1
00:00:48,400 --> 00:00:51,563
THE SHADOW MONSTER WOKE UP.
2
00:00:51,920 --> 00:00:54,810
IT SAW THE BOY
IN THE POT AND SAID:
3
00:00:54,920 --> 00:00:57,571
"MMM. I'M STARVING."
4
00:00:57,840 --> 00:01:00,127
"I'M GOING TO EAT YOU UP."
5
00:01:00,600 --> 00:01:03,570
SO THE MONSTER OPENED
HIS MOUTH WIDE AND...
6
00:01:04,960 --> 00:01:07,361
SWALLOWED
THE LITTLE TAILOR WHOLE.
7
00:01:07,600 --> 00:01:08,681
THE BOY FELL
8
00:01:08,880 --> 00:01:11,201
AND FELL INTO A DARK CAVE
9
00:01:11,400 --> 00:01:12,765
FILLED WITH SLIME...
10
00:01:15,320 --> 00:01:16,367
IS THAT IT?
11
00:01:17,600 --> 00:01:19,602
THAT'S ALL I COULD COME UP WITH.
12
00:01:19,840 --> 00:01:22,081
WELL, YOU'LL THINK
OF SOMETHING TOMORROW.
13
00:01:22,360 --> 00:01:23,521
LET'S GO TO BED.
14
00:01:23,720 --> 00:01:27,486
BUT I'M NOT SLEEPY AND I
HAVEN'T FINISHED IT YET.
15
00:01:27,600 --> 00:01:30,843
I KNOW, SWEETIE, BUT MOMMY'S
TIRED FROM WORKING ALL DAY
16
00:01:31,040 --> 00:01:32,883
AND SHE NEEDS TO SLEEP.
17
00:01:35,320 --> 00:01:36,526
HERE, I'LL CARRY YOU.
18
00:01:37,840 --> 00:01:39,285
GOD, YOU'RE HEAVY!
19
00:01:41,400 --> 00:01:43,721
YOUR STORY NEEDS AN ENDING.
20
00:01:44,040 --> 00:01:45,804
LET'S SEE IF I CAN HELP.
21
00:01:46,200 --> 00:01:47,850
LET ME THINK...
22
00:01:49,160 --> 00:01:52,881
REMEMBER THE SCISSORS THE
TAILOR HAD GIVEN HIS SON?
23
00:01:54,440 --> 00:01:57,364
WELL, SUDDENLY HE REMEMBERED
HE STILL HAD THEM.
24
00:01:59,040 --> 00:02:00,963
HE TOOK THEM OUT
AND STARTED CUTTING.
25
00:02:01,400 --> 00:02:03,448
SNIP, SNIP, SNIP...
26
00:02:03,880 --> 00:02:06,804
SNIP, SNIP, SNIP...
27
00:02:09,920 --> 00:02:11,968
"OUCH!"
28
00:02:12,200 --> 00:02:14,487
"WHO'S CUTTING ME?"
AND THE LITTLE TAILOR...
29
00:02:14,640 --> 00:02:16,290
I KNOW, I KNOW!
30
00:02:16,600 --> 00:02:18,489
THE BOY CUTS HIS WAY OUT,
31
00:02:18,720 --> 00:02:20,882
MAKES HIMSELF
A MONSTER-SKIN COAT
32
00:02:21,080 --> 00:02:24,243
AND THE ARROWS COULDN'T HURT HIM ANYMORE.
I'LL FINISH IT RIGHT NOW.
33
00:02:24,520 --> 00:02:26,887
YOU'RE GOING TO SLEEP OR YOU'LL
BE TIRED IN THE MORNING.
34
00:02:27,120 --> 00:02:28,246
MOM...
35
00:02:28,440 --> 00:02:31,444
WE'LL GET THE LITTLE BOY OUT OF THE
MONSTER'S BELLY IN THE MORNING.
36
00:02:31,640 --> 00:02:36,168
DON'T SHUT IT, MEOW IS STILL OUTSIDE.
HE MIGHT WANT TO COME IN.
37
00:02:42,560 --> 00:02:44,449
NO DREAMING
ABOUT MONSTERS, OKAY?
38
00:03:28,880 --> 00:03:29,881
COME!
39
00:03:31,640 --> 00:03:32,641
COME!
40
00:05:32,280 --> 00:05:33,770
LEAVE HER ALONE, MONSTER!
41
00:06:11,240 --> 00:06:12,446
LET HIM GO!
42
00:06:33,480 --> 00:06:34,561
MOMMY!
43
00:06:59,320 --> 00:07:00,321
MOMMY!
44
00:07:15,320 --> 00:07:17,163
MOMMY, MOMMY!
45
00:07:19,960 --> 00:07:20,961
THERE, THERE...
46
00:07:21,600 --> 00:07:24,046
IT'S OVER, SWEETIE.
THERE, THERE...
47
00:07:24,960 --> 00:07:27,008
THE MONSTER CAME IN
THROUGH THE WINDOW.
48
00:07:27,240 --> 00:07:30,244
IT WANTED TO TAKE ME AWAY.
IT WAS... IT HAD NO FACE.
49
00:07:30,880 --> 00:07:34,202
THERE'S NO MONSTER IN HERE.
IT WAS ONLY A NIGHTMARE.
50
00:07:35,040 --> 00:07:36,565
IT WAS ONLY A NIGHTMARE.
51
00:07:36,960 --> 00:07:37,961
DON'T WORRY.
52
00:07:38,200 --> 00:07:40,202
IT'S OVER.
WHAT IF HE COMES BACK?
53
00:07:40,960 --> 00:07:44,169
IF HE COMES BACK, CLOSE YOUR
EYES AND COUNT TO FIVE.
54
00:07:44,320 --> 00:07:46,482
WHEN YOU OPEN THEM,
HE'LL BE GONE, YOU'LL SEE.
55
00:09:06,280 --> 00:09:08,255
I'M GOING TO CALL HER.
SHE IS DRIVING ME CRAZY.
56
00:09:08,280 --> 00:09:09,415
I CAN'T STOP THINKING ABOUT HER.
57
00:09:09,440 --> 00:09:11,055
OH, I'M SURE CAROL WOULD
BE VERY HAPPY ABOUT THAT.
58
00:09:11,080 --> 00:09:12,650
FUCK OFF.
YOU'RE NOT AN ANGEL.
59
00:09:12,800 --> 00:09:14,375
DON'T TELL ME
YOU NEVER THOUGHT ABOUT IT.
60
00:09:14,400 --> 00:09:16,760
LISTEN, MATE, I'M
VERY HAPPY WITH WHAT I'VE GOT.
61
00:09:16,920 --> 00:09:18,922
I MEAN, WHAT COULD BE SO WRONG
62
00:09:19,000 --> 00:09:20,525
WITH A BIT OF
NO-QUESTIONS-ASKED,
63
00:09:20,600 --> 00:09:22,090
HARMLESS FUN WITH
A FILTHY STRANGER
64
00:09:22,160 --> 00:09:23,241
TO SPICE UP YOUR LOVE LIFE?
65
00:09:23,640 --> 00:09:25,290
JUST AS LONG AS CAROL
DOESN'T FIND OUT.
66
00:09:25,440 --> 00:09:26,487
AND IF SHE DOES?
67
00:09:29,000 --> 00:09:31,571
I'D DENY IT, WOULDN'T YOU?
68
00:09:33,680 --> 00:09:34,841
LISTEN, MATE, IF I WERE YOU,
69
00:09:34,920 --> 00:09:37,446
I'D JUST GET IT OUT OF THE WAY
AND TELL HER EVERYTHING NOW.
70
00:09:37,600 --> 00:09:39,125
FUCK OFF!
71
00:09:39,840 --> 00:09:40,841
COME ON!
72
00:09:47,040 --> 00:09:48,960
KEEP AN EYE ON FRANK.
I HAVE TO CALL MY DAUGHTER.
73
00:09:57,560 --> 00:09:58,840
SHE IS JUST VERY LONELY.
74
00:09:58,880 --> 00:10:00,370
SHE MUST MISS YOU.
75
00:10:00,440 --> 00:10:03,649
YES, SHE DOES. SHE MISSES ME VERY
MUCH, BUT MY BROTHER'S THERE, SO...
76
00:10:05,280 --> 00:10:06,281
SEND THEM MY LOVE.
77
00:10:06,360 --> 00:10:08,567
I WILL. THAT'S NICE
OF YOU, THANK YOU.
78
00:10:09,360 --> 00:10:11,328
YEAH, I KNOW, SHE IS OLD.
79
00:10:20,360 --> 00:10:21,771
HEY, DAD.
WHERE ARE YOU?
80
00:10:21,840 --> 00:10:23,295
SORRY, SWEETHEART.
I'M STILL AT WORK.
81
00:10:23,320 --> 00:10:24,446
I'M GONNA BE ANOTHER HOUR.
82
00:10:24,720 --> 00:10:27,405
THAT'S TOO BAD. GRANDMA
MADE ME HER FAMOUS CAKE.
83
00:10:27,520 --> 00:10:28,646
YEAH, DON'T TELL ME,
84
00:10:28,720 --> 00:10:31,451
CHOCOLATE, JAM IN THE MIDDLE
AND FAKE CREAM ON TOP.
85
00:10:32,720 --> 00:10:33,855
IS MUM THERE?
CAN I TALK TO HER?
86
00:10:33,880 --> 00:10:34,961
SURE.
87
00:10:37,920 --> 00:10:39,081
DAD WANTS TO TALK TO YOU.
88
00:10:40,400 --> 00:10:41,686
HEY, BABY.
89
00:10:43,160 --> 00:10:46,289
YEAH. OKAY.
90
00:10:46,400 --> 00:10:48,243
MIA, IT'S SO GOOD TO SEE YOU.
91
00:10:50,800 --> 00:10:51,881
WHERE IS WINNIE GOING?
92
00:10:54,200 --> 00:10:58,285
YEAH? OKAY,
LOVE YOU, TOO. BYE.
93
00:11:04,640 --> 00:11:07,007
HEY, WINNIE, WHERE ARE YOU?
94
00:11:07,760 --> 00:11:10,081
WINNIE, WHERE ARE YOU?
95
00:12:07,640 --> 00:12:08,846
WHERE ARE YOU GOING?
96
00:12:09,600 --> 00:12:10,806
WHAT HAVE YOU FOUND?
97
00:13:06,520 --> 00:13:10,570
”HOLLOWFACE WOKE UP BECAUSE
SOMEONE CALLED HIS NAME.
98
00:13:11,240 --> 00:13:14,289
"AFTER MANY, MANY
YEARS, HE WAS FREE.
99
00:13:15,760 --> 00:13:19,731
"HE WASN'T YOUNG OR OLD,
OR UGLY OR HANDSOME.
