1 00:00:05,000 --> 00:00:15,000 2 00:00:05,000 --> 00:00:15,000 3 00:02:52,214 --> 00:02:54,797 I am 21 years old. 4 00:02:54,800 --> 00:02:56,211 I am a pin-up model. 5 00:02:58,470 --> 00:03:00,928 I work with a photographer 6 00:03:01,098 --> 00:03:03,761 and he said that's Universal 7 00:03:03,934 --> 00:03:06,642 or UI, like the one called 8 00:03:06,645 --> 00:03:09,809 is looking for someone to pose in a film. 9 00:03:09,815 --> 00:03:13,354 So I called and made an appointment. 10 00:03:13,568 --> 00:03:17,107 I went and talked to Mr. Hitchcock 11 00:03:17,280 --> 00:03:19,863 and basically has to take off. 12 00:03:20,033 --> 00:03:22,116 It's dressed again and then 13 00:03:22,119 --> 00:03:24,657 interviewed by, uh, Janet Leigh 14 00:03:24,663 --> 00:03:26,529 and I have to strip it for him too. 15 00:03:26,707 --> 00:03:29,541 Well, only in me pants, but anyway .. 16 00:03:29,710 --> 00:03:33,750 My body is very -like. So I was hired. 17 00:03:33,922 --> 00:03:35,538 I have to report for makeup 18 00:03:35,549 --> 00:03:38,041 I don't know, one or two days later 19 00:03:38,051 --> 00:03:40,293 and there the red light is on 20 00:03:40,470 --> 00:03:42,883 and "Not entered" and all of this. 21 00:03:43,056 --> 00:03:45,719 And I thought, "Oh, God. You know, these are expecting for strippers." 22 00:03:45,892 --> 00:03:48,851 I'm not enough really naked. 23 00:03:49,020 --> 00:03:52,229 I have, uh, what we call patch crotch. 24 00:03:52,399 --> 00:03:55,642 During shooting with shower 25 00:03:55,819 --> 00:03:57,355 leave and everything 26 00:03:57,362 --> 00:03:58,398 it will release. 27 00:03:58,613 --> 00:03:59,854 I told Hitchcock, I say 28 00:04:00,031 --> 00:04:01,897 "Why don't we take this item?" 29 00:04:02,075 --> 00:04:03,177 And he said, "No. No." 30 00:04:03,201 --> 00:04:06,035 All the time She's wearing a suit 31 00:04:06,037 --> 00:04:08,029 black tie, white shirt. 32 00:04:08,206 --> 00:04:10,539 I am employed for two or three days 33 00:04:10,542 --> 00:04:13,285 and finally work for seven. 34 00:04:13,295 --> 00:04:15,582 This is amazing it took a long time 35 00:04:17,257 --> 00:04:19,715 to do it p... one particular scene 36 00:04:19,718 --> 00:04:21,801 because it's about one third of what 37 00:04:22,012 --> 00:04:24,345 38 00:04:24,347 --> 00:04:26,339 Janet Leigh has to work for the film. 39 00:04:26,349 --> 00:04:28,841 There are 78 pieces of film 40 00:04:28,852 --> 00:04:31,720 in about 45 seconds. 41 00:04:31,730 --> 00:04:34,393 Spend seven days in a small set 42 00:04:34,399 --> 00:04:36,231 shoot, you know, like a short scene 43 00:04:36,401 --> 00:04:38,108 quite a lot is unheard of. 44 00:04:38,111 --> 00:04:39,272 Generally today, You're lucky 45 00:04:39,279 --> 00:04:40,986 if you get it One day to kill someone. 46 00:04:40,989 --> 00:04:42,321 Oh, that's definitely an obsession. 47 00:04:42,491 --> 00:04:44,323 You shoot it seven day trip 48 00:04:44,326 --> 00:04:46,363 it's absolute an obsession. 49 00:04:46,369 --> 00:04:48,656 Think of Hitchcock to film this murder 50 00:04:48,830 --> 00:04:50,308 separate from the others this film 51 00:04:50,332 --> 00:04:51,948 which means that way 52 00:04:52,125 --> 00:04:54,367 the murder now will become 53 00:04:54,377 --> 00:04:57,370 accepted part of entertainment. 54 00:04:57,547 --> 00:04:59,709 There is violence in American films 55 00:04:59,716 --> 00:05:01,673 but there's nothing like "Psycho." 56 00:05:01,676 --> 00:05:04,635 Nothing intimate, nothing is designed 57 00:05:04,638 --> 00:05:07,551 no it kind of without mercy. 58 00:05:07,724 --> 00:05:09,886 I think he knows what is in his hand. 59 00:05:10,060 --> 00:05:11,722 And he might feel like 60 00:05:11,895 --> 00:05:14,182 the entire movie depends on that moment 61 00:05:14,189 --> 00:05:16,021 it's this difficult moment. 62 00:05:16,191 --> 00:05:18,729 You should have seen blood. 63 00:05:18,902 --> 00:05:21,394 All in all, the whole place... 64 00:05:21,571 --> 00:05:22,903 Well, is too terrible to describe. Terrible. 65 00:05:23,073 --> 00:05:25,110 That, I think is the first modern... 66 00:05:25,283 --> 00:05:28,492 ... expression of... 67 00:05:30,080 --> 00:05:32,288 ... female body under attack. 68 00:05:32,290 --> 00:05:34,407 And in some cases 69 00:05:34,626 --> 00:05:36,037 that's the most pure expression. 70 00:05:36,211 --> 00:05:38,328 Because it destroys. 71 00:05:38,338 --> 00:05:41,877 Women have the highest bills in the 30s and 20s. 72 00:05:42,092 --> 00:05:46,837 And it's slowly evaporating in the forties. 73 00:05:46,847 --> 00:05:49,430 74 00:05:49,641 --> 00:05:51,678 And when we arrived until the end of the 50s 75 00:05:51,685 --> 00:05:54,018 the woman, you know, secondary in the film. 76 00:05:54,187 --> 00:05:56,019 And Hitch, sort of, that's what the film did 77 00:05:56,022 --> 00:05:57,809 by the way, say that 78 00:05:57,816 --> 00:05:59,182 he killed Woman. 79 00:05:59,359 --> 00:06:01,351 And that's really the first A movie to deal with with this type 80 00:06:01,528 --> 00:06:03,110 horror, rubbish, tabloid things. 81 00:06:03,280 --> 00:06:06,023 No one wants to make it 82 00:06:06,241 --> 00:06:07,698 and they leave, "Are you crazy? " You just did it "North by Northwest" 83 00:06:07,701 --> 00:06:09,158 "This extraordinary blow 84 00:06:09,327 --> 00:06:10,158 " Now you want to do it It's like 85 00:06:10,328 --> 00:06:11,535 "black and white, what is this ?" 86 00:06:11,538 --> 00:06:12,658 I just created a film 87 00:06:12,706 --> 00:06:14,493 "North By Northwest." 88 00:06:14,499 --> 00:06:17,458 "North by Northwest" like 89 00:06:17,460 --> 00:06:19,452 highest achievement in... at each level. 90 00:06:19,629 --> 00:06:21,040 91 00:06:21,256 --> 00:06:24,374 92 00:06:24,593 --> 00:06:26,380 It's great entertainment, it's classy 93 00:06:26,553 --> 00:06:28,966 It has a movie star, and that, You know, that, that 94 00:06:29,139 --> 00:06:30,300 beautiful, is colorful. 95 00:06:30,515 --> 00:06:32,677 So, a... how are you follow that 96 00:06:32,684 --> 00:06:33,720 with a joke? 97 00:06:33,894 --> 00:06:35,806 I once made a film, eh 98 00:06:35,979 --> 00:06:38,471 not tongue-in-cheek, called "Psycho." 99 00:06:38,648 --> 00:06:39,855 - Yes. - That is... 100 00:06:39,858 --> 00:06:41,941 That, that's a big joke, do you know? 101 00:06:42,152 --> 00:06:43,392 And I'm horrified to find it 102 00:06:43,486 --> 00:06:45,148 some people take it seriously. 103 00:06:45,322 --> 00:06:47,439 It's meant causes people 104 00:06:47,616 --> 00:06:50,233 shouting and shouting And so on 105 00:06:50,452 --> 00:06:52,785 uh, but nothing more than that yells and shouts 106 00:06:52,996 --> 00:06:55,079 on the switchback train. 107 00:06:55,081 --> 00:06:58,995 For those of us who work in horror genres, they rarely wear tuxedos. 108 00:06:59,002 --> 00:07:01,745 This is not the film wears a tuxedo too. 109 00:07:01,755 --> 00:07:05,089 This is a very good movie lots of jeans and T-shirts. 110 00:07:05,091 --> 00:07:08,380 But it's told by a man who wears a tuxedo. 111 00:07:08,386 --> 00:07:10,469 He wants to stray outside his comfort zone. 112 00:07:10,639 --> 00:07:11,925 One of the things he's ready 113 00:07:12,140 --> 00:07:14,223 "You don't know me at all." 114 00:07:14,392 --> 00:07:17,385 And that's what "Psycho" is actually about. 115 00:07:17,562 --> 00:07:19,144 What attracted you for this one? 116 00:07:21,399 --> 00:07:24,483 I think the murder was in the bathtub. 117 00:07:24,694 --> 00:07:25,935 Come suddenly 118 00:07:26,112 --> 00:07:30,072 you know, is about all. 119 00:07:30,075 --> 00:07:34,035 Hitchcock is very, very aware of the competition. 120 00:07:34,037 --> 00:07:37,280 He realized that Clouzot had done a kind of film 121 00:07:37,290 --> 00:07:40,283 that he feels that he should be and can be made. 122 00:07:40,502 --> 00:07:43,370 And of course, when criticism starts 123 00:07:43,380 --> 00:07:45,793 call Clouzot "The Hitchcock France .." 124 00:07:45,966 --> 00:07:48,458 Well, you attack the territory 125 00:07:48,635 --> 00:07:50,251 and him, believe me, he noticed. 126 00:07:50,428 --> 00:07:51,839 "Psycho" really at that time 127 00:07:51,846 --> 00:07:53,462 where the gloves are released. 128 00:07:53,473 --> 00:07:55,385 It feels like revenge Hitch 129 00:07:55,600 --> 00:07:57,637 in Hollywood to some extent. 130 00:07:57,811 --> 00:08:00,929 In many levels, this is, um, the masterpiece. 131 00:08:01,106 --> 00:08:04,474 I... continue to feel like, the movie is an act of aggression 132 00:08:04,693 --> 00:08:07,436 against his fans, his critics, actors. 133 00:08:07,612 --> 00:08:09,569 - Yes - That, just feeling angry. 134 00:08:09,739 --> 00:08:12,447 Like, he got hurt and he has back pain. 135 00:08:12,450 --> 00:08:14,282 Sudden violence from the bathing scene 136 00:08:14,452 --> 00:08:17,695 in "Psycho" means to him 137 00:08:17,872 --> 00:08:20,706 for reasons dated back you know, 20 years 138 00:08:20,875 --> 00:08:23,458 to origins World War II. 139 00:08:23,628 --> 00:08:27,087 Think Hitchcock is English 140 00:08:27,298 --> 00:08:31,212 and the United States is not sufficiently prepared 141 00:08:31,428 --> 00:08:35,342 for danger and the horrors of World War II. 142 00:08:35,557 --> 00:08:39,346 There are a few moments in the films that talk about it. 143 00:08:39,519 --> 00:08:41,226 You can hear bombs falling on the streets and houses. Don't take me out. 144 00:08:41,229 --> 00:08:43,016 Wait a minute, this is a big story and you are part of it. 145 00:08:43,189 --> 00:08:45,932 It's too late to do anything here now 146 00:08:46,109 --> 00:08:47,549 except standing in the dark and let them come. 147 00:08:47,652 --> 00:08:49,564 What's the problem with us? 148 00:08:49,738 --> 00:08:52,446 We don't just let the Nazis do our oars for us but our thoughts! 149 00:08:52,449 --> 00:08:54,361 Ye Gods and little fish! 150 00:08:54,367 --> 00:08:56,529 One of them is "Doubtful Shadow" 151 00:08:56,536 --> 00:08:58,493 only about one year and half 152 00:08:58,663 --> 00:09:00,780 after Pearl Harbor 153 00:09:00,790 --> 00:09:01,951 set in Santa Rosa in California. 154 00:09:02,125 --> 00:09:03,536 You can see how in that movie 155 00:09:03,543 --> 00:09:06,286 he is rather punishing 156 00:09:06,296 --> 00:09:07,753 this city because it's naive. 157 00:09:07,756 --> 00:09:09,839 158 00:09:10,008 --> 00:09:13,547 159 00:09:13,553 --> 00:09:14,669 You live in a dream. 160 00:09:14,679 --> 00:09:16,921 You are a sleeper, blind. 161 00:09:17,098 --> 00:09:19,465 How do you know what the world is like? 162 00:09:19,642 --> 00:09:22,760 Do you know the world is cached? 163 00:09:22,937 --> 00:09:24,974 Do you know if you are torn front off home 164 00:09:25,148 --> 00:09:26,684 Will you find a pig? 165 00:09:26,858 --> 00:09:27,974 He basically said 166 00:09:27,984 --> 00:09:31,068 "America, You are too naive. " You think you are safe in your bathroom, at home 167 00:09:31,237 --> 00:09:34,196 "with, you know, your family and the closest loved ones? 168 00:09:34,365 --> 00:09:37,324 No, not you. Sorry." 169 00:09:37,494 --> 00:09:40,612 Hitchcock has many obsessions 170 00:09:40,789 --> 00:09:42,451 but one of them is that he was talked about with "The Birds" 171 00:09:42,624 --> 00:09:44,704 is randomness life. 172 00:09:44,834 --> 00:09:45,995 There is no explanation for birds that attack. 173 00:09:46,169 --> 00:09:49,333 For him it's life. 174 00:09:49,339 --> 00:09:51,046 You are there, everything is fine and then 175 00:09:51,216 --> 00:09:53,082 176 00:09:53,259 --> 00:09:54,904 someone has cancer and they die two weeks later. 177 00:09:54,928 --> 00:09:58,012 Or your life is good and then You got hit by a bus. 178 00:09:58,223 --> 00:10:01,512 Hitchcock is someone who, for several years now 179 00:10:01,684 --> 00:10:05,803 appeared on people's TV, on Sunday night. 180 00:10:05,980 --> 00:10:09,189 Victims fall or fall with terrible money. 181 00:10:09,192 --> 00:10:12,185 I think the back broke immediately it touched the floor. 182 00:10:12,403 --> 00:10:14,440 That's difficult to describe 183 00:10:14,447 --> 00:10:16,063 that way,... 184 00:10:16,074 --> 00:10:17,781 He is an icon. 185 00:10:17,784 --> 00:10:19,696 She's like this 186 00:10:19,869 --> 00:10:23,328 like uncle, but a creepy man 187 00:10:23,498 --> 00:10:28,163 who presents sex and violence against Americans fermented with black humor, every Sunday night. 188 00:10:28,336 --> 00:10:31,670 And Americans feel comfortable with him in 1960. 189 00:10:31,840 --> 00:10:35,880 If someone else has made "Psycho" 190 00:10:36,052 --> 00:10:38,715 it's very possible that the reaction is 191 00:10:38,888 --> 00:10:40,129 192 00:10:40,140 --> 00:10:42,132 will not be the same. 193 00:10:42,142 --> 00:10:45,977 "Psycho" comes at a very unique time in American pop culture. 194 00:10:45,979 --> 00:10:49,347 Almost pre-date turmoil and shocks 195 00:10:49,524 --> 00:10:51,265 and upcoming trauma 196 00:10:51,442 --> 00:10:53,559 in the 1960s with racial violence 197 00:10:53,736 --> 00:10:56,353 with politics murder. 198 00:10:56,573 --> 00:10:59,065 I didn't say that Hitchcock anticipated that 199 00:10:59,242 --> 00:11:01,029 and know what he did. 200 00:11:01,035 --> 00:11:02,617 But what he knows is he stuck by his past that is not the time for again for Grace Kelly. 201 00:11:02,620 --> 00:11:07,081 That's not the time for 202 00:11:07,083 --> 00:11:09,746 what he calls "Beautiful technicolor knick-knacks." 203 00:11:09,919 --> 00:11:12,377 When you see in "Psycho" 204 00:11:12,547 --> 00:11:16,336 and you see that is beautiful 205 00:11:16,342 --> 00:11:18,083 elegant, big, rich 206 00:11:18,094 --> 00:11:20,507 technicolor films from the fifties 207 00:11:20,722 --> 00:11:22,759 You know something that changes. 208 00:11:22,932 --> 00:11:26,050 209 00:11:26,227 --> 00:11:29,061 210 00:11:29,230 --> 00:11:31,017 I think it's "Psycho & apos; is the response the movie changes 211 00:11:31,024 --> 00:11:34,517 and to increase the bet 212 00:11:34,527 --> 00:11:37,270 and doesn't want to be forgotten. 213 00:11:37,488 --> 00:11:40,026 The year 1959 is that year of" Some Like it Hot. " 214 00:11:40,200 --> 00:11:44,285 " Suddenly, Last Summer, " and" Anatomy of Murder. " 215 00:11:44,454 --> 00:11:48,744 The three films push the boundary. 216 00:11:48,750 --> 00:11:52,243 So, there is something in the air, culturally 217 00:11:52,253 --> 00:11:56,167 Hollywood has entered. 218 00:11:56,341 --> 00:11:58,674 "Psycho" out in this period 219 00:12:03,932 --> 00:12:05,548 where we posted atomic age 220 00:12:05,767 --> 00:12:07,679 but pre-civil rights. 221 00:12:07,685 --> 00:12:09,972 You know, if you think about it creepy Violence they are science is wrong 222 00:12:11,898 --> 00:12:12,684 but you don't feel like that it will happen to you. 223 00:12:12,690 --> 00:12:15,057 "Psycho" You feel can happen to you. 224 00:12:15,068 --> 00:12:18,061 This is the first movie it shows, huh 225 00:12:18,279 --> 00:12:20,679 226 00:12:21,950 --> 00:12:23,782 227 00:12:23,952 --> 00:12:25,614 228 00:12:25,828 --> 00:12:29,287 You can be vulnerable, naked, alone in the bathroom 229 00:12:29,457 --> 00:12:31,949 and someone wearing clothing 230 00:12:31,960 --> 00:12:33,667 from their dead mother will go 231 00:12:33,670 --> 00:12:35,377 to enter and only stab you 232 00:12:35,380 --> 00:12:37,497 that's why they will do it. 233 00:12:39,634 --> 00:12:43,048 Americans are good obsessed with households. 234 00:12:43,221 --> 00:12:45,804 They want to say to themselves 235 00:12:45,974 --> 00:12:48,933 in their personal person domestic space 236 00:12:49,143 --> 00:12:51,260 at least there they are safe. 237 00:12:51,271 --> 00:12:53,388 The Soviet and anyone 238 00:12:53,398 --> 00:12:55,685 they might not arrive at you 239 00:12:55,900 --> 00:12:57,311 in your bathroom! 