﻿1
00:01:03,696 --> 00:01:06,698
YES, I'LL HAVE.

2
00:01:07,367 --> 00:01:09,635
UNCLE NEIL.

3
00:01:09,637 --> 00:01:12,438
HAI.
IT'S JESSICA.

4
00:01:13,540 --> 00:01:16,442
WHAT'S NEWS?

5
00:01:17,744 --> 00:01:19,478
VERY?

6
00:01:21,381 --> 00:01:25,084
YES.
I AM HOLLYWOOD.

7
00:01:31,858 --> 00:01:33,559
LIKE WHAT YOU SHOULD
ARE DOING

8
00:01:33,561 --> 00:01:36,728
FOR THE LAST 5 YEARS?

9
00:01:43,570 --> 00:01:45,204
YES?

10
00:01:51,511 --> 00:01:53,779
I MISS YOU.

11
00:01:56,282 --> 00:01:58,617
MANY

12
00:02:00,153 --> 00:02:03,422
WHEN CAN COME
AND VISIT YOU?

13
00:02:09,530 --> 00:02:13,866
I LOVE IF YOU COME
AND VISIT ME.

14
00:02:16,536 --> 00:02:19,571
I'M NOT CARE ABOUT THAT.

15
00:02:19,573 --> 00:02:21,140
IT WAS NOT MATTER ANYMORE.

16
00:02:21,142 --> 00:02:24,343
I JUST WANT TO SEE YOU.

17
00:02:27,881 --> 00:02:30,182
OK, I'M GOING TO TRY.

18
00:02:33,920 --> 00:02:36,355
ARE YOU READY?

19
00:02:40,560 --> 00:02:48,233
AWESOME BLESSING

20
00:02:48,235 --> 00:02:53,872
HOW DO I SWEET SOUND

21
00:02:53,874 --> 00:03:01,874
IT WAS SAVED
A WRETCH LIKE ME

22
00:03:10,591 --> 00:03:15,761
BUT NOW AM FOUND

23
00:03:15,763 --> 00:03:23,763
WAS BLIND,
BUT NOW I SEE

24
00:03:33,780 --> 00:03:36,615
YES.
WELL.

25
00:03:38,284 --> 00:03:39,718
BYE.

26
00:03:44,557 --> 00:03:48,760
CAPTIONING MAYBE BY
TRIMARK IMAGES

27
00:04:57,697 --> 00:05:00,332
HEI, HEATHER,
CAN I GET THE BIR?

28
00:05:00,334 --> 00:05:01,633
YOU GET MONEY?

29
00:05:01,635 --> 00:05:02,601
I do

30
00:05:05,306 --> 00:05:06,772
NOT FOUND AROUND
IN SOME TIMES.

31
00:05:06,774 --> 00:05:08,507
I HAVE BEEN KEEPING MY EYES ON THE COVER ROLLING.

32
00:05:08,509 --> 00:05:10,976
DO NOT SEE YOU
THERE WAS GOOD.

33
00:05:10,978 --> 00:05:13,412
KEEP WATCHING

34
00:05:13,746 --> 00:05:14,680
RIGHT.

35
00:05:14,682 --> 00:05:16,648
PERMISSION.

36
00:05:21,688 --> 00:05:24,556
FATHER.
BLACK CLOUD.

37
00:05:30,697 --> 00:05:32,831
WHAT'S NEWS?

38
00:05:32,833 --> 00:05:33,833
GOOD.

39
00:05:33,834 --> 00:05:35,334
WHAT'S NEWS?

40
00:05:35,336 --> 00:05:37,436
I WANT TO SPEAK
TO YOU.

41
00:05:37,438 --> 00:05:38,970
I WANT TO SPEAK
FOR YOU, TOO.

42
00:05:38,972 --> 00:05:39,972
HEY, BOBBY

43
00:05:39,973 --> 00:05:43,875
SEE THIS ONE
IT'S PAULINA
SHOW ME.

44
00:05:43,877 --> 00:05:48,447
I DON'T KNOW HOW TO
TO GET IT
VERY GRACEFULLY.

45
00:05:48,449 --> 00:05:52,017
YEAH, THAT...
THAT, UH, REAL SEXY.

46
00:05:52,019 --> 00:05:52,918
I LOVE IT.

47
00:05:52,920 --> 00:05:55,087
you?
YES.

48
00:05:55,089 --> 00:05:56,521
MAKE SURE THIS GUY
PAYS YOU  BEFORE YOU SHOW HIM
EVERY TIT, THOUGH.

49
00:05:56,523 --> 00:05:59,558
ARE WE OPENED?

50
00:05:59,959 --> 00:06:01,059
YES BU,
WE ARE OPEN

51
00:06:01,061 --> 00:06:03,128
WE?
YES.

52
00:06:03,130 --> 00:06:04,796
VIEW DIFFERENCES
BETWEEN THE EYES
AND THE EYES

53
00:06:04,798 --> 00:06:08,100
IT'S LIKE A WORTH
A MORE CENTIMETER.

54
00:06:08,102 --> 00:06:11,703


55
00:06:11,705 --> 00:06:12,938
AND YOU CANNOT
PUT THAT OUT.

56
00:06:12,940 --> 00:06:13,972
ANYTHING LIKE A JO?

57
00:06:13,974 --> 00:06:16,108
NO.
THAT
HE went outside.

58
00:06:16,110 --> 00:06:17,843
HE MAYBE
OUT SUCKING
SOME COCK GUY.

59
00:06:17,845 --> 00:06:21,113
WHEN SHE SHOWS UP,
YOU SAY IT
COME AT THE OFFICE.

60
00:06:21,115 --> 00:06:22,447
SAY YOURSELF.

61
00:06:22,449 --> 00:06:23,982
POLICE?
YES.

62
00:06:23,984 --> 00:06:25,150
SIMONE'S GOING UP
FOR ME.

63
00:06:25,152 --> 00:06:28,587
HEI.
ANYTHING HAPPENS
OUTSIDE THIS CLUB
NOT URUSANKU,

64
00:06:28,589 --> 00:06:30,555
BUT WHAT'S HAPPENING HERE
IS MY BUSINESS.

65
00:06:30,557 --> 00:06:31,723
IF YOU PROVIDE YOU
EVERY SHIT,

66
00:06:37,698 --> 00:06:39,164
GOOD.
FASTER.
You're awake.

67
00:06:39,166 --> 00:06:41,767
SPEED
AND GET, PLEASE.

68
00:06:51,077 --> 00:06:53,812
OH, FUCK.

69
00:06:58,752 --> 00:07:02,654
I GET SIGNED
RIGHT NOW, SO...

70
00:07:02,656 --> 00:07:03,722
HAPPY.

71
00:07:03,724 --> 00:07:05,457
LIKE IT FINALLY
CHANGING AROUND.

72
00:07:05,459 --> 00:07:07,459
IT WAS VERY GOOD
BECAUSE I NEED
MONEY

73
00:07:07,461 --> 00:07:08,894
BECAUSE I NEED
TO CAN
TO GET THINGS

74
00:07:08,896 --> 00:07:12,998
FOR A LITTLE BOY THAT...
OR A LITTLE STORY...

75
00:07:13,000 --> 00:07:14,032
SO, LISTEN

76
00:07:14,034 --> 00:07:16,802
I WANT TO
TO PARTIES, YOU KNOW?

77
00:07:16,804 --> 00:07:18,670
GOOD.
YOU CAN ONLY
NOT PARTY

78
00:07:18,672 --> 00:07:19,838
FOR, LIKE,
SOME DAYS

79
00:07:19,840 --> 00:07:22,707
BECAUSE... AND IF WE
MEET THIS

80
00:07:22,709 --> 00:07:24,709
AND YOU ARE NOT HIGH
SEBENTAR,

81
00:07:24,711 --> 00:07:26,511
THEN HE THINK IT'S
WE'RE HUNTING STABLE,

82
00:07:26,513 --> 00:07:28,580
AND YOU CAN SAY IT
THAT YOU GONNA
GET A DEAL

83
00:07:28,582 --> 00:07:30,148
AND YOU ONLY GONNA
PRODUCE A LOT OF MONEY...

84
00:07:30,150 --> 00:07:32,884
AM I GONNA
SOMETHING SIGN?

85
00:07:32,886 --> 00:07:35,053
UM, NO.
WELL, YOU MAY

86
00:07:35,055 --> 00:07:37,722
BUT YOU CAN
USE OF PROBABLY
NAME OF FAKE

87
00:07:37,724 --> 00:07:39,858
IF YOU, UM, KNOW
SOCIAL SECURITY...

88
00:07:39,860 --> 00:07:40,959
OK, wait.
SO I SIGN SOMETHING,

89
00:07:40,961 --> 00:07:44,763
AND YOU GONNA GET
FULL CHILDREN?

90
00:07:44,765 --> 00:07:46,631
NO.
HE WILL,

91
00:07:46,633 --> 00:07:49,935
LIKE, A 6 or 7-YEARS
MAYBE.

92
00:07:49,937 --> 00:07:51,503
I WILL DO IT.

93
00:07:51,505 --> 00:07:53,538
OH THANK YOU,
CHARLIE

94
00:07:53,540 --> 00:07:56,641
CHECK THIS, BOBBY.

95
00:07:56,643 --> 00:07:57,609
NICO.

96
00:07:57,611 --> 00:07:58,877
YEAH, CARRIE CRAWFORD?

97
00:07:58,879 --> 00:08:02,013
EDDIE HAZELL
FROM IGUANA BLUE

98
00:08:02,015 --> 00:08:05,650
RIGHT.
GOOD, WE LIKE
FOR, UM, TO GET NICO IN

99
00:08:05,652 --> 00:08:07,853
FOR THE PARTY THAT WE'RE
HAVING DOWN HERE, FROM WEEK,

100
00:08:07,855 --> 00:08:10,989
AND HE WILL,
UH... HE WILL BE
BIG ADDITION

101
00:08:10,991 --> 00:08:14,960
FOR OUR PROGRAM,
HAVE IT
A FEATURED DANCER.

102
00:08:14,962 --> 00:08:17,796
HE HAD A TIME
IN THE SCHEDULE?

103
00:08:17,798 --> 00:08:19,998
YES.
NOT.
WE ARE REAL.

104
00:08:20,000 --> 00:08:22,133
OK, see
WHY DO YOU DON'T GIVE ME CALL BACK?

105
00:08:22,135 --> 00:08:25,003
MY NUMBER 937-4444.

106
00:08:25,005 --> 00:08:27,272
EDDIE HAZELL
BLUE IGUANA.

107
00:08:27,274 --> 00:08:30,075
GOOD.
I WILL TALK
FOR YOU THEN.

108
00:08:30,077 --> 00:08:31,610
BABY

109
00:08:31,612 --> 00:08:33,879
THIS IS NOT GONNA
BE CHEAP.

110
00:08:33,881 --> 00:08:36,281
I AM NOT WORKING
ABOUT CHEAP, BABY  HE GETS
300, 400 GUYS A NIGHT.

111
00:08:36,283 --> 00:08:40,852
THERE ARE
REASONS WHY.

112
00:08:40,854 --> 00:08:43,221
I, OH, ME,
WE HAVE US A COMPLETE HOUSE.

113
00:08:43,223 --> 00:08:46,858
How about you?
NICE.

114
00:08:46,860 --> 00:08:48,059
HEY GIRL.
HOW ARE YOU?

115
00:08:48,061 --> 00:08:49,861
THAT ONE FOR YOU
COME TO MY VISIT OFFICE.

116
00:08:49,863 --> 00:08:55,066
I HAVE TO SPEAK TO YOU  IT IS FOR YOU,
. LOVE.

117
00:08:55,068 --> 00:08:56,167
THANK YOU FOR YOUR HELP.

118
00:08:56,169 --> 00:08:57,269
I THINK HE'S
OUTSIDE.

119
00:08:57,271 --> 00:08:58,603
HALO SAYANG.

120
00:08:58,605 --> 00:09:02,908
HEY, EDDIE.

121
00:09:02,910 --> 00:09:03,875
WHAT ARE YOU MEANING,
WHERE IS FUCK
What am I?

122
00:09:03,877 --> 00:09:04,743
I AM HERE.

123
00:09:04,745 --> 00:09:07,045
I AM HERE.
WHAT?

124
00:09:07,047 --> 00:09:07,979


125
00:09:07,981 --> 00:09:09,080


126
00:09:09,082 --> 00:09:12,117
THANK YOU
FOR FLOWERS.

127
00:09:12,119 --> 00:09:14,219
WHERE IS MY FLOWER?

128
00:09:14,221 --> 00:09:15,287
YOUR FLOWER  JO, DON'T YOU THINK
IT WAS NEVER GONNA BE  IT'S EASY.
UH-UH, UH-UH.

129
00:09:15,289 --> 00:09:17,255
YOU COME
HERE LATE.

130
00:09:17,257 --> 00:09:19,090
YOU COME HERE
ACTING UP, SMOKING...

131
00:09:19,092 --> 00:09:20,158
FUCK YOU,
FAKYU FAKYU.

132
00:09:20,160 --> 00:09:21,560
YOU CAN COME TO GET IT
TELL IF YOU ARE GOOD.

133
00:09:21,562 --> 00:09:23,628
MY SAKIT, EDDIE.
I am sick, okay?

134
00:09:23,630 --> 00:09:26,064
SHUT UP, SHUT UP,
YOU HAVE HYENA.

135
00:09:26,066 --> 00:09:28,667
HOPE,
I'M GOING TO APPRECIATE IT
IF YOU ARE NOT, LIKE,

136
00:09:28,669 --> 00:09:31,136
GET ALL OVER
THAT BLACK GUY.

137
00:09:31,138 --> 00:09:33,572
THE BLACK GUY
WITH THE CURL JOURNEY?

138
00:09:33,574 --> 00:09:35,040


139
00:09:35,042 --> 00:09:37,609


140
00:09:37,611 --> 00:09:39,144
WHAT IS IT
FROM YOUR REGULAR?

141
00:09:39,146 --> 00:09:41,346
YES GOD!
He is right
FREAK FUCKING.

142
00:09:41,348 --> 00:09:42,614
YOU KNOW, I'M GOING TO
RESPECT IT  IF YOU TAKE
THAT THE GUY BACK

143
00:09:42,616 --> 00:09:43,882
BECAUSE HE'S ONLY
ASSHOLE.

144
00:09:43,884 --> 00:09:45,150
LET ME GIVE YOU
SUGGESTION, SWEETHEART...

145
00:09:45,152 --> 00:09:46,885
HE SHOULD GET
FOR AGAIN.

146
00:09:46,887 --> 00:09:47,953
YOU MUST GET
A TIT JOB.

147
00:09:47,955 --> 00:09:49,754
OW!
FUCK!

148
00:09:49,756 --> 00:09:50,855
GIVE A BIG BOOK
APPLICATION

149
00:09:50,857 --> 00:09:54,025
SILENCE,
YOU HAVE PSIKO!

150
00:09:54,027 --> 00:09:55,860
GET... GET UP.
BOOKING.

151
00:09:55,862 --> 00:09:58,029
JASMINE.

152
00:09:58,031 --> 00:10:00,632
I THINK I'M NOW
MY VERTEBRAE OUT.

153
00:10:00,634 --> 00:10:02,634
YOU KNOW WHAT.
ONLY TAKES THAT
YOUR MONEY...

154
00:10:02,636 --> 00:10:03,868


155
00:10:03,870 --> 00:10:06,771
SILENCE.
CLOSE FUCK UP!

156
00:10:06,773 --> 00:10:09,107
I'M GOING TO SUSPEND
SECOND Y'ALL.

157
00:10:09,109 --> 00:10:10,175
DON'T TELL me my BLUFF.

158
00:10:10,177 --> 00:10:12,777
THANK YOU.
IT WAS JEALOUSLY JUST.

159
00:10:12,779 --> 00:10:14,846
I WANT I AM A KILLER

160
00:10:14,848 --> 00:10:16,781
IN SEARCHING
DIFFERENT FOODS

161
00:10:16,783 --> 00:10:18,216
I WANT I AM ANIMAL

162
00:10:18,218 --> 00:10:20,218
That FITS
Into the MOOD

163
00:10:20,220 --> 00:10:21,820
I WANT I AM A PERSON

164
00:10:21,822 --> 00:10:23,355
WITH UNLIMITED BREATH

165
00:10:23,357 --> 00:10:25,156
I WANT ME
CAREFUL

166
00:10:25,158 --> 00:10:26,691
THAT NEVER COMES
RESTORING

167
00:10:26,693 --> 00:10:29,394
KOMM ZU MIR

168
00:10:30,196 --> 00:10:31,930
KOMM ZU MIR

169
00:10:31,932 --> 00:10:33,832
THIS IS YOU GET
. DRINK.
WHY, THANK YOU.

170
00:10:33,834 --> 00:10:36,034
NO NO.
IT WAS ON ME  OH THANK YOU.

171
00:10:36,036 --> 00:10:37,068
KOMM ZU MIR

172
00:10:37,070 --> 00:10:39,971


173
00:10:40,640 --> 00:10:42,073
I WANT ME TO BE A STRANGER  WHO WANDERS
DOWN THE SKY

174
00:10:42,075 --> 00:10:43,675
I WANT ME
A STARSHIP...

175
00:10:43,677 --> 00:10:44,943
DUDE, ARE YOU
BELIEVING THAT?

176
00:10:44,945 --> 00:10:45,977
IN FLYING SILIS BY

177
00:10:45,979 --> 00:10:47,312
I WANT ME
A PRINCESS

178
00:10:47,314 --> 00:10:49,080
WITH ARMIES
AT HER HAND

179
00:10:49,082 --> 00:10:51,149
I WANT ME IS SETTING

180
00:10:51,151 --> 00:10:52,784
WHO DOES MAKE THEM
UNDERSTAND

181
00:10:52,786 --> 00:10:56,121
NO.
I HAVE MY OWN.

182
00:10:56,123 --> 00:10:57,288
DUDE, RIGHT NOW,
I GONNA SHOW YOU  HOW IS IT DONE,
ALL RIGHT, BOYS?

183
00:10:57,290 --> 00:11:00,025
OOH, YEAH!

184
00:11:00,027 --> 00:11:02,027
HERE YOU GO.

185
00:11:02,029 --> 00:11:03,128
HA HA!

186
00:11:03,130 --> 00:11:04,696
WIR SPRENGTEN
JEDEN RAHMEN

187
00:11:04,698 --> 00:11:05,730


188
00:11:05,732 --> 00:11:08,266


189
00:11:08,268 --> 00:11:11,770
WAR'S WIE EINE EXPLOSION,
UND ICH SCHWOR '

190
00:11:11,772 --> 00:11:13,171
ICH SPUR '
DIE ERSCHUTTERUNG IMMER NOCH

191
00:11:13,173 --> 00:11:14,673
ICH WEISS DU RENNST
UND DOCH

192
00:11:14,675 --> 00:11:15,907
BIST DU ERST NAH
UND DA

193
00:11:15,909 --> 00:11:17,709
WENN DU
IN MEINEN ARMEN LIEGST

194
00:11:17,711 --> 00:11:19,411
ICH GEH 'ZU BODEN
WENN DU NICHT

195
00:11:19,413 --> 00:11:22,814
OH dear,
BITTE BITTE LAUF LAUF

196
00:11:22,816 --> 00:11:23,782
GIB NICHT AUF

197
00:11:23,784 --> 00:11:26,117
MICH FRESSEN ES
DAMONENT AUF  ICH TU 'WS DU VERLANGST
HAB' KEINE ANGST

198
00:11:26,119 --> 00:11:29,387
ICH LASS 'DICH NICHT
ALLEIN DENN UNS

199
00:11:29,389 --> 00:11:31,956
IT'S 10 MINUTES 3:00......  AND YOU LISTEN TO
L.A. OPTIONS
TO TODAY TODAY.

200
00:11:31,958 --> 00:11:34,159
A MELLOW 78 DEGREES...

201
00:11:34,161 --> 00:11:38,296
YES?

202
00:11:38,298 --> 00:11:39,764


203
00:11:39,766 --> 00:11:41,166


204
00:11:41,168 --> 00:11:44,302
OH, FUCK.
WHAT TIME IS IT NOW?

205
00:11:44,304 --> 00:11:46,137
NO.
I FORGET.

206
00:11:46,139 --> 00:11:48,039
Okay, I'm complacent
NO.
I HAVE IT.

207
00:11:48,041 --> 00:11:49,841
I HAVE IT.
I HAVE IT.

208
00:11:49,843 --> 00:11:51,443
SO, UM...
NO.
I WILL BE THERE.

209
00:11:51,445 --> 00:11:53,778
I'M GOING TO BE THERE
IN, LIKE, 10 MINUTES.

210
00:11:53,780 --> 00:11:55,914
GOOD.

211
00:11:55,916 --> 00:11:58,717
OHH

212
00:12:00,753 --> 00:12:01,453
HEY, JOHNNY.

213
00:12:01,455 --> 00:12:02,921
HEY, HOW ARE YOU DOING?

214
00:12:02,923 --> 00:12:04,155
YOU GET MONEY?

215
00:12:04,157 --> 00:12:05,190
YES.
HERE YOU GO.

216
00:12:05,192 --> 00:12:06,124
WHAT IS FUCK
WHAT IS THIS?

217
00:12:06,126 --> 00:12:07,826
I TOLD YOU 40.
I TOLD YOU 40.

218
00:12:07,828 --> 00:12:09,928
NO, YOU DO NOT
TELL ME 40.

219
00:12:09,930 --> 00:12:11,730
OH!

220
00:12:13,200 --> 00:12:15,066
ARE YOU GOOD ONLY?

221
00:12:16,335 --> 00:12:17,302
ARE YOU GOOD ONLY?

222
00:12:17,304 --> 00:12:23,441
I WILL GIVE IT TO YOU
NEXT WEEK, okay?
SEE YOU AGAIN.

223
00:12:23,443 --> 00:12:25,310
FUCK IT.

224
00:12:25,745 --> 00:12:28,780
ECHOES THROUGH MY HEAD

225
00:12:28,782 --> 00:12:34,385
I'M JUST WANT YOU
HOME AGAIN

226
00:12:36,789 --> 00:12:40,058
... HAS COME AND BANNED
FINALLY

227
00:12:40,060 --> 00:12:44,496
I'M JUST WANT YOU
HOME AGAIN

228
00:12:45,531 --> 00:12:47,132
TWO.

229
00:12:47,967 --> 00:12:49,300
OH, YOU HAVE THEM
FROM THERE IN?

230
00:12:49,302 --> 00:12:50,235
YES.

231
00:12:50,237 --> 00:12:52,837
$ 2.00 EVERY.

232
00:12:52,839 --> 00:12:55,774
YOU ARE INTERESTING
IN BLUE IGUANA,
TRUE, TRUE?

233
00:12:55,776 --> 00:12:57,075
I am only
SAW YOU ARE.

234
00:12:57,077 --> 00:12:58,077
YES.

235
00:12:58,078 --> 00:13:00,378
JASMINE, RIGHT,
MELATI?
MM-HMM.

236
00:13:00,380 --> 00:13:02,013
JORGE.
HI, JORGE.

237
00:13:02,015 --> 00:13:03,015
PLEASED TO MEET YOU.

238
00:13:03,016 --> 00:13:03,915
PLEASED TO SEE YOU.

239
00:13:03,917 --> 00:13:07,218
YES.
I MUST
THERE IS IMMEDIATELY.
YES.

240
00:13:07,220 --> 00:13:08,787
CAN I HAVE MY BOOKS?

241
00:13:08,789 --> 00:13:10,054
YES.
THANK YOU.

242
00:13:10,056 --> 00:13:12,323
BYE, HANDSOME.
SAY HAI.

243
00:13:12,325 --> 00:13:14,125
I'M GOING.

244
00:13:15,796 --> 00:13:19,197
I DON'T KNOW YOU WANT TO
FOR STRIP CLUBS, MAN.

245
00:13:19,199 --> 00:13:20,932
WHAT ARE YOU
TALKING ABOUT?

246
00:13:20,934 --> 00:13:22,267
HE IS STRIPPER.

247
00:13:22,269 --> 00:13:24,569
HE COMES
FOR READING MY POETRY.

248
00:13:24,571 --> 00:13:27,305
NO.
HE'S INTERESTING
IN BLUE IGUANA,
THOUGHTS, MAN.

249
00:13:27,307 --> 00:13:29,307
HE IS STRIPPER.

250
00:13:29,309 --> 00:13:31,876
WHY WOULD YOU NOT GO
BACK AND BACK?

251
00:13:31,878 --> 00:13:33,578
GOOD.

252
00:13:34,113 --> 00:13:35,980
HE SAID THAT
I'M HANDLING, MAN.

253
00:13:35,982 --> 00:13:38,950
HEI, this is THE DAY.