100
00:13:20,200 --> 00:13:24,250
"HE HAD NO SHAPE, HE
DIDN'T EVEN HAVE A FACE.
101
00:13:26,280 --> 00:13:29,204
"HE REMEMBERED A BOY WITH A
FACE THAT LOOKED LIKE HIM.
102
00:13:29,920 --> 00:13:32,082
"HOLLOWFACE HAD TO FIND THE BOY.
103
00:13:34,000 --> 00:13:35,889
"HE HAD TO FIND HIS FACE.
104
00:13:38,640 --> 00:13:43,601
"UNTIL ONE NIGHT, HOLLOWFACE
FINALLY FOUND A FACE TO STEAL.
105
00:13:45,480 --> 00:13:49,087
"IT WAS A LITTLE BOY
STARING OUT OF A WINDOW.
106
00:13:52,200 --> 00:13:54,441
"HOLLOWFACE WANTED
THE BOY'S FACE
107
00:13:54,560 --> 00:13:56,403
"MORE THAN ANYTHING
ELSE IN THE WORLD.
108
00:13:57,600 --> 00:13:58,761
"WITHOUT A FACE,
109
00:14:00,400 --> 00:14:01,561
"HE HAD NOTHING.
110
00:14:02,760 --> 00:14:04,330
"SO HE DEVISED A PLAN.
111
00:14:05,400 --> 00:14:06,640
"FIRST,
112
00:14:07,480 --> 00:14:09,164
"HE'D SEPARATE THE BOY
FROM HIS PARENTS.
113
00:14:10,280 --> 00:14:11,930
"THEN HE'D TAKE HIM
BACK TO HIS LAIR.
114
00:14:12,800 --> 00:14:15,121
"HE'D RIP OFF HIS FACE
AND WEAR IT HIMSELF.
115
00:14:16,120 --> 00:14:18,964
"THAT WAY,
EVERYBODY WOULD LOVE HIM.
116
00:14:20,920 --> 00:14:21,921
"THE NEXT NIGHT,
117
00:14:22,120 --> 00:14:23,451
"HOLLOWFACE DRESSED UP AS A MAN
118
00:14:23,520 --> 00:14:24,840
"AND WENT BACK
TO THE BOY'S HOUSE.
119
00:14:25,600 --> 00:14:27,125
"HE RAN UP THE WALL QUICKLY.
120
00:14:27,960 --> 00:14:30,122
"HE SLIPPED
THROUGH AN OPEN WINDOW.
121
00:14:31,280 --> 00:14:33,442
"HE FOUND THE BOY'S ROOM
AND SLIPPED INSIDE.
122
00:14:34,720 --> 00:14:35,881
"THE BOY WAS SLEEPING.
123
00:14:36,840 --> 00:14:40,481
"HOLLOWFACE MOVED
CLOSER AND CLOSER,
124
00:14:41,480 --> 00:14:42,720
"AND CLOSER."
125
00:14:46,960 --> 00:14:48,121
CONTINUE, MIA.
126
00:14:51,840 --> 00:14:52,966
THAT'S ALL I HAVE.
127
00:14:53,320 --> 00:14:54,321
YOU HAVEN'T FINISHED IT?
128
00:14:55,520 --> 00:14:56,760
I DIDN'T KNOW HOW TO.
129
00:14:57,800 --> 00:14:59,165
IT'S NOT BAD.
130
00:14:59,360 --> 00:15:02,011
YOU'VE HOOKED YOUR AUDIENCE AND
LEFT US WITH A CLIFF-HANGER.
131
00:15:03,120 --> 00:15:04,645
TRY TO FINISH IT FOR NEXT WEEK.
132
00:15:05,600 --> 00:15:06,815
WELL, WE ARE ALL LOOKING FORWARD
133
00:15:06,840 --> 00:15:08,560
TO FINDING OUT WHAT
HAPPENS NEXT, AREN'T WE?
134
00:15:18,040 --> 00:15:19,041
SEE YOU LATER.
135
00:15:19,160 --> 00:15:21,049
OH, WHAT TIME IS
THE PARTY AGAIN?
136
00:15:21,120 --> 00:15:23,202
6:00. DON'T FORGET.
137
00:15:23,280 --> 00:15:25,123
OKAY, BYE!
SEE YOU.
138
00:16:05,800 --> 00:16:07,450
HEY!
YOU'RE LATE.
139
00:16:07,520 --> 00:16:09,045
SORRY.
WHO IS SHE?
140
00:16:11,720 --> 00:16:14,564
YOU'RE SWEATY. COME, YOU
HAVE TO DO THE CAKE.
141
00:16:20,240 --> 00:16:22,004
HEY, BIRTHDAY GIRL!
142
00:16:22,560 --> 00:16:23,641
DADDY!
143
00:16:25,640 --> 00:16:27,210
HAPPY BIRTHDAY.
144
00:16:36,240 --> 00:16:37,366
IT'S A TEDDY BEAR!
145
00:16:38,280 --> 00:16:40,123
WE GOT YOU SOMETHING ELSE, TOO.
146
00:16:47,080 --> 00:16:49,606
WOW, THANKS.
147
00:16:54,480 --> 00:16:55,527
IT'S SO COOL!
148
00:16:55,600 --> 00:16:56,931
I'VE WANTED ONE
OF THEM FOR AGES!
149
00:16:57,000 --> 00:16:58,809
GREAT.
OH, YES.
150
00:17:00,680 --> 00:17:03,889
YOU KNOW, IT'S ACTUALLY AN
ANTIQUE, IT'S NEARLY 50 YEARS OLD.
151
00:17:05,720 --> 00:17:08,166
AN OLD
TEDDY BEAR. COOL.
152
00:17:08,760 --> 00:17:11,047
I LOVE IT, DAD, REALLY.
153
00:17:14,240 --> 00:17:17,528
SO, HOW OLD ARE YOU AGAIN?
NINE? TEN?
154
00:17:17,640 --> 00:17:18,562
DAD.
155
00:17:18,680 --> 00:17:19,920
FOUR?
156
00:17:20,160 --> 00:17:22,208
OKAY, GUYS.
IT'S TIME.
157
00:17:23,360 --> 00:17:27,684
HAPPY BIRTHDAY TO YOU
158
00:17:27,760 --> 00:17:30,923
HAPPY BIRTHDAY TO YOU
159
00:17:31,560 --> 00:17:35,724
HAPPY BIRTHDAY, DEAR MIA
160
00:17:35,880 --> 00:17:39,248
HAPPY BIRTHDAY TO YOU
161
00:17:41,800 --> 00:17:42,881
WHOO!
162
00:17:49,800 --> 00:17:53,327
HOLLOWFACE WOKE UP BECAUSE
SOMEONE CALLED HIS NAME.
163
00:17:54,160 --> 00:17:57,403
AFTER MANY, MANY
YEARS, HE WAS FREE.
164
00:17:59,120 --> 00:18:01,600
WHEN HOLLOWFACE
CAME OUT OF HIS LAIR,
165
00:18:01,680 --> 00:18:03,569
THE PEOPLE LOOKED
RIGHT THROUGH HIM.
166
00:18:04,280 --> 00:18:05,930
IT WAS LIKE HE WAS INVISIBLE.
167
00:18:07,000 --> 00:18:10,527
HE SAW PEOPLE IN THE STREET,
TALKING AND KISSING.
168
00:18:11,280 --> 00:18:15,365
AND HE KNEW THAT, WITHOUT A
FACE, NO ONE COULD LOVE HIM.
169
00:18:17,680 --> 00:18:20,684
HOLLOWFACE KEPT HUNTING FOR
A BOY TO STEAL HIS FACE.
170
00:18:21,160 --> 00:18:25,324
HE LOOKED EVERYWHERE, IN
EVERY WINDOW OF EVERY HOUSE.
171
00:18:25,760 --> 00:18:29,685
UNTIL ONE NIGHT, HE FOUND A
HOUSE WITH A CHILD INSIDE.
172
00:18:31,720 --> 00:18:33,085
AND AN OPEN WINDOW.
173
00:18:38,600 --> 00:18:40,523
HE CREPT THROUGH THE ROOMS
174
00:18:42,320 --> 00:18:43,765
AND DOWN THE CORRIDOR,
175
00:18:44,440 --> 00:18:47,728
WHERE HE SAW A GIRL
WHO WAS STILL AWAKE.
176
00:18:48,480 --> 00:18:51,609
SO HE CREPT CLOSER, AND CLOSER.
177
00:18:52,880 --> 00:18:55,451
AND HE FORGOT ALL ABOUT
HUNTING FOR THE BOY.
178
00:18:56,040 --> 00:18:58,042
NOW, HOLLOWFACE
WANTED THE GIRL'S FACE
179
00:18:58,120 --> 00:18:59,849
MORE THAN ANYTHING ELSE
IN THE WORLD.
180
00:19:00,360 --> 00:19:02,169
SO, HE DEVISED A PLAN.
181
00:19:02,240 --> 00:19:04,641
HE WOULD HIDE IN THE
DARK CORNER OF HER ROOM
182
00:19:04,720 --> 00:19:07,803
AND WAIT FOR HER TO GO TO
SLEEP, AND THEN HE WOULD...
183
00:19:17,880 --> 00:19:19,450
I REALLY WANT ONE.
184
00:19:19,520 --> 00:19:20,567
ONE?
185
00:19:21,720 --> 00:19:23,370
JUST ONE.
NO.
186
00:19:23,440 --> 00:19:24,930
YES, JUST ONE.
NO.
187
00:19:25,200 --> 00:19:26,406
NO, DON'T.
188
00:19:27,280 --> 00:19:28,930
YOU DON'T NEED IT.
I DO.
189
00:19:29,720 --> 00:19:30,926
THAT'S PATHETIC.
190
00:19:33,640 --> 00:19:34,641
MIA.
191
00:19:35,240 --> 00:19:36,401
MIA, GO TO YOUR ROOM.
192
00:19:36,480 --> 00:19:38,360
WHAT IS IT? WHAT'S
THE MATTER, SWEETHEART?
193
00:19:39,240 --> 00:19:41,004
MIA, YOU'VE SCHOOL TOMORROW, GO.
194
00:19:50,200 --> 00:19:51,406
JOHN.
195
00:19:51,480 --> 00:19:52,970
COME ON, IT'S HER BIRTHDAY.
196
00:20:02,000 --> 00:20:03,684
ARE YOU OKAY, BIRTHDAY GIRL?
197
00:20:06,440 --> 00:20:07,566
I CAN'T SLEEP.
198
00:20:11,640 --> 00:20:13,051
TOO MUCH COCA-COLA?
199
00:20:13,120 --> 00:20:14,201
IT'S NOT THAT.