240 00:12:57,527 --> 00:12:58,938 A few days after "Psycho" 241 00:13:00,321 --> 00:13:03,189 started shooting in November 1959 242 00:13:03,199 --> 00:13:07,068 the Clutter family in Kansas was killed. 243 00:13:07,078 --> 00:13:10,242 That is Murder "In Cold Blood". 244 00:13:10,248 --> 00:13:12,285 You're not staying next door 245 00:13:12,500 --> 00:13:13,786 246 00:13:13,960 --> 00:13:16,043 to Norman Rockwell family again. 247 00:13:16,045 --> 00:13:17,805 You live in the next house to the Manson family. 248 00:13:17,880 --> 00:13:20,088 This is new, modern American family 249 00:13:20,091 --> 00:13:21,957 which is v... very inspired 250 00:13:21,968 --> 00:13:23,529 Tobe Hooper "The Texas Chainsaw Massacre." 251 00:13:28,683 --> 00:13:33,178 The first Playboy club opens in Chicago. 252 00:13:33,354 --> 00:13:36,222 The most famous star sitcom 253 00:13:36,232 --> 00:13:37,848 1950s 254 00:13:38,026 --> 00:13:42,270 Lucille Ball and Ricky Ricardo are divorced. 255 00:13:42,447 --> 00:13:46,566 Birth control pills are approved by the FDA. 256 00:13:46,743 --> 00:13:48,063 You can see in the bathroom 257 00:13:48,119 --> 00:13:50,486 because of this tension buildup of all of these things 258 00:13:50,496 --> 00:13:52,078 all of this American fears 259 00:13:52,248 --> 00:13:54,456 inside, from the quiet 50s. 260 00:13:54,625 --> 00:13:55,866 This... everything will explode 261 00:13:56,044 --> 00:13:57,706 and it comes out in this scene. 262 00:14:09,932 --> 00:14:13,266 While I am at the critic list in New York for review. 263 00:14:13,436 --> 00:14:17,146 Press all invited to the cinema 264 00:14:17,148 --> 00:14:20,562 that day opens at 10:00 or 10:30 a.m. 265 00:14:20,735 --> 00:14:22,192 with the first show. 266 00:14:22,362 --> 00:14:25,275 When you enter, Hitchcock's voice is 267 00:14:25,281 --> 00:14:28,149 blaring on the loudspeaker that says 268 00:14:28,326 --> 00:14:31,569 "Nothing is permitted after the image starts 269 00:14:31,788 --> 00:14:34,622 and please don't reveal finally." 270 00:14:34,791 --> 00:14:37,829 Before "Psycho," You know, movies for 271 00:14:37,835 --> 00:14:40,578 as a form of entertainment is relatively disposable. 272 00:14:40,588 --> 00:14:42,955 Something extraordinary, compared to today 273 00:14:43,132 --> 00:14:46,091 incredible arrivals and went in the cinema. 274 00:14:46,260 --> 00:14:50,550 And Hitchcock is brilliant said we don't want 275 00:14:50,556 --> 00:14:53,924 whoever comes after the beginning of this film. 276 00:14:54,102 --> 00:14:57,266 That changes the way film is exhibited. 277 00:14:57,271 --> 00:15:00,480 The reason is because of the leading woman, Janet Leigh killed one third from the road through 278 00:15:00,650 --> 00:15:02,858 I don't want people to whisper to one another 279 00:15:03,027 --> 00:15:05,360 280 00:15:05,530 --> 00:15:07,567 "When did Janet Leigh come?" 281 00:15:09,117 --> 00:15:11,734 He wants to build anticipation. 282 00:15:11,911 --> 00:15:14,119 Bathroom. 283 00:15:14,330 --> 00:15:17,198 Something terrible happened in the bathroom. 284 00:15:17,375 --> 00:15:18,866 We know this from the trailer. 285 00:15:18,876 --> 00:15:20,020 We don't know it's Janet Leigh 286 00:15:20,044 --> 00:15:22,036 therefore Vera Miles in the trailer 287 00:15:22,213 --> 00:15:23,875 and not Janet Leigh. 288 00:15:26,259 --> 00:15:28,467 Minutes curtains open 289 00:15:28,636 --> 00:15:31,549 and start stabbing 290 00:15:31,722 --> 00:15:36,342 there is, there is a continuous scream from the audience. 291 00:15:36,352 --> 00:15:37,352 Like that, contra... you, uh, you can't hear 292 00:15:39,230 --> 00:15:41,722 whatever from the soundtrack 293 00:15:41,732 --> 00:15:43,724 through the whole bathing scene. 294 00:15:43,734 --> 00:15:47,068 So, you have a scream from Janet Leigh 295 00:15:47,071 --> 00:15:48,903 screams from all women 296 00:15:48,906 --> 00:15:50,317 surround you in the theater 297 00:15:50,491 --> 00:15:52,403 and screaming high strings from Herrmann. 298 00:15:52,577 --> 00:15:54,337 That's definitely total chaos. 299 00:15:54,370 --> 00:15:57,534 300 00:15:57,540 --> 00:16:01,159 That's actually the first time in film history where it's not safe in theaters. 301 00:16:01,335 --> 00:16:04,123 And when I walked out to Times Square 302 00:16:04,338 --> 00:16:06,876 during the day... 303 00:16:07,049 --> 00:16:08,961 ... I feel I have been raped. 304 00:16:09,135 --> 00:16:10,671 In 1895, when Lumiere Brothers 305 00:16:15,183 --> 00:16:17,891 the first really shows the movie for the audience 306 00:16:18,060 --> 00:16:22,555 one of the fragments they showed it 307 00:16:22,773 --> 00:16:24,605 from the attractive train becomes a station. 308 00:16:24,609 --> 00:16:28,774 And that, legend has it 309 00:16:28,779 --> 00:16:30,315 they thought the train would hit them 310 00:16:30,323 --> 00:16:31,842 and they shouted and it was like 311 00:16:31,866 --> 00:16:33,949 cause... a step on people 312 00:16:33,951 --> 00:16:35,192 trying to evacuate this 313 00:16:35,369 --> 00:16:36,780 this room that it is filtered. 314 00:16:36,787 --> 00:16:38,119 They don't, they don't understand the concept. 315 00:16:38,289 --> 00:16:41,032 You know, "Psycho" came 316 00:16:41,209 --> 00:16:42,369 and have a similar type of impact. 317 00:16:42,418 --> 00:16:44,876 318 00:16:45,046 --> 00:16:46,708 This is the only movie in my childhood that my mother won't let me go and see. 319 00:16:46,881 --> 00:16:48,998 That's good silly because I see there is nothing but horror movies 320 00:16:49,008 --> 00:16:50,590 every weekend, two of them, actually. 321 00:16:50,593 --> 00:16:52,960 But "Psiko?" No, I can't leave. 322 00:16:53,137 --> 00:16:55,675 When I was a child I will hear about it 323 00:16:55,848 --> 00:16:58,966 I think the name is a cycle. 324 00:16:58,976 --> 00:17:00,245 Like that about some people killers on motorbikes. 325 00:17:00,269 --> 00:17:01,389 But, um, I really, get this Super 8 version 326 00:17:01,479 --> 00:17:03,391 and only, like, keep running the movie ends and again. 327 00:17:03,606 --> 00:17:06,974 When the audience saw this 328 00:17:06,984 --> 00:17:09,021 very pleasant character. 329 00:17:09,028 --> 00:17:10,439 Someone who is quite familiar with in terms of, I need more money 330 00:17:12,323 --> 00:17:15,031 331 00:17:15,034 --> 00:17:17,026 332 00:17:17,203 --> 00:17:21,197 333 00:17:21,207 --> 00:17:24,791 I'm getting older, the man I love will not marry me. 334 00:17:24,961 --> 00:17:26,121 They, they are really addicted. 335 00:17:26,254 --> 00:17:29,213 Oh, Sam, Let's get married. 336 00:17:33,511 --> 00:17:36,049 Yes, and live with me in the warehouse 337 00:17:36,222 --> 00:17:38,384 behind the hardware store at Fairvale. 338 00:17:38,391 --> 00:17:39,757 We will have a lot of laughter. 339 00:17:39,934 --> 00:17:41,971 "Of course he went to survive in the film! 340 00:17:42,144 --> 00:17:44,261 That's Janet Leigh." 341 00:17:44,480 --> 00:17:46,847 Instead, he is taking a shower. 342 00:17:46,857 --> 00:17:49,224 From nowhere, he's killed 343 00:17:49,443 --> 00:17:52,436 by... an old woman? 344 00:17:52,613 --> 00:17:54,229 Who can't even see? 345 00:17:54,448 --> 00:17:56,735 What is this going on here? 346 00:17:56,951 --> 00:18:00,911 He has ruined the agreement of filmmakers and viewers and the audience can't wait to see more. 347 00:18:01,122 --> 00:18:04,741 He used to be a respected director and you know, he's a bona fide movie star 348 00:18:04,750 --> 00:18:07,538 349 00:18:07,712 --> 00:18:11,331 350 00:18:11,340 --> 00:18:14,048 and I think you like that into sensation 351 00:18:14,051 --> 00:18:17,340 from that maybe shockwave 352 00:18:17,513 --> 00:18:19,721 clear happens. 353 00:18:19,724 --> 00:18:22,182 And I think at that time gave a signal 354 00:18:22,351 --> 00:18:23,887 new American cinema. 355 00:18:24,061 --> 00:18:25,973 Maybe a new world cinema, in a certain way. 356 00:18:26,188 --> 00:18:27,874 Now I don't know that has ever been done. 357 00:18:27,898 --> 00:18:29,434 - Right. - Uh, you know, uh... 358 00:18:29,609 --> 00:18:32,192 Or maybe there are some Czechoslovakia films that aren't clear who did it and there was a man like... 359 00:18:32,194 --> 00:18:33,059 - I did it first! - Yes 360 00:18:35,114 --> 00:18:36,776 I can think of it has culturally made us 361 00:18:36,991 --> 00:18:39,108 thinking about that structure for example 362 00:18:39,285 --> 00:18:41,026 um, first season "Game of Thrones" 363 00:18:41,245 --> 00:18:43,362 where we are the most interesting 364 00:18:43,539 --> 00:18:45,155 character Ned Stark 365 00:18:45,374 --> 00:18:46,785 just kind of cruel killed in front of us. 366 00:18:47,001 --> 00:18:49,789 367 00:18:53,716 --> 00:18:56,925 In terms of culture, we really have to do that remembered the power 368 00:18:56,927 --> 00:18:58,543 from that narrative trope. 369 00:18:58,763 --> 00:19:01,003 The reality is, he used the whole first half of the film 370 00:19:01,182 --> 00:19:03,014 as a trick to get you to this house. 371 00:19:03,184 --> 00:19:04,661 And the only way you will get to this house is if you believe that he is someone who 372 00:19:04,685 --> 00:19:07,428 stole $ 40,000. 373 00:19:07,605 --> 00:19:09,346 And he got it at the wrong exit of the freeway and on this small little road where there are no people passing by. 374 00:19:09,357 --> 00:19:13,226 There are many things he said here about 375 00:19:13,402 --> 00:19:16,440 our society changed at that time. 376 00:19:16,447 --> 00:19:18,247 We try to get it as fast as we can from Los Angeles to Chicago or New York. 377 00:19:18,366 --> 00:19:21,450 And enter into these small cities 378 00:19:21,619 --> 00:19:23,110 no is needed anymore. 379 00:19:23,120 --> 00:19:25,954 380 00:19:26,123 --> 00:19:27,614 381 00:19:27,792 --> 00:19:30,000 382 00:19:30,169 --> 00:19:31,605 And Norman doesn't even seem to mind. 383 00:19:31,629 --> 00:19:32,981 She's ready to change sheets 384 00:19:33,005 --> 00:19:34,121 every day with no one there. 385 00:19:34,131 --> 00:19:36,373 One by one, You drop formalities. 386 00:19:36,550 --> 00:19:38,416 I shouldn't bother changing the sheets 387 00:19:38,427 --> 00:19:40,589 but old habits are difficult to remove. 388 00:19:42,765 --> 00:19:45,929 When he goes with $ 40,000 389 00:19:45,935 --> 00:19:50,100 he is on the road and he is in the west. 390 00:19:50,272 --> 00:19:53,265 There is something basic about American dating back 391 00:19:53,442 --> 00:19:55,399 throughout the trip towards Manifest Destiny. 392 00:19:55,569 --> 00:20:00,109 "Go west! Find your fate, find your freedom." 393 00:20:00,282 --> 00:20:02,490 Marion tries to do that. 394 00:20:02,493 --> 00:20:05,281 And that's where he met his destiny. 395 00:20:11,127 --> 00:20:13,164 It is very interesting to compare the "Psycho" novel with the film "Psycho." 396 00:20:13,170 --> 00:20:15,036 Shower scenes are much different. 397 00:20:15,214 --> 00:20:16,876 398 00:20:17,091 --> 00:20:18,502 This is very short in the book. 399 00:20:18,509 --> 00:20:20,842 So on page 28 400 00:20:21,011 --> 00:20:22,798 um, here it is bathing scene. 401 00:20:27,309 --> 00:20:29,301 "A roar deafening. 402 00:20:29,478 --> 00:20:32,437 " The room starts to evaporate. 403 00:20:32,440 --> 00:20:34,602 "That's why he didn't do it listen to the open door 404 00:20:34,775 --> 00:20:37,939 " or watch his voice footsteps. 405 00:20:38,112 --> 00:20:40,354 "And at first at that time the shower curtain parted 406 00:20:40,364 --> 00:20:43,152 " the steam covered the face. 407 00:20:43,159 --> 00:20:45,242 "Then he did it see there 408 00:20:45,453 --> 00:20:48,116 " just face, peek through the curtain 409 00:20:48,289 --> 00:20:50,622 "hanging in the air like a mask. 410 00:20:50,624 --> 00:20:52,616 " Half a scarf hiding hair 411 00:20:52,626 --> 00:20:55,289 "and teary eyes looking inhumane. 412 00:20:55,463 --> 00:20:58,376 " But it's not a mask. It is impossible. 413 00:20:58,549 --> 00:21:00,711 "The skin was dead white powder 414 00:21:00,885 --> 00:21:04,845 " and two spots of busy rouge centered on the cheekbones. 415 00:21:04,847 --> 00:21:08,306 "It's not a mask, it's a crazy woman's face. 416 00:21:08,309 --> 00:21:11,177 " Mary starts screaming and then the curtain opens further 417 00:21:11,395 --> 00:21:14,513 "And a hand appears, holds a meat knife. 418 00:21:14,690 --> 00:21:18,650 " That's a knife, it's a for a moment then cuts the scream... 419 00:21:18,861 --> 00:21:20,102 ... and his head. " 420 00:21:26,744 --> 00:21:29,407 The fact that Hitchcock brought Saul Bass to office 421 00:21:29,580 --> 00:21:33,164 in the bathroom as his place itself, sort of an independent thing 422 00:21:33,334 --> 00:21:35,917 uh, tell me that he knows 423 00:21:35,920 --> 00:21:37,536 that, uh, he must do it something special 424 00:21:37,713 --> 00:21:38,713 with a bathing scene. 425 00:21:40,090 --> 00:21:42,582 "Outback, Mary is taking a shower. 426 00:21:42,760 --> 00:21:45,298 "We saw the bathroom the door was pushed slowly open. 427 00:21:47,348 --> 00:21:50,466 " The sound of the bathroom drowned out any sound. 428 00:21:50,643 --> 00:21:53,431 "The door is slowly and closed carefully. " And we see the shadow of a woman 429 00:21:53,604 --> 00:21:55,186 430 00:21:55,356 --> 00:21:57,689 "fall curtain bathroom. 431 00:21:57,858 --> 00:22:00,350 " Mary's back turned into the curtain. 432 00:22:00,569 --> 00:22:03,312 "White brightness the bathroom is almost blinding. 433 00:22:03,489 --> 00:22:05,151 " Suddenly we see the hand reaches for 434 00:22:05,324 --> 00:22:07,782 "hold the shower curtain, get rid of it. " Cut to Mary, very close. 435 00:22:07,952 --> 00:22:11,241 "When he turned in response to that feeling 436 00:22:11,455 --> 00:22:13,447 " And the sound of the bathroom curtain was removed. 437 00:22:13,624 --> 00:22:16,412 "A pure horror view erupted on his face. 438 00:22:16,585 --> 00:22:20,078 " A low and terrible moan 439 00:22:20,089 --> 00:22:21,671 "Start to rise out of his throat. 440 00:22:21,674 --> 00:22:24,417 " A hand came in the shot. 441 00:22:24,593 --> 00:22:26,630 "The hand holds a very large bread knife. " The knife stone destroys the screen 442 00:22:26,637 --> 00:22:28,720 "Almost total silver void. 443 00:22:28,931 --> 00:22:31,048 " Cutting it. 444 00:22:31,058 --> 00:22:34,017 "An impression from the cutting of the knife 445 00:22:34,186 --> 00:22:35,347 446 00:22:35,563 --> 00:22:37,930 447 00:22:37,940 --> 00:22:40,774 "As if tearing on the screen, tearing the film. 448 00:22:40,776 --> 00:22:43,894 " On top of it, in short, give a shout. 449 00:22:44,071 --> 00:22:46,905 "And then shut up. " And then the terrible pounded when Mary's body fell into the bathtub. 450 00:22:47,074 --> 00:22:50,317 "The opposite angle, white is empty 451 00:22:50,494 --> 00:22:53,032 " blur water bath 452 00:22:53,205 --> 00:22:55,071 "His hands are interesting The shower curtain is back. 453 00:22:55,249 --> 00:22:57,741 " We caught a flicker from a glimpse of the killer. 454 00:22:57,751 --> 00:23:00,915 "A woman, her face wrinkles with madness 455 00:23:00,921 --> 00:23:04,335 " her head is wild with hair 456 00:23:04,508 --> 00:23:06,625 "As if she wore a -fever wig. " And then we saw only a curtain 457 00:23:06,635 --> 00:23:09,002 "Close the bathtub 458 00:23:09,013 --> 00:23:11,096 " and listen in a hurry water bath. 459 00:23:11,265 --> 00:23:13,097 "Above the shower-bar we see the bathroom door opens again " and after a while we hear t he is heard slamming the front door. 460 00:23:13,267 --> 00:23:15,475 461 00:23:15,686 --> 00:23:19,475 462 00:23:19,648 --> 00:23:22,857 463 00:23:23,027 --> 00:23:26,145 "Cut to the corpse. " Lie down half in, half of the bathtub. 