254
00:13:54,066 --> 00:13:57,468
YES,
This is EDDIE HAZELL
FROM IGUANA BLUE

255
00:13:57,470 --> 00:13:59,337
RIGHT.
I JUST WANT
To invite you  I HAVE YOUR CARD
BELOW HERE,

256
00:13:59,339 --> 00:14:00,405
AND I WANT TO
Take you down

257
00:14:00,407 --> 00:14:01,573
JESSIE.
HEY, JESSIE.
I AM BOBBY.

258
00:14:01,575 --> 00:14:03,074
I'M HERE
FOR AUDITS.
HI, BOBBY.

259
00:14:03,076 --> 00:14:04,976
YEAH, YOU ARE LATE.

260
00:14:04,978 --> 00:14:05,877
MY PASSION.
I LOVE YOUR HAIR.

261
00:14:05,879 --> 00:14:07,345
DEFINITELY
WANT YOU HERE.

262
00:14:07,347 --> 00:14:08,847
COME BY
AND ONLY ASK
FOR EDDIE HAZELL.

263
00:14:08,849 --> 00:14:12,050
GOOD.
THANK YOU.

264
00:14:12,052 --> 00:14:13,618
HALO HOST.
HAZELL

265
00:14:13,620 --> 00:14:14,919
WHO ARE YOU?
MY NAME
JESSIE.

266
00:14:14,921 --> 00:14:16,588
I'M HERE
FOR AUDITS.

267
00:14:16,590 --> 00:14:18,122
GOOD.
NICE.

268
00:14:18,124 --> 00:14:19,190


269
00:14:19,192 --> 00:14:20,859
I LOVE YOUR GLASS.

270
00:14:20,861 --> 00:14:21,593
THANK YOU.

271
00:14:21,595 --> 00:14:22,861
Accept this

272
00:14:22,863 --> 00:14:23,561
THANK YOU.

273
00:14:23,563 --> 00:14:25,964
YES.
I'M INTERESTING
AT CHEETAH'S
FOR 6 MONTHS.

274
00:14:25,966 --> 00:14:28,900
DO YOU HAVE A PEN?
OH, HERE WE GO.

275
00:14:28,902 --> 00:14:30,235
YOU GET I.D.?

276
00:14:30,237 --> 00:14:32,303
UM, ACTUALLY,
I DO NOT HAVE ME.

277
00:14:32,305 --> 00:14:33,571
IT'S IN THE APARTMENT.

278
00:14:33,573 --> 00:14:35,206
WE WILL
NEED TO SEE SOME I.D.

279
00:14:35,208 --> 00:14:39,510
WE HAVE ALL TYPES OF
FROM PEOPLE VICE, A.B.C.,
LOG IN,

280
00:14:39,512 --> 00:14:43,214
YOUR PLANNING
STABBING SOMEONE TONIGHT?

281
00:14:44,250 --> 00:14:46,551
NO.
ONLY ONLY
_ JOINT.

282
00:14:46,553 --> 00:14:48,353
THIS IS SOFT.

283
00:14:48,355 --> 00:14:49,287
SO, UH...

284
00:14:49,289 --> 00:14:51,356
WHERE DO YOU GET THIS?

285
00:14:51,358 --> 00:14:52,223
YES.

286
00:14:52,225 --> 00:14:54,125
JIMMY?
YES?

287
00:14:54,127 --> 00:14:55,627
LET IT IN.

288
00:14:55,928 --> 00:14:58,396
You or me
CAN TELL THE STORY...

289
00:14:58,398 --> 00:15:03,968
HAI.
I AM OK.
AND YOU?
WELL.

290
00:15:06,206 --> 00:15:11,175
BEFORE LIGHTS
COME ON AGAIN

291
00:15:15,582 --> 00:15:20,218
MY MIND
Is DISAPPEARING

292
00:15:37,993 --> 00:15:31,229
WHAT ARE ANYONE

293
00:15:31,231 --> 00:15:36,334
CAN DECIDE  YES.

294
00:15:38,571 --> 00:15:40,505
WE OPEN 7:00.

295
00:15:40,507 --> 00:15:42,674
I WILL HAVE YOU
IN LINEUP.

296
00:15:42,676 --> 00:15:46,144
DON'T FORGET I.D.

297
00:15:46,146 --> 00:15:48,212
THANK YOU, EDDIE.

298
00:15:48,214 --> 00:15:49,447
I WILL MEET YOU
THIS EVENING.

299
00:15:49,449 --> 00:15:52,216
WE'RE RUN
A PRETTY TIGHT JOINT HERE.

300
00:15:53,252 --> 00:15:55,086
NO DRUGS, WITHOUT HANDICRAFT HANDS.
NO BLOW JOBS,
AND NOT RUN.

301
00:15:55,088 --> 00:15:59,624
THANK YOU.
WHAT DOES EVER
SAY YOU THAT?

302
00:16:02,295 --> 00:16:04,162


303
00:16:04,164 --> 00:16:06,097
YEAH, I GET IT
ALWAYS TIME.

304
00:16:06,099 --> 00:16:08,566
BRAD PITT'S GOT
NO ON ME.

305
00:16:08,568 --> 00:16:10,301
I THINK YOU ARE DOLL.

306
00:16:13,640 --> 00:16:19,978
IS SPELLED A-N-G-L-E,

307
00:16:19,980 --> 00:16:27,980
WHELST THE WORD ANGEL
IS SPELLED A-N-G-E-L.

308
00:16:30,056 --> 00:16:31,489
ANGEL.

309
00:16:32,358 --> 00:16:34,058
ANGLE.

310
00:16:34,060 --> 00:16:35,060
ANGLE.

311
00:16:35,061 --> 00:16:36,061
ANGEL.

312
00:16:36,062 --> 00:16:37,495
ANGEL.

313
00:16:41,500 --> 00:16:43,568
HOW MUCH EVENING?

314
00:16:43,570 --> 00:16:45,269
ONE.

315
00:16:45,271 --> 00:16:47,105
IT'S A 30 PLUS TAX.

316
00:16:47,107 --> 00:16:49,640
IT WAS $ 34.20.

317
00:16:55,281 --> 00:16:59,550
L.A. PAPER.
FREE.

318
00:17:27,312 --> 00:17:30,715
HEARING AND CHECKING YOUR ANSWER.

319
00:17:30,717 --> 00:17:33,351
PRACTICES TELL THEM.

320
00:17:33,353 --> 00:17:37,088
HE'S USING
A UNIFORM.

321
00:17:37,090 --> 00:17:37,789
He uses a UNIFORM.

322
00:17:37,791 --> 00:17:40,625
HE'S PILOT.

323
00:17:40,627 --> 00:17:43,795
HE FLIES
AROUND THE WORLD.

324
00:17:43,797 --> 00:17:45,430
HE'S PILOT.

325
00:17:45,432 --> 00:17:46,764
PETER HAS
TWO CHILDREN.

326
00:17:46,766 --> 00:17:48,232
ANGEL.

327
00:17:48,234 --> 00:17:52,603
IN WINTER,
ALICE GOES SKIING,

328
00:17:52,605 --> 00:17:56,274
AND IN SUMMER,
HE PLAYS GOLF.

329
00:17:56,276 --> 00:18:02,246
BERNADETTE LIFE
IN FLAT IN PARIS.

330
00:18:02,248 --> 00:18:04,115
WOMEN AND MEN,

331
00:18:04,117 --> 00:18:09,320
HE'S AWAY FROM SKY,
ANGEL CELESTIAL.

332
00:18:20,733 --> 00:18:24,235
WHOO-HOO!

333
00:18:33,512 --> 00:18:35,379
PORTIA,
YOU GET MY STATE?

334
00:18:35,381 --> 00:18:37,682
- UM, YOU KNOW, HI.
- YOU KNOW, BECAUSE OF ME.

335
00:18:37,684 --> 00:18:41,119
UM, YOU SITTED
IN THE SOMEONE'S STORY.

336
00:18:41,121 --> 00:18:43,788
STORY OF IT'S ANGEL,
SO WHY DON'T YOU
SIT, UH...

337
00:18:43,790 --> 00:18:45,423
YEAH, SIT
IN CHAIRS JO.

338
00:18:45,425 --> 00:18:46,824
I'M JESSIE,
HOPE.

339
00:18:46,826 --> 00:18:48,793
HI, JESSIE.
I'm JASMINE

340
00:18:48,795 --> 00:18:50,228
YOU HAVE IT
BEAUTIFUL LIPS.

341
00:18:50,230 --> 00:18:51,829
ARE YOU USING COLLAGEN?

342
00:18:51,831 --> 00:18:53,831
NO.
THEY ARE NATURAL.

343
00:18:53,833 --> 00:18:56,834
HANGING OUTSIDE
IN CADILLAC GREEN?

344
00:18:56,836 --> 00:18:58,336
I SEE IT.

345
00:18:58,338 --> 00:18:59,270
DO YOU SEE IT?

346
00:18:59,272 --> 00:19:02,707
WE ARE HARD TO SPEAK
TO BOBBY ABOUT THAT,
GET IT FOR...

347
00:19:02,709 --> 00:19:03,709
I WAS HE TWO TIMES
THEN WEEK.

348
00:19:03,710 --> 00:19:04,775
STORMY,
DO YOU SEE IT?

349
00:19:04,777 --> 00:19:07,145
DO YOU SEE IT?
NOT.

350
00:19:07,147 --> 00:19:08,246
IS IT HERE NOW?

351
00:19:08,248 --> 00:19:09,914
DON'T YOU REMEMBER
THAT THE WEEK GUY IS LAST

352
00:19:09,916 --> 00:19:10,848
WHO IS FOLLOWING ME
HOME?

353
00:19:10,850 --> 00:19:11,816
DON'T GO
OUT THEREUGU.

354
00:19:11,818 --> 00:19:13,885
DON'T GO OUTSIDE.
JUST TELL BOBBY.

355
00:19:13,887 --> 00:19:16,487
ONLY TALKING TO IT
SAY IT
FUCK OFF

356
00:19:16,489 --> 00:19:18,222
IF HE IS.

357
00:19:24,363 --> 00:19:25,863
YES!

358
00:20:03,368 --> 00:20:05,570
I AM NOT WALKING
BELIEVE THIS

359
00:20:05,572 --> 00:20:10,408
NEW GIRL, BARBIE,
YOU SITTING
IN MY STORY.

360
00:20:10,410 --> 00:20:11,410
THIS IS MY STORY.

361
00:20:11,411 --> 00:20:13,277
YOU MAY NOT NOTICE
THERE IS, UH,

362
00:20:13,279 --> 00:20:14,478
STUFF IN FRONT
From that,

363
00:20:14,480 --> 00:20:15,746
There is a JACKET
ABOUT RETURNS

364
00:20:15,748 --> 00:20:17,415
MELATI,
HOW CAN YOU
LET THIS GIRL

365
00:20:17,417 --> 00:20:20,685
YOU SHOULD FIND
YOUR OWN ROOM,
LOVE.

366
00:20:20,687 --> 00:20:21,719
IF YOU FOUND
YOUR OWN ROOM,

367
00:20:21,721 --> 00:20:22,687
WE'RE ALL GONNA
TOGETHER.

368
00:20:22,689 --> 00:20:23,888
FUCKING GUY'S
BACK AGAIN.

369
00:20:23,890 --> 00:20:26,324
NOT POSSIBLE.
HE RETURNS?

370
00:20:26,326 --> 00:20:30,261
I WANT TO PADAMU.

371
00:20:42,942 --> 00:20:46,811
MELATI,
YOU KNOW THAT GUY
WHO'S LIKE,

372
00:20:46,813 --> 00:20:50,414
UM... WHO IS LIKE A
COLONEL SANDERS?

373
00:20:50,416 --> 00:20:51,549
WHERE?

374
00:20:51,551 --> 00:20:53,384
HEY, BITCH,
You're awake.

375
00:20:53,386 --> 00:20:55,286
I'M JUST COMING
OFFSTAGE

376
00:20:55,288 --> 00:20:56,621
NO, NO,
CORNFLAKE.

377
00:20:56,623 --> 00:20:57,989
I AM TALKING
FOR JASMINE

378
00:20:57,991 --> 00:20:59,657
JASMINE, IT'S
YOU TURNED GO UP.

379
00:20:59,659 --> 00:21:01,525
I'M NOT GOING.
I AM NOT EVEN READY.

380
00:21:01,527 --> 00:21:02,960
I HAVE TO GET
MY BREATHE RUBBER.

381
00:21:02,962 --> 00:21:04,862
IT'S JO.
THEY SAY JO.

382
00:21:04,864 --> 00:21:06,330
WHAT?
THEY DON'T SAY JO.

383
00:21:06,332 --> 00:21:07,798
I CANNOT GO NOW.
I AM NOT READY.

384
00:21:07,800 --> 00:21:08,800
I'M GOING.

385
00:21:08,801 --> 00:21:09,867
YOU WILL?
YES.

386
00:21:09,869 --> 00:21:11,302
You will go for me  YOU WILL DO IT FOR ME?

387
00:21:11,304 --> 00:21:12,403
Hey, you
A TRUE SWEET,

388
00:21:12,405 --> 00:21:14,772
YOU KNOW THAT?

389
00:21:14,774 --> 00:21:15,706
HE LOVES A NEW ADDITION
FOR OUR DRESSING ROOM.

390
00:21:15,708 --> 00:21:18,276
HE GETS IMMEDIATELY
WITH EVERYONE.

391
00:21:18,278 --> 00:21:19,610
WE LOVE LITTLE MESSAGES
HERE IN IGUANA BIRU.

392
00:21:19,612 --> 00:21:21,946
GOING ON.
GO UP.
YOU GONNA MISS
YOU... YEAH.

393
00:21:21,948 --> 00:21:26,817
AND NOW
MAKE THE STAGE STAGE...

394
00:21:59,084 --> 00:22:01,485
HE'S YOUNG,
HE IS BEAUTIFUL,
PERFECTION SHE.

395
00:22:01,487 --> 00:22:04,822
WOMEN AND MEN,
PUT YOUR HANDS TOGETHER

396
00:22:04,824 --> 00:22:07,558
FOR JESSIE.

397
00:22:07,560 --> 00:22:09,860
SO HERE WE

398
00:22:19,037 --> 00:22:24,709
THIS IS TIME

399
00:22:24,711 --> 00:22:29,647


400
00:22:29,649 --> 00:22:33,551
TAKE OFF YOUR CLOTHES

401
00:22:33,553 --> 00:22:40,391
JUST LIKE ME
TAKE OFF MINE

402
00:22:40,393 --> 00:22:45,596
LIE DOWN WITH ME

403
00:22:45,598 --> 00:22:49,934
LOOK AT MY EYES...

404
00:22:49,936 --> 00:22:54,505
JUST WANT TO KNOW.
DO YOU EVER GET
HER I.D.?

405
00:22:54,507 --> 00:22:57,641
YES I KNOW
WHO IS HE.

406
00:22:57,643 --> 00:23:00,077
SPEAKING WITH BILLY.

407
00:23:08,920 --> 00:23:11,722
ANGELS

408
00:23:11,724 --> 00:23:14,125
HEY, MAN, THAT CALL
COMES FROM NICO YET, MAN?

409
00:23:14,127 --> 00:23:19,096
COME ON, BOBBY.
YOU HAVE YOU THERE
GONNA SAYS ME, TRUE?

410
00:23:19,098 --> 00:23:20,631
MM-HMM.
condemn.

411
00:23:20,633 --> 00:23:22,400
I WANT TO PADAMU.

412
00:23:22,534 --> 00:23:30,534
I AM WAITING FOR A LOT OF MOON
FOR NOW  I know you are good

413
00:23:32,945 --> 00:23:37,715
LET ME SHOW HOW TO DO IT  DON'T EXPRESSLY

414
00:23:37,717 --> 00:23:42,052
IT'S ONLY

415
00:23:43,855 --> 00:23:48,993


416
00:23:48,995 --> 00:23:54,131


417
00:23:54,133 --> 00:23:58,469
ONLY CLOSE OUR EYES

418
00:23:58,471 --> 00:24:04,875
AND BECOME WHAT
WE WILL BE

419
00:24:04,877 --> 00:24:06,577
YES.

420
00:24:12,050 --> 00:24:15,686
ANGELS

421
00:24:21,960 --> 00:24:27,097
HI, UH, EDDIE HAZELL,
THIS IS NICO.

422
00:24:27,099 --> 00:24:29,600
SO IT'S LIKE LIKE
WE WILL, BABY = I WILL BE THERE.

423
00:24:29,602 --> 00:24:30,501
UH, YOU HAVE
MY NUMBER.
BYE.

424
00:24:30,503 --> 00:24:34,004
- GOOD?
- YEAH

425
00:25:07,873 --> 00:25:09,006
YOU DO IT,
CHILDREN?
YES.

426
00:25:09,008 --> 00:25:10,841
GOOD.

427
00:25:10,843 --> 00:25:11,909
YES.
DON'T YOU SORRY.

428
00:25:11,911 --> 00:25:12,943
MY GLASSES?
MY GLASSES.

429
00:25:12,945 --> 00:25:14,178
YES.
WHY DON'T YOU
REMOVE THEM?

430
00:25:14,180 --> 00:25:15,646
WE WILL PUT THEM
HERE.

431
00:25:15,648 --> 00:25:16,648
YOU CAN FIND THEM
AFTER THAT.

432
00:25:16,649 --> 00:25:17,915
YOU CAN SEE OK
WITHOUT THEM.

433
00:25:17,917 --> 00:25:19,250


434
00:25:19,252 --> 00:25:22,586
ALL TRUE, SWEETIE.
WELL.
HOW ABOUT THAT?

435
00:25:22,588 --> 00:25:25,689
YOU WANT TO SEE
The bad side?
YES.

436
00:25:25,691 --> 00:25:26,891
GOOD.
YES.

437
00:25:26,893 --> 00:25:28,526
WE STARTED.

438
00:25:28,528 --> 00:25:29,994
YES GOD.

439
00:25:33,064 --> 00:25:34,665
HAI.

440
00:25:35,867 --> 00:25:37,968
JESSIE.

441
00:25:41,106 --> 00:25:42,273
GOT ANY PLAN
THIS EVENING?

442
00:25:42,275 --> 00:25:45,576
NO.
LET'S GO.

443
00:25:49,147 --> 00:25:52,616
I WAS LIKE PEOPLE
WHO CANNOT HAVE

444
00:25:52,618 --> 00:25:55,019
GO STEP INSIDE

445
00:25:55,021 --> 00:25:58,856
TO MAKE ABILITY

446
00:25:58,858 --> 00:26:04,728
I FOUND TIED WINGS
FOR YOUR ARMS  NO ONE CHARMS

447
00:26:04,730 --> 00:26:06,997
I DON'T HAVE ANY
MONEY FOR THIS

448
00:26:06,999 --> 00:26:09,733
I WILL MAKE
EXCEPTION

449
00:26:09,735 --> 00:26:11,268
MAKE ME OVERCOME

450
00:26:11,270 --> 00:26:13,337
ALL FEAR

451
00:26:13,339 --> 00:26:17,675
LISTEN TO THIS.

452
00:26:20,879 --> 00:26:22,947


453
00:26:49,741 --> 00:26:52,843
IT'S NOT
MY SAVED MESSAGE.

454
00:27:55,173 --> 00:27:58,242
"I REALIZE
OUR ANCESTRAL HUMOR

455
00:27:58,244 --> 00:28:01,311
" GO TO GENERAL
LONGING AND RESISTANCE.

456
00:28:01,313 --> 00:28:04,348
"I KNOW THE EFFORTS
YOU WILL NOT MAKE

457
00:28:04,350 --> 00:28:07,117
" UNTIL YOU ARE READY
RECEIVE

458
00:28:07,119 --> 00:28:10,287
I AM NOT WAR. "

459
00:28:10,289 --> 00:28:12,222
OH, IT WAS BIG.

460
00:28:12,224 --> 00:28:13,924
GOOD WORK.
THANK YOU, FIONA.

461
00:28:13,926 --> 00:28:16,126
YOU KNOW, I FORGET
TO MENTION EARLIER

462
00:28:16,128 --> 00:28:17,695
WE PUT SOME FLIERS
ON THE CHAIRS

463
00:28:17,697 --> 00:28:19,296
REFERRING TO UPCOMING
POETRY SLAM

464
00:28:19,298 --> 00:28:23,834
UM, LIKE YOU KNOW,
IT'S THE MOST IMPORTANT
TRAVEL OF JOBS

465
00:28:23,836 --> 00:28:26,036
SO MAKE SURE TO
CHECK IT, ALL RIGHT?

466
00:28:26,038 --> 00:28:27,404
NOW, WITHOUT ADO FURTHER,

467
00:28:27,406 --> 00:28:29,139
I WANT TO BRING UP
SOPHIE DELVAUX,

468
00:28:29,141 --> 00:28:32,443
LATEST COLLECTION,
UM, AUTUMN SOPRANOS,

469
00:28:32,445 --> 00:28:37,047
WOULD HAVE BEEN PUBLISHED BY
THE HUBCAP POETS LIBRARY.

470
00:28:37,049 --> 00:28:38,716
SOPHIE.

471
00:28:43,922 --> 00:28:45,756
DREAM BOAT.

472
00:28:45,758 --> 00:28:50,027
"SLEEP IS A DEVICE STARTED
IN THIS ROOM AT NIGHT

473
00:28:50,029 --> 00:28:51,962
" AND AGAIN IN DAWN.

474
00:28:51,964 --> 00:28:56,200
"INANTARA,
IT JOURNEYS
WORLDWIDE,

475
00:28:56,202 --> 00:29:00,304
" TRAVEL IN SKIN
THINGS,

476
00:29:00,306 --> 00:29:03,807
"MOVES OUT
OVER THE STARS,

477
00:29:03,809 --> 00:29:06,777
" COME SAILING
TO PORT,

478
00:29:06,779 --> 00:29:09,780
THE PICTURE OF CARGO... "

479
00:29:09,782 --> 00:29:13,050
YOU'RE NEVER READ.  NO.

480
00:29:13,052 --> 00:29:15,385
WHAT IS THAT IS
ON YOUR PAPER,

481
00:29:15,387 --> 00:29:18,122
LIST OF YOUR LAUNDRY
OR SOMETHING?

482
00:29:18,124 --> 00:29:19,890


483
00:29:19,892 --> 00:29:21,325
MM-HMM.

484
00:29:21,327 --> 00:29:24,461
GOOD, MAYBE YOU
MUST COME AND READ
REGISTER YOUR LAUNDRY

485
00:29:24,463 --> 00:29:29,233
"AND PLACE,
PALACES, FACES."

486
00:29:29,235 --> 00:29:30,501
MAYBE NOT.

487
00:29:30,503 --> 00:29:31,835
HEI.

488
00:29:31,837 --> 00:29:33,270
HALO SAYANG.

489
00:29:33,272 --> 00:29:34,805
HEY, STORMY.
YES?

490
00:29:34,807 --> 00:29:38,342
DO NOT KNOW
A HUGHES MARIE,
WHAT ARE YOU?

491
00:29:39,477 --> 00:29:42,412
MARIE HUGHES?
HOLD THE BEL?

492
00:29:42,414 --> 00:29:44,948
I don't know
SOME TYPES OF TYPE
DROPPED IT OFF...

493
00:29:44,950 --> 00:29:46,316
UH, 10 MINUTES AGO.

494
00:29:46,318 --> 00:29:48,452
SAID MAKE SURE
HE GETS IT.

495
00:29:48,454 --> 00:29:49,787
UH, I WILL GIVE IT
FOR HER.

496
00:29:49,789 --> 00:29:53,056
I WILL GIVE IT TO IT.
DO YOU KNOW WHO IT'S?

497
00:29:53,058 --> 00:29:55,225
YES.
THAT, UH,
THIS IS ME.

498
00:29:55,227 --> 00:29:56,293
YOU?
YES.

499
00:29:56,295 --> 00:29:58,495
FANS LETTERS?

500
00:29:59,063 --> 00:30:03,200
USING YOUR STAGE NAME,
IS NOT YOUR REAL NAME.

501
00:30:04,135 --> 00:30:06,403
YOU HEAR ME?

502
00:30:25,323 --> 00:30:27,858
God.

503
00:30:41,339 --> 00:30:44,241
YES GOD.

504
00:31:21,379 --> 00:31:23,146
SCOPE
I AM PREGNANT.

505
00:31:23,148 --> 00:31:24,214
NO, NOT YOU.

506
00:31:24,216 --> 00:31:27,017
YES.
LOOK AT THIS.

507
00:31:27,019 --> 00:31:28,185
WHAT IS FUCK
WHAT IS IT?

508
00:31:28,187 --> 00:31:32,022
THAT MEANS THAT IT'S TRUE
WHEN YOU ARE PREGNANT.

509
00:31:32,024 --> 00:31:33,123
WHERE ARE YOU
GETTING THIS?

510
00:31:33,125 --> 00:31:34,258
UH, IN BATHROOM.

