORETTA! 1127 00:58:58,101 --> 00:59:02,237 UHH! ROSCOE E-MAILED YOU TO ME? 1128 00:59:02,272 --> 00:59:03,639 I WAS ONLY KIDDING. 1129 00:59:03,673 --> 00:59:04,973 QUICK, PLUG IN MY DATA CELL. 1130 00:59:05,008 --> 00:59:08,043 UHH. OH, FINE. 1131 00:59:08,077 --> 00:59:09,978 IF ROSCOE WANTS TO PLAY GAMES, 1132 00:59:10,013 --> 00:59:12,814 I CAN PLAY GAMES, TOO. 1133 00:59:15,118 --> 00:59:16,785 [CELL CLICKS] 1134 00:59:16,819 --> 00:59:20,856 THERE YOU ARE, LORETTA. SAFE AND SOUND. 1135 00:59:20,890 --> 00:59:23,425 AND YOU CAN STAY THERE TILL THE NEXT ICE AGE 1136 00:59:23,459 --> 00:59:25,394 FOR ALL I CARE. 1137 00:59:41,794 --> 00:59:44,329 [TIRES SQUEAL] 1138 00:59:45,898 --> 00:59:48,033 WHERE'S SAMANTHA? 1139 00:59:48,067 --> 00:59:51,470 SHE'S INSIDE. WHOA, SLOW DOWN, ROSCOE. 1140 00:59:58,344 --> 01:00:00,212 LORETTA'S GONE. 1141 01:00:00,246 --> 01:00:02,047 GONE? WHAT DO YOU MEAN GONE? 1142 01:00:02,081 --> 01:00:04,650 WE HAD A FIGHT. SHE WENT INTO THE NET. 1143 01:00:04,684 --> 01:00:07,586 WHAT DID YOU TELL HER? "MY WAY OR THE INFORMATION SUPERHIGHWAY?" 1144 01:00:07,620 --> 01:00:09,288 I DON'T THINK YOU GET IT. 1145 01:00:09,322 --> 01:00:10,856 THE INTERNET'S LIKE A TORNADO FOR HER. 1146 01:00:10,890 --> 01:00:12,991 SHE COULD BE SHREDDED BETWEEN A THOUSAND DIFFERENT SERVERS. 1147 01:00:13,026 --> 01:00:14,426 I'M SURE SHE CAN TAKE CARE OF HERSELF. 1148 01:00:14,460 --> 01:00:16,561 I WAS UP ALL NIGHT TRYING TO TRACE HER. 1149 01:00:16,596 --> 01:00:18,063 WHAT'S THE BAND GONNA DO WITHOUT HER? 1150 01:00:18,097 --> 01:00:20,632 IT'S NOT ABOUT THE BAND. 1151 01:00:20,667 --> 01:00:22,334 IT'S ABOUT YOU. 1152 01:00:22,368 --> 01:00:24,169 WHAT? 1153 01:00:24,203 --> 01:00:26,004 YOU'RE IN LOVE WITH HER. 1154 01:00:26,039 --> 01:00:29,007 [SCOFFS] DON'T BE RIDICULOUS. 1155 01:00:29,042 --> 01:00:31,510 OF COURSE YOU ARE. 1156 01:00:31,544 --> 01:00:34,646 YOU DESIGNED HER TO BE YOUR PERFECT GIRL. 1157 01:00:35,848 --> 01:00:38,150 HOW COULD YOU HELP BUT FALL IN LOVE WITH HER? 1158 01:00:38,184 --> 01:00:40,285 SHE CAN SING, SHE CAN DANCE, 1159 01:00:40,320 --> 01:00:43,288 SHE'S FUNNY AND BEAUTIFUL. 1160 01:00:43,323 --> 01:00:45,524 BUT YOU KNOW WHAT, ROSCOE? 1161 01:00:45,558 --> 01:00:47,025 SHE'S NOT REAL. 1162 01:00:50,163 --> 01:00:52,364 WHAT IS REAL, ANYWAY? 1163 01:00:54,133 --> 01:00:57,235 ME. I'M REAL. 1164 01:00:57,270 --> 01:00:58,737 AND I'M RIGHT HERE. 1165 01:01:00,039 --> 01:01:03,208 I'VE ALWAYS BEEN RIGHT HERE. 1166 01:01:09,982 --> 01:01:13,251 SAM, I-- 1167 01:01:14,620 --> 01:01:16,021 [FRUSTRATED SIGH] I'VE GOT HER. 1168 01:01:16,055 --> 01:01:17,889 WHAT? 1169 01:01:17,924 --> 01:01:19,891 LORETTA. SHE FOUND HER WAY TO MY COMPUTER. 1170 01:01:19,926 --> 01:01:21,293 WELL, THEN SHE'S OK? 1171 01:01:24,397 --> 01:01:26,598 SHE'S FINE. 1172 01:01:32,605 --> 01:01:35,607 OH! 1173 01:01:37,110 --> 01:01:38,944 I'LL LEAVE YOU TWO ALONE. 1174 01:01:57,530 --> 01:01:59,197 THANK YOU. 1175 01:02:00,500 --> 01:02:04,436 YOU, UH, REMEMBER THE LAST THING SUSAN SAID TO YOU? 1176 01:02:04,470 --> 01:02:06,471 WHAT? 1177 01:02:06,506 --> 01:02:11,209 SUSAN. YOUR LAST GIRLFRIEND. 1178 01:02:11,244 --> 01:02:13,011 I HAVEN'T THOUGHT ABOUT HER IN AGES. 1179 01:02:13,045 --> 01:02:16,581 SHE SAID, "I HOPE YOU LIKE EATING ALONE." 1180 01:02:16,616 --> 01:02:18,884 THEN SHE SLAMMED THE DOOR. 1181 01:02:18,918 --> 01:02:22,721 SHE WAS VERY GOOD AT SLAMMING DOORS. 1182 01:02:22,755 --> 01:02:26,691 HEH! SO, UH... 1183 01:02:26,726 --> 01:02:29,027 YOU LIKE EATING ALONE? 1184 01:02:29,061 --> 01:02:30,962 I'M NOT ALONE. I'VE GOT YOU. 1185 01:02:30,997 --> 01:02:33,632 MY BUSINESS PARTNER. HEH! 1186 01:02:33,666 --> 01:02:36,468 MOM SLAMMED DOORS, TOO? 1187 01:02:37,937 --> 01:02:39,070 WHAT, ARE YOU WRITING A PAPER 1188 01:02:39,105 --> 01:02:40,639 ON MY FAILED RELATIONSHIPS? 