1 00:00:00,224 --> 00:00:31,454 ¶ ¶ 2 00:00:34,458 --> 00:00:42,165 ¶ Live in the Shadow of The 3 00:00:42,166 --> 00:00:44,401 Live in the Shadow of The Hollywood Sign, Welcome to The 4 00:00:44,402 --> 00:00:55,545 Hollywood Sign, Welcome to The Dolby Theatre, and the Oscars. 5 00:00:55,546 --> 00:00:57,748 Dolby Theatre, and the Oscars. Start Proceeding With The 6 00:00:57,749 --> 00:00:58,015 Start Proceeding With The Countdown. 7 00:00:58,016 --> 00:00:59,016 Countdown. Strap In. 8 00:00:59,017 --> 00:01:00,450 Strap In. Ten. 9 00:01:00,451 --> 00:01:00,985 Ten. Nine. 10 00:01:00,986 --> 00:01:01,786 Nine. Eight. 11 00:01:01,787 --> 00:01:01,986 Eight. Seven. 12 00:01:01,987 --> 00:01:02,587 Seven. Hang On. 13 00:01:02,588 --> 00:01:04,287 Hang On. Five. 14 00:01:04,288 --> 00:01:04,789 Five. Four. 15 00:01:04,790 --> 00:01:04,989 Four. Three. 16 00:01:04,990 --> 00:01:05,155 Three. Two. 17 00:01:05,156 --> 00:01:10,026 Two. One. 18 00:01:10,028 --> 00:01:11,895 One. Each Person You Speak to Has 19 00:01:11,897 --> 00:01:13,830 Each Person You Speak to Has Had a Day. 20 00:01:13,832 --> 00:01:19,168 Had a Day. Some of the Days Have Been Good. 21 00:01:19,169 --> 00:01:20,705 Some of the Days Have Been Good. Some Bad. 22 00:01:20,706 --> 00:01:25,308 Some Bad. What Is It to Be Human? 23 00:01:25,309 --> 00:01:27,211 What Is It to Be Human? What Is It to Be Alive? 24 00:01:27,212 --> 00:01:29,013 What Is It to Be Alive? Tell Me Why It's So Important 25 00:01:29,014 --> 00:01:31,381 Tell Me Why It's So Important For It to Say Hello? 26 00:01:31,382 --> 00:01:34,183 For It to Say Hello? No One Said the Job's 27 00:01:34,184 --> 00:01:34,619 No One Said the Job's Supposed to Be Easy. 28 00:01:34,620 --> 00:01:36,754 Supposed to Be Easy. No One Said It's Supposed To 29 00:01:36,755 --> 00:01:37,922 No One Said It's Supposed To Be That Hard, Either. 30 00:01:37,923 --> 00:01:39,123 Be That Hard, Either. We'll Figure It Out. 31 00:01:39,124 --> 00:01:40,024 We'll Figure It Out. We'll Use the Force. 32 00:01:40,025 --> 00:01:41,291 We'll Use the Force. That's Not How the Force 33 00:01:41,292 --> 00:01:43,292 That's Not How the Force Works! 34 00:01:43,294 --> 00:01:44,995 Works! I Blew Myself Up. 35 00:01:44,997 --> 00:01:46,295 I Blew Myself Up. Woo! 36 00:01:46,296 --> 00:01:46,831 Woo! Because I'm Stupid. 37 00:01:46,832 --> 00:01:48,866 Because I'm Stupid. That's Not Stupidity. 38 00:01:48,867 --> 00:01:49,700 That's Not Stupidity. That's Fraud. 39 00:01:49,701 --> 00:01:51,368 That's Fraud. Tell Me the Difference 40 00:01:51,369 --> 00:01:52,603 Tell Me the Difference Between Stupid and Illegal And 41 00:01:52,604 --> 00:01:54,005 Between Stupid and Illegal And I'll Have My Wife's Brother 42 00:01:54,006 --> 00:01:54,338 I'll Have My Wife's Brother Arrested. 43 00:01:54,339 --> 00:01:55,172 Arrested. Be Careful With That. 44 00:01:55,173 --> 00:01:55,673 Be Careful With That. It's Okay. 45 00:01:55,674 --> 00:02:04,614 It's Okay. It's Not Loaded. 