1
00:01:27,587 --> 00:01:29,254
MCCALEB.

2
00:01:29,672 --> 00:01:32,758
WHATEVER HAPPENS,
IT'LL BE HIS FACE ON THE FRONT PAGE.

3
00:01:49,400 --> 00:01:50,818
WHAT DO YOU HAVE?

4
00:01:51,027 --> 00:01:54,279
I'VE HAD HEMORRHOIDS FOR A WHILE. YOU?

5
00:01:54,447 --> 00:01:58,200
VICTIMS FIVE AND SIX.
CODE KILLER STRIKES AGAIN.

6
00:01:59,911 --> 00:02:01,995
YOU'RE NOT A VEGETARIAN, RIGHT?

7
00:02:02,205 --> 00:02:05,958
HOW DO YOU LIKE YOUR STEAK?
BIG, RED, JUICY?

8
00:02:06,167 --> 00:02:11,547
NEIGHBOR COMPLAINED ABOUT
THE NOISE. HE GOT RUN OVER AT THE DOOR.

9
00:02:12,549 --> 00:02:15,300
NEIGHBOR SAID HE SAW THIS
FROM THE DOOR.

10
00:02:15,510 --> 00:02:18,929
BACHELOR NUMBER ONE
HASN'T BEEN DATING LATELY.

11
00:02:19,139 --> 00:02:21,431
APPARENTLY, HE'S A BED WETTER.

12
00:02:21,641 --> 00:02:24,643
YOU'RE SICK, YOU KNOW THAT, ARRANGO?

13
00:02:24,978 --> 00:02:30,315
NEIGHBOR DIDN'T SEE A THING.
THIS MIGHT BE IMPORTANT TOO.

14
00:02:30,525 --> 00:02:35,195
THE MAID QUIT ABOUT SIX YEARS AGO.
SHE DIDN'T LIKE THE NEIGHBORHOOD.

15
00:02:41,661 --> 00:02:43,829
WE'RE CALLING HIM CHUCK TAYLOR.

16
00:02:44,038 --> 00:02:45,914
OH, HOW'S THAT?

17
00:02:46,583 --> 00:02:48,959
WELL, THE PRINTS. LOOK.

18
00:02:49,460 --> 00:02:51,628
CONVERSE. HIGH-TOPS.

19
00:02:51,838 --> 00:02:53,881
CHUCK TAYLOR.

20
00:02:55,967 --> 00:02:57,885
YOU GET IT, RIGHT?

21
00:02:59,262 --> 00:03:04,308
YOU DON'T KNOW WHO CHUCK TAYLOR IS?
BASKETBALL COACH. STANFORD CARDINALS.

22
00:03:05,059 --> 00:03:07,936
WE GOT THE REMAINS
OF TWO OR THREE PEOPLE.

23
00:03:08,146 --> 00:03:10,355
ONE OF THEM COULD BE A MIDGET.

24
00:03:10,565 --> 00:03:13,275
IN ANY CASE, IT'S A HELL OF A GANGBANG.

25
00:03:13,484 --> 00:03:16,904
ONCE YOU JOKE ABOUT IT,
YOU SHOULDN'T BE DOING IT.

26
00:03:20,116 --> 00:03:23,285
GET THE STRETCHER.
ALL RIGHT.

27
00:03:31,169 --> 00:03:32,794
ANOTHER LOVE NOTE.

28
00:03:33,004 --> 00:03:36,465
MAYBE THE TWO OF YOU OUGHT TO GET
A ROOM SOMEPLACE.

29
00:03:51,272 --> 00:03:53,632
MCCALEB.
ANOTHER MESSAGE?

30
00:03:53,775 --> 00:03:55,935
WHY IS HE SINGLING YOU OUT?
I CAN'T COMMENT.

31
00:03:56,110 --> 00:03:57,569
I CAN'T COMMENT.

32
00:03:57,779 --> 00:03:59,738
ARE THERE NUMBERS THIS TIME?

33
00:04:02,492 --> 00:04:04,243
HE LOVES IT.

34
00:04:05,078 --> 00:04:07,412
WHAT DOES THE MESSAGE SAY?

35
00:04:07,622 --> 00:04:09,665
WHY DOES HE FOCUS ON YOU?

36
00:04:09,832 --> 00:04:13,252
DO WE HAVE NUMBERS THIS TIME?
WERE THERE NUMBERS?

37
00:04:14,087 --> 00:04:17,673
WHY DOES HE SINGLE YOU OUT?
WHAT DOES HE WANT?

38
00:04:18,800 --> 00:04:19,967
CHUCK.

39
00:04:20,134 --> 00:04:21,385
YOU GOT A MOTIVE?

40
00:07:30,533 --> 00:07:31,992
CLEAR.

41
00:07:36,205 --> 00:07:37,873
ALMOST THERE.

42
00:07:38,082 --> 00:07:40,041
GOOD. COMING OUT.

43
00:07:40,543 --> 00:07:43,086
GOOD, TERRY. YOU DID GOOD.

44
00:07:46,883 --> 00:07:48,758
ARE YOU TAKING YOUR PILLS?

45
00:07:48,968 --> 00:07:50,051
YEAH.

46
00:07:50,261 --> 00:07:52,679
YEAH, ALL 34 OF THEM.

47
00:07:53,181 --> 00:07:56,224
NO FEVER AT ALL?
NO.

48
00:07:56,392 --> 00:07:58,143
ALL CLEAR OF THAT.

49
00:07:58,352 --> 00:08:01,229
NO DIARRHEA?
NO, NOTHING.

50
00:08:01,439 --> 00:08:02,898
GOOD.

51
00:08:03,232 --> 00:08:06,902
BLOOD PRESSURE AND PULSE?
RIGHT ON TARGET.

52
00:08:07,069 --> 00:08:09,404
YOU'RE NOT WORKING TOO HARD
ON THE BOAT?

53
00:08:09,614 --> 00:08:13,950
NO, JUST ENOUGH TO KEEP IT AFLOAT.
THAT'S ALL.

54
00:08:14,160 --> 00:08:16,077
I'LL BE BACK IN A BIT.

55
00:08:16,245 --> 00:08:20,248
I'LL CHECK THIS BLOOD WORK
AND GET THE TISSUE TO THE LAB.

56
00:08:21,250 --> 00:08:22,584
OKAY.

57
00:08:40,811 --> 00:08:44,606
DON'T START RUNNING LAPS YET,
BUT I'M VERY PLEASED.

58
00:08:44,774 --> 00:08:48,318
NO REJECTION.
ALL YOUR BLOOD LEVELS ARE GOOD.

59
00:08:48,486 --> 00:08:52,030
I MIGHT LOWER YOUR PREDNISONE NEXT WEEK.
THANK GOD.

60
00:08:52,240 --> 00:08:54,866
I'M TIRED OF SHAVING
THREE TIMES A DAY.

61
00:08:55,076 --> 00:08:56,785
LEAN FORWARD.

62
00:09:01,832 --> 00:09:04,584
MAY I ASK YOU SOMETHING?
NO, DON'T TALK.

63
00:09:04,752 --> 00:09:06,127
SIT UP.

64
00:09:07,922 --> 00:09:09,839
OKAY, COME AROUND.

65
00:09:19,267 --> 00:09:22,310
ALL RIGHT. WHAT DID YOU WANT TO ASK ME?

66
00:09:22,520 --> 00:09:25,105
THE KID IN 218...

67
00:09:25,314 --> 00:09:26,815
WHAT'S HIS BLOOD TYPE?

68
00:09:26,983 --> 00:09:30,735
IT'S DIFFERENT FROM YOURS,
IF THAT'S WHAT YOU WANTED TO KNOW.

69
00:09:30,945 --> 00:09:35,574
HOW LONG HAS HE BEEN WAITING?
ABOUT HALF AS LONG AS YOU DID.

70
00:09:36,450 --> 00:09:39,160
WHAT ARE HIS CHANCES?

71
00:09:39,412 --> 00:09:44,291
MAYBE FIFTY-FIFTY, MAYBE LESS.
WHAT'S BOTHERING YOU, TERRY?

72
00:09:44,458 --> 00:09:45,500
I DON'T KNOW.

73
00:09:46,502 --> 00:09:51,715
WHEN I WAS AT THE BUREAU, WE HAD
TO QUALIFY ONCE A YEAR ON THE RANGE.

74
00:09:51,924 --> 00:09:55,010
YOU KNOW, SHOOT AT TARGETS,
STUFF LIKE THAT.

75
00:09:57,346 --> 00:10:01,099
WE HAD A THING WHERE YOU SHOOT
A CIRCLE AROUND A HEART.

76
00:10:01,267 --> 00:10:05,687
IT WAS CALLED THE "10 RING."
THAT WAS THE HIGHEST SCORE.

77
00:10:06,188 --> 00:10:07,981
TYPICAL.

78
00:10:08,316 --> 00:10:11,067
YOU WAIT FOR A HEART FOR TWO YEARS...

79
00:10:11,235 --> 00:10:16,364
ALMOST DON'T MAKE IT, THEN WONDER
IF WE SHOULD'VE GIVEN YOU THAT HEART.

80
00:10:16,574 --> 00:10:18,408
KNOW WHAT THAT IS?

81
00:10:19,160 --> 00:10:20,201
B.S.?

82
00:10:21,078 --> 00:10:24,873
EXACTLY. GO HOME AND ENJOY YOUR BOAT.
SEE YOU NEXT WEEK.

83
00:10:27,627 --> 00:10:29,377
HEY, TERRY.
HOW YOU DOING?

84
00:10:38,346 --> 00:10:40,055
MORNING, TERRY.

85
00:10:40,222 --> 00:10:44,142
MORNING?
IT'S 2 IN THE AFTERNOON, BUDDY.

86
00:10:44,352 --> 00:10:48,688
AS LONG AS MY DAD SENDS THOSE CHECKS,
IT'S WHATEVER TIME I SAY IT IS.

87
00:10:48,856 --> 00:10:51,399
WHATEVER.
HEADS UP, BY THE WAY.

88
00:10:52,068 --> 00:10:54,402
SOMEBODY'S ON YOUR BOAT.

89
00:10:55,905 --> 00:11:00,116
BEEN HERE 10 MINUTES. LOOKED HARMLESS.
I DIDN'T SAY ANYTHING.

90
00:11:01,452 --> 00:11:03,912
LOOKS BETTER THAN HARMLESS!

91
00:11:09,710 --> 00:11:11,795
MAY I HELP YOU, MISS?

92
00:11:12,588 --> 00:11:14,756
I'M LOOKING FOR TERRY MCCALEB.

93
00:11:17,259 --> 00:11:19,094
YOU'RE LOOKING AT HIM.

94
00:11:19,303 --> 00:11:21,096
GRACIELLA RIVERS.

95
00:11:21,764 --> 00:11:26,768
I HAVE READ ABOUT YOU IN THE PAPER,
IN THE "WHERE ARE THEY NOW?" COLUMN.

96
00:11:26,977 --> 00:11:29,270
YOU KNOW, IN THE METRO SECTION.

97
00:11:29,438 --> 00:11:32,982
YOU'RE NOT THE FIRST PERSON
TO TRY TO FIND ME.

98
00:11:33,150 --> 00:11:37,112
I CAN RECOMMEND A GOOD
INVESTIGATOR WHO WON'T RIP YOU OFF.

99
00:11:37,321 --> 00:11:42,117
THE ARTICLE SAID YOU'RE THE BEST
AND YOU HATE WHEN SOMEONE GETS AWAY.

100
00:11:42,326 --> 00:11:47,122
IF YOU READ IT, YOU KNOW WHAT HAPPENED
AND THAT I'M RETIRED, MISS RIVERS.

101
00:11:47,331 --> 00:11:49,958
GRACIELLA.

102
00:11:50,501 --> 00:11:52,335
I THINK YOU COULD HELP ME.

103
00:11:52,503 --> 00:11:53,753
HOW'S THAT?

104
00:11:54,547 --> 00:11:57,632
MAYBE EVEN HELP YOURSELF.
I DON'T NEED MONEY.

105
00:11:57,800 --> 00:12:00,427
I'M NOT TALKING ABOUT MONEY.

106
00:12:08,102 --> 00:12:09,144
SISTER?

107
00:12:09,478 --> 00:12:11,896
AND HER SON.
WHICH ONE?

108
00:12:12,481 --> 00:12:15,358
EXCUSE ME?
WHICH ONE'S DEAD?

109
00:12:15,985 --> 00:12:17,861
MY SISTER.

110
00:12:18,446 --> 00:12:21,406
GLORIA TORRES. GLORY.

111
00:12:21,824 --> 00:12:24,743
AND HER SON'S NAME IS RAYMOND.

112
00:12:25,286 --> 00:12:29,748
I DON'T THINK I CAN HELP YOU.
JUST LOOK AT IT AGAIN, PLEASE.

113
00:12:30,166 --> 00:12:33,668
JUST ONE MORE TIME,
AND I'LL LEAVE YOU ALONE.

114
00:12:33,878 --> 00:12:37,255
JUST TELL ME IF YOU PERCEIVE
OR FEEL ANYTHING.

115
00:12:38,174 --> 00:12:41,801
MISS RIVERS, I'M A RETIRED FBI MAN,
NOT A PSYCHIC.

116
00:12:44,180 --> 00:12:47,599
DO YOU WANT THIS BACK OR NOT?
I HAVE A DOUBLE.

117
00:12:47,808 --> 00:12:50,435
YOU KNOW, TWO FOR THE PRICE OF ONE.

118
00:12:50,978 --> 00:12:53,855
YOU'LL WANT TO KEEP THAT ONE.
WHY IS THAT?

119
00:13:00,362 --> 00:13:02,197
YOUR HEART, MR. MCCALEB.

120
00:13:03,407 --> 00:13:05,533
IT WAS MY SISTER'S.

121
00:13:06,577 --> 00:13:10,038
HOW DO YOU KNOW THAT?
NEWSPAPER.

122
00:13:10,247 --> 00:13:14,000
YOU TWO HAVE THE SAME BLOOD TYPE,
AB WITH CMV NEGATIVE.

123
00:13:14,210 --> 00:13:16,836
YOU WERE OPERATED ON THE DAY SHE DIED.

124
00:13:17,546 --> 00:13:21,508
MY NUMBER'S ON THE BACK
IF YOU CHANGE YOUR MIND.

125
00:13:57,920 --> 00:14:00,922
MISS RIVERS, THIS IS TERRY MCCALEB.

126
00:14:01,131 --> 00:14:04,384
YEAH, I'M SORRY ABOUT IT
BEING SO LATE...

127
00:14:04,593 --> 00:14:09,973
BUT I WANTED TO TELL YOU I'M GOING
TO THE POLICE TO SEE WHAT'S GOING ON.

128
00:14:10,182 --> 00:14:12,976
DON'T THANK ME.
DON'T GET YOUR HOPES UP.

129
00:14:13,143 --> 00:14:17,605
I'M JUST GONNA HAVE A LOOK.
I OWE YOUR SISTER THAT MUCH.

130
00:14:34,081 --> 00:14:35,248
MAY I HELP YOU?

131
00:14:35,457 --> 00:14:39,252
DETECTIVE ARRANGO AND WALLER AROUND?
YOUR NAME?

132
00:14:39,670 --> 00:14:43,298
MCCALEB.
I'M HERE ABOUT THE GLORIA TORRES CASE.

133
00:14:46,218 --> 00:14:47,427
IT'S MCCALEB.

134
00:14:51,724 --> 00:14:55,476
DOWN THE HALL, UP THE STAIRS,
FIRST DOOR ON YOUR RIGHT.

135
00:14:55,686 --> 00:14:57,312
THANKS.

136
00:15:04,153 --> 00:15:05,778
WELL, MR. MCCALEB.

137
00:15:05,946 --> 00:15:07,155
DETECTIVE ARRANGO.

138
00:15:07,323 --> 00:15:09,574
I THOUGHT YOU WERE DEAD
OR RETIRED.

139
00:15:09,742 --> 00:15:12,952
I HEAR YOU WANT TO TALK
ABOUT GLORIA TORRES.

140
00:15:13,120 --> 00:15:14,913
CAN WE TALK PRIVATELY?

141
00:15:15,080 --> 00:15:16,122
ABOUT WHAT?

142
00:15:16,290 --> 00:15:20,376
I'M LOOKING INTO HER DEATH.
HERE WE GO, SAME OLD SHIT.

143
00:15:20,878 --> 00:15:25,590
I'LL GIVE YOU FIVE MINUTES, THAT'S IT,
BEFORE I TOSS YOUR ASS RIGHT OUT.

144
00:15:29,386 --> 00:15:33,014
MY PARTNER WILL BE HERE IN A MINUTE.
WANT A DOUGHNUT?

145
00:15:33,182 --> 00:15:37,185
I WANT TO KNOW WHO YOU'RE WORKING FOR.
HER SISTER, RIGHT?

146
00:15:37,353 --> 00:15:38,561
THAT'S RIGHT.

147
00:15:38,729 --> 00:15:42,231
I KNEW IT. SON OF A BITCH.
LET ME SEE YOUR TICKET.

148
00:15:42,691 --> 00:15:46,486
I DON'T HAVE A LICENSE,
IF THAT'S WHAT YOU MEAN.

149
00:15:47,196 --> 00:15:48,863
IS IT STUFFY IN HERE?

150
00:15:49,740 --> 00:15:50,865
IS IT HOT?

151
00:15:51,033 --> 00:15:52,200
NO.

152
00:15:52,534 --> 00:15:54,202
JUST GET A LITTLE AIR.

153
00:15:57,706 --> 00:16:01,542
LET ME GIVE US SOME AIR
AND MAKE IT MORE COMFORTABLE.

154
00:16:01,710 --> 00:16:06,214
OKAY, LET ME GET THIS STRAIGHT. YOU'RE
CONDUCTING A HOMICIDE INVESTIGATION...

155
00:16:06,382 --> 00:16:09,008
INTO THE GLORIA TORRES CASE?

156
00:16:09,176 --> 00:16:10,385
THAT'S TRUE.

157
00:16:10,552 --> 00:16:15,640
YOU DON'T HAVE A LICENSE TO PRACTICE
AS A PRIVATE INVESTIGATOR IN CALIFORNIA?

158
00:16:16,350 --> 00:16:17,558
THAT'S RIGHT.

159
00:16:18,060 --> 00:16:22,939
DO YOU KNOW IT'S A CRIME TO PRACTICE
AS AN INVESTIGATOR WITHOUT A LICENSE?

