1
00:00:17,283 --> 00:00:19,752
Woman:
I NEED YOUR HELP, VERONICA.
2
00:00:21,321 --> 00:00:23,322
Man: I THINK
I NEED YOUR HELP.
I NEED TO KNOW.
3
00:00:23,324 --> 00:00:25,324
[ VOICES ECHOING ]
4
00:00:25,326 --> 00:00:27,292
Veronica:
A TEENAGED PRIVATE EYE.
5
00:00:27,294 --> 00:00:30,963
TRUST ME.
I KNOW HOW DUMB THAT SOUNDS.
6
00:00:30,965 --> 00:00:33,032
BUT IT'S NOT LIKE
I FOUND A DECODER RING
7
00:00:33,034 --> 00:00:34,400
AT THE BOTTOM OF A CEREAL BOX
8
00:00:34,402 --> 00:00:37,002
AND THOUGHT,
"THAT SOUNDS LIKE FUN."
9
00:00:37,004 --> 00:00:40,239
I WISH.
THAT WOULD HAVE BEEN ADORABLE.
10
00:00:41,374 --> 00:00:43,075
NOPE.
11
00:00:43,077 --> 00:00:46,178
MY BEST FRIEND WAS MURDERED
WHEN I WAS 15.
12
00:00:46,180 --> 00:00:49,448
TRYING TO FIGURE OUT WHO DID IT
WAS HOW I COPED.
13
00:00:52,685 --> 00:00:54,386
MY DAD WAS SHERIFF AT THE TIME,
14
00:00:54,388 --> 00:00:57,856
AND WHEN HE WENT AFTER
THE MOST POWERFUL MAN IN TOWN,
15
00:00:57,858 --> 00:01:01,160
HE TURNED US BOTH INTO PARIAHS.
16
00:01:01,162 --> 00:01:04,863
DAD LOST HIS JOB,
AND I LOST MY FRIENDS.
17
00:01:04,865 --> 00:01:07,433
KIDS CAN BE CRUEL, AFTER ALL.
18
00:01:07,435 --> 00:01:11,670
THE CRUELEST WAS LOGAN ECHOLLS,
MY DEAD FRIEND'S BOYFRIEND.
19
00:01:11,672 --> 00:01:15,874
LIKE ME, LOGAN WAS FUELED
BY RAGE AND DISTRUST.
20
00:01:15,876 --> 00:01:18,877
HE WANTED TO MAKE SOMEONE PAY.
21
00:01:18,879 --> 00:01:22,414
IT'S LIKELY THOSE QUALITIES
ARE WHAT DREW US TOGETHER.
22
00:01:23,917 --> 00:01:25,851
THEY'RE ABSOLUTELY
WHAT TORE US APART.
23
00:01:29,789 --> 00:01:32,024
AFTER MY DAD
WAS RUN OUT OF OFFICE,
24
00:01:32,026 --> 00:01:35,194
HE GOT HIS PI LICENSE
AND OPENED AN AGENCY.
25
00:01:35,196 --> 00:01:38,564
I HUNG OUT THERE TO LEARN
THE TRICKS OF THE TRADE.
26
00:01:38,566 --> 00:01:41,266
THERE WAS PLENTY OF WORK
FOR BOTH OF US
27
00:01:41,268 --> 00:01:44,303
IN THE SEEDY BEACH TOWN
OF NEPTUNE, CALIFORNIA.
28
00:01:44,305 --> 00:01:47,239
PEOPLE MIGHT THINK OF NEPTUNE
AS GLAMOROUS,
29
00:01:47,241 --> 00:01:50,242
HOME TO MOVIE STARS
AND CAPTAINS OF INDUSTRY.
30
00:01:50,244 --> 00:01:54,213
BUT WHEN THE CLASS WAR COMES,
NEPTUNE WILL BE GROUND ZERO.
31
00:01:54,215 --> 00:01:58,584
IT'S A SPRINGSTEEN SONG --
"GET OUT WHILE YOU'RE YOUNG."
32
00:01:58,586 --> 00:02:00,953
I GOT OUT WHEN I WAS 19,
33
00:02:00,955 --> 00:02:04,923
LEAVING A TRAIL OF DESTRUCTION
IN MY WAKE.
34
00:02:04,925 --> 00:02:06,725
I'VE GROWN UP, THOUGH.
35
00:02:06,727 --> 00:02:08,093
THAT WAS THE OLD ME.
36
00:02:08,095 --> 00:02:11,130
ANGRY ME.
VENGEFUL ME.
37
00:02:11,898 --> 00:02:14,099
NEW ME?
38
00:02:14,101 --> 00:02:17,136
PEOPLE SAY I'M A MARSHMALLOW.
39
00:02:21,141 --> 00:02:22,441
[ SIREN WAILING IN DISTANCE ]
40
00:02:22,443 --> 00:02:27,346
Gayle:
SO, A YEAR AT HEARST COLLEGE,
41
00:02:27,348 --> 00:02:30,015
B.A. IN PSYCHOLOGY
FROM STANFORD,
42
00:02:30,017 --> 00:02:33,085
NEAR THE TOP OF YOUR CLASS
AT COLUMBIA LAW.
43
00:02:33,087 --> 00:02:36,121
YOU'RE DUE TO TAKE THE BAR
IN SIX WEEKS.
44
00:02:36,123 --> 00:02:37,523
A LITTLE ABOUT US.
45
00:02:37,525 --> 00:02:39,091
WE'RE A MULTI-NATIONAL FIRM.
46
00:02:39,093 --> 00:02:41,627
50 LAWYERS IN NEW YORK.
47
00:02:41,629 --> 00:02:43,996
OUR CLIENTS HERE
AT TRUMAN-MANN
48
00:02:43,998 --> 00:02:46,598
ARE PRIMARILY
FORTUNE 500 COMPANIES.
49
00:02:46,600 --> 00:02:49,268
OUR JOB IS TO MAKE SURE THAT
FRIVOLOUS LAWSUITS DISAPPEAR
50
00:02:49,270 --> 00:02:51,370
BEFORE THEY EVER REACH
THE COURTROOM.
51
00:02:52,839 --> 00:02:54,806
WE'RE LOOKING
AT A NUMBER OF CANDIDATES,
52
00:02:54,808 --> 00:02:57,943
ALL WITH IMPRESSIVE RéSUMéS,
53
00:02:57,945 --> 00:03:01,880
BUT NONE QUITE
AS UNIQUE AS YOURS.
54
00:03:04,484 --> 00:03:07,719
YOU WERE ISSUED
A PRIVATE INVESTIGATOR'S LICENSE
55
00:03:07,721 --> 00:03:09,188
FOR YOUR 18th BIRTHDAY?
56
00:03:09,190 --> 00:03:12,191
IS THAT SOMETHING
CALIFORNIA KIDS DO?
57
00:03:12,193 --> 00:03:15,994
MY DAD IS A PI
I WORKED FOR HIM.
58
00:03:15,996 --> 00:03:18,030
IT WAS MORE
ANSWERING PHONES
59
00:03:18,032 --> 00:03:20,499
AND HANDLING HIS TRAVEL
THAN ANYTHING ELSE.
60
00:03:20,501 --> 00:03:21,500
REALLY?
61
00:03:21,502 --> 00:03:22,668
BEFORE YOU WERE 20,
62
00:03:22,670 --> 00:03:25,704
YOUR NAME POPPED UP
ON LexisNexis IN 14 --
63
00:03:25,706 --> 00:03:26,838
15.
64
00:03:26,840 --> 00:03:29,141
15 SEPARATE ARTICLES OR BRIEFS,
65
00:03:29,143 --> 00:03:33,245
IN CASES RANGING FROM MULTIPLE
HOMICIDES TO DOGNAPPING.
66
00:03:33,247 --> 00:03:36,415
YOU HAVE A DEGREE
IN PSYCHOLOGY, MISS MARS.
67
00:03:36,417 --> 00:03:38,517
WHAT DO YOU THINK
THAT SAYS ABOUT A PERSON?
68
00:03:38,519 --> 00:03:41,186
COMPULSIVE, CLEARLY.
69
00:03:41,188 --> 00:03:42,988
ADDICTIVE PERSONALITY.
70
00:03:42,990 --> 00:03:45,991
POSSIBLE
ADRENALINE JUNKIE.
71
00:03:45,993 --> 00:03:47,492
BUT THAT'S NOT ME
ANYMORE.
72
00:03:47,494 --> 00:03:50,028
I HAVEN'T WORKED A CASE
SINCE I TRANSFERRED TO STANFORD.
73
00:03:50,030 --> 00:03:51,496
AND WHY IS THAT?
74
00:03:52,765 --> 00:03:54,933
THE PRICE WAS TOO HIGH.
75
00:03:54,935 --> 00:03:58,237
IT RUINED FRIENDSHIPS
AND RELATIONSHIPS.
76
00:03:58,239 --> 00:04:01,106
IT COST ME A LOT OF
OPPORTUNITIES ALONG THE WAY.
77
00:04:01,108 --> 00:04:04,209
SO, YOUR DECISION TO TRANSFER
WASN'T RELATED
78
00:04:04,211 --> 00:04:07,913
TO A CERTAIN VIDEO OF YOU
AND ANOTHER HEARST STUDENT?
79
00:04:07,915 --> 00:04:11,049
THE SEX TAPE?
NO NEED TO BE COY.
80
00:04:11,051 --> 00:04:13,051
LEONARD --
IT'S FINE.
81
00:04:13,053 --> 00:04:16,188
AS LAWYERS, WE ARE OFTEN PUT
IN ADVERSARIAL SITUATIONS.
82
00:04:16,190 --> 00:04:18,557
OPPOSING COUNSEL
WILL SEEK TO EXPLOIT
83
00:04:18,559 --> 00:04:19,791
ANY PERCEIVED WEAKNESS.
84
00:04:19,793 --> 00:04:21,693
ALL I'LL SAY
ABOUT THAT TAPE IS
85
00:04:21,695 --> 00:04:24,896
IT WAS MADE AND DISTRIBUTED
WITHOUT MY KNOWLEDGE.
86
00:04:24,898 --> 00:04:28,433
AND I'LL ASK YOU,
DO I LOOK RUFFLED?
87
00:04:28,435 --> 00:04:30,869
Piz:
REBUILDING HER LIFE TOOK TIME.
88
00:04:30,871 --> 00:04:33,071
MORE TIME THAN YOU'D THINK.
89
00:04:33,073 --> 00:04:34,406
ZHI HOWES WAS BROKE.
90
00:04:34,408 --> 00:04:37,242
AND, WORSE,
PEOPLE CONSIDERED HER PASSÉ.
91
00:04:37,244 --> 00:04:39,044
SHE THOUGHT ABOUT RESTARTING
HER MORIBUND CAREER
92
00:04:39,046 --> 00:04:40,579
WITH A KICKSTARTER CAMPAIGN,
93
00:04:40,581 --> 00:04:43,482
BUT THE POTENTIAL FOR FURTHER
HUMILIATION WAS DAUNTING.
94
00:04:45,318 --> 00:04:46,985
THEY BROUGHT UP
THE SEX TAPE?
95
00:04:46,987 --> 00:04:48,654
I THINK
I HANDLED IT OKAY.
96
00:04:48,656 --> 00:04:51,323
I HAVE ANOTHER MEETING TOMORROW
WITH ONE OF THE PARTNERS.
97
00:04:51,325 --> 00:04:53,592
I HOPE WE TALK S.T.D.s.
[ CHUCKLES ]
98
00:04:53,594 --> 00:04:55,927
[ CELLPHONE CHIMES ]
99
00:04:55,929 --> 00:04:58,130
WHAT?
WALLACE.
100
00:04:58,132 --> 00:05:00,098
HE KEEPS TRYING TO GET ME
TO COME IN
101
00:05:00,100 --> 00:05:01,266
FOR OUR 10-YEAR REUNION.
102
00:05:01,268 --> 00:05:03,902
NOT BLOODY LIKELY.
103
00:05:03,904 --> 00:05:05,604
HEY, PIZ.
YEAH?
104
00:05:05,606 --> 00:05:08,106
ZHI HOWES' STORY.
HOW LONG IS IT GONNA BE NOW?
105
00:05:08,108 --> 00:05:10,175
UH, 12, 12 1/2 MINUTES.
106
00:05:10,177 --> 00:05:11,243
YOU'RE KILLING ME.
107
00:05:11,245 --> 00:05:12,911
HI.
HI.
108
00:05:12,913 --> 00:05:14,513
YOU MUST BE THE GIRLFRIEND
109
00:05:14,515 --> 00:05:17,949
WHO WE HAVE HEARD SO MUCH ABOUT
AND NEVER SEEN.
110
00:05:17,951 --> 00:05:20,018
I AM.
LAW SCHOOL.
111
00:05:20,020 --> 00:05:21,353
OH.
112
00:05:21,355 --> 00:05:23,955
UM, I'M A REALLY BIG FAN
OF THE SHOW, THOUGH.
113
00:05:23,957 --> 00:05:25,190
FUNNY STORY.
114
00:05:25,192 --> 00:05:27,592
I DO A PRETTY WICKED
IMPRESSION OF YOU.
115
00:05:27,594 --> 00:05:29,294
I DON'T THINK WE --
YOU DON'T --
I AM HAPPY TO --
116
00:05:29,296 --> 00:05:32,964
UH, VERONICA AND I -- WE --
WE DATED FOR MONTHS IN COLLEGE
117
00:05:32,966 --> 00:05:35,033
AND THIS WHOLE LAST YEAR,
AND SHE'S ONLY MEETING
MY PARENTS
118
00:05:35,035 --> 00:05:36,301
FOR THE FIRST TIME
NEXT WEEK.
119
00:05:36,303 --> 00:05:38,437
SHE BLAMES LAW SCHOOL
FOR THAT, TOO.
120
00:05:38,439 --> 00:05:41,540
SO THE FACT THAT SHE HASN'T MET
MY COLLEAGUES...
121
00:05:41,542 --> 00:05:43,875
V-VERONICA?
122
00:05:43,877 --> 00:05:47,145
BONNIE DE VILLE WAS FOUND DEAD
IN HER BATHTUB.
123
00:05:47,147 --> 00:05:50,015
OH, THAT'S AWFUL.
YOU A FAN?
124
00:05:50,017 --> 00:05:52,984
I WENT TO HIGH SCHOOL
WITH HER.
125
00:05:52,986 --> 00:05:55,354
SHE WAS CARRIE BISHOP
BACK THEN.
126
00:06:00,827 --> 00:06:03,328
♪ A LONG TIME AGO
127
00:06:03,330 --> 00:06:05,364
HEY! [ WHISTLES ]
♪ WE USED TO BE FRIENDS
128
00:06:05,366 --> 00:06:10,302
♪ BUT I HAVEN'T THOUGHT OF YOU
LATELY AT ALL ♪
129
00:06:10,304 --> 00:06:16,241
♪ IF EVER AGAIN,
A GREETING I SEND TO YOU ♪
130
00:06:16,243 --> 00:06:21,680
♪ SHORT AND SWEET TO THE SOUL
IS ALL I INTEND ♪
131
00:06:21,682 --> 00:06:25,517
I HAVEN'T SEEN OR SPOKEN
TO LOGAN IN NINE YEARS.
132
00:06:25,519 --> 00:06:26,651
Piz: VERONICA!
133
00:06:26,653 --> 00:06:28,353
I HEARD
HE GOT HIS LIFE TOGETHER.
134
00:06:28,355 --> 00:06:31,223
THEN SUDDENLY HE'S ALL
OVER THE GOSSIP PAGES.
135
00:06:32,358 --> 00:06:33,692
♪ COME ON NOW, HONEY
136
00:06:33,694 --> 00:06:35,861
"SON OF A MOVIE STAR
DATES POP STAR."
137
00:06:35,863 --> 00:06:38,430
"SON OF A MOVIE STAR
BEATS UP PAPARAZZI."
138
00:06:38,432 --> 00:06:40,432
"CAUGHT ON CAMERA:
SON OF A MOVIE STAR
139
00:06:40,434 --> 00:06:42,434
THREATENS
CELEBRITY GIRLFRIEND'S LIFE."
140
00:06:42,436 --> 00:06:44,836
[ RADIO CHANNELS CHANGING ]
141
00:06:44,838 --> 00:06:47,005
Man on radio:
DE VILLE WAS ELECTROCUTED
IN HER BATHTUB.
142
00:06:47,007 --> 00:06:49,841
LOCAL AUTHORITIES HAVE RULED
THE SINGER'S DEATH A HOMICIDE
143
00:06:49,843 --> 00:06:51,943
AND ARE FOCUSING
THEIR INVESTIGATION
144
00:06:51,945 --> 00:06:54,012
ON EX-BOYFRIEND LOGAN ECHOLLS.
145
00:06:54,014 --> 00:06:57,716
Veronica: WHEN I WAS A KID, DAD
STUCK A MAGNET ON OUR FRIDGE
146
00:06:57,718 --> 00:07:00,752
SUGGESTING WE ACCEPT THE THINGS
WE CANNOT CHANGE.
147
00:07:00,754 --> 00:07:03,588
I THOUGHT IT WAS THERE
FOR MY ALCOHOLIC MOM'S BENEFIT,
148
00:07:03,590 --> 00:07:06,291
BUT IT STAYED UP
LONG AFTER MOM WAS GONE.
149
00:07:06,293 --> 00:07:07,859
Man:
SHERIFF LAMB, IS IT TRUE
150
00:07:07,861 --> 00:07:09,961
THAT LOGAN ECHOLLS WAS
IN THE HOUSE WHEN BONNIE DIED?
151
00:07:09,963 --> 00:07:13,598
Lamb: WE FOUND ECHOLLS PASSED
OUT NEXT TO DE VILLE'S BODY.
152
00:07:13,600 --> 00:07:15,434
Vasquez: [ Spanish accent ]
SHERIFF, ARE YOU AWARE
153
00:07:15,436 --> 00:07:17,269
OF THE VIDEO OF LOGAN ECHOLLS
THREATENING BONNIE?
154
00:07:17,271 --> 00:07:18,870
GET OUT!
[ THUD]
155
00:07:18,872 --> 00:07:20,572
YOU'RE NOT WELCOME HERE!
156
00:07:20,574 --> 00:07:22,908
OKAY, YOU GET RID OF HIM,
OR YOU'RE GONNA END UP DEAD.
157
00:07:22,910 --> 00:07:24,743
KIND OF SPEAKS FOR ITSELF,
DON'T YOU THINK?
158
00:07:24,745 --> 00:07:26,244
CAN YOU SPEAK
TO THE TRAGEDY,
159
00:07:26,246 --> 00:07:27,612
THE VIOLENT DEATH
OF A CELEBRITY
160
00:07:27,614 --> 00:07:29,347
WHO SEEMED
TO HAVE IT ALL?
161
00:07:30,883 --> 00:07:32,684
[ CELLPHONE VIBRATING ]
162
00:07:39,158 --> 00:07:40,559
[ BEEP ]
163
00:07:43,229 --> 00:07:44,663
[ VIBRATING ]
164
00:07:50,837 --> 00:07:55,106
[ SIGHS ]
165
00:07:55,108 --> 00:07:58,610
SO, WHAT'S NEW WITH YOU?
166
00:07:58,612 --> 00:08:00,512
LOGAN: I need your help,
Veronica.
167
00:08:04,083 --> 00:08:06,685
I DON'T REALLY
DO THAT ANYMORE.
168
00:08:06,687 --> 00:08:09,521
Look, can you
just hear me out?
169
00:08:09,523 --> 00:08:12,657
HE'S BEING BOMBARDED BY LAWYERS
WANTING TO REPRESENT HIM.
170
00:08:12,659 --> 00:08:15,126
I'M JUST GONNA GO OUT THERE,
SEE MY DAD,
171
00:08:15,128 --> 00:08:17,295
AND HELP LOGAN
WEED OUT THE SHYSTERS.
172
00:08:17,297 --> 00:08:19,498
WELL, GIVE LOGAN MY BEST
AND TELL HIM
173
00:08:19,500 --> 00:08:22,501
I'VE GOTTEN TOTALLY USED
TO THE LOOSE BONE FRAGMENTS
174
00:08:22,503 --> 00:08:23,935
FLOATING AROUND
MY ORBITAL SOCKET.
175
00:08:23,937 --> 00:08:25,337
YOU MAY NOT WANT TO MENTION
THAT VIOLENT STREAK
176
00:08:25,339 --> 00:08:27,138
TO HIS NEW LAWYER.
177
00:08:27,140 --> 00:08:28,640
SHUT UP, OKAY?
178
00:08:28,642 --> 00:08:30,475
OKAY.
179
00:08:30,477 --> 00:08:34,546
[ INDISTINCT CONVERSATIONS ]
180
00:08:48,327 --> 00:08:50,829
HEY, THERE.
181
00:08:50,831 --> 00:08:52,797
HI.
182
00:08:52,799 --> 00:08:54,165
UM.
183
00:08:54,167 --> 00:08:56,268
[ CHUCKLES ]
184
00:08:58,037 --> 00:08:59,337
YOU WEREN'T PLANNING ON
185
00:08:59,339 --> 00:09:01,172
CARRYING ME THROUGH
THE AIRPORT, WERE YOU?
186
00:09:01,174 --> 00:09:02,841
UH, NO.
I JUST MET WITH JAG CORPS.
187
00:09:02,843 --> 00:09:04,309
FUN BUNCH OF GUYS.
188
00:09:04,311 --> 00:09:08,580
I, UM, I HAD HEARD,
OF COURSE,
189
00:09:08,582 --> 00:09:10,949
BUT I COULDN'T
FULLY PICTURE IT.
190
00:09:12,218 --> 00:09:15,921
YOU SHOULD ONLY WEAR THIS,
LIKE, EVER.
191
00:09:15,923 --> 00:09:17,522
LET ME?
192
00:09:17,524 --> 00:09:18,990
HOW DID YOU GET
THROUGH SECURITY?
193
00:09:18,992 --> 00:09:21,359
UH, I BOUGHT A $49 TICKET
TO PALM SPRINGS.
194
00:09:21,361 --> 00:09:22,894
TOTALLY WORTH IT.
195
00:09:24,897 --> 00:09:26,565
HOW WAS YOUR FLIGHT?
196
00:09:26,567 --> 00:09:27,766
GOOD.
197
00:09:27,768 --> 00:09:29,834
I WOULD HAVE BEEN FINE
IN COACH.
198
00:09:29,836 --> 00:09:33,004
BUT THANKS.
199
00:09:33,006 --> 00:09:35,006
THERE'S THE SUN.
200
00:09:35,008 --> 00:09:38,777
DO YOU EVER GET TIRED
OF ALL THIS AMAZING WEATHER?
201
00:09:38,779 --> 00:09:41,212
YEAH, AND HOW ABOUT THEM
DODGERS?
202
00:09:41,214 --> 00:09:43,048
[ CHUCKLES ]
203
00:09:43,050 --> 00:09:46,384
LOOK AT US, FALLING RIGHT BACK
INTO OUR OLD RHYTHMS.
204
00:09:46,386 --> 00:09:47,986
[ SIGHS ]
205
00:09:51,557 --> 00:09:55,026
I IMAGINE YOUR DAD
IS PRETTY EXCITED TO SEE YOU.
206
00:09:55,028 --> 00:09:56,795
I'M SURPRISING HIM.
207
00:09:58,731 --> 00:10:02,300
SO, ARE YOU GONNA ASK
IF I DID IT?
208
00:10:02,302 --> 00:10:05,804
I WOULDN'T BE HERE
IF I THOUGHT YOU DID.
209
00:10:06,906 --> 00:10:08,306
HI.
210
00:10:08,308 --> 00:10:10,775
[ INDISTINCT TALKING
IN DISTANCE ]
211
00:10:13,579 --> 00:10:16,948
[ TELEPHONE RINGING ]
212
00:10:26,158 --> 00:10:27,892
MARS INVESTIGATIONS.
213
00:10:27,894 --> 00:10:30,261
SORRY, HE'S UNAVAILABLE.
CAN I TAKE A MESSAGE?
214
00:10:30,263 --> 00:10:31,930
Keith: YOU HANG IN THERE,
MR. MILLET.
215
00:10:31,932 --> 00:10:33,765
I SHOULD KNOW SOMETHING
IN A FEW DAYS.
216
00:10:33,767 --> 00:10:35,634
UH, YES, MA'AM,
WE WILL TAKE PICTURES,
217
00:10:35,636 --> 00:10:37,769
BUT I'M AFRAID
SHOOTING THE SON OF A BITCH
218
00:10:37,771 --> 00:10:40,105
IS NOT A SERVICE
THAT WE CURRENTLY OFFER.
219
00:10:40,107 --> 00:10:41,272
ALL RIGHT. BYE.
220
00:10:41,274 --> 00:10:44,175
[ SNORTS, CHUCKLES ]
221
00:10:44,177 --> 00:10:46,745
YOU BUCKLED.
222
00:10:46,747 --> 00:10:49,514
OH, THE MAGNETIC PULL OF
NEPTUNE HIGH BROUGHT YOU BACK.
223
00:10:49,516 --> 00:10:51,149
[ CHUCKLES ]
OH, YOU'VE GOT SPIRIT.
224
00:10:51,151 --> 00:10:54,452
YES, YOU DO.
ACTUALLY...
225
00:10:54,454 --> 00:10:58,289
OH. LOGAN.
226
00:10:58,291 --> 00:10:59,457
OF COURSE.
227
00:10:59,459 --> 00:11:01,259
I'M JUST HELPING HIM
FIND A LAWYER.
228
00:11:01,261 --> 00:11:02,460
MM-HMM.
229
00:11:02,462 --> 00:11:04,796
OH, PIZ SAYS
TO TELL YOU HI.
230
00:11:04,798 --> 00:11:07,198
GOOD MAN, PIZ.
231
00:11:07,200 --> 00:11:10,502
HOW DID HE FEEL ABOUT YOU
COMING OUT HERE TO SEE LOGAN?
232
00:11:11,437 --> 00:11:14,272
IT'S NOT A SOCIAL CALL.
233
00:11:14,274 --> 00:11:17,175
HE UNDERSTANDS THAT.
234
00:11:17,177 --> 00:11:18,443
MM-HMM.
235
00:11:18,445 --> 00:11:20,879
HE DOES.
236
00:11:23,649 --> 00:11:25,517
WHAT'S GOING ON HERE?
237
00:11:25,519 --> 00:11:26,785
STOP AND FRISK.
238
00:11:26,787 --> 00:11:29,487
SOME DEVELOPER
BOUGHT UP ALL THIS.
239
00:11:29,489 --> 00:11:30,855
NOW OUR LOCAL POLICE
240
00:11:30,857 --> 00:11:33,324
ARE RUNNING OFF
THE UNDESIRABLES.
241
00:11:33,326 --> 00:11:34,793
IT'S THE NEPTUNE WAY.
242
00:11:34,795 --> 00:11:37,395
PROTECTING AND SERVING
THE HIGHEST BIDDER.
243
00:11:37,397 --> 00:11:38,697
SO, THIS NEW SHERIFF LAMB --
244
00:11:38,699 --> 00:11:41,032
HE AS BIG OF A CLOWN
AS HIS LITTLE BROTHER?
245
00:11:41,034 --> 00:11:42,567
BIGGER.
246
00:11:42,569 --> 00:11:45,036
LAZY AND BARELY COMPETENT,
LIKE HIS BROTHER.
247
00:11:45,038 --> 00:11:47,105
MORE VENAL AND CORRUPT.
248
00:11:50,042 --> 00:11:53,044
WELL, IF IT ISN'T
THE MAN, THE MYTH,
249
00:11:53,046 --> 00:11:56,014
THE LEGENDARY PAIN IN THE ASS
KEITH MARS.
250
00:11:56,016 --> 00:11:57,015
DEPUTY.
251
00:11:57,017 --> 00:11:58,550
HEY, YOU CATCH
ANY HUSBANDS LATELY
252
00:11:58,552 --> 00:11:59,751
WITH THEIR PANTS DOWN?
253
00:11:59,753 --> 00:12:01,419
YOU SHOULD GET
A SLIDE PROJECTOR
254
00:12:01,421 --> 00:12:03,021
AND BRING IT ON DOWN
TO THE STATION.
255
00:12:03,023 --> 00:12:05,523
WE'D ALL LOVE TO SEE
YOUR DIRTY-PICTURE COLLECTION.
256
00:12:05,525 --> 00:12:08,093
WELL, YOU BOYS ARE SO BUSY
CLEANING UP THE TOWN.
257
00:12:08,095 --> 00:12:09,728
HOW WILL YOU
FIND THE TIME?
258
00:12:09,730 --> 00:12:10,995
HMM.
259
00:12:10,997 --> 00:12:12,864
SO, WHAT DID YOU GET
THOSE TWO CRIME LORDS FOR?
260
00:12:12,866 --> 00:12:14,933
EMBEZZLEMENT?
HUMAN TRAFFICKING?
I DON'T KNOW YET.
261
00:12:14,935 --> 00:12:16,868
BUT I'M SURE
WE'LL FIGURE SOMETHING OUT.
262
00:12:16,870 --> 00:12:19,337
I GUESS YOU PROBABLY
LET A LOT OF THINGS SLIDE
263
00:12:19,339 --> 00:12:20,605
ON YOUR WATCH.
264
00:12:20,607 --> 00:12:22,207
THOSE DAYS ARE GONE NOW.
265
00:12:22,209 --> 00:12:24,943
YOU KNOW WHAT HAPPENS WHEN
YOU MESS WITH THE BULL, RIGHT?
266
00:12:24,945 --> 00:12:26,845
YOU GET THE CLICHéS?
267
00:12:27,913 --> 00:12:32,217
Officer: LYLES!
LOOK WHAT WE GOT HERE!
268
00:12:32,219 --> 00:12:33,451
COUPLE OF TAGGERS!
269
00:12:33,453 --> 00:12:35,954
Man: I'M PAINTING
MY SISTER'S BIKE, BITCH.
270
00:12:35,956 --> 00:12:39,791
BITCH?
WHO YOU CALLING A BITCH?
271
00:12:40,893 --> 00:12:42,560
[ TASER CRACKLES ]
[ GROANS ]
272
00:12:42,562 --> 00:12:44,262
HEY, YOU WANT
SOME MORE JUICE, BOY?
273
00:12:44,264 --> 00:12:45,563
YOU MOVE ONE MORE INCH,
274
00:12:45,565 --> 00:12:47,766
I WILL LIGHT YOU UP
LIKE A CHRISTMAS TREE.
275
00:12:47,768 --> 00:12:49,601
DEPUTY!
276
00:12:49,603 --> 00:12:51,136
UNLESS YOU WANT TO BE
A YouTube STAR
277
00:12:51,138 --> 00:12:52,370
BY TOMORROW MORNING,
278
00:12:52,372 --> 00:12:54,105
YOU'RE GONNA
LET THOSE BOYS GO NOW.
279
00:12:55,808 --> 00:12:57,942
OR I CAN SHOVE THAT PHONE
RIGHT UP YOUR ASS.
280
00:12:57,944 --> 00:13:00,545
WELL, WE'VE SEEN HOW TOUGH
YOU ARE WITH BOYS.
281
00:13:00,547 --> 00:13:02,080
MAYBE THIS IS THE DAY
YOU FIND OUT
282
00:13:02,082 --> 00:13:03,815
HOW YOU DO
WITH A FULL-GROWN MAN.
283
00:13:03,817 --> 00:13:05,250
WOULD YOU LOOK AT THAT?
284
00:13:05,252 --> 00:13:07,085
ALREADY UPLOADED
TO THE CLOUD.
285
00:13:07,087 --> 00:13:08,987
[ ENGINES REVVING ]
286
00:13:10,923 --> 00:13:16,761
WELL...I THINK THESE BOYS
HAVE LEARNED A VALUABLE LESSON.
287
00:13:16,763 --> 00:13:19,664
I GUESS WE CAN SHUT IT DOWN
FOR THE NIGHT.
288
00:13:21,267 --> 00:13:23,001
LET'S GO.
289
00:13:25,304 --> 00:13:28,506
Keith: DO YOU REALIZE YOU'LL
MAKE MORE IN YOUR FIRST YEAR
290
00:13:28,508 --> 00:13:30,508
THAN I DID
IN THE BEST YEARS OF MY LIFE?
291
00:13:30,510 --> 00:13:31,910
SO?
292
00:13:31,912 --> 00:13:34,746
SO -- YOU'RE DESTINED
FOR GREATNESS.
293
00:13:34,748 --> 00:13:35,980
SOMETHING MUCH BIGGER
294
00:13:35,982 --> 00:13:38,283
THAN YOU WOULD HAVE
EVER FOUND HERE.