46 00:02:04,615 --> 00:02:06,017 It's Not Loaded. What if You Had the Chance To 47 00:02:06,018 --> 00:02:07,518 What if You Had the Chance To Find Out How Big We Could Really 48 00:02:07,519 --> 00:02:12,288 Find Out How Big We Could Really Be? 49 00:02:12,290 --> 00:02:16,392 Be? I Got Something to Say. 50 00:02:16,394 --> 00:02:19,262 I Got Something to Say. Is That the Best You Can Do? 51 00:02:19,264 --> 00:02:22,465 Is That the Best You Can Do? What a Lovely Day! 52 00:02:22,467 --> 00:02:24,701 What a Lovely Day! Do You Have Your Seat Belt 53 00:02:24,702 --> 00:02:24,869 Do You Have Your Seat Belt On? 54 00:02:24,870 --> 00:02:27,837 On? You're Asking Me That Now? 55 00:02:27,838 --> 00:02:29,173 You're Asking Me That Now? Sorry About That. 56 00:02:29,174 --> 00:02:29,740 Sorry About That. Needed to Let Off a Little 57 00:02:29,741 --> 00:02:33,143 Needed to Let Off a Little Steam. 58 00:02:33,144 --> 00:02:34,611 Steam. They're All Looking at You. 59 00:02:34,612 --> 00:02:35,212 They're All Looking at You. Believe Me. 60 00:02:35,213 --> 00:02:37,580 Believe Me. They're All Looking at You. 61 00:02:37,581 --> 00:02:39,183 They're All Looking at You. You're the Only One Who Sees 62 00:02:39,184 --> 00:02:40,685 You're the Only One Who Sees The World in the Same Way I Do. 63 00:02:40,686 --> 00:02:41,786 The World in the Same Way I Do. No One Sees the World The 64 00:02:41,787 --> 00:02:48,958 No One Sees the World The Same Way You Do. 65 00:02:48,960 --> 00:02:51,527 Same Way You Do. You See This Guy Here Staring 66 00:02:51,528 --> 00:02:52,229 You See This Guy Here Staring Back at You? 67 00:02:52,230 --> 00:02:53,497 Back at You? That's Your Toughest Opponent. 68 00:02:53,498 --> 00:02:55,766 That's Your Toughest Opponent. I Believe That in Boxing and I 69 00:02:55,767 --> 00:02:57,601 I Believe That in Boxing and I Do Believe That in Life. 70 00:02:57,602 --> 00:02:59,136 Do Believe That in Life. I Can Do This. 71 00:02:59,137 --> 00:03:03,940 I Can Do This. I Can Do This. 72 00:03:03,941 --> 00:03:05,475 I Can Do This. You're Going to Love It. 73 00:03:05,476 --> 00:03:05,710 You're Going to Love It. What? 74 00:03:05,711 --> 00:03:17,754 What? The World. 75 00:03:24,095 --> 00:03:38,041 Ladies and Gentlemen, Please Welcome Your Host, Chris Rock! 76 00:03:39,376 --> 00:03:43,379 Thank You! Thank You, Thank You, Thank You! 77 00:03:43,381 --> 00:03:45,648 Thank You, Thank You, Thank You! Woo! 78 00:03:45,650 --> 00:03:47,550 Woo! Man, I Counted at Least 15 Black 79 00:03:47,551 --> 00:03:48,552 Man, I Counted at Least 15 Black People on That Montage. 80 00:03:48,553 --> 00:03:52,021 People on That Montage. Hey! 81 00:03:52,023 --> 00:03:55,225 Hey! Well, I'm Here at the Academy 82 00:03:55,226 --> 00:03:56,260 Well, I'm Here at the Academy Awards. 83 00:03:56,261 --> 00:03:58,161 Awards. Otherwise Known as the White 84 00:03:58,163 --> 00:04:00,897 Otherwise Known as the White People's Choice Awards. 85 00:04:00,899 --> 00:04:04,467 People's Choice Awards. You Realize if They Nominated 86 00:04:04,468 --> 00:04:07,204 You Realize if They Nominated Hosts, I Wouldn't Even Get This 87 00:04:07,205 --> 00:04:09,139 Hosts, I Wouldn't Even Get This Job. 88 00:04:09,140 --> 00:04:10,374 Job. Y'all Be Watching Neil Patrick 89 00:04:10,375 --> 00:04:14,277 Y'all Be Watching Neil Patrick Harris Right Now. 90 00:04:14,279 --> 00:04:16,545 Harris Right Now. But This Is - This Is The 91 00:04:16,546 --> 00:04:18,916 But This Is - This Is The Wildest, Craziest Oscars to Ever 92 00:04:18,917 --> 00:04:21,518 Wildest, Craziest Oscars to Ever Host, Because You Have All This 93 00:04:21,519 --> 00:04:24,255 Host, Because You Have All This Controversy, the No - No Black 94 00:04:24,256 --> 00:04:25,289 Controversy, the