464 00:23:26,322 --> 00:23:28,655 "His head was rolled over, touched the floor. " His hair was wet, one eye was wide open as if erupting. 465 00:23:28,824 --> 00:23:31,988 "One arm lay limp and wet along the tile floor. 466 00:23:32,161 --> 00:23:36,326 " Down side of the bathtub 467 00:23:36,332 --> 00:23:40,417 "Running thick and dark along porcelain 468 00:23:40,628 --> 00:23:42,665 " We saw lots of small threads of blood. 469 00:23:42,671 --> 00:23:45,459 "The camera moves away from the body 470 00:23:45,674 --> 00:23:47,666 " Travel slowly across the bathroom past the toilet, out into the bedroom. " 471 00:23:49,261 --> 00:23:51,127 I thought it was a bathroom an elevated movie scene. = I think it's one of them spectacular work. 472 00:23:51,138 --> 00:23:54,176 473 00:23:54,183 --> 00:23:57,676 474 00:24:06,320 --> 00:24:08,983 475 00:24:09,156 --> 00:24:12,320 476 00:24:12,493 --> 00:24:15,201 477 00:24:15,371 --> 00:24:18,535 478 00:24:18,707 --> 00:24:22,542 The film moves is inevitable to the scene. 479 00:24:22,544 --> 00:24:26,083 You don't know that as, as a viewer. 480 00:24:26,090 --> 00:24:28,332 Sam, this is the last time. 481 00:24:29,969 --> 00:24:32,677 I pay too. 482 00:24:32,680 --> 00:24:34,842 They also paid who met in the hotel room. 483 00:24:36,392 --> 00:24:38,475 There are many motels In this area. 484 00:24:38,477 --> 00:24:41,686 You should, I mean, just to be safe. 485 00:24:41,855 --> 00:24:45,940 M... mother. My, my, my mother, eh, what do you say? 486 00:24:47,486 --> 00:24:50,194 It's not him q... enough of him today. 487 00:24:50,364 --> 00:24:53,232 Great Hitchcock in all settings. 488 00:24:53,409 --> 00:24:57,870 When he packs to go meet his girlfriend You see a shower in the background. 489 00:24:58,038 --> 00:24:59,904 And it's very specific the bathroom has ended his shoulder. 490 00:25:00,082 --> 00:25:01,539 You know, when came to Norman, when he was 491 00:25:01,709 --> 00:25:03,496 t... t, he talks about the bathroom and he stutters 492 00:25:03,669 --> 00:25:05,376 493 00:25:05,546 --> 00:25:07,458 494 00:25:07,464 --> 00:25:08,650 and he can't really say "Toilet" 495 00:25:08,674 --> 00:25:09,754 you know, or, or "Bathroom." 496 00:25:11,010 --> 00:25:12,126 And, uh... 497 00:25:15,014 --> 00:25:16,175 ... there .. 498 00:25:16,348 --> 00:25:18,214 - Bathroom. - Yes 499 00:25:18,392 --> 00:25:19,953 That's what, what? is great about Hitchcock. 500 00:25:19,977 --> 00:25:21,177 I mean, he is always, really like 501 00:25:21,270 --> 00:25:23,182 tone to them c... moment character. 502 00:25:23,355 --> 00:25:25,221 That desperate urge at first. 503 00:25:25,232 --> 00:25:26,598 This is crazy good. 504 00:25:26,775 --> 00:25:28,016 The idea is to be clean it's his shoulder. 505 00:25:28,235 --> 00:25:29,271 He can't see because 506 00:25:29,445 --> 00:25:30,445 from density from water 507 00:25:30,529 --> 00:25:32,566 the is really pretty 508 00:25:32,573 --> 00:25:33,573 because he sank in his worries and fears. 509 00:25:33,699 --> 00:25:37,318 Cutting from the wiper 510 00:25:37,327 --> 00:25:39,535 indicates cutting, the knife. 511 00:25:39,538 --> 00:25:41,530 That's kind of, it's very hard and wet 512 00:25:41,707 --> 00:25:43,949 and slippery, sharp, piercing movements. 513 00:25:44,126 --> 00:25:47,290 514 00:25:47,504 --> 00:25:49,086 And that is a long build-up but we don't know that the rain will happen 515 00:25:49,256 --> 00:25:51,839 get off later he will go 516 00:25:51,842 --> 00:25:53,253 including his own blood. 517 00:25:53,427 --> 00:25:55,589 I definitely got the sensation 518 00:25:55,763 --> 00:25:57,299 that the shower scene is something that is Hitchcock 519 00:25:57,514 --> 00:25:59,631 maybe has worked towards his whole life. 520 00:25:59,641 --> 00:26:01,601 Does he clean the house? 521 00:26:07,983 --> 00:26:09,474 He is washing the bathroom wall. 522 00:26:09,651 --> 00:26:12,268 Hmm! It must be scattered a lot. 523 00:26:12,446 --> 00:26:14,563 Well, why not? That's what we all think about. 524 00:26:17,242 --> 00:26:19,780 He killed him there, he has to clean 525 00:26:19,995 --> 00:26:21,598 the stain before he left. 526 00:26:21,622 --> 00:26:22,954 W... you really can't talk about bathing scenes 527 00:26:22,956 --> 00:26:24,851 without talking about it the rest of the film. 528 00:26:24,875 --> 00:26:26,867 Without a living room scene, is clear 529 00:26:26,877 --> 00:26:29,585 the shower scene doesn't really function properly 530 00:26:29,588 --> 00:26:31,625 531 00:26:31,799 --> 00:26:33,711 because the living room scene is kind of very sad 532 00:26:33,717 --> 00:26:35,333 beautiful connection 533 00:26:35,511 --> 00:26:37,924 it came before this savagery. 534 00:26:38,097 --> 00:26:39,713 Is your time so empty? 535 00:26:39,890 --> 00:26:41,176 No. Uh... 536 00:26:42,810 --> 00:26:45,143 Well, I... I run the office. 537 00:26:45,312 --> 00:26:48,350 And, uh, take care of the cabin and the base and, and do a little 538 00:26:48,524 --> 00:26:50,607 uh, assignment for my mother 539 00:26:50,818 --> 00:26:54,402 which he let me might be able to do. 540 00:26:54,571 --> 00:26:55,982 Do you go out with friends? 541 00:26:59,576 --> 00:27:01,533 Well, a... the best boy friend is his mother. 542 00:27:01,745 --> 00:27:06,206 There is a very large opening to the bathroom. 543 00:27:06,375 --> 00:27:08,332 Isn't it better if you place it... 544 00:27:10,212 --> 00:27:11,703 ... some places... 545 00:27:15,509 --> 00:27:18,968 Do you mean institution? A mental hospital? 546 00:27:18,971 --> 00:27:20,712 Look how much he is still alive. 547 00:27:20,931 --> 00:27:24,424 Even though he was previously nervous and moving suddenly he becomes very silent. 548 00:27:24,601 --> 00:27:27,264 549 00:27:27,437 --> 00:27:29,165 Maybe it's time he decided to kill him. 550 00:27:29,189 --> 00:27:30,430 - Yes - Yes 551 00:27:30,607 --> 00:27:32,564 Yes, he is super confident now. 552 00:27:32,734 --> 00:27:34,851 Yes, he almost moved his head. 553 00:27:36,530 --> 00:27:38,772 - Only his eyes - Wow. 554 00:27:38,782 --> 00:27:41,490 Oh, he is very angry. 555 00:27:41,493 --> 00:27:43,735 - And he's just scared. - Yes 556 00:27:43,745 --> 00:27:45,236 Oh, y... you don't, uh 557 00:27:45,414 --> 00:27:47,094 You will not return to your room already? 558 00:27:47,207 --> 00:27:50,666 "Maybe I'll come back to my room now, Norman. 559 00:27:50,669 --> 00:27:52,786 " It's fun chatting. 560 00:27:52,796 --> 00:27:54,458 Very sorry about your loneliness. " 561 00:27:55,966 --> 00:27:58,458 Whoa! 562 00:27:58,468 --> 00:28:01,427 This is the first moment that you were with him and not him. 563 00:28:01,430 --> 00:28:03,217 Yes, he really walked away from the camera. 564 00:28:03,432 --> 00:28:05,032 - Yes right. - And then we are with him. 565 00:28:05,058 --> 00:28:06,515 - My work here is finished. - Yes 566 00:28:06,518 --> 00:28:08,555 I am no longer the protagonist of this story. 567 00:28:08,729 --> 00:28:11,346 There is a private one Dinner here. 568 00:28:12,733 --> 00:28:14,440 And, uh... 569 00:28:14,610 --> 00:28:16,818 Oh, by the way, this picture... 570 00:28:18,113 --> 00:28:20,400 ... amazing meaning... 571 00:28:22,284 --> 00:28:23,991 ... because... 572 00:28:26,955 --> 00:28:29,618 Uh, let's join to cabin number one. 573 00:28:33,712 --> 00:28:36,455 Painting that was discarded by Mr. Bates to be Tom peeping, actually 574 00:28:36,632 --> 00:28:39,466 16th or early 17th century painting. 575 00:28:39,468 --> 00:28:42,381 "Susanna and the Elders" is actually a story of morality 576 00:28:44,640 --> 00:28:48,008 about a virtuous woman who bathed in her garden 577 00:28:48,018 --> 00:28:51,762 and spied on by two older men. 578 00:28:51,939 --> 00:28:55,398 And the theme is developing maybe as a result counter-reform motives. 579 00:28:55,400 --> 00:28:58,609 That's good or that's just an excuse 580 00:28:58,612 --> 00:29:02,196 to paint female nudity. 581 00:29:02,366 --> 00:29:04,779 Now, interesting thing about that, it's about adultery. 582 00:29:04,952 --> 00:29:09,071 And that's very interesting because of that 583 00:29:09,289 --> 00:29:12,248 584 00:29:12,251 --> 00:29:14,413 585 00:29:14,419 --> 00:29:16,661 Mary, who's in the bathroom 586 00:29:16,880 --> 00:29:19,543 good cleanse itself 587 00:29:19,549 --> 00:29:23,213 committing adultery with married men. 588 00:29:23,387 --> 00:29:25,424 In art history, is around three 589 00:29:25,597 --> 00:29:27,930 or four different phases about how the artist 590 00:29:27,933 --> 00:29:31,643 describes Susanna and Elders. 591 00:29:31,812 --> 00:29:35,897 Lucas van Leyden shows the second Elder in the famous 592 00:29:35,899 --> 00:29:39,188 whereas Susanna is small 593 00:29:39,361 --> 00:29:41,273 is taking a shower long distance. 594 00:29:41,280 --> 00:29:43,488 But at that time You arrived at Tintoretto 595 00:29:43,657 --> 00:29:45,865 he's full frontal. 596 00:29:46,034 --> 00:29:48,196 Rubens starts to retrieve and investigate 597 00:29:48,203 --> 00:29:51,412 the psychological intensity at that time. 598 00:29:51,415 --> 00:29:55,534 Rembrandt uses strength light and dark 599 00:29:55,711 --> 00:29:58,374 highlights to improve drama. 600 00:29:58,588 --> 00:30:00,170 interesting thing about the painting 601 00:30:00,340 --> 00:30:03,799 is you already full Susanna's frontal nudity 602 00:30:03,969 --> 00:30:07,053 but the two elders not only looked at him they actually grope and break it. 603 00:30:07,055 --> 00:30:09,763 It's almost rape scene 604 00:30:09,766 --> 00:30:12,554 it's happening before our eyes. 605 00:30:12,561 --> 00:30:14,803 This is... an extraordinary painting which he took. 606 00:30:14,980 --> 00:30:17,848 That's nothing old baroque painting. 607 00:30:17,858 --> 00:30:20,521 This is voyeurism. 608 00:30:20,527 --> 00:30:23,019 He deleted voyeuristic paintings 609 00:30:23,030 --> 00:30:25,693 to be a voyeur looking for in the bathroom. 610 00:30:25,866 --> 00:30:29,325 He can choose from 50 different examples 611 00:30:29,494 --> 00:30:32,157 but he chose this one because has the most number 612 00:30:32,164 --> 00:30:34,204 the information he can use for the film. 613 00:30:34,291 --> 00:30:37,500 I like it a hole in the wall 614 00:30:39,588 --> 00:30:41,454 the size of his face 615 00:30:41,465 --> 00:30:43,422 who told you that he has done this more than once 616 00:30:43,425 --> 00:30:46,463 and he succeeded comfortable for himself. 617 00:30:46,636 --> 00:30:48,798 618 00:30:48,972 --> 00:30:51,180 The idea that he looks the same as you it ties you with it. 619 00:30:51,350 --> 00:30:53,137 And when you remove it the walls 620 00:30:53,143 --> 00:30:55,510 and you are now watching him 621 00:30:55,520 --> 00:30:58,058 and you watch, and You are watching together 622 00:30:58,065 --> 00:31:01,308 then you in a new place 623 00:31:01,485 --> 00:31:03,772 where things can happen is more frightening. 624 00:31:03,779 --> 00:31:05,896 "Psycho" is described from another work 625 00:31:06,114 --> 00:31:08,527 the oeuvre by their gaze. 626 00:31:08,700 --> 00:31:12,614 Bird Birds are looking at us 627 00:31:12,621 --> 00:31:14,203 each individual bird 628 00:31:14,206 --> 00:31:15,697 birds die, are looking at us. 629 00:31:15,874 --> 00:31:18,332 Mom is looking at us from a socket without eyes. 630 00:31:18,502 --> 00:31:21,586 Marion dies with eyes open. 631 00:31:21,755 --> 00:31:24,793 That look includes and accuses us at the same time. 632 00:31:24,966 --> 00:31:27,504 That is a mirror image, You know, it works in two directions. 633 00:31:27,511 --> 00:31:30,379 We are looking for eye death 634 00:31:30,389 --> 00:31:32,927 635 00:31:32,933 --> 00:31:34,799 636 00:31:34,976 --> 00:31:37,218 and eyes of death are looking at us. 637 00:31:37,396 --> 00:31:40,730 And it's inclusive and terrible. 638 00:31:40,732 --> 00:31:43,816 Laugh and tears .. 639 00:31:43,819 --> 00:31:46,186 ... and cruel eyes are studying you. 640 00:31:46,363 --> 00:31:47,570 My mother, there? 641 00:31:49,908 --> 00:31:52,525 God is studying you, because there are a number of 642 00:31:52,702 --> 00:31:55,069 You know, God point-of-view shot at "Psycho" 643 00:31:55,288 --> 00:31:57,496 the same as there is in "The Birds." 644 00:31:57,666 --> 00:32:00,579 Hitchcock & s; God is cruel and arbitrary 645 00:32:00,585 --> 00:32:03,453 a bit like that _ bird of prey or raptor 646 00:32:04,631 --> 00:32:06,543 which, uh, looks down is rather cold and not interested on human subjects. 647 00:32:06,550 --> 00:32:08,382 In the shower sequence, violence is directed 648 00:32:10,429 --> 00:32:13,297 and the knife comes towards us 649 00:32:13,306 --> 00:32:16,549 so we are punished for being voyeurs. 650 00:32:16,560 --> 00:32:19,894 There are consequences for watching 651 00:32:20,063 --> 00:32:22,180 and supervised. 652 00:32:22,190 --> 00:32:24,022 In the character from James Stewart 653 00:32:24,192 --> 00:32:25,979 654 00:32:26,194 --> 00:32:29,562 if we identify with it in "Rear Window" 655 00:32:29,739 --> 00:32:32,948 has a very literal fall at the end 656 00:32:32,951 --> 00:32:35,238 where he breaks the other leg 657 00:32:35,245 --> 00:32:39,285 means six more, eight months of pain and itching 658 00:32:39,499 --> 00:32:41,582 and can't to disrupt Grace Kelly. 659 00:32:41,751 --> 00:32:45,495 All of that is related to Hitchcock. 660 00:32:45,672 --> 00:32:48,039 I bet you nine people out of ten... 661 00:32:49,718 --> 00:32:53,177 ... if they see it something is opposite 662 00:32:53,180 --> 00:32:56,969 like a woman who undresses and goes to sleep 663 00:32:57,142 --> 00:33:00,010 or even sometimes a man is circling 664 00:33:00,187 --> 00:33:02,224 the room doesn't do anything... 665 00:33:05,066 --> 00:33:07,228 ... nine out of ten people will remain and be seen. 666 00:33:09,613 --> 00:33:11,445 They will not turn and say 667 00:33:11,448 --> 00:33:13,235 "There is no from my business" 668 00:33:13,408 --> 00:33:15,741 and pull down the curtains themselves. 669 00:33:15,744 --> 00:33:17,076 They won't do it. 670 00:33:20,040 --> 00:33:21,827 Initially in the film 671 00:33:21,833 --> 00:33:24,200 You fly to the window with the curtain closed 672 00:33:24,377 --> 00:33:27,245 so you start as a voyeur. 673 00:33:27,422 --> 00:33:29,414 And if you think about it, if the movie opens 674 00:33:29,591 --> 00:33:31,423 from the point of view of a fly 675 00:33:31,426 --> 00:33:32,712 it changes entire context 676 00:33:32,886 --> 00:33:34,297 about what means from this film. 677 00:33:34,471 --> 00:33:36,758 I didn't even go to hit the fly. 678 00:33:36,932 --> 00:33:40,141 I hope they watch. They will see. 679 00:33:40,310 --> 00:33:43,769 They will see and they will see it know and they will say 680 00:33:43,939 --> 00:33:47,353 "Why, he doesn't want to even harm the flies." 681 00:33:47,526 --> 00:33:50,064 I think voyeurism actually has rewards in the bathroom. 682 00:33:50,237 --> 00:33:51,899 This is the way to set the Hitchcock bomb under the table 683 00:33:51,905 --> 00:33:55,319 which is something he likes to do to create dramatic irony. 684 00:33:55,325 --> 00:33:57,658 Hello? 685 00:34:43,623 --> 00:34:45,080 686 00:34:45,083 --> 00:34:47,416 I think at this point, we start asking 687 00:34:47,419 --> 00:34:49,188 what happened on his head and what will happen 688 00:34:49,212 --> 00:34:51,829 because of this display on his face. 689 00:34:51,840 --> 00:34:54,127 This is very interesting, as an actor, what he plays. 690 00:34:54,301 --> 00:34:57,385 He plays, "Oh, God, don't let my mother kill this girl." 691 00:34:57,387 --> 00:35:01,347 Norman Bates is presented in all this small 692 00:35:01,516 --> 00:35:04,805 You know, a packed moment throughout the film 693 00:35:04,978 --> 00:35:07,058 and in the same way as that the murder was presented 694 00:35:07,230 --> 00:35:10,064 encapsulated moment image 695 00:35:10,233 --> 00:35:12,020 and composition is cut together. 