511
00:31:34,260 --> 00:31:35,592
I NEED
IN A BATHROOM,

512
00:31:35,594 --> 00:31:38,528
AND I FOUND IT
BENEATH TOILET.

513
00:31:38,530 --> 00:31:39,963
DO YOU HAVE IT?

514
00:31:39,965 --> 00:31:43,066
GOOD, I STAND...
I, YOU KNOW, HOVERING

515
00:31:43,068 --> 00:31:44,167
BECAUSE OF THE TOILET
IS DIRTY,

516
00:31:44,169 --> 00:31:46,637


517
00:31:46,639 --> 00:31:48,605


518
00:31:48,607 --> 00:31:51,041


519
00:31:51,043 --> 00:31:53,243


520
00:31:53,245 --> 00:31:56,179


521
00:31:56,181 --> 00:31:58,282


522
00:31:58,284 --> 00:31:59,650


523
00:31:59,652 --> 00:32:01,618


524
00:32:01,620 --> 00:32:03,253


525
00:32:05,357 --> 00:32:07,624


526
00:32:07,626 --> 00:32:10,928


527
00:32:10,930 --> 00:32:13,130


528
00:32:13,132 --> 00:32:16,166
LOOK?
THIS IS MINE.
NO, NO.
NOT THIS ONE.

529
00:32:16,168 --> 00:32:17,301
GIRLS,
This is not yours

530
00:32:17,303 --> 00:32:18,368
ANGE, HONEY,
YOU KNOW WHAT?

531
00:32:18,370 --> 00:32:19,269
YOU KNOW, YOU
DO NOT PISS ON IT.

532
00:32:19,271 --> 00:32:23,073
GOOD, I WANT TO BECOME
TO GET PREGNANT.

533
00:32:23,075 --> 00:32:24,641
HEY, UM, JESSIE,
ARE THESE YOU?

534
00:32:24,643 --> 00:32:26,176
GET YOUR HANDS
DEAD FROM MY SHIT

535
00:32:26,178 --> 00:32:27,644
FOR ONE MINUTE, JESSIE.

536
00:32:27,646 --> 00:32:30,414
I HOPE IT.
THANK YOU.

537
00:32:30,416 --> 00:32:35,352
JASMINE, IT MAY HAVE
PISS ON IT OR NOT
BECAUSE I...

538
00:32:35,354 --> 00:32:38,722
WHOO!

539
00:32:45,229 --> 00:32:47,664
IT WAS IT!

540
00:32:47,666 --> 00:32:48,632
OH!

541
00:32:48,634 --> 00:32:51,168
AWAY, DON'T.
WHY DO YOU WANT
TO KEEP IT

542
00:32:51,170 --> 00:32:53,704
IF SOMEONE IS PISSED
About that
It's not yours

543
00:32:53,706 --> 00:32:56,707
WHOO!

544
00:32:56,709 --> 00:33:02,145
OK, CHILDREN, I'M UPTOWN!

545
00:33:10,221 --> 00:33:14,157
AAH!
AAH!
AAH!
AAH!

546
00:33:14,159 --> 00:33:20,297
STORMY, WHAT DO YOU GET
TO JOB BLOW?

547
00:33:20,299 --> 00:33:23,767
$ 100.

548
00:33:23,769 --> 00:33:26,036
GOOD.

549
00:33:36,514 --> 00:33:39,716
AAH!

550
00:33:48,226 --> 00:33:50,761
WHY?
ONLY MAKES IT...
ONLY GIVES IT TO ME.

551
00:33:50,763 --> 00:33:52,029
JO, IS THIS YOURS?

552
00:33:52,031 --> 00:33:54,498
WHAT IS IT?
LOOK.
HALO?
IT'S A...

553
00:33:54,500 --> 00:33:55,599
WHAT ARE YOU
THINKING IT IS?

554
00:33:55,601 --> 00:33:56,767
I DON'T KNOW WHAT
_ FUCK IT IS.

555
00:33:56,769 --> 00:33:57,801
WHAT IS IT?
It smells  GET IT AWAY
FROM ME.

556
00:33:57,803 --> 00:33:59,636
SITTING.

557
00:33:59,638 --> 00:34:00,771
SITTING.
WHAT?

558
00:34:00,773 --> 00:34:02,205
ARE YOU PREGNANT?

559
00:34:02,207 --> 00:34:04,207


560
00:34:04,209 --> 00:34:05,042
WHAT?

561
00:34:05,044 --> 00:34:06,376
ARE YOU PREGNANT?

562
00:34:06,378 --> 00:34:09,613
DO I SEE LIKE
I AM PREGNANT?
NOT.

563
00:34:09,615 --> 00:34:12,516
I AM NOT ALMOST.
WHAT IS GOING ON?

564
00:34:12,518 --> 00:34:13,518
BECAUSE ANGEL
FINDS IT,

565
00:34:13,519 --> 00:34:14,484
AND HE THINKED
IT'S HERS,

566
00:34:14,486 --> 00:34:15,519
BUT IT'S BECOME
not as a LLC.

567
00:34:15,521 --> 00:34:16,653
GOOD, IF ANGEL
FINDS IT,

568
00:34:16,655 --> 00:34:17,655
IT'S PROBAB HERS.

569
00:34:17,656 --> 00:34:20,223
ANGEL, HONEY,
ARE YOU PREGNANT?

570
00:34:20,225 --> 00:34:22,092
JO.
HAPPY!

571
00:34:22,094 --> 00:34:23,760
JO!
ANGELS!

572
00:34:23,762 --> 00:34:25,829
AW, YOU WILL MAKE
LIKE A GOOD MOTHER.

573
00:34:25,831 --> 00:34:28,765
JUST NOT NOTAVE
BABY IN PARK, okay?

574
00:34:28,767 --> 00:34:30,434
JO, SIT DOWN

575
00:34:30,436 --> 00:34:34,471
WILL YOU SEE ME?
ARE YOU PREGNANT?

576
00:34:34,473 --> 00:34:35,572
NO.

577
00:34:35,574 --> 00:34:36,640
How are you?

578
00:34:36,642 --> 00:34:38,175
I AM NOT LATE.

579
00:34:38,177 --> 00:34:39,609
I AM NOT LATE.
I AM NOT LATE.

580
00:34:39,611 --> 00:34:41,445
GOOD.
SO SHE'S
IS NOT PREGNANT.

581
00:34:41,447 --> 00:34:45,715
WILL YOU LEAVE YOU
HANDS FROM MY DOOR?

582
00:34:53,392 --> 00:34:56,426
WHAT IS FUCK IS THE PROBLEM
WITH YOUR PEOPLE?

583
00:34:56,428 --> 00:34:57,661
HOW DOES LATE
WHAT ARE YOU?

584
00:34:57,663 --> 00:34:59,830
I'M NOT LATE, OK?

585
00:34:59,832 --> 00:35:02,265
GOOD.
I GET...

586
00:35:02,267 --> 00:35:04,835
CANNOT... GIVE ME THIS.

587
00:35:07,538 --> 00:35:08,772
GOOD.
WHAT DOES IT MEAN?

588
00:35:08,774 --> 00:35:10,340
THAT MEANS
YOU ARE REALLY.

589
00:35:10,342 --> 00:35:11,641
IT'S A...
IT'S PLUS

590
00:35:11,643 --> 00:35:14,544
IT'S LITTLE
BLUE PLUS SIGN
THERE.

591
00:35:14,546 --> 00:35:16,580
ALL RIGHT, SWEETHEART.
I AM NOT MORAL.

592
00:35:16,582 --> 00:35:18,115
I READ THE BOX, okay?

593
00:35:18,117 --> 00:35:20,250
GOOD.
IT'S A PLUS SIGN, OK?

594
00:35:20,252 --> 00:35:21,318
ARE YOU GONNA
SAVE IT ONLY?

595
00:35:21,320 --> 00:35:23,854
NO, I'M NOT GONNA KEEPING IT.
I GONNA LOOK AWAY.

596
00:35:23,856 --> 00:35:26,356
IT'S DISGUSTING.
WHAT DO YOU THINK?

597
00:35:26,358 --> 00:35:31,595
NO.
YOU KNOW I THINK,
WHAT'S HAPPENING IS I HAVE TO BE
An E.P.T.

598
00:35:31,597 --> 00:35:34,464
BECAUSE IT IS IN ME...

599
00:35:34,466 --> 00:35:37,134
OH, IT'S SO
BEAUTIFUL.

600
00:35:37,136 --> 00:35:39,269
HOW MUCH, THEY HAVE
DOCTORS IN CULVER CITY

601
00:35:39,271 --> 00:35:41,738
THAT CAN TAKE CARE
THAT, ALL RIGHT?

602
00:35:41,740 --> 00:35:43,140
GOOD.
YES.
OK.

603
00:35:43,142 --> 00:35:44,441
CAN YOU MAKE
AN APPOINTMENT FOR ME?

604
00:35:44,443 --> 00:35:47,310
BECAUSE I DON'T WANT TO
TO BRING IT AROUND IT.

605
00:35:47,312 --> 00:35:48,912
NOTHING.
IT IS OKAY.

606
00:35:51,282 --> 00:35:53,583
HEY, BOBBY

607
00:35:53,585 --> 00:35:55,719
BOBBY, HAVE YOU
SEE CHARLIE?

608
00:35:55,721 --> 00:35:57,387
YES,
I SEE HIM.

609
00:35:57,389 --> 00:35:59,523
HE HAS A TIP.

610
00:35:59,525 --> 00:36:01,191
FUCKING ASSHOLE.

611
00:36:01,193 --> 00:36:03,894
I HAVE TO CHANGE
SOMETHING WITH HIM.

612
00:36:03,896 --> 00:36:05,795
YOU ARE VERY
WANT TO KNOW?

613
00:36:05,797 --> 00:36:07,664
YES.
WHY?
WHAT HAPPENED?

614
00:36:07,666 --> 00:36:09,566
AYOLAH.
Let's go
FOR SMOKE.

615
00:36:09,568 --> 00:36:12,469
WHY?
WHAT HAPPENED?
WHAT...

616
00:36:14,372 --> 00:36:17,340
ASSHOLE!
GOD!
MOTHERFUCKER!

617
00:36:17,342 --> 00:36:19,809
I MEAN,
WHAT CAN I DO
TO DO NOW, HUH?

618
00:36:19,811 --> 00:36:24,314
HE TOLD ME THAT
HE GONNA COME
MEETING WITH ME.

619
00:36:24,316 --> 00:36:28,218
I GET IT SOMETHING,
AND THEN HE WAS GONNA
DOWN,

620
00:36:28,220 --> 00:36:29,286
AND HE MAKES ME
A PROMISE.

621
00:36:29,288 --> 00:36:30,353
HE GIVES ME TO MY PLACE.

622
00:36:30,355 --> 00:36:31,788
HE SAID, "I'M GONNA
FOLLOWING WITH MU,"

623
00:36:31,790 --> 00:36:34,891
AND THEN HE GOES OFF
WITH THE FIRST
LITTLE FUCKING...

624
00:36:34,893 --> 00:36:36,660
GOOD, YOU NEED
THE LEECH?

625
00:36:36,662 --> 00:36:38,595
HERE.
HERE.
QUIET.

626
00:36:38,597 --> 00:36:42,532
OH, FUCK, AND I NEED HIM
TO SHOW THAT I, LIKE,

627
00:36:42,534 --> 00:36:47,270
YOU KNOW, THE WHOLE PERSON
GONNA WHO GETS MARRIED
AND STUFF SO......  SITTING.
SIT.
SIT.

628
00:36:47,272 --> 00:36:49,839
RELAXED.

629
00:36:49,841 --> 00:36:51,708
YOU CAN DO MUCH BETTER
FROM CHARLIE

630
00:36:53,345 --> 00:36:56,379
SOME GONNA KID BE
REAL LUCKY TO HAVE YOU
AS MOM.

631
00:36:56,381 --> 00:36:59,983


632
00:36:59,985 --> 00:37:03,286
LOOK, HE DOESN'T EVEN
GONNA IS WITH ME.

633
00:37:03,288 --> 00:37:06,389
HE'S ONLY GONNA GO
FOR INTERVIEW.

634
00:37:06,391 --> 00:37:08,892
NOW WHAT DO I GONNA DO?

635
00:37:08,894 --> 00:37:11,795
Give me the tip.
He GIVES YOU  HMM?

636
00:37:11,797 --> 00:37:13,830
WHAT ARE THE FUCK YOU DO?
IT'S MY MONEY.

637
00:37:15,533 --> 00:37:18,368
IT'S MY MONEY!
THAT...

638
00:37:18,370 --> 00:37:19,436
That's
MONEY CHARLIE.

639
00:37:19,438 --> 00:37:20,503
HERE.
YOU CAN HAVE THIS

640
00:37:20,505 --> 00:37:22,005
DICKHEAD.

641
00:37:22,007 --> 00:37:24,641
TELLS YOU WHAT.

642
00:37:30,281 --> 00:37:31,581
AND I WILL GIVE YOU
RIDE HOME, ALL RIGHT?

643
00:37:31,583 --> 00:37:34,351
I'M GOING TO LOVE YOU
LONG TIME, BOBBY.

644
00:37:34,353 --> 00:37:36,653
GOOD.

645
00:37:36,655 --> 00:37:38,822
MISS WILLOW?
YOU CAN COME NOW.

646
00:37:45,029 --> 00:37:48,665
THANK YOU.

647
00:37:48,667 --> 00:37:50,867
MISS WILLOW,

648
00:37:52,536 --> 00:37:53,703


649
00:37:53,705 --> 00:37:57,641
WHY DO YOU WANT
TO BRING CHILDREN?

650
00:37:57,643 --> 00:37:58,643
GOOD, UM,

651
00:37:58,644 --> 00:38:00,744
BECAUSE I AM REALLY
LOVE OF CHILDREN  AND I'M REALLY
FEELING THAT I CAN
GIVE THEM

652
00:38:00,746 --> 00:38:05,348
SAFE AND HAPPY
PLACE TO BE

653
00:38:05,350 --> 00:38:08,051
WHEN THEY WAITED
FOR PARENTS  TO OUT
From REHAB OR JAIL

654
00:38:08,053 --> 00:38:09,986
THIS... SOMETIMES
CHILDREN COME

655
00:38:09,988 --> 00:38:13,023
FROM SANGAT DISTURBED
BACKGROUND,

656
00:38:13,025 --> 00:38:16,026
AND THE IMPORTANCE OF
TO HAVE A SAFE
AND SECURE ENVIRONMENT

657
00:38:16,028 --> 00:38:17,594
AND SOMEONE
WITH OPEN THOUGHTS.

658
00:38:17,596 --> 00:38:21,298
YES.
I'VE ALREADY
VERY LIMITED THOUGHTS.

659
00:38:21,300 --> 00:38:22,766
THAT SAYS "HANDS
FROM REQUIREMENTS
NO COLOR."

660
00:38:22,768 --> 00:38:25,468


661
00:38:25,470 --> 00:38:29,439


662
00:38:29,441 --> 00:38:32,409
LIKE, I'M NOT
LOW VIEW
MICHAEL JACKSON

663
00:38:32,411 --> 00:38:34,944
TO CHANGE THE COLOR OF THE SKIN.

664
00:38:34,946 --> 00:38:36,946
WE HAVE PEOPLE
IN MY BUILDING

665
00:38:36,948 --> 00:38:39,449
THAT...
There are 3 people LESBIAN

666
00:38:39,451 --> 00:38:40,583
LIVING IN ONE APARTMENT,

667
00:38:40,585 --> 00:38:42,786
AND ALL BRANDS SLEEP
IN THE BED UNTIL,

668
00:38:42,788 --> 00:38:44,788
AND THEY, LIKE,
MOST NORMAL PEOPLE

669
00:38:44,790 --> 00:38:47,891
THEY... EVEN THOUGHTS
THEY SLEEP TOGETHER,

670
00:38:47,893 --> 00:38:49,025
THEY ARE VERY GOOD.

671
00:38:49,027 --> 00:38:50,427
OH, I'm sure they...

672
00:38:50,429 --> 00:38:52,595
ACTUALLY, YOU'RE ALIVE
IN THE SAME BUILDING,

673
00:38:52,597 --> 00:38:55,732
SO THIS IS
APARTMENTS ON, UM...

674
00:38:55,734 --> 00:38:56,866
WHITSET?

675
00:38:56,868 --> 00:39:00,970
NO.
IT IS TRUE
AROUND CORNER
FROM WHITSET

676
00:39:00,972 --> 00:39:02,706
IT'S DIRECT.

677
00:39:02,708 --> 00:39:04,574
GOOD.
SO...

678
00:39:04,576 --> 00:39:07,977
GOOD.
AND SO, HOW LONG
HAVE YOU LIVED
IN LOS ANGELES?

679
00:39:07,979 --> 00:39:10,680
6 YEARS?
AND WHERE
ARE YOU GROWING?

680
00:39:10,682 --> 00:39:13,583
SO YOU MOVE HERE
FROM OKLAHOMA?

681
00:39:13,585 --> 00:39:16,953
GOOD, NO, I...
I AM IN LAS VEGAS.

682
00:39:16,955 --> 00:39:18,922
WHAT ARE YOU DOING
IN VEGAS?

683
00:39:18,924 --> 00:39:20,690
OH, I AM INVOLVED.

684
00:39:20,692 --> 00:39:22,659
ARE YOU UNDERSTANDING
MARRIED?

685
00:39:22,661 --> 00:39:26,596
I WANT,
BUT HE DOES NOT
WANT TO MARRY ME

686
00:39:26,598 --> 00:39:28,531
BECAUSE I, UM...

687
00:39:28,533 --> 00:39:29,733
HE IS VERY VERY
HEALTHY HUMAN,

688
00:39:29,735 --> 00:39:31,134
BUT HE BECOME SOME
FLAWS CHARACTERS.

689
00:39:31,136 --> 00:39:34,838
SOME CHAR... GOOD,
LIKE, WHAT'S THE TYPE
OF FLAWS CHARACTERS?

690
00:39:34,840 --> 00:39:37,040
HE WAS LIKE
WOMEN ARE REALLY.

691
00:39:37,042 --> 00:39:40,744
I CANNOT LEAD IT
FIND SOMEONE
YOUNGER

692
00:39:40,746 --> 00:39:41,978
OR INTERESTING
FROM YOU.

693
00:39:41,980 --> 00:39:45,115
GOOD THANK YOU,
BUT WHEN I PROTECTED 25,

694
00:39:45,117 --> 00:39:48,585
I AM ONLY
KICKED OUT TYPE.

695
00:39:48,587 --> 00:39:50,587
DO YOU HAVE ANOTHER SIGNIFICANT NOW?

696
00:39:50,589 --> 00:39:52,689
MM-HMM.
IT, UM, CHARLIE.

697
00:39:52,691 --> 00:39:54,023
HE'S DOWN, ME  AND HE IS GONNA
COME WITH ME TODAY,

698
00:39:54,025 --> 00:39:56,025
AND I KNOW YOU
MAYBE WORKING
THAT HE WAS NOT HERE,

699
00:39:56,027 --> 00:39:59,095
BUT HE HAS
A REAL REAL BIG,

700
00:39:59,097 --> 00:40:00,764
AND THEY NEED IT
IN NEW YORK

701
00:40:00,766 --> 00:40:02,432
BECAUSE IT MAYBE,
UM, BE BEING SOME OF THE
MUSIC WITH YANNI

702
00:40:02,434 --> 00:40:07,871


703
00:40:07,873 --> 00:40:10,039
OR SOME OTHERS.

704
00:40:10,041 --> 00:40:12,509
IT WAS VERY VERY...
RICE.

705
00:40:12,511 --> 00:40:13,410
MM-HMM.

706
00:40:13,412 --> 00:40:16,913
GOOD.
IT IS VERY RICE.

707
00:40:16,915 --> 00:40:18,448
WHAT YOU...

708
00:40:18,450 --> 00:40:21,951
WHAT YOU FEAR THE MOST IN LIFE?

709
00:40:22,520 --> 00:40:23,820
UM...

710
00:40:23,822 --> 00:40:27,524
BRING WHAT IT IS UP TO YOU?

711
00:40:27,526 --> 00:40:29,726
NOT POSSIBLE TO LIVE.

712
00:40:29,728 --> 00:40:33,863
AND WHAT ABOUT THE MOST
nice thing?

713
00:40:33,865 --> 00:40:35,031
LOVE.

714
00:40:35,033 --> 00:40:37,967
LOVE.
YES.

715
00:40:37,969 --> 00:40:39,102
WILLOW MISS...

716
00:40:39,104 --> 00:40:40,837
MM-HMM?

717
00:40:40,839 --> 00:40:42,105
WHAT YOU THINK...

718
00:40:42,107 --> 00:40:46,443
WHAT YOU THINK YOU CAN GIVE CHILDREN?

719
00:40:46,445 --> 00:40:49,512
UM, GOOD, UM,
I HAVE TEDDY BEAR

720
00:40:49,514 --> 00:40:51,915
What I have
WHEN I WAS KID,

721
00:40:51,917 --> 00:40:53,850
AND, UM, I... I... I...

722
00:40:53,852 --> 00:40:56,820
I MAKE THAT IS REALLY GOOD
FLUFFERNUTTER SANDWICH.

723
00:40:56,822 --> 00:40:59,722
YOU ARE... YOU...
YOU ARE VERY INTERESTING.

724
00:40:59,724 --> 00:41:03,226
I WANT YOU
UNDERSTANDING SOMETHING.

725
00:41:03,228 --> 00:41:05,795
IMPROVING CHILDREN
NOT A HOBBY,

726
00:41:05,797 --> 00:41:07,597
AND NOT
LIKE ACTIVITIES...

727
00:41:07,599 --> 00:41:08,565
OH NO.
I KNOW.

728
00:41:08,567 --> 00:41:09,899
IT'S VERY...
THIS IS SERIOUS.

729
00:41:09,901 --> 00:41:11,034
IT'S JOB,

730
00:41:11,036 --> 00:41:13,203
COMMITMENTS THAT YOU'RE MAKING GONNA.

731
00:41:13,205 --> 00:41:17,240
I... I'm not too much
HOBBIES ALREADY.

732
00:41:17,242 --> 00:41:19,509
HAHAHAHA!
WELL.

733
00:42:04,221 --> 00:42:05,855
JO, ARE YOU
LOOKING AT MY ASS?

734
00:42:05,857 --> 00:42:07,257
THERE IS
SOMETHING IN IT.

735
00:42:07,259 --> 00:42:09,859
That smells
WHAT IS IT
WARTS OR SOMETHING?

736
00:42:09,861 --> 00:42:11,127
NO, NO.
NO, SWEETHEART.

737
00:42:11,129 --> 00:42:12,595
YOU'RE JUST CUT YOU
ASSHOLE, IT'S ALL.

738
00:42:12,597 --> 00:42:14,030
YOU MUST ONLY PUT
A LITTLE SOLUTION... WAIT.

739
00:42:14,032 --> 00:42:15,732
You might
FEEL SORRY FOR ME

740
00:42:15,734 --> 00:42:17,834
BECAUSE I WAS ONLY DONE ONE DOLLAR.
HA!

741
00:42:17,836 --> 00:42:19,602
CAN AJA.

742
00:42:19,604 --> 00:42:21,771
JESUS, ANGEL

743
00:42:21,773 --> 00:42:24,007
WAY TO GO.

744
00:42:24,309 --> 00:42:27,210
PUT SOME ALOE VERA
ON IT, JASMINE.

745
00:42:27,212 --> 00:42:28,811
I THINK
ABOUT LITTLE JO

746
00:42:28,813 --> 00:42:32,015
BECAUSE I THINK
It will be really
EASY TO REMEMBER

747
00:42:32,017 --> 00:42:33,883
BECAUSE IT'S LIKE YOUR
NAM.

748
00:42:33,885 --> 00:42:36,953
AND IT WILL BE GOOD
FOR A GIRL OR A BOY.

749
00:42:49,800 --> 00:42:54,337
DON'T TAKE MY SOUL

750
00:42:57,608 --> 00:43:03,313
NOT FROM ME NOW

751
00:43:04,715 --> 00:43:11,721
DON'T SEND NO ROSES

752
00:43:11,723 --> 00:43:15,325
MY SALES ARE THERE

753
00:43:15,327 --> 00:43:17,727
HEI.
CAN I ONLY
GET YOUR ATTENTION?

754
00:43:17,729 --> 00:43:20,196
HELLO, TIFFANY.
PARTY IN MY HOME.

755
00:43:20,198 --> 00:43:22,799
GREAT PARTY IN MY HOME
LUSA

756
00:43:22,801 --> 00:43:27,003
AND SOMETIMES PEOPLE
GET PISS OFF PEOPLE,

757
00:43:27,005 --> 00:43:28,005
AND THIS THING...

758
00:43:28,006 --> 00:43:31,608
FOR MY KEY
LUSA
TOMORROW.