200
00:20:14,800 --> 00:20:16,802
NO? WHAT IS IT THEN?
201
00:20:24,080 --> 00:20:26,162
COME ON, LET'S GET YOU INTO BED.
202
00:20:33,640 --> 00:20:35,768
OH, I CAN SEE
YOU LOVE MY PRESENT.
203
00:20:36,320 --> 00:20:38,926
DAD, I'M 12 YEARS OLD.
204
00:20:40,080 --> 00:20:41,127
DID YOU HEAR THAT?
205
00:20:42,840 --> 00:20:45,047
SORRY, MATE, I THINK YOU
SHOULD'VE STAYED IN THE SHOP.
206
00:20:45,120 --> 00:20:47,521
LOOKS LIKE SHE IS JUST A LITTLE
BIT TOO GROWN-UP FOR YOU.
207
00:20:49,120 --> 00:20:51,361
OH, YEAH. SHE'S WEARING
LIPSTICK AND EVERYTHING.
208
00:20:55,040 --> 00:20:57,008
COME ON,
YOU SHOULD TRY TO SLEEP.
209
00:21:03,520 --> 00:21:04,965
GOOD NIGHT, SWEETHEART.
210
00:21:08,760 --> 00:21:09,807
I LOVE YOU, DAD.
211
00:21:10,840 --> 00:21:11,841
I LOVE YOU, TOO.
212
00:21:32,080 --> 00:21:36,290
ONE, TWO, THREE, FOUR, FIVE.
213
00:22:06,640 --> 00:22:09,120
"HE WAS A MURDERER
FROM THE BEGINNING,
214
00:22:09,920 --> 00:22:12,082
AND DID NOT ABIDE IN THE TRUTH,
215
00:22:12,800 --> 00:22:15,087
BECAUSE THERE IS
NO TRUTH IN HIM.
216
00:22:17,120 --> 00:22:19,487
IF YE CONTINUE IN MY WORD,
217
00:22:20,560 --> 00:22:23,166
THEN YE ARE MY DISCIPLES INDEED.
218
00:22:23,600 --> 00:22:25,523
AND YE SHALL KNOW THE TRUTH,
219
00:22:26,560 --> 00:22:28,767
AND THE TRUTH
WILL MAKE YOU FREE."
220
00:22:33,760 --> 00:22:35,728
WAIT FOR US HERE.
221
00:22:40,320 --> 00:22:42,288
WE CAN DO IT HERE IF YOU LIKE.
222
00:22:51,480 --> 00:22:54,484
YOU HAVE TO SAY, "HAIL,
MARY, FULL OF GRACE."
223
00:22:57,120 --> 00:22:58,645
HAIL, MARY, FULL OF GRACE.
224
00:22:58,960 --> 00:23:00,325
THE LORD IS WITH THEE.
225
00:23:05,040 --> 00:23:07,884
WHEN WAS YOUR LAST CONFESSION?
226
00:23:09,760 --> 00:23:10,761
I DON'T KNOW.
227
00:23:11,320 --> 00:23:12,526
I DON'T REMEMBER.
228
00:23:12,720 --> 00:23:13,801
THAT'S OKAY.
229
00:23:16,600 --> 00:23:18,329
GO AHEAD, TELL ME.
230
00:23:22,640 --> 00:23:24,881
YOU NEEDN'T BE ASHAMED.
231
00:23:25,400 --> 00:23:26,481
THE LORD IS GOOD
232
00:23:26,680 --> 00:23:28,409
AND ALWAYS FORGIVES US.
233
00:23:33,960 --> 00:23:35,246
COME ON.
234
00:23:36,480 --> 00:23:37,970
IT CAN'T BE THAT BAD.
235
00:23:47,520 --> 00:23:49,329
COME ON, JUAN.
WE'RE LEAVING.
236
00:24:04,200 --> 00:24:06,202
NO, NO, NO.
KEEP GOING.
237
00:24:06,480 --> 00:24:07,481
SORRY, MATE.
238
00:24:09,640 --> 00:24:11,642
COME ON, YOU.
CONCENTRATE.
239
00:24:12,600 --> 00:24:14,364
YOU'VE GOTTA GET
ALL THAT DONE BY TODAY.
240
00:24:15,760 --> 00:24:16,761
YOU'RE THE BOSS.
241
00:25:05,960 --> 00:25:07,325
HELP!
242
00:25:09,720 --> 00:25:10,801
HELP!
243
00:25:12,920 --> 00:25:14,206
HELP!
244
00:25:20,680 --> 00:25:22,444
PLEASE, MATE, HURRY,
I'M GONNA FALL!
245
00:25:22,680 --> 00:25:24,125
JOHN, HELP!
246
00:25:24,560 --> 00:25:27,325
I CAN'T HOLD ON. COME ON,
JOHN, HURRY UP, MATE!
247
00:25:27,760 --> 00:25:29,135
HURRY UP, I'M GONNA
FUCKING LET IT GO.
248
00:25:29,160 --> 00:25:30,161
HOLD ON!
249
00:25:30,280 --> 00:25:31,566
JOHN!
250
00:26:08,440 --> 00:26:12,411
JOHN! I'M GOING TO FALL!
251
00:26:12,480 --> 00:26:14,323
FRANK!
FRANK! FRANK!
252
00:27:30,280 --> 00:27:31,930
DAD?
JESUS.
253
00:27:33,800 --> 00:27:35,165
YOU SCARED THE LIFE OUT OF ME!
254
00:27:37,560 --> 00:27:40,211
ARE YOU OKAY, SWEETHEART?
WHAT'S THE MATTER?
255
00:27:41,160 --> 00:27:42,491
I HAD A NIGHTMARE.
256
00:27:43,240 --> 00:27:44,241
WHAT WAS IT ABOUT?
257
00:27:50,040 --> 00:27:51,326
COME, MIA.
258
00:27:59,680 --> 00:28:01,648
COME ON, LET'S GO BACK TO BED.
259
00:28:01,720 --> 00:28:02,926
YOU HAVE SCHOOL TOMORROW.
260
00:28:05,520 --> 00:28:06,931
WHAT IF THE NIGHTMARE
COMES BACK?
261
00:28:09,160 --> 00:28:10,321
COME ON.
262
00:28:10,680 --> 00:28:11,727
DAD, WHERE ARE WE GOING?
263
00:28:11,800 --> 00:28:13,131
COME ON, IT'S FINE.
264
00:28:20,600 --> 00:28:21,601
SHIT.
265
00:28:27,400 --> 00:28:28,401
DAD.
266
00:28:28,480 --> 00:28:30,562
WHY ARE YOU STANDING
OUT THERE? COME ON.
267
00:28:39,480 --> 00:28:40,925
WHAT ARE YOU DOING?
268
00:28:41,000 --> 00:28:42,411
YES, GOT IT.
269
00:28:42,720 --> 00:28:43,801
DO YOU REMEMBER THIS?
270
00:28:46,640 --> 00:28:48,369
THE ANTI-NIGHTMARE BOOK!
271
00:28:48,840 --> 00:28:50,046
DAD, THIS IS RIDICULOUS.
272
00:28:50,320 --> 00:28:54,450
COME ON. COME AND SIT DOWN.
HAVEN'T READ THIS IN AGES.
273
00:28:54,840 --> 00:28:56,490
COME ON.
274
00:28:57,160 --> 00:29:01,006
NOW, WHICH ONE SHALL WE READ?
275
00:29:01,080 --> 00:29:02,844
THAT ONE.
THIS ONE?
276
00:29:02,920 --> 00:29:05,491
OKAY. SO...
277
00:29:07,320 --> 00:29:12,406
"IF A BIG RED DEVIL WITH BIG
TEETH AND CLAWS COMES TO YOU
278
00:29:12,520 --> 00:29:17,811
"AND TRIES TO SQUEEZE YOU IN ITS
JAWS, JUST LIGHT IT UP AND SAY..."
279
00:29:18,680 --> 00:29:19,681
DAD.
280
00:29:21,040 --> 00:29:24,931
OH, YOU'RE
TOO GROWN... "BOO!"
281
00:29:28,040 --> 00:29:32,284
"AND YOU'LL SEE IT'S JUST A SHADOW
AND YOU CAN SEE IT THROUGH."
282
00:29:33,000 --> 00:29:35,287
SEE, MONSTERS ARE COWARDS.
283
00:29:35,360 --> 00:29:36,964
IF YOU STAND UP TO THEM,
THEY RUN AWAY.
284
00:29:39,040 --> 00:29:40,280
NOT THIS ONE.
285
00:29:42,280 --> 00:29:43,281
THIS ONE'S DIFFERENT.
286
00:29:43,360 --> 00:29:45,328
THEY'RE ALL THE SAME.
ALL COWARDS.
287
00:29:46,600 --> 00:29:48,125
AND YOU KNOW
THEY'D NEVER DARE COME
288
00:29:48,200 --> 00:29:50,089
INTO THIS HOUSE IF
THEY KNOW I'M HERE.
289
00:29:52,960 --> 00:29:54,689
BUT HE'S ALREADY INSIDE.
290
00:29:57,200 --> 00:29:58,725
WHAT DO YOU MEAN?
WHERE?
291
00:30:00,000 --> 00:30:01,047
I DON'T KNOW.
292
00:30:02,240 --> 00:30:04,288
I THINK HE SPIES ON ME
WHEN I'M ASLEEP.
293
00:30:04,680 --> 00:30:06,250
I KNOW HE'S THERE.
294
00:30:10,360 --> 00:30:11,521
RIGHT.
295
00:30:13,960 --> 00:30:15,041
NOW,
296
00:30:17,120 --> 00:30:21,887
TO KILL A MONSTER, YOU
HAVE TO ENTER THEIR STORY.
297
00:30:24,520 --> 00:30:26,568
SEE, THEY THINK
YOU'RE GONNA RUN AWAY,
298
00:30:27,800 --> 00:30:29,450
BUT IF YOU ENTER THEIR STORY,
299
00:30:31,160 --> 00:30:33,288
THEY'RE SCREWED.
SO...
300
00:30:36,400 --> 00:30:39,927
NOW, THERE'S SOMETHING MISSING.
301
00:30:48,280 --> 00:30:50,089
AH! PERFECT.
302
00:30:51,920 --> 00:30:53,604
WOW! THERE HE IS.
303
00:30:55,200 --> 00:30:56,929
THERE'S OUR MONSTER.
304
00:30:58,360 --> 00:30:59,441
SO,
305
00:31:00,040 --> 00:31:01,724
YOU THINK YOU'RE SCARY, HUH?
306
00:31:03,560 --> 00:31:04,846
NOW, LISTEN, MATE.
307
00:31:06,400 --> 00:31:07,765
IT'S THE END OF THE ROAD.