696 00:35:12,235 --> 00:35:16,400 So, I think it's the th... the film 697 00:35:16,406 --> 00:35:19,319 it's about fragmentation. 698 00:35:19,326 --> 00:35:21,363 That is fragmentation. 699 00:35:24,331 --> 00:35:26,698 Norman goes to get home. 700 00:35:26,708 --> 00:35:29,041 This is very important that the audience 701 00:35:29,044 --> 00:35:31,161 see him go 702 00:35:31,379 --> 00:35:34,497 because he reacted to the third character 703 00:35:34,507 --> 00:35:36,715 what we think is at home 704 00:35:36,885 --> 00:35:39,502 mother, but that was really in his mind. 705 00:35:41,931 --> 00:35:43,923 He goes to the stairs and he looks up and he looks like 706 00:35:43,933 --> 00:35:47,176 she is sad because she realizes mother is not in the house upstairs. 707 00:35:47,354 --> 00:35:49,220 Then he goes and flops into the kitchen 708 00:35:49,397 --> 00:35:51,810 like sad little school boy. 709 00:35:51,983 --> 00:35:55,897 Then he sat there like, "Oh mice, I can't eat dinner with 710 00:35:56,071 --> 00:35:57,812 the woman I want for dinner together." 711 00:35:58,031 --> 00:36:00,899 I imagine he must have done it a lot when mother was still alive. 712 00:36:01,076 --> 00:36:02,511 That he must have yelled at him and he will just leave in the kitchen when he can't get what he wants 713 00:36:02,535 --> 00:36:04,472 when he scolded him for anything he didn't 714 00:36:04,496 --> 00:36:06,863 live up to the standard. 715 00:36:07,040 --> 00:36:09,373 There is a lot that can be discussed Ms. Hitchcock. 716 00:36:09,542 --> 00:36:11,829 717 00:36:21,012 --> 00:36:24,096 Are you sure he didn't come here to see you to catch Alex who is rich Sebastian for a husband? 718 00:36:24,265 --> 00:36:27,429 Now, shaved beforehand your father comes home. 719 00:36:27,435 --> 00:36:29,973 Gentlemen don't really try to kill my son, right? 720 00:36:30,146 --> 00:36:32,854 When you talk about what is sacred in America people talk about mom and apple pie. 721 00:36:35,610 --> 00:36:38,569 Mother is good, we love mom. 722 00:36:38,571 --> 00:36:41,905 We are mothers. We're okay. 723 00:36:41,908 --> 00:36:44,742 On the other hand, there is something else happening 724 00:36:44,911 --> 00:36:48,404 in the 1950s Americans culture and society 725 00:36:48,415 --> 00:36:52,034 where is mom 726 00:36:52,252 --> 00:36:55,962 also suspected. 727 00:36:55,964 --> 00:36:58,206 There are serious social panic in America 728 00:36:58,383 --> 00:37:02,548 about juvenile delinquency. 729 00:37:02,554 --> 00:37:05,342 One thing is this social panic produces 730 00:37:05,515 --> 00:37:07,472 is this fear that mother will leave 731 00:37:07,475 --> 00:37:10,309 732 00:37:10,478 --> 00:37:12,811 733 00:37:12,981 --> 00:37:16,315 to take refuge and spoil children 734 00:37:16,484 --> 00:37:20,444 maybe America alone, to death. 735 00:37:20,655 --> 00:37:22,487 All sitcoms 736 00:37:22,490 --> 00:37:24,277 "Father knows the best" 737 00:37:24,284 --> 00:37:25,650 "Ozzie and Harriett" 738 00:37:25,827 --> 00:37:27,568 where mom never does anything. 739 00:37:27,579 --> 00:37:30,196 Everything he did be careful home and children. 740 00:37:30,206 --> 00:37:32,823 Practical lunch and ready David must dress. 741 00:37:33,001 --> 00:37:35,288 Dress up? Do you mean to dress? 742 00:37:35,462 --> 00:37:37,704 Alright. You want to look beautiful when Nancy arrived here. 743 00:37:37,881 --> 00:37:39,817 Director who exposes 744 00:37:39,841 --> 00:37:42,800 the horrors of Americans family in the 50s 745 00:37:42,969 --> 00:37:46,883 without making horror the film is Douglas Sirk. 746 00:37:47,056 --> 00:37:50,265 You know, Kay, I like Ron. 747 00:37:50,435 --> 00:37:53,849 You love him so much Are you willing to destroy all of our lives? 748 00:37:53,855 --> 00:37:56,136 You can't really think that. 749 00:37:56,191 --> 00:37:57,932 750 00:37:57,942 --> 00:38:00,229 What else can I think about? 751 00:38:00,236 --> 00:38:04,230 In Sirk, that's all family development. 752 00:38:04,407 --> 00:38:07,616 Not until "Psycho," though, where is mom 753 00:38:07,619 --> 00:38:09,702 literally is a monster 754 00:38:09,704 --> 00:38:11,696 when you see it in the end. 755 00:38:11,706 --> 00:38:14,323 I think my mother scared me 756 00:38:14,501 --> 00:38:16,242 when I was three months old. 757 00:38:17,879 --> 00:38:20,087 You see, He said, "Boo!" 758 00:38:20,089 --> 00:38:22,672 I don't know how many times in "Psycho" 759 00:38:22,842 --> 00:38:25,676 do people talk about mom. 760 00:38:25,845 --> 00:38:27,757 Oh, we can see with each other. 761 00:38:27,764 --> 00:38:29,630 We can even have dinner. 762 00:38:29,849 --> 00:38:31,636 But politely. 763 00:38:31,810 --> 00:38:33,802 In my house, with my mother's house picture on the fireplace shelf 764 00:38:33,812 --> 00:38:36,805 and my sister helped me grilled big steak for three people. 765 00:38:38,316 --> 00:38:40,603 And after steak, do we send sisters 766 00:38:40,610 --> 00:38:42,379 to the cinema, turn mama picture to the wall? 767 00:38:42,403 --> 00:38:43,403 Sam! 768 00:38:43,571 --> 00:38:45,278 Patricia Hitchcock 769 00:38:45,281 --> 00:38:48,365 talking about, he offered him a sedative. 770 00:38:48,368 --> 00:38:49,700 Do you have some aspirin? 771 00:38:49,869 --> 00:38:51,701 I have something, is not aspirin. 772 00:38:51,871 --> 00:38:54,158 My mother's doctor gave them to me my wedding day. 773 00:38:54,165 --> 00:38:57,078 Teddy is very angry when he finds out I have taken sedatives. 774 00:38:58,670 --> 00:39:00,536 A... what are the calls? 775 00:39:00,755 --> 00:39:04,248 Teddy calls me. My mother called to see if Teddy called. 776 00:39:04,425 --> 00:39:07,634 Even in the office, influence 777 00:39:07,637 --> 00:39:10,345 negative influences mothers 778 00:39:10,348 --> 00:39:13,557 and this is in women, not in men. 779 00:39:13,560 --> 00:39:16,519 So, the fact is that Ms. Norman Bates 780 00:39:16,688 --> 00:39:19,522 we realized finally that was Norman Bates himself 781 00:39:19,691 --> 00:39:21,771 maybe, in the unconscious level, the audience says 782 00:39:21,860 --> 00:39:24,728 "A-ha! I know that! 783 00:39:24,737 --> 00:39:26,478 " Mother will kill us! 784 00:39:26,489 --> 00:39:28,697 Mother will be like that all of us die! " 785 00:39:47,677 --> 00:39:50,294 Okay, once again to the bridge. 786 00:39:51,681 --> 00:39:53,638 Return to primal when. 787 00:39:56,060 --> 00:39:59,098 Marion did it accounting here 788 00:39:59,272 --> 00:40:01,889 find out how much he spent in the car. 789 00:40:03,318 --> 00:40:06,402 He was making decision to 790 00:40:06,613 --> 00:40:07,774 return the money. A little good useful exposition. 791 00:40:07,947 --> 00:40:10,655 I always write down my math. 792 00:40:10,867 --> 00:40:13,075 This is fascinating, you know. 793 00:40:13,286 --> 00:40:15,369 This is still an old movie, Let's face it 794 00:40:15,371 --> 00:40:17,112 He threw the paper in the toilet toilet 795 00:40:19,792 --> 00:40:23,661 and then, to close it, He watered it. 796 00:40:23,671 --> 00:40:25,663 Right from the start You know you are in a new territory. 797 00:40:27,800 --> 00:40:30,383 In 1960, there was no the previous toilet appears. 798 00:40:30,386 --> 00:40:33,675 The toilet flushing is a clear indication 799 00:40:33,681 --> 00:40:36,094 800 00:40:36,100 --> 00:40:39,389 upcoming scenes will occur to solve one or two taboos. 801 00:40:39,562 --> 00:40:42,805 The details are important, you know, in the tension building. 802 00:40:42,982 --> 00:40:45,224 You know that all the details will increase for something is far more monumental from the simplicity of from these photos. 803 00:40:45,401 --> 00:40:47,063 Hitchcock is a Victoria. 804 00:40:47,070 --> 00:40:48,686 Victoria thinks it's bright 805 00:40:50,156 --> 00:40:52,068 white ceramic bathroom sanitary ware. 806 00:40:52,075 --> 00:40:55,113 That's the term they use. 807 00:40:55,119 --> 00:40:58,203 The bathroom in his house is a bright white tile. 808 00:40:58,206 --> 00:41:00,914 He thinks that is attacking it's cool and subversive things to do. 809 00:41:00,917 --> 00:41:05,207 He did it in silent films, He did it on "Spellbound." 810 00:41:05,380 --> 00:41:09,465 But showing that brightness, it's a way to say 811 00:41:09,467 --> 00:41:12,881 Look at how I contaminate chastity bathroom. 812 00:41:13,054 --> 00:41:17,389 813 00:41:17,600 --> 00:41:21,389 814 00:41:21,562 --> 00:41:24,851 815 00:41:24,857 --> 00:41:26,723 And I did it almost without blood. 816 00:41:26,901 --> 00:41:30,394 By chance, this scene is very influential 817 00:41:30,405 --> 00:41:32,897 in a scene in "Conversation" 818 00:41:33,074 --> 00:41:35,487 which I edited was back in 1973. 819 00:41:35,493 --> 00:41:37,359 A killer has been done and Gene Hackman goes inside 820 00:41:37,578 --> 00:41:40,286 bathroom hotel room 821 00:41:40,456 --> 00:41:42,243 but the room is really clean. 822 00:41:42,417 --> 00:41:44,625 And he pulled the curtain apart 823 00:41:44,794 --> 00:41:47,502 same as in "Psycho" mother 824 00:41:47,672 --> 00:41:49,914 pulling the curtain apart but it's empty. 825 00:41:50,091 --> 00:41:53,084 He goes to the tub drain and runs his fingers around the drain to be seen if there is a sign 826 00:41:53,261 --> 00:41:55,753 signs of blood, and nothing. 827 00:41:55,972 --> 00:41:58,760 He goes to the toilet to shake the handle 828 00:41:58,933 --> 00:42:02,051 and toilet suddenly backs up. 829 00:42:02,061 --> 00:42:05,554 So that's kind of from i... inverse version 830 00:42:05,565 --> 00:42:08,228 831 00:42:08,401 --> 00:42:11,394 832 00:42:11,404 --> 00:42:13,862 from the "Psycho" scene. 833 00:42:13,865 --> 00:42:16,824 Toilet and flushing toilet 834 00:42:16,993 --> 00:42:20,532 bathroom curtains, sewers, all of these things 835 00:42:20,705 --> 00:42:24,039 definitely printed to us with "Psycho." 836 00:42:24,250 --> 00:42:26,492 Now, one of them is the most beautiful famous leading woman in 1960 837 00:42:26,502 --> 00:42:29,461 just stripped before us and stepped into the bathroom. 838 00:42:29,464 --> 00:42:33,208 It's like, "Damn, where do we go now?" 839 00:42:33,426 --> 00:42:35,713 Man, that's definitely crazy madness for 1960. 840 00:42:35,928 --> 00:42:38,261 I don't even understand. 841 00:42:38,264 --> 00:42:39,675 Hitchcock knows that 842 00:42:39,682 --> 00:42:40,763 America curious man 843 00:42:40,975 --> 00:42:42,637 about Janet Leigh. 844 00:42:42,810 --> 00:42:44,551 And that's the idea has him in the bathroom 845 00:42:44,729 --> 00:42:48,222 in a position that seems very suggestive, is a big problem. 846 00:42:48,441 --> 00:42:52,606 Seeing his full body behind the curtain 847 00:42:52,779 --> 00:42:56,614 it's brilliant because it's transparent. 848 00:42:56,783 --> 00:42:59,241 849 00:42:59,410 --> 00:43:01,322 Not transparent it's not opaque, but translucent 850 00:43:01,496 --> 00:43:03,954 enough to see it and aroused us 851 00:43:04,123 --> 00:43:07,082 but not enough to really become a graphic yet. 852 00:43:07,085 --> 00:43:10,578 The whole theory is You must find 853 00:43:10,755 --> 00:43:12,997 sex in that woman 854 00:43:13,007 --> 00:43:14,999 and don't have it .. 855 00:43:15,218 --> 00:43:16,218 ... stuck in his body like a label, you know. 856 00:43:18,638 --> 00:43:21,472 And, uh, there's nothing else to look for nothing was found. 857 00:43:23,226 --> 00:43:25,013 Do we know anyone take a shower before that happens... 858 00:43:25,228 --> 00:43:26,344 Uh, I mean, I don't act like that. 859 00:43:29,398 --> 00:43:31,685 I didn't change bathing... like that. 860 00:43:31,692 --> 00:43:33,354 I run it and then enter it when I know it's safe. 861 00:43:33,528 --> 00:43:37,693 And see that almost sexual expression on his face. 862 00:43:37,865 --> 00:43:41,279 He is bombarded, and it cleanses. 863 00:43:41,285 --> 00:43:45,871 864 00:43:46,082 --> 00:43:49,166 865 00:43:49,168 --> 00:43:53,082 It's warm and he's happy and he's like, decided. 866 00:43:53,256 --> 00:43:56,215 Natural sounds like putting you in perspective 867 00:43:56,217 --> 00:43:59,381 You know, we all become Janet Leigh, but not attractive. 868 00:43:59,554 --> 00:44:01,448 Through other films such as "Rear Window" and "Birds" 869 00:44:01,472 --> 00:44:04,385 he knows that lack of music can be as effective as music. 870 00:44:23,119 --> 00:44:25,987 I think there is almost no moment 871 00:44:26,164 --> 00:44:29,748 when we see Marion with a sincere smile. 872 00:44:29,917 --> 00:44:33,831 There are almost no moments, where he is allowed to feel it's good about what life is like. 873 00:44:33,838 --> 00:44:36,501 She's happy for the first time. 874 00:44:36,674 --> 00:44:39,212 We will enter a scene which is on one side 875 00:44:39,427 --> 00:44:41,714 is, um, enough to free for characters 876 00:44:41,888 --> 00:44:44,380 but at the same time, is very clear what we watched was the release of Hitchcock 877 00:44:44,557 --> 00:44:46,514 878 00:44:46,684 --> 00:44:49,677 879 00:44:49,854 --> 00:44:51,220 own property desire pressed 880 00:44:51,397 --> 00:44:53,684 finally written large on the screen. 881 00:44:53,858 --> 00:44:56,726 Hitchcock looks at the world 882 00:44:56,736 --> 00:44:58,978 as a very imperfect moral engine. 883 00:44:59,155 --> 00:45:02,990 And he always has this... 884 00:45:03,159 --> 00:45:06,243 ... the Bible, almost, calamity and punishment. 885 00:45:06,412 --> 00:45:09,621 You know, it happened to those who were tangled 886 00:45:09,624 --> 00:45:12,287 with sin in the normal way. 887 00:45:12,293 --> 00:45:14,626 Even most un-Hitchcockian films 888 00:45:14,795 --> 00:45:16,627 which is "Mr. and Mrs. Smith" 889 00:45:16,797 --> 00:45:20,666 what I like, punishes banality. 890 00:45:20,676 --> 00:45:24,260 He made a moral decision to take back the money, and enter it You know, and suffer anything punishment will come towards him. 891 00:45:24,430 --> 00:45:27,423 I stepped into private trapping back there 892 00:45:27,600 --> 00:45:29,887 and... I want to go back and try to withdraw from it... 893 00:45:30,061 --> 00:45:34,055 ... before it's too late for me too. 894 00:45:36,776 --> 00:45:38,358 895 00:45:38,361 --> 00:45:39,693 This is very important. 896 00:45:39,695 --> 00:45:41,778 Very important narrative because 897 00:45:41,948 --> 00:45:45,066 it doesn't come, uh, in the middle of theft or in the middle of robbery 898 00:45:45,076 --> 00:45:47,033 or when he fled with money on the road. 899 00:45:47,203 --> 00:45:50,742 And it turns out, bang, that means nothing little difference because the universe doesn't care. 900 00:45:50,915 --> 00:45:53,328 I think, uh, that, um 901 00:45:53,501 --> 00:45:56,460 the true sign Catholic 902 00:45:56,462 --> 00:45:59,125 and... and his feelings apocalypse 903 00:45:59,298 --> 00:46:00,914 about that sin can't be cleaned 904 00:46:01,133 --> 00:46:02,840 literally, with water. 905 00:46:03,010 --> 00:46:05,798 You know, it can't be cleaned 906 00:46:05,972 --> 00:46:07,634 except with blood and violence and pay the price. 907 00:46:07,848 --> 00:46:09,760 He was sentenced to for the worst crime 908 00:46:09,934 --> 00:46:13,803 that arouses sexual arousal Norman Bates. 909 00:46:13,813 --> 00:46:16,396 You know, you get this filter again and again. 910 00:46:16,565 --> 00:46:20,605 911 00:46:20,611 --> 00:46:22,603 912 00:46:22,822 --> 00:46:25,439 I mean, think of "Foreigners on the train" 913 00:46:25,616 --> 00:46:28,984 where is Robert Walker, you know, strangling this poor girl. 914 00:46:28,995 --> 00:46:31,783 Again, what happened he strangled him? 915 00:46:31,789 --> 00:46:33,325 Because she's a loose woman 916 00:46:33,499 --> 00:46:36,412 who's in Farley Granger's Way... 917 00:46:36,585 --> 00:46:39,043 I... I mean, that's a shadow of "Psycho." 