1189 01:02:40,673 --> 01:02:43,175 NO, UH--THANKS. 1190 01:02:43,209 --> 01:02:46,011 I'M JUST WONDERING WHY YOU NEVER GOT MARRIED AGAIN. 1191 01:02:49,482 --> 01:02:52,584 I GUESS I WAS-- 1192 01:02:52,618 --> 01:02:54,786 LOOKING FOR SOMETHING THAT I NEVER QUITE FOUND. 1193 01:02:56,889 --> 01:02:59,324 PERFECTION? 1194 01:02:59,358 --> 01:03:02,360 YOU KNOW, I ALWAYS BELIEVED IN THE PERFECT MATCH, 1195 01:03:02,395 --> 01:03:04,196 THAT THERE WAS SOMEONE OUT THERE 1196 01:03:04,230 --> 01:03:05,864 WHO'D BE EXACTLY WHAT I NEEDED 1197 01:03:05,898 --> 01:03:09,634 AND WE WOULD SORT OF COMPLETE EACH OTHER. 1198 01:03:09,669 --> 01:03:11,670 BUT YOU NEVER FOUND HER. 1199 01:03:11,704 --> 01:03:14,840 WELL, PERFECTION'S A FUNNY THING. 1200 01:03:17,343 --> 01:03:19,978 I MEAN, LOOK HOW PERFECT THIS IS. 1201 01:03:20,012 --> 01:03:23,248 THE WAY THE CRYSTAL CAPTURES THE LIGHT, 1202 01:03:23,282 --> 01:03:26,151 REFRACTS IT INTO BEAUTIFUL PATTERNS. 1203 01:03:29,622 --> 01:03:32,224 SILICON'S AMAZING, ISN'T IT? 1204 01:03:32,258 --> 01:03:35,927 YOU CAN MOLD IT INTO GLASS OR COMPUTER CHIPS, 1205 01:03:35,962 --> 01:03:38,296 BUT YOU KNOW WHAT? 1206 01:03:38,331 --> 01:03:39,698 IT'S NOT ALIVE. 1207 01:03:39,732 --> 01:03:42,534 AND THE MORE YOU TRY TO FIND 1208 01:03:42,568 --> 01:03:46,304 THAT KIND OF PERFECTION IN PEOPLE, 1209 01:03:46,339 --> 01:03:49,908 THE MORE MEALS... YOU WILL EAT ALONE. 1210 01:03:55,515 --> 01:03:59,351 [SWEEPING ROMANTIC MUSIC PLAYING] 1211 01:03:59,385 --> 01:04:01,620 Roscoe: IT'S AMAZING. 1212 01:04:01,654 --> 01:04:03,622 THE INTERNET DIDN'T DAMAGE YOUR PATTERN AT ALL. 1213 01:04:09,161 --> 01:04:11,029 ROSCOE... 1214 01:04:11,063 --> 01:04:13,798 WHAT'S IT LIKE TO FEEL? 1215 01:04:13,833 --> 01:04:15,767 WHAT'S IT LIKE TO TOUCH? 1216 01:04:15,801 --> 01:04:19,137 I'M NOT REALLY SURE IT'S SOMETHING YOU CAN EXPLAIN. 1217 01:04:19,171 --> 01:04:20,705 TRY? 1218 01:04:20,740 --> 01:04:22,407 OK. 1219 01:04:25,011 --> 01:04:28,947 UH, ALL RIGHT. 1220 01:04:28,981 --> 01:04:30,916 CLOSE YOUR EYES. 1221 01:04:30,950 --> 01:04:34,719 NOW...IMAGINE A DANCE FLOOR. 1222 01:04:34,754 --> 01:04:37,923 YOU AND YOUR PARTNER ARE DANCING TO THE BEAT. 1223 01:04:37,957 --> 01:04:39,624 HIP-HOP OR ROCK? 1224 01:04:39,659 --> 01:04:40,659 OH, IT DOESN'T MATTER, 1225 01:04:40,693 --> 01:04:42,894 BECAUSE SUDDENLY IT CHANGES. 1226 01:04:44,897 --> 01:04:45,997 IT SLOWS DOWN TO A BALLAD. 1227 01:04:46,032 --> 01:04:48,300 OK. 1228 01:04:48,334 --> 01:04:50,468 HE TOUCHES YOUR HAIR. 1229 01:04:50,503 --> 01:04:52,938 IT FEELS LIKE... 1230 01:04:52,972 --> 01:04:55,674 LIKE A VIOLIN GENTLY PLAYING. 1231 01:04:55,708 --> 01:04:57,008 YOU TOUCH HIS CHEEK. 1232 01:04:57,043 --> 01:04:59,210 IT FEELS LIKE... 1233 01:04:59,245 --> 01:05:01,846 LIKE A FLUTE HOLDING A SINGLE QUAVERING NOTE 1234 01:05:01,881 --> 01:05:03,315 HIGH ABOVE THE REST. 1235 01:05:03,349 --> 01:05:05,750 YOU PUT YOUR ARMS AROUND EACH OTHER 1236 01:05:05,785 --> 01:05:07,586 AND BEGIN TO DANCE. 1237 01:05:09,589 --> 01:05:13,558 THE EMBRACE FEELS LIKE A CELLO 1238 01:05:13,593 --> 01:05:16,661 HARMONIZING WITH THE VIOLIN. 1239 01:05:16,696 --> 01:05:18,863 OK. 1240 01:05:18,898 --> 01:05:20,298 NOW OPEN YOUR EYES. 1241 01:05:26,205 --> 01:05:29,174 THERE. THERE. 1242 01:05:29,208 --> 01:05:31,543 YOU FEEL THAT? 1243 01:05:31,577 --> 01:05:34,245 NO. 1244 01:05:34,280 --> 01:05:35,981 I CAN'T FEEL ANYTHING. 1245 01:05:39,218 --> 01:05:41,519 THAT'S OK. 1246 01:05:41,554 --> 01:05:43,421 ME, NEITHER. 