295
00:13:38,285 --> 00:13:39,450
THE ONLY GREATNESS...
296
00:13:39,452 --> 00:13:40,919
[ KNOCK ON DOOR ]
297
00:13:40,921 --> 00:13:43,021
...INHERENT IN THESE JOBS
I'M INTERVIEWING FOR
298
00:13:43,023 --> 00:13:44,789
IS THE FACT
THAT THEY'LL ALLOW ME
299
00:13:44,791 --> 00:13:46,191
TO PAY OFF MY STUDENT LOANS.
300
00:13:46,193 --> 00:13:49,594
[ Imitating Sheriff Bart ]
CANDYGRAM FOR MONGO.
301
00:13:49,596 --> 00:13:52,597
[ Imitating Mongo ]
MONGO LIKE CANDY.
302
00:13:52,599 --> 00:13:54,465
HEY, WELCOME HOME.
WELCOME HOME.
303
00:13:54,467 --> 00:13:57,335
MAC, WALLACE, YOU -- YOU HARDLY
DROP BY AT ALL ANYMORE.
304
00:13:57,337 --> 00:13:58,603
Mac: HI.
305
00:13:58,605 --> 00:14:00,972
WALLACE.
MR. MARS.
306
00:14:00,974 --> 00:14:02,874
HOW'S NEXT YEAR'S
FRESHMAN CLASS LOOKING?
307
00:14:02,876 --> 00:14:05,677
WORDS YOU NEVER WANT TO HEAR
OUT OF YOUR DAD'S MOUTH.
308
00:14:05,679 --> 00:14:07,645
HIS TEAM.
WHATEVER, PERV.
309
00:14:07,647 --> 00:14:09,814
I'VE BEEN PROMOTED
TO J.V. COACH FOR NEXT YEAR,
310
00:14:09,816 --> 00:14:12,650
SO NOW I'M JUST WAITING
FOR COACH McDONALD TO DIE.
311
00:14:12,652 --> 00:14:13,685
[ LAUGHTER ]
312
00:14:13,687 --> 00:14:14,986
WELL, GOOD LUCK WITH THAT.
313
00:14:14,988 --> 00:14:16,988
MAC, YOU STILL
WITH SUN MICROSYSTEMS?
314
00:14:16,990 --> 00:14:19,324
[ INHALES DEEPLY ]
ACTUALLY...
315
00:14:19,326 --> 00:14:20,692
GO AHEAD.
316
00:14:20,694 --> 00:14:22,493
GO AHEAD AND TELL HIM
WHAT YOU'VE BEEN UP TO NOW.
317
00:14:22,495 --> 00:14:24,829
THE SHAME.
OOH, THE SHAME.
318
00:14:24,831 --> 00:14:26,998
HOOTERS WAITRESS?
REN-FAIRE JUGGLER?
319
00:14:27,000 --> 00:14:29,000
TELEMARKETING.
HOOTERS BAR BACK!
320
00:14:29,002 --> 00:14:31,202
CLUBBING BABY SEALS.
[ MAC CHUCKLES ]
321
00:14:31,204 --> 00:14:32,537
WORSE.
322
00:14:32,539 --> 00:14:34,839
I-I ACTUALLY TOOK A JOB
WITH KANE SOFTWARE.
323
00:14:34,841 --> 00:14:37,041
I KNOW.
I HATE IT.
324
00:14:37,043 --> 00:14:39,177
I DO. I WISH I WAS
CLUBBING BABY SEALS,
325
00:14:39,179 --> 00:14:42,513
BUT THEY JUST
[High-pitched] PAY ME SO WELL.
326
00:14:42,515 --> 00:14:44,515
HMM.
"$10,000 PYRAMID."
327
00:14:44,517 --> 00:14:45,750
"THINGS A WHORE SAYS."
328
00:14:45,752 --> 00:14:47,018
BUD.
OOH!
329
00:14:47,020 --> 00:14:48,920
BUD LIGHT.
THANK YOU!
330
00:14:48,922 --> 00:14:50,188
HEY, SO, WHEN LOGAN SAID,
"JUMP,"
331
00:14:50,190 --> 00:14:51,990
DID YOU ACTUALLY SAY,
"HOW HIGH?"
332
00:14:51,992 --> 00:14:53,858
OR WAS THERE JUST
AN UNDERSTANDING
333
00:14:53,860 --> 00:14:56,027
THAT YOU WOULD ACHIEVE
MAX VERTICALITY?
334
00:14:56,029 --> 00:14:57,729
WOW. TWO BEERS.
335
00:14:57,731 --> 00:15:00,064
THAT'S HOW LONG IT TAKES
FOR YOU TO GET SURLY.
336
00:15:00,066 --> 00:15:01,866
IN CASE
IT SLIPPED YOUR MIND,
337
00:15:01,868 --> 00:15:04,602
PIZ IS THE ONE WITHOUT
THE BAGGAGE AND THE DRAMA.
338
00:15:04,604 --> 00:15:06,204
MM.
I WILL SAY THIS FOR HIM.
339
00:15:06,206 --> 00:15:08,239
HE ALMOST NEVER GETS CHARGED
WITH MURDER.
340
00:15:08,241 --> 00:15:11,276
JUST ONE OF THE THINGS
I LOVE ABOUT PIZ.
341
00:15:11,278 --> 00:15:13,211
NO DRAMA.
342
00:15:13,213 --> 00:15:16,180
SAYS THE DRAMA MAGNET.
343
00:15:16,182 --> 00:15:18,516
YOU KNOW WHAT ELSE SAYS
A LOT ABOUT A GUY?
344
00:15:18,518 --> 00:15:20,251
HIS CHOICE OF FRIENDS.
345
00:15:20,253 --> 00:15:21,653
AWW!
346
00:15:22,388 --> 00:15:26,124
[ BURPS LOUDLY ]
347
00:15:26,126 --> 00:15:27,525
WHAT'S THIS?
348
00:15:27,527 --> 00:15:28,693
WAIT A MINUTE.
NO.
349
00:15:28,695 --> 00:15:29,861
I SPECIFICALLY
TOLD THE AGENCY
350
00:15:29,863 --> 00:15:31,362
"AN EAGER-TO-PLEASE
BRUNETTE."
351
00:15:31,364 --> 00:15:32,597
WHY IS THAT SO HARD?
352
00:15:32,599 --> 00:15:33,898
DICK.
353
00:15:33,900 --> 00:15:35,433
AH, JUST KIDDING, RONNIE.
LONG TIME.
354
00:15:35,435 --> 00:15:37,936
HEY, LOGAN, THAT GIRL
WHO FOLLOWS YOU AROUND IS HERE!
355
00:15:37,938 --> 00:15:39,871
HEY,
YOU GET SOME WORK DONE?
356
00:15:39,873 --> 00:15:40,905
YOUR BOOBS LOOKS BIGGER.
357
00:15:40,907 --> 00:15:42,907
SO DO YOURS.
WHERE'S LOGAN?
358
00:15:42,909 --> 00:15:45,410
INSIDE. COME ON.
FREAKING OUT.
359
00:15:45,412 --> 00:15:46,644
ANOTHER VIDEO FROM
360
00:15:46,646 --> 00:15:47,946
THE LOGAN ECHOLLS/
BONNIE DE VILLE
361
00:15:47,948 --> 00:15:49,647
HOME COLLECTION
JUST HIT THE INTERNET.
362
00:15:50,716 --> 00:15:52,583
MISSIONARY, NATCH.
363
00:15:52,585 --> 00:15:54,152
[ CHUCKLES ]
364
00:15:54,154 --> 00:15:55,753
MUST BE NICE, DICK.
365
00:15:55,755 --> 00:15:57,922
BE IT EVER SO HUMBLE.
366
00:15:57,924 --> 00:15:59,757
GOD,
HOW DID THEY GET THIS?
367
00:15:59,759 --> 00:16:03,494
[ HEAVY BREATHING ]
368
00:16:03,496 --> 00:16:04,762
HEY, IS ANYBODY ELSE
SURPRISED
369
00:16:04,764 --> 00:16:06,097
THAT I AM THE ONLY ONE
IN THIS ROOM
370
00:16:06,099 --> 00:16:07,765
WHO DOES NOT HAVE
A SEX TAPE?
371
00:16:07,767 --> 00:16:09,167
IT COULD BE ANYBODY.
372
00:16:09,169 --> 00:16:10,601
NO, IT'S US.
373
00:16:10,603 --> 00:16:11,769
YOU SEE US
WHEN WE ENTER THE ROOM.
374
00:16:11,771 --> 00:16:13,271
YEAH,
WORST CAMERAMAN EVER.
375
00:16:13,273 --> 00:16:17,008
DUMB QUESTION,
BUT I HAVE TO ASK.
376
00:16:17,010 --> 00:16:18,776
DID YOU KNOW
YOU WERE BEING FILMED?
377
00:16:18,778 --> 00:16:20,144
UH, THAT'S RIGHT.
378
00:16:20,146 --> 00:16:21,846
WE WERE SHOOTING SOME
OF OUR USUAL LEG EROTICA.
379
00:16:21,848 --> 00:16:23,581
[ KNOCK ON DOOR ]
380
00:16:23,583 --> 00:16:27,185
OH, THAT'S GOT TO BE
OUR FIRST LAWYER.
381
00:16:27,187 --> 00:16:28,519
[ SIGHS ]
382
00:16:28,521 --> 00:16:31,990
ALL RIGHT, THEN.
ALLOW ME.
383
00:16:31,992 --> 00:16:34,459
THIS FOOTAGE LOOKS LIKE
IT WAS TAKEN FROM A TRIPOD,
384
00:16:34,461 --> 00:16:36,694
AND IT'S JUST A COUPLE FEET
FROM THE BED.
385
00:16:36,696 --> 00:16:37,996
COME ON IN, SIR.
386
00:16:37,998 --> 00:16:39,597
CARRIE WOULDN'T BE
THE FIRST CELEBRITY
387
00:16:39,599 --> 00:16:41,366
WHO THOUGHT THAT A SEX TAPE
MIGHT SOMEHOW HELP --
388
00:16:41,368 --> 00:16:42,800
IT WASN'T HER.
389
00:16:42,802 --> 00:16:44,369
Dick:
J.C. BORDEN, ESQUIRE.
390
00:16:44,371 --> 00:16:48,039
THE J.C. IS FOR "JESúS CRISTO,
GET A LOAD OF MY ROLEX."
391
00:16:48,041 --> 00:16:49,307
ALL RIGHT.
392
00:16:49,309 --> 00:16:51,476
I'M GONNA BE OUT MAKING
THE PACIFIC OCEAN MY BITCH.
393
00:16:51,478 --> 00:16:54,512
NO MURDERS OR FORBIDDEN LOVE
WHILE I'M GONE, OKAY?
394
00:16:54,514 --> 00:16:55,980
AND, UH, HEY,
STAY OUT OF THE BROWNIES
395
00:16:55,982 --> 00:16:57,882
UNLESS YOU WANT TO GO
ON A LONG, STRANGE TRIP.
396
00:16:57,884 --> 00:16:59,484
A LITTLE FREE ADVICE.
397
00:16:59,486 --> 00:17:02,520
MURDER SUSPECTS SHOULD
AVOID PROXIMITY TO NARCOTICS.
398
00:17:02,522 --> 00:17:04,889
MEDICINE, MAN.
I GOT MY CARD.
399
00:17:04,891 --> 00:17:07,725
CHRONIC DEPRESSION.
YOU WOULDN'T THINK, HUH?
400
00:17:09,461 --> 00:17:10,862
MMM.
401
00:17:10,864 --> 00:17:13,297
I CAN FEEL MY SELF-WORTH
COMING BACK RIGHT NOW.
402
00:17:15,334 --> 00:17:18,636
SO, YOU'VE MET
MY ASSOCIATE, DICK.
403
00:17:18,638 --> 00:17:20,405
OKAY. FACTS,
THEY'RE IMPORTANT, YES.
404
00:17:20,407 --> 00:17:23,174
BUT LUCKY FOR US, THEY'RE
NOT THE END-ALL, BE-ALL.
405
00:17:23,176 --> 00:17:25,676
THIS CASE IS ABOUT
SO MUCH MORE.
406
00:17:25,678 --> 00:17:27,011
SON OF A MOVIE STAR
407
00:17:27,013 --> 00:17:30,481
ACCUSED OF ELECTROCUTING
HIS POP-STAR GIRLFRIEND.
408
00:17:30,483 --> 00:17:32,150
IT WILL BE A CIRCUS,
409
00:17:32,152 --> 00:17:34,852
AND IT WILL BE WON OR LOST
IN THE COURT OF PUBLIC OPINION.
410
00:17:34,854 --> 00:17:37,021
WE HAVE GOT A STORY
TO SELL HERE.
411
00:17:37,023 --> 00:17:39,524
DAD MURDERS
YOUR GIRLFRIEND.
412
00:17:39,526 --> 00:17:41,159
MOM JUMPS OFF A BRIDGE.
413
00:17:41,161 --> 00:17:42,827
MOST KIDS --
THEY'RE GONNA FOLD TENT.
414
00:17:42,829 --> 00:17:44,162
BUT NOT YOU.
415
00:17:44,164 --> 00:17:46,664
YOU SIGN UP TO FLY JETS
OVER AFGHANISTAN
416
00:17:46,666 --> 00:17:47,698
FOR YOUR COUNTRY.
417
00:17:47,700 --> 00:17:49,333
I SAY
YOU'RE A GODDAMN HERO.
418
00:17:49,335 --> 00:17:51,402
SOME PEOPLE,
THEY SEE THAT VIRAL VIDEO,
419
00:17:51,404 --> 00:17:54,172
AND THEY SAY, "OH, HE'S VIOLENT.
HE'S UNHINGED."
420
00:17:54,174 --> 00:17:57,575
I SEE IT, AND I SEE JESUS
THROWING THE MONEY LENDERS
421
00:17:57,577 --> 00:17:58,776
OUT OF THE TEMPLE.
422
00:17:58,778 --> 00:17:59,877
HIRE ME.
423
00:17:59,879 --> 00:18:01,279
I PROMISE YOU
424
00:18:01,281 --> 00:18:03,347
WE WILL FIND AT LEAST
ONE PERSON ON THAT JURY
425
00:18:03,349 --> 00:18:04,515
WHO SEES IT THE SAME.
426
00:18:04,517 --> 00:18:06,451
WHO'S IN CHARGE
OF YOUR SOCIAL MEDIA?
427
00:18:08,387 --> 00:18:09,520
THANK YOU.
428
00:18:09,522 --> 00:18:10,955
GOOD NIGHT.
GOOD NIGHT.
429
00:18:13,459 --> 00:18:16,127
I'M GUESSING YOU LAWYERS
HAVE TO TAKE LOTS OF SHOWERS.
430
00:18:16,129 --> 00:18:19,097
HMM.
MY ADVICE...
431
00:18:19,099 --> 00:18:20,898
GO WITH JACKSON FREDERICK.
432
00:18:20,900 --> 00:18:22,433
HE'S SMART, DIRECT.
433
00:18:22,435 --> 00:18:24,235
THE KIND OF FACE I DON'T THINK
YOU'LL WANT TO PUNCH.
434
00:18:24,237 --> 00:18:25,770
WELL,
HE DID AN ADMIRABLE JOB
435
00:18:25,772 --> 00:18:27,805
OF LOOKING LIKE HE CARED
IF I DID IT OR NOT.
436
00:18:27,807 --> 00:18:29,373
ALTHOUGH
OUR LAST CONTESTANT
437
00:18:29,375 --> 00:18:31,209
DID SAY
SOMETHING INTERESTING.
438
00:18:31,211 --> 00:18:33,044
MM, THAT SHE HAS A STYLIST
IN MALIBU
439
00:18:33,046 --> 00:18:34,312
WHO'S A MIRACLE WORKER?
440
00:18:34,314 --> 00:18:35,446
PART OF CLEARING YOU
441
00:18:35,448 --> 00:18:39,050
WILL BE FINDING A COMPELLING
ALTERNATIVE THEORY.
442
00:18:41,753 --> 00:18:43,254
AND YOU FLY OUT TOMORROW?
443
00:18:43,256 --> 00:18:45,723
9:00 A.M.
444
00:18:45,725 --> 00:18:47,959
BUY YOU A DRINK?
445
00:18:50,129 --> 00:18:54,632
YEAH. SURE.
WHERE YOU WANT TO GO?
446
00:18:54,634 --> 00:18:59,504
♪ WITH GLOWING HEARTS,
WE SEE THEE RISE ♪
447
00:18:59,506 --> 00:19:01,806
CHARMING DRINK NAMES.
448
00:19:01,808 --> 00:19:03,141
I CAN'T DECIDE BETWEEN
449
00:19:03,143 --> 00:19:06,511
THE BEAST WITH TWO BACKS
OR THE DONKEY PUNCH.
450
00:19:07,513 --> 00:19:09,514
OOH, DO YOU THINK
THEY'D LET ME ORDER
451
00:19:09,516 --> 00:19:10,848
A VIRGIN DEVIRGINATOR?
452
00:19:10,850 --> 00:19:13,117
I KNOW THIS PLACE SUCKS,
BUT IT'S KARAOKE NIGHT,
453
00:19:13,119 --> 00:19:15,119
AND THERE'S ONE THING
YOU CAN COUNT ON.
454
00:19:15,121 --> 00:19:17,822
SEXUAL ASSAULT
ON A PINBALL MACHINE?
YEAH.
455
00:19:17,824 --> 00:19:20,291
OH, IT'S GRAIN ALCOHOL
AND PEACH SCHNAPPS.
456
00:19:20,293 --> 00:19:25,363
♪ WE STAND ON GUARD FOR THEE
457
00:19:25,365 --> 00:19:27,899
[ PATRONS CHEERING ]
458
00:19:30,135 --> 00:19:32,637
GIVE IT UP FOR ART TEBBEL
AND THE MOUNTIES!
459
00:19:32,639 --> 00:19:35,339
[ CHEERS AND APPLAUSE ]
460
00:19:35,341 --> 00:19:39,877
OKAY.
NEXT UP WE HAVE RUBY JETSON.
461
00:19:40,679 --> 00:19:43,514
[ PATRONS BOOING ]
462
00:19:45,784 --> 00:19:47,318
WHO IS THAT?
463
00:19:47,320 --> 00:19:49,620
THAT IS BONNIE DE VILLE'S
BIGGEST FAN.
464
00:19:49,622 --> 00:19:51,656
I FOUND HER
HIDING IN CARRIE'S CLOSET
465
00:19:51,658 --> 00:19:53,224
A COUPLE MONTHS AGO.
466
00:19:54,159 --> 00:20:00,998
♪ HOLDING MY BREATH
467
00:20:01,000 --> 00:20:04,068
♪ WHILE THE MOON HOLDS ME
468
00:20:04,070 --> 00:20:05,503
BOO!
469
00:20:05,505 --> 00:20:06,737
[ PATRONS JEERING ]
470
00:20:06,739 --> 00:20:08,906
SIT DOWN,
YOU CRAZY BITCH!
471
00:20:10,342 --> 00:20:12,510
WELL, WHAT DO YOU EXPECT?
THEY'RE CANADIAN.
472
00:20:12,512 --> 00:20:14,011
HEY, TERRANCE, PHILLIP,
473
00:20:14,013 --> 00:20:15,846
LIKE, YOU'RE
THE BARENAKED LADIES?
474
00:20:15,848 --> 00:20:17,215
Shh!
I think they might be.
475
00:20:17,217 --> 00:20:19,150
THIS IS THE FIFTH
BONNIE DE VILLE SONG
476
00:20:19,152 --> 00:20:20,184
SHE'S DONE TONIGHT.
477
00:20:20,186 --> 00:20:21,819
WELL,
THAT'S WHAT SHE DOES.
478
00:20:21,821 --> 00:20:24,021
♪ MEMORIES TONIGHT
479
00:20:24,023 --> 00:20:27,925
HEY, UH, THIS SHOWED UP
IN MY IN-BOX
480
00:20:27,927 --> 00:20:30,428
JUST 10 MINUTES
AFTER CARRIE WAS KILLED.
481
00:20:30,430 --> 00:20:32,897
"EVERY ENDING BRINGS
A NEW BEGINNING.
482
00:20:32,899 --> 00:20:34,265
NOW WE CAN BE TOGETHER."
483
00:20:34,267 --> 00:20:36,534
MY COMPELLING
ALTERNATIVE THEORY.
484
00:20:36,536 --> 00:20:37,835
SHE SENT YOU THIS?
485
00:20:37,837 --> 00:20:42,840
WELL, IT'S FROM Bonniefan23,
BUT IF I HAD TO GUESS...
486
00:20:42,842 --> 00:20:49,046
♪ TRY DROWNING
ALL OUR MEMORIES TONIGHT ♪
487
00:20:49,048 --> 00:20:53,884
♪ CONFESSION WON'T SAVE ME NOW
488
00:20:53,886 --> 00:20:55,953
I MISS HER, TOO.
489
00:20:55,955 --> 00:20:58,856
OKAY.
490
00:20:58,858 --> 00:21:01,225
WHY'D YOU BRING HER?
491
00:21:01,227 --> 00:21:03,928
THAT GIRL IS CERTIFIABLE.
492
00:21:03,930 --> 00:21:05,463
MM-HMM.
493
00:21:05,465 --> 00:21:07,064
YOU KNOW, YOU SHOULD SHOW
THAT EMAIL TO YOUR LAWYER.
494
00:21:07,066 --> 00:21:08,566
YEAH, IT'S A GOOD THING
YOU SAID THAT.
495
00:21:08,568 --> 00:21:12,570
I HAD IT EARMARKED
FOR THE SCRAPBOOK.
496
00:21:12,572 --> 00:21:15,239
THANK YOU, VERONICA.
497
00:21:15,241 --> 00:21:16,941
UH, NINE YEARS
OF RADIO SILENCE
498
00:21:16,943 --> 00:21:18,909
AND YET I STILL
KIND OF KNEW DEEP DOWN
499
00:21:18,911 --> 00:21:19,910
I COULD COUNT ON YOU.
500
00:21:19,912 --> 00:21:21,746
ABOUT THOSE NINE YEARS --
501
00:21:21,748 --> 00:21:23,381
OH, BYGONES.
502
00:21:23,383 --> 00:21:26,317
I DIDN'T GET A CHANCE
TO SAY BEFORE
503
00:21:26,319 --> 00:21:28,619
I'M REALLY SORRY
ABOUT CARRIE.
504
00:21:28,621 --> 00:21:29,787
IT'S FUNNY, YOU KNOW?
505
00:21:29,789 --> 00:21:32,823
UH, WE HAD A GOOD
FIRST YEAR.
506
00:21:32,825 --> 00:21:34,792
YOU KNOW,
A YEAR OF BEING IN LOVE.
507
00:21:34,794 --> 00:21:36,260
THEN HER SHITTY FRIENDS,
508
00:21:36,262 --> 00:21:38,963
HER SELF-LOATHING
KIND OF DESTROYED THAT.
509
00:21:38,965 --> 00:21:40,831
I MEAN,
YOU THINK I HAVE DEMONS?
510
00:21:40,833 --> 00:21:43,000
SHE WAS...
511
00:21:45,470 --> 00:21:47,538
LAST YEAR WAS BAD.
512
00:21:49,474 --> 00:21:53,611
AND I WASN'T A BOYFRIEND.
NOT -- NOT REALLY.
513
00:21:53,613 --> 00:21:56,580
YOU KNOW, I WAS SOMETHING
CLOSER TO A SPONSOR.
514
00:21:56,582 --> 00:21:58,916
[ CHUCKLES ]
515
00:21:58,918 --> 00:22:00,985
THAT'S A FUNNY THOUGHT,
ISN'T IT?
516
00:22:00,987 --> 00:22:02,953
ME AS A STABILIZING
INFLUENCE.
517
00:22:02,955 --> 00:22:04,655
YOU'RE GONNA
GET THROUGH THIS.
518
00:22:04,657 --> 00:22:06,190
AM I?
519
00:22:08,360 --> 00:22:09,660
[ SIGHS ]
520
00:22:09,662 --> 00:22:12,530
OH, I GUESS IT HAS BEEN
A CHARMED LIFE.
521
00:22:12,532 --> 00:22:14,932
TAKE CARE OF YOURSELF,
VERONICA.
522
00:22:14,934 --> 00:22:16,434
[ SMOOCHES ]
523
00:22:16,436 --> 00:22:18,035
YOU TOO.
524
00:22:23,342 --> 00:22:24,375
Man on TV: AS FAR AS I CAN SEE,
IT'S NO BIG DEAL, RIGHT?
525
00:22:24,377 --> 00:22:26,177
AM I MISSING SOMETHING?
526
00:22:26,179 --> 00:22:27,812
Man #2: DO YOU REALLY WANT
TO ASK THAT QUESTION?
NO.
527
00:22:27,814 --> 00:22:29,380
RIGHT NOW,
WE'RE GONNA MOVE ON, THOUGH.
528
00:22:29,382 --> 00:22:30,815
WE HAVE
A BONNIE DE VILLE UPDATE.
529
00:22:30,817 --> 00:22:32,717
THE STAR'S FAMILY
IS PISSED OFF
530
00:22:32,719 --> 00:22:33,984
BECAUSE LOGAN ECHOLLS
531
00:22:33,986 --> 00:22:35,219
IS STILL WALKING AROUND
A FREE MAN.
532
00:22:35,221 --> 00:22:36,654
WELL, THE FACT IS,
I MEAN,
533
00:22:36,656 --> 00:22:38,322
CONRAD MURRAY WALKED
THE STREETS FOR MONTHS.
534
00:22:38,324 --> 00:22:39,724
SO YOU'RE BASICALLY SAYING
535
00:22:39,726 --> 00:22:41,325
THAT YOU THINK
LOGAN ECHOLLS DID IT?
536
00:22:41,327 --> 00:22:43,361
I'M SAYING THAT
I WOULDN'T WANT TO BE
537
00:22:43,363 --> 00:22:44,662
IN LOGAN ECHOLLS' SHOES.
538
00:22:44,664 --> 00:22:46,163
CAN YOU NAME
A SINGLE PERSON
539
00:22:46,165 --> 00:22:47,832
WHO THINKS
THAT KID IS INNOCENT?
540
00:22:47,834 --> 00:22:50,201
Veronica:
I CAN NAME ONE.
541
00:22:53,705 --> 00:22:57,408
SO, WHAT ARE YOU GONNA DO
ABOUT IT, VERONICA?
542
00:22:57,410 --> 00:23:01,379
READY TO HEAD DOWN
TO THE BATCAVE?
543
00:23:03,648 --> 00:23:06,684
"ACCESSORIES"?
544
00:23:06,686 --> 00:23:09,754
WAS I TRYING TO KEEP DAD
FROM LOOKING INSIDE?
545
00:23:11,857 --> 00:23:13,691
WOULD LABELING IT "PANDORA"
546
00:23:13,693 --> 00:23:18,095
HAVE SEEMED A LITTLE, WHAT,
I DON'T KNOW, OPERATIC?
547
00:23:23,001 --> 00:23:24,702
HAVEN'T YOU SPENT NINE YEARS
548
00:23:24,704 --> 00:23:28,873
FIGURING OUT
EXACTLY WHO YOU ARE?
549
00:23:28,875 --> 00:23:31,709
HASN'T YOUR LIFE BEEN BETTER
SINCE GIVING THIS UP,
550
00:23:31,711 --> 00:23:33,043
GETTING OUT OF NEPTUNE?
551
00:23:33,045 --> 00:23:36,046
IT WAS AN INIQUITOUS HELLHOLE
WHEN YOU LEFT.
552
00:23:36,048 --> 00:23:39,617
AND FROM THE LOOK OF THINGS,
IT'S ONLY GOTTEN MORE CORRUPT.
553
00:23:39,619 --> 00:23:42,720
EVERYTHING YOU WORKED FOR
IS RIGHT IN FRONT OF YOU.
554
00:23:42,722 --> 00:23:44,021
SOLID RELATIONSHIP.
555
00:23:44,023 --> 00:23:46,090
QUALITY JOB PROSPECTS.
556
00:23:46,092 --> 00:23:48,526
A LOW-PROFILE EXISTENCE.
557
00:23:48,528 --> 00:23:51,896
OR DOES ALL THAT JUST BORE
THE SHIT OUT OF YOU, VERONICA?
558
00:23:51,898 --> 00:23:54,799
Veronica: IT'S JUST
A COUPLE MORE DAYS.
559
00:23:56,368 --> 00:23:58,269
HE NEEDS MY HELP.
560
00:23:58,271 --> 00:24:02,139
YOU SAID YOU WERE GONNA BE
SWAMPED WITH WORK, ANYWAY.
561
00:24:02,141 --> 00:24:03,741
Man on TV:
THE TRADE DEADLINE APPROACHING,
562
00:24:03,743 --> 00:24:05,443
THIS AFFECTS THE LEAGUE
IN QUITE A WAY.
563
00:24:05,445 --> 00:24:07,912
STICKING AROUND
FOR A WHILE?
564
00:24:07,914 --> 00:24:12,149
YOU KNOW, THE MAGNETIC PULL
OF NEPTUNE HIGH.
565
00:24:13,919 --> 00:24:16,086
I'M HEADING OUT.
YEP.
566
00:24:16,088 --> 00:24:17,822
I'M TELLING YOU.
567
00:24:17,824 --> 00:24:19,590
NOW, THEY'RE THE ONE TEAM
IN THE LEAGUE THAT'S OVER.
568
00:24:19,592 --> 00:24:20,925
[ SIGHS DEEPLY ]
569
00:24:20,927 --> 00:24:23,961
Veronica: YOU KNOW WHAT?
IT'S A ONE-TIME DEAL.
570
00:24:23,963 --> 00:24:26,497
A FAREWELL TOUR, IF YOU WILL.
571
00:24:29,601 --> 00:24:33,137
THEN, AGAIN, YOU EVER HEAR
THE ONE ABOUT THE JUNKIE
572
00:24:33,139 --> 00:24:34,605
WHO WAS SATISFIED
573
00:24:34,607 --> 00:24:37,208
WITH JUST ONE MORE TASTE
OF THE GOOD STUFF?
574
00:24:38,443 --> 00:24:40,277
YOU SHOULD ONLY WEAR THIS.
575
00:24:40,279 --> 00:24:42,880
NEITHER HAVE I.
576
00:24:47,953 --> 00:24:49,854
THAT ONE.
577
00:24:49,856 --> 00:24:52,122
Logan: REALLY?
NOT WHAT I WAS EXPECTING.
578
00:24:52,124 --> 00:24:54,325
NOT THE BIG HOUSE.
579
00:24:54,327 --> 00:24:57,661
IT'S UNIT "B," ACCORDING
TO COUNTY TAX RECORDS.
580
00:24:57,663 --> 00:25:01,265
MY GUESS IS IT'S THE GARAGE
APARTMENT OUT BACK.
581
00:25:01,267 --> 00:25:02,800
I WANT TO GET INSIDE.
582
00:25:02,802 --> 00:25:04,802
SPECIFICALLY, I WANT
TO GET ON HER COMPUTER,
583
00:25:04,804 --> 00:25:07,304
SEE IF, "A," SHE'S THE ONE
WHO SENT YOU THAT EMAIL,
584
00:25:07,306 --> 00:25:08,806
AND, "B," IF SHE HAD
ANYTHING TO DO
585
00:25:08,808 --> 00:25:10,875
WITH THOSE VIDEOS
FROM INSIDE CARRIE'S HOUSE.
586
00:25:10,877 --> 00:25:13,377
I THINK WE WOULD HAVE
NOTICED HER FOLLOWING US.
587
00:25:13,379 --> 00:25:15,646
YOU SAID YOU FOUND HER
HIDING IN CARRIE'S CLOSET.
588
00:25:15,648 --> 00:25:17,648
SHE COULD HAVE HIDDEN
A CAMERA ANYWHERE.
589
00:25:17,650 --> 00:25:20,885
A STUFFED-ANIMAL NANNY CAM.
FLOWERS ALWAYS WORK.
590
00:25:20,887 --> 00:25:23,153
MY DAD HAS A TRUCKER HAT
THAT'S RIGGED WITH A CAMERA.
591
00:25:23,155 --> 00:25:26,123
FLOWERS.
THAT'S HOW SHE GOT IN.
592
00:25:26,125 --> 00:25:27,324
WE WERE HAVING A PARTY.
593
00:25:27,326 --> 00:25:29,326
SHE CAME OVER
DELIVERING FLOWERS.
594
00:25:29,328 --> 00:25:31,495
WE JUST LOST TRACK OF HER
IN THE CHAOS.