No - No Black Nominees, You Know? 95 00:04:25,290 --> 00:04:26,723 Nominees, You Know? And People Are Like, Chris, You 96 00:04:26,724 --> 00:04:28,525 And People Are Like, Chris, You Should Boycott, Chris, You 97 00:04:28,526 --> 00:04:30,027 Should Boycott, Chris, You Should Quit, You Should Quit. 98 00:04:30,028 --> 00:04:33,729 Should Quit, You Should Quit. You Know, How Come It's Only 99 00:04:33,730 --> 00:04:35,399 You Know, How Come It's Only Unemployed People That Tell You 100 00:04:35,400 --> 00:04:39,535 Unemployed People That Tell You To Quit Something, You Know? 101 00:04:39,536 --> 00:04:41,605 To Quit Something, You Know? No One With a Job Ever Tells You 102 00:04:41,606 --> 00:04:42,273 No One With a Job Ever Tells You To Quit. 103 00:04:42,274 --> 00:04:43,740 To Quit. So, I Thought About Quitting. 104 00:04:43,741 --> 00:04:45,676 So, I Thought About Quitting. I Thought About It Real Hard. 105 00:04:45,677 --> 00:04:47,211 I Thought About It Real Hard. But I Realized, They're Going To 106 00:04:47,212 --> 00:04:48,312 But I Realized, They're Going To Have the Oscars Anyway. 107 00:04:48,313 --> 00:04:49,479 Have the Oscars Anyway. They're Not Going to Cancel The 108 00:04:49,480 --> 00:04:51,415 They're Not Going to Cancel The Oscars Because I Quit. 109 00:04:51,416 --> 00:04:51,782 Oscars Because I Quit. You Know? 110 00:04:51,783 --> 00:04:54,517 You Know? And the Last Thing I Need Is To 111 00:04:54,518 --> 00:04:55,252 And the Last Thing I Need Is To Lose Another Job to Kevin Hart, 112 00:04:55,253 --> 00:04:59,255 Lose Another Job to Kevin Hart, Okay? 113 00:04:59,257 --> 00:05:02,692 Okay? I Don't Need That. 114 00:05:02,693 --> 00:05:04,228 I Don't Need That. Kev - Kev Right There. 115 00:05:04,229 --> 00:05:05,930 Kev - Kev Right There. Kev Make Movies Fast. 116 00:05:05,931 --> 00:05:10,200 Kev Make Movies Fast. Every Month. 117 00:05:10,201 --> 00:05:10,968 Every Month. Porno Stars Don't Make Movies 118 00:05:10,969 --> 00:05:12,402 Porno Stars Don't Make Movies That Fast. 119 00:05:12,403 --> 00:05:14,838 That Fast. Now, the Thing Is, Why Are We 120 00:05:14,839 --> 00:05:16,540 Now, the Thing Is, Why Are We Protesting - the Big Question, 121 00:05:16,541 --> 00:05:18,408 Protesting - the Big Question, Why This Oscars? 122 00:05:18,409 --> 00:05:20,643 Why This Oscars? Why This Oscars, You Know? 123 00:05:20,644 --> 00:05:23,380 Why This Oscars, You Know? It's the 88th Academy Awards. 124 00:05:23,381 --> 00:05:25,082 It's the 88th Academy Awards. It's the 88th Academy Awards, 125 00:05:25,083 --> 00:05:29,219 It's the 88th Academy Awards, Which Means - This Whole No 126 00:05:29,220 --> 00:05:30,855 Which Means - This Whole No Black Nominees Thing Has 127 00:05:30,856 --> 00:05:35,191 Black Nominees Thing Has Happened at Least 71 Other 128 00:05:35,192 --> 00:05:35,893 Happened at Least 71 Other Times. 129 00:05:35,894 --> 00:05:36,093 Times. Okay? 130 00:05:36,094 --> 00:05:37,561 Okay? You Got to Figure That It 131 00:05:37,562 --> 00:05:40,197 You Got to Figure That It Happened in the '50s, in The 132 00:05:40,198 --> 00:05:40,664 Happened in the '50s, in The '60s. 133 00:05:40,665 --> 00:05:42,899 '60s. You Know, in the '60s, One Of 134 00:05:42,900 --> 00:05:44,601 You Know, in the '60s, One Of Those Years, Sidney Didn't Put 135 00:05:44,602 --> 00:05:45,302 Those Years, Sidney Didn't Put Out a Movie. 