918 00:46:41,215 --> 00:46:43,172 That's the point of view bathroom 919 00:46:43,342 --> 00:46:44,753 which places us, audience 920 00:46:44,760 --> 00:46:46,797 as if we were in the bathroom with him. 921 00:46:47,013 --> 00:46:50,006 It makes us feel fair is just as vulnerable as him. 922 00:46:50,182 --> 00:46:53,425 It sprayed on us and it created a sonic curtain. 923 00:46:53,436 --> 00:46:56,429 He can't hear it arrival. 924 00:46:56,439 --> 00:46:59,102 Wow, I'm sorry I didn't hear you in all this rain. 925 00:46:59,108 --> 00:47:03,443 And that's why the shot is bad news. 926 00:47:03,612 --> 00:47:06,025 You know, shot changes in the level of their symmetry 927 00:47:06,240 --> 00:47:07,560 during the course of the sequence. 928 00:47:07,616 --> 00:47:09,699 That was the initial order 929 00:47:09,702 --> 00:47:12,991 and then strangely, it will be echoed by the eyes, and the sewer 930 00:47:12,997 --> 00:47:15,455 and Norman Bates & apos; peek through his office 931 00:47:15,624 --> 00:47:19,789 and those things start to rhyming after a while in a great way. 932 00:47:19,795 --> 00:47:21,502 How do you show a camera on the shower head 933 00:47:21,505 --> 00:47:23,337 without lenses sprayed? 934 00:47:23,341 --> 00:47:25,549 Move the camera quite backwards 935 00:47:25,718 --> 00:47:28,301 plug several holes so that the spray spurts out. 936 00:47:28,471 --> 00:47:30,212 Very simple and elegant solution. 937 00:47:32,058 --> 00:47:35,517 There is nothing unusual about going back and forth here. 938 00:47:35,686 --> 00:47:38,895 It's rather relaxed four and a half seconds 939 00:47:39,065 --> 00:47:41,478 per piece on average. 940 00:47:41,484 --> 00:47:45,194 So it's quiet before the storm, say. 941 00:47:45,404 --> 00:47:48,192 And now here's what I call weird pieces what I call wet haircut 942 00:47:48,366 --> 00:47:50,278 943 00:47:50,451 --> 00:47:53,239 where he washed himself 944 00:47:53,412 --> 00:47:54,948 with his head tilted back 945 00:47:55,122 --> 00:47:56,954 then suddenly cuts 946 00:47:56,957 --> 00:47:59,950 same kind of angle 947 00:48:00,127 --> 00:48:04,792 really leaps, except now Her hair is really wet. 948 00:48:04,965 --> 00:48:08,629 This will give a lie to someone who says 949 00:48:08,636 --> 00:48:10,923 this scene shot right 950 00:48:11,097 --> 00:48:12,633 as a storyboard is done 951 00:48:12,807 --> 00:48:15,470 because you never will storyboard 952 00:48:15,643 --> 00:48:16,929 such a moment. 953 00:48:17,103 --> 00:48:18,639 You think you will do it Take care of him 954 00:48:18,854 --> 00:48:20,891 through the whole process in real time but it was cut jumped forward. 955 00:48:20,898 --> 00:48:23,641 Feel very courageous and confident. 956 00:48:23,818 --> 00:48:28,279 Now, we... we cut into the shower 957 00:48:28,447 --> 00:48:31,030 but that is the side corner in the shower 958 00:48:31,200 --> 00:48:32,760 not like this subjective point of view. 959 00:48:32,952 --> 00:48:36,616 960 00:48:36,789 --> 00:48:39,327 When we searched for to him, he faced left to right far from the bathroom. 961 00:48:39,500 --> 00:48:40,832 And when we cut it back to it 962 00:48:42,294 --> 00:48:44,206 we came to the other side of the stageline. 963 00:48:44,213 --> 00:48:47,206 What's behind it now is a shower curtain 964 00:48:47,383 --> 00:48:50,296 not the wall. 965 00:48:50,511 --> 00:48:51,592 And now there are other pieces 966 00:48:53,055 --> 00:48:54,341 again that's the same awkward jump pieces. 967 00:48:54,348 --> 00:48:57,182 Objectively, there will be there is no reason to do that. 968 00:48:57,351 --> 00:49:00,935 But it's annoying because 969 00:49:00,938 --> 00:49:03,476 there is a large blank space, which itself is disturbing. 970 00:49:03,649 --> 00:49:08,314 What will be filled empty space? 971 00:49:08,487 --> 00:49:11,821 The audience starts glancing at to the negative space 972 00:49:11,991 --> 00:49:15,325 and feel like, "Why did I see it here?" 973 00:49:15,536 --> 00:49:18,370 The door opens, you see the shadow 974 00:49:18,539 --> 00:49:21,202 and then Norman number. 975 00:49:21,417 --> 00:49:22,828 And that terror is increasing 976 00:49:23,043 --> 00:49:24,875 977 00:49:24,879 --> 00:49:25,619 where do you say for yourself 978 00:49:25,796 --> 00:49:27,287 "My God. My God." 979 00:49:27,465 --> 00:49:32,051 And that's the difference between between tension and surprise. 980 00:49:32,261 --> 00:49:36,050 The idea of a threat in a shadow figure. 981 00:49:36,056 --> 00:49:38,719 I thought it was Hitchcock's fear. 982 00:49:38,893 --> 00:49:41,055 Who threatens numbers 983 00:49:41,228 --> 00:49:44,346 in A... Alfred Hitchcock lives alone? 984 00:49:44,356 --> 00:49:48,020 When he gets to "Psycho," the person is released. 985 00:49:50,029 --> 00:49:51,770 Here you see, eh, Margo Epper 986 00:49:51,947 --> 00:49:54,940 reconnaissance woman, is coming in the direction. 987 00:49:54,950 --> 00:49:57,613 How do you not disclose it who is it? 988 00:49:57,786 --> 00:50:01,780 I have taken rap for that order of 20 years now 989 00:50:01,957 --> 00:50:05,041 but it's not me behind the curtain. 990 00:50:05,044 --> 00:50:08,583 I was in New York that day practicing Broadway shows. 991 00:50:08,756 --> 00:50:10,088 Every time they keep shooting it 992 00:50:10,257 --> 00:50:12,044 you continue to see the face of a stunt woman. 993 00:50:12,218 --> 00:50:13,959 One of the makeup men decide 994 00:50:13,969 --> 00:50:15,255 what if we blacken his face? 995 00:50:15,429 --> 00:50:17,295 So they... they tried several times 996 00:50:17,306 --> 00:50:19,263 and they are darker and darker and darker 997 00:50:19,266 --> 00:50:21,883 until they... they achieve that effect. 998 00:50:22,061 --> 00:50:24,223 I talked to Janet Leigh about what she was thinking he looks at him, and, and he clearly 999 00:50:24,230 --> 00:50:27,394 see Norman coming to him 1000 00:50:27,399 --> 00:50:30,688 and that's what happened he played. 1001 00:50:30,861 --> 00:50:32,318 So the reality is for him 1002 00:50:32,321 --> 00:50:34,404 I will die this way by this person 1003 00:50:34,573 --> 00:50:37,657 who tried to be friends with me 1004 00:50:37,826 --> 00:50:39,112 and I tried to be polite to. 1005 00:50:39,119 --> 00:50:41,202 You are very good. 1006 00:50:41,413 --> 00:50:42,620 This is all for you. I'm not hungry, please. 1007 00:50:44,583 --> 00:50:47,951 It really lends extra air to horror 1008 00:50:48,170 --> 00:50:50,662 and pathos for now. 1009 00:50:50,839 --> 00:50:53,547 1010 00:50:53,717 --> 00:50:55,800 And the wallpaper is in the background 1011 00:50:55,970 --> 00:50:58,251 "The Shining," so many horror films trying to have likes 1012 00:50:58,305 --> 00:51:01,048 The perfect Hitchcock, Bates Motel wallpaper. 1013 00:51:01,058 --> 00:51:03,391 This flower pattern is juxtaposed with this 1014 00:51:03,394 --> 00:51:06,478 black silhouette of knife and mother's hair 1015 00:51:06,647 --> 00:51:08,309 it's really, is very scary. 1016 00:51:08,315 --> 00:51:09,977 The shape always torments me a little. 1017 00:51:10,150 --> 00:51:12,858 It's almost like a strange mushroom shaped head. 1018 00:51:13,028 --> 00:51:14,985 I don't know, it's a bit to me, for some reason. 1019 00:51:14,989 --> 00:51:19,108 I, I always hope that this shot looks a little scary. 1020 00:51:19,285 --> 00:51:23,370 When my first grandfather saw the first rough piece of "Psycho" 1021 00:51:23,372 --> 00:51:24,452 um, he didn't like it at all He will only do it reduce it to one hour 1022 00:51:24,540 --> 00:51:26,100 and make it a part of of TV shows. 1023 00:51:26,250 --> 00:51:28,367 1024 00:51:28,544 --> 00:51:30,877 Bernard Herrmann is convinced he is to create the most like 1025 00:51:31,046 --> 00:51:34,790 fearful chord music is famous in... in history of horror cinema. 1026 00:51:34,967 --> 00:51:37,380 It's embedded in pop culture, to the place... 1027 00:51:39,054 --> 00:51:40,511 That, that, is transcendent. 1028 00:51:40,514 --> 00:51:43,006 My seven-year-old daughter knows that 1029 00:51:43,225 --> 00:51:44,785 but he doesn't know from what he came from. 1030 00:51:45,811 --> 00:51:47,289 But you know, he made that joke. 1031 00:51:48,689 --> 00:51:50,225 Like, I don't know where he got it. 1032 00:51:50,399 --> 00:51:52,127 - That's amazing. - He doesn't know it's from "Psycho." 1033 00:51:52,151 --> 00:51:55,019 It's like evolution we just got born to know 1034 00:51:55,029 --> 00:51:58,147 bathing scene from "Psycho." 1035 00:51:58,324 --> 00:52:00,190 I want a tattoo and I think, it must be one sign of that 1036 00:52:00,367 --> 00:52:02,905 by Bernard Herrmann 1037 00:52:03,078 --> 00:52:04,694 the most amazing cues ever made in cinematic history. 1038 00:52:04,705 --> 00:52:09,075 This is very little must be done in harmony. 1039 00:52:09,084 --> 00:52:12,122 1040 00:52:12,129 --> 00:52:16,089 It's just mere terror. 1041 00:52:16,091 --> 00:52:18,959 The way the music is used is film to scare people changed after "Psycho." 1042 00:52:19,136 --> 00:52:20,752 If you want to make it something is scary 1043 00:52:20,763 --> 00:52:22,755 You are entered in the string, and you are like... 1044 00:52:22,765 --> 00:52:24,367 If you are slow it goes down you get... 1045 00:52:25,434 --> 00:52:26,536 What I really like about Herrmann 1046 00:52:29,146 --> 00:52:32,059 the way he realized within the boundary 1047 00:52:32,232 --> 00:52:36,317 there are actually more 1048 00:52:36,528 --> 00:52:38,690 strong statements must be made. 1049 00:52:38,864 --> 00:52:41,106 He did "The Day Earth Still Standing" 1050 00:52:41,283 --> 00:52:43,445 and he wrote it for seven Theremins and only copper horns. 1051 00:52:43,452 --> 00:52:46,911 Herrmann writes, "Living dolls" 1052 00:53:00,219 --> 00:53:02,211 which I think is one of the best score 1053 00:53:02,429 --> 00:53:03,949 they have "Twilight Zone." 1054 00:53:04,056 --> 00:53:06,139 It's like bass clarinet 1055 00:53:06,141 --> 00:53:09,475 1056 00:53:09,478 --> 00:53:11,435 or maybe a contra bassoon 1057 00:53:11,647 --> 00:53:14,515 a glockenspiel and kecapi. 1058 00:53:14,525 --> 00:53:16,437 He must have been an experiment. 1059 00:53:16,652 --> 00:53:19,144 He taught me what you can do 1060 00:53:19,154 --> 00:53:21,362 anything anywhere, if it works. 1061 00:53:21,573 --> 00:53:23,940 What I think too is really genius the bathing scene is that the way Herrmann sees it. 1062 00:53:24,159 --> 00:53:27,778 Uh, the spot decides when you start the signal 1063 00:53:27,788 --> 00:53:30,906 when you end the signal. 1064 00:53:31,083 --> 00:53:32,995 This starts with... The toilet is flushed. 1065 00:53:33,001 --> 00:53:36,836 He steps into the bathroom 1066 00:53:36,839 --> 00:53:38,046 there is no music at all. 1067 00:53:38,257 --> 00:53:40,965 This composer does not prepare us for the onslaught it's about happening. 1068 00:53:41,135 --> 00:53:43,593 When Janet Leigh goes to the bathroom and he pulled curtain closed 1069 00:53:43,762 --> 00:53:45,503 You really can listen to the sound 1070 00:53:45,681 --> 00:53:47,263 1071 00:53:47,433 --> 00:53:50,141 1072 00:53:50,310 --> 00:53:52,267 1073 00:53:52,438 --> 00:53:54,304 from the ring in the bar and it goes 1074 00:53:55,607 --> 00:53:56,814 You see the villain coming too 1075 00:53:56,984 --> 00:53:58,896 there is no music, no music at all. 1076 00:53:59,111 --> 00:54:02,024 The curtain will be knocked out, we get the first sting... 1077 00:54:05,701 --> 00:54:09,695 This... this is a rush Janet Leigh's heartbeat. 1078 00:54:09,705 --> 00:54:12,948 From the moment we, as spectators, are really aware of 1079 00:54:13,125 --> 00:54:16,835 "Okay, this girl is having a brutally slaughtered here" 1080 00:54:16,837 --> 00:54:19,545 and we see this, and the music goes... 1081 00:54:25,304 --> 00:54:27,170 He fell to the floor heart rate slows down because he is dying. 1082 00:54:27,347 --> 00:54:30,306 Then, in his last breath 1083 00:54:30,476 --> 00:54:33,059 the music basically left it 1084 00:54:33,228 --> 00:54:36,221 and all we have is the sound of the curtain falling 1085 00:54:36,231 --> 00:54:38,769 and his head hits to the ground. 1086 00:54:38,942 --> 00:54:40,649 How genius is that? 1087 00:54:40,861 --> 00:54:43,103 That's Herrmann. That's not Hitch. 1088 00:54:43,322 --> 00:54:46,315 That's Bernie. 1089 00:54:46,325 --> 00:54:47,361 1090 00:54:47,367 --> 00:54:49,734 We use the original score 1091 00:54:49,912 --> 00:54:51,403 um, belongs to Bernard Herrmann original score 1092 00:54:51,580 --> 00:54:53,071 for our temp music, of course. 1093 00:54:53,248 --> 00:54:55,205 When we are editing a film 1094 00:54:55,209 --> 00:54:57,041 and then Danny came and re-recorded and that is very beautiful. 1095 00:54:57,211 --> 00:54:59,669 It's a perfect score. 1096 00:54:59,838 --> 00:55:02,080 When I was given the job, I mean 1097 00:55:02,257 --> 00:55:04,089 it's really a holy book for me. 1098 00:55:04,092 --> 00:55:06,926 There is one tap in the meeting with several manufacturers 1099 00:55:07,095 --> 00:55:11,055 like, maybe because the color is colored, we have to do it 1100 00:55:11,225 --> 00:55:14,389 uh, brass and woodwinds and percussion and do it 1101 00:55:14,394 --> 00:55:16,477 with a full orchestra, I like 1102 00:55:16,688 --> 00:55:17,916 "No no no no, no, no, no, no, no. 1103 00:55:17,940 --> 00:55:19,852 I beg you. I beg you. Don't make me do that." 1104 00:55:20,067 --> 00:55:23,651 I have a vision of being very angry 1105 00:55:23,654 --> 00:55:27,614 1106 00:55:27,783 --> 00:55:28,944 Bernard Herrmann 1107 00:55:29,117 --> 00:55:31,359 The ghost gets inside me space and I'll wake up 1108 00:55:31,537 --> 00:55:32,994 in the middle of the night and he will go there 1109 00:55:32,996 --> 00:55:34,828 "You little bastard, what have you done?" 1110 00:55:36,959 --> 00:55:39,076 Blades raised 1111 00:55:39,086 --> 00:55:42,955 and now, murder scene begins 1112 00:55:42,965 --> 00:55:44,831 and the speed from cutting 1113 00:55:45,050 --> 00:55:46,916 that happened dramatically shrank. 1114 00:55:46,927 --> 00:55:49,465 And that's it, is beautiful 1115 00:55:49,638 --> 00:55:51,880 laxatives, ... extraordinarily savage... 1116 00:55:53,559 --> 00:55:57,678 ... intimate and fair wrong on many levels. 1117 00:55:57,688 --> 00:55:59,930 That... it looks awful. That's... that... 1118 00:56:03,527 --> 00:56:07,191 Wow. Wow. Friend, oh, man. 1119 00:56:07,364 --> 00:56:09,651 And he has the way to get out and reach you 1120 00:56:09,825 --> 00:56:12,158 by throat and say, "Look! Look! 1121 00:56:12,160 --> 00:56:13,696 You will see this." 1122 00:56:13,871 --> 00:56:17,330 That's perfect, stainless steel trap. 1123 00:56:17,499 --> 00:56:21,539 You can't run away from it, it is, uh, causing damage 1124 00:56:21,753 --> 00:56:23,745 but at the same time, you know 1125 00:56:23,922 --> 00:56:25,458 You are in the hands of a master. 1126 00:56:25,632 --> 00:56:27,669 There is nothing to do but send. 1127 00:56:27,843 --> 00:56:31,007 The bathing scene "Psycho" is cutting very similar... action scenes. 1128 00:56:31,013 --> 00:56:32,379 George Tomasini is a teacher. 1129 00:56:32,389 --> 00:56:34,130 What did he do with the bathing scene changed 1130 00:56:34,141 --> 00:56:35,598 cinema language. 1131 00:56:35,767 --> 00:56:38,680 Uh, the editor suddenly became far more important puzzle pieces. 1132 00:56:38,687 --> 00:56:39,687 You have to think about cutting Because the wound will take you four minutes to make it 1133 00:56:39,855 --> 00:56:41,972 and splice and check. 1134 00:56:41,982 --> 00:56:43,751 And now, you can make it cut every 12 seconds or something. 