595
00:25:31,497 --> 00:25:34,298
YOU THINK THERE MIGHT
HAVE BEEN A KEY LYING AROUND
596
00:25:34,300 --> 00:25:36,300
WHEN YOU FOUND RUBY
IN THE CLOSET?
597
00:25:36,302 --> 00:25:39,003
SHE USED IT TO BREAK IN
AND ELECTROCUTE CARRIE?
598
00:25:39,005 --> 00:25:41,872
NO. IT'S A WALL-AND-GATED
SUBDIVISION ON THE MARINA.
599
00:25:41,874 --> 00:25:43,374
LOTS
OF CELEBRITY HOMEOWNERS.
600
00:25:43,376 --> 00:25:45,643
FORMER MOSSAD AGENTS
PATROLLING THE GROUNDS.
601
00:25:45,645 --> 00:25:48,178
WHY DID YOU EVEN
GO OVER THERE THAT NIGHT?
602
00:25:48,180 --> 00:25:50,814
THE TABLOIDS SAY
YOU BROKE UP WITH HER
603
00:25:50,816 --> 00:25:53,250
WHEN YOU FOUND OUT SHE WAS
HOOKING UP WITH THAT BOZO SEAN.
604
00:25:53,252 --> 00:25:54,685
DICK SAW A TWEET THAT NIGHT
605
00:25:54,687 --> 00:25:56,687
SAYING THAT CARRIE WAS
SHOWING UP AT THE 09er.
606
00:25:56,689 --> 00:25:59,223
SHE HAD BEEN 10 WEEKS SOBER,
SO I TEXTED HER SAYING,
607
00:25:59,225 --> 00:26:00,858
"ARE YOU SURE
THAT'S A GOOD IDEA?"
608
00:26:00,860 --> 00:26:03,060
SHE CALLS ME BACK
AND STARTS RAILING ON ME.
609
00:26:03,062 --> 00:26:04,662
LATER, SHE TEXTED ME SAYING
610
00:26:04,664 --> 00:26:06,664
SHE'S HAVING A MOMENT
OF WEAKNESS AND NEEDED MY HELP.
611
00:26:06,666 --> 00:26:09,934
SO, LIKE ANY GOOD SPONSOR,
YOU GO...?
612
00:26:09,936 --> 00:26:13,070
AM I DOING THIS NOW?
613
00:26:13,072 --> 00:26:15,506
FINE.
614
00:26:17,509 --> 00:26:18,909
Logan:
I CHECKED IN AT THE GATE.
615
00:26:18,911 --> 00:26:20,377
I HAD BEEN THERE ENOUGH.
THEY KNEW ME.
616
00:26:20,379 --> 00:26:21,946
THEY JUST LET ME IN.
617
00:26:23,682 --> 00:26:25,249
I HAD BEEN TO CARRIE'S HOUSE
A HUNDRED TIMES.
618
00:26:25,251 --> 00:26:28,218
[ ALARM BLARING ]
619
00:26:28,220 --> 00:26:29,853
I KNEW HER ALARM CODE.
620
00:26:29,855 --> 00:26:32,890
EVERYONE KNEW HER CODE,
BUT THIS TIME, IT DIDN'T WORK.
621
00:26:32,892 --> 00:26:34,258
CARRIE!
622
00:26:34,260 --> 00:26:36,427
NOW THE ALARM GOES OFF.
623
00:26:36,429 --> 00:26:38,596
THEN THE PHONE STARTS RINGING.
624
00:26:38,598 --> 00:26:40,698
I KNEW IT WAS THE GUARD GATE,
BUT...
625
00:26:40,700 --> 00:26:43,534
CARRIE!
...I DIDN'T KNOW THE CODE WORD.
626
00:26:45,070 --> 00:26:47,471
SHE'S NOT IN HER BEDROOM.
627
00:26:47,473 --> 00:26:50,908
THEN I SEE
HER BATHROOM DOOR'S OPEN.
628
00:26:50,910 --> 00:26:55,779
I WALK IN,
AND THERE SHE IS IN THE TUB.
629
00:26:55,781 --> 00:26:57,481
I REACH FOR HER.
630
00:26:59,117 --> 00:27:01,919
NEXT THING I KNOW,
I'M BEING READ MY RIGHTS.
631
00:27:01,921 --> 00:27:04,588
YOU DIDN'T SEE
THE EXTENSION CORD?
632
00:27:04,590 --> 00:27:06,457
NO.
633
00:27:09,327 --> 00:27:12,096
ALL RIGHT.
WE SHOULD GET MOVING.
634
00:27:12,098 --> 00:27:14,832
YOUR CAR
DOESN'T EXACTLY BLEND.
635
00:27:17,435 --> 00:27:23,107
♪ HOLDING MY BREATH...
636
00:27:23,109 --> 00:27:24,441
Veronica:
WHAT ARE THE ODDS?
637
00:27:24,443 --> 00:27:26,076
BONNIE'S FIRST
CHART-TOPPING HIT
638
00:27:26,078 --> 00:27:27,444
SEEMS TO BE ALL ABOUT DROWNING,
639
00:27:27,446 --> 00:27:29,680
AND SHE'S FOUND DEAD
IN HER BATHTUB.
640
00:27:29,682 --> 00:27:33,684
♪ I CAN TASTE ALL MY SECRETS
641
00:27:33,686 --> 00:27:36,020
WHAT'S THE LARGEST CAPACITY
MEMORY STICK WE OWN?
642
00:27:36,022 --> 00:27:39,523
AW. YOU WROTE THAT ON
MY FIRST FATHER'S DAY CARD.
643
00:27:40,291 --> 00:27:42,459
I'VE GOT A 256 GIG.
644
00:27:42,461 --> 00:27:44,461
CAN I BORROW IT?
645
00:27:44,463 --> 00:27:47,831
THE THING HOLDS, LIKE,
75,000 SNAPSHOTS.
646
00:27:47,833 --> 00:27:50,367
YOU MUST REALLY BE
RECONNECTING WITH OLD FRIENDS.
647
00:27:50,369 --> 00:27:53,637
I SHOOT RAW, MAN.
IT'S A REAL MEMORY HOG.
648
00:27:53,639 --> 00:27:56,974
DO YOU KNOW WHAT
YOU'RE DOING HERE, HONEY?
649
00:27:56,976 --> 00:27:58,809
THE EVIDENCE PAINTS
A PRETTY CLEAR PICTURE.
650
00:27:58,811 --> 00:28:00,344
I KNEW LOGAN
HAS HIS QUALITIES,
651
00:28:00,346 --> 00:28:02,012
BUT THERE'S A DARKNESS
TO THAT KID.
652
00:28:02,014 --> 00:28:04,648
♪ HA-AH
653
00:28:04,650 --> 00:28:06,150
I KNOW WHAT I'M DOING.
654
00:28:06,152 --> 00:28:11,855
♪ HOLDING MY BREATH
655
00:28:11,857 --> 00:28:14,425
♪ OOH-OOH
656
00:28:18,663 --> 00:28:21,031
HI, THERE.
ARE YOU MRS. BARNES?
657
00:28:21,033 --> 00:28:22,232
I AM.
658
00:28:22,234 --> 00:28:23,701
MY NAME IS PAM MARTIN.
659
00:28:23,703 --> 00:28:26,336
I AM A LOCATION SCOUT
FOR A MOVIE,
660
00:28:26,338 --> 00:28:29,473
AND THE SCRIPT CALLS
FOR A GARAGE APARTMENT.
661
00:28:29,475 --> 00:28:32,342
I WAS HOPING YOU MIGHT LET ME
TAKE A LOOK AT YOURS
662
00:28:32,344 --> 00:28:33,644
AND SHOOT SOME PICTURES?
663
00:28:33,646 --> 00:28:34,978
WHAT'S THE MOVIE?
664
00:28:34,980 --> 00:28:37,514
IT'S CALLED
"THE SILVER FOX."
665
00:28:37,516 --> 00:28:39,883
CLINT EASTWOOD,
STARRING AND DIRECTING.
666
00:28:39,885 --> 00:28:41,151
[ CHUCKLES ]
667
00:28:41,153 --> 00:28:46,223
YOU KNOW, MY SON-IN-LAW
DOES MR. EASTWOOD'S TAXES.
668
00:28:46,225 --> 00:28:49,226
WHAT A WONDERFUL
COINCIDENCE.
669
00:28:49,228 --> 00:28:53,097
IT'S HARDLY SURPRISING THERE'S
NO RECORD OF A RUBY JETSON
670
00:28:53,099 --> 00:28:56,200
PRIOR TO HER FIRST
NEPTUNE UTILITY BILL.
671
00:28:56,202 --> 00:28:57,701
THE NAME SOUNDS MADE UP.
672
00:28:57,703 --> 00:29:00,571
A WAY TO FEEL ONE DEGREE CLOSER
TO HER IDOL.
673
00:29:00,573 --> 00:29:01,905
DID SHE ARRIVE IN NEPTUNE
674
00:29:01,907 --> 00:29:04,007
HOPING TO PAL AROUND
WITH BONNIE?
675
00:29:04,009 --> 00:29:05,542
BECOME BONNIE?
676
00:29:05,544 --> 00:29:08,145
BECOME FAMOUS
BY KILLING BONNIE?
677
00:29:12,884 --> 00:29:15,152
YAHTZEE!
678
00:29:18,423 --> 00:29:20,691
[ SIGHS ]
[ CELLPHONE RINGS ]
679
00:29:22,127 --> 00:29:24,194
OH.
680
00:29:26,397 --> 00:29:28,098
[ Midwestern accent ]
PRODUCTION.
681
00:29:28,100 --> 00:29:29,466
MAN: Uh, yeah.
682
00:29:29,468 --> 00:29:31,135
I just got a call
from my mother-in-law,
683
00:29:31,137 --> 00:29:32,469
and she says Clint Eastwood
684
00:29:32,471 --> 00:29:34,571
wants to shoot a movie
in her backyard.
685
00:29:34,573 --> 00:29:37,141
WELL, IS YOUR MOTHER-IN-LAW
IN NEPTUNE?
686
00:29:37,143 --> 00:29:40,577
'CAUSE OUR LOCATION SCOUTS
ARE IN NEPTUNE TODAY.
687
00:29:40,579 --> 00:29:42,780
I know for a fact
that Clint Eastwood
688
00:29:42,782 --> 00:29:44,915
isn't shooting a movie
in Neptune.
689
00:29:44,917 --> 00:29:47,484
I don't know
what's going on here, but --
[ BEEP ]
690
00:29:50,088 --> 00:29:51,655
BURIED TREASURE.
691
00:29:51,657 --> 00:29:54,658
THE GOOD OLD
NEPTUNE HIGH YEARBOOK.
692
00:29:54,660 --> 00:29:58,262
I SUPPOSE THIS WOULD BE
A COLLECTOR'S ITEM
693
00:29:58,264 --> 00:30:00,264
FOR BONNIE'S BIGGEST FAN.
694
00:30:00,266 --> 00:30:01,665
"D. PUGH,
695
00:30:01,667 --> 00:30:03,901
"DON'T LET THE BASTARDS
GET YOU DOWN.
696
00:30:03,903 --> 00:30:06,603
SHINE YOUR LIGHT.
CARRIE."
697
00:30:06,605 --> 00:30:10,407
THE FUTURE
BONNIE DE VILLE HERSELF.
698
00:30:10,409 --> 00:30:12,976
SO, WHO IS THIS D. PUGH?
699
00:30:15,280 --> 00:30:18,615
NO WAY.
700
00:30:18,617 --> 00:30:20,851
RUBY JETSON.
701
00:30:22,120 --> 00:30:24,021
[ LAUGHS ]
LIKE THAT'S A VALID EXCUSE.
702
00:30:24,023 --> 00:30:25,489
[ CELLPHONE VIBRATES ]
MAN.
703
00:30:25,491 --> 00:30:27,825
EXCUSE ME ONE SECOND.
GIVE ME A MINUTE.
704
00:30:27,827 --> 00:30:29,693
[ BEEP ]
705
00:30:29,695 --> 00:30:30,828
DON'T YOU KNOW
I'M AT WORK?
706
00:30:30,830 --> 00:30:33,964
HEY, BUDDY!
I NEED A FAVOR.
707
00:30:33,966 --> 00:30:36,600
CAN YOU GET ME
A STUDENT'S PERMANENT FILE?
708
00:30:36,602 --> 00:30:39,469
YOU DO REALIZE THAT
I'M A TEACHER NOW, VERONICA.
709
00:30:39,471 --> 00:30:40,804
AN EDUCATOR.
710
00:30:40,806 --> 00:30:42,773
THIS IS A POSITION
OF RESPONSIBILITY.
711
00:30:42,775 --> 00:30:44,808
SO YOU'RE SAYING
IT'S GONNA BE SUPER-EASY.
712
00:30:44,810 --> 00:30:46,643
GOOD. I DID NOT
WANT TO PUT YOU OUT.
713
00:30:46,645 --> 00:30:48,478
Veronica...
[ SIGHS ]
714
00:30:48,480 --> 00:30:50,814
IT'S NOT EVEN
A CURRENT STUDENT.
715
00:30:50,816 --> 00:30:52,616
THAT DOES NOT
MAKE IT OKAY.
716
00:30:53,718 --> 00:30:55,018
THE NAME'S DELLA PUGH.
717
00:30:55,020 --> 00:30:56,887
SHE WAS A JUNIOR
WHEN WE WERE SENIORS.
718
00:30:56,889 --> 00:30:58,488
YOU'RE THE BEST.
Veronica --
719
00:30:58,490 --> 00:30:59,656
[ BEEP ]
720
00:30:59,658 --> 00:31:02,359
[ POLICE RADIO CHATTER ]
721
00:31:02,361 --> 00:31:03,861
SHIT.
722
00:31:08,833 --> 00:31:10,667
BALBOA COUNTY SHERIFF'S
DEPARTMENT.
723
00:31:10,669 --> 00:31:12,169
I.D., PLEASE, MA'AM.
724
00:31:12,171 --> 00:31:13,337
PERFECT TIMING.
725
00:31:13,339 --> 00:31:15,873
CAN I GET YOU TO STEP
BY THIS WINDOW REAL QUICK?
726
00:31:15,875 --> 00:31:18,041
CAN YOU JUST LOOK OUT?
GORGEOUS PROFILE.
727
00:31:18,043 --> 00:31:19,543
CAN YOU PUT YOUR HANDS
BEHIND YOUR BACK?
728
00:31:19,545 --> 00:31:20,711
STILL GONNA NEED
TO SEE SOME I.D.
729
00:31:20,713 --> 00:31:22,246
OKAY, BUT PENSIVE,
730
00:31:22,248 --> 00:31:23,981
LIKE YOU'VE GOT A BIG DECISION
WEIGHING ON YOUR MIND.
731
00:31:23,983 --> 00:31:25,482
YES. PERFECT.
732
00:31:25,484 --> 00:31:27,618
Sacks: VERONICA MARS?
733
00:31:28,586 --> 00:31:31,922
DEPUTY SACKS.
734
00:31:31,924 --> 00:31:36,159
KUDOS FOR ROCKING THE 'STACHE
TILL IT CAME BACK IN STYLE.
735
00:31:38,329 --> 00:31:40,797
YOU MADE BAIL, VERONICA.
736
00:31:42,433 --> 00:31:43,834
[ SIGHS ]
737
00:31:47,205 --> 00:31:50,007
VERONICA.
MY, HOW YOU'VE GROWN.
738
00:31:50,009 --> 00:31:51,275
SEEMS LIKE ONLY YESTERDAY
739
00:31:51,277 --> 00:31:52,709
YOU COULD HAVE BEEN TRIED
AS A MINOR.
740
00:31:52,711 --> 00:31:54,211
CLIFFORD.
741
00:31:54,213 --> 00:31:56,113
SEEING AS YOU SPENT
ALL THAT TIME IN LAW SCHOOL,
742
00:31:56,115 --> 00:31:58,215
I'M SURE YOU KNOW BREAKING
AND ENTERING IS A FELONY.
743
00:31:58,217 --> 00:32:01,218
COME ON. I LEARNED THAT
WAY BEFORE LAW SCHOOL.
744
00:32:01,220 --> 00:32:03,553
I KNEW THE FELONIES BEFORE
I KNEW THE STATE CAPITALS.
745
00:32:03,555 --> 00:32:04,922
YOU PROBABLY ALSO KNOW, THEN,
746
00:32:04,924 --> 00:32:07,257
THAT CONVICTED FELONS
DON'T TAKE THE BAR EXAM.
747
00:32:07,259 --> 00:32:10,727
SORRY IF I DON'T THINK YOU
BLOWING UP YOUR LIFE IS A JOKE.
748
00:32:10,729 --> 00:32:11,929
Lamb: KEITH MARS!
749
00:32:11,931 --> 00:32:14,431
BAILING HIS DAUGHTER
OUT OF JAIL.
750
00:32:14,433 --> 00:32:15,699
THIS I HAD TO SEE.
751
00:32:15,701 --> 00:32:17,234
SACKS, GET OUT YOUR PHONE.
752
00:32:17,236 --> 00:32:20,270
I THINK WE JUST GOT OUR
SHERIFF TwitPic OF THE DAY.
753
00:32:20,272 --> 00:32:21,705
SERIOUSLY?
754
00:32:21,707 --> 00:32:22,873
WE'RE JUST LEAVING,
SHERIFF.
755
00:32:22,875 --> 00:32:25,742
SO, UH, WHAT IS IT?
YOU LOOK FIT.
756
00:32:25,744 --> 00:32:27,978
NOT YOUR TYPICAL
JUNKIE B&E.
757
00:32:27,980 --> 00:32:29,913
VERONICA'S FRIENDS
WITH THE ECHOLLS KID.
758
00:32:29,915 --> 00:32:33,116
OF COURSE SHE IS.
YOU MUST BE VERY PROUD.
759
00:32:33,118 --> 00:32:34,751
YOU DON'T WANT TO GO DOWN
THAT PATH.
760
00:32:34,753 --> 00:32:36,820
AND WHAT PATH IS THAT?
761
00:32:36,822 --> 00:32:38,755
THE PATH WHERE YOU SAY THINGS
REGARDING MY DAUGHTER
762
00:32:38,757 --> 00:32:40,223
THAT I DON'T LIKE.
763
00:32:40,225 --> 00:32:41,391
THE THING IS,
764
00:32:41,393 --> 00:32:43,327
VERONICA'S ACTUALLY
A REALLY RESOURCEFUL GIRL.
765
00:32:44,095 --> 00:32:45,128
WOMAN.
766
00:32:45,130 --> 00:32:46,596
HOW RESOURCEFUL
CAN SHE BE, SACKS?
767
00:32:46,598 --> 00:32:47,664
YOU BUSTED HER.
768
00:32:47,666 --> 00:32:48,832
VERONICA?
769
00:32:48,834 --> 00:32:51,601
[ CHUCKLES ]
THIS IS WHO YOU PICKED UP?
770
00:32:51,603 --> 00:32:53,937
OH, MY GOD.
HILARIOUS...GIRLFRIEND.
771
00:32:53,939 --> 00:32:57,007
I KNOW, GIRLFRIEND.
ISN'T IT?
772
00:32:57,009 --> 00:32:59,443
THIS ONE IS ALWAYS
PLAYING PRANKS ON ME.
773
00:32:59,445 --> 00:33:00,911
SHE'S GOOD.
774
00:33:00,913 --> 00:33:02,579
IT'S JUST LIKE GEORGE CLOONEY
AND HIS FRIENDS, YOU KNOW?
775
00:33:02,581 --> 00:33:04,681
HAVE YOU HEARD THE ONE
ABOUT HIM CRAPPING
IN HIS BUDDY'S CAT BOX?
776
00:33:04,683 --> 00:33:05,983
I LOVE IT.
RIGHT?
777
00:33:05,985 --> 00:33:08,118
SO, WHAT WAS IT
GONNA BE THIS TIME?
778
00:33:08,120 --> 00:33:13,657
I WAS GONNA GO WITH
THE OLD ALUMINUM VIBRATOR
779
00:33:13,659 --> 00:33:14,791
IN YOUR CARRY-ON.
780
00:33:14,793 --> 00:33:16,293
[ SNORTS ]
BITCH.
781
00:33:16,295 --> 00:33:18,095
YOU TWO ARE FRIENDS?
782
00:33:18,097 --> 00:33:20,263
FAST FRIENDS.
BFFs.
783
00:33:20,265 --> 00:33:22,132
IF BOTH MISS JETSON
AND THE COURT AGREE
784
00:33:22,134 --> 00:33:24,134
NOT TO PRESS CHARGES,
VERONICA'S FREE TO GO.
785
00:33:24,136 --> 00:33:25,769
WELL, THE COURT
IS ONLY INVOLVED
786
00:33:25,771 --> 00:33:26,970
IF THERE'S AN INTENT
TO COMMIT A CRIME,
787
00:33:26,972 --> 00:33:28,305
WHICH THERE WASN'T.
788
00:33:28,307 --> 00:33:30,674
SO B&E IS CONSIDERED
AN ILLEGAL TRESPASS,
789
00:33:30,676 --> 00:33:32,976
A MISDEMEANOR,
LEAVING THE CHARGES
790
00:33:32,978 --> 00:33:34,378
ENTIRELY IN THE HANDS
OF THE VICTIM,
791
00:33:34,380 --> 00:33:36,513
I.E., RUBY, I.E., MY BFF.
792
00:33:36,515 --> 00:33:38,048
[ CLICKS TONGUE ]
793
00:33:38,816 --> 00:33:41,685
WHAT SHE SAID.
794
00:33:41,687 --> 00:33:45,055
SO, GIRLFRIEND,
WHAT ARE YOU UP TO?
795
00:33:45,057 --> 00:33:46,890
YOU KNOW, WHERE I COME FROM,
THEY JUST SAY THANK YOU.
796
00:33:46,892 --> 00:33:48,191
NO, THEY DON'T.
797
00:33:48,193 --> 00:33:50,827
YOU WENT TO NEPTUNE HIGH,
DELLA PUGH.
798
00:33:50,829 --> 00:33:52,229
I FOUND YOU
IN THE YEARBOOK.
799
00:33:52,231 --> 00:33:56,166
YOU KNOW, AT THE END
OF MY FRESHMAN YEAR,
800
00:33:56,168 --> 00:33:59,136
I TRIED OUT FOR THE DANCE TEAM,
AND I GOT CUT.
801
00:33:59,138 --> 00:34:00,303
AND YOU WERE SUPPOSED TO BE
THE NICE ONE.
802
00:34:00,305 --> 00:34:01,838
SO I CAME TO YOU,
AND I SAID,
803
00:34:01,840 --> 00:34:03,740
"WHAT DO I NEED TO DO
TO MAKE THE SQUAD?"
804
00:34:03,742 --> 00:34:05,242
AND YOU KNOW
WHAT YOU SAID TO ME?
805
00:34:05,977 --> 00:34:07,844
"DANCE BETTER."
806
00:34:07,846 --> 00:34:12,649
SO...WHY DID YOU BAIL ME
OUT OF THIS JAM?
807
00:34:12,651 --> 00:34:15,185
'CAUSE YOU HAVE SOMETHING
THAT I WANT.
808
00:34:15,187 --> 00:34:19,923
[ POP DANCE MUSIC PLAYING,
INDISTINCT CONVERSATIONS ]
809
00:34:19,925 --> 00:34:23,360
EVERYTHING IN MY LIFE
HAS LED TO THIS MOMENT.
810
00:34:23,362 --> 00:34:26,730
[ INHALES, EXHALES DEEPLY ]
811
00:34:26,732 --> 00:34:28,031
DOES SHE NEED TO BE HERE?
812
00:34:28,033 --> 00:34:30,734
I'M THE DESIGNATED DRIVER.
THAT'S THE DEAL.
813
00:34:30,736 --> 00:34:32,035
EVENING, MISS.
814
00:34:32,037 --> 00:34:34,337
JUST GIVE A SEC TO ADJUST.
815
00:34:34,339 --> 00:34:36,940
I FORGOT MY PANTIES.
816
00:34:36,942 --> 00:34:39,009
SO THIS IS HAPPENING.
817
00:34:39,011 --> 00:34:41,044
YOU UNDERSTAND
HOW MUCH TROUBLE I'D BE IN
818
00:34:41,046 --> 00:34:42,746
IF SHE CHOOSES
TO PRESS CHARGES?
819
00:34:42,748 --> 00:34:44,247
[ INHALES DEEPLY ]
820
00:34:44,249 --> 00:34:46,349
I'VE LET HER DRAW FINGER HEARTS
ON MY UPPER THIGH
821
00:34:46,351 --> 00:34:48,752
FOR THE LAST 10 MINUTES,
SO, YEAH, I GET THE STAKES.
822
00:34:48,754 --> 00:34:50,287
[ CAMERA SHUTTERS CLICKING ]
823
00:34:50,289 --> 00:34:52,522
Man: HEY, LOGAN, IS THAT
YOUR NEW GIRLFRIEND?!
824
00:34:52,524 --> 00:34:54,091
WHOA.
HEY.
825
00:34:54,093 --> 00:34:56,193
YOU GONNA KILL THIS ONE,
TOO, LIEUTENANT?
826
00:34:56,195 --> 00:34:58,895
THIS WAY, MR. ECHOLLS.
MISS.
827
00:34:58,897 --> 00:35:00,564
THANK YOU.
828
00:35:00,566 --> 00:35:03,533
I WAS WITH THEM, SO...
829
00:35:03,535 --> 00:35:07,804
OF COURSE RUBY CHOSE THE 09er
FOR HER DATE.
830
00:35:07,806 --> 00:35:09,439
WHEN YOU'RE TOO OLD
831
00:35:09,441 --> 00:35:11,141
TO EXCLUDE THE UNDESIRABLES
FROM YOUR LUNCH TABLE,
832
00:35:11,143 --> 00:35:14,611
OPEN A CLUB,
CHARGE $22 FOR A VODKA TONIC,
833
00:35:14,613 --> 00:35:16,113
AND PUT UP A VELVET ROPE.
834
00:35:16,115 --> 00:35:18,982
MAKE THEM THINK
THIS MUST BE HEAVEN.
835
00:35:20,218 --> 00:35:23,120
YO, WHAT'S UP?
ALL ALONE.
836
00:35:23,122 --> 00:35:25,088
DRINKING.
WANT A DRINK?
837
00:35:25,090 --> 00:35:27,224
I'M JUST KIDDING.
838
00:35:27,226 --> 00:35:29,126
YO, SEE THAT GUY
OVER THERE?
839
00:35:29,128 --> 00:35:31,128
THAT'S MY BOY BROYDEN.
840
00:35:31,130 --> 00:35:33,296
AND HE WAS LOOKING AT YOU
841
00:35:33,298 --> 00:35:36,333
AND MA-- MADE HIM PREMATURE
IN HIS PANTS.
842
00:35:36,335 --> 00:35:39,102
ALSO, 'CAUSE HE THINKS
YOU'RE REALLY COOL.
843
00:35:39,104 --> 00:35:40,937
HE'S A GOOD GUY.
HONESTLY, HE'S A GOOD GUY.
844
00:35:40,939 --> 00:35:42,772
FUCK OFF!
845
00:35:42,774 --> 00:35:43,840
Man: NO, NO, NO.
846
00:35:43,842 --> 00:35:45,509
IF YOU'VE NEVER BEEN
HELI-SKIING,
847
00:35:45,511 --> 00:35:46,776
YOU'VE NEVER REALLY SKIED.
848
00:35:46,778 --> 00:35:48,278
I'VE GOT A PLACE
UP IN WHISTLER.
849
00:35:48,280 --> 00:35:49,946
I'LL TAKE YOU UP THERE
WITH ME.
850
00:35:49,948 --> 00:35:51,248
FLY YOU UP.
851
00:35:51,250 --> 00:35:53,783
THERE WE GO.
COME ON. SMILE.
852
00:35:53,785 --> 00:35:55,919
JUST ONE LITTLE SMILE.
NOT -- YOU'RE NOT GONNA SMILE?
853
00:35:55,921 --> 00:35:57,621
DO YOU HAVE A BOYFRIEND?
IS HE HERE?
854
00:35:57,623 --> 00:35:59,356
WHAT'S HE DO?
I'M IN HEDGE FUNDS.
WHAT'S THIS GUY DO?
855
00:35:59,358 --> 00:36:03,426
HE'S A HIT MAN.
HE KILLS PEOPLE FOR MONEY.
856
00:36:03,428 --> 00:36:05,428
CAN I GET A DIET PEPSI?
857
00:36:05,430 --> 00:36:06,796
HE'S ACTUALLY LOOKING
TO INVEST.
858
00:36:06,798 --> 00:36:08,031
DO YOU HAVE A CARD?
859
00:36:08,033 --> 00:36:10,133
♪ IT'S JUST A FRIENDLY NOTE
860
00:36:10,135 --> 00:36:14,171
♪ I WANNA GIVE IT TO YOU, BABY
861
00:36:14,173 --> 00:36:18,275
♪ MY LOVE,
GIVE IT TO YOU, BABY ♪
862
00:36:18,277 --> 00:36:22,779
♪ WON'T FRONT IT,
PUT ON YOU, BABY ♪
863
00:36:22,781 --> 00:36:26,950
♪ MY, GIVE IT TO YOU, BABY
864
00:36:26,952 --> 00:36:29,286
♪ YOU'RE THE CENTER
OF ATTENTION ♪
865
00:36:29,288 --> 00:36:31,154
♪ JUST TRYING TO GET INVOLVED
866
00:36:31,156 --> 00:36:33,557
♪ CAN'T HELP BUT MENTION
867
00:36:33,559 --> 00:36:34,891
♪ HOW FLY YOU ARE
868
00:36:34,893 --> 00:36:36,359
I JUST NEED A BREAK.
869
00:36:36,361 --> 00:36:38,795
APPARENTLY COMING
TO A CLUB ALONE
870
00:36:38,797 --> 00:36:40,197
IS JUST ASKING FOR IT.
871
00:36:40,199 --> 00:36:42,299
OH, MY GOD. ARE TOO MANY BOYS
HITTING ON YOU?
872
00:36:42,301 --> 00:36:43,533
POOR THING.
873
00:36:43,535 --> 00:36:45,001
DO YOU WANT TO TELL ME
874
00:36:45,003 --> 00:36:47,003
WHY YOU BROKE INTO MY PLACE,
HUH, VERONICA MARS?
875
00:36:47,005 --> 00:36:51,074
WELL, Bonniefan23,
YOU SENT AN EMAIL
876
00:36:51,076 --> 00:36:53,243
IMPLYING THAT BONNIE'S DEATH
HAD THE UPSIDE
877
00:36:53,245 --> 00:36:55,478
OF MAKING MR. ECHOLLS HERE
AVAILABLE TO YOU.
878
00:36:55,480 --> 00:36:57,514
DON'T TRY AND DENY IT.
I KNOW IT'S TRUE.
879
00:36:57,516 --> 00:36:59,916
YOU WERE CAUGHT HIDING
IN BONNIE DE VILLE'S CLOSET.
880
00:36:59,918 --> 00:37:01,351
AND YOU HAVE
WHAT WE IN THE TRADE
881
00:37:01,353 --> 00:37:03,853
CALL A CRAZY-ASS
MURDERER WALL.
882
00:37:03,855 --> 00:37:06,223
IT'S A TECHNICAL TERM.
883
00:37:06,225 --> 00:37:08,091
YOU KNOW, MOST PEOPLE THINK
I'M THE ONE SITTING AT A TABLE
884
00:37:08,093 --> 00:37:09,826
WITH A MURDERER.
NO OFFENSE, BABY.
885
00:37:09,828 --> 00:37:12,495
I KNOW THAT YOU LOVED HER, AND
YOU TOOK SUCH GOOD CARE OF HER.
886
00:37:12,497 --> 00:37:14,531
I'M JUST SAYING,
ONE OF US HAS AN AIRTIGHT ALIBI,
887
00:37:14,533 --> 00:37:16,333
AND THE OTHER ONE
WAS FOUND PASSED OUT
888
00:37:16,335 --> 00:37:18,034
NEXT TO BONNIE'S BODY,
SO...
889
00:37:18,036 --> 00:37:20,103
WHAT'S YOUR
AIRTIGHT ALIBI?
890
00:37:20,105 --> 00:37:22,038
WELL, I WAS OUTSIDE
OF THIS VERY CLUB
891
00:37:22,040 --> 00:37:24,074
WITH, LIKE, 30 OTHER
VELVET-ROPE REJECTS.
892
00:37:24,076 --> 00:37:25,575
[ CELLPHONE VIBRATING ]
893
00:37:27,945 --> 00:37:29,579
I NEED TO TAKE THIS.