308
00:31:08,440 --> 00:31:09,965
WE'VE HAD ENOUGH.
309
00:31:12,240 --> 00:31:15,642
YOU CANNOT KEEP BOTHERING
MY DAUGHTER AT NIGHT.
310
00:31:25,720 --> 00:31:27,848
OKAY, STAND BACK.
311
00:31:41,720 --> 00:31:43,802
WHOA.
LOOK AT HIM GO.
312
00:31:45,920 --> 00:31:47,285
WOW.
313
00:31:49,240 --> 00:31:50,480
BASKETBALL FACE, GO.
314
00:31:50,560 --> 00:31:51,766
LOOK AT HIS FACE.
315
00:31:54,680 --> 00:31:56,011
OOH.
316
00:31:56,800 --> 00:31:57,847
SPOOKY.
317
00:31:57,920 --> 00:31:59,410
HE LOOKS SO ANGRY.
318
00:32:45,760 --> 00:32:47,046
WHAT THE HELL ARE YOU DOING?
319
00:32:48,400 --> 00:32:49,731
ARE YOU CRAZY?
WHAT IS THIS?
320
00:32:49,920 --> 00:32:50,921
MIA, GO TO YOUR ROOM.
321
00:32:51,400 --> 00:32:52,840
IT'S ALL RIGHT.
WE WERE JUST PLAYING.
322
00:32:52,880 --> 00:32:54,935
WHAT DO YOU MEAN "PLAYING"? YOU
COULD HAVE BURNED THE HOUSE DOWN.
323
00:32:54,960 --> 00:32:56,485
SHE HAD A NIGHTMARE.
324
00:32:56,560 --> 00:32:58,164
WE WERE JUST GETTING RID OF IT.
325
00:32:58,240 --> 00:32:59,375
WHAT DO YOU MEAN
"GETTING RID OF IT"?
326
00:32:59,400 --> 00:33:00,811
WHAT DO YOU MEAN?
WHAT IS THIS?
327
00:33:00,880 --> 00:33:02,848
SUE. IT WAS A GAME.
328
00:33:05,400 --> 00:33:07,767
THROW THIS THING AWAY BEFORE
IT STINKS UP THE WHOLE HOUSE.
329
00:35:26,200 --> 00:35:27,201
MOMMY!
330
00:35:30,080 --> 00:35:31,844
MOMMY!
331
00:35:35,360 --> 00:35:36,361
JUAN...
332
00:35:37,640 --> 00:35:39,688
IT'S OKAY, SWEETIE.
THERE, THERE.
333
00:35:40,040 --> 00:35:41,565
IT'S OVER.
334
00:35:54,920 --> 00:35:56,160
PLEASE, COME IN.
335
00:36:04,080 --> 00:36:05,127
JUAN.
336
00:36:05,720 --> 00:36:06,721
JUAN.
337
00:36:07,160 --> 00:36:09,561
FATHER ANTONIO IS
HERE TO SEE YOU.
338
00:36:22,200 --> 00:36:23,929
HE DOESN'T SEEM TO HAVE A FEVER.
339
00:36:26,000 --> 00:36:27,126
HI, JUAN.
340
00:36:28,200 --> 00:36:29,725
MY NAME IS ANTONIO.
341
00:36:30,640 --> 00:36:32,130
DO YOU REMEMBER ME?
342
00:36:32,640 --> 00:36:33,641
LOOK.
343
00:36:34,200 --> 00:36:36,043
I BROUGHT YOUR TOY.
344
00:36:37,320 --> 00:36:38,845
I'LL LEAVE IT HERE, OKAY?
345
00:36:43,080 --> 00:36:45,401
YOUR MOTHER SAYS YOU'RE
HAVING TROUBLE SLEEPING.
346
00:36:46,440 --> 00:36:47,441
GO AWAY.
347
00:36:49,600 --> 00:36:51,250
WHY DO YOU SAY THAT?
348
00:36:52,240 --> 00:36:54,129
IT'S NOTHING TO BE ASHAMED OF.
349
00:36:54,280 --> 00:36:56,328
I HAD NIGHTMARES
AT YOUR AGE TOO.
350
00:36:57,120 --> 00:36:58,770
THEY AREN'T NIGHTMARES.
351
00:37:00,400 --> 00:37:01,845
WHAT ARE YOU SCARED OF?
352
00:37:02,160 --> 00:37:03,321
WITCHES?
353
00:37:04,320 --> 00:37:05,481
NO SUCH THING.
354
00:37:06,200 --> 00:37:08,328
AND THE BOGEYMAN
ISN'T REAL EITHER.
355
00:37:08,920 --> 00:37:12,686
MY PARENTS TOLD ME ABOUT HIM
SO I'D FINISH MY DINNER.
356
00:37:13,080 --> 00:37:14,411
IT'S JUST A STORY.
357
00:37:14,640 --> 00:37:16,563
YOU NEEDN'T BE
AFRAID OF STORIES.
358
00:37:19,160 --> 00:37:20,730
HERE'S WHAT WE'LL DO:
359
00:37:22,040 --> 00:37:25,601
YOU TELL ME WHAT
YOU'RE SCARED OF,
360
00:37:26,520 --> 00:37:29,888
AND I'LL TELL YOU
WHAT SCARES ME, OKAY?
361
00:37:31,600 --> 00:37:34,763
I HAVE A FRIEND I TALK TO
EVERY DAY WHO I CAN'T SEE.
362
00:37:35,840 --> 00:37:37,330
I'M SCARED...
363
00:37:38,200 --> 00:37:40,009
MY FRIEND WON'T ANSWER ME.
364
00:37:41,080 --> 00:37:44,163
THAT I'LL TALK TO HIM
AND HE WON'T SAY ANYTHING.
365
00:37:46,520 --> 00:37:48,204
NOW IT'S YOUR TURN.
366
00:37:49,240 --> 00:37:50,685
WHAT ARE YOU SCARED OF?
367
00:38:02,040 --> 00:38:03,485
HOLLOWFACE.
368
00:38:12,040 --> 00:38:13,610
WHO IS HOLLOWFACE?
369
00:39:05,920 --> 00:39:07,251
MIA, WHAT'S THE MATTER?
370
00:39:20,840 --> 00:39:22,365
WHAT IS IT?
WHAT'S WRONG?
371
00:39:24,640 --> 00:39:25,926
TELL ME.
372
00:39:28,800 --> 00:39:29,847
HE'S HERE.
373
00:39:30,600 --> 00:39:31,886
HE'S INSIDE.
374
00:39:36,280 --> 00:39:37,930
NO, COME ON, SWEETHEART.
375
00:39:39,760 --> 00:39:41,967
THERE'S NOBODY HERE,
IT'S JUST YOU AND ME.
376
00:39:52,440 --> 00:39:53,646
LOOK.
377
00:39:54,920 --> 00:39:56,126
DADDY, LOOK.
378
00:41:11,880 --> 00:41:13,041
MIA, GET OUT.
379
00:41:20,360 --> 00:41:21,407
GET OUT!
380
00:41:40,920 --> 00:41:41,921
DAD!
381
00:42:06,760 --> 00:42:07,761
DAD!
382
00:42:08,480 --> 00:42:09,481
DAD!
383
00:42:09,720 --> 00:42:10,687
HELP ME!
384
00:42:21,440 --> 00:42:23,010
JOHN!
385
00:42:23,640 --> 00:42:25,400
JOHN, WHAT'S GOING ON?
CALL THE POLICE!
386
00:42:25,600 --> 00:42:26,726
CALL THE POLICE!
387
00:42:54,480 --> 00:42:55,481
PLEASE.
388
00:42:59,240 --> 00:43:00,241
JUST LET HER GO.
389
00:43:04,320 --> 00:43:05,765
DON'T HURT HER.
390
00:43:14,720 --> 00:43:16,927
MY GOD! SWEETHEART,
ARE YOU OKAY?
391
00:43:17,120 --> 00:43:18,451
ARE YOU OKAY?
392
00:43:24,440 --> 00:43:25,441
WHAT'S GOING ON?
393
00:43:25,520 --> 00:43:27,522
THERE WAS A FUCKING
MAN IN THE ROOM.
394
00:43:30,320 --> 00:43:33,324
ARE YOU OKAY?
ARE YOU OKAY? BABY...
395
00:43:34,840 --> 00:43:36,080
IT'S OKAY, IT'S OKAY.
396
00:45:07,720 --> 00:45:09,210
AWFUL BUSINESS.
397
00:45:09,280 --> 00:45:11,320
I THINK HE MUST'VE
COME IN THROUGH THE WINDOW.
398
00:45:12,920 --> 00:45:15,321
I CHASED AFTER HIM,
BUT HE'D GONE.
399
00:45:15,800 --> 00:45:18,406
DID YOU SEE HIS FACE? COULD
YOU GIVE US A DESCRIPTION?
400
00:45:18,800 --> 00:45:22,009
IT WAS DARK.
HE HAD A HOOD ON.
401
00:45:29,360 --> 00:45:31,124
GET THAT TO FORENSICS, GEORGE.
402
00:45:31,920 --> 00:45:33,410
NOW, ONCE AN INTRUDER
HAS BEEN SEEN,
403
00:45:33,480 --> 00:45:35,164
HE VERY RARELY COMES BACK.
404
00:45:35,840 --> 00:45:38,207
WE'LL GET HIM.
DON'T WORRY, MR. FARROW.
405
00:45:38,600 --> 00:45:39,726
THANK YOU.
406
00:45:53,600 --> 00:45:57,810
HE SAID NOT TO WORRY. HE SAID
HE DEFINITELY WON'T COME BACK.
407
00:46:01,160 --> 00:46:02,525
IT'S OKAY.
408
00:46:25,800 --> 00:46:27,802
YOU SIT DOWN HERE, LOVELY.
409
00:46:35,480 --> 00:46:36,891
HAS SHE SAID ANYTHING?
410
00:46:37,200 --> 00:46:38,320
WHAT DO YOU WANT HER TO SAY?
411
00:46:38,960 --> 00:46:40,121
SHE'S TERRIFIED.
412
00:46:46,120 --> 00:46:47,451
ARE YOU OKAY?
413
00:46:52,240 --> 00:46:54,049
WHAT IS IT, SWEETHEART?
TALK TO ME.
414
00:46:55,760 --> 00:46:56,841
MIA.
415
00:47:00,080 --> 00:47:01,491
TALK TO ME.
416
00:47:10,560 --> 00:47:12,528
SWEETHEART,
TELL ME WHAT'S WRONG.
417
00:47:20,240 --> 00:47:21,287
MIA.
418
00:47:28,640 --> 00:47:30,404
SWEETHEART, WHAT IS IT?