759
00:43:31,610 --> 00:43:34,043
I'LL MAKE
MAP FOR EVERYONE
SO EVERYONE KNOWS

760
00:43:34,045 --> 00:43:36,946
HOW TO GET
MY APARTMENT, okay?

761
00:43:45,255 --> 00:43:48,925
REMEMBER
THIS GLASS?

762
00:43:48,927 --> 00:43:50,994
I WANT TO KNOW
IF, UH,

763
00:43:50,996 --> 00:43:54,063
YOU MAY CAN,
UH, HOLD THEM

764
00:43:54,065 --> 00:43:55,898
WHEN I, UH...

765
00:43:55,900 --> 00:44:00,403
I WAS DESTROYING IT
WITH LANDLORD

766
00:44:00,405 --> 00:44:02,138
STRAIGHT IT?

767
00:44:02,140 --> 00:44:06,042
THEY ARE... THEY
I WAS WRONG.

768
00:44:06,044 --> 00:44:07,410
HE LOVES THEM,
AND, UH,

769
00:44:07,412 --> 00:44:11,948
IT WAS JUST MEMENTO
I GET IT  That's STORMY.

770
00:45:10,240 --> 00:45:12,041
EDDIE, HARRY LEFT
BINOCULARS
HERE FOR YOU.

771
00:45:18,148 --> 00:45:25,021
HARRY LEFT THIS?

772
00:45:25,023 --> 00:45:26,155
YES.

773
00:45:26,157 --> 00:45:28,224
THANK YOU.

774
00:45:29,293 --> 00:45:31,060
HEI, DESIREE.

775
00:45:31,062 --> 00:45:32,161
YES?

776
00:45:32,163 --> 00:45:33,996
ARE YOU NOTHING?

777
00:45:33,998 --> 00:45:34,897
YES I AM GOOD.

778
00:45:34,899 --> 00:45:38,367
UH, HI.
ITU ROOM 208.

779
00:46:13,303 --> 00:46:19,008
YES.
NO, I'M NOT GOING

780
00:46:19,010 --> 00:46:23,379
YES.
I live
ONE NIGHT AGAIN.

781
00:46:23,381 --> 00:46:25,982
MY LIFT
LIKE A SPORT BRANCH

782
00:46:25,984 --> 00:46:30,052
Be DOVE MY HOMEWARD

783
00:46:30,054 --> 00:46:33,156
AND DANCE ME

784
00:46:33,158 --> 00:46:35,925


785
00:46:35,927 --> 00:46:39,996
FOR THE END OF LOVE

786
00:46:39,998 --> 00:46:42,131
OH.
NO PROBLEM.

787
00:46:42,133 --> 00:46:44,066
HEY THERE

788
00:46:53,076 --> 00:46:54,343
YOU WANT ME TO GET
YOUR WAY

789
00:46:54,345 --> 00:46:55,478
HMM?
Do you want me to go?

790
00:46:55,480 --> 00:46:58,581
NO.
I DON'T GET
NOWHERE TO GO.

791
00:47:04,588 --> 00:47:06,455
LIGHT ME ONE,
ARE YOU GOING?

792
00:47:06,457 --> 00:47:08,491
YES. SURE SURE.

793
00:47:20,604 --> 00:47:22,939
HE'S HERE, BOBBY.

794
00:47:22,941 --> 00:47:25,074
WHO ARE?

795
00:47:25,076 --> 00:47:27,210
SULLIVAN.

796
00:47:27,212 --> 00:47:29,445
SAUDARAMU?

797
00:47:31,148 --> 00:47:33,115
YES.

798
00:47:38,322 --> 00:47:40,456
HE WANTS ME
TO SEE HIM.

799
00:47:40,458 --> 00:47:41,924
GONNA?

800
00:47:41,926 --> 00:47:44,093
She's lying down
IN SUNSET HILTON.

801
00:47:44,095 --> 00:47:48,397
YOU KNOW
WHERE IS IT?

802
00:47:48,399 --> 00:47:52,201
YES.
YES.

803
00:47:52,203 --> 00:47:56,005
HE GETS
MARRIED.

804
00:47:56,007 --> 00:47:58,608
HE'S GONNA DADDY.

805
00:47:58,610 --> 00:48:00,643
YOU ARE GONNA BE
AN AUNT

806
00:48:00,645 --> 00:48:02,879
FUCK YOU  FUCK, NO.
NOT ME
WANT TO SEE HIM.

807
00:48:05,148 --> 00:48:08,351
HOW DO WE DO TONIGHT?

808
00:48:11,154 --> 00:48:14,323
ALL RIGHT

809
00:48:14,325 --> 00:48:16,425
WANT SOME SUGGESTIONS?

810
00:48:19,897 --> 00:48:21,964
Wait until CHRISTMAS.

811
00:48:21,966 --> 00:48:23,199
YOU BUY THEM ALL
GOOD SMALL PRIZES.

812
00:48:23,201 --> 00:48:25,067
YOU GO HOME.
YOU HAVE THEM.

813
00:48:25,069 --> 00:48:26,202
YOU TAKE PICTURES.
YOU GO HOME.

814
00:48:26,204 --> 00:48:28,137
I DON'T WANT TO
EVERY SUGGESTION.

815
00:48:28,139 --> 00:48:30,640
I WANT TO SEE IT.

816
00:48:31,608 --> 00:48:34,210
'74 FLEETWOOD.

817
00:48:34,212 --> 00:48:37,346
WE DROVE
CROSSING COUNTRIES
IN THE CAR.

818
00:48:37,348 --> 00:48:40,583
I'M ALWAYS WANTING
TO DO IT.

819
00:48:40,585 --> 00:48:44,120
BEST memories
IN MY LIFE.

820
00:48:44,122 --> 00:48:47,590
HE'S TRUE THERE.
WHERE?

821
00:48:52,663 --> 00:48:54,597
THERE.
MY BROTHER.

822
00:48:54,599 --> 00:48:57,667


823
00:48:57,669 --> 00:48:59,035
HOW DO YOU KNOW?

824
00:48:59,037 --> 00:49:00,536
I KNOW.

825
00:49:01,471 --> 00:49:03,339
I KNOW HIM, UH,

826
00:49:03,341 --> 00:49:05,241
IN THE LEFT SIDE
From the bed,

827
00:49:05,243 --> 00:49:08,277
AND HE'S SMOKING
A CIGARETTE,

828
00:49:08,279 --> 00:49:11,047
AND HE THINK.

829
00:49:18,121 --> 00:49:19,221
I'M NOT GOING.

830
00:49:19,223 --> 00:49:21,724
I DON'T WANT TO
TO GO TO THERE.

831
00:49:24,227 --> 00:49:25,294
YOU WANT TO RETURN
TO PLACE ME?

832
00:49:25,296 --> 00:49:26,495
NO.
ONLY, YOU KNOW,
BRING ME BACK

833
00:49:26,497 --> 00:49:29,365
FOR MY CAR, ALL RIGHT?

834
00:49:29,367 --> 00:49:31,467
GOOD.

835
00:49:33,237 --> 00:49:37,473
GOOD.
THIS IS
VERY GOOD GUITAR,
SO...

836
00:49:37,475 --> 00:49:40,009
THANK YOU.

837
00:49:40,011 --> 00:49:42,278
WHOA.

838
00:49:45,682 --> 00:49:48,117
BABY, COME HERE.

839
00:49:48,119 --> 00:49:50,486
HERE.
HERE.
LET ME TELL YOU.

840
00:49:50,488 --> 00:49:51,520
YOU HEARED
THAT VOICE?

841
00:49:51,522 --> 00:49:54,156
YES.
THIS IS A '59
GIBSON LES PAUL.

842
00:49:54,158 --> 00:49:58,627
THIS... THERE ARE MORE
HISTORY HERE
THIS INSTRUMENT

843
00:49:58,629 --> 00:50:01,430
YOU MUST HAVE IT
LIKE A PRESIDENT BABY.

844
00:50:01,432 --> 00:50:02,298
OH dear.

845
00:50:02,300 --> 00:50:04,100
THINKING
BABY JESUS CHRIST.

846
00:50:04,102 --> 00:50:07,003
GOT THE GOODS.

847
00:50:07,738 --> 00:50:10,272
I'M VERY PROUD OF
From you

848
00:50:10,274 --> 00:50:13,175
CASH OR...

849
00:50:13,177 --> 00:50:14,110
OH, KAS.

850
00:50:14,112 --> 00:50:16,579
That money
TAKES IT.

851
00:50:16,581 --> 00:50:18,147
GOOD.
VERY GOOD.

852
00:50:18,149 --> 00:50:19,081
WHAT ARE YOU PLEASED?

853
00:50:19,083 --> 00:50:21,217
THANK YOU,
HONEY.

854
00:51:01,525 --> 00:51:05,094
DANCE ME
FOR YOUR ACCIDENT  WITH BETTER

855
00:51:05,096 --> 00:51:08,831
DANCE ME
THROUGH PANIC

856
00:51:08,833 --> 00:51:11,801
I'M GOING TO GATHERED
SAWELY IN

857
00:51:11,803 --> 00:51:16,105


858
00:51:16,107 --> 00:51:19,775
MY LIFT
LIKE A SPORT BRANCH

859
00:51:19,777 --> 00:51:23,312
AND CAN OWN YOURSELF

860
00:51:23,314 --> 00:51:25,815
AND DANCE ME

861
00:51:25,817 --> 00:51:29,585
FOR THE END OF LOVE

862
00:51:30,554 --> 00:51:33,189
YEAH, DANCE ME

863
00:51:33,191 --> 00:51:36,325
FOR THE END OF LOVE

864
00:51:37,794 --> 00:51:40,563
LET ME SEE YOUR BEAUTY  WHEN WITNESS
LOST...

865
00:51:40,565 --> 00:51:45,734
ANGE, I HAVE TO
ALL THIS IS REALLY,
REALLY GREAT STUFF

866
00:51:45,736 --> 00:51:48,370
IN 99 CENT STORES,
AND I THINK... WAKE UP...

867
00:51:48,372 --> 00:51:51,707
AND I HAVE TOTALLY THIS,
REALLY GREAT SNORKEL.

868
00:51:51,709 --> 00:51:53,709
KID CAN USE IT
AS SNORKEL
IN THIS SWIMMING POOL.

869
00:51:53,711 --> 00:51:56,645
OH, that's
VERY FUN!

870
00:51:56,647 --> 00:51:59,115
ANYWHERE?
WHERE'S EVERYBODY?

871
00:51:59,117 --> 00:52:02,151
SCOPE
THAT EVERYONE

872
00:52:02,153 --> 00:52:03,252


873
00:52:03,254 --> 00:52:05,221
HAVE ANY APPROACH TO
OR SOMETHING.

874
00:52:05,223 --> 00:52:06,789
I DON'T LISTEN TO
FROM ANYWHERE.

875
00:52:06,791 --> 00:52:08,190
GOOD.
YOU KNOW
ITS PEOPLE

876
00:52:08,192 --> 00:52:10,526
WHO IS INFLUENCING IT
SHIT UP ONSTAGE?

877
00:52:10,528 --> 00:52:11,861
YES.

878
00:52:11,863 --> 00:52:16,732
So I think that
WE HAVE TO LOVE IT
NOW.

879
00:52:16,734 --> 00:52:18,601
YES.
BECAUSE
WE NEED ORGANIZATION.

880
00:52:18,603 --> 00:52:20,703
WE NEED
CONCENTRATION.

881
00:52:20,705 --> 00:52:23,239
YES GOD.
ARE YOU MOVE COUCH?

882
00:52:23,241 --> 00:52:24,507
YES.
BECAUSE I AM WORKING  ABOUT FENG SHUI
WHOA.

883
00:52:24,509 --> 00:52:26,542
WHAT IS FUCK
What is FENG SHUI?

884
00:52:26,544 --> 00:52:28,644
THAT... aren't you
FROM, LIKE, ASIA?

885
00:52:28,646 --> 00:52:31,881
NO.
I AM FROM
SEATTLE, HONEY.

886
00:52:31,883 --> 00:52:34,383


887
00:52:34,385 --> 00:52:38,254
GOOD, FENG SHUI LIKE
ANCIENT OREAL...

888
00:52:38,256 --> 00:52:41,924
ORIENTAL RITUALS
FACING YOUR HOME

889
00:52:41,926 --> 00:52:44,593
WHERE YOU MOVE ALL
FROM YOUR FURNITURE  SO THAT CHI...

890
00:52:44,595 --> 00:52:46,795
YES GOD.

891
00:52:46,797 --> 00:52:47,930
ENERGY CAN GO
THROUGH HOME.

892
00:52:47,932 --> 00:52:50,466
IT BLOWS FROM ONE END
TO ANOTHER.

893
00:52:50,468 --> 00:52:52,334
GOOD.
WE CAN WORK
WITH IT.

894
00:52:52,336 --> 00:52:54,837
- ANGE...
- WHAT?

895
00:52:57,240 --> 00:52:58,707
IT'S A FASHION STY
HERE.

896
00:52:58,709 --> 00:53:00,809
OH I KNOW.
I WILL...

897
00:53:00,811 --> 00:53:01,877
I WILL...
I'M DOING IT
NOW.

898
00:53:01,879 --> 00:53:04,480
I AM ONLY WAITING FOR
FOR EVERYONE
TO GET HERE.

899
00:53:04,482 --> 00:53:06,782
YES.
WELL, WHERE
KID GONNA SLEEPING?

900
00:53:06,784 --> 00:53:09,351


901
00:53:09,353 --> 00:53:10,553
HE GONNA SLEEPED
HERE,

902
00:53:10,555 --> 00:53:12,388
AND I GONNA SLEEPED
OUT ON THE COUCH.

903
00:53:12,390 --> 00:53:14,256
HE'S GONNA SLEEPING
ON A FUCKING
Bed?

904
00:53:14,258 --> 00:53:17,359
I THINK
I WILL TURN IT ON
AND IT WILL SEE
LIKE A SPACE SPACE.

905
00:53:17,361 --> 00:53:19,261
AND YOU HAVE TO GET RID
FROM THIS SHEET.

906
00:53:19,263 --> 00:53:21,664
GET HIM
WORK SHEET.

907
00:53:21,666 --> 00:53:22,965
NICE IDE.
That's a good IDE.

908
00:53:22,967 --> 00:53:24,533
YES GOD.
AND YOU
MUST REPRESENT THIS HOLE.

909
00:53:24,535 --> 00:53:28,270
I'LL TELL YOU THE BOBBY TO FIX
HOLE OF THIS FUCKING.

910
00:53:28,272 --> 00:53:30,673
WE HAVE TO
CREATE A LIST.

911
00:53:30,675 --> 00:53:32,508
GOOD.
TEACHING.

912
00:53:32,510 --> 00:53:35,211
FIX THE HOLE.

913
00:53:35,979 --> 00:53:38,347
UM, BUY WALLPAPER.

914
00:53:39,316 --> 00:53:42,351


915
00:53:42,353 --> 00:53:44,386
BOBBY WILL KNOW
WHERE TO BUY
WALLPAPER

916
00:53:44,388 --> 00:53:46,388
HE WILL?
MM-HMM.

917
00:53:46,390 --> 00:53:48,324
GOOD.

918
00:53:48,525 --> 00:53:49,625
THE FIX
AC.

919
00:53:49,627 --> 00:53:50,793
IT'S SO FUCKING HOT
HERE.

920
00:53:50,795 --> 00:53:52,895
GOOD, I CANNOT FIX
THE AIR CONDITIONING THING

921
00:53:52,897 --> 00:53:55,598
BECAUSE SOME SOME
RATS LIVE IN IT.

922
00:53:55,600 --> 00:53:57,933
ANGEL, YOU CAN'T ALIVE THREE!

923
00:53:57,935 --> 00:53:59,902
NO.
WE HAVE TO GET
RID OF THEM!

924
00:53:59,904 --> 00:54:01,804
TRAINING!
JASMINE, DON'T.

925
00:54:01,806 --> 00:54:03,973
WHAT DO I GONNA DO?
I'M NOT GONNA KILLING THEM.

926
00:54:03,975 --> 00:54:05,641
YES.
YOU HAVE
TO KILL THREE.

927
00:54:05,643 --> 00:54:07,676
WE WILL GET BOBBY
TO KILL THREE.

928
00:54:07,678 --> 00:54:09,345
HE'S NOT GONNA
LET YOU KEEP THE KID

929
00:54:09,347 --> 00:54:11,880
I AM NOT... I WILL NOT
KEEP THREE.

930
00:54:11,882 --> 00:54:13,315
I WILL HAVE THEM
IN YOUR HOUSE.

931
00:54:13,317 --> 00:54:14,717
I DO NOT
KEEP THREE!

932
00:54:14,719 --> 00:54:19,922
AND WE CAN ONLY
PUT IT AT YOUR HOME
FOR THIS TIME.

933
00:54:19,924 --> 00:54:21,991
NO NO!
KID REQUIRES
AC,

934
00:54:21,993 --> 00:54:25,527
HE'S NOT GONNA
LET YOU KEEP THE KID
IF YOU HAVE THREE.

935
00:54:25,529 --> 00:54:27,896
GOOD, I'M AGAIN
KILLING THEM.

936
00:54:27,898 --> 00:54:31,400
ORDERING
THREE FOLLOWS.

937
00:54:33,503 --> 00:54:36,472
I'M HUNGRY.

938
00:54:36,640 --> 00:54:38,674
MAYBE WE HAVE TO WORK
ON LIST OUTSIDE,

939
00:54:38,676 --> 00:54:39,908
AND WE WORK
ABOUT OUR TANS.

940
00:54:39,910 --> 00:54:42,378
WHAT ARE YOU WANTING
SOME PIZZA?

941
00:54:42,380 --> 00:54:43,412
YES.

942
00:54:43,414 --> 00:54:44,947
WHAT TYPE
WHAT ARE YOU?

943
00:54:44,949 --> 00:54:48,384
BECAUSE OF MR.
SHERMAN...
THAT, LIKE,

944
00:54:48,386 --> 00:54:50,753
100-YEAR-OLD MAN
ALWAYS LOOKED...
WHO IS IT?

945
00:54:50,755 --> 00:54:52,821
THAT I...
MY FATHER.

946
00:54:52,823 --> 00:54:54,757
YOUR FATHER
WEST ADAM?

947
00:54:54,759 --> 00:54:58,327
GOOD, HE WHO IS
I LIKE THOUGHT
AS MY DAD.

948
00:54:58,329 --> 00:54:59,928
BUT DON'T YOU THINK
He sees
LIKE ME?

949
00:54:59,930 --> 00:55:02,965
LIKE, LOOK AT ITS
JAW AND ITS MOUTH...
ONLY ONLY...

950
00:55:02,967 --> 00:55:05,868
EVEN THE WHOLE NOSE
AND EVERYTHING.
SEEN...

951
00:55:05,870 --> 00:55:09,571
LOOK AT... LOOK.
IF I OPEN THIS WAY?

952
00:55:09,573 --> 00:55:10,539
MM-HMM.

953
00:55:10,541 --> 00:55:13,042
YOU'RE NOT
SEE AS WELL.

954
00:55:13,678 --> 00:55:16,478
NOTHING.
YOU ARE NOT
MUST SEE IT AS WELL.

955
00:55:16,480 --> 00:55:21,550
DON'T TELL LADY
THAT YOUR DAD IS A BATMAN.

956
00:55:21,552 --> 00:55:23,018
WHY?

957
00:55:23,020 --> 00:55:25,321
ELLEN.
ELLEN TAYLOR.

958
00:55:25,323 --> 00:55:28,023
AND WE WILL CALL YOU
WHEN WE ARE READY.

959
00:55:28,025 --> 00:55:30,092
GOOD.

960
00:55:33,563 --> 00:55:35,831
ELLEN YOUR NAME?

961
00:55:35,833 --> 00:55:38,567
WHAT'S WHAT WE WANT
FOR BABY NAME

962
00:55:38,569 --> 00:55:41,370
AFTER MY MILK
GRAY.

963
00:55:41,372 --> 00:55:42,671
THE TYPE
OLD NAME,

964
00:55:42,673 --> 00:55:44,840
BUT IT IS FULLY.

965
00:55:44,842 --> 00:55:47,109
UM, EXCUSE ME, ELLEN,

966
00:55:47,111 --> 00:55:48,043
YOU CANNOT LOVE
HERE.

967
00:55:48,045 --> 00:55:49,945
NO SMOKING
HERE.

968
00:55:49,947 --> 00:55:50,979
OH MY PASSION.

969
00:55:50,981 --> 00:55:52,648
BECAUSE THIS IS THE DOCTOR OFFICE.

970
00:55:52,650 --> 00:55:54,817
YOU KNOW, YOU MUST BE
TRUE REALLY
SERIOUSLY CONSIDERING

971
00:55:54,819 --> 00:55:58,087
STOP SMOKING
IN THIS POINT, YOU KNOW?

972
00:55:58,089 --> 00:56:01,523
GOOD, I MEAN,
IT'S REALLY BAD
FOR BABY

973
00:56:01,525 --> 00:56:03,692
MY PASSION.
ELLEN...
MM-HMM?

974
00:56:03,694 --> 00:56:04,893
YOU MAY BE ABLE TO EARN TO BE OUTSIDE,

975
00:56:04,895 --> 00:56:08,430
BUT YOU CAN'T THINK
HERE, AND THAT...

976
00:56:08,432 --> 00:56:12,768
LIKE I SAY,
IT'S REALLY BAD
FOR BABIES

977
00:56:12,770 --> 00:56:14,837
YOU KNOW,
. A MINING MEMBER...

978
00:56:14,839 --> 00:56:15,971
HE'S GOING
FOR ACUPUNCTURE...

979
00:56:15,973 --> 00:56:17,139
YOU KNOW WHAT?
I DON'T GIVE FUCK

980
00:56:17,141 --> 00:56:19,475
ABOUT GIRLFRIEND
FROM YOU, okay?

981
00:56:19,477 --> 00:56:22,111
EVERYONE DOES NOT
HAVE A HAPPY, CHEERFUL,

982
00:56:22,113 --> 00:56:24,713
BEAUTIFUL LIFE LIKE
YOU ARE TRUE, ALL RIGHT?

983
00:56:24,715 --> 00:56:27,049
GOOD?
EVERYONE IS NOT HERE
HAVE A BABY

984
00:56:27,051 --> 00:56:29,451
SOME OF US... FUCK YOU!

985
00:56:29,453 --> 00:56:30,552
FUCK YOU, BITCH!

986
00:56:30,554 --> 00:56:32,688
WE'RE SOME HERE TO HAVE ABORTION!

987
00:56:32,690 --> 00:56:33,689
ARE YOU EVER
THINKING THAT?

988
00:56:33,691 --> 00:56:35,057
ARE YOU EVER
THINKING THAT?

989
00:56:35,059 --> 00:56:36,725
ARE YOU EVER
THINKING THAT?

990
00:56:36,727 --> 00:56:38,494
ARE YOU EVER
THINKING THAT?

991
00:56:38,496 --> 00:56:39,528
NO.
BECAUSE
YOU DO NOT THINK.

992
00:56:39,530 --> 00:56:40,696
YOU ARE ONLY RATTAN
CONTINUOUSLY

993
00:56:40,698 --> 00:56:42,097
ABOUT YOUR HAPPY
LITTLE MILK

994
00:56:42,099 --> 00:56:44,833
AND YOUR HAPPY
LITTLE GRANDMOTHER
NAMED ELLEN,

995
00:56:44,835 --> 00:56:45,968
AND YOU DO NOT
Give a FUCK

996
00:56:45,970 --> 00:56:46,970
ABOUT OTHERS!

997
00:56:46,971 --> 00:56:48,971
YOU HAVE
PROBLEM, LADY.

998
00:56:48,973 --> 00:56:50,105
YOU THINK YOU ARE
The only person

999
00:56:50,107 --> 00:56:51,707
WITH REPRODUCTION
ORGANS?

1000
00:56:51,709 --> 00:56:53,008
I'M GONNA HAVE
TALK THIS.

1001
00:56:53,010 --> 00:56:54,143
I WILL
HAVE THIS BABY,

1002
00:56:54,145 --> 00:56:55,611
AND MY BABY
IS GONNA SELLING MEDICINE

1003
00:56:55,613 --> 00:56:56,912
FOR YOUR BABY
ON THE PLAYGROUND!

1004
00:56:56,914 --> 00:57:01,483
YOU KNOW THAT?
YOU HAVE A BITCH!

1005
00:57:02,719 --> 00:57:05,454
YES GOD.

1006
00:57:05,456 --> 00:57:07,723
WHAT IS FUCK?

1007
00:57:07,725 --> 00:57:08,725
YES GOD.

1008
00:57:08,726 --> 00:57:10,192
WHO IS IT FOR?

1009
00:57:10,194 --> 00:57:14,430
THIS IS FOR ANGEL.

1010
00:57:14,432 --> 00:57:16,098
HAHAHAHA!