1135 00:56:43,775 --> 00:56:45,482 Planning, consideration, thoughts that go away 1136 00:56:45,652 --> 00:56:48,986 1137 00:56:49,156 --> 00:56:52,024 1138 00:56:52,200 --> 00:56:55,318 in designing some of these films is surprising. 1139 00:56:55,495 --> 00:56:59,364 The camera image was 14 years old someone got the idea 1140 00:56:59,374 --> 00:57:01,457 You can make a cut. 1141 00:57:01,627 --> 00:57:03,209 Because of that violence what happened 1142 00:57:03,378 --> 00:57:06,667 You are viewing images, visual fields 1143 00:57:06,882 --> 00:57:10,091 it's very detailed and full of motion and then, instantaneously 1144 00:57:10,260 --> 00:57:12,172 it was deleted and replaced with another image. 1145 00:57:12,346 --> 00:57:14,679 In a sense, the audience must be like that 1146 00:57:14,681 --> 00:57:17,515 crashing into the windshield from this experience. 1147 00:57:17,726 --> 00:57:19,888 Hitchcock and Tomasini know exactly 1148 00:57:20,062 --> 00:57:22,429 where the audience is looking for. 1149 00:57:22,439 --> 00:57:23,680 They finally work disorientation 1150 00:57:23,857 --> 00:57:27,191 drawing you into Marion's understanding confusion and terror. 1151 00:57:27,361 --> 00:57:31,480 Every piece Tomasini is you... 1152 00:57:31,490 --> 00:57:34,278 When you are caught for what you see 1153 00:57:34,451 --> 00:57:36,512 1154 00:57:36,536 --> 00:57:39,700 in the new shot, he has already been cut into another shot. 1155 00:57:39,873 --> 00:57:42,661 This is a kaleidoscope from these falling pictures 1156 00:57:42,834 --> 00:57:47,044 to your skull, but it's very planned, and it feels like that. 1157 00:57:47,047 --> 00:57:49,630 These orders and chaos come crashing into each other. 1158 00:57:49,633 --> 00:57:53,252 - This is a magic action. Truly. - Yes 1159 00:57:53,428 --> 00:57:55,545 Because people come out feeling cinema 1160 00:57:55,722 --> 00:57:58,760 as they have seen, like being surprised, you know, beyond belief 1161 00:57:58,934 --> 00:58:02,098 Because there is nothing like that in the cinema before that. 1162 00:58:02,104 --> 00:58:03,824 But they haven't actually seen things 1163 00:58:03,981 --> 00:58:06,268 what they thought they saw. That's an amazing thing. 1164 00:58:11,071 --> 00:58:14,781 Use of sound effect, um, that... is 1165 00:58:14,783 --> 00:58:16,615 I think, I think is a big contributor 1166 00:58:16,785 --> 00:58:18,321 for violence from the scene. 1167 00:58:18,537 --> 00:58:20,494 The sound of stab especially. 1168 00:58:20,664 --> 00:58:24,829 How do you come with voice 1169 00:58:24,835 --> 00:58:27,543 What happens when a butcher knives attacks meat? 1170 00:58:27,546 --> 00:58:30,459 The soundman appears with an idea 1171 00:58:30,465 --> 00:58:33,253 what about the knife stabbing the melon? 1172 00:58:38,306 --> 00:58:41,140 So, know Hitchcock, You have to bring 1173 00:58:41,309 --> 00:58:45,474 lots of melons and set them they are on a large table. 1174 00:58:45,647 --> 00:58:48,230 There will be Crenshaw melons, and you know 1175 00:58:48,233 --> 00:58:49,644 all kinds of melons that you can imagine 1176 00:58:49,651 --> 00:58:50,892 very, very different sizes. 1177 00:58:50,902 --> 00:58:52,438 So I think they have 1178 00:58:52,612 --> 00:58:55,025 two dozen and several reserves. 1179 00:58:57,743 --> 00:58:59,780 So, there is the supporting human piercing melons, melons, melons, melons. 1180 00:58:59,786 --> 00:59:02,369 Next melon, melon, melon. 1181 00:59:02,539 --> 00:59:04,531 And in the end Hitchcock knows that one 1182 00:59:04,541 --> 00:59:06,578 the most audible like, muscle and 1183 00:59:06,752 --> 00:59:08,334 1184 00:59:08,503 --> 00:59:10,836 sounds like he thought it should be heard. 1185 00:59:11,006 --> 00:59:13,464 So, at that time via demonstration 1186 00:59:13,675 --> 00:59:15,132 all of these are different melons 1187 00:59:15,343 --> 00:59:16,584 everything he said was... 1188 00:59:18,722 --> 00:59:20,463 "... Casaba." 1189 00:59:20,640 --> 00:59:21,784 Only that they need to know. 1190 00:59:38,617 --> 00:59:42,736 I think the whole key to the sound from melon Casaba 1191 00:59:42,913 --> 00:59:45,075 is that inner in is very small in part 1192 00:59:45,290 --> 00:59:47,498 and there is a very thick fruit layer 1193 00:59:47,667 --> 00:59:49,203 you have for stabbing. 1194 00:59:49,377 --> 00:59:50,584 - This is very dense. - thick? 1195 00:59:50,754 --> 00:59:53,087 Not empty, like many from other melons 1196 00:59:53,090 --> 00:59:54,547 sounds a is a little hollow. 1197 00:59:54,549 --> 00:59:56,541 And I'm sure, with eyes closed Hitchcock might have heard that. 1198 00:59:56,551 --> 00:59:58,508 In my ear, Casaba melon sounds more like dry 1199 00:59:58,720 --> 01:00:02,259 bone pricking, as opposed to being wet, sticky sticky. 1200 01:00:02,432 --> 01:00:05,971 1201 01:00:06,144 --> 01:00:07,430 Starchiness and its thickness 1202 01:00:07,604 --> 01:00:09,641 maybe giving you, more than that innards 1203 01:00:09,815 --> 01:00:10,976 crispness or... 1204 01:00:10,982 --> 01:00:13,224 - Viscera. - Viscera. 1205 01:00:13,401 --> 01:00:16,565 Hitchcock also has it bring sirloin 1206 01:00:16,571 --> 01:00:20,906 very big sirloin thing. 1207 01:00:21,076 --> 01:00:23,489 I don't eat meat, and so I'm almost nauseous 1208 01:00:23,703 --> 01:00:25,945 told you this, but, uh, in any case 1209 01:00:26,164 --> 01:00:27,951 Hitchcock thinks it will happen very good idea. 1210 01:00:27,958 --> 01:00:30,666 And they did it, actually, stabbing 1211 01:00:30,836 --> 01:00:33,874 big, big, big slice of steak. 1212 01:00:34,047 --> 01:00:36,960 And the sound is interspersed with melons. 1213 01:00:46,893 --> 01:00:48,259 And the sound manager took it home and had it 1214 01:00:48,270 --> 01:00:49,886 for dinner that night. 1215 01:00:50,063 --> 01:00:52,305 The sound of stab in "Psycho" 1216 01:00:52,482 --> 01:00:54,690 not Hollywood sound effects 1217 01:00:54,693 --> 01:00:56,730 it's natural sound effects 1218 01:00:56,903 --> 01:00:58,895 that made it all the more terrible. 1219 01:00:59,072 --> 01:01:00,938 You can take a combination like, arrow 1220 01:01:00,949 --> 01:01:03,657 literal arrow or hitting ax and you add it to the pipe in the mud bushes and you add it sort of like, uh, like a skin tear 1221 01:01:03,827 --> 01:01:07,241 and you can make it sound design puncture 1222 01:01:07,247 --> 01:01:10,160 it will feel terrible. 1223 01:01:10,375 --> 01:01:12,742 Marion changed. 1224 01:01:12,919 --> 01:01:14,376 We have three close-ups getting gets tighter 1225 01:01:15,839 --> 01:01:17,205 to that point now we don't see anything 1226 01:01:18,341 --> 01:01:19,047 but the mouth is open. 1227 01:01:19,217 --> 01:01:20,879 Three quick pieces that made me 1228 01:01:21,052 --> 01:01:23,339 happy to be an editor. 1229 01:01:23,513 --> 01:01:24,879 I have seen some Saul Bass & apos; board and you will see 1230 01:01:24,890 --> 01:01:26,722 cut one and cut three 1231 01:01:26,892 --> 01:01:28,758 but the idea of drawing the third together 1232 01:01:28,935 --> 01:01:32,053 feels like something , uh... uh, 1233 01:01:32,230 --> 01:01:33,971 kind of fun discovery 1234 01:01:33,982 --> 01:01:35,974 1235 01:01:36,151 --> 01:01:38,017 1236 01:01:38,028 --> 01:01:39,644 1237 01:01:39,821 --> 01:01:42,313 in feeling your way through things in the cutting room. 1238 01:01:42,490 --> 01:01:44,652 Hitchcock did it here He is also in "The Birds" 1239 01:01:44,659 --> 01:01:46,616 to show something is surprising. 1240 01:01:47,537 --> 01:01:49,620 Cutting axes 1241 01:01:49,789 --> 01:01:52,281 boom, boom, boom. 1242 01:01:52,292 --> 01:01:53,954 That's psychological cutting. 1243 01:01:54,127 --> 01:01:55,709 People always think that's... something Hitchcock 1244 01:01:55,712 --> 01:01:58,796 coming, but actually is always traced back to original "Frankenstein" 1245 01:01:58,965 --> 01:02:00,957 directed by Pope James in 1931. 1246 01:02:01,134 --> 01:02:04,047 That way the same effect because 1247 01:02:04,221 --> 01:02:05,962 they showed you something very strange 1248 01:02:06,139 --> 01:02:07,859 something you have never seen before. 1249 01:02:08,016 --> 01:02:09,452 People want to go to the movies just to see how shocking it is. 1250 01:02:09,476 --> 01:02:13,641 There is something called an American cut when you are editing, which is 1251 01:02:13,855 --> 01:02:16,375 1252 01:02:16,399 --> 01:02:19,688 the same as the jump jump becomes close-up from the wide shot. 1253 01:02:19,861 --> 01:02:21,297 And I know whenever I do it in an movie when I work with 1254 01:02:21,321 --> 01:02:23,028 Sam Raimi, he always likes, is tortured. 1255 01:02:23,031 --> 01:02:24,634 He's like, "Why did you do that stupid cut?" 1256 01:02:24,658 --> 01:02:26,510 And I always go, "This, uh, it's a piece of America." 1257 01:02:26,534 --> 01:02:29,402 And he always said, "It's more like a... Canadian cut." 1258 01:02:29,621 --> 01:02:31,738 Something is right Visceral about deduction 1259 01:02:31,748 --> 01:02:35,037 from a wide shot jumps in, close-up. 1260 01:02:35,043 --> 01:02:38,036 Now we have lower angle 1261 01:02:38,046 --> 01:02:39,912 it's not that subjective angle 1262 01:02:39,923 --> 01:02:42,461 This is not what Marion saw but it's maximized for threats. 1263 01:02:42,634 --> 01:02:45,798 There are lots of defense shots that make it look like 1264 01:02:45,971 --> 01:02:48,463 he tried to fight him 1265 01:02:48,473 --> 01:02:50,009 1266 01:02:50,016 --> 01:02:51,496 which makes you feel that you are there. 1267 01:02:52,852 --> 01:02:54,309 We already jumped the stage line here 1268 01:02:54,479 --> 01:02:57,347 others things that are confusing. 1269 01:02:57,524 --> 01:03:00,892 In violence and love, is very interesting 1270 01:03:01,069 --> 01:03:04,187 it's actually good to cross the stageline 1271 01:03:04,364 --> 01:03:07,857 because it gives you that subjective feeling sort of 1272 01:03:07,867 --> 01:03:09,608 d... dizzy delirium. 1273 01:03:11,746 --> 01:03:14,238 You see the hands of Norman with the knife coming towards the lateral 1274 01:03:14,416 --> 01:03:16,658 across and breaks the line. 1275 01:03:16,668 --> 01:03:20,161 This is very good because it violates chastity. 1276 01:03:20,338 --> 01:03:22,375 The water flows in the opposite direction 1277 01:03:22,549 --> 01:03:25,041 knife, so there are all these big corners 1278 01:03:25,051 --> 01:03:27,589 it's again, like, German expressionist cinema 1279 01:03:27,762 --> 01:03:29,424 The Hitchcock has been affected 1280 01:03:29,597 --> 01:03:33,181 in the early 20s when he first started his career. 1281 01:03:33,351 --> 01:03:35,751 This overhead shot, it's like The whole shot is out of focus. 1282 01:03:35,854 --> 01:03:37,595 And you know, they use it. 1283 01:03:37,772 --> 01:03:40,731 I can imagine sitting with executive studio now 1284 01:03:40,900 --> 01:03:42,712 and they said, "Oh, you know, You have this one shot 1285 01:03:42,736 --> 01:03:44,255 " It's very unfocused, we really don't need to take 1286 01:03:44,279 --> 01:03:45,565 it was shot edited. " 1287 01:03:45,739 --> 01:03:47,008 But thankfully they left it 1288 01:03:47,032 --> 01:03:48,694 because it's like that a great shot. 1289 01:03:48,908 --> 01:03:52,072 The knife has been through frame 1290 01:03:52,245 --> 01:03:55,204 before we, the audience, can actually lock into 1291 01:03:55,206 --> 01:03:56,788 what we see. 1292 01:03:56,958 --> 01:03:58,540 Our faces Gravitates to Marion 1293 01:03:58,710 --> 01:04:01,748 and then to negative space to see where the blades go? 1294 01:04:01,755 --> 01:04:04,589 They force the audience to fill in the blanks. 1295 01:04:04,799 --> 01:04:08,292 Right to the left movement brings we 1296 01:04:08,303 --> 01:04:10,260 are right to cut and is exactly where his face is 1297 01:04:10,430 --> 01:04:11,841 there is a knife. 1298 01:04:11,848 --> 01:04:13,714 The knife never works relationship with 1299 01:04:13,933 --> 01:04:16,175 but in my mind I saw him stab him. 1300 01:04:16,394 --> 01:04:17,851 This is crazy. 1301 01:04:17,854 --> 01:04:20,892 Hitchcock will go in 360 degrees. 1302 01:04:21,066 --> 01:04:23,228 All of these things You are not supposed to do it in narrating stories, he does to give you 1303 01:04:23,234 --> 01:04:25,772 this feeling complete disorientation. 1304 01:04:25,945 --> 01:04:27,686 Every time we cut back to the Norman form we are punished again. 1305 01:04:29,783 --> 01:04:31,820 Back to Norman, but now we are a little tighter. 1306 01:04:31,993 --> 01:04:34,076 Cut to Marion, we are more strict. 1307 01:04:34,245 --> 01:04:36,487 Norman, more strict. 1308 01:04:36,498 --> 01:04:38,160 And then, at that intersection water again and again 1309 01:04:38,333 --> 01:04:40,120 for shots, one shot 1310 01:04:40,293 --> 01:04:43,627 which convinced me as a -viewer Marion has been stabbed. 1311 01:04:43,797 --> 01:04:46,505 The knife has never been connected with the skin 1312 01:04:46,508 --> 01:04:48,374 1313 01:04:48,385 --> 01:04:51,799 1314 01:04:51,805 --> 01:04:53,637 1315 01:04:53,807 --> 01:04:55,890 but what about this being shot here? 1316 01:04:56,059 --> 01:04:58,893 I tell you, friends, it is penetration. 1317 01:04:59,062 --> 01:05:01,850 Hitchcock got away, uh, shows 1318 01:05:02,023 --> 01:05:04,891 my belly button in the film. 1319 01:05:05,068 --> 01:05:08,436 All film beach towels, you know, with Annette Funicello they have bikinis, but they have to have them above their navel. 1320 01:05:08,446 --> 01:05:10,246 He explained to me that he was, he said 1321 01:05:10,407 --> 01:05:11,943 "Special Effects Paramount Department is made 1322 01:05:12,117 --> 01:05:15,155 " For me the body is from rubber. 1323 01:05:15,328 --> 01:05:17,536 "You dip the knife into it, blood will spray out. 1324 01:05:17,705 --> 01:05:20,413 " Oh, that's amazing. 1325 01:05:20,417 --> 01:05:22,534 I don't use it at all. " 1326 01:05:22,544 --> 01:05:23,910 " You don't use it at all? " " No no 1327 01:05:24,087 --> 01:05:26,044 The knife never touches the body. " 1328 01:05:26,214 --> 01:05:27,955 Back to Eisenstein and all ideas 1329 01:05:27,966 --> 01:05:31,130 1330 01:05:31,302 --> 01:05:33,715 1331 01:05:33,888 --> 01:05:35,845 editing, uh, cutting. 1332 01:05:35,849 --> 01:05:37,841 Montage. 1333 01:05:38,017 --> 01:05:39,697 He doesn't want a plastic knife or anything. 1334 01:05:39,853 --> 01:05:41,685 He uses the knife. 1335 01:05:41,688 --> 01:05:45,022 He has a sign there blood, and he presses it 1336 01:05:45,024 --> 01:05:48,233 to my stomach and then pull it out. 1337 01:05:49,863 --> 01:05:52,571 And then, in that movie they turn it over indicates it happened. 1338 01:05:52,574 --> 01:05:53,735 Hitchcock, I think, is safe to say 1339 01:05:56,244 --> 01:05:58,702 spent his entire career aiming at his nose at the sensor. 1340 01:05:58,705 --> 01:06:01,368 The last picture "North by Northwest" is, is a train 1341 01:06:04,252 --> 01:06:07,620 enter the tunnel, as it is very sexual metaphor that is not subtle 1342 01:06:07,630 --> 01:06:12,625 and then we take it a post coitus in "Psycho." 1343 01:06:12,635 --> 01:06:14,877 Wow. That is interesting. 1344 01:06:15,054 --> 01:06:17,637 You know, Production Administration Code 1345 01:06:21,561 --> 01:06:23,803 still important at that time. 1346 01:06:24,022 --> 01:06:27,231 1347 01:06:27,442 --> 01:06:30,901 And then try to get it approved film by Legion politeness. 1348 01:06:30,904 --> 01:06:33,567 If one of them has been a problem 1349 01:06:33,573 --> 01:06:36,361 as far as production and distribution "Psycho" 1350 01:06:36,576 --> 01:06:39,740 it won't happen the phenomenon. 1351 01:06:39,954 --> 01:06:42,742 There are a few negotiations in progress. 1352 01:06:42,916 --> 01:06:45,329 He said, "I will re-shoot the beginning. 