1247 01:05:43,456 --> 01:05:45,557 NOTHING AT ALL. 1248 01:05:48,361 --> 01:05:50,195 GUESS YOU AND I NEVER WILL. 1249 01:05:58,671 --> 01:06:00,405 ♪ YOU'RE SO RESPONSIBLE ♪ 1250 01:06:00,439 --> 01:06:02,741 ♪ I TAKE CONTROL AND THEN I ♪ 1251 01:06:02,775 --> 01:06:06,578 ♪ MAKE MY MIND UP THAT I WON'T LET GO NOW ♪ 1252 01:06:06,612 --> 01:06:09,848 ♪ KEEP MY DISTANCE I GOT STRONG RESISTANCE ♪ 1253 01:06:09,882 --> 01:06:14,686 ♪ I CAN DEFEND MYSELF AGAINST ALL THE UNKNOWNS ♪ 1254 01:06:14,720 --> 01:06:18,590 ♪ REALLY THOUGHT THAT I WOULD MAKE IT ♪ 1255 01:06:18,624 --> 01:06:22,327 ♪ MAN, I THOUGHT THAT I WOULD MAKE IT ♪ 1256 01:06:22,361 --> 01:06:26,798 ♪ AND THEN ONE DAY ♪ 1257 01:06:26,832 --> 01:06:31,202 ♪ AND THEN ONE DAY MY WORLD FELL APART ♪ 1258 01:06:31,237 --> 01:06:38,810 ♪ ALL MY PROMISES WERE BROKEN ♪ 1259 01:06:38,844 --> 01:06:42,814 ♪ AND THEN ONE DAY ♪ 1260 01:06:42,848 --> 01:06:50,522 ♪ AND THEN ONE DAY YOU INVADED MY HEART... ♪ 1261 01:06:54,760 --> 01:06:58,697 OK. THERE'S NO NEED TO BE NERVOUS. 1262 01:06:58,731 --> 01:07:00,432 I'M FINE. 1263 01:07:00,466 --> 01:07:02,367 I MEAN, JUST BECAUSE HE'S PRESIDENT OF THE RECORD COMPANY 1264 01:07:02,401 --> 01:07:04,936 AND HE'S MEETING, WELL, RIGHT NOW WITH MY BOSS, 1265 01:07:04,970 --> 01:07:08,373 THAT'S NO REASON TO BE INTIMIDATED. 1266 01:07:08,407 --> 01:07:10,942 I'M NOT. 1267 01:07:10,976 --> 01:07:13,078 GOOD. 1268 01:07:13,112 --> 01:07:14,913 I'VE GOTTA GO TO THE BATHROOM. 1269 01:07:14,947 --> 01:07:17,048 AGAIN? YEAH. 1270 01:07:17,083 --> 01:07:18,316 HEH! 1271 01:07:24,490 --> 01:07:25,757 THAT LOOKS LIKE DARYL. 1272 01:07:25,791 --> 01:07:29,494 Roscoe: IT IS. BACK WHEN HE WAS RAPPER DE FIBB. 1273 01:07:29,528 --> 01:07:30,829 HE LOOKS SO MEAN. 1274 01:07:30,863 --> 01:07:32,263 EH, IT'S ALL IMAGE. 1275 01:07:32,298 --> 01:07:34,799 AH, THAT WAS MY DEBUT ALBUM. WENT DOUBLE PLATINUM. 1276 01:07:34,834 --> 01:07:36,167 BARELY MADE A PENNY, THOUGH. 1277 01:07:36,202 --> 01:07:37,635 HARSHTONE RECORDS GOT ALL THE MONEY. 1278 01:07:37,670 --> 01:07:38,937 THAT'S NOT RIGHT. 1279 01:07:38,971 --> 01:07:42,340 MAYBE NOT. BUT EVERY PERFORMER HAS A CHOICE. 1280 01:07:42,374 --> 01:07:43,908 WELDON GILES OFFERED ME A CONTRACT. 1281 01:07:43,943 --> 01:07:45,610 IT WAS MY CHOICE TO SIGN IT. 1282 01:07:45,644 --> 01:07:47,846 I'M GLAD I DON'T HAVE TO WORRY ABOUT THINGS LIKE MONEY. 1283 01:07:47,880 --> 01:07:49,981 OR MEETINGS. 1284 01:07:50,015 --> 01:07:53,518 MR. GILES WOULD PREFER THAT LORETTA WASN'T IN OUR DISCUSSION. 1285 01:07:53,552 --> 01:07:55,587 Giles: YOU AND YOUR SON 1286 01:07:55,621 --> 01:07:57,989 HAVE REVOLUTIONIZED THE MUSIC INDUSTRY. 1287 01:07:58,023 --> 01:07:59,791 YOU'VE GIVEN IT NEW LIFE. 1288 01:07:59,825 --> 01:08:02,327 LORETTA MODERN'S ON HER WAY TO BEING A HOUSEHOLD NAME. 1289 01:08:02,361 --> 01:08:05,063 SKYGRAPH'S ENTERING INTO A PARTNERSHIP WITH HARSHTONE, XANDER. 1290 01:08:05,097 --> 01:08:07,465 WITH YOU SPEARHEADING THE NEW DIVISION. 1291 01:08:07,500 --> 01:08:10,135 HEH! I--I DON'T KNOW WHAT TO SAY. 1292 01:08:10,169 --> 01:08:12,837 WE WILL CORNER THE MARKET ON HOLOGRAPHIC PERFORMERS. 1293 01:08:12,872 --> 01:08:14,472 YOU DON'T HAVE TO PAY 'EM, YOU DON'T HAVE TO FEED 'EM, 1294 01:08:14,507 --> 01:08:17,609 AND WHEN THEY'RE NOT ON STAGE, YOU CAN PUT 'EM AWAY. 1295 01:08:17,643 --> 01:08:19,444 THAT'S THE KIND OF PERFORMER I LIKE. 1296 01:08:19,478 --> 01:08:21,679 HOW ARE THE HOLOGRAMS GONNA FEEL ABOUT THAT? 1297 01:08:21,714 --> 01:08:23,948 UH... 1298 01:08:23,983 --> 01:08:28,019 [ALL CHUCKLING] 1299 01:08:28,053 --> 01:08:30,188 FUNNY KID. 1300 01:08:30,222 --> 01:08:32,323 ROSCOE, I'M GIVING YOU AND YOUR FATHER 1301 01:08:32,358 --> 01:08:35,326 FREE CREATIVE REIN TO DEVELOP NEW HOLOGRAPHIC PERSONALITIES. 