160
00:16:23,107 --> 00:16:25,108
WILL YOU KNOCK OFF THE CRAP?

161
00:16:25,359 --> 00:16:28,861
I JUST WANTED TO HAVE A TALK.
KNOCK OFF THE TAPE TOO.

162
00:16:29,029 --> 00:16:32,991
HE'S BLOCKING THE MICROPHONE ANYWAY.
WHY DIDN'T YOU SAY?

163
00:16:33,158 --> 00:16:37,078
IN THE THREE YEARS WE'VE
INTERROGATED HERE, MAYBE I FORGOT.

164
00:16:37,246 --> 00:16:41,249
COME ON, FELLAS. I'M JUST
HERE TO HELP. HAVE A DOUGHNUT.

165
00:16:47,464 --> 00:16:49,841
HOW DO YOU KNOW GRACIELLA RIVERS?

166
00:16:50,009 --> 00:16:54,595
SHE'S AN ACQUAINTANCE.
I TOLD HER I'D LOOK INTO IT. THAT'S ALL.

167
00:16:56,765 --> 00:17:00,184
IF YOU GUYS AREN'T GONNA HAVE ONE,
I'M GONNA HAVE ONE.

168
00:17:23,208 --> 00:17:24,292
LOOK.

169
00:17:24,960 --> 00:17:29,297
I DON'T CARE WHAT HER SISTER TOLD YOU,
MR. FORMER FBI PROFILER.

170
00:17:29,465 --> 00:17:31,966
THIS AIN'T THE TYPE OF CASE YOU LIKE.

171
00:17:32,134 --> 00:17:35,553
THIS AIN'T A GLAMOROUS CASE
THAT WILL GET HEADLINES.

172
00:17:36,055 --> 00:17:39,849
THIS ISN'T CHARLES MANSON
OR TED FUCKING BUNDY.

173
00:17:40,017 --> 00:17:43,311
THIS IS AN ORDINARY
CONVENIENCE-STORE ROBBERY.

174
00:17:43,479 --> 00:17:45,146
SOME IDIOT WITH A GUN...

175
00:17:45,314 --> 00:17:49,358
WITH THE RIGHT RATIO
OF BALLS TO BRAINS PULLED THE TRIGGER.

176
00:17:49,526 --> 00:17:51,819
I TOLD HER I'D CHECK IT OUT.

177
00:17:51,987 --> 00:17:56,324
YOU'VE BEEN ON THIS A WHILE,
AND A FRESH PAIR OF EYES WON'T HURT.

178
00:17:56,492 --> 00:18:00,953
I WON'T GRANDSTAND ANYBODY.
I'LL GIVE ANY INFORMATION TO YOU FIRST.

179
00:18:01,121 --> 00:18:03,664
I'M NOT TRYING TO ONE-UP ANYONE.

180
00:18:03,832 --> 00:18:04,999
WHAT DO YOU WANT?

181
00:18:05,334 --> 00:18:09,128
A COPY OF THE MURDER BOOK
AND A VIDEO WALK-THROUGH OF THE SCENE.

182
00:18:09,296 --> 00:18:11,756
I WAS ALWAYS GOOD WITH CRIME SCENES.

183
00:18:11,924 --> 00:18:13,466
NO CAN DO.
WHY NOT?

184
00:18:13,634 --> 00:18:17,011
NO WAY, MAN.
HOW OFTEN DOES THE SISTER CALL YOU?

185
00:18:17,679 --> 00:18:22,725
EVERY DAY, WEEKENDS, HOLIDAYS...
BELIEVE IT OR NOT, WE GOT FEELINGS.

186
00:18:22,893 --> 00:18:26,521
IT HURTS ME TO TELL HER THERE
ARE NO LEADS OR SUSPECTS.

187
00:18:26,688 --> 00:18:29,148
I CAN GET HER OFF YOUR CASE.

188
00:18:29,316 --> 00:18:35,029
I TELL HER I LOOKED INTO IT, YOU'RE
DOING A GOOD JOB, SHE STOPS CALLING.

189
00:18:36,156 --> 00:18:38,699
YOU WERE ALWAYS GOOD AT A CRIME SCENE.

190
00:18:38,867 --> 00:18:41,577
BUT THE KEY WORD IS "WERE."
ARE YOU STILL?

191
00:18:41,745 --> 00:18:45,248
YOU JUST GIVE ME A COPY
OF THE TAPE, THAT'S ALL.

192
00:18:45,541 --> 00:18:47,041
OH.

193
00:18:47,543 --> 00:18:50,503
WE GOT MORE THAN
JUST THE CRIME-SCENE TAPE.

194
00:18:51,213 --> 00:18:53,381
WE'VE GOT THE CRIME.

195
00:18:53,549 --> 00:18:56,217
BRING THE DOUGHNUTS. COME ON.

196
00:19:01,056 --> 00:19:03,558
THAT'S KYUNGWON KANG, THE OWNER.

197
00:19:03,767 --> 00:19:08,729
HE'S MAKING HIS LAST SALE.
SHE COMES IN TO BUY A CANDY BAR.

198
00:19:09,231 --> 00:19:11,065
YEAH, FOR HER KID.

199
00:19:11,775 --> 00:19:16,612
AND HERE HE IS. BA-DA-BING! POW, POW.

200
00:19:17,281 --> 00:19:20,324
HE PICKED UP ALL THE SHELLS.

201
00:19:21,326 --> 00:19:22,368
HM.

202
00:19:22,578 --> 00:19:25,580
WON'T SEE THIS ON
AMERICA'S FAVORITE VIDEOS.

203
00:19:25,747 --> 00:19:30,751
THERE'S NO SOUND ON THAT CAMERA?
RIGHT. HE'S JUST TALKING TO HIMSELF.

204
00:19:31,253 --> 00:19:35,298
COULD YOU RUN IT IN SLOW MOTION?
HOLD ON. IT'S NOT OVER.

205
00:19:35,924 --> 00:19:39,802
THIS GUY COMING UP WE CALL
THE GOOD SAMARITAN. WATCH.

206
00:19:40,304 --> 00:19:45,266
THIS GUY GOES UP AND DOWN THE AISLES,
LOOKING FOR BANDAGES, I GUESS.

207
00:19:45,893 --> 00:19:49,896
COULDN'T FIND ANY, SO HE USED PAPER
TOWELS TO WRAP HER HEAD.

208
00:19:50,731 --> 00:19:53,900
THE CAMERA NEVER REALLY
GETS A GOOD LOOK AT HIM.

209
00:19:54,067 --> 00:19:58,279
AFTER HE'S FINISHED, HE GOES OUTSIDE,
HE DIALS 911...

210
00:19:58,947 --> 00:20:00,406
AND SPLITS.

211
00:20:00,574 --> 00:20:04,911
THE VOICE WAS LATINO. WE FIGURE
HE WAS ILLEGAL, AFRAID TO STAY.

212
00:20:05,078 --> 00:20:07,413
YEAH. THAT'S TOO BAD.

213
00:20:07,581 --> 00:20:11,584
HE PROBABLY GOT A LOOK
AT THE CAR OR THE SHOOTER.

214
00:20:11,752 --> 00:20:16,589
WE PUT OUT FLIERS, WENT ON ALL
THE SPANISH STATIONS. NOTHING.

215
00:20:17,257 --> 00:20:20,301
MAY I?
KNOCK YOURSELF OUT.

216
00:20:30,562 --> 00:20:33,814
PUSHING THE PAUSE BUTTON
AIN'T GONNA HELP HER.

217
00:20:38,654 --> 00:20:41,155
THIRTY-TWO DOLLARS IN THE CASH REGISTER.

218
00:20:41,323 --> 00:20:43,491
LOOK AT THAT. HE WINKED.

219
00:20:43,992 --> 00:20:45,493
WHAT?

220
00:20:47,204 --> 00:20:48,496
YEAH.

221
00:20:53,794 --> 00:20:55,503
HUH.

222
00:20:59,007 --> 00:21:01,509
WELL, THERE YOU HAVE IT, MR. FBI GUY.

223
00:21:01,885 --> 00:21:04,220
TELL US SOMETHING WE DON'T KNOW.

224
00:21:04,513 --> 00:21:07,181
THE SHOOTER'S BEEN
IN THE STORE BEFORE.

225
00:21:07,349 --> 00:21:10,017
HE KNEW THE PLACEMENT
OF THE CAMERA.

226
00:21:10,185 --> 00:21:13,521
HE'S FROM THE NEIGHBORHOOD,
OR HE JUST CASED THE PLACE.

227
00:21:13,689 --> 00:21:16,691
THIS ISN'T THE FIRST TIME EITHER.

228
00:21:16,858 --> 00:21:20,194
NO EMOTION, NO PANIC,
POLICED UP HIS OWN BRASS.

229
00:21:20,988 --> 00:21:23,823
THIS GUY'S DONE IT BEFORE.

230
00:21:28,912 --> 00:21:30,955
WHAT?

231
00:21:32,874 --> 00:21:35,209
HOW MANY OTHERS?

232
00:21:36,211 --> 00:21:38,546
LET ME LOOK AT THE MURDER BOOK.

233
00:21:38,714 --> 00:21:41,507
WE HAVE TO TALK TO OUR LIEUTENANT.
WE'LL BE IN TOUCH.

234
00:21:41,675 --> 00:21:45,636
WHEN?
GIVE ME A NUMBER. WE'LL BE IN TOUCH!

235
00:21:45,804 --> 00:21:48,472
JESUS CHRIST.

236
00:21:56,273 --> 00:22:00,443
YOU GUYS CAN KEEP THE DOUGHNUTS.

237
00:22:01,069 --> 00:22:04,071
WE DON'T NEED YOUR DOUGHNUTS
OR YOUR SHIT!

238
00:22:04,239 --> 00:22:05,781
WE GOT ENOUGH OF OUR OWN!

239
00:22:11,496 --> 00:22:13,456
OKAY. THANKS.

240
00:22:20,213 --> 00:22:23,966
MRS. KANG?
YES? I KNOW YOU?

241
00:22:24,134 --> 00:22:25,259
NO.

242
00:22:25,635 --> 00:22:30,723
I HEARD WHAT HAPPENED HERE.
YOUR HUSBAND AND ALL. I'M SORRY.

243
00:22:30,891 --> 00:22:33,225
YES, THANK YOU.

244
00:22:33,393 --> 00:22:36,937
THE ONLY WAY TO KEEP EVIL OUT
IS NOT UNLOCK DOOR.

245
00:22:37,105 --> 00:22:39,398
WE CAN'T DO THAT.

246
00:22:39,566 --> 00:22:42,151
WE MUST HAVE BUSINESS.
YEAH.

247
00:22:42,944 --> 00:22:45,112
THANK YOU, MA'AM.

248
00:23:06,760 --> 00:23:10,638
YOU GONNA PAY ME, OR SHOULD
I DRIVE YOU SOMEWHERE ELSE?

249
00:23:13,475 --> 00:23:16,185
NEAREST PUBLIC LIBRARY.

250
00:24:08,196 --> 00:24:11,073
DETECTIVE WINSTON SAID TO WAIT HERE.
SHE'LL BE RIGHT WITH YOU.

251
00:24:11,241 --> 00:24:12,867
THANKS.

252
00:24:31,011 --> 00:24:33,053
HUH.

253
00:24:33,889 --> 00:24:37,558
WELL, WELL, WELL, TERRY MCCALEB.

254
00:24:39,769 --> 00:24:43,397
HI.
AS I LIVE AND BREATHE.

255
00:24:47,235 --> 00:24:52,198
LOOK AT YOU.

256
00:24:52,574 --> 00:24:54,533
I HEAR YOU GOT A NEW TICKER.

257
00:24:55,035 --> 00:24:59,205
THAT'S RIGHT. I'M ALL RIGHT, THOUGH.

258
00:25:02,417 --> 00:25:04,835
HOW ARE YOU DOING, BABE?

259
00:25:05,420 --> 00:25:08,255
ME? YOU KNOW, SAME OLD, SAME OLD.

260
00:25:09,049 --> 00:25:12,218
SO, WHAT'S UP?
YOU ON A PRIVATE TICKET NOW?

261
00:25:12,385 --> 00:25:15,554
NO. JUST DOING A FAVOR FOR A FRIEND.

262
00:25:15,722 --> 00:25:16,931
WHAT CASE IS IT?

263
00:25:17,474 --> 00:25:21,936
JAMES CORDELL. ATM HOLDUP.

264
00:25:22,103 --> 00:25:23,312
LET'S SEE.

265
00:25:23,897 --> 00:25:29,610
JANUARY 22. NEWSPAPER SAYS HE WAS
SHOT BY A GUY WEARING A SKI MASK.

266
00:25:30,111 --> 00:25:33,280
WHO'S THIS FRIEND YOU'RE
DOING THE FAVOR FOR?

267
00:25:33,448 --> 00:25:38,869
GRACIELLA RIVERS. HER SISTER WAS
SHOT IN A STORE TWO WEEKS AFTER.

268
00:25:39,621 --> 00:25:41,914
ALSO A MAN IN A SKI MASK.

269
00:25:42,499 --> 00:25:44,792
AM I RIGHT? ARE THEY CONNECTED?

270
00:25:45,293 --> 00:25:48,629
YEAH. SAME GUY.
OUT OF YOUR ORBIT, THOUGH.

271
00:25:48,797 --> 00:25:52,132
SCUMBAG WITH A GUN.
THREE-STRIKES SHIT, THAT'S ALL.

272
00:25:52,300 --> 00:25:53,425
WHAT DO YOU MEAN?

273
00:25:53,593 --> 00:25:57,763
GUY HAS TWO FELONIES,
THIRD PUTS HIM AWAY FOR LIFE.

274
00:25:57,931 --> 00:26:00,641
SO HE KILLS ANY WITNESSES.

275
00:26:00,934 --> 00:26:05,563
ROBBERY, MURDER, IT'S ALL THE SAME
SENTENCE FOR HIM EITHER WAY.

276
00:26:05,981 --> 00:26:10,025
I TALKED TO THE BOYS OVER AT L.A.P.D.,
AND THEY SHOWED ME A TAPE...

277
00:26:10,193 --> 00:26:13,445
BUT THEY WOULDN'T COPY
ME THE MURDER BOOK.

278
00:26:13,613 --> 00:26:15,656
HM.

279
00:26:15,824 --> 00:26:19,201
I'LL BET THEY COPIED YOU, THOUGH.
HM.

280
00:26:20,370 --> 00:26:22,913
COME ON, DARLING,
YOU OWE ME JUST ONE LITTLE ONE.

281
00:26:24,207 --> 00:26:26,000
I KNOW THAT.

282
00:26:27,127 --> 00:26:29,753
WHEN YOU HANDED ME
THE CEMETERY MAN BUST...

283
00:26:29,963 --> 00:26:35,467
YOU WERE MY MEMBERSHIP INTO
THIS BOYS CLUB. I HAVEN'T FORGOTTEN.

284
00:26:35,885 --> 00:26:38,429
DOES THAT MEAN YES?

285
00:26:41,516 --> 00:26:43,475
TERRY MCCALEB.

286
00:26:46,730 --> 00:26:49,815
LUCKY FOR US THE BANK
HAD TWO CAMERAS ON THIS.

287
00:26:49,983 --> 00:26:51,650
THE SHOOTER'S BACK THERE.

288
00:26:51,818 --> 00:26:56,322
I'M BETTING THE MASK ISN'T ON YET,
OR CORDELL WOULD HAVE RUN.

289
00:26:56,489 --> 00:27:00,826
H&K 9 MM, SAME MODEL USED
IN THE VALLEY TAPE.

290
00:27:03,079 --> 00:27:05,706
HOLD THAT.
BACK IT UP A LITTLE BIT.

291
00:27:05,999 --> 00:27:09,460
BACK UP THERE.
LOOK, HE'S SAYING SOMETHING.

292
00:27:09,628 --> 00:27:12,588
LIKE IN THE VALLEY TAPE.
HE TALKED THERE TOO.

293
00:27:12,756 --> 00:27:15,424
YEAH, HE'S A REAL CHATTERBOX.

294
00:27:15,759 --> 00:27:18,427
DID YOU GET A LIP READER IN?

295
00:27:19,721 --> 00:27:21,722
I'LL GET ON IT.

296
00:27:21,890 --> 00:27:25,643
WHAT ABOUT HIS CARTRIDGE?
DID HE PICK UP HIS BRASS?

297
00:27:27,187 --> 00:27:29,563
YEAH, THERE HE IS.
UH-HUH.

298
00:27:30,857 --> 00:27:32,274
JAMES LOCKRIDGE.

299
00:27:32,442 --> 00:27:36,528
PULLED INTO THE BANK LOT,
ALMOST GOT SIDESWIPED BY A SEDAN.

300
00:27:36,696 --> 00:27:39,573
SAYS IT WAS A WHITE GUY,
BUT NOTHING ELSE.

301
00:27:39,908 --> 00:27:44,244
HE CALLED FOR THE AMBULANCE.
CORDELL DIED GOING TO THE HOSPITAL.

302
00:27:44,412 --> 00:27:47,081
YOU GOT ANY LEADS AT ALL?

303
00:27:47,248 --> 00:27:50,793
NO, I'M FOLLOWING
THE THREE-STRIKE THING.

304
00:27:50,960 --> 00:27:54,755
I THINK THE MAN IN THE SKI MASK
IS ONE OF THOSE.

305
00:27:56,257 --> 00:28:00,177
WHAT ABOUT THE GUN? H&K'S
EXPENSIVE FOR A HOLDUP MAN.

306
00:28:00,345 --> 00:28:03,597
THAT'S WEIRD HE'D KEEP
IT AFTER THE FIRST KILLING.

307
00:28:03,765 --> 00:28:08,394
I THOUGHT ABOUT THAT. I FIGURE HE
STOLE IT, BUT THAT LEAD ME NOWHERE.

308
00:28:08,603 --> 00:28:14,358
I DON'T KNOW. I THINK WE'LL NEED
FRESH BLOOD TO SOLVE THIS ONE.

309
00:28:15,485 --> 00:28:18,904
WELL, JAYE...

310
00:28:19,072 --> 00:28:22,491
WHY DON'T YOU GET ME
A COPY OF THE BOOK?

311
00:28:22,784 --> 00:28:24,785
BOTH YOURS AND L.A. COULD YOU?