1011
00:57:16,100 --> 00:57:19,168
WHO ARE THEY FROM?
ARE THERE CARDS?

1012
00:57:21,105 --> 00:57:22,805
TO SAY ME
WHO IS PAID FOR THEM.

1013
00:57:22,807 --> 00:57:24,206
WHAT ARE YOU...

1014
00:57:24,208 --> 00:57:25,941
WHAT ARE YOU
TALKING ABOUT?

1015
00:57:25,943 --> 00:57:27,009
THOSE FROM
FUNERAL MAKERS

1016
00:57:27,011 --> 00:57:30,112
THEY ARE FOR...
I AM NOT DEAD.

1017
00:57:30,114 --> 00:57:31,980
BUT THEY ARE LOOKING FOR LIKE
THEY ARE GREAT

1018
00:57:31,982 --> 00:57:34,216
This is
VERY BEAUTIFUL.

1019
00:57:34,218 --> 00:57:36,885
NICE, ANGEL.
You are highlighted

1020
00:57:36,887 --> 00:57:37,753
YES GOD.

1021
00:57:37,755 --> 00:57:38,987
WELL, WHO
ARE THEY FROM?

1022
00:57:38,989 --> 00:57:41,223
DRIVER SAID
HE WAS NOT ALLOWED TO SAY ME.

1023
00:57:41,225 --> 00:57:43,225
DO THEY GIVE
A CARD?

1024
00:57:43,227 --> 00:57:44,493
JIMMY, ARE THEY
GIVING CARDS?

1025
00:57:44,495 --> 00:57:47,229
NO NO.
NOT I
KNOW THERE IS NO OTHER.

1026
00:57:47,231 --> 00:57:49,565
THEY... I BET THEY FROM DALE.

1027
00:57:49,567 --> 00:57:51,967
YOU KNOW,
GUY WITH BALD HEAD.

1028
00:57:51,969 --> 00:57:53,869
TOTALLY SWEET
BIG MEN.

1029
00:57:53,871 --> 00:57:55,103
HE, LIKE,
TYPE OF NERDY.

1030
00:57:57,775 --> 00:58:00,976
YOU DO NOT KNOW,
THEY, LIKE,
FROM SILICON VALLEY

1031
00:58:00,978 --> 00:58:02,244
HE'S BAD BAD.

1032
00:58:02,246 --> 00:58:03,946
NO NO.
He is just poor  GOOD,
TO JUMPA.

1033
00:58:03,948 --> 00:58:05,247
ANGEL, IT'S, LIKE,
200 BUCKS.

1034
00:58:05,249 --> 00:58:06,849
LIKE, 300 BOOKS.

1035
00:58:06,851 --> 00:58:08,484
I HAVE, LIKE,
AN INDEPENDENLY
ADVISOR OF SECRETS.

1036
00:58:08,486 --> 00:58:13,121
MAYBE THEY ARE FROM CHARLIE.
YOU NEVER KNOW.

1037
00:58:13,123 --> 00:58:16,191
REAL REALS
MAY HAVE COME THROUGH.

1038
00:58:16,193 --> 00:58:18,994
JUST DOING.

1039
00:58:18,996 --> 00:58:20,662
ONLY KIDDING, SWEETIE.

1040
00:58:20,664 --> 00:58:22,264
YES GOD,
I DO NOT BELIEVE IT.

1041
00:58:22,266 --> 00:58:25,534
I KNOW.
IT'S LIKE...
I'M, LIKE, SO LUCKY.

1042
00:58:25,536 --> 00:58:33,008
WE GONNA KICK IT
Towards RIGHT GEAR NOW NOW

1043
00:59:08,812 --> 00:59:11,880


1044
00:59:11,882 --> 00:59:15,050
BECAUSE IT COMES TO STAGE
IS YOUR CHILDREN'S RESIDENT.

1045
00:59:15,052 --> 00:59:18,153
IT'S JO!

1046
00:59:24,961 --> 00:59:27,729
COME ON, GIRL!

1047
00:59:27,731 --> 00:59:29,932
YEAH, DO IT!

1048
00:59:29,934 --> 00:59:32,200
GET THAT POLE!

1049
00:59:34,138 --> 00:59:35,837
YES!
YES!

1050
00:59:35,839 --> 00:59:36,972
WHOO!

1051
00:59:36,974 --> 00:59:37,873
HERE!

1052
00:59:37,875 --> 00:59:41,109
GET THAT POLE!

1053
00:59:42,279 --> 00:59:43,679
JO, IT'S ENOUGH.

1054
00:59:43,681 --> 00:59:45,113
DAVE, DAVE,
HERE

1055
00:59:45,115 --> 00:59:47,049
GETTING THE STAGE!

1056
00:59:47,051 --> 00:59:49,284
WHAT IS FUCK
WHAT IS SOMETHING WITH YOU?

1057
00:59:49,286 --> 00:59:50,986
WHAT IS FUCK
WHAT IS SOMETHING WITH YOU?

1058
00:59:50,988 --> 00:59:52,988
WHAT IS FUCK
WHAT IS SOMETHING WITH YOU?

1059
00:59:52,990 --> 00:59:54,756
GETTING THE STAGE!

1060
00:59:54,758 --> 00:59:56,758
JO!
JO, GET STAGE!

1061
00:59:56,760 --> 00:59:59,728
GET HER OFF STAGE NOW!

1062
01:00:01,832 --> 01:00:03,699
GET HER OUT!

1063
01:00:03,701 --> 01:00:04,967
GETTING THE STAGE!

1064
01:00:06,303 --> 01:00:09,972
ANGEL, GET ONSTAGE!
GET ONSTAGE!

1065
01:00:09,974 --> 01:00:11,907
I THINK YOU NEED
TO MAY DOWN, ALL RIGHT?

1066
01:00:11,909 --> 01:00:14,309
ANGEL TO STAGE.
ANGEL TO STAGE.

1067
01:00:14,311 --> 01:00:16,011
GET IT NOW!

1068
01:00:16,013 --> 01:00:17,980
GOOD.
WELL.
LET'S BEGIN.

1069
01:00:17,982 --> 01:00:20,148
JO!

1070
01:00:20,150 --> 01:00:21,150
OH, FUCK!

1071
01:00:24,253 --> 01:00:26,922
WHAT IS FUCK ?!
GET OFF ME!

1072
01:00:26,924 --> 01:00:28,156
TAKE YOUR HANDS I'M!

1073
01:00:34,365 --> 01:00:37,165
WHAT IS FUCK
WHAT IS SOMETHING WITH YOU?

1074
01:00:39,036 --> 01:00:41,903
Is this it?
Is this it?

1075
01:00:41,905 --> 01:00:43,739
YES.
Is this it?

1076
01:00:45,242 --> 01:00:47,275
GET THE FUCK OUT!

1077
01:00:47,277 --> 01:00:48,343
OUT OF HERE!

1078
01:00:48,345 --> 01:00:50,245
YOU ARE A BIG MAN,
No?

1079
01:00:50,247 --> 01:00:51,813
YOU ARE A GREAT HUMAN!

1080
01:00:51,815 --> 01:00:55,017
GET YOUR HANDS OFF ME,
You SHIT!

1081
01:00:55,019 --> 01:00:56,818
You are SHIT!
LET HIM GO!

1082
01:00:56,820 --> 01:00:59,287
ALL RIGHT, DAVE.
KEEP HER OUT OF HERE.

1083
01:00:59,289 --> 01:01:02,424
MY GOODS!
I WANT MY STUFF, JESSIE!

1084
01:01:02,426 --> 01:01:05,360
I WANT MY STUFF!
Give me my STUFF!

1085
01:01:05,362 --> 01:01:07,396
HERE'S YOUR BAG.

1086
01:01:19,175 --> 01:01:22,411
GOOD.
THIS ONE FROM ME

1087
01:01:22,413 --> 01:01:23,879
"PALE SHADES OF GRAY

1088
01:01:23,881 --> 01:01:27,816
" LEFT CLOUDS
IN THE BED HAS BEEN COMPLETED.

1089
01:01:27,818 --> 01:01:30,886
"NO LITTLE
IN THIS ROOM,

1090
01:01:30,888 --> 01:01:33,722
" DOESN'T HAPPEN DURING LOVE.

1091
01:01:33,724 --> 01:01:36,958
"A GENTLY DESCENDS PALL
OVER SPACE

1092
01:01:36,960 --> 01:01:41,396
" ONCE SANCTUM,
NOW FORM HOLLOW

1093
01:01:41,398 --> 01:01:43,231
"AS A SUN RISK

1094
01:01:43,233 --> 01:01:46,101
AND MY EYES
FILL WITH BLACK."

1095
01:01:48,172 --> 01:01:50,138
THANK YOU.

1096
01:01:50,140 --> 01:01:53,809
I HAVE VERY SPECIAL
US HONEST HONESTY.

1097
01:01:53,811 --> 01:01:56,211
I DECIDE TO BRING UP
A special guest,

1098
01:01:56,213 --> 01:01:58,380
AND IT'S SOMEONE WHO'S
ACTUALLY NEVER READ PREVIOUS,

1099
01:01:58,382 --> 01:02:01,450
I WANT TO GIVE
REALLY BIG RECONSTRUCTION.

1100
01:02:01,452 --> 01:02:04,720
LET'S HEAR IT WAS FOR JASMINE.

1101
01:02:08,024 --> 01:02:10,058
TRAINING...

1102
01:02:10,060 --> 01:02:11,793
COME IN UP.

1103
01:02:11,894 --> 01:02:12,894
YOU DON'T WANT TO READ?

1104
01:02:12,896 --> 01:02:14,162
COME IN UP.
TRY.

1105
01:02:14,164 --> 01:02:15,931
LET'S GIVE HER
ENCOURAGEMENT, GUYS.

1106
01:02:15,933 --> 01:02:18,467
YES!

1107
01:02:20,436 --> 01:02:22,838
WE'RE ALL THERE ARE.

1108
01:02:26,909 --> 01:02:29,244
MY NAME IS FROM.

1109
01:02:39,322 --> 01:02:43,492
"IF, IN TONGUING SKYLARK
AFTERNOON DRIFT OF HAIR,

1110
01:02:43,494 --> 01:02:47,462
" IT'S ONLY LOVE BUT GONE
IN EVERYTHING.

1111
01:02:47,464 --> 01:02:49,364
"IF, IN MORNING
From You

1112
01:02:49,366 --> 01:02:52,067
" ATTITUDE TENDERLY
TERIMAK CINEMA,

1113
01:02:52,069 --> 01:02:56,772
"IT'S ONLY LOVE BUT GONE
IN EVERYTHING.

1114
01:02:56,774 --> 01:03:00,208
" IF, IN DREGS MESSY COCKTAIL
FROM MIDDLE GLASS

1115
01:03:00,210 --> 01:03:01,810
"A FALLS TEACHER,

1116
01:03:01,812 --> 01:03:06,515
" IT'S ONLY LOVE BUT GONE
IN EVERYTHING.

1117
01:03:06,517 --> 01:03:09,317
"IF, IN THE SINGING
TWILIGHT OF THE DAWN,

1118
01:03:09,319 --> 01:03:11,787
" YOU GIVE YOUR HEART
No,

1119
01:03:11,789 --> 01:03:15,791
"IT'S ONLY LOVE BUT GONE
IN EVERY WAY.

1120
01:03:15,793 --> 01:03:20,529
" THEN WHAT'S IN THE HOUR
YOUR LIFE IS LOVE?

1121
01:03:20,531 --> 01:03:22,798
"THAT'S HERE AND DONE...

1122
01:03:22,800 --> 01:03:26,401
AND GIVES HIS NAME
FOR EVERYTHING."

1123
01:03:36,045 --> 01:03:37,045
GOOD.

1124
01:03:37,047 --> 01:03:39,948
GOOD, IT'S FOR TODAY,

1125
01:03:39,950 --> 01:03:42,050
SO WE LOOK AT EVERYONE
OTHER TIMES,

1126
01:03:42,052 --> 01:03:43,985
AND MUCH THANK YOU.

1127
01:03:55,431 --> 01:03:56,598
WHY ARE YOU
CALLING MY NAME?

1128
01:03:56,600 --> 01:03:58,867
I'M NOT ASKING YOU
TO CALL MY NAME.

1129
01:03:58,869 --> 01:04:01,203
I DON'T KNOW YOU KNOW.

1130
01:04:01,205 --> 01:04:04,139
THAT POEM
is REALLY GREAT.

1131
01:04:05,341 --> 01:04:08,176
CATHY, I...

1132
01:04:08,477 --> 01:04:09,578
IT'S REALLY GREAT.

1133
01:04:09,580 --> 01:04:13,215
I don't know
WHAT TO SAY.

1134
01:04:13,217 --> 01:04:14,416
YEAH, GOOD, THANK YOU.

1135
01:04:14,418 --> 01:04:17,385
LOOK, HAVE YOU MUST BE AGAIN?

1136
01:04:20,057 --> 01:04:22,324
YOU MUST
GET UP AND READ.

1137
01:04:22,326 --> 01:04:23,191
I MEAN, IT'S ALL.

1138
01:04:23,193 --> 01:04:25,260
YOU MUST
GET UP AND READ.

1139
01:04:25,262 --> 01:04:26,595
WHY?
BECAUSE YOU ARE GOOD.

1140
01:04:26,597 --> 01:04:27,863
I hate
TO DISAPPOINT YOU,

1141
01:04:27,865 --> 01:04:31,066
BUT YOU'RE VERY GOOD.

1142
01:04:34,370 --> 01:04:35,971
WHO IS THIS?

1143
01:04:35,973 --> 01:04:37,239
THAT, UH...

1144
01:04:37,241 --> 01:04:39,441
THIS IS ME.

1145
01:04:39,443 --> 01:04:40,642
ARE YOU?

1146
01:04:40,644 --> 01:04:44,279
YEAH, IT'S SITTING AROUND MY APARTMENTS.

1147
01:04:45,314 --> 01:04:47,148
That's me

1148
01:04:48,084 --> 01:04:53,021
THIS WOMEN I USED
BE WITH... MARIA...

1149
01:04:53,023 --> 01:04:54,422
HE'S BEAUTIFUL.

1150
01:04:54,424 --> 01:04:56,291
HE IS THE PAINTER.

1151
01:04:56,293 --> 01:04:58,960
HE TEACHES THAT.

1152
01:04:58,962 --> 01:05:00,061
HE IS NORTH AFRICA.

1153
01:05:00,063 --> 01:05:03,098
HE HAVE THIS PRETTY
ACCOMMODATION OF WEIGHT, MAN,

1154
01:05:03,100 --> 01:05:05,267
AND LIVING IN PARIS,
NEW YORK...

1155
01:05:05,269 --> 01:05:10,038
AND HE HAS ME
SIT 5 WEEKS...

1156
01:05:10,040 --> 01:05:11,573
5 WEEKS
TO DO THAT.

1157
01:05:11,575 --> 01:05:14,109
YOU'RE SIT STILL
FOR 5 WEEKS, HUH?

1158
01:05:14,111 --> 01:05:17,479
YOU CANNOT SIT STILL
FOR 5 MINUTES.

1159
01:05:17,481 --> 01:05:19,147
YES...

1160
01:05:21,218 --> 01:05:23,952
I'LL SPEAK
ABOUT, UH...

1161
01:05:23,954 --> 01:05:28,123
FORM AND COLOR...

1162
01:05:28,125 --> 01:05:29,925
LIGHT, SHADOW...

1163
01:05:29,927 --> 01:05:32,193
ALL STUFF, YOU KNOW...
PAINTER SHIT, YOU KNOW?

1164
01:05:32,195 --> 01:05:35,397
AND THEN HE'S GOING TO
USE ALL THAT,

1165
01:05:35,399 --> 01:05:39,000
AND IT WAS IT
KILL THIS IS LIFE.

1166
01:05:39,502 --> 01:05:42,504
LIKE, HE CAN
SEE YOUR BODY,

1167
01:05:42,506 --> 01:05:44,439
AND HE WILL HOLD YOU,

1168
01:05:44,441 --> 01:05:48,443
BUT HE WILL BRING
MEETING THAT YOU
EVER, EVER SEEN,

1169
01:05:48,445 --> 01:05:50,545
YOU KNOW WHAT I MEAN?

1170
01:05:51,080 --> 01:05:53,481
HE IS A WILD GIRL,
TOO, MAN.

1171
01:05:53,483 --> 01:05:55,350
WHEN HE SHOULD BE DONE
DURING THE DAY,

1172
01:05:55,352 --> 01:05:59,421
HE SAYS,
"EDDIE, WANT TO EAT?"

1173
01:06:03,960 --> 01:06:07,529
I'M ALONE
IN THIS SPACE,

1174
01:06:07,531 --> 01:06:09,197
AND, UH...
THIS APARTMENT

1175
01:06:09,199 --> 01:06:13,168
WITH THIS GUY I USED
LIVING ON SEATTLE...

1176
01:06:13,170 --> 01:06:17,205
SO I AM ONLY,
YOU KNOW, SIT
AND READ ALL DAYS,

1177
01:06:17,207 --> 01:06:20,141
AND ONE DAY, ONLY
CANNOT STAND
LONGER AGAIN,

1178
01:06:20,143 --> 01:06:23,611
AND I, YOU KNOW,
CLOSED ALL BLINDS,

1179
01:06:23,613 --> 01:06:24,746
AND...

1180
01:06:25,549 --> 01:06:29,584
AND I LIKE,
BAWLING MY EYES OUT,

1181
01:06:29,586 --> 01:06:32,687
AND I WAS WRITING IT  I TORE IT UP.

1182
01:06:33,656 --> 01:06:36,157
I'M NOT BELIEVE
YOU WANT TO LISTEN TO
THIS GOODS.

1183
01:06:36,492 --> 01:06:39,627
ARE YOU DECEPTING?

1184
01:06:39,629 --> 01:06:42,430


1185
01:06:44,066 --> 01:06:45,333
UH, YEAH

1186
01:06:45,335 --> 01:06:46,701
YEAH, I WORK
IN SEATTLE.

1187
01:06:46,703 --> 01:06:51,439
OH, THIS IS KID
That works for me
SAID HE WAS YOU DANCE.

1188
01:06:51,441 --> 01:06:52,474
OH YES?
YES.

1189
01:06:52,476 --> 01:06:56,211
IN THIS DREAM
I HAVE A WEEK NIGHT...

1190
01:06:56,213 --> 01:06:59,614
THAT I AM IN FIGHT WITH
DOWN AT SAN DIEGO?

1191
01:06:59,616 --> 01:07:02,317
I DON'T REMEMBER IT
ABOUT GOAL

1192
01:07:02,319 --> 01:07:06,554
MY HANDS ARE ONLY CUTTING HIM,
CUTTING HIM, CUTTING HIS FACE,

1193
01:07:06,556 --> 01:07:08,390
MAN, BLOOD JUST
GET EVERYTHING,

1194
01:07:08,392 --> 01:07:10,392
BLOOD GETS ALL MORE.

1195
01:07:14,498 --> 01:07:18,433
THEN I CANNOT
WASH MY HANDS.

1196
01:07:24,507 --> 01:07:26,207
REMEMBER THAT PHONE CALL?

1197
01:07:26,209 --> 01:07:29,244
THE CRYING GIRL I PLAYED
FOR YOU ANOTHER DAY?

1198
01:07:29,246 --> 01:07:31,312
DELETING IT

1199
01:07:31,747 --> 01:07:33,448


1200
01:07:33,450 --> 01:07:36,251


1201
01:07:36,253 --> 01:07:37,652


1202
01:07:37,654 --> 01:07:39,821


1203
01:07:39,823 --> 01:07:41,823


1204
01:07:47,596 --> 01:07:50,432


1205
01:07:51,067 --> 01:07:52,567


1206
01:07:54,470 --> 01:07:57,305


1207
01:07:58,407 --> 01:08:01,576


1208
01:08:01,578 --> 01:08:04,379


1209
01:08:04,381 --> 01:08:05,246


1210
01:08:05,248 --> 01:08:06,281


1211
01:08:06,283 --> 01:08:10,385


1212
01:08:10,387 --> 01:08:12,720


1213
01:08:12,722 --> 01:08:15,356
YEAH, HE HAS YOU
WILL BE BILLBOARDED.

1214
01:08:15,358 --> 01:08:16,724
YEAH, BLUE IGUANA
HAS A COUPLE.

1215
01:08:16,726 --> 01:08:19,394
I'M ONLY IN ONE OF THEM
SINCE MY SMALL POINT,

1216
01:08:19,396 --> 01:08:21,196
BUT I WILL
TO GET THEM DONE.

1217
01:08:21,198 --> 01:08:24,199
ARE YOU THE TYPE
GUY WHO HAS A BIG POINT?

1218
01:08:24,201 --> 01:08:29,270
I AM NOT TRUE USED FOR
THAT LINE OF QUESTIONING,

1219
01:08:29,272 --> 01:08:32,407
UH, TO SAY YOU
TRUTH.

1220
01:08:32,409 --> 01:08:36,311
DO YOU HAVE ANYTHING
AUTHOR IN YOUR CLUB?

1221
01:08:36,313 --> 01:08:38,346
YOU KNOW, MAYBE WE CAN CAN
CHANGE THE WHOLE VENUE.

1222
01:08:38,348 --> 01:08:41,449
I DON'T KNOW WHAT
YOU ARE DOING WITH ME.

1223
01:08:41,451 --> 01:08:44,619
YOU MUST BE WITH,
LIKE, THAT FRENCH GIRL.

1224
01:08:44,621 --> 01:08:47,188
HE'S GOOD.

1225
01:08:52,161 --> 01:08:54,729
I really want to kiss you.

1226
01:08:55,532 --> 01:08:59,200
NO.
I really want to kiss you.

1227
01:08:59,902 --> 01:09:02,704
I WANT TO KISS THE POET.

1228
01:09:22,424 --> 01:09:25,493
DO YOU HAVE PROBLEMS
WITH ME INTERESTING?

1229
01:09:25,495 --> 01:09:27,195
NO.

1230
01:09:37,874 --> 01:09:39,707
ANGEL...

1231
01:09:39,709 --> 01:09:41,910
YES?

1232
01:09:41,912 --> 01:09:44,712
I HAVE SOMETHING
FOR YOU.

1233
01:09:45,915 --> 01:09:47,615
AGAIN?

1234
01:09:47,617 --> 01:09:49,584
YES GOD!

1235
01:09:49,586 --> 01:09:50,586
WHAT IS IT?

1236
01:09:50,587 --> 01:09:52,453
OPEN IT UP.

1237
01:09:52,922 --> 01:09:55,390
WHA...

1238
01:09:56,458 --> 01:09:58,860
YES YET!

1239
01:09:58,862 --> 01:10:00,662
IT'S BEAUTIFUL.

1240
01:10:00,664 --> 01:10:03,431
SEE IT.
LOOK AT THAT.

1241
01:10:04,400 --> 01:10:06,267
YES GOD.

1242
01:10:06,269 --> 01:10:09,504
JEWELS.
YES, IT'S JEWELS.

1243
01:10:09,506 --> 01:10:13,308
OH, AND SEE...

1244
01:10:13,642 --> 01:10:16,611
CHARLIE?

1245
01:10:16,613 --> 01:10:19,214
CHARLIE?

1246
01:10:19,415 --> 01:10:20,515
HALO SAY!
AAH!

1247
01:10:20,517 --> 01:10:21,916
WHAT A MINUTE!
AHH!

1248
01:10:21,918 --> 01:10:23,785
WHAT IS!
CHARLIE!

1249
01:10:23,787 --> 01:10:24,652
CHARLIE!

1250
01:10:24,654 --> 01:10:25,720
THEY DON'T WANT ME.

1251
01:10:25,722 --> 01:10:26,654
CHARLIE!
AAH!

1252
01:10:26,656 --> 01:10:27,855
WANT TO KNOW WHY?

1253
01:10:27,857 --> 01:10:31,259
BECAUSE I AM HANG OUT
WITH YOUR SKANKS LIKE YOU!

1254
01:10:31,261 --> 01:10:32,393
CHARLIE!

1255
01:10:32,395 --> 01:10:33,861
PLEASE STOP!

1256
01:10:33,863 --> 01:10:35,964
YOU LOVE ME!
CHARLIE!

1257
01:09:35,966 --> 01:10:37,665
ARE YOU NOT PRETTY?
ONLY MORAL FUCK!

1258
01:10:37,667 --> 01:10:38,800
CHARLIE, I'M SORRY!

1259
01:10:38,802 --> 01:10:39,667
BOOKING!

1260
01:10:39,669 --> 01:10:41,269
I'M SORRY, CHARLIE.

1261
01:10:41,271 --> 01:10:44,572
AAH!
MY PASSION,
CHARLIE

1262
01:10:45,407 --> 01:10:47,742
I REPRESENT SOMEONE.

1263
01:10:49,812 --> 01:10:51,446
GOOD.
WHAT IS HIS NAME?