894
00:37:32,216 --> 00:37:35,051
I REALLY DON'T THINK
THAT YOU SHOULD TRUST HER.
895
00:37:35,053 --> 00:37:36,586
SHE SEEMS KIND OF SKEEZY.
896
00:37:36,588 --> 00:37:37,721
[ Chuckling ]
OH. YEAH.
897
00:37:37,723 --> 00:37:38,955
THIS IS VERONICA.
898
00:37:38,957 --> 00:37:41,424
Veronica, hey,
it's Gayle Buckley.
899
00:37:41,426 --> 00:37:43,960
I'M SO SORRY
TO CALL SO LATE.
900
00:37:43,962 --> 00:37:46,296
HOW WOULD YOU FEEL
ABOUT COMING TO WORK
901
00:37:46,298 --> 00:37:48,198
FOR US HERE
AT TRUMAN-MANN?
902
00:37:48,200 --> 00:37:52,068
I WOULD...FEEL...PRETTY GREAT
ABOUT THAT, ACTUALLY.
903
00:37:52,070 --> 00:37:53,436
THANK YOU.
904
00:37:53,438 --> 00:37:55,672
WE NEED YOU TO START MONDAY.
IS THAT A PROBLEM?
905
00:37:59,810 --> 00:38:02,545
WHERE'S YOUR DATE?
906
00:38:02,547 --> 00:38:04,781
SHE GOT THEM TO PLAY
A BONNIE SINGLE.
907
00:38:04,783 --> 00:38:07,951
♪ ALL AROUND AND AWAY WE GO
908
00:38:07,953 --> 00:38:12,589
♪ TO FIND IT AGAIN
909
00:38:12,591 --> 00:38:14,257
WELL, ON THE BRIGHT SIDE,
910
00:38:14,259 --> 00:38:17,127
YOU ARE NOT ON A DATE
WITH A MURDERER.
911
00:38:17,129 --> 00:38:19,062
WELL, I DO TAKE
SOME COMFORT IN THAT.
HOW DO YOU KNOW?
912
00:38:19,064 --> 00:38:20,430
THE BOUNCER CONFIRMED IT.
913
00:38:20,432 --> 00:38:22,132
APPARENTLY,
SHE WAS OUTSIDE THE CLUB
914
00:38:22,134 --> 00:38:24,501
AND SHE PERFORMED "MEDEA"
WHEN THE NEWS BROKE.
915
00:38:25,936 --> 00:38:27,570
SO, WHERE DO WE GO
FROM HERE?
916
00:38:27,572 --> 00:38:31,107
BACK TO NEW YORK,
I'M AFRAID.
917
00:38:31,109 --> 00:38:33,777
I, UM, I JUST ACCEPTED
918
00:38:33,779 --> 00:38:37,147
MY VERY FIRST BIG,
GROWN-UP LAWYERING JOB.
919
00:38:37,149 --> 00:38:38,782
GOOD FOR YOU, VERONICA.
920
00:38:38,784 --> 00:38:42,052
I DON'T ENVY
OPPOSING COUNSEL.
921
00:38:43,654 --> 00:38:45,989
I REALLY WANTED TO SEE THIS
THROUGH WITH YOU.
922
00:38:45,991 --> 00:38:47,624
TO FIND CARRIE'S KILLER.
923
00:38:47,626 --> 00:38:49,025
♪ AND AWAY WE GO
924
00:38:49,027 --> 00:38:50,160
I CAN EASE YOUR MIND THERE.
925
00:38:50,162 --> 00:38:51,928
HER DAD DID IT.
926
00:38:51,930 --> 00:38:53,129
I'M LISTENING.
927
00:38:53,131 --> 00:38:55,198
OKAY. YOU KNOW THAT NEW TATTOO
SHE GOT?
928
00:38:55,200 --> 00:38:56,666
THE JAPANESE SYMBOL
FOR SERENDIPITY?
929
00:38:56,668 --> 00:38:58,601
THAT'S THE NAME
OF HER DAD'S MANAGEMENT FIRM.
930
00:38:58,603 --> 00:39:00,136
THE DAD SHE FIRED
AS HER MANAGER.
931
00:39:00,138 --> 00:39:01,938
SHE KNEW HE WAS GONNA TRY
TO KILL HER,
932
00:39:01,940 --> 00:39:03,673
AND SHE IMPLICATED HIM
BEFORE THE FACT.
933
00:39:03,675 --> 00:39:05,375
HER DAD WAS IN LONDON.
934
00:39:06,510 --> 00:39:07,811
I CHECKED.
935
00:39:07,813 --> 00:39:09,045
LAST THEORY.
936
00:39:09,047 --> 00:39:11,281
SOMETHING AWFUL
FROM BONNIE'S PAST
937
00:39:11,283 --> 00:39:13,083
HAS COME BACK TO HAUNT HER.
938
00:39:14,318 --> 00:39:17,387
HAVE YOU GUYS EVEN LISTENED
TO HER NEW ALBUM?
939
00:39:17,389 --> 00:39:18,221
[ SCOFFS ]
940
00:39:18,223 --> 00:39:20,390
"CONFESSIONAL"?
941
00:39:20,392 --> 00:39:23,727
THE WHOLE THING
IS ABOUT COMING CLEAN.
942
00:39:23,729 --> 00:39:25,228
SHE'S RACKED WITH GUILT.
943
00:39:25,230 --> 00:39:28,164
SHE WENT TO CATHOLIC SCHOOL
UNTIL THE 10th GRADE,
944
00:39:28,166 --> 00:39:31,234
AND SHE CHANGED HER NAME
FROM "BISHOP."
945
00:39:31,236 --> 00:39:33,703
YOU GET WHAT I'M SAYING.
946
00:39:33,705 --> 00:39:35,905
NOT A CLUE.
947
00:39:35,907 --> 00:39:37,741
SHE BONED A PRIEST.
948
00:39:37,743 --> 00:39:39,709
SHE WAS ON THE VERGE
OF TELLING THE WORLD,
949
00:39:39,711 --> 00:39:41,811
AND THE CATHOLIC CHURCH
SILENCED HER.
950
00:39:42,713 --> 00:39:44,814
WHAT?
951
00:39:44,816 --> 00:39:47,250
[ DOGS BARKING IN DISTANCE ]
952
00:39:48,853 --> 00:39:50,186
SWEET DREAMS.
953
00:39:50,188 --> 00:39:53,590
[ HINGES CREAK ]
954
00:39:53,592 --> 00:39:57,026
I AM SO SORRY
AND SO GRATEFUL.
955
00:39:57,028 --> 00:39:58,395
[ CHUCKLES ]
956
00:39:58,397 --> 00:40:01,164
DON'T BE.
I WAS INTO IT.
957
00:40:01,166 --> 00:40:02,766
WE'RE GOING SKATING
NEXT WEEK.
958
00:40:05,336 --> 00:40:09,205
VERONICA, YOU FLEW
ACROSS THE COUNTRY TO HELP ME.
959
00:40:09,207 --> 00:40:11,341
THIS WAS EASY.
960
00:40:13,844 --> 00:40:16,679
UM, WE'RE GOING OUT TO DINNER
TOMORROW NIGHT.
961
00:40:16,681 --> 00:40:19,716
YOU SHOULD COME.
ME, MAC, WALLACE.
962
00:40:19,718 --> 00:40:22,619
WITH MY WHOLE FAN CLUB?
963
00:40:22,621 --> 00:40:25,688
NAH, I DON'T THINK SO.
964
00:40:25,690 --> 00:40:28,725
YOU'RE NOT GOING
TO THE REUNION, EITHER, THEN?
965
00:40:28,727 --> 00:40:31,895
I CIRCLED THAT DATE
IN MY CALENDAR 10 YEARS AGO
966
00:40:31,897 --> 00:40:34,764
AND VOWED TO SKIP IT.
967
00:40:36,767 --> 00:40:39,436
DO YOU NEED A RIDE
TO THE AIRPORT?
968
00:40:39,438 --> 00:40:42,338
I PROMISED THAT
TO MY DAD.
969
00:40:43,908 --> 00:40:45,708
I GUESS THIS IS IT.
970
00:40:49,580 --> 00:40:52,515
WE SHOULD TAKE
THE LONG WAY HOME.
971
00:41:02,560 --> 00:41:07,330
♪ I WAS IN LOVE WITH THE PLACE
972
00:41:07,332 --> 00:41:11,100
♪ IN MY MIND, IN MY MIND
973
00:41:11,102 --> 00:41:15,004
♪ I MADE A LOT OF MISTAKES
974
00:41:15,006 --> 00:41:18,942
♪ IN MY MIND, IN MY MIND
975
00:41:18,944 --> 00:41:21,144
DO I GET A CHIP FOR THIS?
976
00:41:21,146 --> 00:41:22,645
POURING THE DRINK.
977
00:41:22,647 --> 00:41:25,782
SWISHING IT.
SMELLING IT.
978
00:41:25,784 --> 00:41:28,618
LEAVING THE BAR
WITHOUT TAKING A SIP.
979
00:41:28,620 --> 00:41:31,187
IS THIS WHAT GETTING CLEAN
FEELS LIKE?
980
00:41:31,189 --> 00:41:36,826
♪ ALL THINGS GO, ALL THINGS GO
981
00:41:36,828 --> 00:41:39,362
[ DOOR OPENS ]
982
00:41:42,533 --> 00:41:43,833
[ SIGHS ]
983
00:41:43,835 --> 00:41:47,270
MY DAUGHTER,
THE BIG-SHOT NEW YORK LAWYER.
984
00:41:47,272 --> 00:41:50,039
YOU'RE GONNA HAVE
YOUR OWN OFFICE.
985
00:41:50,041 --> 00:41:52,642
YOU HAVE YOUR OWN OFFICE.
986
00:41:52,644 --> 00:41:54,143
YOU'LL BE RESPECTED.
987
00:41:54,145 --> 00:41:56,813
YOU'RE RESPECTED.
988
00:41:56,815 --> 00:41:58,548
YOU'RE THE GEORGE BAILEY
OF NEPTUNE.
989
00:41:58,550 --> 00:42:00,316
[ CHUCKLES ]
YOU KNOW THE DIFFERENCE
990
00:42:00,318 --> 00:42:03,453
BETWEEN A LAWYER
AND A PROSTITUTE?
991
00:42:03,455 --> 00:42:06,322
A PROSTITUTE STOPS SCREWING YOU
WHEN YOU'RE DEAD.
992
00:42:06,324 --> 00:42:08,291
I GOT A MILLION OF 'EM.
993
00:42:08,293 --> 00:42:10,693
TELL ME ONE
PRIVATE-DETECTIVE JOKE.
994
00:42:10,695 --> 00:42:12,161
UH...
995
00:42:12,163 --> 00:42:14,330
I THOUGHT SO.
996
00:42:14,332 --> 00:42:16,666
NO, O-OKAY.
OKAY, SMART GUY.
997
00:42:16,668 --> 00:42:18,501
WHICH ONE OF THESE
GOES OVER BETTER?
998
00:42:18,503 --> 00:42:20,637
"DAD,
I'M MARRYING A LAWYER."
[ KNOCK ON DOOR ]
999
00:42:20,639 --> 00:42:22,405
OR, "DAD, I'M MARRYING
A PRIVATE DICK."
1000
00:42:22,407 --> 00:42:24,507
OKAY.
NO ONE SAYS "DICK" ANYMORE.
1001
00:42:24,509 --> 00:42:27,410
BUT WHAT'S THE DIFFERENCE
BETWEEN A PORCUPINE
1002
00:42:27,412 --> 00:42:28,811
AND LAWYERS IN A PORSCHE?
1003
00:42:28,813 --> 00:42:32,515
ON A PORCUPINE,
THE PRICKS ARE ON THE OUTSIDE.
1004
00:42:32,517 --> 00:42:34,684
AND A HOWDY-DO TO YOU.
1005
00:42:34,686 --> 00:42:35,518
WHAT'S UP, V?
1006
00:42:35,520 --> 00:42:37,253
WOW, YOU GUYS LOOK GOOD.
1007
00:42:37,255 --> 00:42:39,656
YOU'VE BEEN TO MAMA LEONE'S
BEFORE, RIGHT?
1008
00:42:39,658 --> 00:42:43,226
IT'S LAMINATED MENUS AND
"I HEART LOBSTER" BIBS AND --
1009
00:42:43,228 --> 00:42:45,194
HEY, I'VE GOT SOMETHING
TO SHOW YOU.
1010
00:42:45,196 --> 00:42:46,529
LOOK.
1011
00:42:46,531 --> 00:42:48,731
THIS IS FROM THE TALENT SHOW
OUR SENIOR YEAR.
1012
00:42:48,733 --> 00:42:50,733
THE VIDEO YEARBOOK ADVISER
LET ME SEE IT.
1013
00:42:50,735 --> 00:42:53,269
THAT ONE'S CARRIE BISHOP.
♪ I GOT YOU TO WALK WITH ME ♪
1014
00:42:53,271 --> 00:42:54,837
I DON'T KNOW
WHO THIS OTHER GIRL IS.
1015
00:42:54,839 --> 00:42:58,374
IT'S SUSAN KNIGHT,
CARRIE'S BEST FRIEND.
1016
00:42:58,376 --> 00:42:59,776
ALSO DEAD,
STRANGELY ENOUGH.
1017
00:42:59,778 --> 00:43:02,178
BOATING ACCIDENT THE YEAR
I LEFT FOR STANFORD.
1018
00:43:02,180 --> 00:43:03,246
WHY ARE YOU
SHOWING ME THIS?
1019
00:43:03,248 --> 00:43:04,948
YOU'LL SEE.
1020
00:43:04,950 --> 00:43:06,349
DELLA PUGH, THE GIRL
1021
00:43:06,351 --> 00:43:07,884
WHOSE PERMANENT FILE
YOU ASKED ME TO DIG UP --
1022
00:43:07,886 --> 00:43:09,085
COME AGAIN?
1023
00:43:09,087 --> 00:43:10,787
IGNORE THE DICK.
1024
00:43:10,789 --> 00:43:11,921
CHECK THIS OUT.
1025
00:43:11,923 --> 00:43:14,190
TALENT SHOW
THE YEAR AFTER WE GRADUATED.
1026
00:43:14,192 --> 00:43:16,459
SHE DOES THE SAME DUET,
SOLO.
1027
00:43:16,461 --> 00:43:18,061
AND THEN WHEN PEOPLE BOOED...
1028
00:43:18,063 --> 00:43:19,929
I'LL BURN THIS PLACE DOWN!
1029
00:43:21,865 --> 00:43:23,933
THEY DIDN'T LET HER
COME BACK TO SCHOOL.
1030
00:43:23,935 --> 00:43:26,803
SHE HAD TO TAKE ALL HER FINALS
AS TAKE-HOME TESTS.
1031
00:43:26,805 --> 00:43:28,738
[ SIGHS ]
1032
00:43:28,740 --> 00:43:31,040
BUT HER ALIBI IS SOLID.
I DON'T KNOW.
1033
00:43:31,042 --> 00:43:34,410
LET'S MULL THIS OVER WHILE
WE'RE WEARING LOBSTER BIBS.
1034
00:43:34,412 --> 00:43:38,047
[ CHUCKLES ]
UM, ACTUALLY...
1035
00:43:38,049 --> 00:43:39,983
Keith:
[ Imitating Charlie Chan ] WHEN
NUMBER-ONE DAUGHTER WAS YOUNG,
1036
00:43:39,985 --> 00:43:42,719
HER SKILLS WERE SHARP
LIKE BLADE OF SWORD.
1037
00:43:42,721 --> 00:43:48,091
NOW...BRAIN DULL,
LIKE BLADE OF PLOW.
1038
00:43:48,093 --> 00:43:50,760
[ CHUCKLES ]
THE F--?
1039
00:43:50,762 --> 00:43:52,428
NO.
1040
00:43:52,430 --> 00:43:53,763
YES, MA'AM.
1041
00:43:53,765 --> 00:43:55,598
WE ARE GOING
TO THE REUNION.
1042
00:43:55,600 --> 00:43:59,335
NO, I'M NOT GOING.
AND YOU CAN'T MAKE ME.
1043
00:43:59,337 --> 00:44:00,603
YOU HAVE TO GO.
1044
00:44:00,605 --> 00:44:03,439
WE'VE ARRANGED FOR PIZ
TO FLY IN.
1045
00:44:03,441 --> 00:44:05,942
IT'S OUR GIFT TO YOU.
1046
00:44:05,944 --> 00:44:08,177
SURPRISE.
1047
00:44:08,179 --> 00:44:10,446
[ INDISTINCT CONVERSATIONS ]
1048
00:44:10,448 --> 00:44:11,614
Women: PIRATES!
1049
00:44:11,616 --> 00:44:13,182
Crowd: AHOY!
AHOY!
1050
00:44:13,184 --> 00:44:15,418
[ CHUCKLES ]
1051
00:44:15,420 --> 00:44:17,620
WE'RE HERE BECAUSE...
1052
00:44:17,622 --> 00:44:20,990
BECAUSE YOU'RE A HIGH-POWERED
NEW YORK CITY LAWYER NOW,
1053
00:44:20,992 --> 00:44:23,292
AND YOU SHOULD RUB THAT
IN THESE PEOPLE'S FACES.
1054
00:44:23,294 --> 00:44:24,827
AND BECAUSE
ALEXIS LINK SAID
1055
00:44:24,829 --> 00:44:27,497
THAT, UH, IF WE WERE
STILL SINGLE IN 10 YEARS,
1056
00:44:27,499 --> 00:44:29,098
WE'D GET CREATIVE.
1057
00:44:29,100 --> 00:44:31,067
AND THERE SHE IS NOW.
1058
00:44:33,470 --> 00:44:35,304
HEY, AS A HIGH-SCHOOL NERD
1059
00:44:35,306 --> 00:44:36,806
SUCCESS STORY,
1060
00:44:36,808 --> 00:44:40,009
IT IS A MORAL IMPERATIVE
THAT I TAKE MY OWN VICTORY LAP.
1061
00:44:46,150 --> 00:44:48,484
AHOY.
1062
00:44:48,486 --> 00:44:50,953
Veronica:
IN A LESSER-KNOWN EPIC POEM,
1063
00:44:50,955 --> 00:44:53,656
"DANTE'S INFERNO 2:
HELL FREEZES OVER,"
1064
00:44:53,658 --> 00:44:56,292
10 YEARS AFTER ESCAPING
THE NINE CIRCLES,
1065
00:44:56,294 --> 00:44:59,662
DANTE RETURNS, YOU KNOW,
FOR OLD TIMES' SAKE.
1066
00:44:59,664 --> 00:45:02,999
HAVE A COUPLE SHOTS,
CATCH UP WITH THE GANG.
1067
00:45:03,001 --> 00:45:04,567
NAME?
1068
00:45:04,569 --> 00:45:06,402
SEE IF LUCIFER'S
STILL A BITCH.
1069
00:45:06,404 --> 00:45:08,137
VERONICA MARS.
1070
00:45:08,139 --> 00:45:09,305
NO WAY.
1071
00:45:09,307 --> 00:45:11,507
[ Chuckling ]
YOU LOOK SO...DIFFERENT.
1072
00:45:11,509 --> 00:45:13,509
I BARELY RECOGNIZE YOU.
1073
00:45:13,511 --> 00:45:14,744
REALLY?
1074
00:45:14,746 --> 00:45:16,846
THIS LOOK OF DISDAIN
ISN'T RINGING ANY BELLS?
1075
00:45:16,848 --> 00:45:20,183
LET ME TRY LOOKING LIKE
I THINK YOU'RE AN ASSHOLE.
1076
00:45:20,185 --> 00:45:21,684
WOW.
1077
00:45:21,686 --> 00:45:25,488
YOU ARE STILL A TOTAL LOSER
WITH NO CLASS.
1078
00:45:25,490 --> 00:45:28,591
HOW NOT SHOCKING.
1079
00:45:30,928 --> 00:45:34,030
CLASS IS STILL CLEARLY
A GUIDING FORCE IN YOUR LIFE.
1080
00:45:34,032 --> 00:45:35,531
I'M SHOCKED
YOU EVEN CAME TO THIS.
1081
00:45:35,533 --> 00:45:36,766
IS THAT SO?
1082
00:45:36,768 --> 00:45:38,835
I KNEW YOU'D BE HERE.
TELL THE TRUTH.
1083
00:45:38,837 --> 00:45:41,270
YOU'VE BEEN SITTING THERE
SINCE GRADUATION, HAVEN'T YOU?
1084
00:45:41,272 --> 00:45:42,739
[ CHUCKLES UNCOMFORTABLY ]
1085
00:45:45,042 --> 00:45:47,243
DON'T WORRY ABOUT IT.
1086
00:45:47,245 --> 00:45:48,911
I WANT TO QUIT.
1087
00:45:48,913 --> 00:45:52,215
THEY REALLY SHOULD HAVE A BAR
RIGHT BY THE ENTRANCE.
1088
00:45:52,217 --> 00:45:54,450
YOU CAN DO THIS, CHAMP.
1089
00:45:56,520 --> 00:45:58,588
Dick:
OH, LOOK WHO IT IS.
1090
00:45:58,590 --> 00:46:00,723
MOST LIKELY TO BLOG
AND CLASS BUZZKILL.
1091
00:46:00,725 --> 00:46:02,091
OR WAS IT CUTEST SMILE?
1092
00:46:02,093 --> 00:46:03,392
BEST PERSONALITY.
1093
00:46:03,394 --> 00:46:04,727
AND YOU ARE JUST
WHO I WAS LOOKING FOR --
1094
00:46:04,729 --> 00:46:06,729
MOST LIKELY TO KNOW
WHERE I CAN FIND THE BAR.
1095
00:46:06,731 --> 00:46:08,531
[ Imitating John Wayne ]
LOOK NO FURTHER, PILGRIM.
1096
00:46:08,533 --> 00:46:11,567
[ GRUNTS ]
1097
00:46:11,569 --> 00:46:13,736
GROSS.
NO.
WHAT?
1098
00:46:13,738 --> 00:46:15,238
NO, NO, NO.
I JUST FEEL BAD FOR HER.
1099
00:46:15,240 --> 00:46:19,242
OH, MY GOD.
VERONICA MARS.
1100
00:46:19,244 --> 00:46:21,444
HI, GIA.
1101
00:46:21,446 --> 00:46:23,045
SO MANY MIXED EMOTIONS
RIGHT NOW.
1102
00:46:23,047 --> 00:46:24,814
I KIND OF HATED YOU, LIKE,
A LOT, BUT I DON'T ANYMORE.
1103
00:46:24,816 --> 00:46:26,749
I'M JUST TRYING TO REMEMBER
MY PROGRESS HERE,
1104
00:46:26,751 --> 00:46:28,751
BECAUSE BLAMING YOU
FOR TELLING THE WHOLE WORLD
1105
00:46:28,753 --> 00:46:30,286
THAT MY DAD WAS A PEDOPHILE
1106
00:46:30,288 --> 00:46:31,921
IS WHAT MY THERAPIST CALLS
MISPLACED AGGRESSION.
1107
00:46:31,923 --> 00:46:34,957
SO, BASICALLY, WE'RE TOTALLY
COOL, JUST SO YOU KNOW.
1108
00:46:34,959 --> 00:46:36,959
HI, BY THE WAY.
YOU LOOK GREAT.
1109
00:46:36,961 --> 00:46:39,295
THANK YOU.
YOU SHOULD DROP BY MY PLACE
WHILE YOU'RE IN TOWN.
1110
00:46:39,297 --> 00:46:40,496
WE HAVE TO HANG.
WAIT.
1111
00:46:40,498 --> 00:46:42,431
COME TO MY AFTER-PARTY.
YOU HAVE TO.
1112
00:46:42,433 --> 00:46:43,766
I MEAN IT.
AND, YOU,
1113
00:46:43,768 --> 00:46:44,934
UM...
1114
00:46:44,936 --> 00:46:46,969
YOU SHOULD COME, TOO,
FRIEND.
1115
00:46:46,971 --> 00:46:49,105
WOW.
THAT HAIR.
1116
00:46:49,107 --> 00:46:50,406
GIA! GIA!
YES?
1117
00:46:50,408 --> 00:46:51,507
STU'S GONNA GET
A PLANE.
1118
00:46:51,509 --> 00:46:52,675
OKAY, I'M NOT
SCREWING AROUND.
1119
00:46:52,677 --> 00:46:53,776
WHERE'S THE BAR
IN THIS JOINT?
1120
00:46:53,778 --> 00:46:56,245
I'LL FIND US A TABLE.
1121
00:46:56,247 --> 00:46:57,346
HERE YOU GO.
THANKS.
1122
00:46:57,348 --> 00:46:58,614
[ CHUCKLES ]
1123
00:46:58,616 --> 00:47:01,484
NO WAY!
HOW RANDOM IS THIS?!
1124
00:47:01,486 --> 00:47:02,785
CORNY.
DUDE!
1125
00:47:02,787 --> 00:47:05,188
HOW'S IT HANGING, BRAH?
UH, YOU KNOW.
1126
00:47:05,190 --> 00:47:07,456
I'M DOING MY DEAL,
TAKING TIME FOR WHAT'S MINE.
1127
00:47:07,458 --> 00:47:09,926
I'VE BEEN MAKING
THESE DUCT-TAPE WALLETS.
1128
00:47:09,928 --> 00:47:12,829
PULLING IN KASHEESH.
SELLING THEM ON ETSY.
1129
00:47:12,831 --> 00:47:14,263
WOW.
1130
00:47:14,265 --> 00:47:16,032
YEAH, UM, I MAKE SOME OUT
OF MAPS, IF YOU'RE INTERESTED.
1131
00:47:17,501 --> 00:47:19,268
UM, YEAH, TOTALLY.
1132
00:47:19,270 --> 00:47:22,104
UH, YOU KNOW WHAT?
I-I NEED TO GO SAY HI TO --
1133
00:47:22,106 --> 00:47:23,973
OH, GO. GO. PEACE.
1134
00:47:23,975 --> 00:47:25,808
IS THAT WEEVIL NAVARRO
IN SLACKS?
1135
00:47:25,810 --> 00:47:27,643
YAY!
YOU'RE HUGGING ME.
1136
00:47:27,645 --> 00:47:29,278
YOU'RE HUGGING ME.
1137
00:47:29,280 --> 00:47:30,646
YES, PLEASE, DON'T MAKE ME
LOOK BAD IN FRONT OF MY WIFE.
1138
00:47:30,648 --> 00:47:32,315
YOUR WHAT?
1139
00:47:32,317 --> 00:47:33,382
YEAH.
1140
00:47:33,384 --> 00:47:36,018
THIS IS MY WIFE, JADE.
1141
00:47:36,020 --> 00:47:37,386
HI, I'M VERONICA.
1142
00:47:37,388 --> 00:47:39,388
OH, HI.
1143
00:47:39,390 --> 00:47:41,858
I-IT'S SO NICE TO MEET YOU.
IT'S NICE TO MEET YOU,
TOO.
1144
00:47:41,860 --> 00:47:44,026
AND, UH, THIS --
THIS IS, UM...
1145
00:47:44,028 --> 00:47:45,294
OH, SORRY.
1146
00:47:45,296 --> 00:47:47,063
THIS IS VALENTINA.
1147
00:47:47,065 --> 00:47:48,197
[ CHUCKLES ]
1148
00:47:48,199 --> 00:47:50,867
SHUT UP!
SHE'S 3.
1149
00:47:50,869 --> 00:47:53,336
I'M ATTENDING TEA PARTIES
AT DOLL STORES.
1150
00:47:53,338 --> 00:47:55,671
THIS KID RULES ME.
1151
00:47:55,673 --> 00:47:57,340
Madison:
ANY PIRATES IN THE HOUSE?
1152
00:47:57,342 --> 00:47:58,474
Crowd: AHOY!
1153
00:47:58,476 --> 00:47:59,909
THAT'S WHAT I'M TALKING ABOUT.
1154
00:47:59,911 --> 00:48:03,813
I HEAR SHE'S THE POLE CARDIO
INSTRUCTOR TO THE STARS.
1155
00:48:03,815 --> 00:48:06,482
SO, HOT WIFE, CUTE KID.
1156
00:48:06,484 --> 00:48:08,050
THIS IS NOT THE WEEVIL
THAT I KNOW.
1157
00:48:08,052 --> 00:48:10,519
OH, AND, UH,
I OWN MY OWN SHOP NOW.
1158
00:48:10,521 --> 00:48:14,156
AND I HAVEN'T BEEN ON MY BIKE
SINCE VALENTINA WAS BORN.
1159
00:48:14,158 --> 00:48:16,359
[ CHUCKLES ]
1160
00:48:16,361 --> 00:48:18,694
...TO REMEMBER THOSE OF US
WHO ARE NO LONGER AROUND.
1161
00:48:18,696 --> 00:48:21,097
WELL, I'LL BE DAMNED.
1162
00:48:21,099 --> 00:48:24,066
PLEASE TURN YOUR ATTENTION
TO THE SCREEN,
1163
00:48:24,068 --> 00:48:26,369
AS WE SAY GOODBYE
TO OLD FRIENDS.
1164
00:48:26,371 --> 00:48:27,904
SHELLY.
1165
00:48:29,239 --> 00:48:30,907
[ BEEP ]
1166
00:48:32,709 --> 00:48:34,677
FELIX TOOMBS.
1167
00:48:36,079 --> 00:48:38,114
HEY, SEAN,
HOW YOU DOING, MAN?
1168
00:48:38,116 --> 00:48:40,616
MEG MANNING.
SOME PRETTY INTERESTING
PICTURES YOU GOT THERE.
1169
00:48:40,618 --> 00:48:43,686
YOU THINK THAT'S FUNNY?
1170
00:48:43,688 --> 00:48:45,755
RHONDA LANDERS.
1171
00:48:45,757 --> 00:48:49,625
WHAT HAPPENED TO GETTING
CREATIVE WITH ALEXIS LINK?
1172
00:48:52,429 --> 00:48:53,763
CARRIE BISHOP.
1173
00:48:53,765 --> 00:48:55,665
Man: MURDERER!
1174
00:48:57,567 --> 00:48:58,567
Man #2: FOR REAL.
1175
00:48:58,569 --> 00:49:00,903
YOU'RE KIDDING ME.
1176
00:49:00,905 --> 00:49:02,371
Woman:
I FIGURED HE'D BE A NO-SHOW.
1177
00:49:02,373 --> 00:49:03,773
OH!
1178
00:49:06,209 --> 00:49:08,044
Madison: SUSAN KNIGHT.
1179
00:49:09,579 --> 00:49:12,315
OKAY.
NOW I REMEMBER SUSAN KNIGHT.
1180
00:49:15,252 --> 00:49:17,920
OH, MY GOD.
1181
00:49:17,922 --> 00:49:21,090
LOGAN!
1182
00:49:21,092 --> 00:49:24,427
"SERENDIPITY"...
CARRIE'S NEW TATTOO...
1183
00:49:24,429 --> 00:49:26,996
WAS THE NAME OF THE BOAT
THEY WERE ON
1184
00:49:26,998 --> 00:49:28,764
THE NIGHT CARRIE'S
BEST FRIEND DROWNED.
1185
00:49:28,766 --> 00:49:31,767
AND CARRIE'S NEW ALBUM,
"CONFESSIONAL"?
1186
00:49:31,769 --> 00:49:34,070
"TRY DROWNING
ALL OUR MEMORIES TONIGHT"?
1187
00:49:34,072 --> 00:49:35,671
SOMETHING HAPPENED
ON THAT BOAT.
1188
00:49:35,673 --> 00:49:38,007
YEAH?
YOU SOUND LIKE RUBY.
1189
00:49:38,009 --> 00:49:39,842
CARRIE COULDN'T KEEP
THE SECRET ANYMORE.
1190
00:49:39,844 --> 00:49:41,277
SHE WAS UNRAVELING,
1191
00:49:41,279 --> 00:49:45,614
AND WHOEVER KILLED CARRIE DID IT
TO SHUT HER UP.
1192
00:49:45,616 --> 00:49:47,950
SO, WHO ELSE WAS ON THE BOAT
THAT NIGHT?
1193
00:49:47,952 --> 00:49:50,319
THERE'S CARRIE,
STU COBBLER, DICK.
1194
00:49:50,321 --> 00:49:51,620
DICK?
1195
00:49:51,622 --> 00:49:53,789
YEAH, DICK, GIA GOODMAN,
LUKE HALDEMAN.
1196
00:49:53,791 --> 00:49:55,491
THAT CROWD.