312
00:28:24,994 --> 00:28:27,788
I'LL ASK THE CAPTAIN.
I DON'T SEE WHY NOT.

313
00:28:27,956 --> 00:28:31,166
HE WAS THE LIEUTENANT
ON THE CEMETERY MAN CASE.

314
00:28:31,334 --> 00:28:34,378
YEAH, I KIND OF REMEMBER THAT.

315
00:28:34,546 --> 00:28:39,299
OH, WELL. I'M GLAD
SOMEONE GOT PROMOTED.

316
00:28:42,637 --> 00:28:46,348
RIGHT HERE.
THANKS.

317
00:28:47,892 --> 00:28:51,353
MR. LOCKRIDGE, TERRY MCCALEB.
THANKS FOR SEEING ME.

318
00:28:51,521 --> 00:28:52,855
ARE YOU A POLICEMAN?

319
00:28:53,022 --> 00:28:58,152
NO, RETIRED FBI. I'M INVESTIGATING
A RELATED CASE FOR A VICTIM'S FAMILY.

320
00:28:58,319 --> 00:29:01,321
GOOD. BECAUSE POLICE ARE STUPID.
WHY?

321
00:29:03,158 --> 00:29:05,826
DIDN'T THEY TELL YOU?
NO.

322
00:29:06,035 --> 00:29:10,622
WHY WOULD THEY? WHEN I FOUND
THE GUY, I CALL 911, RIGHT?

323
00:29:10,832 --> 00:29:11,874
YEAH.
YEAH.

324
00:29:12,041 --> 00:29:15,169
THEY SENT THE AMBULANCE
TO THE WRONG PLACE.

325
00:29:15,336 --> 00:29:17,129
TOOK THEM 20 MINUTES.

326
00:29:17,297 --> 00:29:20,549
HE MIGHT HAVE MADE IT
IF THEY HADN'T SCREWED UP.

327
00:29:20,717 --> 00:29:22,718
THOSE THINGS HAPPEN.
NO.

328
00:29:22,886 --> 00:29:26,013
THEY SCREWED UP. A GUY DIED.
END OF STORY.

329
00:29:26,765 --> 00:29:31,018
I'M BUSY. I AGREED TO SEE YOU
BECAUSE YOU'RE ALREADY HERE, SO...

330
00:29:31,186 --> 00:29:32,519
WHAT DO YOU WANT?

331
00:29:32,687 --> 00:29:35,439
I THOUGHT YOU'D GIVE YOUR
STATEMENT TO ME FIRSTHAND.

332
00:29:35,607 --> 00:29:38,358
FOR THE LOVE OF GOD.
I NEEDED CASH.

333
00:29:38,526 --> 00:29:41,862
AS I PULLED UP, THE GUY
DRIVING OUT ALMOST HITS ME.

334
00:29:42,030 --> 00:29:46,867
ALL I SAW WAS A CAR.
THERE WERE NO PLATES, NO FACE, NOTHING.

335
00:29:47,035 --> 00:29:50,370
I WALK UP TO THE ATM,
AND THERE'S THIS GUY BLEEDING.

336
00:29:50,538 --> 00:29:54,666
I FIGURED HE GOT IT RIGHT BEFORE
I GOT THERE, SO I CALLED 911.

337
00:29:54,834 --> 00:29:59,379
TEN MINUTES LATER, THEY COME,
DRIVING RIGHT FUCKING PAST US. PAST US.

338
00:29:59,547 --> 00:30:01,340
ANY OTHER DETAILS?

339
00:30:01,508 --> 00:30:05,427
IT COULD'VE BEEN ME.
COULD'VE BEEN HIM FINDING ME...

340
00:30:05,595 --> 00:30:11,099
WITH THE AMBULANCE DRIVING
RIGHT ON FUCKING BY. GOOD STUFF.

341
00:30:48,304 --> 00:30:50,472
YOU DONE?

342
00:30:54,435 --> 00:30:56,478
YEAH.

343
00:31:04,571 --> 00:31:05,612
HEY, BUDDY.

344
00:31:05,780 --> 00:31:09,616
HERE'S TO YOU. SEMPER FI,
AULD LANG SYNE, KEEP ON TRUCKING.

345
00:31:09,784 --> 00:31:12,452
YOU LOOK LIKE A SKUNK.

346
00:31:14,455 --> 00:31:18,333
WHAT ARE YOU DOING TOMORROW?
SAME AS ALWAYS. BIG, FAT GOOSE EGG.

347
00:31:19,002 --> 00:31:22,796
I COULD USE A DRIVER.
TEN DOLLARS AN HOUR AND MEALS.

348
00:31:23,298 --> 00:31:27,759
WHAT'S UP? AN INVESTIGATION?
I JUST NEED A DRIVER, NOT A PARTNER.

349
00:31:28,177 --> 00:31:30,762
OKAY. I'M IN. WHOSE CAR?

350
00:31:30,930 --> 00:31:35,017
IF WE TAKE YOURS, I'LL BUY GAS,
OR I'LL SIT IN THE BACK IN MINE...

351
00:31:35,184 --> 00:31:38,020
BECAUSE OF THE AIR BAGS.
YOUR CHEST, RIGHT?

352
00:31:38,271 --> 00:31:39,354
YEAH.

353
00:31:39,522 --> 00:31:43,567
LET'S TAKE MINE. THAT WAY
I WON'T FEEL LIKE A CHAUFFEUR.

354
00:31:44,777 --> 00:31:46,945
SEE YOU IN THE A.M.

355
00:31:47,614 --> 00:31:51,742
YOU LOOK TIRED, TERRY.
YOU SHOULD GET SOME SLEEP!

356
00:32:16,935 --> 00:32:22,689
YOU DON'T DESERVE IT.

357
00:32:59,268 --> 00:33:03,021
FIRST OF ALL, I HAVE NO IDEA
WHERE YOUR HEART CAME FROM.

358
00:33:03,356 --> 00:33:06,358
ALL BOPRA TELLS US IS THEY
HAVE AN ORGAN...

359
00:33:06,526 --> 00:33:09,194
WITH A MATCH TO SOMEONE ON THE LIST.

360
00:33:09,362 --> 00:33:11,905
IN YOUR CASE, WE TOLD YOU
WHAT WE KNEW.

361
00:33:12,073 --> 00:33:16,743
FEMALE, 32, PERFECT HEALTH,
PERFECT BLOOD TYPING, PERFECT DONOR.

362
00:33:16,911 --> 00:33:19,371
SHE WAS MURDERED.

363
00:33:19,539 --> 00:33:21,289
MURDERED?
YEAH.

364
00:33:21,457 --> 00:33:23,291
WHAT ARE YOU TALKING ABOUT?

365
00:33:23,584 --> 00:33:28,130
SHE WAS SHOT DURING A ROBBERY AND LIVED
LONG ENOUGH FOR ME TO GET HER HEART.

366
00:33:28,423 --> 00:33:32,592
HOW DO YOU KNOW? YOU'RE NOT
SUPPOSED TO KNOW ABOUT THE DONOR.

367
00:33:32,802 --> 00:33:34,428
HER SISTER FOUND ME.

368
00:33:34,595 --> 00:33:39,099
SHE READ ABOUT HOW I HAD A RARE
BLOOD TYPE LIKE HER SISTER...

369
00:33:39,267 --> 00:33:42,310
AND THAT MY SURGERY
WAS ON THE DAY SHE DIED.

370
00:33:42,478 --> 00:33:45,022
WHAT DOES SHE WANT? MONEY?

371
00:33:46,566 --> 00:33:48,775
I'M GLAD YOU CAN FIND IT FUNNY.

372
00:33:49,152 --> 00:33:52,070
SHE WANTS ME TO FIND OUT WHO DID IT.

373
00:33:52,238 --> 00:33:54,614
SHE WANTS ME TO SOLVE THE MURDER.

374
00:33:54,782 --> 00:33:59,077
SHIT. GIVE ME THIS WOMAN'S
NAME RIGHT NOW.

375
00:34:01,998 --> 00:34:06,168
YOU'RE NOT THINKING OF DOING THIS?
I STARTED YESTERDAY.

376
00:34:06,335 --> 00:34:10,797
AND TODAY YOU'RE RUNNING A FEVER!
YOU ARE 60 DAYS POST-TRANSPLANT!

377
00:34:10,965 --> 00:34:13,925
AS YOUR DOCTOR,
I'M ORDERING YOU NOT TO DO THIS.

378
00:34:14,093 --> 00:34:19,306
RESPECT THE GIFT YOU WERE GIVEN.
I DO, I DO. IT WAS HER GIFT.

379
00:34:19,474 --> 00:34:23,143
SHE'D BE DEAD EITHER WAY.
YOU DON'T OWE HER.

380
00:34:23,478 --> 00:34:25,812
IT WAS SUPPOSED TO BE AN ACCIDENT.

381
00:34:25,980 --> 00:34:29,983
NINETY-NINE OUT OF 100 OF THESE ARE HEAD
INJURIES THAT END UP FATAL.

382
00:34:30,151 --> 00:34:31,193
THIS ONE IS DIFFERENT.

383
00:34:31,360 --> 00:34:34,654
HOW IS IT DIFFERENT?
A HEART'S A HEART!

384
00:34:34,822 --> 00:34:37,282
AN ACCIDENT IS FATE. MURDER IS EVIL.

385
00:34:37,492 --> 00:34:38,533
PLEASE.

386
00:34:40,161 --> 00:34:45,832
I WOULDN'T HAVE THIS GIFT IF SOMEBODY
HADN'T DONE THIS HATEFUL, EVIL THING.

387
00:34:46,334 --> 00:34:48,043
YOU'RE NOT MAKING SENSE.

388
00:34:48,211 --> 00:34:52,172
SHE GOES INTO A STORE
TO BUY A CANDY BAR FOR HER KID.

389
00:34:52,548 --> 00:34:53,882
I CAN'T EXPLAIN IT.

390
00:34:55,510 --> 00:34:57,928
TERRY, SIT DOWN.

391
00:35:04,685 --> 00:35:10,232
YOU KNOW THAT LITTLE BOY IN ROOM 218?
YEAH.

392
00:35:10,399 --> 00:35:15,112
HE'S WAITING FOR A HEART THAT
ISN'T COMING. THAT COULD BE YOU.

393
00:35:15,363 --> 00:35:19,324
THIS IS YOUR ONE CHANCE, TERRY.
YOU TELL THAT WOMAN NO.

394
00:35:19,700 --> 00:35:22,744
YOU SAVE YOURSELF AND TELL HER NO!

395
00:35:22,912 --> 00:35:24,204
I CAN'T.

396
00:35:24,372 --> 00:35:26,540
YOU'RE GAMBLING WITH YOUR LIFE.

397
00:35:26,707 --> 00:35:30,168
YOU GET INFECTION OR REJECTION,
THERE'S NOTHING WE CAN DO.

398
00:35:30,336 --> 00:35:33,046
I HAVE NO CHOICE.
NEITHER DO I.

399
00:35:33,214 --> 00:35:36,883
I CAN'T BE YOUR DOCTOR.
I WON'T BE AROUND FOR THIS.

400
00:35:37,051 --> 00:35:38,593
COME ON, DOC.

401
00:35:38,761 --> 00:35:41,763
I'LL HAVE YOUR RECORDS READY
IN THE MORNING.

402
00:35:41,931 --> 00:35:43,557
GOOD LUCK, TERRY.

403
00:35:56,320 --> 00:36:00,240
GRACIELLA. MAKE IT QUICK.

404
00:36:03,786 --> 00:36:05,579
HELLO?
GRACIELLA.

405
00:36:05,788 --> 00:36:06,955
THIS IS MCCALEB.

406
00:36:07,123 --> 00:36:09,374
WHAT'S GOING ON?

407
00:36:09,584 --> 00:36:11,001
TELL ME ABOUT HER.

408
00:36:12,503 --> 00:36:13,712
WHAT DO YOU MEAN?

409
00:36:14,130 --> 00:36:16,590
JUST TELL ME SOMETHING ABOUT GLORIA.

410
00:36:16,924 --> 00:36:21,261
THE MORE I KNOW, THE MORE
I CAN GET A HANDLE ON THIS THING.

411
00:36:21,846 --> 00:36:24,097
DO YOU HAVE A KITCHEN ON THE BOAT?

412
00:36:24,640 --> 00:36:26,892
A GALLEY, YEAH.

413
00:36:27,268 --> 00:36:29,895
IS IT BIG ENOUGH TO COOK A REAL MEAL?

414
00:36:30,605 --> 00:36:32,689
YEAH, SORT OF.

415
00:36:33,274 --> 00:36:35,275
SO...

416
00:36:35,443 --> 00:36:39,154
YOU WANT TO KNOW MY SISTER,
YOU'LL HAVE TO MEET HER SON.

417
00:36:39,780 --> 00:36:43,325
HE'S EVERYTHING THAT WAS GOOD
ABOUT HER. IT'S IN HIM.

418
00:36:43,492 --> 00:36:46,828
I'LL BRING HIM BY LATER,
AND I'LL MAKE YOU DINNER.

419
00:36:48,289 --> 00:36:49,623
GOOD. I'D LIKE THAT.

420
00:36:49,957 --> 00:36:53,543
OKAY. THEN YOU CAN
GIVE ME AN UPDATE.

421
00:36:53,711 --> 00:37:00,258
LOOK, JUST SO YOU KNOW IT, THESE CASES
USUALLY TURN ON SOME SMALL DETAIL.

422
00:37:00,426 --> 00:37:04,137
SOMETHING SOMEONE FORGOT
OR DIDN'T THINK WAS IMPORTANT.

423
00:37:04,305 --> 00:37:06,723
THAT'S THE KEY.
I'LL HAVE TO FIND IT.

424
00:37:07,141 --> 00:37:10,352
YOU HAVE GLORY'S HEART.
SHE'LL GUIDE YOU.

425
00:37:11,437 --> 00:37:14,272
YEAH. THANKS.

426
00:37:21,572 --> 00:37:23,490
QUICK ENOUGH?

427
00:37:28,204 --> 00:37:30,372
YOU OKAY?
YEAH.

428
00:37:30,623 --> 00:37:32,332
HUH?
DANDY.

429
00:37:32,833 --> 00:37:36,878
I'LL TELL YOU WHAT. LET ME STOP
BY THE IN-N-OUT ON VICTORY.

430
00:37:49,767 --> 00:37:53,186
I DON'T THINK THEY SERVE
HAMBURGERS HERE. WHAT'S UP?

431
00:37:53,354 --> 00:37:57,899
THE SHERIFF'S OFFICE LISTED ALL
THE THREE-STRIKES ROBBERY SUSPECTS.

432
00:37:58,067 --> 00:38:03,571
THEY ALSO MADE A LIST OF EVERY H&K P7
PISTOL STOLEN IN THE LAST FEW YEARS.

433
00:38:03,739 --> 00:38:07,534
I CHARTED THAT LIST
PLUS THE ADDRESS...

434
00:38:07,702 --> 00:38:11,079
AND THE WORK LOCATION
OF EVERY MAN ON THE LIST.

435
00:38:11,247 --> 00:38:14,374
A CROSS-REFERENCE TO CHECK OVERLAP?
EXACTLY.

436
00:38:14,542 --> 00:38:19,879
ONE GUY STANDS OUT LIKE A WHORE
IN CHURCH, AND THAT'S MIKAIL BOLOTOV.

437
00:38:20,047 --> 00:38:24,759
HE'S A TWO-TIME LOSER, LIVES A MILE
FROM WHERE GLORIA TORRES WAS SHOT...

438
00:38:24,927 --> 00:38:28,930
AND WORKS FOUR BLOCKS FROM WHERE
AN H&K WAS STOLEN IN DECEMBER.

439
00:38:29,098 --> 00:38:32,100
WHY DIDN'T THEY ARREST
THIS POLO, BOLO...?

440
00:38:32,268 --> 00:38:33,560
BOLOTOV.
BOLOTOV.

441
00:38:33,728 --> 00:38:36,896
OH, A RUSSIAN SON OF A BITCH!

442
00:38:37,440 --> 00:38:41,568
THEY DON'T KNOW ABOUT THE PISTOL.
IT SEEMS HE HAS A GOOD ALIBI.

443
00:38:41,736 --> 00:38:46,156
IT'S HIS TIME-CARD. HE PUNCHED
OUT AFTER THE CORDELL MURDER.

444
00:38:46,324 --> 00:38:49,993
A FRIEND COULD HAVE DONE THAT.
YEAH, TRUE.

445
00:38:50,161 --> 00:38:52,454
I STILL DON'T KNOW WHY WE'RE HERE.
WELL...

446
00:38:53,164 --> 00:38:57,334
THIS IS WHERE HE WORKS.
I'M GONNA GO HAVE A TALK WITH HIM.

447
00:39:04,091 --> 00:39:07,260
COOL.
WHERE ARE YOU GOING?

448
00:39:07,428 --> 00:39:11,097
YOU GO AFTER HIM, I PULL YOU OFF.
GOOD COP, BAD COP?

449
00:39:11,265 --> 00:39:16,186
NO. STAY WITH THE CAR.
COME ON, MAN. STARSKY AND PUTZ.

450
00:39:16,854 --> 00:39:19,022
WHAT ARE YOU EXPECTING IN THERE?

451
00:39:19,190 --> 00:39:24,235
NOTHING. THIS IS JUST FOR SHOW.
HOLD THIS. THANKS.

452
00:39:40,503 --> 00:39:41,753
CAN I HELP YOU?

453
00:39:42,129 --> 00:39:44,547
MY NAME IS MCCALEB.

454
00:39:45,883 --> 00:39:50,136
FOLLOWING UP THE SHERIFF'S DEPARTMENT
INVESTIGATION OF FEBRUARY 3.

455
00:39:50,388 --> 00:39:54,641
JUST A MINUTE, PLEASE.

456
00:39:56,060 --> 00:40:01,272
MR. TOLIVER? A MR. MCCALEB FROM
THE SHERIFF'S DEPARTMENT IS HERE.

457
00:40:02,775 --> 00:40:07,487
WE'RE AWFULLY BUSY, MR. MCCALEB.
I'LL GET RIGHT TO THE POINT, THEN.

458
00:40:07,655 --> 00:40:11,991
A FEW MONTHS AGO, SOME DEPUTIES
ASKED YOU ABOUT AN EMPLOYEE.

459
00:40:12,201 --> 00:40:13,618
BOLOTOV?
YES.