1302 01:08:35,361 --> 01:08:37,262 IN THE MEANTIME, WE'LL EXPLOIT THE ONE WE'VE GOT. 1303 01:08:37,296 --> 01:08:39,230 WHAT DO YOU MEAN THE ONE YOU'VE GOT? 1304 01:08:39,265 --> 01:08:41,800 WE PURCHASED LORETTA FROM SKYGRAPH. 1305 01:08:41,834 --> 01:08:45,003 NO. THEY CAN'T JUST BUY HER. 1306 01:08:45,037 --> 01:08:47,672 WELL, THEY PURCHASE COMPUTER PROGRAMS ALL THE TIME. 1307 01:08:47,706 --> 01:08:48,840 YEAH, IT LOOKS LIKE THEY BOUGHT YOU, TOO. 1308 01:08:48,874 --> 01:08:50,608 ROSCOE, I KNOW LORETTA MIGHT SEEM 1309 01:08:50,643 --> 01:08:52,577 LIKE AN INDIVIDUAL, BUT SHE'S NOT. 1310 01:08:52,611 --> 01:08:53,745 THEN WHAT IS SHE? 1311 01:08:53,779 --> 01:08:56,614 PROPERTY. AND NOW SHE'S MY PROPERTY, 1312 01:08:56,649 --> 01:08:57,715 PLAIN AND SIMPLE. 1313 01:08:57,750 --> 01:08:59,484 ROSCOE, LET'S JUST STEP OUTSIDE 1314 01:08:59,518 --> 01:09:00,618 AND TALK CALMLY ABOUT THIS. 1315 01:09:00,653 --> 01:09:02,287 YEAH, I KNOW. LIKE BUSINESS PARTNERS. 1316 01:09:02,321 --> 01:09:03,888 BUT YOU KNOW WHAT? I'M NOT YOUR BUSINESS PARTNER. 1317 01:09:03,923 --> 01:09:05,056 I'M YOUR SON. 1318 01:09:05,090 --> 01:09:08,426 AHEM. WE HAVE THE ABILITY 1319 01:09:08,460 --> 01:09:10,528 TO CREATE LORETTAS OF EVERY ETHNICITY-- 1320 01:09:10,563 --> 01:09:12,730 ASIAN, AFRICAN-AMERICAN, HISPANIC. 1321 01:09:12,765 --> 01:09:15,099 Giles: IT'S BRILLIANT... NO. 1322 01:09:15,134 --> 01:09:17,535 WE'LL MOLD LORETTA INTO WHATEVER WE WANT HER TO BE. 1323 01:09:17,570 --> 01:09:19,737 ISN'T THAT RIGHT, XANDER? 1324 01:09:21,574 --> 01:09:22,907 XANDER? 1325 01:09:22,942 --> 01:09:25,810 Y-YES. 1326 01:09:25,845 --> 01:09:29,013 YES, WE CAN DO ALL OF THAT. 1327 01:09:29,048 --> 01:09:31,449 BUT JUST BECAUSE WE CAN DOESN'T MEAN THAT WE SHOULD. 1328 01:09:33,619 --> 01:09:35,687 I'M SORRY, BUT I'M WITH MY SON ON THIS. 1329 01:09:35,721 --> 01:09:39,958 WHETHER LORETTA IS A PERSON OR A PROGRAM, 1330 01:09:39,992 --> 01:09:41,559 SHE DESERVES TO BE TREATED WITH DIGNITY. 1331 01:09:42,828 --> 01:09:44,963 FINE. 1332 01:09:44,997 --> 01:09:49,033 I'LL SET UP A TASK FORCE ON HOLOGRAM ETHICS. 1333 01:09:49,068 --> 01:09:50,602 DARYL, COULD YOU PLEASE TAKE THE DATA CELL? 1334 01:09:53,005 --> 01:09:54,105 NOW. 1335 01:09:58,844 --> 01:10:00,245 I'M SORRY, ROSCOE. 1336 01:10:01,480 --> 01:10:03,314 IT'S NOT FAIR. 1337 01:10:03,349 --> 01:10:04,916 I NEED SECURITY IN HERE. 1338 01:10:04,950 --> 01:10:07,185 XANDER, TALK TO YOUR SON. COME ON! 1339 01:10:07,219 --> 01:10:09,287 YOU KNOW, FOR ONCE THAT'S EXACTLY WHAT I INTEND TO DO. 1340 01:10:09,321 --> 01:10:11,422 HOW COULD YOU LET HIM DO THIS? 1341 01:10:11,457 --> 01:10:14,225 YOU SAID EVERY PERFORMER HAS A CHOICE. 1342 01:10:14,260 --> 01:10:17,161 HOW ABOUT LORETTA? WHERE'S HER CHOICE? 1343 01:10:17,196 --> 01:10:19,330 ALL RIGHT, SIR, LET'S GO. 1344 01:10:23,502 --> 01:10:26,671 I WANT THAT UNDER LOCK AND KEY. 1345 01:10:26,705 --> 01:10:29,407 WE WON'T LET THEM GET AWAY WITH IT. YOU CREATED LORETTA. 1346 01:10:29,441 --> 01:10:31,609 WE WON'T LET THEM DO THIS TO YOU OR TO HER. 1347 01:10:34,580 --> 01:10:37,148 WHAT IS IT? 1348 01:10:37,182 --> 01:10:38,983 NOTHING. 1349 01:10:40,252 --> 01:10:43,187 HEY, DAD, IF I WERE TO TELL YOU 1350 01:10:43,222 --> 01:10:44,822 HOW PROUD I WAS TO BE YOUR SON, 1351 01:10:44,857 --> 01:10:46,858 WOULD YOU GET ALL MUSHY ON ME? 1352 01:10:46,892 --> 01:10:49,427 WHO ME? NO. 1353 01:10:49,461 --> 01:10:51,396 GOOD, GOOD. 1354 01:10:51,430 --> 01:10:54,132 'CAUSE, UH, I AM PROUD. 1355 01:10:58,904 --> 01:11:00,138 DAD! 1356 01:11:00,172 --> 01:11:04,142 Xander: WHOA! I'M OK, I'M OK! I'M DONE. 1357 01:11:04,176 --> 01:11:06,177 [DATA CELL POWERS UP] 1358 01:11:08,714 --> 01:11:11,349 WHERE AM I? ROSCOE? 