1264
01:10:51,448 --> 01:10:52,914
DENNIS

1265
01:10:52,916 --> 01:10:54,616
DENNIS, AND...

1266
01:10:54,618 --> 01:10:56,484
AND...

1267
01:10:59,355 --> 01:11:02,890
AND I THOUGHT...
I don't know

1268
01:11:04,793 --> 01:11:06,728
He is a POET.

1269
01:11:07,263 --> 01:11:09,530
HE WAS RUNNING THAT IT WAS
IN COFFEE COFFEE,

1270
01:11:09,532 --> 01:11:10,532
AND...

1271
01:11:10,533 --> 01:11:12,267
HE LOVES MY MESSAGE,
So, are you GONNA GO
TO SAN FRANCISCO
WITH DENNIS?

1272
01:11:12,269 --> 01:11:14,502
YEAH, HE ACCEPTED ME
ABOUT THERE.

1273
01:11:14,504 --> 01:11:15,803
THERE ARE THIS BIG SLAM,
AND...

1274
01:11:15,805 --> 01:11:18,606
AND YOU GONNA
SUPPORT STRIPPING HIM?

1275
01:11:20,777 --> 01:11:24,479
NO.

1276
01:11:24,481 --> 01:11:25,680
I don't know
NO.

1277
01:11:25,682 --> 01:11:28,349
I AM OUR THOUGHT ONLY
TYPE OF WRITING TOGETHER,

1278
01:11:33,555 --> 01:11:36,958
AND...

1279
01:11:36,960 --> 01:11:38,626
WHAT IS HE KNOW
WHAT ARE YOU DOING?

1280
01:11:40,896 --> 01:11:42,997
HE, LIKE, REALLY
PERFECT WITH IT.

1281
01:11:42,999 --> 01:11:46,768
HE WAS REALLY WALKING
LOVED MY ORDER.

1282
01:11:47,504 --> 01:11:50,905
THOUGH THINKING
THAT I CAN, YOU KNOW...

1283
01:11:50,907 --> 01:11:54,008


1284
01:11:54,543 --> 01:11:58,012
I don't know,
CAN BE PUBLISHED OR
SOMETHING, YOU KNOW?

1285
01:12:03,652 --> 01:12:05,887
DOES YOU LOVE YOU?

1286
01:12:07,424 --> 01:12:10,758
I only saw him,
LIKE, 3 DAYS AGO.

1287
01:12:13,496 --> 01:12:18,399
I THINK THAT YOU HAVE TO
GO TO SAN FRANCISCO
WITH DENNIS THE POET,

1288
01:12:18,401 --> 01:12:20,368
WHO ARE YOU MET 3 days DAY

1289
01:12:20,370 --> 01:12:25,506
AND WRITING EMPLOYEES
AND HER SUPPORT.

1290
01:12:29,878 --> 01:12:33,014
I NEED SOME MORE
FUCKING CIGARETTES.

1291
01:12:35,451 --> 01:12:36,651
BAD!
YOU ARE MEAN!

1292
01:12:36,653 --> 01:12:40,688
YOU ARE VERY, VERY,
VERY, VERY, VERY BAD!

1293
01:12:40,690 --> 01:12:42,090
VERY BAD!
VERY BAD!

1294
01:12:42,092 --> 01:12:43,958
I'VE HAD A BAD WEEK
AND TERRIBLE.

1295
01:12:43,960 --> 01:12:45,093
I DON'T CARE FOR YOUR SUNDAY

1296
01:12:45,095 --> 01:12:46,894
DO I GIVE FUCK
ABOUT YOUR WEEK?

1297
01:12:46,896 --> 01:12:48,763
I DON'T CARE FOR YOUR SUNDAY

1298
01:12:48,765 --> 01:12:49,664
WHAT ARE YOU HUNGRY?

1299
01:12:49,666 --> 01:12:50,666
YES, MISTRESS, STARVING.

1300
01:12:50,667 --> 01:12:52,700
ALL RIGHT, THERE ARE YOU GOING.

1301
01:12:52,702 --> 01:12:54,569
WISH YOU, MISTRESS.
THANK YOU.

1302
01:12:54,571 --> 01:12:58,373
TIME IS TO TAKE
THE LITTLE WORMY
FOR WALK.

1303
01:12:58,375 --> 01:13:04,912
GET DOWN ON THE GROUND
AND CRAWL!
MERANGKAK!
MERANGKAK!
MERANGKAK!

1304
01:13:04,914 --> 01:13:07,515
CASE LIKE SUBHUMAN
CREATE THAT YOU!

1305
01:13:08,718 --> 01:13:09,817
You are a FUCK...

1306
01:13:09,819 --> 01:13:12,987
ALL RIGHT, YOU ONLY
STAYED HERE, OK?

1307
01:13:12,989 --> 01:13:15,590
I AM GOOD.

1308
01:13:18,894 --> 01:13:20,461
JESSIE, DO YOU
DO HERE?

1309
01:13:20,463 --> 01:13:22,630
I just think...
IT'S 3:00
IN THE MORNING.

1310
01:13:22,632 --> 01:13:25,900
I JUST HAVE THAT
MAY YOU NEED IT
A SMALL COMPANY.

1311
01:13:25,902 --> 01:13:27,535
GOOD, SWEETHEART,
YOU THINK FALSE.

1312
01:13:27,537 --> 01:13:29,003
I HAVE A COMPANY.
GOODBYE.

1313
01:13:29,005 --> 01:13:30,838
WHO IS IT?
JESSIE!

1314
01:13:30,840 --> 01:13:32,440
JESSIE, I'M TRUE IN SOME CENTRAL
.

1315
01:13:34,911 --> 01:13:36,978
ANGEL SAID YOU MIGHT
NEED SOME COMPANIES

1316
01:13:36,980 --> 01:13:38,746
BECAUSE
BABY AND ALL

1317
01:13:38,748 --> 01:13:41,783
THE COMPANY IS THE LAST
FUCKING THINGS YOU NEED.

1318
01:13:41,785 --> 01:13:43,718
YOU MUST GO.
GOODBYE.

1319
01:13:43,720 --> 01:13:44,819
NO.

1320
01:13:44,821 --> 01:13:49,590
GOOD.
DO NOT TALK TO IT.
HE'S PUNISHED, OK?

1321
01:13:49,592 --> 01:13:50,725
ANYTHING,
HE'S NOTHING.

1322
01:13:50,727 --> 01:13:52,560
HE'S JUST LITTLE,
PATHETIC WORM.

1323
01:13:52,562 --> 01:13:53,828
GET DOWN ON THE FLOOR!

1324
01:13:53,830 --> 01:13:55,563
DO I SAY YOU
TO SIT UP?

1325
01:13:55,565 --> 01:13:56,898
GET DOWN ON THE FLOOR!

1326
01:13:56,900 --> 01:13:58,900
I DO NOT NEED ANYTHING
CONVERSATION FROM YOU

1327
01:13:58,902 --> 01:14:00,835
JESSIE, COME ON.
GET UP OFF THE FLOOR.

1328
01:14:00,837 --> 01:14:03,471
I HAVE, MISTRESS.
I AM TERRIBLE.

1329
01:14:03,473 --> 01:14:06,774
GOOD.
STOP!
STOP, ALL RIGHT?
STOP!

1330
01:14:06,776 --> 01:14:09,644
YOU, DON'T TALK TO HIM.
DO NOT TALK TO HIM, okay?

1331
01:14:09,646 --> 01:14:12,213
CANNOT YOU SEE US INSIDE SOMETHING
?

1332
01:14:12,215 --> 01:14:14,482
JESSIE, COME ON.
HERE.
SIT.
SIT.

1333
01:14:19,989 --> 01:14:23,458
THIS IS NOT
. MY FRIEND.
THIS IS A CLIENT.

1334
01:14:23,460 --> 01:14:24,792
WHAT IS OTHER
IF I STAY?

1335
01:14:24,794 --> 01:14:27,995
SILENCE!
GET DOWN ON THE GROUND!

1336
01:14:27,997 --> 01:14:29,030
IMMEDIATELY,
.

1337
01:14:29,032 --> 01:14:30,231
DO YOU HAVE, WORK?

1338
01:14:30,233 --> 01:14:31,098
OH YES.

1339
01:14:31,100 --> 01:14:34,101
DRINK!
DRINK
Funny Vodka!

1340
01:14:34,043 --> 01:14:36,471
KEEP YOUR HEAD ABOVE...

1341
01:14:37,173 --> 01:14:41,209
DON'T YOU DRINK IT.
THIS IS DIRTY.
GET UP.

1342
01:14:41,211 --> 01:14:44,479
NO, YOU DO NOT HAVE
TWO MISTRESSES THIS EVENING.

1343
01:14:44,481 --> 01:14:46,981
JESSIE, ITU WAS IT.
YOU MUST GET
OUT FROM HERE.

1344
01:14:48,785 --> 01:14:50,785
NO.
NO, JO.
PLEASE WE STAY.

1345
01:14:53,189 --> 01:14:55,723
LET'S NOT GET
ALL MELODRAMATIC.

1346
01:14:55,725 --> 01:14:58,059
GOOD.
BOOKING.
GET UP.
STAND UP.

1347
01:14:58,061 --> 01:15:00,928
WHAT IS OTHER
IF I STAY
THIS EVENING?

1348
01:15:07,904 --> 01:15:11,839
WHAT IS THIS FUCK?
WHO ARE YOU TO YOU?

1349
01:15:11,841 --> 01:15:15,576
NO, I JUST WANT TO
HAVE A SLUMBER PARTY.

1350
01:15:15,578 --> 01:15:17,979
DO YOU WANT TO HAVE
SLUMBER PARTIES?

1351
01:15:19,682 --> 01:15:22,116
I WANT TO HAVE
SLUMBER PARTIES.

1352
01:15:22,118 --> 01:15:24,585
DON'T.
YOU DO NOT KNOW
WHERE HE IS.

1353
01:15:27,156 --> 01:15:28,990
THIS IS NOT
PLACE FOR CHILDREN.

1354
01:15:28,992 --> 01:15:30,925
COME ON, JO.
I WANT TO PLAY.

1355
01:15:30,927 --> 01:15:33,861
YOU CAN STAY HERE,
BUT YOU CANNOT STAY HERE

1356
01:15:33,863 --> 01:15:35,129
FOR MORE THAN ONE NIGHT,

1357
01:15:35,131 --> 01:15:36,964
BECAUSE I HAVE IT,
FULLY, LIFE.

1358
01:15:36,966 --> 01:15:38,099
BUT I WANT TO PLAY,
JO.

1359
01:15:38,101 --> 01:15:41,135
NO.
NOT.
YOU SPEAK HERE
AND REALLY QUIET

1360
01:15:41,137 --> 01:15:47,975
AND DON'T MANY I
WHEN I DO MY BUSINESS
WITH GOOD HUMAN, okay?

1361
01:16:11,900 --> 01:16:15,937
THERE IS
THIS GIRL CECILIA

1362
01:16:18,006 --> 01:16:19,941
WHO IS SWEETHEART

1363
01:16:19,943 --> 01:16:23,210
AS A CHILDREN

1364
01:16:54,077 --> 01:16:56,177
ASSIGNMENT?

1365
01:16:56,179 --> 01:16:57,378
OFFICER, CAN...

1366
01:16:57,380 --> 01:17:01,248
CAN YOU HELP ME
TAKE A PICTURE OF MY...

1367
01:17:01,250 --> 01:17:03,250
I WANT TO TAKE
SOMETHING PICTURES

1368
01:17:03,252 --> 01:17:04,785
IN FRONT
BILLBOARD

1369
01:17:04,787 --> 01:17:05,853
WHAT ARE YOU?

1370
01:17:05,855 --> 01:17:07,688
YES.
VERY?

1371
01:17:07,690 --> 01:17:11,892
I'M A LOT OF SMALL
IN PEOPLE,

1372
01:17:11,894 --> 01:17:14,362
BUT, UM...

1373
01:17:15,098 --> 01:17:19,100
I THOUGHT ME
ONLY GETS MY HAT.

1374
01:17:22,237 --> 01:17:25,740
YOU REALIZE YOU
SHOULD NOT SHOULD
BE DOWN HERE?

1375
01:17:25,742 --> 01:17:27,308
UM... SORRY.

1376
01:17:27,310 --> 01:17:28,843
I GONNA LEAVE
AS LIKE I...

1377
01:17:28,845 --> 01:17:32,013
I JUST WANT
TO GET GOOD SHOTS FROM ME...

1378
01:17:32,015 --> 01:17:34,015
GOOD.
GAMBAR.

1379
01:17:34,017 --> 01:17:35,316
THANK YOU.

1380
01:17:35,318 --> 01:17:36,751
WHO IS READY TO GO?

1381
01:17:36,753 --> 01:17:38,919
YES.
THERE.

1382
01:17:38,921 --> 01:17:39,921
THANK YOU.

1383
01:17:39,922 --> 01:17:43,024
CAN YOU ONLY TAKE IT
? A LITTLE WIDER?

1384
01:17:43,026 --> 01:17:44,291
DO YOU MEAN BACK?
YES.

1385
01:17:44,293 --> 01:17:46,027
HOW ABOUT IT?

1386
01:17:46,029 --> 01:17:47,895
I understand everything  READY?
CHEESE.

1387
01:17:47,897 --> 01:17:49,664
CHEESE.
CHEESE.

1388
01:17:49,666 --> 01:17:50,965
HA!
THANK YOU.

1389
01:17:51,901 --> 01:17:52,967
WHO DOES EVERYONE SAY
YOU ARE LOOKING FOR A LOT
LIKE FRED GWYNNE?

1390
01:17:52,969 --> 01:17:56,971
YOU KNOW, GUY
GERMANY MUNSTER.

1391
01:17:56,973 --> 01:17:58,806
NO.
THERE IS NO EVER
SAY ME BEFORE.

1392
01:17:58,808 --> 01:18:01,008
YOU DO IT.

1393
01:18:01,010 --> 01:18:01,842
I'M REALLY LOVING IT.

1394
01:18:01,844 --> 01:18:03,844
HE, LIKE,
GREAT... FUCK!

1395
01:18:03,846 --> 01:18:06,447
DIRTY!

1396
01:18:06,449 --> 01:18:07,982


1397
01:18:07,984 --> 01:18:10,184
I WAS RUN SENDED
MY KEY IN MY CAR,

1398
01:18:10,186 --> 01:18:12,853
AND I HAVE TO
WORK.

1399
01:18:12,855 --> 01:18:14,288
OH NO.

1400
01:18:14,290 --> 01:18:15,456
SIAL.

1401
01:18:15,458 --> 01:18:16,757
DO YOU HAVE A HANGER?

1402
01:18:16,759 --> 01:18:18,959
THIS SIDE IS OPEN.

1403
01:18:18,961 --> 01:18:21,295
WILL YOU UNLOCK
THIS DOOR FOR ME?

1404
01:18:21,297 --> 01:18:23,831
SURE.
THANK YOU.

1405
01:18:24,833 --> 01:18:25,833
YES.

1406
01:18:25,835 --> 01:18:26,934
THIS IS HERE.

1407
01:18:26,936 --> 01:18:30,471
THIS IS THE KEY
RIGHT...

1408
01:18:30,473 --> 01:18:33,240
MA'AM, WHAT IS MARIJUANA THIS?

1409
01:18:33,909 --> 01:18:35,776
UM...

1410
01:18:35,778 --> 01:18:38,979
IT'S JUST... IT'S
_ HERBAL CIGARETTE.

1411
01:18:38,981 --> 01:18:42,383
YOU WANT TO STEP
AROUND THE SIDE
FROM THE CAR, PLEASE?

1412
01:18:42,385 --> 01:18:44,885
I... I am NOT INHALE.

1413
01:18:44,887 --> 01:18:47,188
STEP AROUND
SIDE OF THE CAR.

1414
01:18:47,190 --> 01:18:48,923
THIS WILL BE
ONLY TAKE A MINUTE.

1415
01:18:48,925 --> 01:18:51,325
IT'S POSSIBLE
ONLY OREGANO

1416
01:18:51,327 --> 01:18:52,760
YOU MUST MAY
HAVE BEEN REQUESTED

1417
01:18:52,762 --> 01:18:54,361
BECAUSE I'M NOT
EVEN FEELING STONED.

1418
01:18:54,363 --> 01:18:57,098
I WILL HAVE IT.

1419
01:18:57,232 --> 01:18:59,033
IT'S JUST TAKE TWO, OK?

1420
01:18:59,035 --> 01:19:02,303
DO... DO YOU HAVE TO
HANDCUFF ME?

1421
01:19:02,305 --> 01:19:07,908
BUT YOU CAN FIND ME
IN BLUE IGUANA,
LIKE, EVERY DAY.

1422
01:19:09,779 --> 01:19:12,012
MA'AM, I'M JUST GONNA
ASK YOU TO STAND STILL

1423
01:19:12,014 --> 01:19:13,447
ONLY FOR _ SOME MINUTES, okay?
WELL.

1424
01:19:13,449 --> 01:19:15,783
I'M JUST GONNA
TAKE A LOOK AT THE CAR

1425
01:19:15,785 --> 01:19:19,854
OK, BUT IT WAS JUST THAT
I HAVE A RESPONSIBILITY

1426
01:19:19,856 --> 01:19:23,157
AND ITS CHILDREN
I HAVE TO NEED TO BE DONE
ROLE MODELS FOR,

1427
01:19:23,159 --> 01:19:26,093
AND IF I GET A RECORD,
IT WILL BE REALLY BAD.

1428
01:19:26,095 --> 01:19:28,162
WHERE...
ARE THIS YOUR PURSE?

1429
01:19:28,164 --> 01:19:31,499
YEAH, THAT FUZZY...
PINK...

1430
01:19:32,334 --> 01:19:34,401
THIS?
YES.

1431
01:19:35,804 --> 01:19:38,939
OFFICER, THERE ARE THERE
ANY WAY YOU CAN
MAYBE...

1432
01:19:38,941 --> 01:19:43,511
I HAVE TO EXTENSION
ON IT, AND I
GONNA...

1433
01:19:43,513 --> 01:19:48,048
IT WAS ONE THAT SAYED
"BAD MOTHERFUCKER"
ON IT.

1434
01:19:48,050 --> 01:19:50,184
HA!
ARE YOU EVER
SEE THE PULP FICTION?

1435
01:19:50,186 --> 01:19:55,356
YES YOU KNOW LAH,
CAREER JOHN TRAVOLTA
BACK AFTER IT.

1436
01:19:55,358 --> 01:20:00,394
I AM ATTITUDE WHEN _ THEY TAKE PICTURES.

1437
01:20:02,864 --> 01:20:04,165
ASSEMBLY...

1438
01:20:04,167 --> 01:20:05,566
MANY BILLS, MA'AM.

1439
01:20:05,568 --> 01:20:08,536
YEAH, THEM ALL,
BUT, UM...

1440
01:20:08,538 --> 01:20:11,472
YOU CAN HAVE SOME.

1441
01:20:13,542 --> 01:20:14,508
WHAT IS THIS?

1442
01:20:14,510 --> 01:20:17,178
THEY ARE FRIENDS
JO'S VITAMINS

1443
01:20:24,419 --> 01:20:26,520
ARE THERE ANY WAYS
THAT, UM, OFFICER,

1444
01:20:26,522 --> 01:20:28,189
WHICH YOU MAY CAN
FORGET ABOUT THIS,

1445
01:20:28,191 --> 01:20:31,292
BECAUSE I'M REALLY
GOOD PEOPLE.

1446
01:20:31,294 --> 01:20:33,961
YOU KNOW, YOU
CAN COME DOWN DOWN
TO BLUE IGUANA,

1447
01:20:33,963 --> 01:20:37,198
AND THEY LET
L.A.P.D.
THERE
ALL FREE TIME

1448
01:20:37,200 --> 01:20:39,466
BECAUSE US
THE TRUE CLEAN CLUB.

1449
01:20:39,468 --> 01:20:42,002
AND EDDIE GOT MAD...
OUR MANAGER...

1450
01:20:42,004 --> 01:20:44,438
SOMETHING THAT CANNOT EVEN
GET THEM FROM CLUB

1451
01:20:44,440 --> 01:20:50,177
AND MY FRIENDS JO,
HE'S WORKING MUCH
From L.A.P.D.
GUYS, AND...

1452
01:20:50,179 --> 01:20:52,880
HE'S REALLY BEAUTIFUL.
I MAKE SURE HE 'D...

1453
01:20:52,882 --> 01:20:53,948
I'M GONNA ASKING...

1454
01:20:53,950 --> 01:20:56,884
GOOD, I'M HAPPY
TO HEAR THAT  I'M GONNA ASKING YOU
STAYING WITH THE CAR

1455
01:20:56,886 --> 01:20:58,385
WHEN I MISSED THE LICENSE
AND REGISTRATION, ALL RIGHT?

1456
01:20:58,387 --> 01:21:02,890
BUT, OFFICER, UM,
IS THIS GONNA BE, LIKE,
ABOUT NEWS OR ANYTHING?

1457
01:21:02,892 --> 01:21:09,363
NO, NO, NO, NO, NO.

1458
01:21:09,365 --> 01:21:10,464
BECAUSE I AM NOT...
I CAN REALLY...

1459
01:21:10,466 --> 01:21:13,367
IT'S NOT ME...
I'M ALWAYS WANTING TO BE IN THE ENQUIRER  BUT NOT FOR, LIKE,
TO GET ARRESTED.

1460
01:21:13,369 --> 01:21:16,036
I THINK
IF I, LIKE,
HUNSAND HANDSOME

1461
01:21:16,038 --> 01:21:18,606


1462
01:21:18,608 --> 01:21:21,642


1463
01:21:21,644 --> 01:21:24,011
OR A GOOD DRESS
OR SOMETHING...

1464
01:21:24,013 --> 01:21:26,881
THERE...
I AM...

1465
01:21:26,948 --> 01:21:28,916
DIRTY!
IT WILL NOT TAKE A MINUTE.

1466
01:21:28,918 --> 01:21:30,584
GOOD.

1467
01:21:30,586 --> 01:21:32,419
DIRTY!

1468
01:21:43,932 --> 01:21:45,199
HI, EDDIE.

1469
01:21:45,201 --> 01:21:46,634
WHERE IS JASMINE?

1470
01:21:46,636 --> 01:21:50,004
UM, HE'S NOT
FEELING TOO GOOD.

1471
01:21:51,606 --> 01:21:53,073
WHAT ARE YOU OK?

1472
01:21:53,075 --> 01:21:54,541
YES.

1473
01:22:11,160 --> 01:22:15,930
DANCE ME
TO WEDDING NOW

1474
01:22:15,932 --> 01:22:19,400
DANCE ME ON AND ON

1475
01:22:19,402 --> 01:22:22,937
MY DANCE IS VERY TENDERLY

1476
01:22:22,939 --> 01:22:26,106
AND DANCE ME VERY LONG

1477
01:22:26,108 --> 01:22:30,945
WE ARE BOTH OF US
BENEATH OUR LOVE...

1478
01:22:30,947 --> 01:22:32,212
OH, FUCK!

1479
01:22:32,214 --> 01:22:33,314
WHAT IS THE PROBLEM?

1480
01:22:33,316 --> 01:22:34,148
FUCK!
FUCK!

1481
01:22:34,150 --> 01:22:35,582
YOU MUST GO TO WORK?

1482
01:22:35,584 --> 01:22:38,319
YOU WANT ME
TO CALL YOUR BOSS?
NO, NO, NO.

1483
01:22:38,321 --> 01:22:40,154
NO.
I WILL CALL HIM.
NOT.
FUCK OFF!

1484
01:22:40,156 --> 01:22:41,021
NO.
DO NOT CALL HIM.

1485
01:22:41,023 --> 01:22:42,623
FUCK OFF?
WHAT IS HIS NAME?

1486
01:22:42,625 --> 01:22:45,359
GOOD.
I LOVE SPEAKING
FOR HELP.
NO, PLEASE.

1487
01:22:45,361 --> 01:22:47,394
NO!
STOP!
NO, NO, NO.

1488
01:22:47,396 --> 01:22:50,364
DON'T.
I WANT TO STAY HERE.

1489
01:22:50,366 --> 01:22:52,132
GOOD.

1490
01:22:53,568 --> 01:22:56,270
BUT I WANT A HIGH SCHOOL.

1491
01:22:56,438 --> 01:22:58,105
YOU HAVE BIG ASS.

1492
01:22:58,107 --> 01:23:01,275
I DO NOT WANT HIT IT.
I WANT KISS IT.

1493
01:23:01,277 --> 01:23:04,011
YOU WANT TO KISS MY ASS?

1494
01:23:09,250 --> 01:23:11,151
THANK YOU.

1495
01:23:13,355 --> 01:23:20,194
KING,
I love you very much

1496
01:23:20,196 --> 01:23:26,133
God, I love you
EVERYDAY

1497
01:23:26,135 --> 01:23:32,072
BUT NOW TIME
WHEN I HAVE TO ASK YOU WHY

1498
01:23:32,074 --> 01:23:37,044
WHY MUST YOU LIVE
AND WHY SHOULD YOU DIE?