460
00:40:13,786 --> 00:40:17,288
I'M ON THE CASE.
I'D LIKE TO GET A FEW MORE POINTS.

461
00:40:17,456 --> 00:40:19,165
I'LL TELL YOU WHAT I TOLD THEM.

462
00:40:19,375 --> 00:40:23,670
BOLOTOV WAS WORKING THAT DAY.
YOU CAN SEE HIS TIME-CARDS.

463
00:40:24,296 --> 00:40:27,882
HOW MANY EMPLOYEES
DO YOU HAVE HERE AT ONE TIME?

464
00:40:28,050 --> 00:40:29,092
EIGHTY-FIVE.

465
00:40:29,427 --> 00:40:34,139
IS IT POSSIBLE THAT ONE OF THEM MIGHT
HAVE PUNCHED HIS TIME-CARD FOR HIM?

466
00:40:34,473 --> 00:40:38,059
WE'VE BEEN IN BUSINESS 16 YEARS.
IT'S HAPPENED.

467
00:40:38,269 --> 00:40:39,644
IS HE HERE TODAY?

468
00:40:41,355 --> 00:40:44,858
YES, THAT'S HIM OVER THERE.

469
00:40:46,193 --> 00:40:48,236
BOLOTOV. THAT'S RUSSIAN, RIGHT?

470
00:40:48,404 --> 00:40:51,072
THEY'RE GOOD WORKERS
AND DON'T COMPLAIN.

471
00:40:51,240 --> 00:40:53,533
THEY DON'T MIND BEING PAID SHIT.

472
00:40:53,701 --> 00:40:56,703
I'D LIKE TO TALK TO HIM.
IN HERE?

473
00:40:56,871 --> 00:41:01,833
YOU WANT TO MAINTAIN YOUR COOPERATION
WITH THE SHERIFF'S OFFICE, DON'T YOU?

474
00:41:02,460 --> 00:41:05,044
YEAH, ALL RIGHT.

475
00:41:14,221 --> 00:41:17,265
BOLOTOV, UP IN THE OFFICE.

476
00:41:29,737 --> 00:41:33,239
MR. BOLOTOV.
HAVE A CHAIR.

477
00:41:39,413 --> 00:41:43,333
WHERE WERE YOU ON THE NIGHT
OF JANUARY 22?

478
00:41:43,626 --> 00:41:46,377
I TOLD THEM BEFORE.
I WORKED THAT NIGHT.

479
00:41:46,545 --> 00:41:50,173
I KNOW, BUT WE KNOW THINGS
NOW THAT WE DIDN'T KNOW THEN.

480
00:41:50,424 --> 00:41:52,342
WHAT THINGS?

481
00:41:52,510 --> 00:41:57,430
THERE WAS A BURGLARY ON MASON STREET,
ABOUT FOUR BLOCKS FROM HERE.

482
00:41:57,598 --> 00:42:01,476
IS THAT WHERE YOU GOT THE GUN?
WHAT GUN?

483
00:42:01,769 --> 00:42:05,980
AND FEBRUARY 7, I SUPPOSE YOU
GOT AN ALIBI FOR THAT NIGHT TOO.

484
00:42:06,690 --> 00:42:08,983
I DON'T KNOW THAT NIGHT.

485
00:42:09,151 --> 00:42:10,527
COURSE YOU DO!

486
00:42:10,694 --> 00:42:15,615
THAT'S THE NIGHT YOU WENT INTO KANG'S
GROCERY STORE AND KILLED TWO PEOPLE.

487
00:42:15,783 --> 00:42:17,992
WHO ARE YOU?

488
00:42:18,160 --> 00:42:22,413
YOU'RE NOT A COP.
COPS GOES TWOS. WHO ARE YOU?

489
00:42:23,123 --> 00:42:26,376
I'M THE LONE RANGER. NOW SIT DOWN.

490
00:42:38,180 --> 00:42:41,975
NO BADGE. SEE? NO COP.

491
00:42:43,686 --> 00:42:46,604
"TERRELL MCCALEB."

492
00:42:46,814 --> 00:42:49,649
MAYBE ONE DAY, I PAY YOU VISIT.

493
00:42:49,817 --> 00:42:50,984
YES?

494
00:43:12,965 --> 00:43:16,342
NOT NOW. I'LL GET BACK TO HIM.

495
00:43:16,552 --> 00:43:19,846
BOLOTOV'S ALIBI ISN'T SOLID.
THINK ABOUT IT.

496
00:43:20,097 --> 00:43:23,683
EVEN IF YOU HAD A BADGE,
IT'D BE THE WRONG ONE.

497
00:43:23,976 --> 00:43:25,435
I LIKE HIM FOR THIS.

498
00:43:25,603 --> 00:43:29,856
BOLOTOV'S AN EX-CON. HE COULD HAVE
DONE THAT FOR ANY REASON.

499
00:43:30,065 --> 00:43:32,525
YOU SHOULD STILL PUT OUT A PICKUP.
GOT YOU A SODA, TERR.

500
00:43:32,735 --> 00:43:35,945
WHO THE HELL ARE YOU?
BUDDY, TERRY'S PARTNER.

501
00:43:36,113 --> 00:43:37,280
SORT OF.
GREAT.

502
00:43:37,448 --> 00:43:39,699
LET'S GET BACK TO BOLOTOV.

503
00:43:39,867 --> 00:43:43,202
I'VE ALREADY SENT A CAR TO HIS
APARTMENT. HE'S GONE.

504
00:43:43,370 --> 00:43:45,663
I HIT A NERVE.
I'LL SAY.

505
00:43:45,873 --> 00:43:49,417
REMEMBER MY LIEUTENANT, WHO'S
NOW MY CAPTAIN? HE'S UNHAPPY.

506
00:43:49,585 --> 00:43:52,128
HE DOESN'T WANT TO HEAR
FROM YOU AGAIN.

507
00:43:52,296 --> 00:43:55,465
TERRY HAS WORKED VERY HARD ON THIS.
WE BOTH HAVE.

508
00:43:55,633 --> 00:43:58,259
SH...
SHUT UP.

509
00:43:59,595 --> 00:44:00,887
ALSO...

510
00:44:01,055 --> 00:44:06,893
HE WANTS THE TAPES AND MURDER
BOOKS BACK FIRST THING IN THE MORNING.

511
00:44:07,227 --> 00:44:10,605
WILL THAT GIVE YOU ENOUGH
TIME TO COPY EVERYTHING?

512
00:44:10,773 --> 00:44:13,483
I'VE ALREADY DONE THAT. THANKS.

513
00:44:13,651 --> 00:44:16,027
GO HOME, YOU LOOK LIKE CRAP.

514
00:44:16,195 --> 00:44:18,321
WAIT A MINUTE.

515
00:44:19,823 --> 00:44:25,078
LIP READER IS 90 PERCENT CERTAIN THE SHOOTER
WAS SAYING, "HAPPY VALENTINE'S DAY."

516
00:44:25,245 --> 00:44:26,954
HAPPY VALENT...

517
00:44:27,122 --> 00:44:31,542
THAT DOESN'T SOUND LIKE YOUR AVERAGE
THREE-STRIKES GUY, DOES IT?

518
00:44:31,919 --> 00:44:35,254
WHAT'S THE AVERAGE THESE DAYS?

519
00:44:36,965 --> 00:44:39,258
NOT MUCH, MAN.

520
00:44:51,647 --> 00:44:54,816
HAPPY VALENTINE'S DAY.

521
00:45:00,614 --> 00:45:03,449
DO YOU SEE THE BOAT?

522
00:45:03,617 --> 00:45:04,701
I TOLD YOU.

523
00:45:06,161 --> 00:45:09,455
HOW MUCH HOMEWORK DO YOU HAVE?
THREE QUESTIONS.

524
00:45:09,790 --> 00:45:11,457
HEY.
HEY.

525
00:45:12,459 --> 00:45:14,669
YOU FORGOT, DIDN'T YOU?

526
00:45:14,837 --> 00:45:18,464
SORT OF. I KIND OF GOT LOST
THE LAST COUPLE HOURS.

527
00:45:18,632 --> 00:45:20,883
WE CAN DO THIS ANOTHER TIME.
NO.

528
00:45:21,051 --> 00:45:23,761
NO, WE'RE HAVING DINNER.
COME ON UP.

529
00:45:24,138 --> 00:45:26,639
IS THIS RAYMOND?
THIS IS RAYMOND.

530
00:45:26,807 --> 00:45:29,392
THIS IS THE MAN I WAS
TELLING YOU ABOUT.

531
00:45:29,560 --> 00:45:33,187
HOW ARE YOU DOING?
WHAT'S THE FOLLOWING SEA?

532
00:45:33,355 --> 00:45:37,817
THAT'S THE ONE THAT YOU HAVE TO
WATCH FOR, THE ONE RIGHT BEHIND YOU.

533
00:45:38,318 --> 00:45:43,030
WHERE'S THE KITCHEN? I MEAN, GALLEY?
RIGHT IN HERE.

534
00:45:43,198 --> 00:45:46,242
CAN YOU FISH OFF THIS BOAT?
YEAH, YOU CAN.

535
00:45:46,410 --> 00:45:49,662
COME ON BACK,
I'LL GET YOU A FISHING POLE.

536
00:45:58,589 --> 00:46:00,047
JESUS.

537
00:46:05,179 --> 00:46:07,889
I DIDN'T WANT YOU TO SEE THAT.

538
00:46:09,892 --> 00:46:12,018
WAS SHE...?

539
00:46:12,853 --> 00:46:14,312
WAS SHE EVER SCARED?

540
00:46:15,022 --> 00:46:18,608
NO, SHE NEVER KNEW ANYTHING.

541
00:46:22,112 --> 00:46:25,323
WHAT I'VE ASKED YOU TO DO,
IT JUST ISN'T FAIR.

542
00:46:25,866 --> 00:46:27,867
IS IT?

543
00:46:28,327 --> 00:46:33,039
THERE'S A RESTAURANT IN THE MARINA.
GOOD ATMOSPHERE, VIEW OF THE SUNSET.

544
00:46:33,207 --> 00:46:36,375
WHY DON'T I JUST TAKE YOU
TO DINNER THERE?

545
00:46:42,549 --> 00:46:44,550
WHY DO YOU LIVE ON A BOAT?

546
00:46:44,718 --> 00:46:47,428
I HATE MOWING LAWNS.

547
00:46:47,721 --> 00:46:49,555
WHY DO YOU LIVE ONSHORE?

548
00:46:49,723 --> 00:46:53,267
BECAUSE THAT'S WHERE
MY WARM, COZY APARTMENT IS.

549
00:46:53,936 --> 00:46:56,437
YOU WERE RIGHT, THOUGH.

550
00:46:57,064 --> 00:46:58,898
IT'S A GREAT SUNSET.

551
00:46:59,608 --> 00:47:04,695
YEAH, YOU NEVER GET TIRED OF IT.
DOES HE STAY WITH YOU?

552
00:47:06,573 --> 00:47:09,909
YEAH. HIS DAD ISN'T AROUND.

553
00:47:10,077 --> 00:47:14,455
HE'S A GREAT KID. YOUR SISTER
MUST HAVE BEEN A GOOD WOMAN.

554
00:47:14,998 --> 00:47:17,083
THANK YOU.

555
00:47:17,918 --> 00:47:20,753
SO HOW IS IT GOING, MCCALEB?

556
00:47:21,255 --> 00:47:23,422
ANY HOPE?

557
00:47:23,799 --> 00:47:26,509
START THINKING ABOUT YOUR SISTER...

558
00:47:26,677 --> 00:47:30,805
WHO HER FRIENDS WERE,
WHERE SHE WENT, ALL OF HER ROUTINES.

559
00:47:30,973 --> 00:47:35,351
ALL RIGHT. HOW COME?
THAT'S JUST AN ANGLE I'M WORKING ON.

560
00:47:35,519 --> 00:47:37,937
DID SHE EVER KNOW A JAMES CORDELL?

561
00:47:38,105 --> 00:47:40,940
CORDELL?
YEAH.

562
00:47:41,316 --> 00:47:42,358
NO.

563
00:47:42,526 --> 00:47:44,944
YOU SURE?
POSITIVE. WHY?

564
00:47:45,112 --> 00:47:48,114
IT MAY BE NOTHING.
IT MIGHT BE PREMATURE...

565
00:47:48,282 --> 00:47:51,158
YOU THINK THIS JAMES CORDELL
KILLED HER.

566
00:47:51,368 --> 00:47:53,035
NO, NOTHING LIKE THAT.

567
00:47:53,203 --> 00:47:57,623
STOP, MCCALEB, WITH THE PREMATURES
AND THE ANGLES. WHAT?

568
00:47:57,791 --> 00:48:02,962
CORDELL WAS KILLED AT AN ATM MACHINE
TWO WEEKS BEFORE YOUR SISTER DIED.

569
00:48:03,130 --> 00:48:06,382
WE THINK IT'S THE SAME GUNMAN
IN BOTH CASES.

570
00:48:06,550 --> 00:48:08,301
WHY WOULD SHE KNOW CORDELL?

571
00:48:08,468 --> 00:48:11,804
THEY WERE BOTH IN THE WRONG
PLACE AT THE WRONG TIME.

572
00:48:11,972 --> 00:48:15,641
THIS INVESTIGATION'S BEING CONDUCTED
UNDER THE THEORY...

573
00:48:15,809 --> 00:48:19,937
THAT THE LOCATIONS WERE CHOSEN
AND THE VICTIMS WERE RANDOM.

574
00:48:20,147 --> 00:48:25,401
IT'S THE OTHER WAY AROUND. IT'S NOT
WHERE THAT'S IMPORTANT. IT'S WHO.

575
00:48:25,569 --> 00:48:29,530
GUNMAN TOOK MONEY, SO IT'S ROBBERY...
BEAR WITH ME.

576
00:48:29,698 --> 00:48:32,700
CORDELL AND YOUR SISTER
WERE CONNECTED.

577
00:48:32,868 --> 00:48:36,996
THERE'S SOME INTERSECTING LINK
BETWEEN THEM AND THE KILLER.

578
00:48:37,664 --> 00:48:39,415
I'M NOT FOLLOWING YOU.

579
00:48:39,750 --> 00:48:44,545
AT THE BUREAU, WE USED TO CALL
THIS A FULL-FIELD INVESTIGATION.

580
00:48:44,713 --> 00:48:48,132
THAT'S WHAT I'M CONDUCTING HERE.
FULL-FIELD INVESTIGATION.

581
00:48:48,300 --> 00:48:49,759
YEAH.

582
00:48:50,510 --> 00:48:51,677
OKAY.

583
00:48:52,429 --> 00:48:53,721
COME ON!

584
00:49:00,354 --> 00:49:04,190
YOU KNOW, THERE WAS ONE THING
THAT'S ALWAYS BOTHERED ME.

585
00:49:04,358 --> 00:49:06,108
WHAT?
NOTHING, BUT...

586
00:49:06,276 --> 00:49:07,401
WHAT IS IT?

587
00:49:07,569 --> 00:49:12,365
GLORY HAD THIS PIECE OF JEWELRY SHE
ALWAYS WORE. LIKE A GOOD-LUCK CHARM.

588
00:49:12,532 --> 00:49:18,079
SHE NEVER TOOK IT OFF. WHEN THE POLICE
BROUGHT ME HER EFFECTS, IT WAS MISSING.

589
00:49:18,246 --> 00:49:19,288
WHAT WAS IT?

590
00:49:19,456 --> 00:49:23,834
IT WAS A SINGLE EARRING,
A DANGLING CRUCIFIX.

591
00:49:28,090 --> 00:49:30,967
OKAY. SO, WHAT DOES IT MEAN?

592
00:49:31,885 --> 00:49:36,722
NOTHING. SOME KILLERS TAKE
SOUVENIRS, I SUPPOSE.

593
00:49:38,475 --> 00:49:39,976
THAT'S SICK.
YEAH.

594
00:49:40,143 --> 00:49:41,185
ARE YOU OKAY?

595
00:49:41,353 --> 00:49:44,939
YEAH. I GOTTA GET BACK TO THE BOAT
FOR MY MEDICINE.

596
00:49:45,107 --> 00:49:48,693
WE HAVE TO GET GOING TOO.
RAYMOND HAS SOME HOMEWORK.

597
00:49:48,860 --> 00:49:49,902
RAYMOND?

598
00:49:50,070 --> 00:49:52,405
WE'VE GOTTA GO!

599
00:49:52,572 --> 00:49:55,074
SAY THANK YOU TO MR. MCCALEB. COME!

600
00:49:55,242 --> 00:49:57,535
THANK YOU!

601
00:50:01,623 --> 00:50:03,916
GIVE ME THAT SCHOOL BAG.
OKAY.

602
00:50:04,084 --> 00:50:05,918
SAY THANK YOU.
THANK YOU.

603
00:50:06,086 --> 00:50:09,296
SEE YOU LATER.
GIVE ME THE SCHOOL BAG.

604
00:50:14,928 --> 00:50:17,263
AND HE TAKES THE EARRING.

605
00:50:18,932 --> 00:50:21,267
HEY, BUDDY!

606
00:50:24,021 --> 00:50:25,563
WHAT'S UP?

607
00:50:25,772 --> 00:50:29,275
YOU'RE WORKING TOMORROW, 6 A.M.

608
00:50:29,526 --> 00:50:31,444
COOL. WHATEVER.

609
00:50:36,867 --> 00:50:40,077
WHO WANTS TO GO TO THE DESERT ANYHOW?

610
00:50:40,662 --> 00:50:42,496
WE GO WHERE THE CLUES LEAD.

611
00:50:42,873 --> 00:50:45,791
DON'T ANY CLUES LEAD TO THE BEACH?

612
00:50:45,959 --> 00:50:51,297
THEY LEAD WHERE THEY LEAD. USUALLY
PRETTY CLOSE TO WHERE THEY STARTED.

613
00:50:54,551 --> 00:50:57,303
I HAVE TO ASK, TERRY.

614
00:50:57,846 --> 00:50:59,305
HOW DID IT FEEL?

615
00:50:59,723 --> 00:51:04,018
BACK IN THE DAY, WHEN YOU WERE
GOING UP AGAINST ALL THOSE SICKOS?

616
00:51:04,186 --> 00:51:05,728
THAT WAS MY JOB.

617
00:51:05,896 --> 00:51:09,648
COME ON, MAN. I MEAN,
DRIVING A TRUCK, THAT'S A JOB.