419
00:48:18,400 --> 00:48:21,768
ONE, TWO, THREE, FOUR...
420
00:48:29,320 --> 00:48:30,845
MOMMY, MOMMY!
421
00:48:34,480 --> 00:48:35,481
JUAN...
422
00:49:28,720 --> 00:49:29,721
HOW ARE YOU?
423
00:49:30,800 --> 00:49:31,926
EVERYTHING OKAY?
424
00:49:33,440 --> 00:49:35,727
NO WONDER THE FATHER RAN OFF.
425
00:49:36,760 --> 00:49:37,921
DID SHE TELL YOU THAT?
426
00:49:38,640 --> 00:49:39,926
NO.
427
00:49:40,880 --> 00:49:42,928
SHE SPEAKS ONLY OF A PRESENCE,
428
00:49:43,400 --> 00:49:45,607
THAT THERE'S SOMETHING
INSIDE THE BOY.
429
00:49:47,120 --> 00:49:50,408
THEY'RE BOTH NUTS,
THE BOY AND THE MOTHER.
430
00:49:51,160 --> 00:49:52,650
THEY WOULD SPOOK ANYONE.
431
00:49:53,400 --> 00:49:55,402
SHE TOLD YOU MORE
THAN SHE TOLD ME.
432
00:49:56,160 --> 00:49:58,447
YOU DON'T KNOW
HOW TO TREAT WOMEN.
433
00:50:00,440 --> 00:50:02,090
WILL YOU HELP THEM?
434
00:50:02,840 --> 00:50:04,524
WHAT DO YOU WANT ME TO DO?
435
00:50:05,320 --> 00:50:08,608
I DON'T KNOW. MAKE THEM
THINK YOU GOT RID OF IT.
436
00:50:08,760 --> 00:50:10,205
GOT RID OF WHAT?
437
00:50:13,360 --> 00:50:15,806
WE'RE TALKING ABOUT
SOMETHING VERY SERIOUS.
438
00:50:16,760 --> 00:50:19,161
IT WOULDN'T HAVE TO BE OFFICIAL.
439
00:50:19,800 --> 00:50:21,768
IT WOULD BE LIKE A PLACEBO.
440
00:50:22,440 --> 00:50:25,284
ANTONIO, YOU CAN'T PERFORM
SUCH A SERIOUS RITUAL
441
00:50:25,520 --> 00:50:28,171
JUST TO SETTLE THE NERVES
OF A CRAZY WOMAN.
442
00:50:28,320 --> 00:50:30,288
NO MATTER HOW PRETTY SHE IS.
443
00:50:31,440 --> 00:50:34,284
YOU CAN'T PLAY AROUND
WITH THIS STUFF, DAMN IT.
444
00:50:37,160 --> 00:50:38,810
LEAVE THEM ALONE.
445
00:50:40,480 --> 00:50:42,881
THIS IS A JOB
FOR A PSYCHIATRIST,
446
00:50:43,680 --> 00:50:45,250
NOT FOR US.
447
00:51:05,520 --> 00:51:06,880
AND THEN HE LEAPT
FROM YOUR WINDOW?
448
00:51:07,640 --> 00:51:09,404
OH, MIA. I'M SORRY.
449
00:51:09,920 --> 00:51:13,003
WHAT A TERRIBLE THING TO GO
THROUGH, IT MUST BE TERRIFYING!
450
00:51:17,160 --> 00:51:18,960
AND YOU HAVEN'T BEEN ABLE
TO SPEAK EVER SINCE?
451
00:51:20,000 --> 00:51:21,809
OR YOU HAVEN'T WANTED TO?
452
00:51:24,040 --> 00:51:26,361
THINGS AND...
IT'S IMPORTANT I KNOW.
453
00:51:34,800 --> 00:51:36,006
YOU CAN'T.
454
00:51:38,320 --> 00:51:39,800
YOU KNOW, IT'S ALL
RIGHT TO BE AFRAID.
455
00:51:41,680 --> 00:51:44,160
I GET SCARED TOO SOMETIMES.
EVERYONE DOES.
456
00:51:59,200 --> 00:52:00,804
PLEASE, COME WITH ME.
457
00:52:03,840 --> 00:52:06,571
AS THERE'S NOTHING PHYSICALLY
PREVENTING YOUR DAUGHTER FROM SPEAKING,
458
00:52:06,640 --> 00:52:09,928
HER SILENCE IS AN ACUTE
EMOTIONAL RESPONSE
459
00:52:10,000 --> 00:52:11,923
TO THE SEVERE SHOCK
SHE EXPERIENCED.
460
00:52:12,640 --> 00:52:14,130
SO WHAT DO WE DO?
461
00:52:15,000 --> 00:52:16,604
OH, YOU HAVE TO BE PATIENT.
462
00:52:18,640 --> 00:52:19,775
SHOULD SHE KEEP GOING TO SCHOOL?
463
00:52:19,800 --> 00:52:20,801
OH, YES, ABSOLUTELY.
464
00:52:20,880 --> 00:52:22,644
YOU DON'T WANT TO
DISRUPT HER ROUTINE,
465
00:52:22,720 --> 00:52:24,882
BUT I WILL NEED TO
SEE MIA EVERY DAY.
466
00:52:25,040 --> 00:52:26,087
EVERY DAY?
467
00:52:28,400 --> 00:52:29,731
MR. FARROW,
468
00:52:30,160 --> 00:52:33,642
I'M SURE YOU WANT TO AVOID
MIA RE-LIVING THE EXPERIENCE
469
00:52:33,720 --> 00:52:35,722
THROUGH FLASHBACKS
OR RECURRING NIGHTMARES.
470
00:52:37,040 --> 00:52:38,166
WE WANT TO FACILITATE
471
00:52:38,240 --> 00:52:40,368
THE SUCCESSFUL,
EMOTIONAL PROCESSING
472
00:52:40,440 --> 00:52:42,681
OF THE TRAUMA THROUGH
BASIC COUNSELING.
473
00:52:43,880 --> 00:52:48,363
DURING THE SESSIONS, MIA
WILL CONFRONT HER FEARS.
474
00:52:49,080 --> 00:52:52,766
WE'VE FOUND THE METHOD TO BE EXTREMELY
EFFECTIVE FOR THE CHILDREN...
475
00:53:05,520 --> 00:53:07,682
HOLLOWFACE DID NOT GIVE UP.
476
00:53:08,320 --> 00:53:11,608
HE WOULD WAIT FOR THE RIGHT MOMENT
TO RIP OFF THE GIRL'S FACE.
477
00:53:12,120 --> 00:53:16,045
HOLLOWFACE CREPT CLOSER,
AND CLOSER AND CLOSER.
478
00:53:23,960 --> 00:53:25,689
YOU HAVEN'T GOT ONE
THAT'S A BIT QUIETER?
479
00:53:25,760 --> 00:53:26,807
QUIETER?
480
00:53:27,120 --> 00:53:29,487
WOULDN'T HAVE A CHIHUAHUA
AS A GUARD DOG, WOULD YOU?
481
00:53:29,600 --> 00:53:30,840
THIS IS A ROTTWEILER.
482
00:53:32,280 --> 00:53:35,727
IT'S AN EXCELLENT CHOICE.
COMPLETE SECURITY PACKAGE.
483
00:53:35,800 --> 00:53:37,245
NO MORE WORRIES.
484
00:53:39,320 --> 00:53:40,401
HOW ABOUT...
485
00:53:54,680 --> 00:53:55,966
I MADE YOU SOMETHING TO EAT.
486
00:53:59,200 --> 00:54:00,645
YOU'RE DOING YOUR HOMEWORK?
487
00:54:03,320 --> 00:54:06,051
LISTEN, MIA, YOU DON'T HAVE TO
DO IT IF YOU DON'T WANT TO.
488
00:54:14,600 --> 00:54:16,170
"WANT TO." OKAY.
489
00:54:18,480 --> 00:54:21,848
COME, COME HERE.
COME HERE. SIT.
490
00:54:34,360 --> 00:54:35,725
YOU CAN ONLY ACCESS THE IMAGES
491
00:54:35,800 --> 00:54:37,450
ON THE CENTRAL WEB SITE
WITH A PASSWORD.
492
00:54:37,520 --> 00:54:38,521
IT'S VERY SECURE.
493
00:54:39,600 --> 00:54:43,491
YES, HI, MATE, YEAH. I NEED TO
ENTER A PASSWORD FOR A CUSTOMER.
494
00:54:45,400 --> 00:54:48,609
NAME, JOHN FARROW.
YEP.
495
00:54:49,400 --> 00:54:51,289
ONE, NINE, SIX, SEVEN.
496
00:55:00,320 --> 00:55:01,367
HI, JUAN.
497
00:55:01,520 --> 00:55:02,646
HOW ARE YOU?
498
00:55:03,360 --> 00:55:04,361
REMEMBER ME?
499
00:55:27,240 --> 00:55:29,368
JUAN.
500
00:55:29,560 --> 00:55:31,562
MOMMY, I'M HAVING FUN!
501
00:55:31,840 --> 00:55:32,841
WE'RE LEAVING.
502
00:55:32,960 --> 00:55:34,928
WE CAN'T BE HERE.
503
00:55:35,160 --> 00:55:36,161
LET'S GO.
504
00:55:50,560 --> 00:55:51,561
COME ON.
505
00:55:54,600 --> 00:55:55,601
JUAN...
506
00:55:55,840 --> 00:55:59,447
HOLLOWFACE CREPT
CLOSER, AND CLOSER.
507
00:55:59,760 --> 00:56:01,967
THE GIRL KNEW THAT
HOLLOWFACE WAS THERE.
508
00:56:02,760 --> 00:56:04,489
SHE COULD FEEL HIM WATCHING HER.
509
00:56:05,600 --> 00:56:07,011
SHE WANTED TO SCREAM FOR HELP,
510
00:56:07,080 --> 00:56:09,651
BUT WHEN SHE OPENED HER MOUTH
SHE COULDN'T MAKE A SOUND.
511
00:56:10,880 --> 00:56:12,405
HER PARENTS COULDN'T
KEEP HER SAFE
512
00:56:12,480 --> 00:56:15,404
BECAUSE HOLLOWFACE
WAS ALREADY INSIDE.
513
00:56:16,960 --> 00:56:20,521
HE'D MADE A NEW LAIR
RIGHT IN HER ROOM,
514
00:56:20,760 --> 00:56:23,491
IN A DARK CORNER EVERYONE
HAD FORGOTTEN ABOUT.
515
00:56:25,080 --> 00:56:27,526
HIS NEW LAIR WAS BIG
ENOUGH FOR BOTH OF THEM.