1499
01:23:37,046 --> 01:23:40,581
Good, I
FIND ANSWER

1500
01:23:40,583 --> 01:23:47,354
LOOKING FOR ANSWERS
IT DOESN'T KNOW KNOW...

1501
01:23:48,556 --> 01:23:50,190
HI, EDDIE.

1502
01:23:50,192 --> 01:23:51,258
SORRY I AM TOO LATE.

1503
01:23:51,260 --> 01:23:52,659
BETTER MAKE GOOD,
GIRL.

1504
01:23:52,661 --> 01:23:54,228
I KNOW.
I have
REALLY BAD.

1505
01:23:54,230 --> 01:23:55,629
OH.
Have you been
REALLY BAD?

1506
01:23:55,631 --> 01:23:56,797
SORRY.
I AM HERE!

1507
01:23:56,799 --> 01:24:01,101
WHAT IS FUCK, ARE YOU HERE?
YOU'RE HERE LATE,
PERSETAN.

1508
01:24:01,103 --> 01:24:02,269
WHERE ARE YOU FUCK?

1509
01:24:02,271 --> 01:24:04,571
CAN YOU NOT CALL?

1510
01:24:04,773 --> 01:24:07,708
I NEED V.I.P.
NIGHT OFF.

1511
01:24:08,243 --> 01:24:10,044
YES GOD,
YOU ARE PRICELESS.
EDDIE...

1512
01:24:10,046 --> 01:24:13,213
I CAN'T WORK ANYWAYS.
MY FUCKING LOSS
VERY BAD.

1513
01:24:13,215 --> 01:24:14,348
OH, YOUR CRAMPS
Are You Killing You?

1514
01:24:14,350 --> 01:24:17,351
IT'S NOT A PROBLEM.
I SPEAK
TO JO AND ANGEL...

1515
01:24:17,353 --> 01:24:19,086
HOW DO YOU WORK HERE?
ONE YEAR, TRUE?
YES.

1516
01:24:19,088 --> 01:24:21,555
WHEN IS THE LAST TIME
YOU WILL DIE TO DAMAGE?
NEVER!

1517
01:24:21,557 --> 01:24:22,589
WHAT IS FUCK
WHAT IS YOUR PROBLEM?

1518
01:24:22,591 --> 01:24:25,793
MY PROBLEM IS I WANT TO
YOU JUST NOT
TELL ME A GODDAMN LIE!

1519
01:24:25,795 --> 01:24:28,228
I JUST SAY,
JO AND ANGEL HAVE,
LIKE, 3 OTHER PEOPLE...

1520
01:24:28,230 --> 01:24:30,497
THIS IS NOTHING
JO AND ANGEL!

1521
01:24:30,499 --> 01:24:31,832
I AM THE MOTHERFUCKER.

1522
01:24:31,834 --> 01:24:35,269
I ASKED YOU PLEASE
WHAT IS GODDAMN DEALING
TRUE.

1523
01:24:35,271 --> 01:24:37,071
I DO NOT ASK YOU
ABOUT WITHOUT THE PERIOD OF GOD,

1524
01:24:37,073 --> 01:24:39,440
DON'T DO NOT TELL ME
THERE IS NO FATHERFUCKING PERIOD!

1525
01:24:39,442 --> 01:24:41,108
I CANNOT.
I CAN NOT.
I CAN NOT.

1526
01:24:41,110 --> 01:24:44,111
I'M WORKING
IT IS ON
IN A WEEK.

1527
01:24:44,113 --> 01:24:45,079
I NEED
WEEKEND.

1528
01:24:45,081 --> 01:24:46,447
TOMORROW NIGHT,
YOU ARE INTERESTING.

1529
01:24:46,449 --> 01:24:47,748
YOU'RE ONE
OF MY STAR GIRLS.

1530
01:24:47,750 --> 01:24:49,650
I NEED YOU HERE,
SO DON'T WALK WITH ME, OK?

1531
01:24:49,652 --> 01:24:52,653
YOU COME HERE LATE
AND GONNA ASK
TO TOMORROW OFF?

1532
01:24:52,655 --> 01:24:53,787
WHAT IS THE
THE BIG FUCKING DEAL?

1533
01:24:53,789 --> 01:24:56,323
THE BUC FUCKING DEAL
DO I NEED TO KNOW.

1534
01:24:56,325 --> 01:24:58,358
WHAT?

1535
01:24:58,360 --> 01:25:00,427
TRUTH.

1536
01:25:00,862 --> 01:25:03,564
THE GODDAMN TRUTH!

1537
01:25:03,631 --> 01:25:05,432
DON'T FUCK WITH ME,
MELATI.

1538
01:25:05,434 --> 01:25:08,168
YOU ARE SAYING ME WHAT.

1539
01:25:09,170 --> 01:25:11,371
I CANNOT.
I CAN NOT.

1540
01:25:11,373 --> 01:25:13,107
WHAT IS FUCK
ARE YOU CARING?

1541
01:25:13,109 --> 01:25:15,242
WHAT IS THE FUCK ARE YOU
CARE ABOUT THERE ARE VIEWS?

1542
01:25:15,244 --> 01:25:17,611
YOU CAN GET
ANYONE HERE.

1543
01:25:17,613 --> 01:25:20,681
I'M CARE BECAUSE I'M CARE,
SQUARE!

1544
01:25:20,683 --> 01:25:21,782
DON'T TREAT ME
LIKE NO TRASH!

1545
01:25:21,784 --> 01:25:23,550
I AM NOT.
I DON'T TREAT YOU LIKE...

1546
01:25:23,552 --> 01:25:25,652
I TOLD YOU THAT I HAVE A WALKING LIFE

1547
01:25:25,654 --> 01:25:30,824
YOU DO NOT GET
NO FUCKING LIFE!
THIS IS LIFE!

1548
01:25:31,259 --> 01:25:33,293
YOU UNDERSTAND?

1549
01:25:33,295 --> 01:25:36,563
BECAUSE TWO MINUTES
AFTER YOU WALK FROM HERE,

1550
01:25:36,565 --> 01:25:37,898
ONE OF YOU
MULTIPLE DOUBLE FRIENDS

1551
01:25:37,900 --> 01:25:41,702
IS GONNA COMES HERE
AND SNITCH ON YOUR ASS!

1552
01:25:42,770 --> 01:25:43,904
DON'T FUCK WITH ME.

1553
01:25:43,906 --> 01:25:44,771
I AM FOLLOWING QUIT!

1554
01:25:44,773 --> 01:25:46,240
YOUR GODDAMN!
FORGIVE ME!

1555
01:25:46,242 --> 01:25:51,311
EDDIE, YOU KNOW,
YOU HAVE YOUR LIFE,
AND I HAVE MINE, okay?

1556
01:25:51,313 --> 01:25:53,180
YOU DO NOT HAVE LIFE!

1557
01:26:22,744 --> 01:26:24,912
MISS WILLOW?

1558
01:26:24,914 --> 01:26:26,513
IT'S SARAH.

1559
01:26:32,655 --> 01:26:34,588
MISS WILLOW?

1560
01:26:39,627 --> 01:26:41,328
BECKY?

1561
01:26:42,597 --> 01:26:44,264
HALO?

1562
01:26:51,941 --> 01:26:53,607
Dennis, on the machine:
GIVE THIS ME.

1563
01:26:53,609 --> 01:26:55,275
UM, okay, UH, LET'S SEE.

1564
01:26:55,277 --> 01:26:57,277
I'M LATE CARE
REGISTRATION

1565
01:26:57,279 --> 01:26:59,813
AND I HAVE OUR NAME,
YOU KNOW, SIGNED,

1566
01:26:59,815 --> 01:27:02,916
SO I COVER YOUR NAME IN THERE
TO READ OPEN.

1567
01:27:02,918 --> 01:27:04,818
THERE ARE MANY PEOPLE
IN IT,

1568
01:27:04,820 --> 01:27:06,720
AND THERE IS
POWER IN NUMBERS.

1569
01:27:06,722 --> 01:27:08,488
IT WAS REALLY GOOD GONNA,

1570
01:27:08,490 --> 01:27:09,756
SO, UH, CONTACT ME BACK

1571
01:27:09,758 --> 01:27:12,259
YOU KNOW WHAT TIME
TO GET TOGETHER WITH YOU  GOOD.
BYE.

1572
01:27:12,261 --> 01:27:14,561
JIMMY,
WHAT IS YOUR SUCCESS?

1573
01:27:15,764 --> 01:27:16,830
AND GOD SPEAKS

1574
01:27:16,832 --> 01:27:18,265
YOU HAVE THIS PLACE
SMALL LOOKING
DIFFERENT, JIMMY.

1575
01:27:18,267 --> 01:27:21,635
HEY, EDDIE.
WHAT IS THAT?

1576
01:27:21,637 --> 01:27:23,670
GOOD.

1577
01:27:23,672 --> 01:27:24,672


1578
01:27:24,673 --> 01:27:26,607
OK, UH,
Run to my car  AND GETTING PAPER BOXES
I LEFT THERE.

1579
01:27:26,609 --> 01:27:28,875
SURE.
NO PROBLEM.

1580
01:27:28,877 --> 01:27:29,877
HEY, BOBBY, UM...

1581
01:27:29,878 --> 01:27:31,411
START THIS LIFE
WITH THIS.

1582
01:27:31,413 --> 01:27:34,648
YES.

1583
01:27:34,650 --> 01:27:35,749
OH, YEAH, UM...

1584
01:27:35,751 --> 01:27:37,651
YEAH, CALLING JO.

1585
01:27:37,653 --> 01:27:38,952
I'M NOT
CALLING IT, MAN.

1586
01:27:38,954 --> 01:27:40,721
IF YOU WANT TO CALL IT, YOU'RE CALLING IT.

1587
01:27:40,723 --> 01:27:42,889
GOOD.
I WILL CALL IT.

1588
01:27:42,891 --> 01:27:44,858
YOU BRING HER
BACK HERE TO WORK?

1589
01:27:44,860 --> 01:27:47,427
SO ANYWAY, YOU MUST ASK
ON THE GREEN DOOR

1590
01:27:47,429 --> 01:27:50,664
BECAUSE OF TRAPEZE SCENE
IS SO FUCKING HOT.

1591
01:27:50,666 --> 01:27:53,767
YOU SEE THEM THEY
IS IT IN MY PLACE?

1592
01:27:55,671 --> 01:27:58,772


1593
01:27:58,774 --> 01:28:02,643
I AM THEY'RE NIGHT.
THEY ARE SITTING THERE.

1594
01:28:03,011 --> 01:28:04,344
THEY ARE NOT HERE NOW,
HUMAN.

1595
01:28:04,346 --> 01:28:06,046
GOOD, I DON'T HAVE THEM!

1596
01:28:06,048 --> 01:28:09,349
MOTHERFUCKING BROADS!

1597
01:28:09,351 --> 01:28:11,318
HEY, MAYBE THE GIRLS
GO to OPERA

1598
01:28:11,320 --> 01:28:13,053
AND MUST BE BORROW THEM.

1599
01:29:45,813 --> 01:29:48,448
HALO.
HA HA!

1600
01:29:48,450 --> 01:29:49,816
HEI.
HOW ARE YOU?

1601
01:29:49,818 --> 01:29:51,818
GOOD, BABY...

1602
01:29:51,820 --> 01:29:54,688
NOTHING.
DO NOT WORK ABOUT IT.

1603
01:29:54,690 --> 01:29:56,056
MMM.

1604
01:29:56,058 --> 01:29:58,859
NO.
I CAN HAVE IT UP
UNTIL WEEK FRONT

1605
01:29:58,861 --> 01:30:01,628
BECAUSE THEY...
HEY, EDDIE.

1606
01:30:06,402 --> 01:30:10,070
THAT IS USED TO BE A STORY OF THE ANGEL.

1607
01:30:10,072 --> 01:30:11,938
BOBBY, IT'S
ANGEL STAFF!

1608
01:30:11,940 --> 01:30:14,107
YOU NEED ANYTHING,
YOU JUST LET ME KNOW.

1609
01:30:14,109 --> 01:30:16,576
You've been
TOO MUCH TO DRINK.

1610
01:30:16,578 --> 01:30:18,645
NO.
JUST LIE DOWN
AND SLEEP IT OFF.

1611
01:30:18,647 --> 01:30:21,615
GOOD.
WE ARE GOING.
MIRROR.
MIRROR.
MIRROR.

1612
01:30:21,617 --> 01:30:22,849
WHOOPSIE
HA HA!

1613
01:30:22,851 --> 01:30:23,851
PERMISSION.

1614
01:30:23,852 --> 01:30:25,152
YES?
STORY OF AN ANGEL.

1615
01:30:25,154 --> 01:30:26,953
EDDIE
GAVE IT TO HER.

1616
01:30:26,955 --> 01:30:28,955
HALO?
PORN STAR?

1617
01:30:28,957 --> 01:30:30,056
THIS IS THE STORY OF ANGEL.

1618
01:30:30,058 --> 01:30:31,525
JO,
THINK YOUR OWN BUSINESS.

1619
01:30:31,527 --> 01:30:32,893
BACK TO WORK.
DON'T START WITH ME.

1620
01:30:32,895 --> 01:30:35,495
THIS HAS ALWAYS been
STORY OF ANGEL.

1621
01:30:35,497 --> 01:30:36,563
ANGEL HAS A SENIORITY

1622
01:30:36,565 --> 01:30:37,831
GETTING YOUR ASS
OUT ON THE FLOOR!

1623
01:30:37,833 --> 01:30:39,800
FUCK YOU, BOBBY.
YOU MUST
TAKE CARE OF THIS

1624
01:30:39,802 --> 01:30:42,002
EVERYONE TAKES
ANGEL ADVANTAGES.

1625
01:30:42,004 --> 01:30:43,537
THANK YOU.

1626
01:30:43,539 --> 01:30:46,139
AW, THAT'S ANYTHING.

1627
01:30:46,141 --> 01:30:47,941
THANK YOU.

1628
01:30:47,943 --> 01:30:51,945
GOOD.
UM, I like
TO SEE JASMINE, PLEASE.

1629
01:30:51,947 --> 01:30:56,116
IS IT IMPORTANT?
WE ARE BIT BUSY
THIS EVENING.

1630
01:30:56,118 --> 01:30:57,118
OH.
YES.

1631
01:30:57,119 --> 01:30:58,852
I'M A FRIEND OF HERS.

1632
01:30:58,854 --> 01:31:03,223
GIVE IT, EVERYONE.
IT'S JESSIE!

1633
01:31:03,225 --> 01:31:04,991
HEY, SHAMA LONG,
YOU'RE NEXT, GIRL?

1634
01:31:04,993 --> 01:31:07,861
IF YOU WANT A CHANCE
TO GET YOUR PICTURE TAKEN

1635
01:31:07,863 --> 01:31:11,798
WITH ADULT STAR NICO FILM,
IT'S ONLY $ 10...

1636
01:31:11,800 --> 01:31:12,732
HEI, JASMINE.
WHAT?

1637
01:31:12,734 --> 01:31:15,068
I HAVE DENNIS
FRONT

1638
01:31:15,070 --> 01:31:17,838
WANT ME TO CLOSE IT?

1639
01:31:18,673 --> 01:31:20,907
NO.
I'M NEXT,
Not me
YES.

1640
01:31:20,909 --> 01:31:23,076
Give him a good cage.
HE CAN WATCH ME

1641
01:31:23,078 --> 01:31:27,881
I'LL SEE
SMALL CHILDREN
TO LION.

1642
01:31:31,252 --> 01:31:32,619
WELL,
WOMEN AND MEN,

1643
01:31:32,621 --> 01:31:37,591
LET'S PLEASE WELCOME TO
TO JASMINE STAGE.

1644
01:32:46,561 --> 01:32:53,900
AS I CLEAN
CALEIDOSCOPIC THOUGHTS  I AM NOT INTENDING TO DO YOU

1645
01:32:07,071 --> 01:33:02,208
I NEVER MEET US  SO THIS IS GOOD-BYE

1646
01:33:02,944 --> 01:33:07,647
THIS IS GOOD-BYE

1647
01:33:10,284 --> 01:33:14,754
TELL THE ACTUAL

1648
01:33:15,856 --> 01:33:19,893
YOU NEVER WANT ME  TELL ME  IN MEETING,
I'M JEALOUS AROUND TIME

1649
01:33:37,378 --> 01:33:39,613
AS MY TIME,
I'M GOING OUT OF MY MIND

1650
01:33:39,615 --> 01:33:44,150


1651
01:33:46,320 --> 01:33:49,055


1652
01:34:06,408 --> 01:34:14,408


1653
01:34:17,151 --> 01:34:23,723


1654
01:34:23,725 --> 01:34:27,827
THERE IS SOMETHING THAT CAN GET
ARE YOU FUN?

1655
01:34:28,029 --> 01:34:30,363
HOW MUCH TO BLOW?

1656
01:34:30,365 --> 01:34:32,799
HUNDRED BUCKS.

1657
01:34:33,801 --> 01:34:36,770
YES.
I CAN HANDLE THAT.

1658
01:34:39,407 --> 01:34:41,174
SEE...
SEE ME.

1659
01:34:41,176 --> 01:34:43,677
LOOK AT MY EYES.

1660
01:34:44,011 --> 01:34:46,079
YES.

1661
01:34:54,955 --> 01:34:55,955
HEI.

1662
01:34:55,957 --> 01:34:57,857
HAI.

1663
01:35:17,011 --> 01:35:20,280
WHAT YOU WANT TO
TO SIT DOWN?

1664
01:35:20,282 --> 01:35:22,315
SURE.

1665
01:35:53,748 --> 01:35:56,049
HEY, UH...

1666
01:36:04,892 --> 01:36:07,026
OHH...

1667
01:36:07,028 --> 01:36:09,496
I AM SORRY.

1668
01:36:09,864 --> 01:36:13,333
NO.
NO ANYTHING
MUST BE RESPECT.

1669
01:36:13,335 --> 01:36:15,401
NO.

1670
01:36:17,071 --> 01:36:20,406
NOTHING EVERYTHING
MUST RESPECT.

1671
01:36:32,453 --> 01:36:37,090
I WAS LOOKING AT THIS SPACE
WITH YOU IN IT.

1672
01:36:53,541 --> 01:36:55,074
I FEEL SAFE.

1673
01:36:55,076 --> 01:36:57,944
I FEEL SAFE NOW.

1674
01:37:16,363 --> 01:37:18,998
MMM.

1675
01:37:20,467 --> 01:37:23,536
LOVE WITH ME.

1676
01:37:24,305 --> 01:37:26,439
I CANNOT.
I CAN NOT.

1677
01:37:26,441 --> 01:37:28,441
GOOD.

1678
01:37:35,049 --> 01:37:36,049
I WILL MARRY.

1679
01:37:36,051 --> 01:37:37,483
SHH, SHH, SHH, SHH.

1680
01:37:37,485 --> 01:37:40,954
NO NO,
NO NO NO.

1681
01:38:09,617 --> 01:38:13,219
HE COMES LIKE SWAN

1682
01:38:14,021 --> 01:38:17,590
SECRET IN WATER

1683
01:38:17,958 --> 01:38:21,294
LIPS LIKE SUGAR

1684
01:38:21,595 --> 01:38:23,563
LIPS LIKE SUGAR

1685
01:38:23,565 --> 01:38:28,234
ONLY WHEN YOU THINK
YOU HAVE IT

1686
01:38:28,236 --> 01:38:31,938
HE'S MOVING ON WATER

1687
01:38:31,940 --> 01:38:35,608
HE'S CALL FOR YOU TONIGHT

1688
01:38:35,610 --> 01:38:38,578
TO SHARE THIS MOONLIGHT

1689
01:38:38,580 --> 01:38:42,048
YOU WILL FLOW DOWN HER RIVER

1690
01:38:42,050 --> 01:38:46,085
HE'S BACK,
AND YOU WILL GIVE IT  LIPS LIKE SUGAR

1691
01:38:46,087 --> 01:38:49,322
SUGAR SUGAR

1692
01:38:49,324 --> 01:38:53,026
LIPS LIKE SUGAR

1693
01:38:53,028 --> 01:38:56,629


1694
01:38:56,631 --> 01:39:01,000
SUGAR SUGAR

1695
01:39:04,538 --> 01:39:07,540
YES!
OK!

1696
01:39:07,542 --> 01:39:09,575
YEAAAAH!

1697
01:39:20,422 --> 01:39:23,222
I AM A FRIEND.

1698
01:39:24,959 --> 01:39:27,327
WELL, HAVE BEEN DONE AWAY?

1699
01:39:27,329 --> 01:39:29,429
NO?

1700
01:39:33,500 --> 01:39:35,201
YES.

1701
01:39:36,603 --> 01:39:39,172
YES.
THANK YOU VERY MUCH.

1702
01:39:44,378 --> 01:39:48,081
WOMEN AND MEN,
INCREDIBLE NICO!

1703
01:39:48,083 --> 01:39:49,983
ONLY!

1704
01:39:57,658 --> 01:39:59,492
WOMEN AND MEN,

1705
01:39:59,494 --> 01:40:01,094
HEAVENLY

1706
01:40:01,096 --> 01:40:03,196
ANGEL.

1707
01:40:04,098 --> 01:40:05,531
ARE YOU AN ANGEL?

1708
01:40:05,533 --> 01:40:06,366
WHAT?

1709
01:40:06,368 --> 01:40:07,767
I thought you were awake  OH, FUCK.

1710
01:40:07,769 --> 01:40:09,769
OH, SHIT.

1711
01:40:09,771 --> 01:40:12,171
OH, FUCK.
FORGET.

1712
01:40:14,341 --> 01:40:17,210
GOOD.
FORGET.
FUCK IT.

1713
01:40:18,379 --> 01:40:21,447
... CRASHIN 'ON YOUR DOORSTEP

1714
01:40:26,620 --> 01:40:29,756
YOURSELF IN MY HEAD

1715
01:40:29,758 --> 01:40:34,761
YOU'RE ALWAYS WALKING

1716
01:40:34,763 --> 01:40:37,764


1717
01:40:37,766 --> 01:40:40,633
EVERY TIME I SEE YOU  I'M NOT BELIEVE
I MUST LOVE AGAIN

1718
01:40:40,635 --> 01:40:47,807
DOES NOT MEAN MAKING YOU CRY

1719
01:40:51,612 --> 01:40:55,114
OR MAKE YOU LOVE SO HARD

1720
01:40:55,116 --> 01:40:57,483
DO NOT MEAN
TO MAKE YOU SAY YOU ARE GOOD-BYE

1721
01:40:57,485 --> 01:41:01,220
OR FALL THE TRYIN APART '

1722
01:41:01,222 --> 01:41:04,424
SHAKIN 'IN THE FLOOR

1723
01:41:04,426 --> 01:41:07,260
COME ON AND STEAL MY SOUL

1724
01:41:07,262 --> 01:41:10,763
HEH HEH.
THANK YOU.

1725
01:41:10,765 --> 01:41:13,132
HA HA!

1726
01:41:13,134 --> 01:41:14,100
GOOD.

1727
01:41:14,102 --> 01:41:16,069
I'M WISHIN 'I CAN
MAKE YOU UNDERSTAND

1728
01:41:16,403 --> 01:41:19,539
HEY, FELLAS.
HOW ARE YOU?

1729
01:41:19,541 --> 01:41:22,241
MY LITTLE ILL.
I'M LACTATING.

1730
01:41:22,243 --> 01:41:24,510
YOU'RE ALWAYS WALKING

1731
01:41:24,512 --> 01:41:28,181
I CANNOT GET
TOO FUN

1732
01:41:28,183 --> 01:41:30,116
BECAUSE THEN THEN
FOR MY SUGAR.

1733
01:41:30,118 --> 01:41:32,118


1734
01:41:32,120 --> 01:41:37,390
I NEVER LOVE AGAIN

1735
01:41:37,392 --> 01:41:41,094
NO

1736
01:41:41,096 --> 01:41:46,432
YOU KNOW
YOU SHOULD GO TO ME

1737
01:41:46,434 --> 01:41:53,272
EVEN WHEN I GOIN 'WRONG

1738
01:41:53,474 --> 01:41:58,845
YOU KNOW YOU GOTTA LOVED ME  AGAIN AND AGAIN

1739
01:41:58,847 --> 01:42:04,183
IT WILL BE GONE

1740
01:42:04,185 --> 01:42:09,655
OOH HOO

1741
01:42:19,399 --> 01:42:21,234
YEAH SAYANG!

1742
01:42:21,236 --> 01:42:24,237
OOH HOO HOO

1743
01:42:29,877 --> 01:42:32,245
I'm 'CRASHIN'
IN YOUR DOOR  SMALL YOU AND KISSES
IN MY HEAD

1744
01:42:32,247 --> 01:42:35,381
OH, DON'T YOU WALK

1745
01:42:35,383 --> 01:42:41,787
YES GOD.