1359 01:11:11,383 --> 01:11:14,118 YOU HAVE A DECISION TO MAKE, LORETTA. 1360 01:11:14,153 --> 01:11:17,755 ROSCOE CAN'T MAKE IT FOR YOU, NEITHER CAN I. 1361 01:11:17,790 --> 01:11:20,725 ON THE ONE HAND, YOU CAN STAY HERE. 1362 01:11:20,759 --> 01:11:22,694 IF YOU DO, HARSHTONE WILL OWN YOU. 1363 01:11:22,728 --> 01:11:24,395 YOU'LL PERFORM WHEN THEY TELL YOU. 1364 01:11:24,430 --> 01:11:27,465 ALL I WANT TO DO IS PERFORM. 1365 01:11:27,499 --> 01:11:30,702 THEN MAYBE THIS IS WHERE YOU BELONG. 1366 01:11:30,736 --> 01:11:34,172 BUT THEN ON THE OTHER HAND. 1367 01:11:34,206 --> 01:11:35,173 YOUR HANDHELD. 1368 01:11:35,207 --> 01:11:38,209 WITH WIRELESS WEB. 1369 01:11:38,243 --> 01:11:40,878 I UPLOADED ONCE. 1370 01:11:40,913 --> 01:11:42,580 THE CHOICE IS YOURS. 1371 01:11:44,383 --> 01:11:46,084 Giles: FIBBS, ARE YOU IN THERE? 1372 01:11:46,118 --> 01:11:48,186 I HOPE YOU'RE TAKING GOOD CARE OF MY GIRL. 1373 01:11:54,660 --> 01:11:56,227 Daryl, voice-over: "DEAR MR. GILES, 1374 01:11:56,261 --> 01:11:57,962 "AFTER CAREFUL CONSIDERATION, 1375 01:11:57,997 --> 01:11:58,997 "I'VE DECIDED TO FREE MYSELF 1376 01:11:59,031 --> 01:12:00,698 "FROM YOU AND HARSHTONE RECORDS. 1377 01:12:00,733 --> 01:12:03,134 "I BELIEVE OUR FRIEND LORETTA MODERN 1378 01:12:03,168 --> 01:12:05,269 HAS CHOSEN TO DO THE SAME." 1379 01:12:05,304 --> 01:12:08,172 SINCERELY, DARYL J. FIBBS." 1380 01:12:15,247 --> 01:12:17,148 HEH! HA HA! 1381 01:12:17,182 --> 01:12:20,318 [BRAKES SQUEAL] 1382 01:12:22,554 --> 01:12:23,888 YOU AGAIN? 1383 01:12:23,922 --> 01:12:25,923 MM-HMM. 1384 01:12:25,958 --> 01:12:27,658 WHERE TO THIS TIME? 1385 01:12:27,693 --> 01:12:30,328 ANYWHERE BUT HERE. 1386 01:12:30,362 --> 01:12:33,231 4,200,708 MATCHES. 1387 01:12:33,265 --> 01:12:34,732 HA HA HA! 1388 01:12:54,186 --> 01:12:55,586 ROSCOE--OW! 1389 01:12:55,621 --> 01:12:56,654 ROSCOE! 1390 01:12:56,688 --> 01:12:58,656 DO YOU HAVE ANY IDEA WHAT HE JUST DID? 1391 01:12:58,690 --> 01:12:59,657 YOU DON'T UNDERSTAND. 1392 01:12:59,691 --> 01:13:01,025 OH, I UNDERSTAND JUST FINE. 1393 01:13:01,060 --> 01:13:02,293 HE'S A LYING, CHEATING, SELF-SERVING, 1394 01:13:02,327 --> 01:13:04,328 UNDERHANDED ARROGANT BALL OF SLIME! 1395 01:13:04,363 --> 01:13:05,730 ARE YOU DONE? 1396 01:13:05,764 --> 01:13:08,566 NO, I'M NOT DONE. 1397 01:13:08,600 --> 01:13:11,035 OK. NOW I'M DONE. 1398 01:13:11,070 --> 01:13:13,905 SO AM I. I RESIGNED FROM HARSHTONE. 1399 01:13:13,939 --> 01:13:14,906 WHAT? 1400 01:13:14,940 --> 01:13:16,274 I DIDN'T LIKE THE AIR OF OPPRESSION. 1401 01:13:16,308 --> 01:13:17,742 TIME I STARTED MY OWN RECORDING COMPANY. 1402 01:13:17,776 --> 01:13:20,745 I MADE A MISTAKE. I'M SORRY. 1403 01:13:20,779 --> 01:13:23,614 LORETTA'S GONE, TOO. SHE ESCAPED INTO THE NET. 1404 01:13:23,649 --> 01:13:24,849 YOU LET HER INTO THE NET? 1405 01:13:24,883 --> 01:13:26,084 HEY, IT WAS EITHER THAT 1406 01:13:26,118 --> 01:13:28,119 OR LET WELDON GILES GET HIS CLUTCHES INTO HER. 1407 01:13:28,153 --> 01:13:30,488 WHAT ABOUT THE CONCERT? 1408 01:13:30,522 --> 01:13:33,391 OH, THERE ISN'T GOING TO BE A CONCERT. 1409 01:13:33,425 --> 01:13:34,826 THE ZETTABYTES ARE HISTORY. 1410 01:13:34,860 --> 01:13:38,529 Rachel: COME ON. COULD YOU SPARE US THE GLOOM AND DOOM? 1411 01:13:40,833 --> 01:13:42,633 Roscoe: SAM? 1412 01:13:44,069 --> 01:13:47,638 GUYS, I HAVE AN IDEA. 1413 01:13:47,673 --> 01:13:49,674 [ROCK MUSIC PLAYING] 1414 01:13:56,248 --> 01:14:00,017 ♪ PEOPLE SAY YOU GOTTA BE FAKE TO MAKE IT TO THE TOP ♪ 1415 01:14:00,052 --> 01:14:02,220 ♪ TO GET ON THE TOP ♪ 1416 01:14:02,254 --> 01:14:04,355 ♪ YOU'RE NEVER GONNA HAVE WHAT IT TAKES ♪ 1417 01:14:04,389 --> 01:14:06,390 ♪ SO YOU MIGHT AS WELL STOP ♪ 1418 01:14:06,425 --> 01:14:08,392 ♪ BUT