618
00:51:09,816 --> 00:51:12,568
ALL THOSE KILLERS
YOU USED TO HUNT DOWN.

619
00:51:12,736 --> 00:51:18,240
I READ IN THE PAPER SOME USED TO LEAVE
YOU MESSAGES. THAT AIN'T TRUCK DRIVING.

620
00:51:18,408 --> 00:51:22,828
ONLY ONE, ACTUALLY,
EVER LEFT ME MESSAGES.

621
00:51:24,581 --> 00:51:28,000
SORRY, I'M STICKING MY NOSE
IN IT, I KNOW.

622
00:51:28,168 --> 00:51:29,585
CONNECTED.

623
00:51:30,170 --> 00:51:32,004
WHAT?

624
00:51:32,172 --> 00:51:37,093
WHEN I WAS AT THE TOP OF MY GAME,
I FELT CONNECTED TO EVERYTHING.

625
00:51:37,344 --> 00:51:40,888
THE VICTIM, THE KILLER,
THE CRIME SCENE.

626
00:51:41,056 --> 00:51:42,848
EVERYTHING.

627
00:51:43,016 --> 00:51:49,105
JUST FELT LIKE IT WAS ALL PART OF ME.
IT'S BEGINNING TO FEEL THAT WAY AGAIN.

628
00:51:49,606 --> 00:51:51,649
COOL.

629
00:51:53,693 --> 00:51:59,698
I'LL TELL YOU WHAT. DRIVING IS OKAY
BECAUSE I WOULD SHIT MY SHORTS.

630
00:52:01,409 --> 00:52:03,244
I WOULD.

631
00:52:03,411 --> 00:52:08,874
BUT THAT'S WHY YOU'RE A FAMOUS COP
AND I'M A BOAT BUM. A LOSER.

632
00:52:09,543 --> 00:52:11,377
BUDDY, YOU'RE NOT A LOSER.

633
00:52:11,545 --> 00:52:17,091
IT'S OKAY, TERRY.
ONLY MY MOM HAS TO TELL ME THAT.

634
00:52:17,259 --> 00:52:20,219
MY FRIENDS CAN TELL ME THE TRUTH.

635
00:52:35,819 --> 00:52:36,944
MRS. CORDELL?

636
00:52:37,821 --> 00:52:40,156
I'M TERRY MCCALEB. I CALLED YOU.

637
00:52:40,407 --> 00:52:42,408
IS THIS A BAD TIME?

638
00:52:42,617 --> 00:52:47,454
AS OPPOSED TO A GOOD TIME?
POOR CHOICE OF WORDS. CAN WE TALK?

639
00:52:48,081 --> 00:52:50,332
IS THAT YOUR PARTNER IN THE CAR?

640
00:52:51,459 --> 00:52:54,753
YEAH.

641
00:52:55,172 --> 00:52:59,133
I WANTED TO HIRE AN INVESTIGATOR,
BUT I COULDN'T AFFORD TO.

642
00:52:59,301 --> 00:53:02,094
COULDN'T AFFORD TO FIND OUT
WHO KILLED HIM.

643
00:53:02,512 --> 00:53:04,096
YOU WORK FOR THE POLICE?

644
00:53:04,264 --> 00:53:06,432
NO, I'M A RETIRED FBI AGENT.

645
00:53:06,600 --> 00:53:11,061
I'M ALSO A FRIEND OF THE FAMILY
OF THE WOMAN KILLED IN CANOGA PARK.

646
00:53:11,229 --> 00:53:13,522
WE THINK IT'S THE SAME GUNMAN.

647
00:53:13,690 --> 00:53:15,024
I SEE.

648
00:53:15,609 --> 00:53:20,446
I'D LIKE TO TELL YOU I'M SORRY.
THAT'S HARD COMING FROM A STRANGER...

649
00:53:20,614 --> 00:53:24,867
BUT I WENT THROUGH THE FILES, AND
JAMES SEEMED LIKE A GOOD MAN.

650
00:53:25,327 --> 00:53:29,121
FUNNY HEARING HIM CALLED JAMES.
EVERYONE CALLED HIM JIMMY.

651
00:53:29,289 --> 00:53:31,790
AND HE WAS A VERY GOOD MAN.

652
00:53:31,958 --> 00:53:34,793
HOW CAN I HELP, MR. MCCALEB?

653
00:53:35,712 --> 00:53:39,465
SEE THIS PHOTOGRAPH?
DOES THIS WOMAN LOOK FAMILIAR TO YOU?

654
00:53:39,633 --> 00:53:43,302
IS THAT SOMEONE HE MIGHT HAVE KNOWN?
I DON'T THINK SO.

655
00:53:43,511 --> 00:53:47,806
IS THAT THE VICTIM FROM CANOGA PARK?
RIGHT.

656
00:53:47,974 --> 00:53:50,309
IS THAT HER SON?
UH-HUH.

657
00:53:51,478 --> 00:53:52,811
I DON'T UNDERSTAND.

658
00:53:52,979 --> 00:53:55,564
HOW COULD HE KNOW HER?
ARE YOU SUGGESTING THEY...?

659
00:53:55,732 --> 00:53:59,193
NO, NOTHING LIKE THAT.
THEN, LIKE WHAT?

660
00:53:59,819 --> 00:54:05,407
WE THINK YOUR HUSBAND AND MISS TORRES
MAY HAVE CROSSED PATHS WITH THE KILLER...

661
00:54:05,575 --> 00:54:11,080
SORT OF THE RELATIONSHIP BETWEEN
THE VICTIM AND THE GUNMAN.

662
00:54:11,248 --> 00:54:17,002
THE SMALLEST DETAIL OF THEM COMING
IN CONTACT IS VERY, VERY IMPORTANT.

663
00:54:17,170 --> 00:54:21,090
SOMETHING LIKE DINING AT THE SAME
RESTAURANT, FOR INSTANCE.

664
00:54:21,383 --> 00:54:24,176
A RESTAURANT THE KILLER WENT TO?
YEAH.

665
00:54:24,344 --> 00:54:27,388
THAT SOUNDS LIKE STALKING,
NOT ROBBERY.

666
00:54:27,555 --> 00:54:33,269
TO BE HONEST WITH YOU, WE'RE NOT SURE
ROBBERY IS THE MOTIVE IN THIS CASE.

667
00:54:34,020 --> 00:54:37,982
WHEN THEY BROUGHT BACK HIS EFFECTS,
WAS IT ALL THERE?

668
00:54:38,149 --> 00:54:41,026
WAS ANYTHING MISSING?
RINGS, WATCHES?

669
00:54:41,194 --> 00:54:43,028
NO.

670
00:54:43,446 --> 00:54:47,449
YOU'RE SURE HE COULDN'T HAVE BEEN
IN THE VALLEY TWO WEEKS BEFORE?

671
00:54:47,617 --> 00:54:52,663
NO, HE SPENT A MONTH IN NORTHERN
CALIFORNIA, WORKING ON THE AQUEDUCT.

672
00:54:52,831 --> 00:54:57,376
AND WHEN MY HUSBAND WASN'T
WORKING, HE WAS HOME WITH ME.

673
00:54:57,544 --> 00:55:00,879
IS THAT HIS CAR?
YES.

674
00:55:01,923 --> 00:55:04,216
ANY PERSONAL EFFECTS IN THAT?

675
00:55:04,384 --> 00:55:06,468
A PICTURE ON THE DASHBOARD.

676
00:55:06,636 --> 00:55:09,638
STILL THERE?
I DON'T KNOW. I WOULD THINK.

677
00:55:09,806 --> 00:55:14,101
THE SHERIFF'S DEPARTMENT DROVE
IT HOME. I HAVEN'T BEEN IN IT.

678
00:55:14,269 --> 00:55:16,562
CAN I...?

679
00:55:24,195 --> 00:55:26,196
THERE IT IS.

680
00:55:26,364 --> 00:55:28,198
RIGHT HERE, YEAH.

681
00:55:28,366 --> 00:55:32,161
ANY OF THIS STUFF YOUR HUSBAND'S
FAVORITE KNICKKNACKS?

682
00:55:32,329 --> 00:55:33,370
NO, SORRY.

683
00:55:35,373 --> 00:55:39,418
COULD YOU JOT DOWN YOUR
HUSBAND'S ROUTINES FOR ME...?

684
00:55:39,586 --> 00:55:41,337
HIS SUNGLASSES.
WHAT?

685
00:55:41,504 --> 00:55:45,924
THEY HUNG FROM THE MIRROR ON A CORD.
THEY'RE MISSING.

686
00:55:46,092 --> 00:55:47,468
WHAT KIND OF GLASSES?

687
00:55:47,635 --> 00:55:51,096
THEY WERE WAYFARERS.
HE HAD THEM FOR YEARS.

688
00:55:51,264 --> 00:55:54,767
WAYFARERS?
WHAT DO YOU THINK IT MEANS?

689
00:55:55,435 --> 00:55:58,354
I SAID, WHAT DO YOU THINK IT MEANS?

690
00:55:59,022 --> 00:56:00,606
PROBABLY NOTHING.

691
00:56:00,774 --> 00:56:05,027
THANKS, MRS. CORDELL.
I'LL CALL YOU IF ANYTHING COMES UP.

692
00:56:10,700 --> 00:56:14,036
EASY, MAC. WHAT'S THE MATTER?

693
00:56:15,497 --> 00:56:19,625
YOU OKAY?
YEAH, I'M OKAY.

694
00:56:21,169 --> 00:56:23,629
I SAW THE KILLER, BUDDY.

695
00:56:24,464 --> 00:56:28,300
AT THE BANK, AT THE ATM,
WHERE CORDELL WAS KILLED.

696
00:56:29,135 --> 00:56:33,680
WAIT A MINUTE, THAT'S CRAZY.
THAT'S THE LAST PLACE HE WOULD BE.

697
00:56:33,848 --> 00:56:36,141
NO, IT FITS THE PROFILE.

698
00:56:36,476 --> 00:56:39,061
PROFILE? WHAT PROFILE?

699
00:56:39,312 --> 00:56:43,065
TAKE ME TO THE L.A. COUNTY
SHERIFF'S OFFICE.

700
00:56:43,525 --> 00:56:48,779
NO, WAIT! I DON'T GET IT.
WHY WOULD THE KILLER GO BACK?

701
00:56:51,199 --> 00:56:54,243
OKAY. NEVER MIND, I'LL JUST DRIVE.

702
00:56:57,997 --> 00:57:03,001
NOW YOU'RE STARTING TO GET IT.
THIS GOES ANY LONGER, I WANT A RAISE.

703
00:57:03,378 --> 00:57:06,171
HOW ABOUT WORKMEN'S COMP?

704
00:57:07,006 --> 00:57:10,717
DETECTIVE WINSTON'S IN THE FIELD.
CAN I TAKE A MESSAGE?

705
00:57:10,885 --> 00:57:14,012
TELL HER MCCALEB WAS BY.
HEY.

706
00:57:14,180 --> 00:57:17,975
SHE WANTED TO SEE YOU, MR. MCCALEB.

707
00:57:19,352 --> 00:57:20,727
HOW ABOUT THAT?

708
00:57:21,354 --> 00:57:23,313
IT'S MCCALEB, JAYE.

709
00:57:23,481 --> 00:57:28,235
I'M EN ROUTE. YOU SHOULD GET
YOURSELF DOWN HERE ASAP.

710
00:57:28,611 --> 00:57:30,529
WHAT WAS THAT FIRST PART?

711
00:57:30,697 --> 00:57:34,199
I SAID, WE'VE GOT BOLOTOV.

712
00:57:52,093 --> 00:57:54,595
STAY THERE, BUDDY.
THIS SUCKS!

713
00:57:54,762 --> 00:57:59,224
TRASH COLLECTORS FOUND HIM.
WE THINK HE'S BEEN HERE SINCE EARLY A.M.

714
00:57:59,392 --> 00:58:02,644
WHAT ARE THEY DOING HERE?
THIS ALLEY IS THE LINE.

715
00:58:02,812 --> 00:58:03,896
THE LINE?

716
00:58:04,063 --> 00:58:07,232
SOUTH SIDE'S L.A.P.D.,
NORTH IS SHERIFF'S DEPARTMENT.

717
00:58:07,400 --> 00:58:10,277
WE'RE NOT SURE WHO
HAS JURISDICTION YET.

718
00:58:15,783 --> 00:58:17,743
CONGRATULATIONS, OLD MAN!

719
00:58:17,911 --> 00:58:22,080
YOU SHOOK HIM OUT OF HIS TREE.
DUMB BASTARD KILLED HIMSELF.

720
00:58:22,248 --> 00:58:23,749
H&K 9 MM.

721
00:58:23,917 --> 00:58:27,461
SAME AS BOTH MURDERS.
I BET BALLISTICS CONFIRMS IT.

722
00:58:30,256 --> 00:58:34,927
WHAT ARE YOU TALKING ABOUT?
HE'S SAYING THIS CASE IS CLOSED.

723
00:58:35,094 --> 00:58:37,471
BOLOTOV, HE DOESN'T FIT THE PROFILE.

724
00:58:37,639 --> 00:58:40,098
OF WHAT?
A SERIAL KILLER.

725
00:58:40,266 --> 00:58:41,308
WHOA, WHOA, WHOA.

726
00:58:41,476 --> 00:58:44,937
THIS GUY STALKS HIS VICTIMS
AND KILLS THEM ON CAMERA...

727
00:58:45,104 --> 00:58:49,525
THEN HE TAKES TROPHY ITEMS.
WHAT ARE YOU TALKING ABOUT?

728
00:58:49,734 --> 00:58:53,445
I WAS AT THE ATM CRIME SCENE.
THE KILLER WAS BEHIND ME.

729
00:58:53,613 --> 00:58:57,950
HE HAD CORDELL'S GLASSES ON,
AND HE HAD GLORIA TORRES' EARRING.

730
00:58:58,117 --> 00:59:01,286
DID THEY LOOK LIKE THESE?

731
00:59:01,454 --> 00:59:04,623
THIS? AND THIS?

732
00:59:05,291 --> 00:59:09,628
I DON'T CARE WHAT YOU CALL HIM.
WE GOT HIM.

733
00:59:12,465 --> 00:59:16,134
I DON'T KNOW, HIS HAIR WAS LONG.
MAYBE IT WAS A WIG?

734
00:59:16,302 --> 00:59:18,136
MAYBE.

735
00:59:18,304 --> 00:59:21,348
YOU WANNA SIT DOWN?
I'M FINE, GODDAMN IT.

736
00:59:21,516 --> 00:59:25,644
WHY DON'T YOU LAY DOWN?
ARRANGO, SHUT UP!

737
00:59:29,691 --> 00:59:33,026
THERE'S SOMETHING IN HIS MOUTH.

738
00:59:35,863 --> 00:59:40,033
IT'S A BULLET.
NO WAY IT CAME FROM A 9 MM.

739
00:59:41,494 --> 00:59:45,664
LOOKS LIKE A .38 TO ME.
WHY'D HE PUT A .38 SLUG IN HIS MOUTH?

740
00:59:45,832 --> 00:59:48,834
SAME REASON HE DIED
ON THE JURISDICTION LINE.

741
00:59:49,002 --> 00:59:51,503
SOMEBODY'S TRYING TO JERK US ALL OFF.

742
00:59:51,671 --> 00:59:54,506
PERSONALLY, I LIKE BEING JERKED OFF.

743
00:59:54,674 --> 00:59:56,842
THIS CASE IS CLOSED IN MY BOOK.

744
00:59:57,051 --> 01:00:00,012
YOU'RE JUST WORRIED, AREN'T YOU?

745
01:00:00,179 --> 01:00:02,014
WORRIED?
YEAH.

746
01:00:02,181 --> 01:00:03,348
ABOUT WHAT?

747
01:00:03,516 --> 01:00:08,186
THAT I MIGHT BUST THIS CASE.
YOU DON'T CARE WHO GETS HURT OR KILLED.

748
01:00:08,354 --> 01:00:13,525
AS LONG AS I DON'T BUST THE CASE.
WHAT THE FUCK IS IT TO YOU ANYWAY?

749
01:00:13,693 --> 01:00:17,446
GLORIA TORRES, THAT VICTIM
YOU DIDN'T GIVE A SHIT ABOUT?

750
01:00:17,614 --> 01:00:20,407
I'VE GOT HER HEART. THAT'S WHAT.
THAT'S RIGHT.

751
01:00:20,700 --> 01:00:24,620
I'M ALIVE BECAUSE SHE'S DEAD.
THAT PUTS ME IN THIS BIGTIME.

752
01:00:24,829 --> 01:00:29,708
YOU'RE AN ASSHOLE, AND YOU CAN'T HELP
IT, BUT I'M ON THIS CASE FOR A WHILE.

753
01:00:29,876 --> 01:00:32,210
I'LL BE ALONG UNTIL WE GET HIM.

754
01:00:32,378 --> 01:00:37,132
I DON'T CARE WHETHER IT'S YOU, HIM
OR WHOEVER. I'M IN THIS.

755
01:00:37,550 --> 01:00:41,219
STAY OUT OF MY CITY!
GO GET YOURSELF A DICK TRANSPLANT!

756
01:00:41,387 --> 01:00:44,556
CONFLICT OF INTEREST.

757
01:00:44,724 --> 01:00:47,851
EVER THINK ABOUT THAT?
PAIN IN THE ASS.

758
01:00:49,354 --> 01:00:53,482
HOW MUCH DO I OWE YOU?
I DON'T KNOW, 200 OR SO.

759
01:00:53,650 --> 01:00:55,901
THAT SOUNDS RIGHT.

760
01:00:58,404 --> 01:01:01,907
TAKE A CHECK?
YEAH, SURE.

761
01:01:02,075 --> 01:01:04,910
YOU LOOK LIKE SHIT.
YOU SHOULD TAKE A NAP.

762
01:01:05,078 --> 01:01:07,913
YEAH, THANKS. I WILL.

763
01:01:08,081 --> 01:01:14,419
WHO DO I MAKE IT OUT TO? BUDDY?
JASPER. JASPER NOONE. N-O-O-N-E.

764
01:01:14,587 --> 01:01:17,756
I KNOW THE NOONE PART. BUT JASPER?

765
01:01:17,924 --> 01:01:20,592
I LOOK MORE LIKE A BUDDY
THAN A JASPER, HUH?

766
01:01:20,760 --> 01:01:22,678
YEAH.

767
01:01:23,805 --> 01:01:26,139
TAKE A NAP.