136 00:05:45,303 --> 00:05:47,536 Out a Movie. I'm Sure - I'm Sure There Were 137 00:05:47,538 --> 00:05:50,840 I'm Sure - I'm Sure There Were No Black Nominees, Some of Those 138 00:05:50,841 --> 00:05:51,041 No Black Nominees, Some of Those Years. 139 00:05:51,042 --> 00:05:53,009 Years. Say 62 or 63 and Black People 140 00:05:53,010 --> 00:05:53,878 Say 62 or 63 and Black People Did Not Protest. 141 00:05:53,879 --> 00:05:54,078 Did Not Protest. Why? 142 00:05:54,079 --> 00:05:55,479 Why? Because We Have Real Things To 143 00:05:55,480 --> 00:05:57,214 Because We Have Real Things To Protest at the Time. 144 00:05:57,215 --> 00:06:02,986 Protest at the Time. You Know? 145 00:06:02,987 --> 00:06:04,922 You Know? We Have Real Things to Protest. 146 00:06:04,923 --> 00:06:05,789 We Have Real Things to Protest. You Know? 147 00:06:05,790 --> 00:06:08,758 You Know? Too Busy Being Raped and Lynched 148 00:06:08,759 --> 00:06:10,494 Too Busy Being Raped and Lynched To Care About Who Won Best 149 00:06:10,495 --> 00:06:12,962 To Care About Who Won Best Cinematographer. 150 00:06:12,963 --> 00:06:15,132 Cinematographer. You Know, When You - When Your 151 00:06:15,133 --> 00:06:16,633 You Know, When You - When Your Grandmother's Swinging From A 152 00:06:16,634 --> 00:06:18,735 Grandmother's Swinging From A Tree, It's Really Hard to Care 153 00:06:18,736 --> 00:06:23,239 Tree, It's Really Hard to Care About Best Documentary Foreign 154 00:06:23,240 --> 00:06:25,142 About Best Documentary Foreign Short. 155 00:06:25,143 --> 00:06:26,043 Short. But What Happened This Year? 156 00:06:26,044 --> 00:06:27,211 But What Happened This Year? What Happened? 157 00:06:27,212 --> 00:06:29,013 What Happened? People Went Mad, You Know? 158 00:06:29,014 --> 00:06:34,417 People Went Mad, You Know? Spike Got Mad and Jada Went Mad 159 00:06:34,418 --> 00:06:35,752 Spike Got Mad and Jada Went Mad And Will and Everybody Went Mad, 160 00:06:35,753 --> 00:06:36,653 And Will and Everybody Went Mad, You Know? 161 00:06:36,654 --> 00:06:39,923 You Know? Like - Jada Got Mad, Jada Says 162 00:06:39,925 --> 00:06:45,428 Like - Jada Got Mad, Jada Says She's Not Coming, Protesting, 163 00:06:45,429 --> 00:06:46,230 She's Not Coming, Protesting, I'm Like - Doesn't She Have A 164 00:06:46,231 --> 00:06:47,364 I'm Like - Doesn't She Have A Tv Show? 165 00:06:47,365 --> 00:06:49,233 Tv Show? Jada Boycotting the Oscars Is 166 00:06:49,234 --> 00:06:51,501 Jada Boycotting the Oscars Is Like Me Boycotting Rihanna's 167 00:06:51,502 --> 00:06:53,337 Like Me Boycotting Rihanna's Panties. 168 00:06:53,338 --> 00:07:03,479 Panties. I Wasn't Invited. 169 00:07:03,481 --> 00:07:06,916 I Wasn't Invited. Oh, That's - It's Not An 170 00:07:06,917 --> 00:07:08,852 Oh, That's - It's Not An Invitation I Would Turn Down. 171 00:07:08,853 --> 00:07:10,955 Invitation I Would Turn Down. But I Understand, I - I'm Not 172 00:07:10,956 --> 00:07:11,188 But I Understand, I - I'm Not Hating. 173 00:07:11,189 --> 00:07:13,622 Hating. I Understand You're Mad. 174 00:07:13,624 --> 00:07:15,524 I Understand You're Mad. Jad a Is Mad. 175 00:07:15,526 --> 00:07:18,428 Jad a Is Mad. Her Man Was Not Nominated. 