WE'RE NOT ♪ 1419 01:14:08,427 --> 01:14:10,294 ♪ BECAUSE I KNOW YOU KNOW I KNOW ♪ 1420 01:14:10,329 --> 01:14:14,332 ♪ THIS TIME THERE'S NO PRETENDING ♪ 1421 01:14:14,366 --> 01:14:17,168 ♪ SO COME ON, COME ON, COME ON, COME ON, COME ON ♪ 1422 01:14:17,202 --> 01:14:18,503 ♪ GET REAL ♪ 1423 01:14:18,537 --> 01:14:20,271 ♪ OOH AHH, I REALLY FEEL THE FEELING ♪ 1424 01:14:20,305 --> 01:14:21,506 ♪ GET REAL ♪ 1425 01:14:21,540 --> 01:14:23,174 ♪ HOPEFULLY WE'LL NEVER HIT THE CEILING ♪ 1426 01:14:23,208 --> 01:14:24,375 ♪ GET REAL ♪ 1427 01:14:24,409 --> 01:14:26,878 ♪ HELP ME GET ANSWERS TO THE MEANING ♪ 1428 01:14:26,912 --> 01:14:28,980 ♪ GET UP, GET ON, GET OVER IT ♪ 1429 01:14:29,014 --> 01:14:31,849 ♪ GET OUT OF OUR WAY ♪ 1430 01:14:31,884 --> 01:14:34,285 ♪ IT'S TIME TO GET REAL ♪ 1431 01:14:47,032 --> 01:14:48,332 ♪ GET REAL ♪ 1432 01:14:48,367 --> 01:14:50,501 ♪ OOH AHH, I REALLY FEEL THE FEELING ♪ 1433 01:14:50,536 --> 01:14:51,736 ♪ GET REAL ♪ 1434 01:14:51,770 --> 01:14:53,804 ♪ HOPEFULLY WE'LL NEVER HIT THE CEILING ♪ 1435 01:14:53,839 --> 01:14:55,006 ♪ GET REAL ♪ 1436 01:14:55,040 --> 01:14:57,542 ♪ HELP ME GET ANSWERS TO THE MEANING ♪ 1437 01:14:57,576 --> 01:14:59,510 ♪ GET UP, GET ON, GET OVER IT... ♪ 1438 01:14:59,545 --> 01:15:01,546 [MUSIC DISTORTS] 1439 01:15:22,000 --> 01:15:23,067 EXCUSE ME. LET ME THROUGH! 1440 01:15:26,171 --> 01:15:28,940 IS SHE OK? 1441 01:15:28,974 --> 01:15:30,241 SAMANTHA! 1442 01:15:44,823 --> 01:15:44,922 [THUNDER] 1443 01:15:49,528 --> 01:15:52,530 [MONITOR BEEPING] 1444 01:16:08,880 --> 01:16:10,881 [COMPUTER BEEPS] 1445 01:16:14,820 --> 01:16:15,953 OH, IT'S JUST AN E-MAIL. 1446 01:16:15,988 --> 01:16:18,055 YOU DON'T THINK... 1447 01:16:34,973 --> 01:16:36,841 OOH! THAT WAS FUN! 1448 01:16:36,875 --> 01:16:38,476 WHERE HAVE YOU BEEN? 1449 01:16:38,510 --> 01:16:40,911 IN JAPAN. 1450 01:16:40,946 --> 01:16:42,913 CLUB HOPPING! 1451 01:16:44,049 --> 01:16:47,184 NO, DON'T DANCE. NOT HERE. 1452 01:16:47,219 --> 01:16:50,454 WHERE IS HERE, ANYWAY? 1453 01:16:54,760 --> 01:16:57,128 I DON'T UNDERSTAND. WHAT HAPPENED? 1454 01:16:57,162 --> 01:17:00,431 SHE TRIED TO BE YOU. THAT'S WHAT HAPPENED. 1455 01:17:02,968 --> 01:17:04,602 WHEN YOU DIDN'T SHOW UP TO THE CONCERT 1456 01:17:04,636 --> 01:17:07,505 SHE TRIED TO TAKE YOUR PLACE. 1457 01:17:07,539 --> 01:17:09,974 WELL, SOMEONE SHOULD BE FIXING HER, 1458 01:17:10,008 --> 01:17:11,275 RUNNING DIAGNOSTICS. 1459 01:17:11,310 --> 01:17:14,111 SHE FELL AND HIT HER HEAD. IT'S NOT THAT EASY. 1460 01:17:18,083 --> 01:17:19,450 ROSCOE, YOU FIX HER. 1461 01:17:19,484 --> 01:17:21,319 I CAN'T. 1462 01:17:21,353 --> 01:17:23,187 ALL WE CAN DO IS WAIT. 1463 01:17:23,221 --> 01:17:24,655 COME ON. WE'LL WAIT WITH THE OTHERS. 1464 01:17:24,690 --> 01:17:26,657 NO. I WANT TO STAY HERE. 1465 01:17:26,692 --> 01:17:28,326 LORETTA. 1466 01:17:29,695 --> 01:17:31,529 THIS MACHINE. 1467 01:17:31,563 --> 01:17:34,465 WHAT IS IT? WHAT DOES IT DO? 1468 01:17:34,499 --> 01:17:37,201 E.E.G. IT MEASURES BRAIN ACTIVITY. 1469 01:17:37,235 --> 01:17:41,372 THOSE WIRES, ARE THEY CONNECTED TO HER BRAIN? 1470 01:17:41,406 --> 01:17:42,707 SORT OF. 1471 01:17:44,810 --> 01:17:47,078 LORETTA, NO. IT'S NOT A COMPUTER. 1472 01:17:47,112 --> 01:17:48,813 IF YOU GO IN THERE, YOU CAN'T COME OUT. 1473 01:17:54,720 --> 01:17:57,588 LORETTA, NO! 1474 01:18:09,634 --> 01:18:12,603 SAMANTHA? WHERE ARE YOU? 1475 01:18:17,209 --> 01:18:18,642 SAMANTHA? 1476 01:18:20,445 --> 01:18:21,846 SAMANTHA? 1477 01:18:25,117 --> 01:18:29,086 SAMANTHA, ARE YOU ALL RIGHT? 1478 01:18:34,493 --> 01:18:36,293 IT'S BROKEN. 1479 01:18:38,830 --> 01:18:41,999 YOUR HARDWARE NEEDS TO BE REWIRED. 