768
01:01:36,275 --> 01:01:42,030
RAY, STAY HERE. BE CAREFUL
OF THE EDGES. I'LL BE RIGHT OUT.

769
01:01:42,281 --> 01:01:45,617
HI.
HEY.

770
01:01:47,161 --> 01:01:50,288
SO IS IT TRUE?

771
01:01:50,665 --> 01:01:51,790
WHAT?

772
01:01:52,291 --> 01:01:56,628
I HEARD IT ON THE NEWS. THEY SAID
THAT THEY FOUND A RUSSIAN MAN...

773
01:01:56,796 --> 01:01:58,630
WHO MAY BE THE KILLER.

774
01:01:58,798 --> 01:02:00,132
I DON'T KNOW.

775
01:02:00,299 --> 01:02:03,969
I DON'T THINK SO, BUT I DON'T KNOW.

776
01:02:04,137 --> 01:02:09,015
THEY SAID THEY HAD EVIDENCE THAT
COULD LINK THIS GUY TO BOTH MURDERS.

777
01:02:09,308 --> 01:02:12,644
THAT MAY JUST BE TWO COPS
TRYING TO GRAB HEADLINES.

778
01:02:12,812 --> 01:02:14,646
I DON'T KNOW. SORRY.

779
01:02:14,814 --> 01:02:17,524
YOU'RE STARTING TO SOUND LIKE L.A.P.D.

780
01:02:18,192 --> 01:02:20,485
I NEED SOME ANSWERS.

781
01:02:20,653 --> 01:02:22,362
BECAUSE NO ONE KNOWS...

782
01:02:22,530 --> 01:02:28,326
NO ONE HAS A CLUE WHAT THAT BOY GOES
THROUGH EVERY NIGHT WITHOUT HIS MOTHER.

783
01:02:28,494 --> 01:02:30,662
I'M SORRY.

784
01:02:37,170 --> 01:02:40,172
I DID WHAT YOU ASKED.

785
01:02:41,674 --> 01:02:44,509
I MADE A LIST OF ALL
OF GLORY'S ROUTINES.

786
01:02:44,677 --> 01:02:46,511
THAT'S GOOD.

787
01:02:49,265 --> 01:02:52,851
SHE USED TO GO TO THAT MARKET
ALMOST EVERY NIGHT.

788
01:02:53,019 --> 01:02:56,188
SHE'D TAKE RAYMOND
TO MCDONALD'S A LOT. TOO MUCH.

789
01:02:56,564 --> 01:02:59,858
THE ONE ON VENTURA AND RESEDA.

790
01:03:00,026 --> 01:03:05,030
AND SHE WOULD GO BOWLING,
BUT NOT LATELY.

791
01:03:05,198 --> 01:03:07,991
SHE USED TO VISIT AN AUNT
EVERY THURSDAY...

792
01:03:08,367 --> 01:03:12,370
BECAUSE OUR AUNT WAS IN A
NURSING HOME IN CULVER CITY.

793
01:03:12,538 --> 01:03:16,374
LIKE A RESPONSIBLE PERSON,
SHE NEVER MISSED A DAY OF WORK.

794
01:03:16,542 --> 01:03:20,086
SHE GAVE BLOOD EVERY MONTH,
TOOK HER SON TO SCHOOL...

795
01:03:20,254 --> 01:03:23,048
AND I WANNA UNDERSTAND
WHY SHE WAS KILLED!

796
01:03:23,216 --> 01:03:24,257
WHAT?

797
01:03:25,510 --> 01:03:27,052
SHE GAVE BLOOD?

798
01:03:27,261 --> 01:03:31,556
YES, MCCALEB. SHE'S THE SAME
BLOOD TYPE AS YOU ARE.

799
01:03:31,724 --> 01:03:33,725
AB WITH A CMV NEGATIVE.

800
01:03:33,893 --> 01:03:38,063
THE HOSPITAL WOULD HAVE PAID HER,
BUT SHE WOULDN'T ACCEPT MONEY.

801
01:03:38,397 --> 01:03:41,900
THAT'S THE CONNECTION!
WHAT ARE YOU TALKING ABOUT?

802
01:03:42,068 --> 01:03:45,737
THAT'S THE LINK BETWEEN CORDELL
AND YOUR SISTER. BLOOD.

803
01:03:46,239 --> 01:03:48,740
WAIT A MINUTE. BLOOD?

804
01:03:56,082 --> 01:03:58,583
I'LL COVER TOMORROW'S SHIFT.

805
01:03:58,751 --> 01:04:01,294
YEAH, THANKS.

806
01:04:02,421 --> 01:04:06,132
DON'T YOU EVER USE A CELL PHONE?
I DON'T BELIEVE IN THEM.

807
01:04:06,300 --> 01:04:10,095
I ALWAYS STAY WITH A HARD LINE.
MRS. CORDELL WASN'T HOME.

808
01:04:10,471 --> 01:04:12,764
IS THERE ANOTHER WAY TO FIND OUT?

809
01:04:12,932 --> 01:04:15,934
IF HE GAVE BLOOD OFTEN,
HE'D BE ON THE COMPUTER.

810
01:04:16,102 --> 01:04:18,520
WHICH COMPUTER?
THE BOPRA COMPUTER.

811
01:04:18,688 --> 01:04:22,107
FOR RARE BLOOD TYPES.
THERE'S ONE AT L.A. MEMORIAL.

812
01:04:22,275 --> 01:04:27,112
ALL RIGHT. I'M COMING WITH YOU.
GET SOMEBODY TO STAY WITH THE KID.

813
01:04:27,947 --> 01:04:29,948
WHAT DO YOU THINK?

814
01:04:30,116 --> 01:04:32,784
WHAT DO YOU MEAN, BABYSITTING?

815
01:04:32,952 --> 01:04:34,160
YEAH.
FUCK ME.

816
01:04:34,328 --> 01:04:35,453
HOW MUCH?

817
01:04:35,621 --> 01:04:39,332
I DON'T KNOW. BEER.
A CASE OF BEER AN HOUR.

818
01:04:39,500 --> 01:04:41,626
YOU GOT IT.

819
01:04:53,306 --> 01:04:57,517
THEY SAID SOME KIND OF BLOCKAGE.
IN ABOUT AN HOUR.

820
01:04:57,685 --> 01:04:59,978
HEY, DOC.

821
01:05:00,146 --> 01:05:02,147
TERRY. WHAT'S WRONG?

822
01:05:02,315 --> 01:05:05,692
NOTHING. IS THERE A PLACE
WE COULD TALK PRIVATELY?

823
01:05:05,860 --> 01:05:07,819
I NEED TO TALK TO YOU.

824
01:05:13,492 --> 01:05:16,244
YOU HAVE FIVE MINUTES.

825
01:05:17,830 --> 01:05:18,872
WHO'S THIS?

826
01:05:19,040 --> 01:05:21,875
GRACIELLA RIVERS,
THE ONE I TOLD YOU ABOUT.

827
01:05:22,043 --> 01:05:27,005
SHE'S THE ONE WHO PUT YOU UP TO THIS.
LOOK AT HIM. LOOK AT HIS COLOR.

828
01:05:27,173 --> 01:05:31,384
LOOK AT THE LINES UNDER HIS EYES.
A WEEK AGO, HE WAS PERFECT.

829
01:05:31,552 --> 01:05:33,678
I AM SORRY.
IT WAS MY CHOICE.

830
01:05:33,846 --> 01:05:36,848
SHUT UP! SIT DOWN.

831
01:05:37,016 --> 01:05:39,184
OPEN YOUR MOUTH.

832
01:05:41,187 --> 01:05:43,647
LIFT YOUR SHIRT UP.

833
01:05:53,574 --> 01:05:56,534
WHAT DO YOU WANT?
WE WANTED TO KNOW...

834
01:05:56,702 --> 01:06:01,539
KEEP THAT THERMOMETER IN YOUR MOUTH.
MY SISTER WAS MURDERED.

835
01:06:01,707 --> 01:06:03,541
SO WAS ANOTHER MAN.

836
01:06:03,709 --> 01:06:06,211
IT WAS THE SAME KILLER.

837
01:06:06,379 --> 01:06:10,131
MCCALEB FOUND A LINK BETWEEN
MY SISTER AND THIS OTHER MAN.

838
01:06:10,299 --> 01:06:13,051
THEY BOTH GAVE BLOOD.
WHAT?

839
01:06:13,219 --> 01:06:17,389
SHE WAS THE SAME BLOOD TYPE
AS MCCALEB, AB WITH CMV NEGATIVE.

840
01:06:17,556 --> 01:06:20,976
MCCALEB SAYS THAT'S 1 IN 200.

841
01:06:24,605 --> 01:06:28,191
HUNDRED AND ONE POINT ONE. SHIT.

842
01:06:29,735 --> 01:06:31,403
WHAT DO YOU WANT?

843
01:06:31,570 --> 01:06:34,239
I WANT YOU TO ACCESS
THE BOPRA COMPUTER.

844
01:06:34,407 --> 01:06:37,659
IF CORDELL'S ON IT,
I WANNA KNOW HIS BLOOD TYPE.

845
01:06:37,827 --> 01:06:39,077
THAT'S UNETHICAL.

846
01:06:39,245 --> 01:06:43,748
YOU'VE GOTTA HELP. IF I'M RIGHT,
THE KILLER ALREADY HAS ACCESS.

847
01:06:44,125 --> 01:06:45,417
I DON'T KNOW...

848
01:06:45,584 --> 01:06:50,088
IF YOU CAN'T PROTECT THE INTEGRITY
OF THE SYSTEM, THERE'S NO SYSTEM.

849
01:06:50,423 --> 01:06:51,506
ALL RIGHT.

850
01:06:51,757 --> 01:06:53,800
I'LL DO IT ON ONE CONDITION.

851
01:06:54,093 --> 01:06:55,260
WHAT'S THAT?

852
01:06:55,428 --> 01:06:57,470
LET ME RUN BLOOD WORK ON YOU.

853
01:06:57,638 --> 01:07:01,599
THAT WILL TAKE ALL DAY!
YES OR NO?

854
01:07:02,601 --> 01:07:05,603
YES.
SIT DOWN.

855
01:07:06,814 --> 01:07:09,107
I'LL GET THE NURSE.

856
01:07:13,612 --> 01:07:15,155
VERY STILL NOW.

857
01:07:15,448 --> 01:07:17,782
WE'RE ALMOST DONE.

858
01:07:26,167 --> 01:07:29,294
I WANT YOU TO STOP, MCCALEB.

859
01:07:32,256 --> 01:07:34,132
STOP WHAT?

860
01:07:35,301 --> 01:07:37,302
EVERYTHING.

861
01:07:37,470 --> 01:07:39,846
I WAS WRONG TO BRING THIS TO YOU.

862
01:07:40,014 --> 01:07:41,306
NO.

863
01:07:41,474 --> 01:07:43,308
YEAH.

864
01:07:44,477 --> 01:07:46,728
GLORY GAVE ANOTHER PERSON LIFE.

865
01:07:46,896 --> 01:07:50,690
THAT'S REALLY ALL I NEED TO KNOW.
NO.

866
01:07:50,858 --> 01:07:53,318
LOOK, I GOT A NEW HEART, BUT...

867
01:07:53,486 --> 01:07:57,155
I DIDN'T NECESSARILY
GET A NEW LIFE.

868
01:07:57,323 --> 01:08:00,033
I DON'T KNOW WHAT YOU MEAN.

869
01:08:00,326 --> 01:08:02,869
I LOST A LITTLE SOMETHING...

870
01:08:03,037 --> 01:08:06,331
BUT KNOWING YOU AND
WORKING WITH YOU ON THIS...

871
01:08:06,499 --> 01:08:09,501
I FEEL A LITTLE BIT COMING BACK.

872
01:08:14,215 --> 01:08:15,340
OKAY.

873
01:08:15,508 --> 01:08:19,511
IT'S A LIST OF THE LOCAL AB CMV
NEGATIVES. CORDELL'S ON IT.

874
01:08:19,678 --> 01:08:21,846
SAME BLOOD TYPE AS TORRES.

875
01:08:22,014 --> 01:08:24,349
WHAT'S THE D STAND FOR? DECEASED?

876
01:08:24,517 --> 01:08:27,936
NO, DONOR. ORGAN DONOR.
THEY WERE BOTH ORGAN DONORS.

877
01:08:28,354 --> 01:08:30,188
BOTH ORGAN DONORS?

878
01:08:30,356 --> 01:08:34,275
CORDELL DIED ON THE SCENE,
AND GLORIA LIVED JUST LONG ENOUGH.

879
01:08:34,443 --> 01:08:37,028
THAT'S CRAZY.
WHAT ARE YOU SAYING?

880
01:08:37,238 --> 01:08:38,696
I MISSED IT, DAMN IT.

881
01:08:38,864 --> 01:08:43,368
I DIDN'T THINK GLORIA HAD ANYTHING
ANYONE WANTED, BUT I MISSED IT.

882
01:08:43,702 --> 01:08:45,870
WHAT DID YOU MISS?

883
01:08:46,038 --> 01:08:48,331
HER BLOOD.

884
01:08:48,541 --> 01:08:50,583
IT MADE HER UNIQUE.

885
01:08:50,751 --> 01:08:54,462
IT MADE WHAT WAS INSIDE HER
VERY VALUABLE. TO SOMEONE.

886
01:08:54,630 --> 01:09:00,552
SOMEONE LIKE ME. ANYONE WHO COULD
BENEFIT WOULD BE A SUSPECT.

887
01:09:01,887 --> 01:09:06,391
WAIT A MINUTE. YOU'RE SAYING THAT
SHE WAS MURDERED FOR HER ORGANS.

888
01:09:06,767 --> 01:09:11,271
THE AUTOPSY REPORT HAD BOTH
BULLETS GOING THROUGH THE FRONTAL LOBE.

889
01:09:11,438 --> 01:09:15,233
THAT COULD LEAVE THEM BRAIN DEAD,
BUT NOT DIE RIGHT AWAY.

890
01:09:15,401 --> 01:09:21,447
OF COURSE, CORDELL... 911 SCREWED UP,
BUT YOUR SISTER HAD THE GOOD SAMARITAN.

891
01:09:21,615 --> 01:09:23,575
WHO?

892
01:09:23,909 --> 01:09:30,248
THAT'S THE CUSTOMER WHO CAME IN,
BANDAGED HER HEAD AND CALLED 911.

893
01:09:30,416 --> 01:09:33,626
YOU CAN'T GET BACK UNTIL...
CAN I USE YOUR PHONE?

894
01:09:33,794 --> 01:09:38,423
TERRY...
GET A LIST OF WHERE THE ORGANS WENT.

895
01:09:38,591 --> 01:09:39,632
TERRY.

896
01:09:50,644 --> 01:09:52,270
DETECTIVE JAYE WINSTON?

897
01:09:52,438 --> 01:09:57,108
GRACIELLA RIVERS. HE'S INSIDE TALKING
ABOUT SURVEILLANCE AND NUMBERS.

898
01:09:57,484 --> 01:10:00,278
THIS IS ARRANGO FROM
WEST VALLEY HOMICIDE.

899
01:10:00,446 --> 01:10:05,617
BADGE 14110. I'D LIKE A 10-20
FOR A SURVEILLANCE COMMENCEMENT.

900
01:10:05,784 --> 01:10:07,952
THAT'S 17:14:39.

901
01:10:08,120 --> 01:10:10,288
THANK YOU. 17:14:39.

902
01:10:10,456 --> 01:10:14,292
I'M OUT OF MY JURISDICTION,
AND YOU'RE WAY OUT. WHAT'S UP?

903
01:10:14,501 --> 01:10:18,713
THE SURVEILLANCE CAMERA'S THREE
SECONDS BEHIND THE CCW CLOCK.

904
01:10:18,923 --> 01:10:22,967
THAT'S THE ONE 911 USES.
OKAY, SO?

905
01:10:23,135 --> 01:10:25,929
SO DID YOU BRING THE TAPE?

906
01:10:29,183 --> 01:10:31,309
THIS IS THE 911 OPERATOR.

907
01:10:31,477 --> 01:10:34,479
THE GIRL IS SHOT VERY BAD!
SHE NEEDS HELP!

908
01:10:34,647 --> 01:10:36,147
WHO WAS SHOT, SIR?

909
01:10:36,315 --> 01:10:39,484
THE GIRL IS SHOT!
KANG'S MARKET, SHERMAN WAY!

910
01:10:39,652 --> 01:10:42,487
SIR, PLEASE STAY ON THE LINE.

911
01:10:48,661 --> 01:10:51,996
THAT'S 10:40:58.

912
01:11:08,347 --> 01:11:11,182
ALL RIGHT. AT 22:41:37...

913
01:11:11,350 --> 01:11:15,395
GLORIA IS SHOT.

914
01:11:16,689 --> 01:11:19,023
JUMP DOWN TO...

915
01:11:19,191 --> 01:11:24,362
22:42:55, AND HERE COMES
GOOD SAMARITAN.

916
01:11:24,530 --> 01:11:27,240
THAT SON OF A BITCH.

917
01:11:27,408 --> 01:11:30,702
WHAT? WHAT IS IT?

918
01:11:30,869 --> 01:11:32,578
THIS GUY HERE...

919
01:11:32,746 --> 01:11:36,708
THIS UNIDENTIFIED GOOD SAMARITAN,
WHO TRIED TO HELP GLORIA.

920
01:11:36,875 --> 01:11:38,543
THERE'S JUST ONE PROBLEM.

921
01:11:38,711 --> 01:11:41,212
WHAT'S THAT?

922
01:11:41,380 --> 01:11:46,592
THE CLOCK ON THE SURVEILLANCE CAMERA
IS THREE SECONDS BEHIND THE 911 CLOCK.

923
01:11:46,760 --> 01:11:49,095
ALL RIGHT, AND...?

924
01:11:49,263 --> 01:11:54,017
WE THINK HE MADE THE CALL
BEFORE HE KILLED HER.

925
01:11:55,561 --> 01:11:57,061
NO.

926
01:11:57,229 --> 01:12:01,399
NO, THAT DOESN'T MAKE ANY SENSE,
BECAUSE THE NUMBERS...

927
01:12:02,568 --> 01:12:04,610
WAIT A MINUTE.

928
01:12:06,238 --> 01:12:08,406
THE CALLER.

929
01:12:10,576 --> 01:12:11,909
IT'S THE SAME GUY.