DID YOU EVER TALK ABOUT
1197
00:49:55,493 --> 00:49:56,859
WHAT HAPPENED THAT NIGHT
WITH CARRIE?
1198
00:49:56,861 --> 00:49:59,195
YEAH, ONCE. SHE CURLED UP
IN A FETAL POSITION.
1199
00:49:59,197 --> 00:50:01,330
SHE DIDN'T SPEAK THE REST
OF THE NIGHT.
1200
00:50:01,332 --> 00:50:07,003
BIGGEST SUCCESS STORY
GOES TO PATTI JACKSON
1201
00:50:07,005 --> 00:50:10,840
FOR STARTING HER OWN LINE
OF NATURAL HAIR-CARE PRODUCTS.
1202
00:50:10,842 --> 00:50:13,642
HEY! MY PEOPLE!
1203
00:50:13,644 --> 00:50:14,944
THIS MUST BE
THE GOOD-TIME TABLE.
1204
00:50:14,946 --> 00:50:16,846
HEY! MY BROTHER!
WHAT'S UP, MAN?
1205
00:50:16,848 --> 00:50:18,314
WHAT'S GOING ON?
HI!
1206
00:50:18,316 --> 00:50:19,448
HOW ARE YOU?!
1207
00:50:19,450 --> 00:50:20,850
SO, 10-YEAR REUNION.
1208
00:50:20,852 --> 00:50:23,619
I WANT SOME KYLIE MINOGUE,
SOME PUSSYCAT DOLLS,
1209
00:50:23,621 --> 00:50:24,987
MAYBE SOME SOLO ROB THOMAS.
1210
00:50:24,989 --> 00:50:26,822
I'VE HAD A FEW DRINKS
ON THE PLANE.
1211
00:50:26,824 --> 00:50:28,824
Shh!
WHERE'S VERONICA?
1212
00:50:28,826 --> 00:50:32,695
THE AWARD FOR COMING
THE LONGEST GOES TO...
1213
00:50:32,697 --> 00:50:34,330
VERONICA MARS.
1214
00:50:34,332 --> 00:50:35,498
Crowd: OH!
1215
00:50:35,500 --> 00:50:38,200
[ CROWD MURMURING ]
1216
00:50:38,202 --> 00:50:40,703
GET THAT OFF!
GET THAT OFF NOW!
1217
00:50:40,705 --> 00:50:42,071
[ LAUGHS ]
1218
00:50:42,073 --> 00:50:44,006
SO, WHAT BROUGHT YOU HERE
TONIGHT?
1219
00:50:44,008 --> 00:50:45,808
I WAS GONNA ASK YOU
THE SAME.
1220
00:50:45,810 --> 00:50:48,010
I WAS KIDNAPPED.
YOU?
1221
00:50:48,012 --> 00:50:50,012
PICTURES OF CARRIE
DOING LINES OF COKE
1222
00:50:50,014 --> 00:50:52,348
SHOWED UP ON SEAN FRIEDRICH'S
INSTAGRAM FEED TODAY.
1223
00:50:52,350 --> 00:50:54,517
I KNEW HE'D BE HERE TONIGHT.
I JUST --
1224
00:50:54,519 --> 00:50:57,019
NO, I JUST EXPLAINED TO HIM
THAT IT WOULD BE BEST FOR HIM
1225
00:50:57,021 --> 00:50:58,854
IF THOSE CAME DOWN
AND NO MORE APPEARED.
1226
00:50:58,856 --> 00:51:01,357
LOGAN, YOU ARE SUSPECTED
OF MURDER.
1227
00:51:01,359 --> 00:51:03,192
YOU HAVE TO BE SMART.
1228
00:51:03,194 --> 00:51:04,260
VERONICA!
1229
00:51:04,262 --> 00:51:06,128
YOU NEED TO GET BACK
INSIDE NOW.
1230
00:51:10,233 --> 00:51:13,069
PIZ IS HERE, AND HE'S
WONDERING WHERE YOU ARE.
1231
00:51:13,071 --> 00:51:15,771
AND...THAT IS NOT
THE WORST OF IT.
1232
00:51:15,773 --> 00:51:17,907
[ CROWD CHUCKLING, MURMURING ]
1233
00:51:22,179 --> 00:51:23,446
OH, MY GOD.
1234
00:51:28,285 --> 00:51:31,187
NEPTUNE HIGH.
WHAT DO YOU THINK SO FAR?
1235
00:51:31,189 --> 00:51:33,589
IT ACTUALLY DOES SIT
ON A HELLMOUTH.
1236
00:51:33,591 --> 00:51:36,325
[ LOGAN GRUNTS ]
[ GLASS BREAKS ]
1237
00:51:46,236 --> 00:51:48,070
PIZNARSKI, NO.
1238
00:51:48,072 --> 00:51:49,538
THIS IS WHAT MEN DO,
RIGHT?
1239
00:51:52,442 --> 00:51:53,809
AAH!
1240
00:51:53,811 --> 00:51:55,244
[ GLASS BREAKS ]
1241
00:51:55,246 --> 00:52:00,049
[ BEEPING ]
1242
00:52:02,586 --> 00:52:05,354
WHAT DO WE DO?
GET TO AN EXIT.
1243
00:52:13,330 --> 00:52:15,331
WELCOME TO THE B.C.,
BITCH!
1244
00:52:20,103 --> 00:52:22,638
[ CROWD SCREAMING,
ALARM RINGING ]
1245
00:52:22,640 --> 00:52:24,473
LET'S GET OUT OF HERE.
1246
00:52:24,475 --> 00:52:27,076
[ INDISTINCT SHOUTING ]
1247
00:52:32,315 --> 00:52:36,352
VERONICA!
YOU MUST BE SO PROUD.
1248
00:52:36,354 --> 00:52:39,088
JUST BECAUSE YOU WERE
AN UNPOPULAR BITCH,
1249
00:52:39,090 --> 00:52:41,924
YOU HAD TO RUIN IT
FOR EVERYBODY ELSE.
1250
00:52:41,926 --> 00:52:43,092
I'D STOP THERE.
1251
00:52:43,094 --> 00:52:44,793
OH, WOULD YOU?
[ GASPS ]
1252
00:52:44,795 --> 00:52:47,763
WHAT ARE YOU GONNA DO?
USE YOUR STUN GUN ON ME?
1253
00:52:47,765 --> 00:52:48,998
[ SCOFFS ]
1254
00:52:49,000 --> 00:52:50,566
DON'T YOU THINK
THAT'S GOTTEN A BIT OLD?
1255
00:52:51,635 --> 00:52:52,868
[ THUD ]
1256
00:52:52,870 --> 00:52:55,804
ORIGINAL ENOUGH FOR YOU?
1257
00:52:55,806 --> 00:52:57,173
THIS IS ABSURD.
1258
00:52:57,175 --> 00:52:58,807
THE SCHOOL DISTRICT IS
ON THE HOOK FOR THE DEPOSIT.
1259
00:52:58,809 --> 00:53:01,210
HOW DID THIS HAPPEN?
1260
00:53:02,012 --> 00:53:03,779
NEVER MIND.
1261
00:53:03,781 --> 00:53:06,682
HEY, MR. C.
YOU MISS ME YET?
1262
00:53:06,684 --> 00:53:09,151
IT'S BEEN 10 YEARS OF PEACE
AND QUIET, VERONICA.
1263
00:53:09,153 --> 00:53:11,120
IF YOU LIKE
THAT SORT OF THING.
1264
00:53:12,322 --> 00:53:13,455
VERONICA...
1265
00:53:14,524 --> 00:53:18,260
IT'S BEEN...BORING.
1266
00:53:21,298 --> 00:53:23,666
[ GROANS ]
1267
00:53:23,668 --> 00:53:25,668
YEAH, BUDDY.
1268
00:53:25,670 --> 00:53:26,835
[ SIGHS ]
1269
00:53:26,837 --> 00:53:28,971
WANT TO HIT
AN AFTER-PARTY?
1270
00:53:28,973 --> 00:53:31,006
OH, BUT I'M HAVING
SO MUCH FUN HERE.
1271
00:53:31,008 --> 00:53:33,676
YEAH,
I THINK I'LL SKEDADDLE.
1272
00:53:33,678 --> 00:53:35,811
PROBABLY WISE.
1273
00:53:35,813 --> 00:53:38,013
HEY, THANKS
FOR JUMPING IN, PIZ.
1274
00:53:38,015 --> 00:53:40,349
OH, SURE.
SURE.
1275
00:53:40,351 --> 00:53:43,485
LOGAN GONNA BE
AT THIS AFTER-PARTY?
1276
00:53:43,487 --> 00:53:45,354
NOPE.
1277
00:53:45,356 --> 00:53:47,856
♪ PUT YOUR HANDS IN THE AIR
1278
00:53:47,858 --> 00:53:49,825
♪ 'CAUSE THIS IS A STICKUP
1279
00:53:49,827 --> 00:53:51,360
♪ IT'S TIME TO GIVE UP
1280
00:53:51,362 --> 00:53:53,329
♪ I'M TAKING OVER THE RIDE
1281
00:53:53,331 --> 00:53:55,197
♪ PUT YOUR HANDS IN THE AIR
1282
00:53:55,199 --> 00:53:57,066
SURE, IT LOOKS LIKE
I'M HAVING FUN.
1283
00:53:57,068 --> 00:53:58,667
BUT EVEN MY ALKIE MOM
1284
00:53:58,669 --> 00:54:01,237
KNEW HOW TO PUT ON A SHOW
TO HIDE HER DISEASE.
1285
00:54:01,239 --> 00:54:03,339
SHE COULD PTA
WITH THE BEST OF THEM,
1286
00:54:03,341 --> 00:54:04,773
BUT HER MIND WAS NEVER FAR
1287
00:54:04,775 --> 00:54:07,443
FROM THAT BIT OF LIQUID COURAGE
SHE KEPT HANDY.
1288
00:54:07,445 --> 00:54:10,846
I ADORE THESE THREE PEOPLE, BUT
THERE'S A CASE TO BE SOLVED.
1289
00:54:10,848 --> 00:54:12,348
♪ SO, SHUT UP AND DANCE
1290
00:54:12,350 --> 00:54:13,916
THERE ARE PEOPLE IN THIS ROOM
1291
00:54:13,918 --> 00:54:16,051
WITH INFORMATION I WANT
AND DON'T HAVE.
1292
00:54:16,053 --> 00:54:19,788
DICK, AT 2:00.
1293
00:54:19,790 --> 00:54:23,192
GIA AND LUKE, AT 6:00.
1294
00:54:23,194 --> 00:54:26,562
COBB, BY THE BUFFET.
1295
00:54:26,564 --> 00:54:27,896
AND UNTIL I GET IT,
1296
00:54:27,898 --> 00:54:31,433
THEY ARE THE PROVERBIAL FLASK
IN MY PURSE.
1297
00:54:31,435 --> 00:54:34,570
I MEAN, ALL THE FIGHTING
AND THE DANCING.
1298
00:54:34,572 --> 00:54:38,240
LIVING IN AN OLD MICHAEL JACKSON
MUSIC VIDEO -- IT'S EXHAUSTING.
1299
00:54:38,242 --> 00:54:40,809
SOMEBODY NEEDS
A TASTY BEVERAGE.
1300
00:54:40,811 --> 00:54:42,311
I'M HERE TO MAKE HIM
DRINK SOME KUMQUATS.
1301
00:54:42,313 --> 00:54:45,814
WOULD YOU LIKE ME
TO PROCURE ONE FOR YOU?
1302
00:54:45,816 --> 00:54:47,549
YOU WOULD DO THAT FOR ME?
1303
00:54:47,551 --> 00:54:49,785
I LIVE TO SERVE.
1304
00:54:49,787 --> 00:54:51,453
FAREWELL, MY CONCUBINE.
1305
00:54:51,455 --> 00:54:53,555
YEAH, AND I'LL TAKE A BUD.
THANKS FOR ASKING.
1306
00:54:53,557 --> 00:54:54,490
AND ON OLD GRAND-DAD!
1307
00:54:54,492 --> 00:54:58,093
THE BOURBON.
NOT SOME OLD GUY.
1308
00:54:58,095 --> 00:55:00,896
WORDS WITH FRIENDS?
1309
00:55:00,898 --> 00:55:04,300
SOME PEOPLE
JUST CALL IT TEXTING.
1310
00:55:04,302 --> 00:55:08,771
I WANT TO ASK YOU ABOUT
THE NIGHT SUSAN KNIGHT DIED.
1311
00:55:08,773 --> 00:55:11,440
[ CHUCKLES ]
OF COURSE YOU DO.
1312
00:55:11,442 --> 00:55:12,441
IT'S A PARTY.
1313
00:55:12,443 --> 00:55:14,610
THE MEMORIAL VIDEO
GOT ME THINKING.
1314
00:55:14,612 --> 00:55:17,479
I'VE NEVER REALLY HEARD
WHAT HAPPENED.
1315
00:55:19,115 --> 00:55:21,617
I-I HAVE TOLD THIS STORY
ABOUT 10 ZILLION TIMES,
1316
00:55:21,619 --> 00:55:22,951
BUT, OKAY.
1317
00:55:22,953 --> 00:55:25,287
WE WERE PARTYING
ON CARRIE'S DAD'S BOAT.
1318
00:55:25,289 --> 00:55:27,423
WE ALL GOT HAMMERED,
BECAUSE IT TURNS OUT
1319
00:55:27,425 --> 00:55:29,591
IT'S PRETTY BORING PARTYING
ON A BOAT
1320
00:55:29,593 --> 00:55:30,759
AFTER ABOUT 15 MINUTES.
1321
00:55:30,761 --> 00:55:32,194
WOKE UP THE NEXT MORNING,
1322
00:55:32,196 --> 00:55:34,963
AND EVERYONE IS FREAKING OUT
BECAUSE WE CAN'T FIND SUSAN.
1323
00:55:34,965 --> 00:55:36,865
RIPPED THE BOAT APART
LOOKING FOR HER,
1324
00:55:36,867 --> 00:55:39,702
BUT SHE WAS GONE-ZO.
1325
00:55:40,870 --> 00:55:42,671
LAST TIME I SAW SUSAN,
1326
00:55:42,673 --> 00:55:44,973
SHE WAS BLOWING CHUNKS
OVER THE SIDE OF THE BOAT.
1327
00:55:44,975 --> 00:55:46,542
SHE MUST HAVE SLIPPED
AND FELL OFF.
1328
00:55:46,544 --> 00:55:49,978
I HEARD LATER THAT
SHE COULDN'T SWIM FOR SHIT.
1329
00:55:49,980 --> 00:55:52,147
WHAT A NIGHTMARE.
I CAN'T IMAGINE.
1330
00:55:52,149 --> 00:55:53,549
IT MUST HAVE BEEN AWFUL
1331
00:55:53,551 --> 00:55:56,118
WHEN YOU FIGURED OUT
SHE WAS MISSING.
1332
00:55:56,120 --> 00:55:59,221
I HAD TO GO TO THERAPY
FOR POST TRAUMATIC STRESS.
1333
00:55:59,223 --> 00:56:01,056
I STILL CAN'T GO ON A BOAT.
1334
00:56:01,058 --> 00:56:03,025
OR SMELL SCHNAPPS.
1335
00:56:03,027 --> 00:56:04,293
IT WAS AWFUL.
1336
00:56:04,295 --> 00:56:05,828
IT WAS, UH --
WE DRANK A SHIT TON OF BOOZE
1337
00:56:05,830 --> 00:56:09,331
AND WE ALL WOKE UP,
WE WERE REALLY HUNG OVER,
1338
00:56:09,333 --> 00:56:12,668
PANICKED OUT OF OUR MINDS.
1339
00:56:12,670 --> 00:56:14,036
IT WAS A CRAZY NIGHT.
1340
00:56:14,038 --> 00:56:17,506
OOH, WHAT CRAZY NIGHT
ARE WE TALKING ABOUT?
1341
00:56:17,508 --> 00:56:19,808
VERONICA WAS JUST ASKING
ABOUT THE NIGHT
1342
00:56:19,810 --> 00:56:21,076
THAT SUSAN FELL OVERBOARD.
1343
00:56:21,078 --> 00:56:23,312
I HIRED A MIXOLOGIST,
VERONICA.
1344
00:56:23,314 --> 00:56:24,847
NOW IS NOT THE TIME.
1345
00:56:24,849 --> 00:56:27,216
AND NO MENTION?
I MEAN...
1346
00:56:27,218 --> 00:56:28,917
YOU GUYS ARE GETTING MARRIED?
1347
00:56:28,919 --> 00:56:30,085
IN THREE MONTHS
AND TWO DAYS.
1348
00:56:30,087 --> 00:56:31,353
SON OF A CONGRESSMAN.
1349
00:56:31,355 --> 00:56:33,856
HE'S HIS DAD'S
CHIEF OF STAFF NOW.
1350
00:56:33,858 --> 00:56:35,691
BUT HE'S GOT HIS EYE
ON THE PRIZE.
1351
00:56:35,693 --> 00:56:36,592
SORRY TO INTERRUPT.
1352
00:56:36,594 --> 00:56:38,260
YOU'RE RUNNING LOW ON ICE,
GEE,
1353
00:56:38,262 --> 00:56:40,229
SO I'M GONNA RUN OVER
TO MY PLACE AND GET SOME.
1354
00:56:40,231 --> 00:56:43,565
CAN YOU BRING BACK WINE
AND ASPIRIN, TOO, PLEASE?
1355
00:56:43,567 --> 00:56:45,267
YEAH.
1356
00:56:45,269 --> 00:56:48,670
HEY, I'M REALLY SORRY
ABOUT CARRIE, GIA.
1357
00:56:48,672 --> 00:56:50,105
I KNOW
YOU ALL WERE FRIENDS.
1358
00:56:50,107 --> 00:56:51,373
NOT JUST FRIENDS.
1359
00:56:51,375 --> 00:56:53,709
SHE WAS GONNA BE
ONE OF MY BRIDESMAIDS.
1360
00:56:53,711 --> 00:56:57,379
YEAH, GIA WAS THE LAST PERSON
TO SEE HER OTHER THAN, UH...
1361
00:56:57,381 --> 00:56:59,715
YOU KNOW.
[ CLEARS THROAT ]
1362
00:56:59,717 --> 00:57:02,484
IF SHE HAD JUST BEEN ON TIME
FOR ONCE, SHE'D STILL BE ALIVE.
1363
00:57:04,587 --> 00:57:05,687
[ LAUGHTER ]
1364
00:57:05,689 --> 00:57:07,623
AND YOU THOUGHT
I WASN'T LISTENING.
1365
00:57:07,625 --> 00:57:10,259
SEE, YOU GUYS? I TOLD YOU
SHE DIDN'T JOIN A CULT.
1366
00:57:11,628 --> 00:57:13,228
[ ROCK MUSIC PLAYS ]
1367
00:57:13,230 --> 00:57:15,197
[ CELLPHONE CHIMES ]
1368
00:57:21,404 --> 00:57:24,706
[ MEN SHOUTING, WHOOPING ]
1369
00:57:24,708 --> 00:57:26,542
[ MOTORCYCLES REV ]
1370
00:57:29,813 --> 00:57:31,847
[ LAUGHTER ]
1371
00:57:37,921 --> 00:57:41,089
HEY, GET BACK IN YOUR CAR.
1372
00:57:41,091 --> 00:57:43,625
YOU'RE GONNA GET HURT,
OLD MAN!
1373
00:57:43,627 --> 00:57:46,295
I'M LOST.
DON'T YOU GET THAT?
1374
00:57:46,297 --> 00:57:48,730
THE NAVIGATION LED ME OUT HERE.
1375
00:57:48,732 --> 00:57:51,934
THEY'RE GOING TO MURDER ME,
OR WORSE!
1376
00:57:51,936 --> 00:57:53,469
HEY!
DO YOU WANT SOME HELP?
1377
00:57:53,471 --> 00:57:55,471
AAH!
[ GUNSHOT ]
1378
00:57:56,606 --> 00:57:58,474
[ TIRES SQUEAL ]
1379
00:58:08,117 --> 00:58:10,385
[ CELLPHONE RINGS ]
1380
00:58:11,921 --> 00:58:13,455
HELLO?
1381
00:58:13,457 --> 00:58:16,825
YOUR CAB HAS ARRIVED.
YOUR CAB HAS ARRIVED.
1382
00:58:16,827 --> 00:58:19,628
VERONICA?
YEAH?
1383
00:58:19,630 --> 00:58:20,796
CAB'S HERE.
1384
00:58:20,798 --> 00:58:22,965
I THOUGHT I WAS TAKING YOU
TO THE AIRPORT.
1385
00:58:22,967 --> 00:58:24,600
Piz: CAB'S FOR ME.
1386
00:58:24,602 --> 00:58:25,968
VERONICA'S GONNA BE STICKING
AROUND TOWN A LITTLE BIT LONGER.
1387
00:58:25,970 --> 00:58:27,302
GOOD TO SEE YOU, KEITH.
1388
00:58:27,304 --> 00:58:28,804
STOSH?
HEY.
1389
00:58:28,806 --> 00:58:31,473
I'M ONTO SOMETHING, DAD.
IT'S BIG.
1390
00:58:31,475 --> 00:58:33,976
AND YOU WERE IN THERE?
ALL NIGHT?
1391
00:58:33,978 --> 00:58:37,145
DID VERONICA NOT SHOW YOU
OUR FINE SELECTION OF COUCHES?
1392
00:58:37,147 --> 00:58:39,681
THAT BABY FOLDS OUT.
THE WALLS HERE ARE THIN.
1393
00:58:39,683 --> 00:58:41,517
BUT OUR TANTRIC LOVEMAKING
IS REMARKABLE
1394
00:58:41,519 --> 00:58:43,151
FOR ITS STILLNESS
AND TRANQUILITY.
1395
00:58:43,153 --> 00:58:46,221
SHE PASSED OUT.
NOTHING HAPPENED.
1396
00:58:46,223 --> 00:58:48,457
I'M GONNA GO GET MY CAB.
1397
00:58:52,295 --> 00:58:54,630
[ DOG BARKING IN DISTANCE ]
1398
00:58:54,632 --> 00:58:57,132
THE NEW JOB JUST GAVE ME
A COUPLE MORE DAYS,
1399
00:58:57,134 --> 00:59:00,569
SO I WILL BE BACK BY THE TIME
YOUR PARENTS GET TO THE CITY.
1400
00:59:00,571 --> 00:59:02,504
OKAY, FAIR WARNING:
I'VE OVERSOLD YOU.
1401
00:59:02,506 --> 00:59:05,173
THEY DON'T THINK THAT
I COULD HAVE LANDED A CREATURE
1402
00:59:05,175 --> 00:59:06,842
SUCH AS THE ONE
THAT I'VE DESCRIBED.
1403
00:59:06,844 --> 00:59:09,344
DON'T THEY KNOW THEIR SON'S
A SEXUAL SHARKNADO?
1404
00:59:09,346 --> 00:59:11,713
[ LAUGHS ]
HASN'T COME UP YET.
1405
00:59:11,715 --> 00:59:14,550
I'VE BEEN WAITING
FOR THE PERFECT MOMENT, SO...
1406
00:59:14,552 --> 00:59:16,418
BYE.
1407
00:59:18,721 --> 00:59:21,023
[ CLEARS THROAT ]
1408
00:59:21,025 --> 00:59:23,926
[ ENGINE TURNS OVER ]
1409
00:59:28,565 --> 00:59:30,532
CLIFF JUST CALLED
FROM THE HOSPITAL.
1410
00:59:30,534 --> 00:59:32,367
CELESTE KANE
SHOT WEEVIL NAVARRO.
1411
00:59:32,369 --> 00:59:34,069
SHE'S CLAIMING
SELF-DEFENSE.
1412
00:59:34,071 --> 00:59:35,871
WEEVIL JUST REGAINED
CONSCIOUSNESS.
1413
00:59:35,873 --> 00:59:38,407
I'M COMING WITH YOU.
1414
00:59:38,409 --> 00:59:41,076
CELESTE KANE'S STATEMENT
SAYS HER CAR BROKE DOWN
1415
00:59:41,078 --> 00:59:43,845
AND SHE WAS ACCOSTED
BY THE MOTORCYCLE GANG.
1416
00:59:43,847 --> 00:59:45,847
SHE CLAIMS
SHE WAS TERRIFIED.
1417
00:59:45,849 --> 00:59:48,717
THEN SHE SAYS MR. NAVARRO
APPROACHED HER CAR,
1418
00:59:48,719 --> 00:59:50,452
RAPPED ON THE WINDOW
WITH A BERETTA AND SAID,
1419
00:59:50,454 --> 00:59:52,888
"TIME TO PARTY."
THAT'S WHEN SHE FIRED.
1420
00:59:52,890 --> 00:59:55,624
PLEASE GET THIS CASE DISMISSED
BEFORE ANYBODY BELIEVES
1421
00:59:55,626 --> 00:59:58,093
THE WORDS "TIME TO PARTY"
CAME OUT OF MY MOUTH.
1422
00:59:58,095 --> 00:59:59,761
DID YOU HAVE A GUN OUT,
ELI?
1423
00:59:59,763 --> 01:00:01,430
I HAVEN'T TOUCHED A GUN
IN YEARS.
1424
01:00:01,432 --> 01:00:03,699
OH.
POLICE GAVE ME THIS.
1425
01:00:03,701 --> 01:00:05,267
IT'S A GUN REPORTED
STOLEN FROM A HOUSE
1426
01:00:05,269 --> 01:00:06,735
IN WEEVIL'S NEIGHBORHOOD.
1427
01:00:06,737 --> 01:00:10,105
THAT THE POLICE CLEARLY
CONFISCATED AND PLANTED ON HIM.
1428
01:00:10,107 --> 01:00:12,741
WELL, WEEVIL'S RECORD HAS BEEN
SPOTLESS FOR FIVE YEARS.
1429
01:00:12,743 --> 01:00:14,543
MEANWHILE,
THIS IS MY ELEVENTH CLIENT
1430
01:00:14,545 --> 01:00:15,711
IN THE PAST SIX MONTHS
1431
01:00:15,713 --> 01:00:17,412
CLAIMING THAT
THE SHERIFF'S DEPARTMENT
1432
01:00:17,414 --> 01:00:18,814
HAS PLANTED
CONTRABAND ON THEM.
1433
01:00:18,816 --> 01:00:21,883
YOU HAVE A SERIAL NUMBER
ON THAT GUN?
1434
01:00:21,885 --> 01:00:24,720
SO IF WE'RE TO BELIEVE
THIS POLICE REPORT,
1435
01:00:24,722 --> 01:00:27,923
WEEVIL LEFT THE REUNION,
DROPPED OFF HIS FOXY WIFE
1436
01:00:27,925 --> 01:00:29,958
AND HIS
"MOST CHANGED" TROPHY
1437
01:00:29,960 --> 01:00:32,327
AND, STILL WEARING
HIS DRESS SHIRT AND SLACKS,
1438
01:00:32,329 --> 01:00:33,428
TEAMED UP
WITH THE MOTORCYCLE GANG
1439
01:00:33,430 --> 01:00:34,930
HE LEFT A DECADE AGO
1440
01:00:34,932 --> 01:00:38,500
TO HARASS THE RICHEST DIVORCéE
IN SOUTHERN CALIFORNIA?
1441
01:00:38,502 --> 01:00:40,469
WELL, WHEN YOU SAY IT
LIKE THAT,
1442
01:00:40,471 --> 01:00:42,437
I START TO SEE
SOME HOLES IN IT.
1443
01:00:42,439 --> 01:00:43,772
I'M GONNA TALK TO SOME
OF THOSE GANG KIDS.
1444
01:00:43,774 --> 01:00:45,173
SEE IF ANY OF 'EM
WILL COME FORWARD.
1445
01:00:45,175 --> 01:00:46,575
YOU SHOULD SEE
IF THERE'S A BERETTA
1446
01:00:46,577 --> 01:00:47,743
REGISTERED
TO CELESTE KANE.
1447
01:00:47,745 --> 01:00:50,479
VERONICA.
I HAVE THIS.
1448
01:00:50,481 --> 01:00:53,081
IT'S MY CASE.
YOU ALREADY HAVE A JOB.
1449
01:00:53,083 --> 01:00:54,616
IT'S IN NEW YORK.
1450
01:00:54,618 --> 01:00:56,318
YOU DID IT, KID.
YOU MADE IT OUT.
1451
01:00:56,320 --> 01:00:57,786
DON'T LET THIS TOWN
TAKE YOU DOWN
1452
01:00:57,788 --> 01:00:59,287
LIKE IT DOES
EVERYONE ELSE.
1453
01:00:59,289 --> 01:01:01,790
DIDN'T TAKE YOU DOWN.
1454
01:01:01,792 --> 01:01:03,859
WELL, LOVE IS BLIND.
1455
01:01:03,861 --> 01:01:06,595
Woman over P.A. system:
DR. NEWTON TO PHYSICAL THERAPY.
1456
01:01:06,597 --> 01:01:07,963
DR. NEWTON TO PHYSICAL THERAPY.
1457
01:01:07,965 --> 01:01:09,965
I COULD STILL GET YOU
THE NAMES OF THE PCHers.
1458
01:01:09,967 --> 01:01:11,867
I HAVE SOMEONE
IN THE SHERIFF'S DEPARTMENT
1459
01:01:11,869 --> 01:01:13,468
WHO MIGHT BE ABLE
TO HELP ME OUT
1460
01:01:13,470 --> 01:01:14,770
IF HE CAN WORK UP
THE NERVE.
1461
01:01:14,772 --> 01:01:17,005
THE NERVE? THE SHERIFF'S
DEPARTMENT IS A JOKE.
1462
01:01:17,007 --> 01:01:19,641
IT'S BEEN A GIANT CLOWN CAR
SINCE YOU LEFT OFFICE.
1463
01:01:19,643 --> 01:01:21,543
THEY'RE DANGEROUS,
VERONICA.
1464
01:01:21,545 --> 01:01:24,613
BUNCH OF COPS WITH SWIMMING
POOLS AND SPORTS CARS?
1465
01:01:24,615 --> 01:01:25,814
THEY'VE GOT
A GOOD THING GOING.
1466
01:01:25,816 --> 01:01:27,149
I WANT YOU TO STAY AWAY
FROM THEM.
1467
01:01:27,151 --> 01:01:29,985
YEAH, OKAY.
1468
01:01:29,987 --> 01:01:31,520
[ ELEVATOR BELL DINGS ]
1469
01:01:31,522 --> 01:01:32,788
JUST...
VERONICA.
1470
01:01:32,790 --> 01:01:34,690
I NEED ONE FILE
FROM THEM.
1471
01:01:34,692 --> 01:01:36,992
AND DON'T WORRY,
I WON'T EVEN GO TO GET IT.
1472
01:01:36,994 --> 01:01:38,727
I'LL HAVE IT DELIVERED.
1473
01:01:38,729 --> 01:01:41,363
DR. LOAN, DR. HARRIET LOAN.
1474
01:01:41,365 --> 01:01:43,932
[ LAMB WHISTLING
"CAMPTOWN RACES" ]
1475
01:01:48,004 --> 01:01:51,173
HEY, SACKS, DO YOU THINK
I NEED TO SET A GOOGLE ALERT
1476
01:01:51,175 --> 01:01:52,507
FOR "SHERIFF DANIEL LAMB?"
1477
01:01:52,509 --> 01:01:54,576
I'M AFRAID I MIGHT BE
MISSING STUFF
1478
01:01:54,578 --> 01:01:56,978
BY JUST HAVING
"SHERIFF DAN LAMB."
1479
01:01:56,980 --> 01:01:58,346
WHY AM I EVEN ASKING YOU?
1480
01:01:58,348 --> 01:02:00,215
YOU HAVE A CALL
ON LINE ONE.
1481
01:02:00,217 --> 01:02:01,750
MARTINA VASQUEZ?
1482
01:02:01,752 --> 01:02:04,519
CHANNEL 9's
MARTINA VASQUEZ?
1483
01:02:04,521 --> 01:02:06,121
YEAH. SHE'S GOT
SOME QUESTIONS FOR YOU.
1484
01:02:08,357 --> 01:02:11,326
[ CLEARS THROAT ]
1485
01:02:11,328 --> 01:02:12,994
THIS IS SHERIFF DAN LAMB.
1486
01:02:12,996 --> 01:02:15,063
WOMAN: [ Spanish accent ]
Got a minute, Sheriff?
1487
01:02:15,065 --> 01:02:16,898
[ CHUCKLES ]
NOTHING BUT TIME FOR YOU,
1488
01:02:16,900 --> 01:02:18,366
MISS [Spanish accent]
MARTINA VASQUEZ.