176 00:07:18,429 --> 00:07:19,263 Her Man Was Not Nominated. I Get It. 177 00:07:19,264 --> 00:07:20,230 I Get It. I Get It. 178 00:07:20,231 --> 00:07:21,198 I Get It. You Get Mad. 179 00:07:21,199 --> 00:07:22,799 You Get Mad. Said It's Not Fair That Will Was 180 00:07:22,800 --> 00:07:25,469 Said It's Not Fair That Will Was This Good and Doesn't Get 181 00:07:25,470 --> 00:07:25,735 This Good and Doesn't Get Nominated. 182 00:07:25,736 --> 00:07:26,070 Nominated. You're Right. 183 00:07:26,071 --> 00:07:27,504 You're Right. It Is Also Not Fair That Will 184 00:07:27,505 --> 00:07:29,673 It Is Also Not Fair That Will Was Paid $20 Million for "Wild 185 00:07:29,674 --> 00:07:35,211 Was Paid $20 Million for "Wild Wild West," Okay? 186 00:07:35,212 --> 00:07:36,213 Wild West," Okay? Okay? 187 00:07:36,214 --> 00:07:38,514 Okay? You Know, This Year, the Oscars, 188 00:07:38,515 --> 00:07:40,384 You Know, This Year, the Oscars, Things Are Going to Be a Little 189 00:07:40,385 --> 00:07:40,650 Things Are Going to Be a Little Different. 190 00:07:40,651 --> 00:07:41,852 Different. Things Are Going to Be a Little 191 00:07:41,853 --> 00:07:43,220 Things Are Going to Be a Little Different at the Oscars. 192 00:07:43,221 --> 00:07:49,425 Different at the Oscars. This Year, in the in Memorium 193 00:07:49,426 --> 00:07:50,927 This Year, in the in Memorium Package, It's Just Going to Be 194 00:07:50,928 --> 00:07:52,296 Package, It's Just Going to Be Black People That Were Shot On 195 00:07:52,297 --> 00:07:59,702 Black People That Were Shot On Their Way to the Movies. 196 00:07:59,704 --> 00:08:01,371 Their Way to the Movies. Yes. 197 00:08:01,372 --> 00:08:01,771 Yes. Yes. 198 00:08:01,772 --> 00:08:02,039 Yes. I Said It. 199 00:08:02,040 --> 00:08:04,440 I Said It. All Right? 200 00:08:04,442 --> 00:08:08,144 All Right? Hey, if You Want Black Nominees 201 00:08:08,145 --> 00:08:10,080 Hey, if You Want Black Nominees Every Year, You Need to Just 202 00:08:10,081 --> 00:08:10,814 Every Year, You Need to Just Have Black Categories. 203 00:08:10,815 --> 00:08:12,349 Have Black Categories. That's What You Need. 204 00:08:12,350 --> 00:08:13,317 That's What You Need. You Need to Have Black 205 00:08:13,318 --> 00:08:15,251 You Need to Have Black Categories. 206 00:08:15,252 --> 00:08:16,220 Categories. You Already Do It With Men And 207 00:08:16,221 --> 00:08:16,420 You Already Do It With Men And Women. 208 00:08:16,421 --> 00:08:18,121 Women. Think About It. 209 00:08:18,123 --> 00:08:20,556 Think About It. There's No Real Reason for There 210 00:08:20,557 --> 00:08:23,027 There's No Real Reason for There To Be a Man and a Woman Category 211 00:08:23,028 --> 00:08:24,428 To Be a Man and a Woman Category In Acting. 212 00:08:24,429 --> 00:08:25,961 In Acting. It's - Come On! 213 00:08:25,963 --> 00:08:28,731 It's - Come On! There's No Reason! 214 00:08:28,733 --> 00:08:32,301 There's No Reason! It's Not Track and Field. 215 00:08:32,302 --> 00:08:34,538 It's Not Track and Field. You Don't Have to Separate Them. 216 00:08:34,539 --> 00:08:36,940 You Don't Have to Separate Them. You Know, Robert De Niro's Never 217 00:08:36,941 --> 00:08:38,542 You Know, Robert De Niro's Never Said, I Better Slow This Acting 218 00:08:38,543 --> 00:08:39,443 Said, I Better Slow This Acting Down So Meryl Streep Can Catch 219 00:08:39,444 --> 00:08:43,212 Down So Meryl Streep Can Catch Up. 220 00:08:43,213 --> 00:08:44,148 Up. No. 221 00:08:44,149 --> 00:08:45,149 No. Not at All, Man. 222 00:08:45,150 --> 00:08:46,783 Not at All, Man. If You Want Black People Every 223 00:08:46,784 --> 00:08:48,118 If You Want Black People Every Year at the Oscars, Just Have 224 00:08:48,119 --> 00:08:50,654 Year at the Oscars, Just Have Black Categories, Like Best 225 00:08:50,655 --> 00:08:55,258 Black Categories, Like Best Black Friend. 