930
01:12:12,411 --> 01:12:16,456
HE CALLED AN AMBULANCE
BEFORE HE SHOT HER.

931
01:12:16,623 --> 01:12:18,416
YEAH.

932
01:12:18,584 --> 01:12:21,794
SEE, CORDELL, HIS ORGANS
WERE NO GOOD.

933
01:12:21,962 --> 01:12:28,092
THIS TIME, THE SHOOTER WOULD MAKE
SURE THE AMBULANCE GOT A GOOD LEAD.

934
01:12:28,260 --> 01:12:32,096
SO HE SHOT GLORIA, THEN
HE COMES BACK WITH BANDAGES...

935
01:12:32,264 --> 01:12:34,807
AND TRIES TO KEEP HER ALIVE.

936
01:12:36,268 --> 01:12:38,770
OH, MY GOD.

937
01:12:41,648 --> 01:12:43,107
OKAY.

938
01:12:43,275 --> 01:12:49,113
COULD THIS GOOD SAMARITAN BE THE SAME
GUY YOU SAW AT THE ATM MACHINE?

939
01:12:50,991 --> 01:12:54,285
I DON'T KNOW.
PUT A WIG ON HIM, MAYBE.

940
01:12:54,703 --> 01:12:57,121
A LITTLE DARK MAKEUP, HE'S HISPANIC.

941
01:12:57,623 --> 01:12:59,457
YOU GOT THOSE ATM TAPES?

942
01:12:59,625 --> 01:13:02,794
NO. YOU ONLY TOLD ME
TO BRING THIS ONE.

943
01:13:03,128 --> 01:13:06,130
YEAH, WELL...

944
01:13:07,174 --> 01:13:11,511
THE ATM THING. THE SHOOTER PROBABLY
HAD THEM ON THE WAY ANYWAY.

945
01:13:11,678 --> 01:13:15,181
THEY WENT TO THE WRONG ADDRESS,
SO IT DOESN'T MATTER.

946
01:13:15,808 --> 01:13:18,810
WHAT DO YOU THINK ABOUT
LOCKRIDGE FOR THIS?

947
01:13:18,977 --> 01:13:20,812
I DON'T KNOW, MAYBE.

948
01:13:21,980 --> 01:13:27,360
WHOEVER GOT THE LIST OF ORGAN DONORS
HAD TO HACK INTO THE BOPRA COMPUTER.

949
01:13:27,528 --> 01:13:29,737
LOCKRIDGE IS A COMPUTER MAN, RIGHT?

950
01:13:29,905 --> 01:13:33,658
AND HE LIVES AND WORKS IN
MY JURISDICTION. LET'S GO.

951
01:13:38,163 --> 01:13:39,664
I HAVE TO GO WITH YOU.

952
01:13:39,832 --> 01:13:44,335
NO, GET BACK TO RAYMOND.
TAKE MY CAR. I'LL GO WITH JAYE.

953
01:14:01,687 --> 01:14:04,355
WHY DON'T YOU POP THE TRUNK?
I'LL PUT THIS STUFF IN THE BACK.

954
01:14:04,523 --> 01:14:05,731
OKAY.

955
01:14:18,704 --> 01:14:20,705
WHAT THE FUCK IS HE DOING?

956
01:14:26,545 --> 01:14:29,922
MCCALEB! WHAT ARE YOU DOING?

957
01:14:30,215 --> 01:14:33,050
YOU'RE KILLING ME HERE.
WHAT'S GOING ON?

958
01:15:20,265 --> 01:15:23,267
YOU OKAY?
YEAH. YOU OKAY?

959
01:15:23,435 --> 01:15:27,188
YEAH.
LET'S GO FIND LOCKRIDGE AT WORK.

960
01:15:27,356 --> 01:15:30,441
WHAT DO YOU MEAN?
WE JUST SHOT UP THE VALLEY.

961
01:15:30,609 --> 01:15:31,609
DID YOU HIT ANYONE?

962
01:15:31,777 --> 01:15:35,446
NO, THANK GOD.
NEITHER DID I. LET'S GO.

963
01:15:36,657 --> 01:15:37,990
FUCK.

964
01:15:38,951 --> 01:15:41,702
MR. LOCKRIDGE DIDN'T
COME TO WORK TODAY.

965
01:15:41,870 --> 01:15:44,372
IS HE ILL?
HE HASN'T CALLED...

966
01:15:44,790 --> 01:15:47,792
AND HE DIDN'T COME
IN YESTERDAY EITHER.

967
01:16:01,014 --> 01:16:03,975
COME HERE AND LOOK AT THIS.

968
01:16:08,647 --> 01:16:11,524
DOESN'T THAT LOOK LIKE
PROBABLE CAUSE TO YOU?

969
01:16:11,692 --> 01:16:13,359
LET'S GO.

970
01:16:13,569 --> 01:16:16,487
SEE IF I REMEMBER HOW THEY DID THIS.

971
01:16:21,827 --> 01:16:23,786
SHIT.

972
01:16:32,421 --> 01:16:34,005
HER THROAT'S BEEN SLIT.

973
01:16:34,339 --> 01:16:37,550
SHE'S BEEN HERE A GOOD 24 HOURS.

974
01:16:42,097 --> 01:16:44,056
YOU OKAY?

975
01:16:44,349 --> 01:16:46,350
YEAH.

976
01:16:46,518 --> 01:16:50,521
WE GOT AN APB OUT ON LOCKRIDGE.

977
01:16:50,689 --> 01:16:54,900
I MIGHT GET SUSPENDED,
BUT YOU DID REAL GOOD, MCCALEB.

978
01:16:55,068 --> 01:16:56,110
REAL GOOD.

979
01:16:56,320 --> 01:16:58,696
I HOPE SO.

980
01:17:05,621 --> 01:17:09,874
I GUESS I'D BETTER GET HOME
AND GET MY PILLS.

981
01:17:10,250 --> 01:17:12,043
WANT SOME COFFEE?

982
01:17:14,546 --> 01:17:17,548
NO, GO HOME. GET YOUR PILLS.

983
01:17:25,724 --> 01:17:28,225
YOU STILL GOT COMPANY.

984
01:17:29,061 --> 01:17:31,228
HOW MUCH BEER DO I OWE YOU?

985
01:17:31,396 --> 01:17:32,396
SEVEN CASES...

986
01:17:32,564 --> 01:17:36,901
BUT SINCE HE'S A GOOD KID
AND A GREAT FISHERMAN, I'LL TAKE TWO.

987
01:17:37,069 --> 01:17:39,654
I'LL GET YOU THE CHECK IN THE MORNING.

988
01:17:39,863 --> 01:17:42,907
THAT'S WHAT THEY ALL SAY.

989
01:17:44,576 --> 01:17:46,911
GOOD NIGHT, TERRY.

990
01:17:55,962 --> 01:17:57,588
HEY.
HEY, MR. MCCALEB.

991
01:17:57,756 --> 01:17:59,131
HOWDY.

992
01:17:59,299 --> 01:18:00,758
HEY.
HOW ARE YOU?

993
01:18:00,926 --> 01:18:05,012
ME AND BUDDY CAUGHT SO MANY FISH
HE HAD TO GET MORE BAIT.

994
01:18:05,389 --> 01:18:10,351
I CAUGHT SIX ALL BY MYSELF.
REALLY? IT MUST BE A HARBOR RECORD.

995
01:18:10,519 --> 01:18:13,896
IT'S "BUDDY AND L."
FINISH YOUR HOMEWORK, RAY.

996
01:18:16,775 --> 01:18:18,776
SO?

997
01:18:19,277 --> 01:18:21,862
I'M NOT SURE YET,
BUT IT'S LOOKING GOOD.

998
01:18:22,030 --> 01:18:24,448
OKAY. WHEN WILL YOU KNOW?

999
01:18:26,410 --> 01:18:29,036
SOON, HOPEFULLY.

1000
01:18:33,333 --> 01:18:35,292
THANK YOU.

1001
01:18:36,002 --> 01:18:38,045
FOR EVERYTHING YOU'VE DONE.

1002
01:18:38,213 --> 01:18:39,463
I'M IMPRESSED.

1003
01:18:40,632 --> 01:18:42,883
THAT'S MY DAD.

1004
01:18:43,051 --> 01:18:47,138
HE USED TO TAKE GLORY AND ME FISHING.

1005
01:18:47,305 --> 01:18:48,639
A LOT.

1006
01:18:48,807 --> 01:18:50,307
WHEN WE WERE KIDS.

1007
01:18:50,642 --> 01:18:53,644
YOU KNOW, THEY'RE ALL GONE.

1008
01:18:54,980 --> 01:18:58,983
BUT I'M GLAD I CAN STILL SMILE
ABOUT HER, YOU KNOW?

1009
01:18:59,943 --> 01:19:01,819
I COULDN'T AT FIRST.

1010
01:19:01,987 --> 01:19:04,947
THIS IS A COOL GUN, MR. MCCALEB.

1011
01:19:06,241 --> 01:19:08,492
OH, SHIT...

1012
01:19:09,035 --> 01:19:11,537
RAYMOND...
IT'S ALL OVER. DON'T, NO.

1013
01:19:13,457 --> 01:19:16,500
YOU NEVER, NEVER TOUCH A GUN.

1014
01:19:16,668 --> 01:19:19,211
SEE? YOU CAN LOOK AT IT.

1015
01:19:19,588 --> 01:19:22,590
THIS IS AN EIGHT-SHOT
SMITH & WESSON.

1016
01:19:22,758 --> 01:19:25,926
WE DON'T TOUCH IT.
I SHOULDN'T HAVE LEFT IT OUT.

1017
01:19:26,094 --> 01:19:30,181
YOU NEVER PLAY WITH THIS,
SO STAY RIGHT THERE. UNDERSTAND?

1018
01:19:32,684 --> 01:19:34,852
WHAT'S THIS?

1019
01:19:37,564 --> 01:19:42,777
OH, THAT'S SOME CODE I WAS SUPPOSED
TO BREAK, BUT I NEVER COULD DO IT.

1020
01:19:48,867 --> 01:19:51,577
THERE'S NO ONE.
WHAT?

1021
01:19:52,204 --> 01:19:53,496
THERE'S NO ONE.

1022
01:19:54,039 --> 01:19:57,374
"9-0-3-4-7-2-5-6-8."

1023
01:19:57,542 --> 01:19:59,418
IT'S ALL THE NUMBERS, BUT NO ONE.

1024
01:19:59,628 --> 01:20:02,797
HOW ABOUT THAT? NO ONES.

1025
01:20:03,048 --> 01:20:06,967
LITTLE MAN, COME ON.
WE HAVE TO GO. IT'S GETTING LATE.

1026
01:20:07,135 --> 01:20:09,428
CAN I STAY?
NO.

1027
01:20:09,596 --> 01:20:13,766
WE GOTTA GO. IT'S GETTING LATE.
I DON'T WANT TO.

1028
01:20:13,934 --> 01:20:16,936
WE HAVE TO. OKAY?

1029
01:20:17,103 --> 01:20:21,065
WERE YOU JUST GOING TO LET ME
SIT HERE AND EAT ALONE?

1030
01:20:24,736 --> 01:20:30,574
RAYMOND LOVES THIS BOAT, AND HE WAS
WONDERING IF HE COULD SPEND THE NIGHT.

1031
01:20:30,742 --> 01:20:34,578
YEAH, THERE'S A BERTH IN FRONT
YOU CAN BOTH SHARE.

1032
01:21:13,076 --> 01:21:15,661
YOU DON'T HAVE TO HIDE IT.

1033
01:21:39,686 --> 01:21:42,313
SHOW ME YOUR HEART.

1034
01:21:42,814 --> 01:21:44,899
SHOW ME.

1035
01:22:01,124 --> 01:22:04,668
SOMEBODY'S UP ON DECK.
WHAT'S WRONG?

1036
01:22:05,045 --> 01:22:08,672
I DON'T KNOW. SOMEBODY'S UP THERE.
RAYMOND.

1037
01:22:08,840 --> 01:22:12,134
NO, TOO HEAVY FOR HIM.

1038
01:22:41,665 --> 01:22:45,376
YOU SON OF A BITCH!
WHAT THE HELL IS GOING ON?

1039
01:22:45,919 --> 01:22:50,673
JESUS CHRIST! WE CAME BECAUSE THE
CAPTAIN WANTS YOU AT THE CRIME SCENE.

1040
01:22:51,049 --> 01:22:52,466
WHEN THIS IS OVER...

1041
01:22:53,385 --> 01:22:58,138
YOU BETTER GET AN ASS TRANSPLANT
BECAUSE I'LL TEAR YOU A NEW ONE!

1042
01:22:58,306 --> 01:23:00,057
DAMN, IT'S COLD.

1043
01:23:03,979 --> 01:23:05,479
OUT OF THE WAY, PLEASE.

1044
01:23:05,689 --> 01:23:09,400
THERE'S MCCALEB. MR. MCCALEB,
DID YOU THINK THIS WAS OVER?

1045
01:23:09,567 --> 01:23:13,404
I CAN'T COMMENT, I DON'T KNOW
ANYTHING ABOUT ANYTHING.

1046
01:23:14,739 --> 01:23:17,074
OH, NO.
WHAT?

1047
01:23:19,828 --> 01:23:22,788
THIS IS WHERE I HAD MY ATTACK.

1048
01:23:30,255 --> 01:23:32,464
LOCKRIDGE.

1049
01:23:33,091 --> 01:23:37,636
JAMES LOCKRIDGE, THE GUY WHO
FOUND CORDELL AT THE ATM MACHINE.

1050
01:23:37,971 --> 01:23:40,806
LOOKS LIKE YOUR CODE KILLER'S BACK.

1051
01:23:43,643 --> 01:23:48,272
HAPPY VALENTINE'S DAY.
WAY TO MAKE A COMEBACK.

1052
01:23:48,440 --> 01:23:51,942
SOME PEOPLE GET FLOWERS,
SOME PEOPLE GET CHOCOLATES.

1053
01:23:52,360 --> 01:23:54,778
YOU GET A DEAD GUY.

1054
01:24:00,160 --> 01:24:04,121
MR. MCCALEB.
DO YOU THINK IT'S THE CODE KILLER?

1055
01:24:12,297 --> 01:24:14,048
HEY!
WHAT'S GOING ON?

1056
01:24:18,970 --> 01:24:20,763
IT'S ALL RIGHT.

1057
01:24:32,901 --> 01:24:35,486
PAPER SAID SOMETHING YOU DIDN'T LIKE?

1058
01:24:38,281 --> 01:24:42,409
BALLISTICS WILL MATCH THIS SLUG
WITH THE ONE IN BOLOTOV'S MOUTH.

1059
01:24:42,577 --> 01:24:47,498
IT WAS THE CODE KILLER.
TORRES, CORDELL, BOLOTOV, ALL OF THEM.

1060
01:24:47,665 --> 01:24:49,541
WHAT DOES THAT MEAN?

1061
01:24:49,793 --> 01:24:55,005
I SHOT HIM TWO YEARS AGO. THE SLUG IN
BOLOTOV'S MOUTH IS THE ONE THAT HIT HIM.

1062
01:24:55,173 --> 01:24:57,091
NOW I'M BACK...

1063
01:24:57,300 --> 01:24:59,259
AND SO IS HE.

1064
01:24:59,427 --> 01:25:05,099
EVERY SECOND WE'RE TALKING, YOU COULD
BE TRYING TO GET THIS SON OF A BITCH.

1065
01:25:05,308 --> 01:25:07,851
WE GOT A LOT OF GOOD
PEOPLE OUT THERE.

1066
01:25:08,019 --> 01:25:09,019
YOU'RE RIGHT.

1067
01:25:09,187 --> 01:25:13,273
BETTER CHANCE OF BREAKING
THIS WITH YOU IN HERE.

1068
01:25:13,441 --> 01:25:17,027
FUCK YOU, BUREAU MAN!
ENOUGH OF THAT, DETECTIVE.

1069
01:25:17,237 --> 01:25:19,571
YES, SIR.
MCCALEB.

1070
01:25:20,323 --> 01:25:25,536
THIS CODE KILLER LIKES TO IMPRESS YOU.
ANY IDEA WHY?

1071
01:25:26,246 --> 01:25:29,289
I HAD A MEDIA PROFILE, SO DID HE.

1072
01:25:29,457 --> 01:25:33,794
I GUESS HE MISSED THE MATCHUP, ME
AND HIM ON THE NEWS EVERY NIGHT.

1073
01:25:33,962 --> 01:25:37,256
I THOUGHT ONCE THESE GUYS STARTED,
THEY DIDN'T STOP.

1074
01:25:37,423 --> 01:25:40,092
BUT YOUR CODIE'S BEEN
DOWN FOR TWO YEARS.

1075
01:25:40,260 --> 01:25:42,386
WHAT DO YOU MAKE OF THAT?

1076
01:25:42,554 --> 01:25:47,099
I DON'T KNOW. I SHOT HIM. I ALWAYS
FIGURED HE CRAWLED OFF AND DIED.

1077
01:25:47,267 --> 01:25:50,894
WHAT DO THE NUMBERS MEAN?
DON'T KNOW THAT EITHER.

1078
01:25:51,062 --> 01:25:55,983
WE RAN IT BY THE COMPUTERS AT CAL,
BY THE CODE BREAKERS AT THE NSA.

1079
01:25:56,151 --> 01:25:58,402
NOBODY COMES UP WITH ANYTHING.

1080
01:25:58,570 --> 01:25:59,611
EXCEPT...

1081
01:25:59,946 --> 01:26:02,406
EXCEPT WHAT?

1082
01:26:02,991 --> 01:26:05,159
THERE'S NO DIGIT NUMBER ONE.

1083
01:26:05,368 --> 01:26:08,495
NO ONE, WHATEVER THAT MIGHT MEAN.

1084
01:26:08,663 --> 01:26:11,874
GUYS, STEP OUT. GIVE US A MINUTE.

1085
01:26:18,256 --> 01:26:19,923
OKAY.

1086
01:26:20,091 --> 01:26:23,677
JUST COP TO COP, WHAT'S GOING ON HERE?

1087
01:26:23,887 --> 01:26:28,182
CORDELL, GLORIA TORRES...
HE DID THEM FOR ME.

1088
01:26:28,391 --> 01:26:31,518
KEEP TALKING UNTIL I UNDERSTAND.

1089
01:26:32,103 --> 01:26:34,938
HE MISSED THE ACTION. ME AND HIM.