1489
01:02:18,368 --> 01:02:19,835
[ Normal voice ]
WHAT CAN I DO FOR YOU?
1490
01:02:19,837 --> 01:02:23,605
You have something I'm dying
to get my hands on, Sheriff.
1491
01:02:23,607 --> 01:02:26,775
WELL, VICE VERSA, MISS VASQUEZ.
1492
01:02:26,777 --> 01:02:29,511
I'M DOING A LENGTHY PIECE
ON BONNIE DE VILLE.
1493
01:02:29,513 --> 01:02:30,912
I'D LOVE WHATEVER YOU HAVE
1494
01:02:30,914 --> 01:02:33,115
ON THE NIGHT
HER BEST FRIEND DROWNED.
1495
01:02:33,117 --> 01:02:35,884
I understand there was
an investigation?
1496
01:02:35,886 --> 01:02:37,385
YEAH.
1497
01:02:37,387 --> 01:02:39,721
WE'RE NOT REALLY IN THE HABIT
OF JUST HANDING OUT CASE FILES.
1498
01:02:39,723 --> 01:02:42,390
I'M NOT IN THE HABIT
OF DATING COPS,
1499
01:02:42,392 --> 01:02:43,859
BUT I MAKE EXCEPTIONS.
1500
01:02:43,861 --> 01:02:46,595
DO YOU EVER
MAKE EXCEPTIONS?
1501
01:02:47,897 --> 01:02:49,564
I WILL HAVE IT SCANNED
FOR YOU RIGHT NOW.
1502
01:02:49,566 --> 01:02:52,601
WOULD YOU SAY
I WAS A GOOD PARENT?
1503
01:02:52,603 --> 01:02:54,603
GREAT.
DO YOU HAVE A PEN?
1504
01:02:54,605 --> 01:02:58,306
UM...INDEED, I DO.
1505
01:02:58,308 --> 01:03:00,008
[ PEN CLICKS ]
1506
01:03:03,446 --> 01:03:04,746
[ TELEPHONE RINGS ]
1507
01:03:04,748 --> 01:03:06,882
DETECTIVE, THERE
IS A WOMAN AT YOUR DESK.
1508
01:03:06,884 --> 01:03:08,583
I TOLD HER
NOT TO WAIT THERE,
1509
01:03:08,585 --> 01:03:10,952
BUT SHE'S NOT TAKING NO
FOR AN ANSWER.
1510
01:03:14,423 --> 01:03:16,825
[ CHUCKLES ]
1511
01:03:18,094 --> 01:03:19,995
EXCUSE ME, MISS.
CAN I HELP YOU?
1512
01:03:21,597 --> 01:03:23,331
LONG TIME, DEPUTY.
1513
01:03:23,333 --> 01:03:26,601
I'M SORRY,
DO WE KNOW EACH OTHER?
1514
01:03:26,603 --> 01:03:29,671
LEO.
[ Chuckling ] STOP.
1515
01:03:30,306 --> 01:03:31,606
IT'S VERONICA.
1516
01:03:31,608 --> 01:03:33,341
WE USED TO MAKE OUT.
1517
01:03:33,343 --> 01:03:34,843
WHICH WAS
A LITTLE BIT SKETCHY
1518
01:03:34,845 --> 01:03:37,112
BECAUSE YOU WORKED
AT THE SHERIFF'S DEPARTMENT
1519
01:03:37,114 --> 01:03:38,346
AND I WAS STILL
IN HIGH SCHOOL.
1520
01:03:38,348 --> 01:03:42,117
NO, VERONICA.
FROM NEPTUNE.
1521
01:03:42,119 --> 01:03:44,352
W-WHAT CAN I DO FOR YA?
1522
01:03:44,354 --> 01:03:46,655
UM...
1523
01:03:46,657 --> 01:03:49,791
THE SUSAN KNIGHT DROWNING
ABOUT NINE YEARS AGO.
1524
01:03:49,793 --> 01:03:52,994
I WAS JUST HOPING TO ASK YOU
A FEW THINGS ABOUT IT
1525
01:03:52,996 --> 01:03:55,363
'CAUSE YOU QUESTIONED
CARRIE BISHOP.
1526
01:03:55,365 --> 01:03:56,464
DO YOU REMEMBER?
1527
01:03:56,466 --> 01:03:57,966
[ CHUCKLES ]
I'M REALLY SORRY.
1528
01:03:57,968 --> 01:03:59,634
HOW DO WE KNOW EACH OTHER
AGAIN?
1529
01:03:59,636 --> 01:04:00,802
IT WAS...
1530
01:04:00,804 --> 01:04:02,137
VERONICA.
VERONICA.
1531
01:04:02,139 --> 01:04:03,839
I DON'T MEAN TO BE RUDE,
BUT THE FIRST TIME
1532
01:04:03,841 --> 01:04:05,473
THAT YOU CAME AROUND
ASKING ME FOR FAVORS
1533
01:04:05,475 --> 01:04:07,309
YOU GOT ALL DOLLED UP.
1534
01:04:07,311 --> 01:04:08,777
AND YOU BROUGHT ME
A PIZZA.
1535
01:04:08,779 --> 01:04:10,478
YOU'RE A PRICK.
1536
01:04:10,480 --> 01:04:11,813
I'M A PRICK?
MM-HMM.
1537
01:04:11,815 --> 01:04:13,315
[ Chuckling ]
YOU'RE A PRICK.
1538
01:04:13,317 --> 01:04:14,816
WELL, I'M A PRICK.
1539
01:04:14,818 --> 01:04:16,484
BUT ALSO I LOVE PIZZA AND
I THOUGHT, "WHAT A GESTURE."
1540
01:04:16,486 --> 01:04:19,454
AND YOU HAD THAT RED NUMBER ON
AND I LIKED THE RED NUMBER.
1541
01:04:19,456 --> 01:04:20,989
IT MADE ME THINK
IMPURE THOUGHTS.
1542
01:04:20,991 --> 01:04:24,359
AND I FEEL LIKE THIS IS
A STEP BACKWARDS FOR US.
1543
01:04:24,361 --> 01:04:26,194
[ SQUEALS ]
THERE IT IS.
1544
01:04:26,196 --> 01:04:27,796
BY THE WAY,
I DIDN'T KNOW THE FBI
1545
01:04:27,798 --> 01:04:29,531
WAS LOOKING INTO
THE BONNIE DE VILLE CASE.
1546
01:04:29,533 --> 01:04:31,700
I'M NOT WITH THE FBI.
ARE YOU SURE?
1547
01:04:31,702 --> 01:04:33,468
I COULD'VE SWORN
THAT I HEARD SOMEWHERE
1548
01:04:33,470 --> 01:04:34,669
THAT YOU WERE
WITH THE FBI.
1549
01:04:34,671 --> 01:04:36,671
ANOTHER LIFE, MAYBE.
1550
01:04:36,673 --> 01:04:38,840
ALL RIGHT, LET ME SEE IT.
NOT THE PIZZA.
1551
01:04:38,842 --> 01:04:40,909
I'M GONNA GET INTO THE PIZZA
IN A MINUTE.
1552
01:04:42,578 --> 01:04:45,180
THIS IS THE WHOLE
SUSAN KNIGHT CASE FILE.
HOW'D YOU GET THIS?
1553
01:04:45,182 --> 01:04:48,350
YO SOY UN GENIO MALVADA.
1554
01:04:48,352 --> 01:04:50,719
YEAH, WHEN I TOOK CARRIE'S
STATEMENT THAT NIGHT,
1555
01:04:50,721 --> 01:04:52,220
SHE WAS A COMPLETE WRECK.
1556
01:04:52,222 --> 01:04:54,155
SHE WAS TALKING ABOUT
HOW IT WAS ALL THEIR FAULT.
1557
01:04:54,157 --> 01:04:55,891
HOW THEY WERE ALL
GOING TO HELL.
1558
01:04:55,893 --> 01:04:58,093
AND HOW THEY WERE ALL SUPPOSED
TO TAKE CARE OF EACH OTHER.
1559
01:04:58,095 --> 01:05:00,195
AND I TRIED TO GET
MORE SPECIFICS,
1560
01:05:00,197 --> 01:05:02,530
BUT LUKE HALDEMAN SR.'s
LAWYER SHOWED UP
1561
01:05:02,532 --> 01:05:05,700
AND DEMANDED THAT HE SPEAK
TO ALL OF THEM IN PRIVATE.
1562
01:05:05,702 --> 01:05:07,702
THAT'S WHEN THEY ALL,
I DON'T KNOW,
1563
01:05:07,704 --> 01:05:09,604
DECIDED TO TOE
THE COMPANY LINE.
1564
01:05:09,606 --> 01:05:11,706
THEY WERE ALL DRINKING,
THEY PASSED OUT.
1565
01:05:11,708 --> 01:05:13,375
THEY WOKE UP,
SUSAN WAS GONE.
1566
01:05:13,377 --> 01:05:14,542
YEAH, NO BODY
WAS EVER FOUND.
1567
01:05:14,544 --> 01:05:16,044
NEVER SAT RIGHT WITH ME.
1568
01:05:16,046 --> 01:05:19,547
BUT WE NEVER HAD ANY EVIDENCE
TO THE CONTRARY, SO.
1569
01:05:19,549 --> 01:05:21,349
[ KNOCK ON DOOR ]
1570
01:05:24,287 --> 01:05:26,955
SOMEONE ON THE SERENDIPITY
KILLED CARRIE.
1571
01:05:26,957 --> 01:05:28,556
I WOULD BET MY LIFE ON IT.
1572
01:05:28,558 --> 01:05:29,624
OKAY.
1573
01:05:29,626 --> 01:05:30,759
GIA GOODMAN.
1574
01:05:30,761 --> 01:05:32,227
LUKE HALDEMAN.
1575
01:05:32,229 --> 01:05:33,628
STU COBBLER.
1576
01:05:33,630 --> 01:05:36,097
YOUR LONGTIME COMPANION.
1577
01:05:36,099 --> 01:05:37,365
DICK.
1578
01:05:37,367 --> 01:05:39,434
HEY, IRON MIKE.
1579
01:05:39,436 --> 01:05:41,703
HAVE YOU SEEN THE INSTAGRAM FEED
FROM THE REUNION?
1580
01:05:41,705 --> 01:05:43,104
SOME HILARIOUS SHOTS
FROM THE FIGHT.
1581
01:05:43,106 --> 01:05:46,541
CHECK OUT YOUR BOY, PIZ.
KAPOW!
1582
01:05:46,543 --> 01:05:47,876
[ LAUGHS ]
1583
01:05:47,878 --> 01:05:50,478
OH, THERE'S ANOTHER ONE
BACK HERE TOO.
1584
01:05:50,480 --> 01:05:53,715
HEY, YOU DIDN'T TELL ME
YOU AND PIZ WERE A THING.
1585
01:05:54,917 --> 01:05:57,385
MY LOVE LIFE
DIDN'T SEEM RELEVANT.
1586
01:05:57,387 --> 01:05:59,621
WAIT, WHAT WAS THAT?
1587
01:05:59,623 --> 01:06:01,589
TOYA LaGRONE'S
HOOBITY BOOBITIES.
1588
01:06:01,591 --> 01:06:03,992
NO, BACK ONE.
OKAY.
1589
01:06:12,501 --> 01:06:13,935
WHAT?
1590
01:06:13,937 --> 01:06:16,137
Dick: WHAT D'YOU SEE,
A GHOST OR SOMETHING?
1591
01:06:17,606 --> 01:06:19,607
THIS IS A POLICE PHOTO
OF THE BOAT
1592
01:06:19,609 --> 01:06:23,244
THE MORNING AFTER SUSAN KNIGHT
DISAPPEARED OFF OF IT.
1593
01:06:23,246 --> 01:06:24,946
NOTICE ANYTHING?
1594
01:06:24,948 --> 01:06:27,148
UH, THE POLICE PHOTO
IS BLACK AND WHITE.
1595
01:06:27,150 --> 01:06:29,317
THE ANCHOR.
1596
01:06:29,319 --> 01:06:31,086
[ SIGHS ]
EXACTLY.
1597
01:06:31,088 --> 01:06:32,854
I DON'T SEE AN ANCHOR.
NOT IN THIS ONE.
1598
01:06:32,856 --> 01:06:36,024
HERE IS WHERE
IT NORMALLY GOES.
1599
01:06:36,026 --> 01:06:38,126
OKAY, SO?
1600
01:06:38,128 --> 01:06:40,628
SO, MY FIRST GUESS IS
THAT THERE IS NO ANCHOR
1601
01:06:40,630 --> 01:06:44,299
BECAUSE IT WAS USED TO MAKE SURE
THAT SUSAN KNIGHT'S BODY SUNK
1602
01:06:44,301 --> 01:06:45,633
TO THE BOTTOM
OF THE PACIFIC OCEAN.
1603
01:06:45,635 --> 01:06:47,002
[ SCOFFS ]
1604
01:06:47,004 --> 01:06:48,703
CALIFORNIA HAS
THE DEATH PENALTY, DICK.
1605
01:06:48,705 --> 01:06:51,039
SO, WHY DON'T YOU ACT LIKE YOU
GIVE A DAMN ABOUT YOUR FRIEND
1606
01:06:51,041 --> 01:06:52,807
AND TELL ME WHAT REALLY HAPPENED
THAT NIGHT.
1607
01:06:52,809 --> 01:06:54,175
I ALREADY TOLD YOU,
VERONICA, OKAY?
1608
01:06:54,177 --> 01:06:55,677
AND I DON'T THINK
THIS HAS JACK
1609
01:06:55,679 --> 01:06:56,878
TO DO
WITH CARRIE'S MURDER.
1610
01:06:56,880 --> 01:06:58,179
[ CELLPHONE VIBRATES ]
1611
01:06:58,181 --> 01:06:59,814
GOD, I WISH LOGAN
COULD QUIT YOU.
1612
01:06:59,816 --> 01:07:01,883
I'M YOUR FRIEND.
ARE YOU LISTENING TO THIS?
1613
01:07:01,885 --> 01:07:03,151
I NEED YOUR COMPUTER.
1614
01:07:03,153 --> 01:07:05,720
YEAH, WELL, AT LEAST
YOU ASKED NICELY.
1615
01:07:10,059 --> 01:07:13,228
Sean: HEY, YOU GOT ANY MORE
OF THOSE CUPCAKES?
1616
01:07:13,230 --> 01:07:14,796
Bonnie:
YOU'RE STILL HERE?
1617
01:07:15,998 --> 01:07:18,233
WHY? IS YOUR BOYFRIEND
SHOWING UP?
1618
01:07:18,235 --> 01:07:19,667
[ CHUCKLES]
1619
01:07:19,669 --> 01:07:21,336
SHE'S SITTING
AT HER MAKEUP TABLE.
1620
01:07:21,338 --> 01:07:24,239
THAT ANGLE, THAT'S EXACTLY WHERE
SHE KEPT HER TABLET DOCKED.
1621
01:07:24,241 --> 01:07:27,342
SO THE FEED COULD BE COMING
FROM THE TABLET CAMERA.
1622
01:07:27,344 --> 01:07:28,476
PEOPLE CAN DO THAT?
1623
01:07:28,478 --> 01:07:30,178
THEY CAN SPY ON YOU
FROM YOUR OWN TABLET?
1624
01:07:30,180 --> 01:07:34,049
I DON'T KNOW,
BUT I KNOW SOMEONE WHO WOULD.
1625
01:07:34,051 --> 01:07:36,051
NOBODY COULD BE
SPYING ON YOU
1626
01:07:36,053 --> 01:07:39,054
FROM YOUR NORMAL
OUT-OF-THE-BOX TABLET COMPUTER.
1627
01:07:39,056 --> 01:07:40,655
BUT IT IS POSSIBLE.
1628
01:07:40,657 --> 01:07:44,192
SOMEONE WOULD HAVE TO MODIFY
A WIRELESS MODEL,
1629
01:07:44,194 --> 01:07:45,860
INSTALL ADDITIONAL HARDWARE.
1630
01:07:45,862 --> 01:07:47,362
IT -- IT WOULD BE COMPLICATED.
1631
01:07:47,364 --> 01:07:49,364
THERE WERE GALAXY TABLETS
IN THE GIFT BAGS
1632
01:07:49,366 --> 01:07:51,166
AT THE MTV MUSIC AWARDS.
1633
01:07:51,168 --> 01:07:53,268
I KNOW BECAUSE CARRIE
WAS MAKING FUN OF JAMES FRANCO
1634
01:07:53,270 --> 01:07:55,203
FOR TRYING TO WALK OFF
WITH, LIKE, SIX.
1635
01:07:55,205 --> 01:07:56,371
FRANCO.
1636
01:07:56,373 --> 01:07:58,006
YOU GUYS SEE THAT
CANDID-CAMERA VIDEO OF HIM
1637
01:07:58,008 --> 01:08:00,775
TRYING ON SKINNY JEANS?
SHIT IS HILARIOUS.
1638
01:08:01,777 --> 01:08:03,278
SHOW ME.
1639
01:08:03,280 --> 01:08:06,948
WELL, I BELIEVE I HAVE THAT
BOOKMARKED RIGHT HERE.
1640
01:08:06,950 --> 01:08:08,550
SAYONARA, MAC.
1641
01:08:08,552 --> 01:08:11,286
LET'S GET WEIRD!
1642
01:08:11,288 --> 01:08:13,455
[ GRUNTING ]
1643
01:08:19,061 --> 01:08:21,062
Veronica:
THERE MAY BE SIX DEGREES
1644
01:08:21,064 --> 01:08:23,731
BETWEEN ANYONE ON THE PLANET
AND KEVIN BACON,
1645
01:08:23,733 --> 01:08:25,033
BUT IF YOU'RE UNDER 30
1646
01:08:25,035 --> 01:08:26,701
AND LIVING
IN SOUTHERN CALIFORNIA,
1647
01:08:26,703 --> 01:08:29,571
YOU'RE NEVER MORE THAN
TWO DEGREES FROM JAMES FRANCO.
1648
01:08:29,573 --> 01:08:31,439
IN THIS CASE,
DICK TO FACIALIST,
1649
01:08:31,441 --> 01:08:33,274
FACIALIST
TO FRANCO'S ASSISTANT.
1650
01:08:33,276 --> 01:08:36,211
THEN SOMETHING TO GET
THAT ASSISTANT'S ATTENTION.
1651
01:08:38,414 --> 01:08:39,414
ALL RIGHT, LET ME SEE
1652
01:08:39,416 --> 01:08:41,116
IF I'M UNDERSTANDING
THIS CORRECTLY.
1653
01:08:41,118 --> 01:08:42,984
YOU DO NOT HAVE
IN YOUR POSSESSION
1654
01:08:42,986 --> 01:08:45,086
PAGES FROM TOLKIEN'S
ORIGINAL MANUSCRIPT
1655
01:08:45,088 --> 01:08:46,421
FOR THE QUENTA SILMARILLION
1656
01:08:46,423 --> 01:08:48,089
DEPICTING BEREN
WANDERING INTO DORIATH
1657
01:08:48,091 --> 01:08:49,757
AND FALLING IN LOVE
WITH LúTHIEN,
1658
01:08:49,759 --> 01:08:50,959
THE ELF KING'S DAUGHTER?
1659
01:08:50,961 --> 01:08:52,660
I DO NOT.
WHAT?
1660
01:08:52,662 --> 01:08:54,129
YOU DIDN'T CHECK
THIS OUT, PENNY?
1661
01:08:54,131 --> 01:08:58,399
YES!
YOU RECENTLY ATTENDED
THE MTV MOVIE AWARDS,
1662
01:08:58,401 --> 01:08:59,567
AND I'M FAIRLY CERTAIN
1663
01:08:59,569 --> 01:09:01,903
THAT WHOEVER GAVE OUT
THE GIFT BAGS AT THE AWARDS
1664
01:09:01,905 --> 01:09:04,672
GAVE TABLETS THAT WERE
PRELOADED WITH SPY SOFTWARE.
1665
01:09:04,674 --> 01:09:06,341
REALLY.
YOU MIGHT HAVE NOTICED
1666
01:09:06,343 --> 01:09:08,009
THAT THERE HAVE BEEN
SOME STRANGE VIDEOS OF YOU
1667
01:09:08,011 --> 01:09:09,144
CIRCULATING
THE INTERNET LATELY.
1668
01:09:09,146 --> 01:09:10,578
HOW STRANGE?
LIKE, NAKED STRANGE?
1669
01:09:10,580 --> 01:09:11,913
NO.
1670
01:09:11,915 --> 01:09:13,748
JUST ONE OF YOU
TRYING ON SKINNY JEANS,
1671
01:09:13,750 --> 01:09:15,116
AND ONE OF YOU
IN YOUR UNDERWEAR
1672
01:09:15,118 --> 01:09:17,118
TRYING TO LIST WORDS
THAT RHYME WITH ORANGE.
1673
01:09:17,120 --> 01:09:18,987
[ CELLPHONE VIBRATES ]
YEAH. IT'S SO HARD.
1674
01:09:18,989 --> 01:09:21,656
BORANGE.
CORANGE.
1675
01:09:21,658 --> 01:09:22,757
DORANGE.
1676
01:09:22,759 --> 01:09:24,092
WELL,
THAT'S NOT THAT BAD.
1677
01:09:24,094 --> 01:09:25,793
PENNY FLOATS
IN AND OUT OF FRAME
1678
01:09:25,795 --> 01:09:26,961
IN A FEW OF THE VIDEOS,
1679
01:09:26,963 --> 01:09:28,363
SO I WAS HOPING
WE COULD USE HER
1680
01:09:28,365 --> 01:09:30,165
TO SMOKE OUT
WHO'S EVER DOING THIS.
1681
01:09:30,167 --> 01:09:31,799
OR I COULD JUST PLAY HER
IN DRAG.
1682
01:09:31,801 --> 01:09:33,401
PENNY,
GIVE ME YOUR GLASSES.
1683
01:09:34,970 --> 01:09:36,871
HEY!
SO YOU'RE INTERESTED
1684
01:09:36,873 --> 01:09:39,474
IN HIDDEN CAMERA
CELEBRITY FOOTAGE.
1685
01:09:39,476 --> 01:09:40,808
IF YOU'VE GOT THE CASH,
1686
01:09:40,810 --> 01:09:44,179
I'VE GOT SOME HIDDEN VIDEO
I KNOW YOU'LL WANT TO SEE.
1687
01:09:44,181 --> 01:09:46,981
MEET ME AT THE SANTA MONICA PIER
IN ONE HOUR
1688
01:09:46,983 --> 01:09:48,550
BY THE DANCING GORILLA.
1689
01:09:51,320 --> 01:09:52,854
GOOD JOB, PEN.
1690
01:09:52,856 --> 01:09:55,990
[ INDISTINCT CONVERSATIONS ]
1691
01:09:55,992 --> 01:09:59,794
[ LAUGHS ]
THAT MONKEY'S FOLLOWING YOU.
1692
01:09:59,796 --> 01:10:01,896
[ LAUGHS ]
1693
01:10:02,831 --> 01:10:04,299
OF COURSE.
1694
01:10:04,301 --> 01:10:07,068
DO YOU WORK FOR TIPS?
HERE'S A TIP.
1695
01:10:07,070 --> 01:10:08,670
CHANGE PROFESSIONS.
1696
01:10:08,672 --> 01:10:10,171
VINCENT VAN LOWE.
1697
01:10:10,173 --> 01:10:13,508
NEPTUNE'S SECOND-BEST PI
BUT FOREMOST ASS-HAT.
1698
01:10:13,510 --> 01:10:15,143
MONKEYS!
1699
01:10:15,145 --> 01:10:18,146
PSST. ANYONE LOOKING FOR SOME
QUALITY CELEBRITY VIDEO?
1700
01:10:18,148 --> 01:10:20,181
YEAH,
BUT IT BETTER BE WEIRD.
1701
01:10:20,183 --> 01:10:23,051
I DON'T WANT ANY MORE
NIGHT-VISION FOOTAGE
1702
01:10:23,053 --> 01:10:25,386
OF JAMES FRANCO
ADJUSTING HIS NUTS.
1703
01:10:25,388 --> 01:10:28,489
WE'LL GO BACK TO MY VAN.
SHOW ME WHAT YOU GOT.
1704
01:10:28,491 --> 01:10:31,826
"LET'S GO BACK TO MY VAN:
THE VINNIE VAN LOWE STORY."
1705
01:10:31,828 --> 01:10:33,361
THINK, VINNIE.
1706
01:10:33,363 --> 01:10:36,431
10,000 TEQUILA SUNRISES AGO.
1707
01:10:36,433 --> 01:10:38,066
OH.
1708
01:10:38,068 --> 01:10:41,436
WELL, IF IT ISN'T NEPTUNE'S
VERY OWN ANGELA LANSBURY.
1709
01:10:41,438 --> 01:10:44,105
YOU'VE AGED WELL.
1710
01:10:44,107 --> 01:10:46,107
I HEAR YOU WENT LEGIT.
1711
01:10:46,109 --> 01:10:49,244
AS IT TURNS OUT,
I AM TOO LEGIT TO QUIT.
1712
01:10:49,246 --> 01:10:52,247
I NEED EVERYTHING YOU GOT
OFF BONNIE DE VILLE'S TABLET.
1713
01:10:52,249 --> 01:10:54,215
OH, I KNOW NOT
OF WHAT YOU SPEAK.
1714
01:10:54,217 --> 01:10:56,517
I AM JUST
A RESPECTABLE BUSINESSMAN
1715
01:10:56,519 --> 01:10:58,886
TRYING TO EARN
AN HONEST DOLLAR.
1716
01:10:58,888 --> 01:11:00,054
GIVE IT TO ME, VINNIE.
1717
01:11:00,056 --> 01:11:01,956
OR I'LL TELL 50 CENT'S
SECURITY TEAM
1718
01:11:01,958 --> 01:11:03,391
WHERE THEY CAN FIND THE GUY
1719
01:11:03,393 --> 01:11:05,393
WHO POSTED VIDEO OF FITTY
BAKING LEMON CAKES
1720
01:11:05,395 --> 01:11:07,495
WHILE SINGING
"AFTERNOON DELIGHT."
1721
01:11:12,401 --> 01:11:14,435
YOU KNOW, I CAN FEEL YOU ACTING
LIKE YOU'RE NOT IMPRESSED,
1722
01:11:14,437 --> 01:11:16,037
BUT YOU SHOULD BE HAPPY
FOR ME, V MARS.
1723
01:11:16,039 --> 01:11:17,438
I FOUND MY CALLING.
1724
01:11:17,440 --> 01:11:21,042
OH, YEAH. NIP SLIPS.
BOOZY BAR EXITS.
1725
01:11:21,044 --> 01:11:22,577
BAD BEACH BODIES.
1726
01:11:22,579 --> 01:11:26,414
DO YOU HAVE ANY IDEA
WHAT PEOPLE WILL PAY
1727
01:11:26,416 --> 01:11:29,317
FOR A SHOT OF A CELEBRITY
LOOKING STUPID WHILE EATING?
1728
01:11:29,319 --> 01:11:30,151
A LOT.
1729
01:11:30,153 --> 01:11:31,419
I DO THE CIRCUIT.
1730
01:11:31,421 --> 01:11:32,987
YOU KNOW,
I DO THE CHI CHI STORES
1731
01:11:32,989 --> 01:11:34,389
AND I DO
THE FRENCH PRESCHOOLS.
1732
01:11:34,391 --> 01:11:36,424
I MEAN, IF YOU HAVE MORE
THAN FIVE IMDb CREDITS
1733
01:11:36,426 --> 01:11:38,426
YOU CAN'T PICK A WEDGIE
IN YOUR BACK YARD
1734
01:11:38,428 --> 01:11:40,628
WITHOUT ME FINDING OUT A WAY
TO GET PAID.
1735
01:11:40,630 --> 01:11:42,230
[ CHUCKLES ]
1736
01:11:42,232 --> 01:11:43,898
I'M THE REASON PEOPLE KNOW
THAT ANNE HATHAWAY HAS A VAGINA.
1737
01:11:43,900 --> 01:11:45,933
I MEAN, BEFORE THAT, YOU KNOW,
THEY THOUGHT, "YEAH, MAYBE."
1738
01:11:45,935 --> 01:11:47,302
BUT THEY DIDN'T KNOW.
1739
01:11:47,304 --> 01:11:48,603
[ WHISTLES ]
1740
01:11:48,605 --> 01:11:50,271
256 GIGS.
NICE.
1741
01:11:50,273 --> 01:11:51,773
ANYWAY, YOU'LL LIKE THIS.
1742
01:11:51,775 --> 01:11:54,175
I STUFFED 30 TABLETS
INTO THOSE MTV GIFT BAGS.
1743
01:11:54,177 --> 01:11:55,843
YOU WANT TO KNOW MY RETURN
ON INVESTMENT?
1744
01:11:55,845 --> 01:11:57,178
NOPE.
NO, I DON'T.
1745
01:11:57,180 --> 01:11:58,780
YOU'RE LEGAL NOW, RIGHT?
1746
01:11:58,782 --> 01:12:00,148
WE SHOULD GO OUT SOMETIME.
1747
01:12:00,150 --> 01:12:01,816
YUCK.
ALL RIGHT.
1748
01:12:01,818 --> 01:12:02,984
YOUR LOSS.
1749
01:12:02,986 --> 01:12:04,752
HEY, FYI: BONNIE DE VILLE?
1750
01:12:04,754 --> 01:12:06,821
HER VIDEO FEED ENDS
THE NIGHT SHE DIES.
1751
01:12:06,823 --> 01:12:08,423
IT'S MOTION-DETECTED
1752
01:12:08,425 --> 01:12:11,292
SO, YOU KNOW, THERE'S NOT A LOT
OF MOTION POSTMORTEM.
1753
01:12:11,294 --> 01:12:13,227
GOOD SEEING YA, VERONICA.
1754
01:12:15,030 --> 01:12:18,933
THIS ISN'T GONNA BE EASY
TO WATCH.
1755
01:12:18,935 --> 01:12:23,504
IT'S ALL THE VIDEO VINNIE
CAPTURED OFF THE TABLET CAMERA.
1756
01:12:23,506 --> 01:12:24,672
HEY!
1757
01:12:24,674 --> 01:12:27,475
YOU'RE SUCH
A PUNK-ASS BITCH.
1758
01:12:27,477 --> 01:12:29,811
YOU WANT THIS...
IN YOUR FACE?
1759
01:12:29,813 --> 01:12:31,312
NO, I REALLY DON'T.
1760
01:12:31,314 --> 01:12:33,381
DO YOU NOT?
[ Chuckling] NO.
1761
01:12:40,222 --> 01:12:41,689
SPEAK, GIRL! SPEAK!
1762
01:12:41,691 --> 01:12:43,958
YOU CAN DO IT! SPEAK!
[ DOG BARKS ]
1763
01:12:43,960 --> 01:12:45,993
AND THIS IS
THE DAY SHE DIED.
1764
01:12:45,995 --> 01:12:48,296
HEY, IT'S CARRIE.
WE'RE GOING OUT TONIGHT.
1765
01:12:48,298 --> 01:12:50,665
GIA DID SAY SHE WAS
AT CARRIE'S HOUSE THAT DAY.
1766
01:12:50,667 --> 01:12:52,400
[ CELLPHONE VIBRATES ]
1767
01:12:57,539 --> 01:13:01,209
WAIT, WHAT IS THAT?
WHERE ARE WE NOW?
1768
01:13:01,211 --> 01:13:03,811
RECOGNIZE THIS?
1769
01:13:03,813 --> 01:13:05,513
SHE'S AT THE 09er.
1770
01:13:05,515 --> 01:13:07,648
AND CHECK OUT
THE TIMESTAMP.
1771
01:13:07,650 --> 01:13:08,716
12:32.
1772
01:13:08,718 --> 01:13:10,218
THAT'S WHEN I GOT THE TEXT
FROM CARRIE
1773
01:13:10,220 --> 01:13:11,352
SAYING SHE NEEDED MY HELP.
1774
01:13:11,354 --> 01:13:13,554
CARRIE DIDN'T SEND YOU
THAT TEXT.
1775
01:13:13,556 --> 01:13:16,391
GIA DID. RIGHT HERE.
FROM CARRIE'S TABLET.
1776
01:13:16,393 --> 01:13:19,627
IT WAS GIA TRYING TO GET YOU
TO SHOW UP AT CARRIE'S HOUSE.
1777
01:13:21,597 --> 01:13:24,632
I KNOW WHAT HAPPENED.
1778
01:13:28,537 --> 01:13:30,905
Lamb: NICE HAT.
IRONY.