516
00:56:28,760 --> 00:56:31,240
HOLLOWFACE WOULD DRAG
THE GIRL INTO HIS LAIR
517
00:56:31,320 --> 00:56:33,402
AND KEEP HER THERE IN THE DARK,
518
00:56:34,080 --> 00:56:38,608
IMPRISON HER, AWAY FROM
HER PARENTS, FOREVER.
519
00:56:39,280 --> 00:56:42,204
THEN SHE WOULDN'T
NEED HER FACE EVER AGAIN.
520
00:56:43,840 --> 00:56:46,127
HE STARTED CALLING HER
TO HIS LAIR.
521
00:56:46,920 --> 00:56:48,843
SHE FELT HIS CLAWS
REACHING OUT TO HER.
522
00:58:16,480 --> 00:58:17,925
JOHN!
523
00:58:21,720 --> 00:58:25,327
MIA, ARE YOU OKAY?
ARE YOU OKAY?
524
00:58:41,720 --> 00:58:43,735
SHE'S FINE NOW. HER
BLOOD PRESSURE IS VERY LOW.
525
00:58:43,760 --> 00:58:44,807
SHE NEEDS TO REST.
526
00:58:44,880 --> 00:58:46,450
WE'RE GOING TO RUN
SOME ALLERGY TESTS.
527
00:58:46,760 --> 00:58:49,923
ANAPHYLACTIC SHOCK IS A SEVERE
HYPERSENSITIVITY BODY REACTION,
528
00:58:50,000 --> 00:58:51,615
BUT I DON'T WANT YOU
TO WORRY, MRS. FARROW,
529
00:58:51,640 --> 00:58:53,051
WE WILL FIND WHAT TRIGGERED IT.
530
00:58:53,560 --> 00:58:54,971
IN THE MEANTIME,
I'M GONNA PRESCRIBE
531
00:58:55,040 --> 00:58:56,883
SOME INTRAVENOUS
ADRENALINE AND SEDATIVES
532
00:58:56,960 --> 00:58:58,200
IN CASE OF EMERGENCY.
533
00:58:58,800 --> 00:59:01,644
IF SHE LOSES CONSCIOUSNESS AND
THE AMBULANCE TAKES TOO LONG,
534
00:59:01,720 --> 00:59:03,165
YOU CAN INJECT IT YOURSELF.
535
00:59:03,440 --> 00:59:05,920
IT TAKES ONLY A COUPLE OF
SECONDS TO TAKE EFFECT.
536
00:59:06,000 --> 00:59:07,215
I'LL HAVE A NURSE
SHOW YOU HOW IT WORKS.
537
00:59:07,240 --> 00:59:08,287
OKAY. THANK YOU.
538
00:59:08,680 --> 00:59:10,125
I'LL GO GET A NURSE.
539
00:59:12,800 --> 00:59:14,400
COULD YOU GIVE US A DESCRIPTION?
540
00:59:14,640 --> 00:59:16,449
YEAH, HE LOOKED REALLY WEIRD.
541
00:59:17,960 --> 00:59:19,485
IT WAS LIKE...
542
00:59:20,360 --> 00:59:21,646
IT WAS LIKE HE WAS DEFORMED.
543
00:59:22,360 --> 00:59:23,361
DEFORMED?
544
00:59:23,880 --> 00:59:26,804
BUT IT'S A GOOD JOB YOU INSTALLED
THOSE SECURITY CAMERAS.
545
00:59:28,720 --> 00:59:30,688
I'LL HAVE ONE OF MY MEN
CHECK THE COVERAGE.
546
00:59:32,240 --> 00:59:33,295
BUT WE'LL NEED YOUR PASSWORD.
547
00:59:33,320 --> 00:59:34,321
YEAH, OF COURSE.
548
00:59:39,000 --> 00:59:40,490
SORRY, WOULD YOU EXCUSE ME?
549
00:59:41,160 --> 00:59:43,447
HEY, HOW IS SHE?
550
00:59:43,520 --> 00:59:45,488
SHE'S ALL RIGHT.
SHE'S ALL RIGHT.
551
00:59:52,600 --> 00:59:53,806
IT'S DAVE.
552
00:59:54,160 --> 00:59:57,130
PLEASE, TAKE HIM. HE'S BEEN
CALLING THE WHOLE TIME.
553
00:59:57,840 --> 00:59:58,841
HELLO?
554
01:00:01,600 --> 01:00:02,681
MRS. FARROW,
555
01:00:03,520 --> 01:00:05,000
CAN YOU TELL ME
WHAT HAPPENED TONIGHT?
556
01:00:05,120 --> 01:00:08,044
I'M CALLING
BECAUSE YOUR MOTHER ASKED ME TO.
557
01:00:08,120 --> 01:00:09,255
YOUR MOTHER WANTS US TO BE...
558
01:00:09,280 --> 01:00:10,520
DON'T WORRY.
EVERYTHING'S FINE.
559
01:00:10,600 --> 01:00:11,965
I'M TAKING CARE
OF THE SITUATION.
560
01:00:12,040 --> 01:00:13,166
SHE IS WORRIED ABOUT MIA.
561
01:00:13,680 --> 01:00:14,681
HOW IS SHE, JOHN?
562
01:00:14,840 --> 01:00:17,446
I DIDN'T SEE HIM.
I JUST...
563
01:00:17,560 --> 01:00:18,561
JOHN?
564
01:00:18,680 --> 01:00:21,047
DAVE, I CAN'T TALK RIGHT NOW.
SORRY, I'VE GOTTA GO.
565
01:00:24,240 --> 01:00:26,811
DAVE, HOW ARE THEY?
566
01:00:27,600 --> 01:00:29,204
THEY'LL BE FINE.
567
01:00:49,920 --> 01:00:51,081
SIT DOWN.
568
01:01:01,840 --> 01:01:03,410
COME WITH ME, JUAN.
569
01:01:09,960 --> 01:01:11,041
LIE DOWN.
570
01:01:20,680 --> 01:01:22,762
WE'RE GOING TO PRAY TOGETHER.
571
01:01:23,760 --> 01:01:25,489
I'M GOING TO SAY A PRAYER
572
01:01:26,360 --> 01:01:29,489
AND REPEAT AFTER ME, ALL RIGHT?
573
01:01:29,880 --> 01:01:33,282
MOMMY SAYS YOU'RE GOING TO
MAKE HOLLOWFACE GO AWAY.
574
01:01:33,480 --> 01:01:34,481
THAT'S RIGHT.
575
01:01:34,680 --> 01:01:37,445
JESUS WILL COME,
HE'LL GRAB HOLLOWFACE
576
01:01:37,720 --> 01:01:38,721
AND POOF.
577
01:01:39,720 --> 01:01:42,849
HE'LL THROW HIM INTO A PIT
SO DEEP HE'LL NEVER GET OUT.
578
01:01:43,080 --> 01:01:44,889
BUT HOLLOWFACE CAN FLY.
579
01:01:45,200 --> 01:01:47,043
JUAN, KEEP QUIET
AND OBEY THE FATHER.
580
01:01:47,920 --> 01:01:48,967
CROSS YOURSELVES.
581
01:01:58,600 --> 01:01:59,886
GIVE ME YOUR HAND.
582
01:02:04,240 --> 01:02:06,481
"YOU, LORD, ARE MY REFUGE.
583
01:02:07,800 --> 01:02:10,565
HE SHALL DELIVER THEE FROM
THE SNARE OF THE FOWLER
584
01:02:10,720 --> 01:02:12,688
AND FROM
THE NOISOME PESTILENCE."
585
01:02:14,040 --> 01:02:15,041
REPEAT IT.
586
01:02:15,200 --> 01:02:17,521
"YOU, LORD, ARE MY REFUGE.
587
01:02:17,800 --> 01:02:20,485
HE SHALL DELIVER THEE FROM
THE SNARE OF THE FOWLER
588
01:02:20,560 --> 01:02:22,130
AND FROM
THE NOISOME..."
589
01:02:22,280 --> 01:02:23,850
"FROM
THE NOISOME PESTILENCE."
590
01:02:24,080 --> 01:02:26,401
"FROM
THE NOISOME PESTILENCE."
591
01:02:27,480 --> 01:02:30,086
"THOU SHALT NOT BE AFRAID
FOR THE TERROR BY NIGHT,
592
01:02:30,840 --> 01:02:33,002
NOR FOR THE ARROW
THAT FLIETH BY DAY."
593
01:02:34,880 --> 01:02:35,881
JUAN.
594
01:02:36,360 --> 01:02:37,361
PLEASE.
595
01:02:38,560 --> 01:02:39,846
I DON'T WANT TO.
596
01:02:43,200 --> 01:02:44,406
THAT'S ALL RIGHT.
597
01:02:45,080 --> 01:02:47,003
WE'LL TRY SOMETHING ELSE.
598
01:02:47,640 --> 01:02:48,766
I'LL PRAY
599
01:02:49,840 --> 01:02:52,525
AND YOU REPEAT IT
TO YOURSELF IN SILENCE.
600
01:02:53,360 --> 01:02:54,646
CLOSE YOUR EYES.
601
01:02:57,680 --> 01:03:00,160
"THOU SHALT NOT BE AFRAID
FOR THE TERROR BY NIGHT,
602
01:03:00,640 --> 01:03:02,881
NOR FOR THE ARROW
THAT FLIETH BY DAY."
603
01:03:20,160 --> 01:03:21,286
I CAN'T.
604
01:03:24,000 --> 01:03:25,411
I CAN'T DO IT.
605
01:03:26,960 --> 01:03:29,725
I CAN'T EXPEL HIM
IF I DON'T KNOW WHO HE IS.
606
01:03:31,560 --> 01:03:33,130
YOU KNOW WHO HE IS, DON'T YOU?
607
01:03:35,240 --> 01:03:36,924
HE HAS NO FACE.
608
01:03:38,440 --> 01:03:40,602
HIS FACE IS HIDDEN.
609
01:03:41,000 --> 01:03:42,570
I CAN'T SEE IT.
610
01:03:43,080 --> 01:03:46,129
YOU CAN'T SEE IT BECAUSE
HE'S WEARING A HOOD, RIGHT?
611
01:03:52,000 --> 01:03:53,240
CLOSE YOUR EYES.
612
01:03:54,760 --> 01:03:56,524
TRY TO IMAGINE HIS FACE.
613
01:03:58,560 --> 01:03:59,766
TAKE IT OFF.
614
01:03:59,880 --> 01:04:01,609
TAKE OFF HIS HOOD.
615
01:04:01,880 --> 01:04:02,881
FATHER, THAT'S ENOUGH.
616
01:04:03,040 --> 01:04:04,201
GOOD, JUAN.
617
01:04:06,120 --> 01:04:07,167
GOOD.
618
01:04:22,800 --> 01:04:24,086
HE'S THERE.