1090
01:26:35,106 --> 01:26:38,984
IN ORDER TO GET IT BACK,
I NEEDED A NEW HEART, SO...

1091
01:26:39,152 --> 01:26:41,945
HAPPY VALENTINE'S DAY.

1092
01:26:42,447 --> 01:26:44,615
HOLY SHIT.

1093
01:26:44,782 --> 01:26:49,119
NOW THE LOVE LETTERS ARE GONNA START,
HOT AND HEAVY.

1094
01:26:55,543 --> 01:26:59,046
YOU MIGHT HAVE THE CAPTAIN FOOLED,
BUT NOT ME.

1095
01:26:59,214 --> 01:27:02,966
YOU GOT TORRES' HEART.
THAT MAKES YOU SUSPECT NUMBER ONE.

1096
01:27:03,134 --> 01:27:06,720
WHAT A WASTE OF A GOOD
MEXICAN'S HEART!

1097
01:27:08,848 --> 01:27:10,307
GET OUT OF HERE.

1098
01:27:16,981 --> 01:27:19,233
GRACIELLA?

1099
01:27:21,986 --> 01:27:23,987
RAYMOND?

1100
01:28:12,078 --> 01:28:16,373
HEY, TER!
WELCOME TO DAVY JONES' LOCKER.

1101
01:28:19,419 --> 01:28:21,920
HAVE YOU SEEN GRACIELLA AND RAYMOND?

1102
01:28:22,714 --> 01:28:26,883
THEY GOT TIRED OF WAITING FOR YOU.
THEY LEFT ABOUT AN HOUR AGO.

1103
01:28:29,387 --> 01:28:32,222
YOU'RE ALL OVER THE NEWS, BROTHER!

1104
01:28:39,063 --> 01:28:41,732
HOW LONG WE BEEN NEIGHBORS?

1105
01:28:41,899 --> 01:28:46,403
I DON'T KNOW. I MOVED INTO THE MARINA
ABOUT A WEEK AFTER YOU.

1106
01:28:54,078 --> 01:28:57,414
RAISE UP YOUR SHIRT.
WHAT?

1107
01:28:57,749 --> 01:29:00,042
RAISE IT UP.

1108
01:29:02,587 --> 01:29:04,796
NOW.

1109
01:29:17,935 --> 01:29:21,271
COME ON, TURN AROUND.

1110
01:29:27,820 --> 01:29:31,281
I'M THE FOLLOWING SEA, MAN.

1111
01:29:31,449 --> 01:29:34,326
I'M THE ONE YOU NEED TO WATCH OUT FOR.

1112
01:29:35,119 --> 01:29:37,871
WHEN DID YOU FIGURE IT OUT?

1113
01:29:40,333 --> 01:29:42,459
ON THE CHECK.

1114
01:29:43,961 --> 01:29:46,004
"NO ONE."

1115
01:29:46,964 --> 01:29:50,634
I HAD A LITTLE TROUBLE
WITH THE JASPER PART.

1116
01:29:52,011 --> 01:29:53,637
OH.

1117
01:29:55,640 --> 01:30:00,310
I COULD'VE KILLED YOU IF I WANTED TO.
I WAS BEHIND YOU AT THE ATM.

1118
01:30:00,478 --> 01:30:05,232
I FOLLOWED YOU TO KANG'S MARKET,
JUST LIKE I FOLLOWED GLORIA TORRES.

1119
01:30:05,400 --> 01:30:07,651
YOU SICK SON OF A BITCH.

1120
01:30:08,152 --> 01:30:10,904
I STUDIED HER. I CHOSE HER.

1121
01:30:11,114 --> 01:30:13,490
SHE WAS MY VALENTINE TO YOU.

1122
01:30:13,699 --> 01:30:15,409
I GAVE YOU LIFE.

1123
01:30:15,993 --> 01:30:17,702
WHAT ELSE YOU WANNA KNOW?

1124
01:30:17,870 --> 01:30:22,666
THAT NECKLACE BELONGED TO A GIRL
NAMED SUNNY. LOCKRIDGE'S WIFE.

1125
01:30:22,834 --> 01:30:26,044
WHEN SUNNY GETS BLUE,
I SLIT HER THROAT.

1126
01:30:28,339 --> 01:30:32,050
THERE'S A STORY FOR EVERY PIECE
OF CRAP ON THAT TRAY.

1127
01:30:32,218 --> 01:30:34,928
COME ON, MAN.
YOU'RE MINE FOREVER.

1128
01:30:35,138 --> 01:30:37,597
EVERY BREATH YOU TAKE BELONGS TO ME.

1129
01:30:37,765 --> 01:30:43,645
EVERY BEAT OF THAT STOLEN HEART IS
THE ECHO OF MY VOICE IN YOUR HEAD.

1130
01:30:44,230 --> 01:30:45,647
EVERY DAY.

1131
01:30:46,274 --> 01:30:47,774
ALWAYS.

1132
01:30:48,025 --> 01:30:52,362
IT DEPENDS ON YOU. PULL THAT TRIGGER,
YOU'LL NEVER SEE THEM AGAIN.

1133
01:30:52,530 --> 01:30:57,534
WHAT?
KILL ME, NO ONE WILL FIND THEM.

1134
01:30:57,702 --> 01:31:00,787
THEY WILL DIE. ALONE.

1135
01:31:00,955 --> 01:31:05,542
IN A BLACK HOLE.
AND THAT WILL BE ON YOU.

1136
01:31:06,878 --> 01:31:11,131
YOU KNOW ME. YOU KNOW I HAVE THEM.

1137
01:31:11,299 --> 01:31:15,552
WHAT DO YOU WANT?
I WANT YOU TO LIVE.

1138
01:31:15,761 --> 01:31:17,637
I WANT ME TO LIVE.

1139
01:31:17,805 --> 01:31:23,602
I WANT IT ALL TO START AGAIN, YOU KNOW,
THE BATTLE BETWEEN GOOD AND EVIL.

1140
01:31:24,312 --> 01:31:28,607
CAN'T YOU SEE I'VE BEEN GETTING YOU
BACK TO WHERE YOU NEED TO BE?

1141
01:31:29,192 --> 01:31:30,817
I'M NOT INTERESTED.

1142
01:31:30,985 --> 01:31:34,988
BULLSHIT. THAT DAY IN THE CAR,
WHAT DID YOU SAY YOU FELT?

1143
01:31:35,198 --> 01:31:36,823
WHAT WAS THE WORD?

1144
01:31:36,991 --> 01:31:41,495
YOU FELT "CONNECTED." SHIT.
I ALMOST CAME WHEN YOU SAID THAT.

1145
01:31:42,121 --> 01:31:45,248
BECAUSE THAT'S US, TERRY.
THAT'S YOU AND ME.

1146
01:31:45,416 --> 01:31:47,918
IT'S US. WE WERE MEANT TO BE.

1147
01:31:48,252 --> 01:31:52,088
WE'RE CAIN AND ABEL.
KENNEDY AND OSWALD.

1148
01:31:52,256 --> 01:31:56,092
WE ARE SHIT IN THE BOTTOM
OF SOMEBODY'S SHOE.

1149
01:32:02,934 --> 01:32:05,477
I HAVE TO LEAVE NOW.

1150
01:32:05,937 --> 01:32:08,730
AND YOU'RE NOT GONNA FOLLOW ME.

1151
01:32:08,981 --> 01:32:12,108
YOU'RE NOT GONNA SCRAPE ME OFF.

1152
01:32:15,279 --> 01:32:20,951
YOU'LL SIT BY THAT PAY PHONE AND WAIT
FOR ME TO CALL YOU FROM TIME TO TIME...

1153
01:32:21,118 --> 01:32:26,331
AND WHEN I'M RELOCATED AND READY,
I'LL LET GRACIELLA AND RAYMOND GO.

1154
01:32:26,499 --> 01:32:30,877
THEN YOU AND ME, WE CAN START AGAIN.

1155
01:32:33,172 --> 01:32:38,009
I HOPE YOU THINK OF ME
AS OFTEN AS I THINK OF YOU.

1156
01:32:42,848 --> 01:32:44,975
AH!

1157
01:32:49,355 --> 01:32:50,564
GOD. CRAZY!

1158
01:32:51,148 --> 01:32:53,650
CALL AN AMBULANCE!

1159
01:32:55,611 --> 01:32:58,405
YOU'RE GONNA TAKE ME TO THEM.

1160
01:33:02,827 --> 01:33:08,331
KEEP THAT TIGHT. THAT WILL PINCH THE
ARTERY, AND YOU WON'T BLEED TO DEATH.

1161
01:33:09,125 --> 01:33:13,503
NOW, SHOW ME.
OKAY.

1162
01:33:28,436 --> 01:33:31,521
WHAT'S IT LIKE HAVING A CHICK'S HEART?

1163
01:33:32,857 --> 01:33:34,774
YOU START WATCHING SOAPS?

1164
01:33:36,152 --> 01:33:39,112
GET CRANKY AT THE END OF THE MONTH?

1165
01:33:40,364 --> 01:33:44,159
HEAR SOME LOVE SONG ON THE RADIO,
YOU START CRYING?

1166
01:33:44,368 --> 01:33:48,330
PLUS IT'S A SPIC HEART.
SHE WAS A WETBACK.

1167
01:33:48,497 --> 01:33:53,501
YOU WAKE UP GOING, "GOTTA GET
ME SOME ENCHILADAS FOR THE CHOLITA."

1168
01:33:53,669 --> 01:33:55,670
SHUT UP!

1169
01:33:57,089 --> 01:34:00,425
WHEN THEY WERE GIRLS GOING
TO SUNDAY SCHOOL...

1170
01:34:00,593 --> 01:34:03,970
DO YOU THINK GLORIA TORRES
EVER THOUGHT THAT HER HEART...

1171
01:34:04,138 --> 01:34:10,185
WOULD BE PUMPING BLOOD THROUGH SOME
GUY THAT WAS BANGING HER SISTER?

1172
01:34:17,193 --> 01:34:19,736
YOU DON'T LOOK SO GOOD, TER.

1173
01:34:21,030 --> 01:34:24,407
YOU DON'T LOOK SO GOOD
YOURSELF THERE, BUDDY.

1174
01:34:39,715 --> 01:34:43,051
RAN AGROUND IN THAT STORM
LAST YEAR. REMEMBER?

1175
01:34:43,219 --> 01:34:46,930
SALVAGE COMPANY'S GONNA DEMO
IT NEXT WEEK.

1176
01:34:47,098 --> 01:34:50,183
TILL THEN, IT'S A PERFECT PRISON.

1177
01:34:50,434 --> 01:34:52,227
BETTER THAN ALCATRAZ.

1178
01:34:52,436 --> 01:34:55,230
MY LITTLE SHOP OF HORRORS.

1179
01:34:56,482 --> 01:34:58,942
JUST SO YOU KNOW...

1180
01:34:59,652 --> 01:35:02,946
I WOULD NEVER HURT THAT LITTLE BOY.

1181
01:35:03,114 --> 01:35:07,450
SEE, HE'S THE SAME BLOOD TYPE.
HE'S THE BACKUP.

1182
01:35:07,660 --> 01:35:10,954
IN CASE ANYTHING HAPPENS
TO HIS MOM'S HEART.

1183
01:35:34,603 --> 01:35:36,104
COME ON.

1184
01:35:36,272 --> 01:35:39,983
DO YOU THINK YOU HAVE A CHANCE?
WITH GRACIELLA?

1185
01:35:40,151 --> 01:35:41,985
YOU THINK SHE CAN LOVE YOU?

1186
01:35:42,153 --> 01:35:46,531
AFTER HER SISTER DIED FOR YOU?
THAT'S TOUGH FOR HER TO GET AROUND.

1187
01:35:46,699 --> 01:35:50,034
LET'S GO. LET'S GET GOING.

1188
01:35:54,498 --> 01:35:57,375
YOU CAN PUT THE BELT IN YOUR TEETH.

1189
01:36:05,801 --> 01:36:07,802
FOLLOW ME.

1190
01:37:02,358 --> 01:37:04,442
IN THERE.

1191
01:37:10,366 --> 01:37:13,701
THE KEY.
AH.

1192
01:37:52,616 --> 01:37:54,909
HEY.
HEY.

1193
01:37:55,119 --> 01:37:57,120
COME ON.

1194
01:37:57,413 --> 01:37:59,622
I KNEW YOU'D FIND US, TERRY.
YEAH, WELL.

1195
01:37:59,957 --> 01:38:04,752
HE MAY BE ON THE BOAT, BUT I'M NOT
SURE IF HE'S DEAD OR ALIVE. LET'S GO.

1196
01:39:13,530 --> 01:39:15,823
DID YOUR FATHER TEACH
YOU TO RUN A BOAT?

1197
01:39:15,991 --> 01:39:19,285
YEAH.
MY BOAT'S AT THE END OF THIS GANGWAY.

1198
01:39:19,453 --> 01:39:22,914
WAIT A FEW MINUTES,
THEN GO ON DOWN THERE.

1199
01:39:23,082 --> 01:39:25,667
USE THIS KNIFE TO CUT THE LINES.

1200
01:39:25,834 --> 01:39:29,921
BACK OFF ABOUT 100 YARDS OR MORE
AND WAIT TILL I CALL YOU.

1201
01:39:30,255 --> 01:39:32,048
ALL RIGHT?
YEAH.

1202
01:39:32,341 --> 01:39:36,511
IF I DON'T CALL YOU IN A HALF-HOUR,
GET THE HELL OUT OF HERE.

1203
01:39:37,846 --> 01:39:40,390
OKAY. GET GOING.

1204
01:39:40,849 --> 01:39:43,851
LET'S GO. COME ON, HONEY.

1205
01:39:48,899 --> 01:39:52,068
I'M SAD, TERRY!

1206
01:40:55,841 --> 01:40:58,843
GET INSIDE. HURRY UP.

1207
01:42:17,464 --> 01:42:19,632
GET DOWN BELOW, RAYMOND!

1208
01:42:58,088 --> 01:43:02,049
COME ON, MAN.

1209
01:43:02,426 --> 01:43:03,926
WE'RE CONNECTED.

1210
01:43:04,469 --> 01:43:07,013
THINK OF WHAT YOU'RE DOING.

1211
01:43:07,723 --> 01:43:09,515
YOU NEED ME.

1212
01:43:10,559 --> 01:43:12,727
NO, BUDDY.

1213
01:43:12,936 --> 01:43:17,690
REMEMBER HOW YOU SAID I WAS YOUR
FRIEND AND I COULD TELL YOU THE TRUTH?

1214
01:43:18,817 --> 01:43:21,986
WELL, I DON'T NEED YOU AT ALL.

1215
01:43:36,001 --> 01:43:38,127
TEN RING.

1216
01:43:45,344 --> 01:43:48,137
I SAVED YOU.

1217
01:44:06,657 --> 01:44:09,450
RIGHT NEXT TO YOU THE WHOLE TIME.
YEAH.

1218
01:44:09,618 --> 01:44:10,952
YOU OKAY?

1219
01:44:11,119 --> 01:44:14,872
YEAH, I'M OKAY.
NEVER FELT BETTER.

1220
01:44:15,040 --> 01:44:17,500
YOU GOT HIS ASS.

1221
01:44:17,668 --> 01:44:20,503
YEAH, THERE'S "NO ONE" ANYMORE.

1222
01:44:20,671 --> 01:44:25,132
GIVE ME A DAY TO CATCH MY BREATH,
I'LL WRITE YOU A FULL REPORT.

1223
01:44:25,300 --> 01:44:27,468
I WANT TO SEE IT.

1224
01:44:27,636 --> 01:44:29,053
TWO OF THEM OKAY?

1225
01:44:29,221 --> 01:44:31,639
YEAH, IF EVERYONE WILL
LEAVE THEM ALONE...

1226
01:44:31,807 --> 01:44:34,308
NOT GET THEM ANYMORE INVOLVED.

1227
01:44:34,518 --> 01:44:38,145
I'LL SEE WHAT I CAN DO ABOUT THAT.
THAT'S A PAL.

1228
01:44:38,313 --> 01:44:41,524
HOW ARE YOU PLANNING
TO DEAL WITH ALL THIS?

1229
01:44:45,028 --> 01:44:47,655
WELL, I'VE GOT GLORIA TORRES' HEART.

1230
01:44:47,823 --> 01:44:50,324
I'LL PROBABLY JUST LET THAT GUIDE ME.

1231
01:44:51,243 --> 01:44:54,537
YOU GOT ANYONE, JAYE?
EXCUSE ME?

1232
01:44:55,831 --> 01:44:58,582
POLICE WORK CAN GET
KIND OF HEAVY ON YOU.

1233
01:44:58,750 --> 01:45:01,335
YOU GOT ANYONE AT HOME?

1234
01:45:06,675 --> 01:45:10,344
YEAH, I GOT SOMEONE.

1235
01:45:11,096 --> 01:45:12,680
GOOD.

1236
01:45:12,848 --> 01:45:14,181
MCCALEB!

1237
01:45:14,349 --> 01:45:18,227
THAT'S IT! I'M SICK AND TIRED OF YOUR
GRANDSTANDING BULLSHIT!

1238
01:45:18,395 --> 01:45:19,995
YOU'RE OUT OF YOUR JURISDICTION.

1239
01:45:20,147 --> 01:45:26,652
MAYBE. BUT BECAUSE YOU GOT A MEXICAN'S
HEART, IT DON'T MAKE YOU ONE OF US!

1240
01:45:27,696 --> 01:45:29,655
ARRANGO?

1241
01:45:30,073 --> 01:45:34,869
NEXT TIME YOU COME AROUND THIS DOCK,
THIS MEXICAN WILL KICK YOUR ASS.

1242
01:45:35,078 --> 01:45:38,873
WHAT? YOU'RE OUT OF YOUR
GODDAMN MIND!

1243
01:45:41,585 --> 01:45:44,045
ALL MY LIFE, I'VE HAD THE SHITTY JOBS.

1244
01:45:44,212 --> 01:45:46,839
YOU GOT HIM TALKING TO HIMSELF.

1245
01:45:48,133 --> 01:45:50,885
I DIDN'T EVEN KNOW HE SPOKE SPANISH.

1246
01:45:57,434 --> 01:46:01,020
POOR BABY, HE'S BEEN
AT THIS ALL MORNING.

1247
01:46:04,733 --> 01:46:09,111
I WISH I COULD GET A BIG, FAT MARLIN
AND PUT IT ON HIS LINE.