226 00:08:55,259 --> 00:08:56,260 Black Friend. That's Right. 227 00:08:56,261 --> 00:08:58,362 That's Right. And the Winner for the 18th Year 228 00:08:58,363 --> 00:09:01,964 And the Winner for the 18th Year In a Row Is Wanda Sikes. 229 00:09:01,965 --> 00:09:02,999 In a Row Is Wanda Sikes. This Is Wanda's 18th Black 230 00:09:03,000 --> 00:09:04,535 This Is Wanda's 18th Black Oscar. 231 00:09:04,536 --> 00:09:06,270 Oscar. But Here's the Real Question. 232 00:09:06,271 --> 00:09:07,337 But Here's the Real Question. The Real Question Everybody 233 00:09:07,338 --> 00:09:08,572 The Real Question Everybody Wants to Know, Everybody Wants 234 00:09:08,573 --> 00:09:11,175 Wants to Know, Everybody Wants To Know, in the World, Is 235 00:09:11,176 --> 00:09:11,841 To Know, in the World, Is Hollywood Racist? 236 00:09:11,842 --> 00:09:13,710 Hollywood Racist? Is Hollywood Racist? 237 00:09:13,711 --> 00:09:15,946 Is Hollywood Racist? You Know, That's - That's a - 238 00:09:15,947 --> 00:09:17,948 You Know, That's - That's a - You Know, You Got to Go at That 239 00:09:17,949 --> 00:09:19,916 You Know, You Got to Go at That At the Right Way. 240 00:09:19,917 --> 00:09:21,952 At the Right Way. Is It Burning Cross Racist? 241 00:09:21,953 --> 00:09:22,886 Is It Burning Cross Racist? No. 242 00:09:22,887 --> 00:09:25,054 No. Is It Fetch Me Some Lemonade 243 00:09:25,055 --> 00:09:25,355 Is It Fetch Me Some Lemonade Racist? 244 00:09:25,356 --> 00:09:25,989 Racist? No, No. 245 00:09:25,990 --> 00:09:28,057 No, No. It's a Different Type of Racist. 246 00:09:28,058 --> 00:09:29,293 It's a Different Type of Racist. Now, I Remember One Night I Was 247 00:09:29,294 --> 00:09:31,361 Now, I Remember One Night I Was At a Fund-Raiser for President 248 00:09:31,362 --> 00:09:32,229 At a Fund-Raiser for President Obama, a Lot of You Were There, 249 00:09:32,230 --> 00:09:35,531 Obama, a Lot of You Were There, And, You Know, It's Me and All 250 00:09:35,532 --> 00:09:37,000 And, You Know, It's Me and All Of Hollywood. 251 00:09:37,001 --> 00:09:38,668 Of Hollywood. And All The, You Know, It's All 252 00:09:38,669 --> 00:09:40,471 And All The, You Know, It's All Of Us There and There's About 253 00:09:40,472 --> 00:09:43,407 Of Us There and There's About Four Black People There, Me, 254 00:09:43,408 --> 00:09:46,875 Four Black People There, Me, Let's See, Quincy Jones, Russell 255 00:09:46,876 --> 00:09:47,978 Let's See, Quincy Jones, Russell Simmons, Quest Love, You Know, 256 00:09:47,979 --> 00:09:51,481 Simmons, Quest Love, You Know, The Usual Suspects, Right? 257 00:09:51,482 --> 00:09:52,816 The Usual Suspects, Right? And Every Black Actor That 258 00:09:52,817 --> 00:09:53,750 And Every Black Actor That Wasn't Working. 259 00:09:53,751 --> 00:09:57,953 Wasn't Working. Needless to Say, Kev Hart Was 260 00:09:57,954 --> 00:09:58,322 Needless to Say, Kev Hart Was Not There, Okay? 261 00:09:58,323 --> 00:09:59,689 Not There, Okay? So, at Some Point, You Get To 262 00:09:59,690 --> 00:10:01,158 So, at Some Point, You Get To Take a Picture With The 263 00:10:01,159 --> 00:10:01,425 Take a Picture With The President. 