1779
01:13:30,907 --> 01:13:32,874
HOW'S THAT WORKING OUT
FOR YA?
1780
01:13:32,876 --> 01:13:33,908
NO IRONY HERE.
1781
01:13:33,910 --> 01:13:36,043
FREE HUG.
ANYTIME, ANYWHERE.
1782
01:13:36,045 --> 01:13:37,378
PASS.
1783
01:13:37,380 --> 01:13:39,547
SACKS SAID YOU HAD SOMETHING
I'D BE INTERESTED IN.
1784
01:13:39,549 --> 01:13:41,883
I'M ASSUMING
IT'S A SIGNED CONFESSION.
1785
01:13:41,885 --> 01:13:43,751
HOW WAS CARRIE'S
TIME OF DEATH DETERMINED?
1786
01:13:43,753 --> 01:13:45,253
QUICKLY.
1787
01:13:45,255 --> 01:13:48,556
GUARDS AT THE SECURITY GATE
CHECKED LOGAN IN AT 1:15 A.M.
1788
01:13:48,558 --> 01:13:50,792
CARRIE'S ALARM WENT OFF
AT 1:21.
1789
01:13:50,794 --> 01:13:53,461
THEY SHOWED UP.
FOUND HER DEAD AT 1:31.
1790
01:13:53,463 --> 01:13:56,531
TIME OF DEATH SOMETIME
BETWEEN 1:21 AND 1:31.
1791
01:13:56,533 --> 01:13:58,533
CARRIE WAS DEAD
LONG BEFORE THAT.
1792
01:13:58,535 --> 01:14:00,601
GIA GOODMAN
WAS OVER THERE EARLIER.
1793
01:14:00,603 --> 01:14:02,437
GUARDS CHECKED HER OUT
AT 3:00 P.M.
1794
01:14:02,439 --> 01:14:04,572
MANY PEOPLE, INCLUDING
FREE HUGS OVER HERE,
1795
01:14:04,574 --> 01:14:06,908
SPOKE TO CARRIE AFTER THAT.
WE HAVE PHONE RECORDS.
1796
01:14:06,910 --> 01:14:10,645
CARRIE WAS ALIVE WHEN GIA LEFT,
BUT GIA DIDN'T GO ALONE.
1797
01:14:14,716 --> 01:14:17,752
HER SON-OF-A-CONGRESSMAN FIANCé
WENT WITH HER.
1798
01:14:17,754 --> 01:14:20,321
PROBABLY IN THE TRUNK.
1799
01:14:21,590 --> 01:14:24,258
WHEN GIA LEFT,
SHE SIMPLY LEFT A DOOR
1800
01:14:24,260 --> 01:14:26,093
OR A WINDOW OPEN FOR LUKE.
1801
01:14:26,095 --> 01:14:29,497
HE WAITED
FOR HIS OPPORTUNITY.
1802
01:14:32,434 --> 01:14:35,937
AFTER HE DID THE DEED,
HE GRABBED CARRIE'S TABLET
1803
01:14:35,939 --> 01:14:39,340
AND HE CHANGED THE ALARM CODE
ALL CARRIE'S FRIENDS KNEW.
1804
01:14:39,342 --> 01:14:41,008
HE SHOWS UP AT THE 09er,
1805
01:14:41,010 --> 01:14:43,244
ESTABLISHING
A VERY PUBLIC ALIBI.
1806
01:14:43,246 --> 01:14:45,446
CARRIE'S FRIENDS
KNEW LOGAN AND CARRIE
1807
01:14:45,448 --> 01:14:47,748
WERE ALWAYS FIGHTING
ABOUT HER PARTYING.
1808
01:14:47,750 --> 01:14:50,751
GIA SENT A TEXT SHE KNEW
WOULD GET LOGAN TO SHOW UP.
1809
01:14:50,753 --> 01:14:52,954
I SUPPOSE THEY MURDERED HER
FOR KICKS.
1810
01:14:52,956 --> 01:14:56,290
I KNOW HOW PAINFULLY BORING
THESE RICH KIDS' LIVES ARE.
1811
01:14:56,292 --> 01:14:57,792
THEY MURDERED CARRIE
1812
01:14:57,794 --> 01:14:59,460
BECAUSE THEY WERE CONVINCED
SHE WAS CRACKING.
1813
01:14:59,462 --> 01:15:01,829
SOMETHING TERRIBLE HAPPENED
ON CARRIE'S DAD'S BOAT
1814
01:15:01,831 --> 01:15:03,297
NINE YEARS AGO.
1815
01:15:03,299 --> 01:15:05,766
SOMETHING WORTH KILLING CARRIE
TO KEEP SECRET.
1816
01:15:05,768 --> 01:15:07,134
LOOK AT THESE PHOTOS.
1817
01:15:07,136 --> 01:15:08,536
THIS ONE WAS TAKEN
1818
01:15:08,538 --> 01:15:11,639
THE MORNING AFTER
SUSAN KNIGHT DISAPPEARED.
1819
01:15:11,641 --> 01:15:14,208
NO ANCHOR.
1820
01:15:14,210 --> 01:15:16,344
THEY USED IT
TO WEIGH THE BODY DOWN.
1821
01:15:16,346 --> 01:15:18,646
WHERE'D YOU GET
THESE OFFICIAL POLICE PHOTOS?
1822
01:15:18,648 --> 01:15:21,449
MAYBE SHE'S FRIENDS
WITH MARTINA VASQUEZ?
1823
01:15:24,152 --> 01:15:26,287
I'M GONNA ENJOY SEEING
THAT SMIRK DISAPPEAR
1824
01:15:26,289 --> 01:15:28,623
WHEN THAT JURY FOREMAN
HANDS DOWN A LIFE SENTENCE.
1825
01:15:28,625 --> 01:15:33,227
HEY.
YOU WANT TO KNOW A SECRET?
1826
01:15:33,229 --> 01:15:35,062
I DON'T GIVE A SHIT.
1827
01:15:35,064 --> 01:15:38,566
I DON'T CARE
IF LOGAN AIN'T THE GUY.
1828
01:15:38,568 --> 01:15:41,669
AMERICA THINKS HE'S GUILTY,
AND THAT'S GOOD ENOUGH FOR ME.
1829
01:15:41,671 --> 01:15:44,906
NOW GET THE HELL
OUT OF MY OFFICE.
1830
01:15:46,174 --> 01:15:47,642
Man: OH, THERE HE IS.
1831
01:15:47,644 --> 01:15:50,845
HEY.
1832
01:15:50,847 --> 01:15:52,413
[ CELLPHONE RINGS ]
1833
01:15:54,850 --> 01:15:57,718
[ SIREN WAILS ]
1834
01:15:57,720 --> 01:15:58,553
[ CHUCKLES ]
1835
01:15:58,555 --> 01:16:00,354
I BELIEVE THE CAPTAIN TOLD YOU
1836
01:16:00,356 --> 01:16:02,690
THAT THE USE OF CELLPHONES
WAS PROHIBITED.
1837
01:16:02,692 --> 01:16:05,860
[ CHUCKLES ]
I'M NOT ON THE PLANE.
1838
01:16:05,862 --> 01:16:07,828
YEAH, I GATHERED.
1839
01:16:07,830 --> 01:16:09,530
I REALLY WANT TO BE THERE
WITH YOU.
1840
01:16:09,532 --> 01:16:11,766
THERE'S [SIGHS] JUST SO MUCH
GOING ON HERE RIGHT NOW.
1841
01:16:11,768 --> 01:16:14,068
I JUST --
I COULDN'T LEAVE.
1842
01:16:14,070 --> 01:16:15,937
SURE YOU COULD.
1843
01:16:15,939 --> 01:16:18,205
OKAY.
1844
01:16:18,207 --> 01:16:22,877
COULD YOU MAYBE TRY AND
UNDERSTAND WHY I CHOSE NOT TO.
1845
01:16:22,879 --> 01:16:24,579
I completely understand.
1846
01:16:24,581 --> 01:16:29,850
THAT'S WHY I THINK IT'S TIME FOR
US TO JUST -- JUST WALK AWAY.
1847
01:16:29,852 --> 01:16:31,852
WAIT, NO,
THAT'S NOT WHAT THIS IS.
1848
01:16:31,854 --> 01:16:33,721
I MEAN,
THAT'S NOT WHAT I WANT.
1849
01:16:33,723 --> 01:16:37,058
VERONICA, I'M STANDING OUTSIDE
OF A HOTEL WITH MY PARENTS
1850
01:16:37,060 --> 01:16:39,627
WHO FLEW TO NEW YORK
MOSTLY TO MEET YOU.
1851
01:16:39,629 --> 01:16:42,530
SO, THAT LOYALTY,
OR FRIENDSHIP OR WHATEVER IT IS
1852
01:16:42,532 --> 01:16:44,732
THAT MADE YOU HAVE TO
STAY IN NEPTUNE,
1853
01:16:44,734 --> 01:16:47,668
I WISH THAT SAME FEELING
MADE YOU GET ON THE PLANE TODAY.
1854
01:16:48,904 --> 01:16:51,472
LOOK, I GOTTA GO LET MY MOM
OFF THE HOOK, OKAY?
1855
01:16:51,474 --> 01:16:53,240
SHE'S CONCERNED THAT
HER BLOWOUT'S GONNA FLATTEN
1856
01:16:53,242 --> 01:16:54,542
BEFORE YOU GET HERE.
1857
01:16:54,544 --> 01:16:58,379
PIZ.
I'M -- I'M REALLY SOR--
1858
01:16:58,381 --> 01:16:59,914
Yeah. Okay.
1859
01:16:59,916 --> 01:17:01,582
OKAY, GOODBYE, VERONICA.
1860
01:17:01,584 --> 01:17:03,250
[ BEEP ]
1861
01:17:03,252 --> 01:17:07,054
♪ GO DOWN
IN A CLOUD OF MERCURY ♪
1862
01:17:07,056 --> 01:17:08,322
[ BEEP ]
1863
01:17:08,324 --> 01:17:10,825
[ SIGHS ]
1864
01:17:13,562 --> 01:17:16,430
LOGAN'S COMING OVER
TO TALK ABOUT THE CASE.
1865
01:17:16,432 --> 01:17:18,799
PLEASE BE NICE.
1866
01:17:20,969 --> 01:17:24,138
WHAT? I'M OVER 21.
1867
01:17:24,140 --> 01:17:26,440
TRUMAN-MANN
LEFT A MESSAGE.
1868
01:17:26,442 --> 01:17:29,276
APPARENTLY, THEY LEFT
SEVERAL ON YOUR CELL
1869
01:17:29,278 --> 01:17:30,611
BUT NEVER HEARD BACK.
1870
01:17:30,613 --> 01:17:32,980
OKAY. I'LL GIVE 'EM A CALL.
THANKS.
1871
01:17:32,982 --> 01:17:34,281
YEAH. NO NEED.
1872
01:17:34,283 --> 01:17:35,650
THEY SAID THEY WERE
MOVING ON WITHOUT YA.
1873
01:17:35,652 --> 01:17:38,285
THEY NEEDED SOMEONE
A LITTLE MORE "MOTIVATED,"
1874
01:17:38,287 --> 01:17:40,287
I THINK IT WAS.
OR "DEDICATED."
1875
01:17:40,289 --> 01:17:42,590
I SAVED THE MESSAGE.
1876
01:17:42,592 --> 01:17:44,291
THE GIST WAS
THEY WANTED SOMEONE
1877
01:17:44,293 --> 01:17:46,093
WHO CARED ENOUGH
TO RETURN A CALL.
1878
01:17:48,997 --> 01:17:50,131
[ SIGHS ]
1879
01:17:50,133 --> 01:17:51,699
YOU WORKED SO HARD
FOR SO LONG.
1880
01:17:51,701 --> 01:17:58,039
AND JUST LIKE THAT
YOU'RE THROWING IT AWAY?
1881
01:17:58,041 --> 01:17:59,440
FOR WHAT?
1882
01:17:59,442 --> 01:18:01,108
[ CELLPHONE RINGS ]
1883
01:18:03,679 --> 01:18:04,812
[ BEEP ]
1884
01:18:04,814 --> 01:18:06,380
THIS IS KEITH.
1885
01:18:07,816 --> 01:18:10,051
JUST GIVE ME TWO MINUTES.
OKAY?
1886
01:18:10,053 --> 01:18:11,819
ALL RIGHT. BYE.
1887
01:18:11,821 --> 01:18:13,154
[ BEEP ]
1888
01:18:13,156 --> 01:18:15,189
[ SIGHS ]
1889
01:18:15,191 --> 01:18:17,892
I'M GONNA --
I'LL BE RIGHT BACK.
1890
01:18:17,894 --> 01:18:20,528
[ SIGHS ]
1891
01:18:24,199 --> 01:18:27,068
[ SIREN WAILS ]
1892
01:18:31,873 --> 01:18:34,075
DEPUTY.
1893
01:18:34,077 --> 01:18:36,043
I GUESS I PICKED THE WRONG WEEK
TO QUIT SMOKING.
1894
01:18:38,346 --> 01:18:39,814
YOU KNOW I SAW THIS THING
1895
01:18:39,816 --> 01:18:42,483
ON, UH, YouTube
A FEW WEEKS AGO, KEITH.
1896
01:18:42,485 --> 01:18:44,051
IT'S A FUNNY VIDEO.
1897
01:18:44,053 --> 01:18:45,586
UH, TWO NAZI OFFICERS,
1898
01:18:45,588 --> 01:18:49,156
THEY'RE LOOKING AT THE SKULLS
ON THEIR INSIGNIAS.
1899
01:18:49,158 --> 01:18:50,825
THE PILES OF DEAD BODIES.
1900
01:18:50,827 --> 01:18:53,360
AND THEY HAVE THIS MOMENT
OF CLARITY.
1901
01:18:53,362 --> 01:18:58,065
"WAIT A MINUTE.
WE'RE THE BAD GUYS."
1902
01:19:01,169 --> 01:19:04,739
IF YOU WERE A BAD GUY, JERRY,
YOU WOULDN'T BE HERE NOW.
1903
01:19:04,741 --> 01:19:07,041
LAMB, HE'S JUST A PUPPET.
1904
01:19:07,043 --> 01:19:08,175
EVERYONE IS ON THE TAKE.
1905
01:19:08,177 --> 01:19:10,945
THAT GUN THEY PLANTED
ON THE NAVARRO KID,
1906
01:19:10,947 --> 01:19:13,814
I CHECKED THAT
INTO EVIDENCE MYSELF.
1907
01:19:15,584 --> 01:19:17,585
AND THAT'S JUST
THE TIP OF ICEBERG.
1908
01:19:17,587 --> 01:19:21,021
AND YOU'LL TESTIFY
TO THAT FACT?
1909
01:19:22,224 --> 01:19:24,492
[ DOOR SQUEAKS OPEN ]
1910
01:19:28,563 --> 01:19:29,697
WE'VE GOTTA MOVE.
1911
01:19:29,699 --> 01:19:31,799
[ ENGINE REVS ]
1912
01:19:46,148 --> 01:19:48,182
OH, GOD.
1913
01:19:51,820 --> 01:19:53,821
MR. MARS.
1914
01:20:01,329 --> 01:20:02,496
YEAH, I NEED AN AMBULANCE.
1915
01:20:02,498 --> 01:20:03,898
[ TRUCK ENGINE REVS ]
1916
01:20:04,499 --> 01:20:05,966
OH, MY GOD.
1917
01:20:05,968 --> 01:20:07,501
NO.
1918
01:20:07,503 --> 01:20:09,336
MR. MARS, COME ON.
1919
01:20:09,338 --> 01:20:11,005
COME ON.
COME ON!
1920
01:20:14,810 --> 01:20:15,843
DAD!
1921
01:20:15,845 --> 01:20:16,944
DAD!
1922
01:20:16,946 --> 01:20:18,412
Woman: WHAT HAPPENED?
Man: IS HE HURT?
1923
01:20:18,414 --> 01:20:20,781
NO.
OPEN YOUR EYES!
1924
01:20:20,783 --> 01:20:22,983
OPEN YOUR EYES, DAD!
WAKE UP!
1925
01:20:22,985 --> 01:20:23,918
IT'S VERONICA!
1926
01:20:23,920 --> 01:20:25,820
CALL FOR AN AMBULANCE, NOW!
1927
01:20:37,499 --> 01:20:39,533
MISS MARS.
[ SIGHS ]
1928
01:20:39,535 --> 01:20:42,036
YOUR FATHER HAS SOME
PRETTY SERIOUS INJURIES.
1929
01:20:42,038 --> 01:20:44,605
HE HAS FRACTURES OF THE RIBS,
SKULL AND PELVIS.
1930
01:20:44,607 --> 01:20:46,640
WE'RE GONNA HAVE TO KEEP HIM
IN THE ICU.
1931
01:20:46,642 --> 01:20:47,975
WHEN CAN I SEE HIM?
1932
01:20:47,977 --> 01:20:50,644
IT'LL PROBABLY BE
A COUPLE OF DAYS.
1933
01:20:50,646 --> 01:20:54,548
AND SACKS?
THE OTHER MAN IN THE CAR?
1934
01:20:54,550 --> 01:20:57,818
I'M AFRAID HE WAS DOA.
1935
01:20:57,820 --> 01:21:01,155
WAS HE A FRIEND OF YOURS?
1936
01:21:01,157 --> 01:21:03,891
[ TYPHOON'S
"PROSTHETIC LOVE" PLAYS ]
1937
01:21:22,244 --> 01:21:25,646
♪ MY FOLKS
THEY LEFT THE TV ON ♪
1938
01:21:27,215 --> 01:21:31,919
♪ I WAS FALLING IN LOVE YEARS
BEFORE I EVER MET SOMEONE ♪
1939
01:21:31,921 --> 01:21:36,991
♪ LIKE A PRAYER
YOU DON'T EXPECT AN ANSWER ♪
1940
01:21:36,993 --> 01:21:39,960
♪ THOUGH YOU ASK FOR ONE
1941
01:21:43,031 --> 01:21:48,168
♪ WAS SURE MY LOVE
WOULD COME ALONG ♪
1942
01:21:48,170 --> 01:21:53,941
♪ LIKE SOME RARE BIRD AND ONLY
I WOULD RECOGNIZE THE SONG ♪
1943
01:21:53,943 --> 01:21:57,745
♪ LIKE THE ACTORS
I'VE SEEN ON THE TELEVISION ♪
1944
01:21:57,747 --> 01:21:59,079
♪ WITH THE STAGE LIGHTS ON
1945
01:21:59,081 --> 01:22:00,681
WAIT.
1946
01:22:03,418 --> 01:22:04,919
DON'T GO.
1947
01:22:04,921 --> 01:22:08,389
♪ WHAT I FOUND WAS A GAMBLE
1948
01:22:08,391 --> 01:22:09,723
OKAY.
1949
01:22:09,725 --> 01:22:11,859
♪ YOU THREW YOURSELF IN
WITH ME ♪
1950
01:22:11,861 --> 01:22:15,062
♪ MADE A CROSS,
AND YOU LIT A CANDLE ♪
1951
01:22:15,064 --> 01:22:21,936
♪ BUT WE WERE ONLY STRANGERS
CORNERED IN A DARK ROOM ♪
1952
01:22:21,938 --> 01:22:28,075
♪ PROJECTING SLIDES OF COZY
LIVES ON THE WALL ♪
1953
01:22:28,077 --> 01:22:31,812
♪ IN THE LIGHT
I THOUGHT I SAW YOU ♪
1954
01:22:31,814 --> 01:22:34,181
♪ WAS IT NOTHING AT ALL?
1955
01:22:38,086 --> 01:22:42,957
♪ OF EVERYONE I EVER KNEW
I'M GIVING IT ALL TO YOU ♪
1956
01:22:42,959 --> 01:22:45,659
♪ I'M ASKING
EVERYTHING IN RETURN ♪
1957
01:22:45,661 --> 01:22:48,429
♪ AND I HAVE NOTHING LEFT
TO LOSE ♪
1958
01:22:48,431 --> 01:22:50,931
♪ I'LL GET IT BACK THROUGH YOU
1959
01:22:50,933 --> 01:22:53,701
♪ I'LL TAKE YOUR OFFER
1960
01:23:02,143 --> 01:23:05,245
THE ONLY WAY
I'M NOT GONNA SPEND THE DAY
1961
01:23:05,247 --> 01:23:06,680
OBSESSING ABOUT MY DAD
1962
01:23:06,682 --> 01:23:09,616
IS BY NAILING GIA AND LUKE
TO THE WALL.
1963
01:23:09,618 --> 01:23:12,019
LET'S GO MAKE 'EM SWEAT.
1964
01:23:12,687 --> 01:23:14,321
GIA GOODMAN?
OH.
1965
01:23:14,323 --> 01:23:16,090
HERE YA GO.
THANK YOU.
1966
01:23:24,299 --> 01:23:26,333
[ RADIO TUNING ]
1967
01:23:26,335 --> 01:23:27,901
Gia: THANKS, GRANDMA.
1968
01:23:30,839 --> 01:23:33,207
[ CELLPHONE DIALING ]
1969
01:23:33,209 --> 01:23:35,943
[ CELLPHONE RINGS ]
1970
01:23:35,945 --> 01:23:38,712
HI, THIS IS GIA.
1971
01:23:38,714 --> 01:23:39,980
HEY, IT'S CARRIE.
1972
01:23:39,982 --> 01:23:42,816
YOU'RE SUCH
A PUNK-ASS BITCH.
1973
01:23:42,818 --> 01:23:45,119
SPEAK, GIRL! SPEAK!
1974
01:23:45,121 --> 01:23:46,720
[ BEEP ]
1975
01:23:50,158 --> 01:23:52,860
[ SIGHS ]
1976
01:23:55,030 --> 01:23:57,631
HEY.
SOMETHING'S HAPPENING.
1977
01:23:57,633 --> 01:23:59,033
YOU NEED TO GET OVER HERE
RIGHT AWAY.
1978
01:24:00,668 --> 01:24:04,038
[ BEEP ]
1979
01:24:04,040 --> 01:24:06,306
HEY.
VERONICA:
I've made the call to Gia.
1980
01:24:06,308 --> 01:24:09,076
SHE IMMEDIATELY FREAKED OUT
AND CALLED HER PARTNER IN CRIME.
1981
01:24:09,078 --> 01:24:10,677
HAVE YOU SEEN LUKE
PICK UP?
1982
01:24:10,679 --> 01:24:12,179
I CAN'T ACTUALLY SEE LUKE
RIGHT NOW.
1983
01:24:12,181 --> 01:24:13,981
APPARENTLY, HE HAD
TO MAKE A PIT STOP
1984
01:24:13,983 --> 01:24:15,682
for some hot
man-on-man action.
1985
01:24:15,684 --> 01:24:17,184
WHAT ARE YOU
TALKING ABOUT?
1986
01:24:17,186 --> 01:24:19,653
LUKE IS INSIDE
A WEST HOLLYWOOD BATHHOUSE.
1987
01:24:19,655 --> 01:24:21,422
What's he doing at...
1988
01:24:21,424 --> 01:24:24,358
Oh. Hold on.
1989
01:24:24,360 --> 01:24:25,993
SOMEONE'S AT HER DOOR.
1990
01:24:28,596 --> 01:24:30,731
SO I JUST GOT THIS CALL
FROM THIS --
1991
01:24:30,733 --> 01:24:32,866
THIS RANDOM NUMBER AND...
1992
01:24:32,868 --> 01:24:35,569
IT'S COBB.
AND IT WAS CARRIE'S VOICE.
1993
01:24:35,571 --> 01:24:37,204
SHE CALLED COBB FOR HELP.
1994
01:24:37,206 --> 01:24:40,607
WHY? DOES SHE NEED SOMEONE
TO EMPTY HER CAT BOX?
SHH. SHH.
1995
01:24:40,609 --> 01:24:43,077
Cobb: SOMEONE IS JUST
MESSING WITH YOU.
I KNOW.
1996
01:24:43,079 --> 01:24:45,579
I MEAN, IT'S PROBABLY THAT
NOSY BITCH, VERONICA MARS.
1997
01:24:45,581 --> 01:24:48,816
[ SCOFFS ]
IT'S CALLED "CURIOSITY."
1998
01:24:50,718 --> 01:24:54,154
YOU NEED TO RELAX, GIA.
JUST RELAX.
1999
01:25:00,762 --> 01:25:03,897
NO FREAKING WAY.
2000
01:25:03,899 --> 01:25:05,299
UPDATE, PLEASE.
2001
01:25:05,301 --> 01:25:09,470
YEAH, GIA AND COBB ARE
TOTALLY ABOUT TO DO IT.
2002
01:25:09,472 --> 01:25:10,871
ARE YOU SERIOUS?
2003
01:25:10,873 --> 01:25:13,640
GIA SEDUCED HER LAPDOG
INTO KILLING CARRIE.
2004
01:25:13,642 --> 01:25:15,275
CAN YOU SEE THEM?
2005
01:25:15,277 --> 01:25:16,376
No, thank God.
2006
01:25:16,378 --> 01:25:18,979
[ GIA AND COBB MOANING]
UGH.
2007
01:25:18,981 --> 01:25:20,914
[ RADIO STATIC ]
SHIT.
2008
01:25:20,916 --> 01:25:22,282
WHAT'S GOING ON?
2009
01:25:22,284 --> 01:25:24,151
Dad had all the good
listening devices locked up.
2010
01:25:24,153 --> 01:25:27,387
I HAD TO USE ONE OF THE OLD BUGS
THAT USES FM SIGNAL.
2011
01:25:27,389 --> 01:25:30,124
IT'S A BANDWIDTH AT THE END
OF THE DIAL NO ONE USES.
2012
01:25:30,126 --> 01:25:31,091
88.6.
2013
01:25:31,093 --> 01:25:33,994
AS IN
"88.6 ROCK HARD ROCK?"
2014
01:25:33,996 --> 01:25:35,896
TELL ME YOU'RE JOKING.
2015
01:25:35,898 --> 01:25:37,998
NEPTUNE'S NEW
CLASSIC ROCK STATION.
2016
01:25:38,000 --> 01:25:39,566
All right.
Probably okay.
2017
01:25:39,568 --> 01:25:41,969
THE BUG ONLY TRANSMITS
100 YARDS OR SO.
2018
01:25:41,971 --> 01:25:44,404
I SHOULD BE ABLE
TO GET AWAY WITH IT.
2019
01:25:47,842 --> 01:25:50,110
WAS CARRIE'S TABLET
ONE OF THE BIG ONES
2020
01:25:50,112 --> 01:25:51,278
OR THE LITTLE ONES?
2021
01:25:51,280 --> 01:25:53,247
NAW, IT WAS
A LITTLE WHITE ONE.
2022
01:25:53,249 --> 01:25:56,950
THERE IS ONE MATCHING THAT
DESCRIPTION ON GIA'S TABLE.
2023
01:25:56,952 --> 01:25:58,952
SHE'D HAVE TO BE STUPID
TO KEEP IT THERE.
2024
01:25:58,954 --> 01:26:00,621
I sat behind her
in algebra.
2025
01:26:00,623 --> 01:26:02,022
NOTHING WOULD SHOCK ME.
2026
01:26:02,024 --> 01:26:03,590
WELL,
CARRIE'S WAS INSCRIBED.
2027
01:26:03,592 --> 01:26:06,460
IT WAS LIKE: "ROCK YOU VERY MUCH
FROM THE MTV MUSIC AWARDS,"
2028
01:26:06,462 --> 01:26:07,427
SOMETHING LIKE THAT.
2029
01:26:07,429 --> 01:26:10,464
I NEED TO GET
A CLOSER LOOK.
2030
01:26:10,466 --> 01:26:11,532
VERONICA.
2031
01:26:11,534 --> 01:26:13,133
I'M NOT GONNA BREAK IN.
2032
01:26:13,135 --> 01:26:15,836
I'M JUST GONNA DROP BY
FOR A HANG.
2033
01:26:15,838 --> 01:26:17,037
SHE COULD BE A MURDERER.
2034
01:26:17,039 --> 01:26:19,806
CHILD, PLEASE.
IT'S GIA GOODMAN.
2035
01:26:19,808 --> 01:26:22,910
THE DAY I CAN'T HANDLE
GIA GOODMAN.
2036
01:26:26,281 --> 01:26:28,649
THE FOUR MINUTES OF SEX
I COULD HEAR JUST FINE.
2037
01:26:28,651 --> 01:26:31,885
THE MIKE COULDN'T PICK UP THE
LAST 20 MINUTES OF PILLOW TALK
2038
01:26:31,887 --> 01:26:34,521
OR WHATEVER HAS GONE ON
IN THAT BEDROOM.
2039
01:26:41,496 --> 01:26:44,665
[ CAT MEOWS ]
2040
01:26:44,667 --> 01:26:47,401
HI, KITTY.
2041
01:26:54,809 --> 01:26:57,477
VERONICA. HI.
2042
01:26:57,479 --> 01:26:59,179
THAT LOOK
IS MAKING ME THINK
2043
01:26:59,181 --> 01:27:01,982
YOU DIDN'T MEAN IT WHEN
YOU SAID COME BY AND HANG.
2044
01:27:01,984 --> 01:27:03,684
[ CHUCKLES ]
NO, I MEANT IT.
2045
01:27:03,686 --> 01:27:05,252
COME ON IN.
COME IN.
2046
01:27:08,323 --> 01:27:09,523
OH, WOW!
2047
01:27:09,525 --> 01:27:12,192
DO YOU LIKE
YOUR LITTLE TABLET?
2048
01:27:12,194 --> 01:27:15,062
I MEAN, I HAVE THE --
THE BIG ONE,
2049
01:27:15,064 --> 01:27:18,098
BUT THIS IS SURE CUTE,
ISN'T IT?
2050
01:27:18,100 --> 01:27:20,400
WELL, CUTE ONLY GETS YOU
SO FAR IN LIFE.
2051
01:27:20,402 --> 01:27:22,336
AM I RIGHT?
2052
01:27:28,409 --> 01:27:30,544
ALL RIGHT!
2053
01:27:30,546 --> 01:27:32,045
I'M SORRY.
WHAT?
2054
01:27:32,047 --> 01:27:34,514
MY REGULARLY SCHEDULED
PROGRAMMING WAS PREEMPTED
2055
01:27:34,516 --> 01:27:37,217
BY THE SOUND OF YOU
GETTING YOUR ROCKS OFF, HOSS.
2056
01:27:37,219 --> 01:27:39,853
YOU REALLY WANTED THAT POOR GIRL
TO SAY YOUR NAME.
2057
01:27:39,855 --> 01:27:42,889
WHAT ARE YOU TALKING ABOUT?
2058
01:27:42,891 --> 01:27:45,259
[ RADIO TUNING ]
2059
01:27:48,730 --> 01:27:50,631
Veronica: "ROCK YOU VERY MUCH."
WHERE'D YOU GET THIS?
2060
01:27:50,633 --> 01:27:52,366
Gia: CARRIE WAS ALWAYS
GIVING AWAY HER SWAG.
2061
01:27:52,368 --> 01:27:54,701
SO, WHAT ARE YOU
REALLY DOING HERE?
2062
01:27:54,703 --> 01:27:56,703
WHAT DO YOU MEAN?
2063
01:27:56,705 --> 01:27:58,272
WELL, I'M NOT STUPID.
I KNOW YOU DIDN'T
COME BY TO HANG OUT.
2064
01:27:58,274 --> 01:28:02,142
SO, COME ON.
WHAT'S EATING VERONICA MARS?
2065
01:28:02,144 --> 01:28:06,046
OH, YEAH. THAT.
2066
01:28:06,048 --> 01:28:08,081
[ SIGHS ]
2067
01:28:08,083 --> 01:28:10,150
I'M PRETTY SURE
YOU MURDERED CARRIE BISHOP
2068
01:28:10,152 --> 01:28:11,918
BECAUSE SHE WAS ON THE VERGE
OF TELLING THE TRUTH
2069
01:28:11,920 --> 01:28:13,153
ABOUT WHAT HAPPENED
2070
01:28:13,155 --> 01:28:14,788
WITH SUSAN KNIGHT
NINE YEARS AGO.
2071
01:28:14,790 --> 01:28:16,790
[ LAUGHS ]
2072
01:28:16,792 --> 01:28:21,128
YOU ARE AN INSANE PERSON.
2073
01:28:21,130 --> 01:28:24,131
I WAS IN THE 09er.
EVERYONE SAW ME.
2074
01:28:24,133 --> 01:28:25,899
YOU'RE RIGHT.
I MISSPOKE.
2075
01:28:25,901 --> 01:28:27,267
YOU DIDN'T KILL HER.