1353 01:06:45,335 --> 01:06:47,668 You... you can come and see me shoot him." 1354 01:06:47,670 --> 01:06:50,037 They never showed up. 1355 01:06:50,215 --> 01:06:51,251 All he did was notify the whole crew 1356 01:06:51,424 --> 01:06:55,293 we will be fair send the scene back. 1357 01:06:55,303 --> 01:06:56,919 We won't cut it one frame from it, and he doesn't. 1358 01:06:57,096 --> 01:07:00,555 He keeps basically telling them, you're an ordinary person 1359 01:07:00,725 --> 01:07:03,092 and you're actually dog horn prudes 1360 01:07:03,269 --> 01:07:05,761 because you saw something that wasn't there. 1361 01:07:05,939 --> 01:07:09,057 1362 01:07:09,234 --> 01:07:11,271 So everything still exists in the way he wants it. 1363 01:07:11,277 --> 01:07:13,439 He escaped with that. 1364 01:07:13,613 --> 01:07:15,525 You contrast Hitchcock 1365 01:07:15,740 --> 01:07:18,448 making a nuisance, a shocking film 1366 01:07:18,451 --> 01:07:20,534 that revolves around sex and violence. 1367 01:07:20,745 --> 01:07:23,328 and very deep the protagonist is disturbed 1368 01:07:23,498 --> 01:07:25,911 with the movie coming out the same year 1369 01:07:25,917 --> 01:07:29,661 in a few months, like Michael Powell's "Peeping Tom." 1370 01:07:29,837 --> 01:07:33,126 The film, many people see has been destroyed Michael Powell's career. 1371 01:07:33,299 --> 01:07:35,632 You know, Val Lewton, who is this people know I'm obsessed 1372 01:07:35,802 --> 01:07:38,122 but you know, he is a ruler, You don't see anything, ever. 1373 01:07:38,179 --> 01:07:42,719 There are no cats on "Cat People." 1374 01:07:42,725 --> 01:07:44,762 Right. Right, right, 1375 01:07:44,936 --> 01:07:46,393 There are no cats on "Cat People." 1376 01:07:46,604 --> 01:07:47,970 There are shadows. 1377 01:07:47,981 --> 01:07:49,142 There are some shadows. 1378 01:07:49,315 --> 01:07:50,431 1379 01:07:50,608 --> 01:07:52,270 Everyone the films are 1380 01:07:52,277 --> 01:07:55,645 the title promises something that you never really saw. 1381 01:07:55,655 --> 01:07:57,988 You never, there is no Leopard guy in "Leopard Man." 1382 01:07:58,157 --> 01:08:02,026 And the most terrible murder in all from the Val Lewton canon 1383 01:08:02,036 --> 01:08:05,074 occurs on the other side closed door side 1384 01:08:05,081 --> 01:08:06,321 from a mother's perspective 1385 01:08:06,374 --> 01:08:08,741 who hears it _ daughter is slaughtered. 1386 01:08:08,918 --> 01:08:12,082 And you only see the blood seeping under the gap in the door. 1387 01:08:12,088 --> 01:08:15,001 You n... you've never seen it, you've never seen it at all. 1388 01:08:15,174 --> 01:08:18,292 And that in my opinion is like the root of the bathing scene. 1389 01:08:18,469 --> 01:08:20,802 - really. - I want to throw one there. 1390 01:08:20,972 --> 01:08:22,338 Uh, like, one movie into a mix 1391 01:08:22,557 --> 01:08:25,721 which has one particular thing amazing scenery 1392 01:08:25,727 --> 01:08:28,686 what I call horror, and it "cannot be changed." 1393 01:08:28,855 --> 01:08:29,855 Yes! 1394 01:08:30,023 --> 01:08:31,417 And this is the problem about the rape scene. 1395 01:08:31,441 --> 01:08:33,979 It's like, that, me... that, is like, 15 minutes? 1396 01:08:33,985 --> 01:08:37,524 That's something, and they don't really show everything. 1397 01:08:37,697 --> 01:08:39,438 There is no nudity, nothing. 1398 01:08:39,449 --> 01:08:42,408 Only one shot remains alive. 1399 01:08:46,289 --> 01:08:47,530 The scene of rape in "Irreversible" 1400 01:08:47,707 --> 01:08:48,934 and the bathing scene in "Psycho" 1401 01:08:48,958 --> 01:08:50,995 is the right inverse. 1402 01:08:51,169 --> 01:08:54,378 Shower scene very close... 1403 01:08:54,380 --> 01:08:56,588 ... and frenzy. 1404 01:08:56,591 --> 01:08:58,423 And the scene of rape in "Irreversible" 1405 01:08:58,426 --> 01:09:00,167 very far and still. 1406 01:09:02,180 --> 01:09:04,843 Mother's shot is out of focus 1407 01:09:05,058 --> 01:09:07,721 the focus is on water, not the mother. 1408 01:09:07,894 --> 01:09:11,137 You can argue that this is subjective Marion 1409 01:09:11,314 --> 01:09:14,352 the point of view that he doesn't see who is clear 1410 01:09:14,525 --> 01:09:17,233 because he was very confused. 1411 01:09:17,403 --> 01:09:19,816 Very fast cutting here, average 1412 01:09:20,031 --> 01:09:24,696 one shot every three quarters of a second , 18 frames. 1413 01:09:25,870 --> 01:09:28,829 And the audience in 1960 will experience 1414 01:09:28,998 --> 01:09:31,206 um, they will see something 1415 01:09:31,376 --> 01:09:33,413 in this way is not used to seeing it. 1416 01:09:35,463 --> 01:09:37,045 I'm always surprised that they got away with this. 1417 01:09:37,048 --> 01:09:38,789 Just the amount, bare breasts 1418 01:09:38,966 --> 01:09:40,298 that they can appear. 1419 01:09:40,301 --> 01:09:43,794 That must be done Impressionistic. 1420 01:09:43,805 --> 01:09:47,139 So it's finished small film pieces. 1421 01:09:47,141 --> 01:09:49,349 Head, feet, hands. 1422 01:09:50,895 --> 01:09:53,228 Body parts. 1423 01:09:53,439 --> 01:09:55,931 His foot shot is the first blood cut 1424 01:09:56,109 --> 01:09:58,271 we have throughout this section. 1425 01:09:58,486 --> 01:10:02,526 Blood begins to scatter into water rather than flowing. 1426 01:10:02,699 --> 01:10:05,908 You know, you see spots hit like dark rain 1427 01:10:06,077 --> 01:10:09,411 then only absorbed by water and it spreads 1428 01:10:09,580 --> 01:10:12,789 in a very haunting thing, haunting way. 1429 01:10:12,959 --> 01:10:14,700 My mother likes to tell me that "Oh, you know that, uh, blood flowing into the drain? in" Psycho "is chocolate syrup, right? - chocolate syrup. Yes. 1430 01:10:14,877 --> 01:10:17,119 So, anyone in this case room will tell us 1431 01:10:17,338 --> 01:10:19,441 it's not that actually chocolate syrup? 1432 01:10:19,465 --> 01:10:21,252 They have cans Hershey syrup 1433 01:10:21,426 --> 01:10:23,292 made easy 1434 01:10:23,302 --> 01:10:25,715 and that's what happens they are used for blood. around me and to me. 1435 01:10:25,930 --> 01:10:27,421 I accidentally made films in black and white 1436 01:10:27,640 --> 01:10:29,302 because I knew that if the color was colored 1437 01:10:29,475 --> 01:10:32,309 1438 01:10:32,478 --> 01:10:35,266 1439 01:10:35,273 --> 01:10:39,187 1440 01:10:39,193 --> 01:10:41,901 uh, draining will be too disgusting. 1441 01:10:45,700 --> 01:10:47,111 The knife came 1442 01:10:47,118 --> 01:10:49,485 and even though it's fair swinging through the frame 1443 01:10:49,662 --> 01:10:51,824 my brain tells me he's just been stabbed 1444 01:10:51,998 --> 01:10:53,705 right behind. 1445 01:10:53,708 --> 01:10:57,201 Then, to the sneaky piece 1446 01:10:57,211 --> 01:11:00,795 that Tomasini has been included in the film. 1447 01:11:00,965 --> 01:11:03,332 Start here with his hand focus in front 1448 01:11:03,342 --> 01:11:05,379 that happened towards the wall. 1449 01:11:05,386 --> 01:11:07,048 Your eyes are super confused here 1450 01:11:07,054 --> 01:11:09,046 because you are looking for in negative space 1451 01:11:09,223 --> 01:11:11,260 a... and fair wall tiles. 1452 01:11:11,267 --> 01:11:14,260 His hands start to enter and directly 1453 01:11:14,437 --> 01:11:16,224 there is a jump jump. 1454 01:11:16,397 --> 01:11:18,935 If you watch at full speed 1455 01:11:18,941 --> 01:11:21,183 only looks like, bam. 1456 01:11:21,194 --> 01:11:25,404 That finally made him feel like he was slamming into the wall. 1457 01:11:25,406 --> 01:11:27,272 He's out is also amazing that fast movement, without looking back. 1458 01:11:27,283 --> 01:11:30,117 1459 01:11:30,286 --> 01:11:32,824 He doesn't even stand there make sure he's dead. He goes. 1460 01:11:32,830 --> 01:11:36,494 This is almost like a time cut, where is already out the door. 1461 01:11:36,667 --> 01:11:39,125 And I think some of that is they really tried to hide You know who that is. 1462 01:11:39,337 --> 01:11:40,703 And they are tired indicates that the shot is paralyzed 1463 01:11:40,880 --> 01:11:42,291 where the head looks like mushrooms. 1464 01:11:42,298 --> 01:11:43,834 Hand shot, this looks like a starfish 1465 01:11:43,841 --> 01:11:46,379 to the wall. 1466 01:11:46,385 --> 01:11:47,967 It's just a hand, the least important thing part of his body 1467 01:11:47,970 --> 01:11:50,804 now after he has been hacked to death. 1468 01:11:51,015 --> 01:11:53,052 And you see life recede out of his body through his hand. 1469 01:11:53,059 --> 01:11:57,554 So, the scene becomes all about his hand, if you watch it. 1470 01:11:57,730 --> 01:12:00,313 Hands. And then, hands. 1471 01:12:00,483 --> 01:12:02,941 And you see it go away. 1472 01:12:02,944 --> 01:12:06,437 1473 01:12:06,614 --> 01:12:08,981 Trying to get something. Hands down the wall. 1474 01:12:08,991 --> 01:12:10,857 He turns around, where is his hand? 1475 01:12:11,035 --> 01:12:12,947 You know, that kind of thing, is a big question. 1476 01:12:12,954 --> 01:12:14,848 And if you really watch the opening scene of "Jurassic Park" 1477 01:12:14,872 --> 01:12:16,329 it's the same thing, that, you know 1478 01:12:16,332 --> 01:12:17,652 it doesn't matter that... that guy 1479 01:12:17,792 --> 01:12:19,112 that is eaten by velociraptor 1480 01:12:19,210 --> 01:12:20,621 You hardly see the face. 1481 01:12:20,628 --> 01:12:23,371 But what matters, and you watch it 1482 01:12:23,548 --> 01:12:25,039 he grabs into his hand. 1483 01:12:25,258 --> 01:12:26,715 Hands reach. 1484 01:12:26,884 --> 01:12:28,967 Hands touching p. 1485 01:12:28,970 --> 01:12:31,758 And I think that's part of the way that he can do it bringing the audience into his death not only, watching him, watching him die. 1486 01:12:31,931 --> 01:12:34,264 Now he begs for his life, tries to restrain himself. 1487 01:12:34,433 --> 01:12:37,096 1488 01:12:37,270 --> 01:12:41,355 1489 01:12:41,524 --> 01:12:44,107 How the hair goes like a trail behind it it follows it .. 1490 01:12:44,277 --> 01:12:45,939 I mean, it's a very haunting picture. 1491 01:12:46,153 --> 01:12:48,566 And that's a wall. 1492 01:12:48,739 --> 01:12:50,651 You know, You have previous depth 1493 01:12:50,658 --> 01:12:52,274 and now he is just flat against nothing. 1494 01:12:52,285 --> 01:12:54,948 Nobody did this before. 1495 01:12:54,954 --> 01:12:56,411 Fast death in the film. 1496 01:12:58,833 --> 01:13:01,997 And even though actors are happy to use them 1497 01:13:02,169 --> 01:13:05,753 this is very clear _ directed in such a way. 1498 01:13:05,756 --> 01:13:09,249 You know, in "Torn the Curtain," there's this endless scene 1499 01:13:09,427 --> 01:13:11,488 try to kill someone. 1500 01:13:11,512 --> 01:13:13,344 It's not bleeding but it's graphic. 1501 01:13:13,514 --> 01:13:14,925 Even "Frenzy" is pretty graphic 1502 01:13:15,099 --> 01:13:17,432 uh, compared to to "Psycho." 1503 01:13:17,435 --> 01:13:19,848 But "Psycho" has an effect as a graphic 1504 01:13:20,021 --> 01:13:22,559 like "Texas Chainsaw Massacre" later. 1505 01:13:22,565 --> 01:13:25,103 1506 01:13:26,694 --> 01:13:30,233 I like how slow it is, how long it will take. 1507 01:13:30,406 --> 01:13:32,944 There are all these negative things space on the left side. 1508 01:13:33,117 --> 01:13:35,484 This is really intentional. 1509 01:13:35,494 --> 01:13:37,406 Hitchcock is mirror shot 1510 01:13:37,580 --> 01:13:39,162 initially from the sequence 1511 01:13:39,332 --> 01:13:40,698 where Marion is taking a shower 1512 01:13:40,708 --> 01:13:42,540 right in the right hand side of the frame. 1513 01:13:42,710 --> 01:13:45,999 That was the book that ended it made a bathing scene. 1514 01:13:46,172 --> 01:13:49,415 My favorite piece is the hand that came around to the curtain and it suddenly from the staccato rhythm 1515 01:13:49,592 --> 01:13:52,380 You end up with this shot is completely liquid 1516 01:13:52,553 --> 01:13:54,920 which has a sort of almost, sort of, poetic and sad quality for that. 1517 01:13:55,097 --> 01:13:59,057 He is dying and there is tenderness for it 1518 01:13:59,060 --> 01:14:01,552 and it makes it directly emotional. 1519 01:14:01,729 --> 01:14:04,267 S really, is really a good cut. 1520 01:14:04,482 --> 01:14:07,099 1521 01:14:07,109 --> 01:14:09,066 That's... that's one of the best pieces I've ever seen. 1522 01:14:10,696 --> 01:14:13,109 You can barely see the outline 1523 01:14:13,282 --> 01:14:17,026 from my breasts in that shot. That's my hand. 1524 01:14:17,203 --> 01:14:20,287 And you can tell the difference in my knuckles there. 1525 01:14:20,456 --> 01:14:23,290 the ring finger, uh was a little damaged. 1526 01:14:23,292 --> 01:14:25,158 The nail is darker from the usual fingernails. 1527 01:14:25,336 --> 01:14:28,420 When I was three years old, I... I reached out to help me 1528 01:14:28,589 --> 01:14:31,423 brother on, uh, lawn mower 1529 01:14:31,592 --> 01:14:33,128 pushing a lawn mower and, pssh, stop it. 1530 01:14:33,302 --> 01:14:36,136 Here he shoots it, uh, Cecil B. DeMille really did it first 1531 01:14:39,642 --> 01:14:44,182 in "The Ten Commands" 1532 01:14:44,188 --> 01:14:46,020 where Sally Lung lowers the curtain. 1533 01:14:46,232 --> 01:14:49,191 This shot,... shot down, he just feels very vulnerable 1534 01:14:52,947 --> 01:14:55,860 1535 01:14:55,866 --> 01:14:57,482 like, like a dying animal. 1536 01:14:57,493 --> 01:14:59,155 It's just like that, once again, is like a brave shot 1537 01:14:59,161 --> 01:15:02,120 because... is very similar, nakedness revealed. 1538 01:15:02,123 --> 01:15:05,833 There is a shot in the bathroom 1539 01:15:06,002 --> 01:15:07,459 it was never used 1540 01:15:07,628 --> 01:15:09,308 it's one of the most heartbreaking shots 1541 01:15:09,380 --> 01:15:11,337 I have never seen. 1542 01:15:11,340 --> 01:15:14,458 Anne Heche, she must be willing to do things. 1543 01:15:14,468 --> 01:15:17,677 The one who shot at the end, where he slipped 1544 01:15:17,888 --> 01:15:21,006 that is the shot Hitchcock cannot be used. 1545 01:15:21,225 --> 01:15:22,511 But it is a storyboard. 1546 01:15:22,685 --> 01:15:25,268 There is an objection to use it 1547 01:15:25,479 --> 01:15:27,516 and maybe, Hitch feels 1548 01:15:27,523 --> 01:15:29,043 it's not really necessary . 1549 01:15:30,026 --> 01:15:31,767 Then we come back 1550 01:15:31,944 --> 01:15:33,310 the motive from the shower 1551 01:15:33,487 --> 01:15:35,649 expressionless eyes, just watched 1552 01:15:35,656 --> 01:15:37,693 this is terrible something happened. 1553 01:15:37,700 --> 01:15:40,238 This shot from the shower in starts from the scene 1554 01:15:40,453 --> 01:15:43,161 is one of joy, he will get a new start. 1555 01:15:43,164 --> 01:15:46,532 And now the same water is washing away proof of him existence and murder. 1556 01:15:46,709 --> 01:15:49,827 Water continues to flow and blood flow 1557 01:15:50,004 --> 01:15:53,213 but heart stops. 1558 01:15:53,382 --> 01:15:55,089 This is truly an amazing picture to see his life flows to the sewer. 1559 01:15:55,259 --> 01:15:58,627 You know, what's the metaphor. 1560 01:15:58,846 --> 01:16:00,633 And then switch to the eye, right? 1561 01:16:00,639 --> 01:16:02,551 Aw, come on. 1562 01:16:05,186 --> 01:16:07,269 That's very good. 1563 01:16:09,774 --> 01:16:11,106 I want to know how long it took the shot, how long he had to hold it. 1564 01:16:12,943 --> 01:16:14,559 To get his eyes to stay... 1565 01:16:15,362 --> 01:16:18,230 Only to ensure that the eyes do not move. 1566 01:16:18,407 --> 01:16:19,113 You can... You can look a little, I mean... 1567 01:16:19,283 --> 01:16:20,774 God, it's amazing. 1568 01:16:20,785 --> 01:16:23,243 1569 01:16:23,245 --> 01:16:25,988 1570 01:16:25,998 --> 01:16:28,331 The pointless... spiral universe 1571 01:16:28,501 --> 01:16:30,834 and how everything is finally pulled down 1572 01:16:31,003 --> 01:16:33,290 the doll headed to oblivion 1573 01:16:33,464 --> 01:16:35,205 towards no means death. 