264 00:10:01,426 --> 00:10:02,993 President. And as They're Setting Up The 265 00:10:02,994 --> 00:10:03,994 And as They're Setting Up The Picture, You Get a Little Moment 266 00:10:03,995 --> 00:10:06,163 Picture, You Get a Little Moment With the President, I'm Like, 267 00:10:06,164 --> 00:10:07,697 With the President, I'm Like, Mr. President, You See All These 268 00:10:07,698 --> 00:10:10,733 Mr. President, You See All These Writers and Producers And 269 00:10:10,734 --> 00:10:11,101 Writers and Producers And Actors? 270 00:10:11,102 --> 00:10:14,504 Actors? They Don't Hire Black People. 271 00:10:14,505 --> 00:10:15,839 They Don't Hire Black People. And They're the Nicest White 272 00:10:15,840 --> 00:10:18,274 And They're the Nicest White People on Earth. 273 00:10:18,275 --> 00:10:19,343 People on Earth. They're Liberals. 274 00:10:19,344 --> 00:10:22,145 They're Liberals. Cheese. 275 00:10:22,147 --> 00:10:23,246 Cheese. That's Right. 276 00:10:23,248 --> 00:10:25,248 That's Right. Is Hollywood Racist? 277 00:10:25,249 --> 00:10:27,518 Is Hollywood Racist? You're Damn Right Hollywood's 278 00:10:27,519 --> 00:10:27,751 You're Damn Right Hollywood's Racist. 279 00:10:27,752 --> 00:10:29,085 Racist. But It Isn't the Racist You've 280 00:10:29,086 --> 00:10:29,686 But It Isn't the Racist You've Grown Accustomed To. 281 00:10:29,687 --> 00:10:35,024 Grown Accustomed To. Hollywood Is Sorority Racist. 282 00:10:35,025 --> 00:10:37,194 Hollywood Is Sorority Racist. It's Like - We Like You, 283 00:10:37,195 --> 00:10:42,565 It's Like - We Like You, Rhonda, but You're Not a Cappa. 284 00:10:42,567 --> 00:10:45,635 Rhonda, but You're Not a Cappa. That's How Hollywood Is. 285 00:10:45,636 --> 00:10:47,771 That's How Hollywood Is. But Things Are Changing. 286 00:10:47,772 --> 00:10:48,738 But Things Are Changing. Things Are Changing. 287 00:10:48,739 --> 00:10:51,074 Things Are Changing. Yeah, We Got a Black Rocky This 288 00:10:51,075 --> 00:10:51,275 Yeah, We Got a Black Rocky This Year. 289 00:10:51,276 --> 00:10:53,376 Year. Some People Call It "Creed," I 290 00:10:53,377 --> 00:10:55,445 Some People Call It "Creed," I Call It Black Rocky. 291 00:10:55,446 --> 00:10:58,447 Call It Black Rocky. And That's a Big - That's An 292 00:10:58,448 --> 00:10:59,516 And That's a Big - That's An Unbelievable Statement, I Mean, 293 00:10:59,517 --> 00:11:02,452 Unbelievable Statement, I Mean, Because Rocky Takes Place in A 294 00:11:02,453 --> 00:11:03,453 Because Rocky Takes Place in A World Where White Athletes Are 295 00:11:03,454 --> 00:11:07,523 World Where White Athletes Are As Good as Black Athletes. 296 00:11:07,525 --> 00:11:13,296 As Good as Black Athletes. Rocky's a Science Fiction Movie. 297 00:11:13,297 --> 00:11:14,565 Rocky's a Science Fiction Movie. There Are Things That Happened 298 00:11:14,566 --> 00:11:18,234 There Are Things That Happened In "Star Wars" That Are More 299 00:11:18,235 --> 00:11:19,670 In "Star Wars" That Are More Believable Than Things That 300 00:11:19,671 --> 00:11:21,405 Believable Than Things That Happened in "Rocky." 301 00:11:21,406 --> 00:11:23,307 Happened in "Rocky." We're Here to Honor Actors. 302 00:11:23,308 --> 00:11:24,508 We're Here to Honor Actors. We're Here to Honor Film. 303 00:11:24,509 --> 00:11:26,042 We're Here to Honor Film. And There's a Lot of Snubs. 