619
01:04:28,640 --> 01:04:29,926
WHERE, JUAN?
620
01:04:33,040 --> 01:04:34,041
THERE.
621
01:04:34,560 --> 01:04:35,846
WHERE IS HE?
622
01:04:50,600 --> 01:04:51,965
THERE'S NOTHING THERE.
623
01:05:03,920 --> 01:05:05,490
WHAT DO YOU SEE?
624
01:05:15,280 --> 01:05:16,281
HE'S GONE.
625
01:05:18,480 --> 01:05:20,084
IT'S ONLY A STATUE.
626
01:05:23,080 --> 01:05:24,081
LUISA.
627
01:05:25,000 --> 01:05:26,331
YOU CAN'T HELP US.
628
01:05:27,600 --> 01:05:29,728
THERE'S NOTHING YOU CAN DO.
629
01:05:30,680 --> 01:05:32,364
IT'S ONLY A STATUE.
630
01:05:33,160 --> 01:05:35,208
YOU IMAGINED THE WHOLE THING.
631
01:05:35,840 --> 01:05:36,887
LUISA!
632
01:05:41,880 --> 01:05:42,881
LUISA...
633
01:05:43,400 --> 01:05:44,606
TELL ME WHAT YOU SAW.
634
01:06:10,520 --> 01:06:12,090
MOMMY, WHERE ARE WE GOING?
635
01:06:12,200 --> 01:06:14,168
I DON'T KNOW.
FAR AWAY.
636
01:06:14,400 --> 01:06:16,607
JUAN, HELP ME.
CLOSE YOUR SUITCASE.
637
01:06:17,080 --> 01:06:18,969
DO YOU THINK HE'LL FOLLOW US?
638
01:06:19,240 --> 01:06:22,050
NO, BECAUSE WE'RE GOING FAR AWAY.
DO YOU UNDERSTAND?
639
01:06:25,200 --> 01:06:27,248
YOU SAW HIM TOO, DIDN'T YOU?
640
01:06:27,400 --> 01:06:29,562
JUAN, I DIDN'T SEE ANYTHING.
641
01:06:30,240 --> 01:06:32,004
YOU HEAR ME?
NOTHING.
642
01:06:56,080 --> 01:06:57,127
WHAT'S GOING ON?
643
01:06:57,720 --> 01:06:59,000
GOOD MORNING, JOHN.
COME THROUGH.
644
01:07:02,440 --> 01:07:03,930
IS EVERYTHING OKAY?
645
01:07:10,080 --> 01:07:12,686
SUE, WHERE'S MIA?
IS SHE OKAY?
646
01:07:12,760 --> 01:07:14,455
SHE'S HERE, JOHN.
SHE'LL BE FINE.
647
01:07:14,480 --> 01:07:15,606
HELLO, JOHN.
648
01:07:16,800 --> 01:07:17,881
WHAT IS THIS?
649
01:07:18,440 --> 01:07:20,442
PLEASE, JOHN, TAKE A SEAT.
650
01:07:25,640 --> 01:07:27,563
MIA KNOWS THAT
SHE HAS THE FULL LOVE
651
01:07:27,640 --> 01:07:29,130
AND SUPPORT OF BOTH HER PARENTS,
652
01:07:29,440 --> 01:07:30,930
ESPECIALLY YOU, JOHN.
653
01:07:31,080 --> 01:07:33,208
YOU HAVE A VERY
SPECIAL BOND WITH HER.
654
01:07:33,280 --> 01:07:34,850
I SHOULD HOPE SO,
I'M HER FATHER.
655
01:07:36,560 --> 01:07:39,928
SUSANNA TELLS ME THAT YOU HAVEN'T SLEPT
WELL SINCE YOUR INCIDENT AT WORK.
656
01:07:42,560 --> 01:07:44,280
WELL, I THINK WE'VE
ALL HAD TROUBLE SLEEPING
657
01:07:44,320 --> 01:07:46,049
EVER SINCE A MAN
STARTED APPEARING
658
01:07:46,120 --> 01:07:47,451
IN MY DAUGHTER'S
BEDROOM AT NIGHT.
659
01:07:47,640 --> 01:07:49,130
I UNDERSTAND.
660
01:07:50,200 --> 01:07:54,091
JOHN, THERE IS
A VERY RARE SYNDROME,
661
01:07:54,160 --> 01:07:55,560
WHICH IS OFTEN
BROUGHT ON BY STRESS,
662
01:07:55,600 --> 01:07:58,649
WHICH OCCURS WHEN TWO PEOPLE'S
PSYCHES BECOME ENTWINED.
663
01:08:01,000 --> 01:08:03,924
IT'S A SHARED DISORDER,
CALLED "FOLIE À DEUX."
664
01:08:04,840 --> 01:08:07,366
WHEN TWO PEOPLE WITH
CLOSE EMOTIONAL TIES
665
01:08:08,080 --> 01:08:09,809
SHARE THE SAME HALLUCINATION.
666
01:08:11,960 --> 01:08:13,485
HALLUCINATION?
667
01:08:15,560 --> 01:08:17,164
THERE'S NO INTRUDER, JOHN.
668
01:08:19,040 --> 01:08:22,840
IT'S IN YOUR IMAGINATION
AND IN MIA'S.
669
01:08:33,320 --> 01:08:35,004
WHAT THE FUCK ARE
YOU TALKING ABOUT?
670
01:08:35,760 --> 01:08:37,603
JOHN, I'D LIKE YOU TO
LOOK AT THIS, PLEASE.
671
01:09:03,680 --> 01:09:04,727
PLAY THAT AGAIN.
672
01:09:32,200 --> 01:09:33,167
WHAT IS THIS?
673
01:09:33,240 --> 01:09:34,480
THERE WAS NO ONE THERE, JOHN.
674
01:09:35,480 --> 01:09:37,881
NOBODY ELSE IN THE ROOM,
BUT YOU AND YOUR DAUGHTER.
675
01:09:38,080 --> 01:09:39,161
MR. FARROW.
676
01:09:39,520 --> 01:09:40,646
WHO THE FUCK ARE YOU?
677
01:09:40,920 --> 01:09:43,287
THIS IS DAVID WARETON
FROM SOCIAL SERVICES.
678
01:09:44,080 --> 01:09:45,923
WE'RE ALL HERE
TO HELP YOU, JOHN.
679
01:09:46,320 --> 01:09:49,767
THE CONDITION CAN BE TREATED VERY
SUCCESSFULLY THROUGH THERAPY,
680
01:09:53,480 --> 01:09:57,280
BUT, JOHN,
THE FIRST STEP WILL BE
681
01:09:57,360 --> 01:09:59,044
TO SEPARATE YOU
FROM MIA FOR A WHILE.
682
01:10:00,360 --> 01:10:02,010
IF YOU HAVE NOWHERE ELSE TO GO,
683
01:10:02,080 --> 01:10:03,280
WE CAN HELP YOU OUT WITH THAT.
684
01:10:03,720 --> 01:10:06,803
I RECOMMEND THAT YOU SPEAK
TO MY COLLEAGUE, DR. NOWINSKI.
685
01:10:06,880 --> 01:10:08,006
HE SAID HE'LL TREAT YOU.
686
01:10:08,440 --> 01:10:12,604
THIS IS RIDICULOUS. IT DOESN'T MAKE
ANY SENSE. I WAS IN THE FUCKING ROOM!
687
01:10:13,640 --> 01:10:16,530
HE WAS THERE, HE WAS
ATTACKING MY DAUGHTER.
688
01:10:19,960 --> 01:10:21,644
SUE, YOU WERE THERE, TELL THEM.
689
01:10:24,040 --> 01:10:25,087
SUE.
690
01:10:30,960 --> 01:10:31,961
TELL THEM!
691
01:10:32,080 --> 01:10:34,287
MR. FARROW,
YOU NEED TO CALM DOWN.
692
01:10:38,040 --> 01:10:39,485
I DIDN'T SEE ANYTHING.
693
01:10:42,240 --> 01:10:44,322
YOU SAW THE VIDEO.
THERE'S NOBODY THERE.
694
01:10:49,480 --> 01:10:51,005
I DON'T FUCKING BELIEVE YOU.
695
01:11:09,280 --> 01:11:11,408
SO YOU THINK I'M CRAZY, DO YOU?
696
01:11:15,320 --> 01:11:16,481
DON'T WORRY.
697
01:11:18,000 --> 01:11:19,843
BY THE TIME YOU GET HOME,
I'LL BE OUT.
698
01:11:34,840 --> 01:11:37,810
MIA, WHEN WE GET HOME,
699
01:11:38,400 --> 01:11:39,925
DADDY IS NOT GONNA BE THERE.
700
01:11:41,560 --> 01:11:43,767
WE HAVE TO SEPARATE YOU
FOR A LITTLE WHILE.
701
01:11:56,440 --> 01:11:58,761
MUM SAYS YOU'VE BEEN
WRITING A STORY AT SCHOOL.
702
01:12:01,000 --> 01:12:02,650
WHO IS HOLLOWFACE?
703
01:12:06,720 --> 01:12:09,121
SUSANNA, IT MIGHT
BE EASIER FOR MIA
704
01:12:09,200 --> 01:12:10,770
IF YOU LEFT US ALONE
FOR A MINUTE.
705
01:12:22,160 --> 01:12:25,767
MIA, IS THERE SOMETHING
YOU WANT TO TELL US?
706
01:12:41,440 --> 01:12:43,647
DID YOUR FATHER
TELL YOU THE STORY?
707
01:12:48,600 --> 01:12:50,807
YOU KNOW HOLLOWFACE ISN'T REAL?
708
01:14:23,600 --> 01:14:24,720
OKAY, MRS. FARROW...
709
01:14:30,600 --> 01:14:31,886
IF HE COMES NEAR
THE HOUSE AGAIN,
710
01:14:31,960 --> 01:14:34,042
MRS. FARROW, PLEASE LET
US KNOW IMMEDIATELY.
711
01:14:34,120 --> 01:14:35,406
YES, I WILL.
712
01:14:36,880 --> 01:14:38,609
WE CAN GET A COURT ORDER.
NO, NO, NO.
713
01:14:38,680 --> 01:14:40,603
IT WON'T BE NECESSARY,
SERIOUSLY.
714
01:14:40,920 --> 01:14:41,921
OKAY.
715
01:14:44,520 --> 01:14:46,807
SO, THIS IS THE ROOM.
716
01:14:47,080 --> 01:14:48,411
IT'S A NICE ROOM, MIA.
717
01:14:49,240 --> 01:14:51,288
DO YOU MIND IF WE TALK OUTSIDE?
718
01:14:53,400 --> 01:14:55,402
MIA, I'M GONNA BE BACK
IN A MINUTE, YEAH?