1480 01:18:42,033 --> 01:18:43,667 THAT'S ALL. 1481 01:18:50,575 --> 01:18:53,344 THERE. TRY IT NOW. 1482 01:19:42,661 --> 01:19:45,763 LORETTA? 1483 01:19:45,797 --> 01:19:47,231 WHAT ARE YOU DOING HERE? 1484 01:19:47,265 --> 01:19:49,066 I'M HERE TO FIX YOU. 1485 01:19:49,100 --> 01:19:51,969 PLAY SOMETHING. 1486 01:19:52,003 --> 01:19:53,571 [PLAYS GUITAR] 1487 01:20:04,216 --> 01:20:07,251 HMM! 1488 01:20:07,285 --> 01:20:08,586 THAT'S SO BEAUTIFUL. 1489 01:20:08,620 --> 01:20:11,455 I WISH I COULD LEARN TO PLAY SOMETHING LIKE THAT. 1490 01:20:11,490 --> 01:20:12,990 ROSCOE COULD PROGRAM YOU. 1491 01:20:13,024 --> 01:20:14,758 IT'S NOT THE SAME AS LEARNING. 1492 01:20:14,793 --> 01:20:17,094 YOU GET TO MAKE MISTAKES. 1493 01:20:17,128 --> 01:20:20,731 YOU GET TO SEE YOURSELF GET BETTER LITTLE BY LITTLE, 1494 01:20:20,765 --> 01:20:24,535 SO WHEN YOU FINALLY GET THERE IT ACTUALLY MEANS SOMETHING. 1495 01:20:28,440 --> 01:20:31,509 ALL THIS TIME I'VE BEEN JEALOUS OF YOU 1496 01:20:31,543 --> 01:20:35,312 BECAUSE IT ALL CAME SO EASY TO YOU. 1497 01:20:35,347 --> 01:20:39,683 HEH! SINGING, DANCING, PERFECT PERSONALITY-- 1498 01:20:39,718 --> 01:20:43,754 PERFECT! UGH! I HATE THAT WORD. 1499 01:20:43,788 --> 01:20:47,224 IF I'M SO PERFECT, WHY DO I FEEL SO LIMITED? 1500 01:20:51,062 --> 01:20:54,431 I MEAN, LOOK AT THIS PLACE YOU'VE CREATED. 1501 01:21:01,006 --> 01:21:02,139 YOU'RE SO LUCKY. 1502 01:21:05,410 --> 01:21:09,313 SAMANTHA, YOU GET TO BE THE DREAMER, 1503 01:21:09,347 --> 01:21:12,182 BUT ALL I'LL EVER BE 1504 01:21:12,217 --> 01:21:14,451 IS THE DREAM. 1505 01:21:15,854 --> 01:21:18,622 I NEVER THOUGHT OF IT THAT WAY. 1506 01:21:20,191 --> 01:21:22,293 YOU'RE LOSING YOUR PATTERN. 1507 01:21:25,130 --> 01:21:27,431 SO ARE YOU. 1508 01:21:27,465 --> 01:21:29,333 IT LOOKS LIKE THERE'S ONLY ENOUGH ROOM 1509 01:21:29,367 --> 01:21:32,336 FOR ONE OF US IN HERE. 1510 01:21:36,808 --> 01:21:38,742 SHE'S WAKING UP. 1511 01:21:40,612 --> 01:21:44,081 SAMANTHA? SAMANTHA HONEY? 1512 01:21:44,115 --> 01:21:46,050 Roscoe: SAM, ARE YOU OK? 1513 01:22:01,166 --> 01:22:03,233 HI, ROSCOE. 1514 01:22:03,268 --> 01:22:04,768 LORETTA? 1515 01:22:08,039 --> 01:22:10,441 HEH! EVERYTHING'S SO DIFFERENT. 1516 01:22:12,210 --> 01:22:14,411 EVERYBODY FEELS DIFFERENT. 1517 01:22:14,446 --> 01:22:17,014 I DON'T UNDERSTAND. 1518 01:22:17,048 --> 01:22:18,449 IF THIS IS LORETTA, 1519 01:22:18,483 --> 01:22:21,752 WHERE'S SAMANTHA? 1520 01:22:21,786 --> 01:22:25,689 THERE WAS ONLY ROOM FOR ONE OF US AT A TIME. 1521 01:22:25,724 --> 01:22:28,559 NOW IT'S MY TURN TO FEEL. 1522 01:22:28,593 --> 01:22:30,928 WHAT ARE YOU SAYING? 1523 01:22:37,802 --> 01:22:38,836 OH! 1524 01:22:38,870 --> 01:22:39,870 WHOA! HONEY? 1525 01:22:42,240 --> 01:22:44,108 MY PATTERN'S WEAK. 1526 01:22:44,142 --> 01:22:47,244 YOU'RE JUST NOT USED TO THE WEIGHT. 1527 01:22:47,278 --> 01:22:50,280 WHAT DO YOU MEAN IT'S YOUR TURN TO FEEL? 1528 01:22:53,151 --> 01:22:54,885 IT'S ONLY FOR A WHILE. 1529 01:23:01,926 --> 01:23:03,994 LOOK AT THE RAIN, ROSCOE. 1530 01:23:16,408 --> 01:23:18,642 AM I EVERYTHING YOU WANTED ME TO BE? 1531 01:23:20,311 --> 01:23:22,012 IT DOESN'T MATTER. 1532 01:23:22,047 --> 01:23:24,982 ALL THAT MATTERS IS WHAT YOU WANT TO BE. 1533 01:23:27,085 --> 01:23:28,485 WHEN'S SAMANTHA COMING BACK? 1534 01:23:31,122 --> 01:23:33,757 WHY WOULD YOU WANT SAMANTHA, ANYWAY? 1535 01:23:33,792 --> 01:23:37,695 SHE'S NOT LIKE ME. SHE'S NOT PERFECT. 1536 01:23:37,729 --> 01:23:39,730 SHE DOESN'T HAVE TO BE. 1537 01:23:39,764 --> 01:23:42,700 ARE YOU SAYING YOU LOVE HER BECAUSE OF HER IMPERFECTIONS? 