1574 01:16:35,382 --> 01:16:38,671 I think to some extent we see the fear of Hitchcock 1575 01:16:38,677 --> 01:16:40,213 as well as as his obsession. 1576 01:16:43,099 --> 01:16:45,967 You see it on "Barton Fink," you see in many films. 1577 01:16:45,976 --> 01:16:47,717 And you like, why did he get into the sewer? 1578 01:16:47,728 --> 01:16:49,688 Why does he go inside, are we going to go inside? 1579 01:16:51,398 --> 01:16:53,264 It's time from "Psycho" 1580 01:16:53,275 --> 01:16:55,983 where everything changes. 1581 01:16:56,153 --> 01:16:59,317 This is made by 1582 01:16:59,490 --> 01:17:01,573 auteur filmmaker 1583 01:17:01,742 --> 01:17:04,450 and that is a very personal stamp. 1584 01:17:06,247 --> 01:17:07,829 It ruptured in the film 1585 01:17:08,040 --> 01:17:09,326 but the movie never reaches 1586 01:17:09,333 --> 01:17:11,575 this type poetry again. 1587 01:17:11,585 --> 01:17:13,952 And you start to realize that 1588 01:17:14,130 --> 01:17:16,622 "Oh, this is what's really 1589 01:17:16,632 --> 01:17:19,090 most important to Hitchcock." 1590 01:17:19,093 --> 01:17:22,257 Tomasini has finished clockwise optical turn 1591 01:17:22,263 --> 01:17:24,380 then is right here 1592 01:17:24,390 --> 01:17:27,804 hooks back to 24 trailer frames. 1593 01:17:30,729 --> 01:17:33,312 I am only amazed that they can get a clean one. 1594 01:17:33,315 --> 01:17:35,602 Usually, when you do it an optical, it's pretty rough. 1595 01:17:35,609 --> 01:17:37,771 But it looks very subtle and very beautiful. 1596 01:17:37,945 --> 01:17:39,527 This is surprising............ and smooth from where they went to take direct action. 1597 01:17:39,738 --> 01:17:41,070 This is me... like, one of the biggest optics in the history of films. 1598 01:17:41,073 --> 01:17:42,985 This is also like what is the order of the title 1599 01:17:43,159 --> 01:17:44,445 do it on "Vertigo." 1600 01:17:44,618 --> 01:17:47,201 This is the theme goes through this film 1601 01:17:47,371 --> 01:17:48,737 and then, of course 1602 01:17:48,956 --> 01:17:50,618 it's not an style just for the sake of style. 1603 01:17:50,624 --> 01:17:51,831 1604 01:17:52,001 --> 01:17:53,492 1605 01:17:53,669 --> 01:17:55,251 That... it got content. 1606 01:17:55,254 --> 01:17:57,496 The cameras are very large 1607 01:17:57,506 --> 01:18:01,170 and very difficult to manipulate. 1608 01:18:01,385 --> 01:18:04,048 You can actually see picture 1609 01:18:04,054 --> 01:18:06,137 from Hitchcock behind Mitchell 1610 01:18:06,307 --> 01:18:08,344 and you understand what it's like 1611 01:18:08,350 --> 01:18:10,137 take the train 1612 01:18:10,311 --> 01:18:14,100 behind that big camera locomotive. 1613 01:18:14,273 --> 01:18:16,606 Even though today, is very fast. 1614 01:18:16,609 --> 01:18:18,646 You only do it like that Gus Van Sant. 1615 01:18:18,819 --> 01:18:20,856 In that remake, he did all the direct action. 1616 01:18:27,661 --> 01:18:29,573 Setback from his eyes 1617 01:18:29,788 --> 01:18:33,077 is the whole robot moving camera. 1618 01:18:33,250 --> 01:18:34,707 I am seriously following 1619 01:18:34,877 --> 01:18:38,086 the original film was shot with a shot. 1620 01:18:38,255 --> 01:18:42,295 I can cut it exactly like the original 1621 01:18:42,468 --> 01:18:43,754 and we watch it 1622 01:18:43,761 --> 01:18:47,254 and it's weird and it doesn't work. 1623 01:18:47,431 --> 01:18:50,469 I said, "Yes, Gus, you know, come here, watch the scene." 1624 01:18:50,643 --> 01:18:52,555 I said, "I have some reservations 1625 01:18:52,561 --> 01:18:54,769 " more like, how it is playing now 1626 01:18:54,939 --> 01:18:57,022 and it doesn't feel like that the bathing scene yet. " 1627 01:18:57,191 --> 01:19:00,434 We entered and tried to make it 1628 01:19:00,444 --> 01:19:02,936 a little more Gus Van Sant-y. 1629 01:19:03,155 --> 01:19:04,737 To duplicate something, like 1630 01:19:04,907 --> 01:19:07,115 as an icon as a bathing scene 1631 01:19:07,326 --> 01:19:11,320 I really think it's fair , it won't work. It's just not and it doesn't happen. I always like the placement the water droplets 1632 01:19:11,538 --> 01:19:13,279 because they are like tears. 1633 01:19:15,292 --> 01:19:18,581 Right at the end there little flicker in his eyes a little spotlight in his eyes. 1634 01:19:18,754 --> 01:19:21,337 Yes, and you can see his eyes are moving. 1635 01:19:21,507 --> 01:19:25,251 There are tight, a little blinking there. 1636 01:19:25,427 --> 01:19:27,965 1637 01:19:28,180 --> 01:19:30,046 1638 01:19:30,224 --> 01:19:34,468 1639 01:19:35,521 --> 01:19:39,105 Hitchcock is almost fetishistically 1640 01:19:39,108 --> 01:19:41,851 stay alive in this case post-mortem moment. 1641 01:19:42,027 --> 01:19:44,485 This is what happened after you died 1642 01:19:44,488 --> 01:19:46,104 and no one dies water. 1643 01:19:46,115 --> 01:19:49,654 Hitch has a little finger snap to let Janet know when the camera has passed 1644 01:19:49,868 --> 01:19:51,734 and will go into the room. 1645 01:19:51,912 --> 01:19:54,120 That, it takes lots of taking. 1646 01:19:54,123 --> 01:19:56,160 I can feel moleskin 1647 01:19:56,166 --> 01:19:58,203 pulling away from my top. 1648 01:19:58,377 --> 01:20:02,166 So, I can feel this... 1649 01:20:02,172 --> 01:20:04,380 That's just the kind like going... 1650 01:20:04,550 --> 01:20:06,166 And I thought, "Do you know what? 1651 01:20:07,928 --> 01:20:11,797 " I don't want to do it this damn thing again. 1652 01:20:11,974 --> 01:20:14,432 I really don't want to. " 1653 01:20:14,435 --> 01:20:16,051 And there are all men in scaffolding. And I said," I don't, I don't go to be simple, "you know. 1654 01:20:16,061 --> 01:20:18,348 1655 01:20:18,355 --> 01:20:22,144 1656 01:20:22,359 --> 01:20:23,019 Let them be seen. 1657 01:20:25,446 --> 01:20:27,187 Why did you cut it? to the bathroom there? 1658 01:20:27,364 --> 01:20:28,855 I don't think the reason 1659 01:20:28,866 --> 01:20:31,233 something must be done with artistic decisions. 1660 01:20:31,243 --> 01:20:34,862 That's... the solution for some of the problems he has. 1661 01:20:35,039 --> 01:20:37,076 After my grandfather was filmed "Psycho" 1662 01:20:37,249 --> 01:20:39,286 it has been shown for all executives. 1663 01:20:39,460 --> 01:20:41,201 The last person he showed me was is my grandmother 1664 01:20:41,211 --> 01:20:43,203 and they sit in the playback room 1665 01:20:43,380 --> 01:20:46,168 and he found out and he saw my grandfather and said 1666 01:20:46,175 --> 01:20:47,791 "Hitch, you can't release this." 1667 01:20:47,801 --> 01:20:48,962 And he said, "Why not?" 1668 01:20:48,969 --> 01:20:51,006 And he left, "Janet Leigh took a breath." 1669 01:20:51,013 --> 01:20:53,471 They can't re-shoot, Janet is gone. 1670 01:20:53,640 --> 01:20:55,256 Uh, no has a budget. 1671 01:20:55,434 --> 01:20:59,178 So they just cut back to bathing spewing water. 1672 01:21:02,316 --> 01:21:06,856 Then, Cynical camera movements. 1673 01:21:06,862 --> 01:21:11,323 He made his moral decision and this was what made him. 1674 01:21:11,492 --> 01:21:13,092 There is a picture of the universe that doesn't care 1675 01:21:13,160 --> 01:21:14,742 if you want it. 1676 01:21:14,912 --> 01:21:16,869 And you see the title there, "Good." 1677 01:21:16,872 --> 01:21:17,872 I... I... it's not fine. 1678 01:21:18,040 --> 01:21:19,497 Nothing's fine. 1679 01:21:19,666 --> 01:21:21,282 He always returns to McGuffin 1680 01:21:21,460 --> 01:21:24,498 that is $ 40,000. 1681 01:21:24,505 --> 01:21:27,339 Then he throws the newspaper into the swamp. 1682 01:21:27,341 --> 01:21:29,799 Get off by car. 1683 01:21:30,010 --> 01:21:32,127 And the audience said, it's j... that's 1684 01:21:32,137 --> 01:21:34,299 ...... is the money 1685 01:21:34,306 --> 01:21:36,138 what we think is important in this story. 1686 01:21:36,308 --> 01:21:37,719 That's really not important. 1687 01:21:37,726 --> 01:21:39,286 This is something else things in the film 1688 01:21:39,311 --> 01:21:40,643 who always torments me. 1689 01:21:40,813 --> 01:21:42,145 The biggest scene in film history 1690 01:21:42,147 --> 01:21:43,479 ends on the acid note 1691 01:21:43,482 --> 01:21:46,020 with a bad ADR line 1692 01:21:46,026 --> 01:21:47,642 that is doom from many films. 1693 01:21:54,451 --> 01:21:55,612 This is Norman just curious what happened 1694 01:21:55,786 --> 01:21:56,947 and oh, me, he can't believe it. 1695 01:21:57,121 --> 01:21:59,864 Other murders at the motel. How did it happen? 1696 01:21:59,873 --> 01:22:01,910 This is amazing effect. 1697 01:22:03,919 --> 01:22:06,127 This is a very important part of filmmaking to sort of let the consequences really land. 1698 01:22:06,130 --> 01:22:09,294 This is not about getting blood stains out of the bathtub. 1699 01:22:09,466 --> 01:22:13,506 About this 1700 01:22:13,512 --> 01:22:15,845 incredible tiring process 1701 01:22:16,014 --> 01:22:18,256 that this is irresistible 1702 01:22:18,434 --> 01:22:22,895 a broken soul need to be done. 1703 01:22:23,063 --> 01:22:25,476 It demands not only that we watch when we watch 1704 01:22:25,482 --> 01:22:27,599 the murder was from Marion Crane 1705 01:22:27,776 --> 01:22:30,143 but we also voyeurs to 1706 01:22:30,320 --> 01:22:34,189 1707 01:22:34,366 --> 01:22:36,278 1708 01:22:36,452 --> 01:22:38,694 1709 01:22:38,871 --> 01:22:42,364 creepy world of Norman. 1710 01:22:42,541 --> 01:22:44,954 For me, cleansing is represented 1711 01:22:45,127 --> 01:22:49,417 Alfred Hitchcock sense of order 1712 01:22:49,590 --> 01:22:53,004 taste, I'm not sexually raised by this woman 1713 01:22:53,177 --> 01:22:55,385 and I just will pretend 1714 01:22:55,554 --> 01:23:00,265 this unpleasant episode never even happened. 1715 01:23:00,267 --> 01:23:04,181 I think that cleaning always represents 1716 01:23:04,354 --> 01:23:05,720 sexual guilt. 1717 01:23:05,731 --> 01:23:07,723 You care about this person. 1718 01:23:07,733 --> 01:23:10,271 And I know that sounds crazy, but you do it. 1719 01:23:10,277 --> 01:23:13,020 You want to know if will happen to him. 1720 01:23:13,030 --> 01:23:15,363 You want to know whether he will be free from this 1721 01:23:15,532 --> 01:23:17,239 or does it run to consume him? 1722 01:23:17,409 --> 01:23:20,243 The fact that he was able to to make you care 1723 01:23:20,245 --> 01:23:22,862 is one of the magic films. 1724 01:23:25,501 --> 01:23:28,164 "Psycho" obviously has influence 1725 01:23:28,378 --> 01:23:30,461 overall a number of films. 1726 01:23:30,631 --> 01:23:33,669 "Psycho" is the mother of the slasher genre. 1727 01:23:33,842 --> 01:23:37,802 The shower scene is really the first, um, fully sexual on the screen, um, knife attack. 1728 01:23:37,804 --> 01:23:39,295 You have Mario Bava in Italy 1729 01:23:39,473 --> 01:23:41,840 and he takes the visual from the "Psycho" scene. 1730 01:23:41,850 --> 01:23:44,593 In Italy, in the 60s 1731 01:23:44,770 --> 01:23:46,978 they don't have the same censorship law 1732 01:23:47,147 --> 01:23:48,747 Bava takes the Hitchcock style 1733 01:23:50,150 --> 01:23:51,937 and really created Giallo Italian films. 1734 01:23:51,944 --> 01:23:56,154 Dario Argento exploded to the scene 1735 01:23:56,156 --> 01:23:58,022 with "Bird with fur crystal" 1736 01:23:58,200 --> 01:24:00,237 determined to present murder as a form of art consistently having sexual relations and documenting the murder 1737 01:24:00,244 --> 01:24:03,658 um, um, try to present it as something beautiful 1738 01:24:03,664 --> 01:24:06,907 catharsis and almost orgasm that occurs 1739 01:24:06,917 --> 01:24:10,376 1740 01:24:10,379 --> 01:24:13,042 1741 01:24:13,048 --> 01:24:14,459 again and again in his work. 1742 01:24:16,468 --> 01:24:18,710 Then, of course, American films 1743 01:24:18,720 --> 01:24:20,461 began to imitate Italian Films. 1744 01:24:20,639 --> 01:24:23,097 And you get waves 80s slasher films started 1745 01:24:23,267 --> 01:24:24,929 with John Carpenter "Halloween." 1746 01:24:25,143 --> 01:24:27,260 "Psycho" maybe also really started 1747 01:24:27,437 --> 01:24:30,396 rather negative tendencies victims of undressing 1748 01:24:30,566 --> 01:24:32,168 before they were slaughtered, which is something 1749 01:24:32,192 --> 01:24:35,651 a haunted cinema throughout the 70s. 1750 01:24:35,654 --> 01:24:38,146 Martin Scorsese talks about 1751 01:24:38,323 --> 01:24:41,316 construction fight 1752 01:24:41,326 --> 01:24:44,660 in "Raging Bull," with Sugar Ray Robinson. 1753 01:24:44,663 --> 01:24:46,370 I really understand shot-by-shot solving 1754 01:24:46,373 --> 01:24:48,160 from the bathing scene in "Psycho" 1755 01:24:48,333 --> 01:24:50,495 and there really is my original storyboard for this one shot-by-shot 1756 01:24:50,669 --> 01:24:52,911 1757 01:24:52,921 --> 01:24:54,332 and shoot it in that order. 1758 01:24:56,300 --> 01:24:57,882 I don't believe in the influence of the film culture in this case again. 1759 01:24:58,051 --> 01:25:00,509 When... a moment violence is very suggestive 1760 01:25:00,679 --> 01:25:03,843 very new, very different whatever we see 1761 01:25:04,016 --> 01:25:06,099 it only becomes 1762 01:25:06,268 --> 01:25:07,759 part of the culture conversation 1763 01:25:07,769 --> 01:25:09,681 and I think that's what happened 1764 01:25:09,688 --> 01:25:10,928 with a bathing scene. 1765 01:25:11,064 --> 01:25:12,305 I'm on this TV program called "Screen Queens." 1766 01:26:12,959 --> 01:26:15,918 I have been asked to take a shower 1767 01:26:17,881 --> 01:26:19,281 and take photos before. 1768 01:26:19,383 --> 01:26:21,466 I have been asked to make it back. 1769 01:26:21,468 --> 01:26:25,257 And I already said "No" all the time 1770 01:26:25,430 --> 01:26:27,262 because of course, um, this is my mother's inheritance and it's not mine, to play. 1771 01:26:27,432 --> 01:26:29,845 This is the sandbox. 1772 01:26:29,851 --> 01:26:32,969 But my mother has long been now more than 10 years. 1773 01:26:33,146 --> 01:26:34,933 1774 01:26:35,107 --> 01:26:38,851 1775 01:26:39,027 --> 01:26:42,191 And this is a good show. 1776 01:26:42,197 --> 01:26:45,065 And that is very respectful 1777 01:26:45,283 --> 01:26:47,866 funny, respect. 1778 01:26:50,330 --> 01:26:52,367 And so the Red Devil came in 1779 01:26:52,374 --> 01:26:54,616 He tore the curtain but I'm not there. 1780 01:26:54,793 --> 01:26:56,785 And that time I came from behind the bathroom door 1781 01:26:57,003 --> 01:27:00,417 attack him and just before I did it, I saw him and left 1782 01:27:00,590 --> 01:27:03,958 "I saw the film like, 50 times!" 1783 01:27:04,136 --> 01:27:06,628 I'm back in Chicago 1784 01:27:15,731 --> 01:27:17,563 shoot, uh, Closing September 1960. 1785 01:27:17,774 --> 01:27:21,142 I have worked in Playboy Club 1786 01:27:22,988 --> 01:27:24,149 until maybe October that year. 1787 01:27:24,322 --> 01:27:27,110 I am one of the, uh, genuine, uh, rabbits there. 1788 01:27:27,117 --> 01:27:30,576 I never mentioned "Psycho." 1789 01:27:30,579 --> 01:27:32,366 The shot I don't like it 1790 01:27:34,332 --> 01:27:37,370 when, uh, Tony Perkins pulled me out of the bathtub 1791 01:27:37,544 --> 01:27:40,537 1792 01:27:40,714 --> 01:27:44,003 and wrap me inside, on the shower curtain. 1793 01:27:44,176 --> 01:27:47,169 He picked me up Take me to the trunk. 1794 01:27:47,179 --> 01:27:49,887 Well, he, he made me realize, I don't know, six, nine inches 1795 01:27:50,056 --> 01:27:52,048 from the floor and drop me back 1796 01:27:52,058 --> 01:27:55,927 because of him... he is not in a position to take dead weight. 1797 01:27:56,146 --> 01:27:57,986 He picked me up, put me on his knee and then... 1798 01:28:00,192 --> 01:28:01,808 ... and that's me. 1799 01:28:01,985 --> 01:28:04,853 And that, uh, comes out to the car and that's the end m