719
01:15:55,040 --> 01:15:56,041
MIA.
720
01:15:59,680 --> 01:16:02,286
WHAT IF WE GO FOR A NICE
YUMMY MEAL TONIGHT?
721
01:16:03,120 --> 01:16:06,329
YEAH? LIKE A CHINESE RESTAURANT?
WHAT DO YOU THINK?
722
01:16:07,240 --> 01:16:08,480
GOOD IDEA?
723
01:16:09,640 --> 01:16:10,801
LET'S GO.
724
01:18:17,440 --> 01:18:18,441
LUISA,
725
01:18:18,680 --> 01:18:20,648
CAN I SPEAK WITH YOU
WHEN YOU HAVE A MINUTE?
726
01:18:22,520 --> 01:18:25,000
HE SAYS HE WANTS TO TALK TO YOU.
727
01:19:49,720 --> 01:19:50,926
MOMMY!
728
01:20:03,160 --> 01:20:04,161
MOMMY!
729
01:20:05,400 --> 01:20:07,562
DON'T WORRY, IT MUST
JUST BE A NIGHTMARE.
730
01:20:08,800 --> 01:20:10,484
I'M SURE HE'LL CALM DOWN.
731
01:20:14,560 --> 01:20:15,891
MOMMY!
732
01:22:22,280 --> 01:22:24,681
ONE, TWO, THREE,
733
01:22:25,160 --> 01:22:26,969
FOUR, FIVE.
734
01:22:27,720 --> 01:22:30,087
THERE YOU'LL STAY FOREVER.
735
01:22:45,960 --> 01:22:48,691
HOLLOWFACE WOKE UP BECAUSE
SOMEONE CALLED HIS NAME.
736
01:22:50,400 --> 01:22:51,561
AFTER MANY, MANY YEARS,
737
01:22:53,280 --> 01:22:54,281
HE WAS FREE.
738
01:23:34,840 --> 01:23:36,001
JOHN?
739
01:23:36,080 --> 01:23:37,286
HE'S BACK.
740
01:23:39,320 --> 01:23:40,446
WHO IS BACK?
741
01:23:41,360 --> 01:23:42,441
YOU KNOW WHO.
742
01:23:45,920 --> 01:23:48,161
I DON'T KNOW WHAT
YOU'RE TALKING ABOUT, SON.
743
01:23:49,040 --> 01:23:50,041
YES, YOU DO.
744
01:23:52,680 --> 01:23:53,681
NO.
745
01:23:55,520 --> 01:23:56,806
IT CAN'T BE.
746
01:23:58,360 --> 01:24:00,840
YOU SAID I MADE HIM UP.
747
01:24:01,480 --> 01:24:02,641
THAT I WAS DREAMING.
748
01:24:05,880 --> 01:24:07,086
YOU LIED TO ME.
749
01:24:27,560 --> 01:24:28,561
I'M SORRY.
750
01:24:29,680 --> 01:24:31,284
I'M SO SORRY.
751
01:24:32,080 --> 01:24:34,162
HE'S HURTING MIA.
752
01:24:36,560 --> 01:24:38,483
I WAS ONLY TRYING
TO PROTECT YOU.
753
01:24:39,040 --> 01:24:40,280
FROM WHAT?
754
01:24:41,040 --> 01:24:42,041
SON...
755
01:24:44,640 --> 01:24:45,880
FORGIVE ME.
756
01:24:47,800 --> 01:24:48,961
TELL ME.
757
01:24:57,160 --> 01:24:59,367
I'M SORRY, I HAD TO LIE TO YOU.
758
01:25:00,840 --> 01:25:03,889
HE CAME TO TAKE YOU THAT NIGHT.
IT WASN'T A NIGHTMARE.
759
01:26:51,080 --> 01:26:55,768
IT'S OKAY. IT'S OKAY.
I'M SORRY. I'M SORRY.
760
01:26:55,840 --> 01:26:58,081
THREE, FOUR, FIVE...
761
01:26:58,720 --> 01:27:01,326
COME ON. BABY!
762
01:27:07,120 --> 01:27:08,201
IT'S ME!
763
01:27:20,880 --> 01:27:22,120
JOHN, SHE CAN'T BREATHE!
764
01:27:22,240 --> 01:27:24,368
WHAT'S HAPPENING?
THE SHOT'S NOT WORKING.
765
01:27:24,480 --> 01:27:25,891
CALL AN AMBULANCE!
766
01:27:29,960 --> 01:27:32,725
IT'S ME. I'M HERE.
CAN YOU HEAR ME?
767
01:27:38,160 --> 01:27:42,210
I KNOW HE'S HERE AND I KNOW YOU'RE
AFRAID, BUT THAT'S ALL OVER NOW,
768
01:27:42,280 --> 01:27:45,011
BECAUSE I KNOW WHO HE IS
AND I KNOW WHY HE CAME BACK.
769
01:27:52,000 --> 01:27:54,401
COME ON, KEEP TALKING,
KEEP TALKING, KEEP TALKING.
770
01:28:00,800 --> 01:28:03,531
HOLLOWFACE WOKE UP BECAUSE
SOMEONE CALLED HIS NAME.
771
01:28:05,320 --> 01:28:07,049
AFTER MANY, MANY
YEARS, HE WAS FREE.
772
01:28:09,120 --> 01:28:13,489
HE WASN'T YOUNG OR OLD,
UGLY OR HANDSOME.
773
01:28:14,600 --> 01:28:16,045
HE HAD NO SHAPE,
774
01:28:16,680 --> 01:28:18,205
HE DIDN'T EVEN HAVE A FACE.
775
01:28:24,280 --> 01:28:28,080
THEY HAD LOCKED HIM AWAY IN A DARK,
TINY HOLE WHERE THE SUN NEVER SHONE.
776
01:28:34,720 --> 01:28:36,927
HE REMEMBERED A BOY WITH A
FACE THAT LOOKS LIKE HIM.
777
01:28:40,000 --> 01:28:41,764
HOLLOWFACE HAD TO FIND THE BOY.
778
01:28:42,520 --> 01:28:44,363
HE HAD TO FIND HIS FACE.
779
01:28:49,480 --> 01:28:51,448
WHEN HE FINALLY FOUND
WHERE THE BOY WAS HIDING,
780
01:28:51,680 --> 01:28:53,569
HOLLOWFACE DIDN'T
KNOW WHAT TO DO.
781
01:28:55,920 --> 01:28:59,527
SEEING THE MOTHER KISS THE
BOY MADE HIM FEEL ENVIOUS.
782
01:29:00,240 --> 01:29:01,810
HE WANTED TO BE LIKE THE BOY.
783
01:29:02,080 --> 01:29:05,243
HE WANTED TO BE LOVED.
SO HE DEVISED A PLAN.
784
01:29:07,560 --> 01:29:09,881
FIRST, HE'D SEPARATE
THE BOY FROM HIS MOTHER.
785
01:29:11,760 --> 01:29:13,410
THEN HE'D BRING HIM TO HIS LAIR.
786
01:29:14,680 --> 01:29:18,446
AND HE WOULD RIP OFF HIS
FACE AND WEAR IT HIMSELF.
787
01:29:25,440 --> 01:29:26,851
HOLLOWFACE MOVED CLOSER
788
01:29:29,120 --> 01:29:33,091
AND CLOSER, AND CLOSER.
789
01:29:34,600 --> 01:29:36,967
YOU DON'T KNOW THE REST
OF THE STORY, BUT I DO.
790
01:29:38,280 --> 01:29:42,171
HOLLOWFACE COULDN'T FIND THE
BOY AND THAT MADE HIM FURIOUS.
791
01:29:46,840 --> 01:29:48,330
WHERE'S THE BOY?
792
01:29:48,600 --> 01:29:50,125
LEAVE HER ALONE, MONSTER!
793
01:30:01,400 --> 01:30:02,811
DON'T BE AFRAID, SON.
794
01:30:03,400 --> 01:30:04,765
YOU LOOK LIKE ME.
795
01:30:20,480 --> 01:30:21,527
MIA.
796
01:30:22,680 --> 01:30:23,966
MIA, YOU HAVE TO FIGHT BACK.
797
01:30:25,680 --> 01:30:26,681
YOU HAVE TO.
798
01:30:27,840 --> 01:30:28,841
MIA.
799
01:30:29,520 --> 01:30:32,285
YOU HAVE TO FIGHT BACK.
YOU HAVE TO FIGHT BACK, MIA.
800
01:30:42,040 --> 01:30:45,442
HOLLOWFACE NEVER
STOLE THE BOY'S FACE.
801
01:30:45,640 --> 01:30:47,529
BECAUSE HOLLOWFACE
DIDN'T REALIZE SOMETHING.
802
01:30:55,080 --> 01:30:57,242
THE BOY'S MOTHER
WOULD NEVER LET HIM TAKE
803
01:30:57,320 --> 01:30:59,402
HER SON AWAY WITHOUT
PUTTING UP A FIGHT.
804
01:31:01,440 --> 01:31:02,646
MOMMY!
805
01:31:04,320 --> 01:31:05,401
MOMMY!
806
01:31:17,240 --> 01:31:18,571
HELP ME, SON!
807
01:31:22,560 --> 01:31:23,561
HELP ME!
808
01:31:23,640 --> 01:31:24,641
NO.
809
01:31:43,320 --> 01:31:46,847
BECAUSE PARENTS
ARE ALWAYS WILLING
810
01:31:46,920 --> 01:31:49,890
TO DO ANYTHING
TO PROTECT THEIR CHILDREN.
811
01:32:16,440 --> 01:32:19,046
IT'S ALL RIGHT.
I'M HERE.
812
01:32:20,560 --> 01:32:21,800
YOU'RE SAFE.
813
01:32:29,520 --> 01:32:30,567
HE'S GONE.
814
01:32:31,960 --> 01:32:33,689
HE WILL NEVER COME
BACK AGAIN, I PROMISE.
815
01:32:40,040 --> 01:32:41,201
IT'S OVER.
816
01:33:38,440 --> 01:33:41,125
HOLLOWFACE WOKE UP BECAUSE
SOMEONE CALLED HIS NAME.
817
01:33:45,960 --> 01:33:50,966
HOLLOWFACE WASN'T OLD OR
YOUNG, UGLY OR HANDSOME.
818
01:33:52,520 --> 01:33:56,923
HE HAD NO SHAPE, HE
DIDN'T EVEN HAVE A FACE.
819
01:34:00,760 --> 01:34:02,364
HE HAD NOTHING.
820
01:34:09,360 --> 01:34:10,566
BUT NOW,
821
01:34:13,080 --> 01:34:15,401
AFTER MANY, MANY YEARS,
822
01:34:17,240 --> 01:34:19,402
HE WAS FREE.