2076
01:28:27,269 --> 01:28:28,969
YOU USED YOUR LADY PARTS
2077
01:28:28,971 --> 01:28:30,837
TO GET STU COBBLER TO DO IT
FOR YOU.
2078
01:28:30,839 --> 01:28:32,673
[ CHUCKLES ]
DON'T BE GROSS.
2079
01:28:32,675 --> 01:28:35,809
I JUST WATCHED YOU
FROM ACROSS THE STREET, GIA.
2080
01:28:35,811 --> 01:28:36,943
I HAVE PICTURES.
2081
01:28:36,945 --> 01:28:38,779
IF I HAD
ANY FACEBOOK FRIENDS,
2082
01:28:38,781 --> 01:28:40,614
THEY'D BE
ENJOYING THEM ALREADY.
2083
01:28:40,616 --> 01:28:43,450
I'D SAY, "WAIT TILL
YOUR FIANCé FINDS OUT."
2084
01:28:43,452 --> 01:28:45,986
BUT I'M GONNA GO AHEAD
AND GUESS HE'S OKAY WITH IT.
2085
01:28:45,988 --> 01:28:49,289
YOU ARE PROTECTING
HIS BRIGHT FUTURE, RIGHT?
2086
01:28:49,291 --> 01:28:50,624
I MEAN, THERE ARE BEARDS
2087
01:28:50,626 --> 01:28:53,593
AND THEN THERE ARE BEARDS
THAT GO THE EXTRA MILE.
2088
01:28:53,595 --> 01:28:55,495
I WAS AT THE 09er.
THERE ARE WITNESSES.
2089
01:28:55,497 --> 01:28:56,797
EVERYBODY SAW ME.
2090
01:28:56,799 --> 01:28:57,964
GIA. KEEP UP.
2091
01:28:57,966 --> 01:28:59,132
WE'RE PAST THAT NOW.
2092
01:28:59,134 --> 01:29:00,600
I BELIEVE YOU.
2093
01:29:00,602 --> 01:29:03,303
I EVEN HAVE PROOF
YOU WERE THERE.
2094
01:29:03,305 --> 01:29:06,340
TIMESTAMPED VIDEO.
2095
01:29:06,342 --> 01:29:09,376
AND RIGHT ABOUT NOW
IT'S DAWNING ON YOU
2096
01:29:09,378 --> 01:29:11,378
WHERE THIS VIDEO CAME FROM.
2097
01:29:11,380 --> 01:29:13,547
THE CAMERA
ON CARRIE'S TABLET.
2098
01:29:14,882 --> 01:29:17,150
COBB TOOK THE TABLET
FROM CARRIE'S HOUSE
2099
01:29:17,152 --> 01:29:18,318
AFTER HE KILLED HER.
2100
01:29:18,320 --> 01:29:20,354
HERE YOU ARE
TYPING OUT THE TEXT
2101
01:29:20,356 --> 01:29:22,789
THAT'LL GET LOGAN
OVER TO CARRIE'S.
2102
01:29:22,791 --> 01:29:24,124
I THINK THE SHERIFF
2103
01:29:24,126 --> 01:29:26,727
IS GONNA BE VERY INTERESTED
IN THIS VIDEO.
2104
01:29:38,506 --> 01:29:41,174
DO YOU EVEN REMEMBER COBB
FROM HIGH SCHOOL?
2105
01:29:41,176 --> 01:29:43,577
JUST THIS TOTAL
TRAILER PARK WEIRDO.
2106
01:29:43,579 --> 01:29:46,012
THE CREEPY GUY WHO SAT
BEHIND ME IN CIVICS
2107
01:29:46,014 --> 01:29:48,081
READING GUNS & CAMOUFLAGE
OR WHATEVER.
2108
01:29:48,083 --> 01:29:51,351
EYE-SCREWING ME AND
SMELLING LIKE OLD SPONGE.
2109
01:29:51,353 --> 01:29:52,686
HE HAD THE GOOD DRUGS,
THOUGH.
2110
01:29:52,688 --> 01:29:56,022
THAT NIGHT THAT WE WENT OUT
ON CARRIE'S BOAT
2111
01:29:56,024 --> 01:29:58,525
WE TRIED TO HIT HIM UP
FOR PRODUCT.
2112
01:29:58,527 --> 01:30:01,428
BUT HE INSISTED ON US
TAKING HIM WITH.
2113
01:30:01,430 --> 01:30:05,465
WE GOT SO SHIT FACED
IT DIDN'T REALLY MATTER.
2114
01:30:07,201 --> 01:30:12,205
BUT THEN, SUSAN,
AS USUAL, BOTTOMS OUT.
2115
01:30:12,207 --> 01:30:15,008
SHE STARTS BAWLING
ABOUT THE BABY
2116
01:30:15,010 --> 01:30:17,677
THAT SHE GAVE UP
FOR ADOPTION.
2117
01:30:17,679 --> 01:30:20,280
SHE DISAPPEARS BELOW DECK.
2118
01:30:20,282 --> 01:30:23,383
CARRIE FOUND HER LATER
AND SHE WAS BARELY BREATHING.
2119
01:30:23,385 --> 01:30:27,187
BUT COBB SAYS
THAT SHE'D SLEEP IT OFF.
2120
01:30:27,189 --> 01:30:31,057
'CAUSE HE'D SEEN IT
A HUNDRED TIMES BEFORE.
2121
01:30:31,059 --> 01:30:32,125
AND YOU BELIEVED HIM.
2122
01:30:32,127 --> 01:30:34,194
WE WERE OUT
OF OUR SKULLS.
2123
01:30:34,196 --> 01:30:36,630
WE WERE PICTURING
JAIL TIME.
2124
01:30:36,632 --> 01:30:40,367
LOST FUTURES.
LOST FORTUNES.
2125
01:30:40,369 --> 01:30:45,305
AND THEN CARRIE WENT DOWN
TO CHECK ON SUSAN LATER.
2126
01:30:47,742 --> 01:30:49,910
SHE WAS DEAD.
2127
01:30:49,912 --> 01:30:52,579
JUST FULL-ON DEAD.
2128
01:30:52,581 --> 01:30:53,814
[ SIGHS ]
2129
01:30:53,816 --> 01:30:58,718
AND IT WAS COBB'S IDEA TO
WEIGH HER DOWN WITH AN ANCHOR.
2130
01:31:01,622 --> 01:31:03,056
THEN WE'RE ALL SOBBING
2131
01:31:03,058 --> 01:31:04,891
AND WE'RE TRYING TO LIFT HER
BODY OVER THE SIDE OF THE BOAT.
2132
01:31:04,893 --> 01:31:06,760
DICK WAS SOBBING.
2133
01:31:06,762 --> 01:31:09,429
DICK PASSED OUT BEFORE
ANY OF THIS EVEN HAPPENED.
2134
01:31:09,431 --> 01:31:11,131
HE NEVER KNEW THE TRUTH.
2135
01:31:11,133 --> 01:31:13,900
HE SELLS THE LIE
BETTER THAN ANY OF US.
2136
01:31:13,902 --> 01:31:16,937
BUT NONE OF US EVEN NOTICED
2137
01:31:16,939 --> 01:31:20,240
THAT COBB WASN'T HELPING US
PUSH SUSAN'S BODY OVERBOARD.
2138
01:31:20,242 --> 01:31:23,109
LATER, AFTER ALL
THE POLICE-GRILLING
2139
01:31:23,111 --> 01:31:24,578
AND MEDIA STUFF,
2140
01:31:24,580 --> 01:31:31,117
CARRIE, LUKE AND I
GET EMAILED A CAMERA PHONE PHOTO
2141
01:31:31,119 --> 01:31:33,854
OF US
DUMPING SUSAN'S BODY.
2142
01:31:35,356 --> 01:31:38,625
AND HE'S OWNED US
EVER SINCE.
2143
01:31:38,627 --> 01:31:42,462
WE BANKROLL HIM.
WE PAL AROUND WITH HIM.
2144
01:31:42,464 --> 01:31:43,663
YOU SLEEP WITH HIM.
2145
01:31:43,665 --> 01:31:46,166
YEAH, LUCKY ME.
I'M THE ONE HE LOVES.
2146
01:31:46,168 --> 01:31:47,601
HE FLASHES THE PHOTO
2147
01:31:47,603 --> 01:31:51,371
ANY TIME HE THINKS ONE OF US
NEEDS A REMINDER.
2148
01:31:52,707 --> 01:31:55,675
CARRIE NEEDED
A LOT OF REMINDERS.
2149
01:31:57,178 --> 01:31:58,612
HE RENTED THE APARTMENT
ACROSS THE STREET
2150
01:31:58,614 --> 01:32:01,147
SO THAT HE CAN SEE ME
WHENEVER HE WANTS TO.
2151
01:32:01,149 --> 01:32:03,650
I'M NOT EVEN ALLOWED
TO HAVE CURTAINS.
2152
01:32:03,652 --> 01:32:06,286
HE'S PROBABLY WATCHING US
RIGHT NOW.
2153
01:32:06,288 --> 01:32:07,988
TRY AND ACT CA--
2154
01:32:07,990 --> 01:32:09,022
[ GUNSHOT ]
[ GASPS ]
2155
01:32:09,024 --> 01:32:12,325
[ GASPING ]
2156
01:32:12,327 --> 01:32:15,395
[ GUNSHOT ]
[ PANTING ]
2157
01:32:19,033 --> 01:32:20,534
HANG IN THERE, GIA.
2158
01:32:21,235 --> 01:32:23,403
HI.
A COP HAS BEEN SHOT.
2159
01:32:23,405 --> 01:32:25,906
THE 400 BLOCK
OF EXPOSITION BOULEVARD.
2160
01:32:25,908 --> 01:32:27,240
[ GASPING ]
2161
01:32:30,912 --> 01:32:33,013
HELP IS COMING, GIA.
2162
01:32:33,015 --> 01:32:35,015
IT'S OKAY.
HELP IS COMING.
2163
01:32:35,017 --> 01:32:37,284
[ PANTING ]
HELP.
2164
01:32:45,927 --> 01:32:47,928
[ ELEVATOR GROANS ]
2165
01:32:55,336 --> 01:32:58,538
[ DOOR CLOSES ]
2166
01:32:58,540 --> 01:33:01,207
GIA COULD'VE REALLY USED
SOME CURTAINS IN HERE.
2167
01:33:01,209 --> 01:33:03,877
[ LOU RAWLS' "YOU'LL NEVER FIND
ANOTHER LOVE LIKE MINE" PLAYS ]
2168
01:33:03,879 --> 01:33:07,247
I HOPE YOU DON'T MIND
A LITTLE MOOD MUSIC.
2169
01:33:07,249 --> 01:33:11,184
♪ YOU'LL NEVER FIND
2170
01:33:11,186 --> 01:33:14,554
♪ AS LONG AS YOU LIVE
2171
01:33:14,556 --> 01:33:18,558
♪ SOMEONE WHO LOVES YOU
2172
01:33:18,560 --> 01:33:21,861
♪ TENDER LIKE I DO
2173
01:33:24,365 --> 01:33:28,301
♪ YOU'LL NEVER FIND
2174
01:33:28,303 --> 01:33:32,072
♪ NO MATTER WHERE YOU SEARCH
2175
01:33:32,074 --> 01:33:39,813
♪ SOMEONE WHO CARES ABOUT YOU
THE WAY I DO ♪
2176
01:33:41,382 --> 01:33:45,785
♪ WHOA, I'M NOT BRAGGING
ON MYSELF, BABY ♪
2177
01:33:45,787 --> 01:33:47,387
♪ BUT I'M THE ONE
WHO LOVES YOU ♪
2178
01:33:47,389 --> 01:33:48,455
[ GASPS ]
2179
01:33:48,457 --> 01:33:50,757
♪ AND THERE'S NO ONE ELSE
2180
01:33:50,759 --> 01:33:57,430
♪ NO-OH-OH-OH-OH-OH-OH-OH
ONE ELSE ♪
2181
01:33:57,432 --> 01:33:59,432
♪ YOU'LL NEVER FIND
2182
01:33:59,434 --> 01:34:00,900
[ DOOR CLOSES ]
2183
01:34:00,902 --> 01:34:04,971
♪ IT'LL TAKE THE END
OF ALL TIME ♪
2184
01:34:04,973 --> 01:34:12,379
♪ SOMEONE TO UNDERSTAND YOU
LIKE I DO ♪
2185
01:34:13,280 --> 01:34:15,448
[ CELLPHONE RINGS ]
2186
01:34:15,450 --> 01:34:16,783
[ TASER CRACKLES ]
2187
01:34:16,785 --> 01:34:17,851
OH!
2188
01:34:17,853 --> 01:34:19,119
[ GROANING ]
2189
01:34:19,121 --> 01:34:26,359
♪ BUT I KNOW SOMEHOW
SOME DAY SOME WAY ♪
2190
01:34:29,630 --> 01:34:30,797
[ GROANING, PANTING ]
2191
01:34:30,799 --> 01:34:32,132
♪ YOU'RE GONNA MISS MY LOVING
2192
01:34:32,134 --> 01:34:35,135
♪ WHEN IT'S COLD OUTSIDE,
YOU'RE GONNA... ♪
2193
01:34:35,137 --> 01:34:36,870
[ GROWLS ]
2194
01:34:36,872 --> 01:34:38,538
[ CAT MEOWS ]
2195
01:34:40,775 --> 01:34:42,976
♪ YOU'RE GONNA MISS MY LOVING
2196
01:34:42,978 --> 01:34:44,144
WAIT FOR ME, VERONICA!
2197
01:34:44,146 --> 01:34:45,945
♪ YES, YOU WILL, BABY
2198
01:34:49,116 --> 01:34:50,316
[ GLASS SHATTERS ]
2199
01:34:50,318 --> 01:34:52,552
IT'S NOT A RACE.
2200
01:34:54,722 --> 01:34:57,457
WE ALL KNOW HOW THIS ENDS.
2201
01:34:59,460 --> 01:35:02,195
[ CHUCKLES ]
2202
01:35:02,197 --> 01:35:04,130
OOH, YOU KILLED THE LIGHTS.
2203
01:35:04,132 --> 01:35:06,132
HOW WILDLY IMPRESSIVE.
2204
01:35:23,684 --> 01:35:29,522
EENIE, MEENIE, MINEY.
2205
01:35:29,524 --> 01:35:30,990
[ CLATTERING ]
2206
01:35:30,992 --> 01:35:32,425
EENIE.
2207
01:35:32,427 --> 01:35:34,394
[ GUNSHOTS ]
2208
01:35:34,396 --> 01:35:37,230
[ SIREN WAILING ]
2209
01:35:37,232 --> 01:35:38,498
MM.
2210
01:35:38,500 --> 01:35:41,034
[ GUNSHOTS ]
2211
01:35:41,036 --> 01:35:42,569
[ GRUNTS ]
2212
01:35:47,041 --> 01:35:48,541
[ CAT MEOWS ]
2213
01:35:48,543 --> 01:35:49,876
Man on TV:
SHOCKING PHOTO SURFACES
2214
01:35:49,878 --> 01:35:51,745
IN THE BONNIE DE VILLE
MURDER CASE.
2215
01:35:51,747 --> 01:35:54,180
Man #2: LOGAN ECHOLLS IS
A FREE MAN. HE'S EXONERATED.
2216
01:35:54,182 --> 01:35:57,016
AND INSTEAD THE LOCAL SHERIFF
HAS ARRESTED STU COBBLER
2217
01:35:57,018 --> 01:35:58,885
AND CHARGED HIM
WITH TWO MURDERS:
2218
01:35:58,887 --> 01:36:01,221
BONNIE DE VILLE
AND SOCIALITE GIA GOODMAN.
2219
01:36:01,223 --> 01:36:03,189
Vasquez: SHERIFF,
HOW DID YOU GET IT SO WRONG?
2220
01:36:03,191 --> 01:36:04,524
DID YOU IGNORE EVIDENCE?
2221
01:36:04,526 --> 01:36:05,925
Man #3: DID GIA GOODMAN
HAVE TO DIE?
2222
01:36:05,927 --> 01:36:07,894
IF YOU THINK THE SHERIFF
IS SQUIRMING HERE
2223
01:36:07,896 --> 01:36:10,463
YOU SHOULD CHECK OUT
THE TMZ LIVE EXCLUSIVE VIDEO
2224
01:36:10,465 --> 01:36:12,232
WE GOT FROM
THE PRIVATE INVESTIGATOR
2225
01:36:12,234 --> 01:36:13,600
WORKING FOR LOGAN ECHOLLS.
2226
01:36:13,602 --> 01:36:17,403
I DON'T CARE IF LOGAN
AIN'T THE GUY.
2227
01:36:17,405 --> 01:36:21,407
AMERICA THINKS HE'S GUILTY,
AND THAT'S GOOD ENOUGH FOR ME.
2228
01:36:21,409 --> 01:36:22,742
I'M BETTING I KNOW EXACTLY
2229
01:36:22,744 --> 01:36:24,711
WHAT THE PEOPLE OF NEPTUNE
WANT NOW.
2230
01:36:24,713 --> 01:36:25,912
Man #2: OH, I KNOW TOO.
2231
01:36:25,914 --> 01:36:27,213
A NEW SHERIFF.
A NEW SHERIFF.
2232
01:36:27,215 --> 01:36:28,548
YEAH, EXACTLY.
2233
01:36:28,550 --> 01:36:30,984
[ GREGORY ALAN ISAKOV'S
"SECOND CHANCES" PLAYS ]
2234
01:36:41,395 --> 01:36:42,428
[ CAMERA SHUTTER CLICKS ]
2235
01:36:42,430 --> 01:36:45,431
NO, IT'S TOO EARLY.
2236
01:36:45,433 --> 01:36:46,933
WELL, YOU'D BE SURPRISED
2237
01:36:46,935 --> 01:36:48,968
HOW STRONGLY THE ARMED SERVICES
FEELS ABOUT PUNCTUALITY.
2238
01:36:48,970 --> 01:36:51,838
YOU WANT ME TO GET BUSTED
FOR GOING AWOL?
2239
01:36:53,774 --> 01:36:58,812
WHAT I WANT IS FOR YOU
TO STAND THERE
2240
01:36:58,814 --> 01:37:02,515
IN THAT EFFITY WHITE UNIFORM
WITH YOUR HARVARD MOUTH
2241
01:37:02,517 --> 01:37:04,784
AND SHOW ME
SOME EFFING COURTESY.
2242
01:37:04,786 --> 01:37:08,521
WELL, I APPRECIATE YOU
KEEPING IT PG-13 FOR ME.
2243
01:37:08,523 --> 01:37:11,291
I'M DELICATE.
2244
01:37:11,293 --> 01:37:13,259
I GOT YOU OFF
MURDER CHARGES.
2245
01:37:13,261 --> 01:37:14,594
I CAN BEAT AN AWOL RAP.
2246
01:37:14,596 --> 01:37:16,529
LISTEN.
IT'S 180 DAYS, VERONICA.
2247
01:37:16,531 --> 01:37:19,666
WHAT'S 180 DAYS TO US?
2248
01:37:20,501 --> 01:37:23,336
OUR STORY IS EPIC.
2249
01:37:23,338 --> 01:37:26,673
SPANNING YEARS, CONTINENTS.
2250
01:37:26,675 --> 01:37:30,109
LIVES RUINED, BLOODSHED.
2251
01:37:30,111 --> 01:37:32,078
YEAH.
2252
01:37:36,650 --> 01:37:39,018
COME BACK TO ME.
2253
01:37:39,020 --> 01:37:41,721
ALWAYS.
2254
01:37:47,828 --> 01:37:53,766
♪ MY HANDS THEY WERE STRANGERS
LOST IN THE NIGHT ♪
2255
01:37:55,236 --> 01:37:57,136
[ CHUCKLES ]
2256
01:37:57,138 --> 01:38:02,008
♪ THEY'RE WAVING AROUND
IN THE DUSTY LIGHT ♪
2257
01:38:02,010 --> 01:38:05,678
Veronica:
TWO SOLID WEEKS OF BLISS,
2258
01:38:05,680 --> 01:38:07,513
AND NOW IT'S BACK
TO THE REAL WORLD.
2259
01:38:07,515 --> 01:38:09,649
HE'S A GREAT KID.
HE'S A SHOOT-FIRST
POINT GUARD.
2260
01:38:09,651 --> 01:38:11,017
SO WHAT NOW?
2261
01:38:11,019 --> 01:38:13,052
BUT SOMETIMES IT KILLS US
IN THE TRANSITIONS.
2262
01:38:13,054 --> 01:38:16,389
♪ I HAD A RINGSIDE SEAT
TO MY MOM'S RECOVERY ATTEMPTS. ♪
2263
01:38:16,391 --> 01:38:20,026
♪ I KNOW ALL ABOUT ACCEPTING
THE THINGS I CAN'T CHANGE. ♪
2264
01:38:20,028 --> 01:38:21,194
VERONICA!
2265
01:38:21,196 --> 01:38:23,096
YOUR POINT GUARD
SHOOTS TOO MUCH.
2266
01:38:23,098 --> 01:38:24,864
I'M WITH YOU, FENNEL.
BENCH HIM.
2267
01:38:24,866 --> 01:38:26,766
I'M SUPPOSED TO FIND
THE COURAGE
2268
01:38:26,768 --> 01:38:28,201
TO CHANGE THE THINGS I CAN.
2269
01:38:28,203 --> 01:38:30,937
EVEN IF IT MEANS
DISAPPOINTING THE ONE MAN
2270
01:38:30,939 --> 01:38:32,705
I CAN'T BEAR TO DISAPPOINT.
2271
01:38:32,707 --> 01:38:35,408
Keith: GIN!
2272
01:38:35,410 --> 01:38:37,744
WHO'S YOUR DADDY?
[ SIGHS ]
2273
01:38:37,746 --> 01:38:43,049
WELL, MY 2,000-POINT LEAD
SHRINKS BY 40.
2274
01:38:43,051 --> 01:38:44,050
LOOK AT YOU.
2275
01:38:44,052 --> 01:38:46,219
NOT EVEN KNOWING
YOU'RE BEING HUSTLED.
2276
01:38:46,221 --> 01:38:48,955
YOU'RE THE PATSY.
I GOT THE HOOK IN NOW.
2277
01:38:51,892 --> 01:38:54,193
LOGAN RETURN
TO DUTY TODAY?
2278
01:38:54,195 --> 01:38:55,762
YEP.
2279
01:38:55,764 --> 01:38:58,064
I'M SORRY, HONEY.
YEAH.
2280
01:38:58,066 --> 01:39:01,034
THEY SAY I'M AHEAD
OF SCHEDULE HERE.
2281
01:39:01,036 --> 01:39:03,136
AS MUCH AS I'M ENJOYING
ALL THIS DADDY-DAUGHTER TIME
2282
01:39:03,138 --> 01:39:04,904
MAYBE IT'S TIME TO START
THINKING ABOUT
2283
01:39:04,906 --> 01:39:06,139
HEADING BACK TO NEW YORK?
2284
01:39:06,141 --> 01:39:08,408
YOU'VE GOT A LIFE THERE.
2285
01:39:08,410 --> 01:39:11,277
YEAH.
2286
01:39:11,279 --> 01:39:13,913
ABOUT NEW YORK.
2287
01:39:13,915 --> 01:39:15,415
LET'S BE HONEST HERE.
2288
01:39:15,417 --> 01:39:18,618
IF I WERE WISE ENOUGH
TO KNOW THE DIFFERENCE
2289
01:39:18,620 --> 01:39:21,087
BETWEEN WHAT I CAN
AND CAN'T CHANGE
2290
01:39:21,089 --> 01:39:22,889
WOULD I EVEN BE WHO I AM?
2291
01:39:22,891 --> 01:39:26,092
WOULD THIS BE WHAT I'M DOING?
2292
01:39:26,094 --> 01:39:28,594
LAST THING: THAT GUN
THEY PLANTED ON YOU?
2293
01:39:28,596 --> 01:39:30,897
A STOOLIE CLAIMS
YOU BOUGHT IT FROM HIM.
2294
01:39:30,899 --> 01:39:34,167
HE CLEARLY FEARS THE SHERIFF
MORE THAN HE FEARS YOU.
2295
01:39:34,169 --> 01:39:35,401
YEAH.
2296
01:39:35,403 --> 01:39:39,138
WELL, WE'LL SEE
WHAT WE CAN DO ABOUT THAT.
2297
01:39:39,140 --> 01:39:42,075
THANKS, V.
2298
01:39:46,413 --> 01:39:48,448
HOW'S IT COMING
ON THE SHERIFF'S PASSWORD?
2299
01:39:48,450 --> 01:39:50,416
JOHNNYUTAH69.
2300
01:39:50,418 --> 01:39:51,985
[ SNORTS ]
DONE.
2301
01:39:51,987 --> 01:39:55,121
I JUST SENT YOU
HIS TAX RETURNS.
2302
01:39:55,123 --> 01:39:57,623
THANK YOU.
2303
01:39:57,625 --> 01:40:01,527
DAD ALWAYS SAID THIS TOWN
COULD WRECK A PERSON.
2304
01:40:01,529 --> 01:40:05,965
IT'S WHAT HAPPENS WHEN
YOU'RE PLAYING A RIGGED GAME.
2305
01:40:05,967 --> 01:40:08,968
I CONVINCED MYSELF
WINNING MEANT GETTING OUT.
2306
01:40:08,970 --> 01:40:11,704
BUT IN WHAT WORLD
DO YOU GET TO LEAVE THE RING
2307
01:40:11,706 --> 01:40:14,640
AND DECLARE VICTORY?
2308
01:40:14,642 --> 01:40:16,843
THIS IS WHERE I BELONG.
2309
01:40:16,845 --> 01:40:20,346
IN THE FIGHT.
IT'S WHO I AM.
2310
01:40:20,348 --> 01:40:23,449
I'VE ROLLED AROUND
IN THE MUD FOR SO LONG.
2311
01:40:23,451 --> 01:40:27,020
WASH ME CLEAN AND I DON'T
RECOGNIZE MYSELF.
2312
01:40:27,022 --> 01:40:30,056
SO HOW ABOUT I JUST ACCEPT
THE MUD
2313
01:40:30,058 --> 01:40:34,560
AND THE TENDENCY I HAVE
TO FIND MYSELF ROLLING IN IT.
2314
01:40:34,562 --> 01:40:36,996
MY NAME IS VERONICA.
2315
01:40:36,998 --> 01:40:38,698
AND I'M AN ADDICT.
2316
01:40:38,700 --> 01:40:40,500
HELLO, VERONICA.
2317
01:40:40,502 --> 01:40:42,902
[ THE DANDY WARHOLS'
"WE USED TO BE FRIENDS" PLAYS ]
2318
01:40:46,040 --> 01:40:49,675
♪ A LONG TIME AGO
WE USED TO BE FRIENDS ♪
2319
01:40:49,677 --> 01:40:55,148
♪ BUT I HAVEN'T THOUGHT OF YOU
LATELY AT ALL ♪
2320
01:40:55,150 --> 01:41:00,353
♪ IF EVER AGAIN,
A GREETING I SEND TO YOU ♪
2321
01:41:00,355 --> 01:41:04,057
♪ SHORT AND SWEET
TO THE SOUL I INTEND ♪
2322
01:41:04,059 --> 01:41:06,592
♪ AH AH-AH-AH-AH
2323
01:41:06,594 --> 01:41:08,861
♪ AH AH-AH-AH-AH
2324
01:41:08,863 --> 01:41:11,364
♪ AH AH-AH-AH-AH
2325
01:41:11,366 --> 01:41:13,699
♪ AH AH-AH-AH-AH
2326
01:41:13,701 --> 01:41:16,736
♪ COME ON NOW, SUGAR
2327
01:41:16,738 --> 01:41:19,205
♪ BRING IT ON,
BRING IT ON, YEAH ♪
2328
01:41:19,207 --> 01:41:23,709
♪ JUST REMEMBER ME WHEN
YOU'RE GOOD TO GO ♪
2329
01:41:23,711 --> 01:41:26,012
♪ COME ON NOW, HONEY
2330
01:41:26,014 --> 01:41:28,114
♪ BRING IT ON,
BRING IT ON, YEAH ♪
2331
01:41:28,116 --> 01:41:31,717
♪ JUST REMEMBER ME WHEN
2332
01:41:31,719 --> 01:41:33,853
♪ WE USED TO BE FRIENDS
2333
01:41:33,855 --> 01:41:38,391
♪ A LONG TIME AGO
WE USED TO BE FRIENDS ♪
2334
01:41:38,393 --> 01:41:43,029
♪ A LONG TIME AGO
WE USED TO BE FRIENDS ♪
2335
01:41:43,031 --> 01:41:47,567
♪ A LONG TIME AGO
WE USED TO BE FRIENDS ♪
2336
01:41:47,569 --> 01:41:52,238
♪ HE-E-E-E-E-E-E-E-E-E-E-Y
2337
01:41:52,240 --> 01:41:57,043
♪ HE-E-E-E-E-E-E-E-E-E-E-Y
2338
01:41:57,045 --> 01:41:58,778
♪ AH AH-AH-AH-AH
2339
01:41:58,780 --> 01:42:01,147
♪ AH AH-AH-AH-AH
2340
01:42:01,149 --> 01:42:03,716
♪ AH AH-AH-AH-AH
2341
01:42:03,718 --> 01:42:06,319
♪ AH AH-AH-AH-AH
2342
01:42:14,995 --> 01:42:19,165
♪ A LONG TIME AGO
WE USED TO BE FRIENDS ♪
2343
01:42:19,167 --> 01:42:24,237
♪ BUT I HAVEN'T THOUGHT OF YOU
LATELY AT ALL ♪
2344
01:42:24,239 --> 01:42:29,342
♪ IF EVER AGAIN,
A GREETING I SEND TO YOU ♪
2345
01:42:29,344 --> 01:42:33,513
♪ SHORT AND SWEET
TO THE SOUL I INTEND ♪
2346
01:42:40,120 --> 01:42:42,622
♪ WE USED TO BE FRIENDS
2347
01:42:42,624 --> 01:42:44,757
♪ A LONG TIME AGO
2348
01:42:44,759 --> 01:42:47,093
♪ WE USED TO BE FRIENDS
2349
01:42:47,095 --> 01:42:49,162
♪ A LONG TIME AGO
2350
01:42:49,164 --> 01:42:51,631
♪ WE USED TO BE FRIENDS
2351
01:42:51,633 --> 01:42:53,933
♪ A LONG TIME AGO
2352
01:42:53,935 --> 01:42:55,968
♪ WE USED TO BE FRIENDS
2353
01:42:55,970 --> 01:42:58,538
♪ AH AH-AH-AH-AH
2354
01:42:58,540 --> 01:43:00,706
♪ AH AH-AH-AH-AH
2355
01:43:00,708 --> 01:43:02,975
♪ AH AH-AH-AH-AH
2356
01:43:02,977 --> 01:43:05,778
♪ AH AH-AH-AH-AH
2357
01:43:05,780 --> 01:43:09,482
[ MUSIC FADES ]
2358
01:43:09,484 --> 01:43:12,051
DORANGE.
2359
01:43:12,053 --> 01:43:15,154
YOR-- YEORANGE.
2360
01:43:15,156 --> 01:43:17,657
FORANGE.
2361
01:43:17,659 --> 01:43:20,493
GORANGE.
2362
01:43:20,495 --> 01:43:22,895
HORANGE.
2363
01:43:22,897 --> 01:43:25,498
[ SIGHS ]
2364
01:43:25,500 --> 01:43:27,567
[ UP-TEMPO MUSIC PLAYS ]
2365
01:46:09,696 --> 01:46:13,399
[ Phone ringing ]
2366
01:46:17,704 --> 01:46:19,472
THIS IS LOGAN REMINDING YOU
2367
01:46:19,474 --> 01:46:21,807
IF YOU'RE OFFERED A SEAT
ON A ROCKET SHIP,
2368
01:46:21,809 --> 01:46:23,576
DON'T ASK WHICH SEAT.
2369
01:46:23,578 --> 01:46:24,710
JUST GET ON.
2370
01:46:24,712 --> 01:46:26,345
SHERYL SANDBERG SAID THAT.
2371
01:46:26,347 --> 01:46:28,080
SO DON'T LEAVE A MESSAGE.
2372
01:46:28,082 --> 01:46:30,182
GO GET ON THAT ROCKET SHIP.
2373
01:46:30,184 --> 01:46:31,817
OR LEAVE A MESSAGE.
2374
01:46:31,819 --> 01:46:33,152
YOUR CALL.
2375
01:46:33,154 --> 01:46:35,421
YOUR DECISION WILL TELL ME
A LOT ABOUT YOU.