1746
01:42:41,789 --> 01:42:44,190
DAVE?

1747
01:42:44,192 --> 01:42:45,858
DON'T MOVE.

1748
01:42:45,860 --> 01:42:47,593
IT'S YOU, isn't it?

1749
01:42:47,595 --> 01:42:48,761
DAVE?
DO NOT MOVE.

1750
01:42:48,763 --> 01:42:51,797
DAVE, CAN I HELP ME
WITH MY MONEY, PLEASE?

1751
01:42:51,799 --> 01:42:53,866
YOU CAN...
PUTTING...

1752
01:42:53,868 --> 01:42:57,503


1753
01:42:57,505 --> 01:42:58,704


1754
01:42:58,706 --> 01:43:02,775
SHOW YOUR LOVE
ANGEL, EVERYONE.

1755
01:43:02,777 --> 01:43:03,876
AYOLAH.
WHAT DO YOU SAY?

1756
01:43:03,878 --> 01:43:07,647
IT'S ONE,
FLOWER...

1757
01:43:07,649 --> 01:43:08,381
MELATI?

1758
01:43:08,383 --> 01:43:09,715
JASMINE, IT'S THE...

1759
01:43:09,717 --> 01:43:12,785
GUY...
FLOWER GUY
IS OUT THERE.

1760
01:43:12,787 --> 01:43:15,521
HE'S THE MOST DREAMY
THINGS YOU EVER...

1761
01:43:15,523 --> 01:43:18,524
YOU KNOW, GUY WITH
THE RED DRESS, JASMINE?

1762
01:43:18,526 --> 01:43:22,862
DO YOU HAVE ANYTHING
TO DESTROY ME OUT?

1763
01:43:22,864 --> 01:43:24,730
HAH?

1764
01:43:25,799 --> 01:43:27,600
OH, FUCK.

1765
01:43:41,315 --> 01:43:43,616
WOO WOO!

1766
01:44:09,610 --> 01:44:14,480
THAT'S 3 MILES TO THE RIVER

1767
01:44:17,451 --> 01:44:21,354
THAT WILL BRING ME AWAY

1768
01:44:23,590 --> 01:44:28,261
AND TWO MILES
TO THE DUSTY ROAD

1769
01:44:30,530 --> 01:44:34,533
THAT I WAS YOU TODAY  IT WAS 4 MILES
FOR MY ROOM

1770
01:44:36,303 --> 01:44:41,474


1771
01:44:44,044 --> 01:44:48,381
WHERE I'LL HAVE MY FACE

1772
01:44:49,950 --> 01:44:55,521
AND ABOUT EVERYWAY
TO DOWN BARS  THAT I AM RAN FROM DISGRACE  GOD, HOW LONG
DO I HAVE TO KEEP WALKING?

1773
01:44:57,424 --> 01:45:01,594
7 HOURS, 7 DAYS, OR 7 YEARS?

1774
01:45:02,863 --> 01:45:08,834
ALL I KNOW,
LIKE YOU HAVE DONE

1775
01:45:09,536 --> 01:45:15,608
FEEL LIKE I'M DROWNING

1776
01:45:16,076 --> 01:45:20,946
IN THE RIVER

1777
01:45:20,948 --> 01:45:24,517
DROWNING

1778
01:45:24,519 --> 01:45:27,353
IN THE TEARS RIVER

1779
01:45:28,021 --> 01:45:31,957
DROWNING IN THE RIVER

1780
01:45:32,559 --> 01:45:38,898
FEEL LIKE I'M DROWNING

1781
01:45:40,567 --> 01:45:43,903
DROWNING IN THE RIVER

1782
01:45:47,074 --> 01:45:51,510
IN 3 MORE DAYS

1783
01:45:53,413 --> 01:45:56,682
I'LL LEAVE THIS CITY

1784
01:46:30,417 --> 01:46:32,151
AND DISAPPEAR
WITHOUT TROUBLES...

1785
01:46:32,153 --> 01:46:35,788
WHAT?
WHAT?

1786
01:46:37,057 --> 01:46:41,427


1787
01:46:43,630 --> 01:46:45,831


1788
01:46:45,833 --> 01:46:48,934
ARE YOU
Going for?

1789
01:46:48,936 --> 01:46:50,836
WAIT FOR YOU!

1790
01:46:50,838 --> 01:46:54,774
WHERE DOES ONE KNOW MY FACE

1791
01:46:57,444 --> 01:47:02,014
I WANT THAT I CAN HAVE YOU

1792
01:47:02,849 --> 01:47:04,550
ONCE AGAIN

1793
01:47:04,552 --> 01:47:07,920
TO GET THE PAIN  YES GOD.

1794
01:47:24,137 --> 01:47:26,605
YES GOD.

1795
01:47:27,941 --> 01:47:30,009
ASTAGA...

1796
01:47:30,944 --> 01:47:32,912
YES GOD.

1797
01:47:35,949 --> 01:47:38,184
YES GOD.

1798
01:47:39,953 --> 01:47:42,555
YES GOD.
HA!

1799
01:47:42,989 --> 01:47:46,025
JESSIE?

1800
01:48:05,712 --> 01:48:07,713
YES?

1801
01:48:07,715 --> 01:48:09,515
I CANNOT SLEEP.

1802
01:48:10,050 --> 01:48:12,551
WHAT ARE YOU OK?

1803
01:48:12,553 --> 01:48:14,620
WHAT YOU WANT TO
TO COME TO JOIN ME?

1804
01:48:17,224 --> 01:48:20,226
SURE.

1805
01:48:21,728 --> 01:48:23,762
SING SOMETHING.

1806
01:48:47,554 --> 01:48:49,922
RIVER RUNNING DEEP  MY BOOK IS IN MY SLEEP  I WANT TO ESCAPE THIS EVENING

1807
01:48:57,864 --> 01:49:05,864


1808
01:49:06,240 --> 01:49:13,979


1809
01:49:13,981 --> 01:49:21,854


1810
01:49:21,856 --> 01:49:29,856
AND WAIT TILL
CALM DAYLIGHT

1811
01:49:29,864 --> 01:49:32,665
'CAUSES TOMORROW

1812
01:49:32,667 --> 01:49:34,667
WILL

1813
01:49:34,669 --> 01:49:37,803
GOOD THINGS

1814
01:49:43,310 --> 01:49:44,944
OHH

1815
01:49:54,721 --> 01:49:57,089
DO YOU HAVE LIGHT?

1816
01:49:59,125 --> 01:50:02,728
YES, I HAVE.

1817
01:50:06,833 --> 01:50:08,000
THANK YOU.

1818
01:50:08,002 --> 01:50:10,069
YOU CAN GO HOME NOW,
YOU KNOW.

1819
01:50:10,071 --> 01:50:11,737
YES.

1820
01:50:13,340 --> 01:50:14,673
Can I?

1821
01:50:14,675 --> 01:50:16,108
YES.

1822
01:50:20,981 --> 01:50:22,948
HOURS HOW MUCH NOW?

1823
01:50:23,650 --> 01:50:25,818
I don't know
3:30.

1824
01:50:28,622 --> 01:50:31,123
WHY ARE YOU STILL HERE?

1825
01:50:31,291 --> 01:50:32,958
WHY ARE YOU
STILL HERE?

1826
01:50:32,960 --> 01:50:35,828
GOOD GOOD QUESTIONS.

1827
01:50:38,999 --> 01:50:40,699
WHO KNOWS?

1828
01:50:40,701 --> 01:50:43,102
I AM GUESS I FELL ASLEEP.

1829
01:50:43,104 --> 01:50:44,203
WHAT DOES IT HAPPEN?

1830
01:50:44,205 --> 01:50:47,139
YES.
YOU'RE BEFORE
FOR A LONG TIME.

1831
01:50:47,141 --> 01:50:49,708
CAN BE WORSE.

1832
01:50:53,213 --> 01:50:55,881
YOU HAVE PRETTY HAIR.

1833
01:50:56,282 --> 01:50:58,350
THANK YOU.

1834
01:51:00,287 --> 01:51:04,223
I'M FOR... I FORGET YOUR
NAM.

1835
01:51:06,226 --> 01:51:08,861
I AM ALSO.

1836
01:51:09,295 --> 01:51:13,699
THAT, UH... NICO.

1837
01:51:13,701 --> 01:51:14,767
NICO.

1838
01:51:14,769 --> 01:51:16,702
YES.

1839
01:51:18,138 --> 01:51:20,739
WHAT ARE YOU WRITING?

1840
01:51:20,741 --> 01:51:22,207
WHAT?

1841
01:51:28,114 --> 01:51:31,350
I'M JUST TRYING
TO KEEP YOU HERE.

1842
01:51:33,019 --> 01:51:35,421
I HATE THIS PART.

1843
01:51:35,423 --> 01:51:37,156
HOME?

1844
01:51:37,158 --> 01:51:38,857
NO.

1845
01:51:38,859 --> 01:51:43,729
IT'S AN AWKWARD
TRANSITION FUCKING,
YOU KNOW.

1846
01:51:46,032 --> 01:51:47,366
IT'S LIKE...

1847
01:51:47,368 --> 01:51:52,838
ONLY 3 MORE HOURS
WILL SUNSET... SUNRISE.

1848
01:51:58,878 --> 01:52:01,113
WHERE DOES YOUR GIG NEXT?

1849
01:52:01,115 --> 01:52:03,882
TRAVEL AROUND
MANY, TRUE?

1850
01:52:03,884 --> 01:52:06,385
YES.
YES.

1851
01:52:06,387 --> 01:52:09,354
So, WHERE ARE YOU,
LIKE, LIFE?

1852
01:52:10,023 --> 01:52:13,258
HOTEL.
HOTELS.

1853
01:52:13,260 --> 01:52:16,361
WHERE ARE YOU...
WHERE DO YOU STAY?

1854
01:52:16,796 --> 01:52:19,765
I'M LOST MY HOME.

1855
01:52:19,767 --> 01:52:21,033
OH.

1856
01:52:21,035 --> 01:52:23,235
NOT A BIG PROBLEM.

1857
01:52:33,179 --> 01:52:36,215
WHAT ARE YOU WRITING?

1858
01:52:36,217 --> 01:52:38,183
WHAT?

1859
01:52:38,752 --> 01:52:40,986
YOU WRITE, TRUE?

1860
01:52:41,187 --> 01:52:43,522
WHAT YOU DO.
YOU WRITE.

1861
01:52:43,524 --> 01:52:46,425
YES.
YOU ARE THE AUTHOR.

1862
01:52:46,427 --> 01:52:48,227
IT WAS VERY FUCKING FUNNY.

1863
01:52:48,229 --> 01:52:50,496
I MEAN, IT'S, LIKE,
AUTHOR, YOU KNOW,

1864
01:52:50,498 --> 01:52:55,234
YOU'RE WRITING, AND THEN
YOU CAN NEVER READ
WHAT YOU WRITE.

1865
01:52:55,935 --> 01:52:57,469
SO, YOU ARE STRIPED
EVERY NIGHT HERE,

1866
01:52:57,471 --> 01:53:00,539
AND THEN YOU SIT
BACK HERE AND WRITE.

1867
01:53:05,211 --> 01:53:06,445
YEAH, I AM SAFE.

1868
01:53:06,447 --> 01:53:09,915
I WILL NOT REMEMBER IT
TOMORROW.

1869
01:53:17,023 --> 01:53:19,158
IS IT, UM...

1870
01:53:19,160 --> 01:53:21,026
IS IT A SONG?

1871
01:53:21,028 --> 01:53:24,062
NO.
NOT ME
WRITE A SONG.

1872
01:53:24,564 --> 01:53:28,567
IS IT, UM...
WHAT IS THE STORY?

1873
01:53:29,169 --> 01:53:30,569
NO.

1874
01:53:34,474 --> 01:53:37,009
I WRITE POEMS.

1875
01:53:38,411 --> 01:53:40,112
AH.

1876
01:53:40,114 --> 01:53:42,314
OH, POETRY

1877
01:53:42,316 --> 01:53:46,185
I HAVE FRIENDS...
UH, I HAVE FRIENDS

1878
01:53:46,187 --> 01:53:48,821
WHO IS USED TO WRITE EMPLOYEES.

1879
01:53:48,823 --> 01:53:53,826
HE WAS USED TO CALL ME,
AND HE WILL READ THEM TO ME.

1880
01:53:53,828 --> 01:53:55,594
HAH.

1881
01:53:55,596 --> 01:53:57,262
YES.

1882
01:53:57,463 --> 01:54:00,332
HE WAS WRITING
REALLY GOOD.

1883
01:54:00,334 --> 01:54:01,200
YES?

1884
01:54:01,202 --> 01:54:03,435
YEAH, HE.

1885
01:54:04,103 --> 01:54:06,205
YES.
HARD
TO WRITE GOOD POIK.

1886
01:54:06,207 --> 01:54:07,973
YES.

1887
01:54:11,411 --> 01:54:14,012
IT'S REALLY, UM...

1888
01:54:15,248 --> 01:54:18,517
BE NICE TO LISTEN TO
POEM AGAIN.

1889
01:54:20,320 --> 01:54:22,521
PLEASE?

1890
01:54:35,201 --> 01:54:38,337
"WHEN LIGHT IS SUCH
SEE FLOOR

1891
01:54:38,339 --> 01:54:42,207
" AND BRIEF THERE IS
A THUNDER AMONG US,

1892
01:54:42,209 --> 01:54:43,609
"IF YOUR EYES
HAVE HELPED WATER,

1893
01:54:43,611 --> 01:54:46,445
" IT WILL HAVE
NOT visible,

1894
01:54:46,447 --> 01:54:48,313
"AND WHEN WE HAVE
AS DREAM,

1895
01:54:48,315 --> 01:54:52,451
" THE SKIN UNDERNEATH
STILL YOUNG.

1896
01:54:52,453 --> 01:54:56,388
"YOU APPLY AS
WORDS AND SAID,

1897
01:54:56,390 --> 01:54:58,457
" THERE WAS,
LIGHT.

1898
01:54:58,459 --> 01:55:03,896
WHEN YOU WANT IT,
IT WILL WAIT FOR YOU. "

1899
01:55:03,898 --> 01:55:07,599
" CERTAIN PEACE
COME TO YOUR EYES...

1900
01:55:07,601 --> 01:55:09,935
"THIS IS
NOT DIFFERENT,

1901
01:55:09,937 --> 01:55:11,336
"THIS IS
VERY DIFFERENT,

1902
01:55:13,474 --> 01:55:17,576
" AND YOUR HANDS STAY
WITH SATISFACTION.

1903
01:55:17,578 --> 01:55:20,913
"YOU'RE DOING THIS
WITHOUT TOUCHING...

1904
01:55:20,915 --> 01:55:26,418
" YOUR HANDS,
NEEDS LIKE SHELTERS.

1905
01:55:26,420 --> 01:55:29,321
"ALL AROUND ME,
THERE ARE ROOMS,

1906
01:55:29,323 --> 01:55:34,593
" HALLWAYS OUTSIDE
LIKE CAVERNS.

1907
01:55:34,595 --> 01:55:37,396
"AND AROUND CORNER
AND UNDER STAFF,

1908
01:55:37,398 --> 01:55:41,133
" THERE ARE GUARANTEED,
AS ALWAYS, LIGHT...

1909
01:55:41,135 --> 01:55:44,403
AS EVER, LIGHT. "

1910
01:55:50,476 --> 01:55:53,478
WHAT IS THE GUY?

1911
01:55:53,480 --> 01:55:55,447
NO.

1912
01:56:00,586 --> 01:56:02,988
Is that you?

1913
01:56:08,461 --> 01:56:10,295
NO.

1914
01:56:15,601 --> 01:56:17,703
POSSIBLE.

1915
01:56:19,439 --> 01:56:23,408
SORRY ME.
I only
HAD A BAD DAY. YOU HAVE LIGHT?

1916
01:56:27,380 --> 01:56:29,214
YES.

1917
01:56:29,216 --> 01:56:31,049


1918
01:56:41,427 --> 01:56:44,129
ABOUT WHAT?

1919
01:56:47,367 --> 01:56:49,601
THIS IS ABOUT...

1920
01:56:51,070 --> 01:56:53,105
THIS IS ABOUT...

1921
01:56:56,376 --> 01:57:00,178
YOU KNOW HOW...
YOU KNOW HOW, LIKE,  WHEN YOU'RE HERE,

1922
01:57:00,180 --> 01:57:02,547
AND IT'S
ALWAYS DARK.

1923
01:57:02,549 --> 01:57:05,083
IT'S ALWAYS, LIKE,
1:00 ON THE MORNING.

1924
01:57:05,085 --> 01:57:10,555
THIS IS ABOUT,
YOU KNOW, MORNING...

1925
01:57:12,558 --> 01:57:18,063
STUFF IN YOU.

1926
01:57:18,398 --> 01:57:20,232
STUFF IN YOU.

1927
01:57:20,234 --> 01:57:23,435
I AM ALSO.

1928
01:57:25,204 --> 01:57:27,039
IT WAS A GOOD PLACE.

1929
01:57:31,077 --> 01:57:33,412
THANK YOU.

1930
01:57:35,448 --> 01:57:37,416
YOU KNOW WHAT
IS A CRYPTOGRAPHER IS?

1931
01:57:37,550 --> 01:57:40,619
I NEVER PAID ATTENTION
IN SCHOOL.

1932
01:57:40,621 --> 01:57:43,822
IT'S A CODE BREAKER.

1933
01:57:44,657 --> 01:57:46,792
AHH.

1934
01:57:46,794 --> 01:57:47,626
DURING THE WAR...

1935
01:57:47,628 --> 01:57:49,561
WHAT'S HARRY WAS.

1936
01:57:50,196 --> 01:57:52,364


1937
01:57:57,771 --> 01:58:00,305
AND HARRY ONE OF THEM.

1938
01:58:00,606 --> 01:58:03,075
He is the best, MAN.

1939
01:58:06,245 --> 01:58:08,847
THAT SHIT'S GONNA
KILL YOU, BOY.

1940
01:58:08,849 --> 01:58:10,649
GOOD.

1941
01:58:14,687 --> 01:58:16,421
WANT TO GET
SOMETHING TO EAT?

1942
01:58:16,423 --> 01:58:18,156
SURE.

1943
01:58:19,759 --> 01:58:22,727
YOU KNOW, I'M GONNA GIVE
THAT PEOPLE ARE ALSO ONE THING.

1944
01:58:22,729 --> 01:58:23,695
HOPE TO GOD
WHEN I WAS THAT OLD,

1945
01:58:23,697 --> 01:58:26,131
I STILL LOVED PUSSY
LIKE HE,

1946
01:58:26,133 --> 01:58:30,168
EVEN IF I HAVE TO
TO USE THE BINOCULAR
TO SEE IT.

1947
01:58:31,471 --> 01:58:34,306
HAVE YOU
EVER HAD?

1948
01:58:34,308 --> 01:58:38,844
YEAH, LIKE IN PUBLIC,
IN FRONT OF PEOPLE?

1949
01:58:39,345 --> 01:58:40,779
YEAH, A LONG-TERM LONG.

1950
01:58:40,781 --> 01:58:42,447
you?

1951
01:58:42,548 --> 01:58:44,616
WHAT ARE YOU
GET NERVOUS?

1952
01:58:45,651 --> 01:58:47,219
YES.

1953
01:58:47,221 --> 01:58:48,520
YES,
BECAUSE, UH,

1954
01:58:48,522 --> 01:58:50,355
JESSIE'S GOING
OVER TO PLAYED THIS EVEN.

1955
01:58:50,357 --> 01:58:52,757
YOU KNOW, PLACE
OVER IN BURBANK...
KARAOKE...

1956
01:58:52,759 --> 01:58:55,260
AND, UH, A BUNCH
FROM GIRLS
WILL,

1957
01:58:55,262 --> 01:58:56,161
SO, UM...

1958
01:58:56,163 --> 01:58:57,295
WHAT, OUR GIRLS?

1959
01:57:57,297 --> 01:58:59,431
JESSIE SAID
EVERYONE CAN SING,

1960
01:58:59,433 --> 01:59:00,832
SO I THOUGHT,
YOU KNOW,

1961
01:59:00,834 --> 01:59:01,766
WHAT IS FUCK?

1962
01:59:01,768 --> 01:59:03,201
GIRLS CAN WE SING?

1963
01:59:03,203 --> 01:59:04,402
YES.

1964
01:59:04,404 --> 01:59:06,805
YES GOD.

1965
01:59:07,773 --> 01:59:11,276
THIS RUSSIAN
MOTHERFUCKER GOT SHOT...

1966
01:59:11,511 --> 01:59:12,377
AND SOME SHOTS.

1967
01:59:12,379 --> 01:59:14,479
RIGHT THROUGH HEART,

1968
01:59:14,481 --> 01:59:18,250
IN THE HOUSE WINDOW
OVER IN WOOD HILLS.

1969
01:59:18,718 --> 01:59:19,584
CLOSING!

1970
01:59:19,586 --> 01:59:21,520
HOW TO FAST TO GO.

1971
01:59:21,522 --> 01:59:23,522
SO, I THOUGHT,
IF YOU DO NOT
DO ANY,

1972
01:59:23,524 --> 01:59:27,192
IF YOU DROP BY,
WE CAN, LIKE,  DO IT SIMPLE,
LIKE A DUET,

1973
01:59:27,194 --> 01:59:28,927
A FRANK AND SAMMY
TYPE OF THINGS.

1974
01:59:28,929 --> 01:59:30,495
WHAT TIME IS IT?

1975
01:59:30,497 --> 01:59:31,663
3:00.

1976
01:59:31,665 --> 01:59:32,631
NO MALE.

1977
01:59:32,633 --> 01:59:35,233
I'LL SLEEP.

1978
01:59:35,235 --> 01:59:37,369
CAPTIONING MAYBE BY
TRIMARK IMAGES

1979
01:59:37,637 --> 01:59:40,305
Led by the National
CAPTIONING INSTITUTE

1980
01:59:40,307 --> 01:59:44,843
WITH EYE  NOTHING CAN SEE

1981
02:00:03,663 --> 02:00:07,599
ASAP
FROM FAT GRASS

1982
02:00:09,735 --> 02:00:13,271
COVERS ME

1983
02:00:14,740 --> 02:00:20,345
I AM DRAWN

1984
02:00:20,880 --> 02:00:24,449
I AM DRAWN

1985
02:00:35,795 --> 02:00:39,397
FOR HER

1986
02:00:41,567 --> 02:00:44,469
LIKE A MOTH AGAINST FLAME

1987
02:00:44,471 --> 02:00:46,972


1988
02:00:48,407 --> 02:00:52,777


1989
02:00:52,779 --> 02:00:54,913
HE'S LEADING I'M DOWN

1990
02:00:54,915 --> 02:00:59,584
UNBOUND

1991
02:01:01,487 --> 02:01:04,356
UNBOUND

1992
02:01:09,528 --> 02:01:12,497
UNBOUND

1993
02:01:12,499 --> 02:01:16,334
I am SUCCESSFUL

1994
02:01:18,304 --> 02:01:21,806
I am SUCCESSFUL

1995
02:01:24,443 --> 02:01:28,580
HAS FULLY SEEN ME?

1996
02:01:29,649 --> 02:01:33,485
I am SUCCESSFUL

1997
02:01:35,288 --> 02:01:39,557
OH, THERE WAS NOT APPLIED

1998
02:01:41,527 --> 02:01:45,363
ONLY LEFT BEHIND

1999
02:01:46,799 --> 02:01:50,468
WHERE AM I  HE'S LEADING I'M DOWN

2000
02:01:52,004 --> 02:01:55,940
UNBOUND

2001
02:01:57,777 --> 02:02:01,012
NO BORDER

2002
02:02:03,416 --> 02:02:06,551
No fasi

2003
02:02:06,553 --> 02:02:08,987
NO WALLS

2004
02:02:08,989 --> 02:02:12,357
NO BORDER

2005
02:02:14,760 --> 02:02:17,562
No fasi

2006
02:02:17,564 --> 02:02:21,766
LIKE A MOTH AGAINST FLAME

2007
02:02:35,715 --> 02:02:40,118
HE'S LEADING I'M DOWN

2008
02:02:40,120 --> 02:02:41,953
UNBOUND

2009
02:02:41,955 --> 02:02:47,125
UNBOUND

2010
02:02:48,794 --> 02:02:52,397
NO BORDER

2011
02:02:54,400 --> 02:02:57,435
No fasi

2012
02:02:57,437 --> 02:03:00,038
UNBOUND

2013
02:03:00,040 --> 02:03:03,041


2014
02:03:05,811 --> 02:03:08,480
NO BORDER

2015
02:03:08,482 --> 02:03:11,116
No fasi

2016
02:03:11,118 --> 02:03:14,152
UNBOUND