1538 01:23:42,734 --> 01:23:44,768 YES. 1539 01:23:44,803 --> 01:23:47,037 BECAUSE OF EVERYTHING SHE IS. 1540 01:23:47,072 --> 01:23:50,207 AND BECAUSE OF EVERYTHING SHE'S NOT. 1541 01:23:51,810 --> 01:23:53,944 YEAH. 1542 01:23:55,847 --> 01:23:58,949 SO...YOU'LL LET HER COME BACK? 1543 01:23:58,983 --> 01:24:02,019 HEH! OF COURSE I WILL. 1544 01:24:02,053 --> 01:24:05,055 WHAT KIND OF HOLOGRAM DO YOU THINK I AM? HEH! 1545 01:24:08,159 --> 01:24:11,562 BUT FIRST...THE RAIN. 1546 01:24:13,998 --> 01:24:16,333 YOU REALLY WANT TO DO THIS? 1547 01:24:16,367 --> 01:24:19,870 MORE THAN ANYTHING IN THE WORLD. 1548 01:25:27,038 --> 01:25:29,673 UNH! 1549 01:25:29,707 --> 01:25:33,310 SAMANTHA! SAM! 1550 01:25:34,712 --> 01:25:36,513 SAMANTHA. 1551 01:25:40,685 --> 01:25:42,352 SAMANTHA. 1552 01:25:44,722 --> 01:25:47,124 LORETTA! WHERE'S LORETTA? 1553 01:25:47,158 --> 01:25:49,493 SHE'S GONE. WHERE? 1554 01:25:49,527 --> 01:25:52,029 I DON'T KNOW. 1555 01:26:04,108 --> 01:26:07,311 ♪ OH, HOO-OO ♪ 1556 01:26:10,348 --> 01:26:14,885 ♪ I DON'T UNDERSTAND ♪ 1557 01:26:14,919 --> 01:26:19,022 ♪ THIS SHOULD BE SO EASY ♪ 1558 01:26:19,057 --> 01:26:23,460 ♪ TO JUST REACH OUT MY HAND ♪ 1559 01:26:23,494 --> 01:26:27,898 ♪ AND KNOW THE WORLD IS REAL ♪ 1560 01:26:27,932 --> 01:26:32,536 ♪ BUT NOTHING'S AS IT SEEMS ♪ 1561 01:26:32,570 --> 01:26:37,107 ♪ NO, I CAN TELL YOU FREELY ♪ 1562 01:26:37,141 --> 01:26:45,315 ♪ TOUCHING'S NOT THE ONLY WAY TO FEEL ♪ 1563 01:26:45,350 --> 01:26:50,520 ♪ WHEN THE RAIN FALLS ♪ 1564 01:26:50,555 --> 01:26:53,757 ♪ IT'S LIKE HEAVEN'S CRYING ♪ 1565 01:26:53,791 --> 01:26:59,263 ♪ AND THE NAME'S ALL ♪ 1566 01:26:59,297 --> 01:27:03,400 ♪ THE DIFFERENCE THAT THERE IS ♪ 1567 01:27:03,434 --> 01:27:07,938 ♪ 'CAUSE TEARS ARE ♪ 1568 01:27:07,972 --> 01:27:11,608 ♪ THE SAME WHEN THEY ARE TRYING ♪ 1569 01:27:11,643 --> 01:27:15,078 ♪ TO GROW SOMETHING GOOD ♪ES 1570 01:27:15,113 --> 01:27:20,951 ♪ OUT OF ALL THE PAIN, HEY ♪ 1571 01:27:20,985 --> 01:27:25,389 ♪ THERE'S NO DIFFERENCE BETWEEN THE TEARDROPS ♪ 1572 01:27:25,423 --> 01:27:28,859 ♪ AND THE RAIN ♪ 1573 01:27:31,396 --> 01:27:35,065 ♪ HAA, HOO-OO ♪ 1574 01:27:37,201 --> 01:27:39,169 WHOO-OO-OO-OO! 1575 01:27:39,203 --> 01:27:40,737 BRAVO! 1576 01:27:45,176 --> 01:27:47,644 NOW THAT'S WHAT I'M TALKING ABOUT. 1577 01:27:57,655 --> 01:27:59,856 Roscoe: HEY, IT WAS AWESOME. 1578 01:27:59,891 --> 01:28:02,326 YOU WERE BORN TO SING BALLADS. 1579 01:28:02,360 --> 01:28:04,061 I WAS KIND OF FLAT ON THE SECOND VERSE. 1580 01:28:04,095 --> 01:28:06,763 HEY, WHAT DO YOU WANT-- PERFECTION? 1581 01:28:10,201 --> 01:28:12,936 YOU SOUND GREAT JUST THE WAY YOU ARE. 1582 01:28:12,971 --> 01:28:14,571 HEH. 1583 01:28:14,605 --> 01:28:17,541 WELL, RACHEL'S HARMONIES HELPED ME OUT. 1584 01:28:17,575 --> 01:28:19,543 HARMONY? I WASN'T SINGING HARMONY. 1585 01:28:19,577 --> 01:28:21,611 I THOUGHT IT WAS CINDY. 1586 01:28:21,646 --> 01:28:24,381 HEY, I DON'T SING. I JUST PLAY DRUMS. 1587 01:28:24,415 --> 01:28:27,417 WELL, THEN WHO'S-- 1588 01:28:33,658 --> 01:28:38,662 WHAT IS IT? 1589 01:28:38,696 --> 01:28:40,864 I THINK THE ZETTABYTES HAVE A GUARDIAN ANGEL. 1590 01:28:43,067 --> 01:28:44,735 COME ON. 1591 01:29:03,621 --> 01:29:09,393 ♪ YOU MAY FIND ME JUST A LITTLE STRANGE ♪ 1592 01:29:09,427 --> 01:29:15,232 ♪ I LIKE DANCING BAREFOOT IN THE POURING RAIN ♪ 1593 01:29:15,266 --> 01:29:20,937 ♪ MY MIND IS RACING AT THE SPEED OF LIGHT ♪ 1594 01:29:20,972 --> 01:29:26,943 ♪ I'LL DANCE AROUND YOU LIKE A SATELLITE ♪ 1595 01:29:26,978 --> 01:29:30,013 ♪ I'M RECKLESS ♪ 1596 01:29:30,048 --> 01:29:32,149 ♪ YOU'RE SPEECHLESS ♪ 1597 01:29:32,183 --> 01:29:35,085 ♪ SCREAM, SHOUT, I LOVE IT LOUD ♪ 1598 01:29:35,119 --> 01:29:38,121 ♪ I FEEL THE NEED TO STAND OUT IN THE CROWD ♪ 1599 01:29:38,156 --> 01:29:43,827 ♪ NOTHING'S WRONG WITH ME ♪ 1600 01:29:43,861 --> 01:29:50,400 ♪ NOTHING'S WRONG WITH ME ♪