304 00:11:26,043 --> 00:11:26,876 And There's a Lot of Snubs. A Lot of Snubs. 305 00:11:26,877 --> 00:11:28,278 A Lot of Snubs. One of the Biggest Snubs No 306 00:11:28,279 --> 00:11:29,846 One of the Biggest Snubs No One's Talking About, My Favorite 307 00:11:29,847 --> 00:11:37,186 One's Talking About, My Favorite Actor in the World Is Paul Gee 308 00:11:37,187 --> 00:11:37,487 Actor in the World Is Paul Gee M 309 00:11:37,488 --> 00:11:37,721 M Giamati. 310 00:11:37,722 --> 00:11:38,555 Giamati. I Believe He's the Greatest 311 00:11:38,556 --> 00:11:39,956 I Believe He's the Greatest Actor in the World. 312 00:11:39,957 --> 00:11:41,191 Actor in the World. Think About What He's Done. 313 00:11:41,192 --> 00:11:43,760 Think About What He's Done. Last Year, He's in "12 Years A 314 00:11:43,761 --> 00:11:45,395 Last Year, He's in "12 Years A Slave," Hates Black People. 315 00:11:45,396 --> 00:11:47,997 Slave," Hates Black People. This Year, He's in "Straight 316 00:11:47,998 --> 00:11:49,966 This Year, He's in "Straight Outta Compton," Loves Black 317 00:11:49,967 --> 00:11:50,200 Outta Compton," Loves Black People. 318 00:11:50,201 --> 00:11:53,068 People. Last Year, He's Whooping Lupita, 319 00:11:53,070 --> 00:11:59,141 Last Year, He's Whooping Lupita, This Year, He's Crying And 320 00:11:59,142 --> 00:12:00,143 This Year, He's Crying And Easy-E's Funeral. 321 00:12:00,144 --> 00:12:00,910 Easy-E's Funeral. That's Range. 322 00:12:00,911 --> 00:12:03,045 That's Range. Ben Affleck Can't Do That. 323 00:12:03,046 --> 00:12:04,814 Ben Affleck Can't Do That. But What I'm Trying to Say Is, 324 00:12:04,815 --> 00:12:06,483 But What I'm Trying to Say Is, You Know, It's Not About 325 00:12:06,484 --> 00:12:08,985 You Know, It's Not About Boycotting Anything, It's Just, 326 00:12:08,986 --> 00:12:10,454 Boycotting Anything, It's Just, We Want Opportunity. 327 00:12:10,455 --> 00:12:11,555 We Want Opportunity. We Want the Black Actors to Get 328 00:12:11,556 --> 00:12:18,494 We Want the Black Actors to Get The Same Opportunities as White 329 00:12:18,495 --> 00:12:18,762 The Same Opportunities as White Actors. 330 00:12:18,763 --> 00:12:19,162 Actors. That's It. 331 00:12:19,163 --> 00:12:19,429 That's It. That's It. 332 00:12:19,430 --> 00:12:21,130 That's It. You Know? 333 00:12:21,132 --> 00:12:23,332 You Know? Just - You Know, Not Just Once, 334 00:12:23,333 --> 00:12:24,067 Just - You Know, Not Just Once, You Know? 335 00:12:24,068 --> 00:12:25,569 You Know? Leo Gets a Great Part Every 336 00:12:25,570 --> 00:12:26,035 Leo Gets a Great Part Every Year. 337 00:12:26,036 --> 00:12:29,204 Year. And, You Know, and - 338 00:12:29,205 --> 00:12:30,507 And, You Know, and - Everybody - All You Guys Get 339 00:12:30,508 --> 00:12:32,442 Everybody - All You Guys Get Great Parts All the Time. 340 00:12:32,443 --> 00:12:34,244 Great Parts All the Time. But What About the Black Actors? 341 00:12:34,245 --> 00:12:35,512 But What About the Black Actors? Look at Jamie Foxx. 342 00:12:35,513 --> 00:12:36,880 Look at Jamie Foxx. Jamie Foxx, One of the Best 343 00:12:36,881 --> 00:12:37,748 Jamie Foxx, One of the Best Actors in the World, Man. 344 00:12:37,749 --> 00:12:42,050 Actors in the World, Man. Jamie Foxx - He Is. 345 00:12:42,051 --> 00:12:44,421 Jamie Foxx - He Is. Jamie Foxx Was So Good in "Ray," 346 00:12:44,422 --> 00:12:46,089 Jamie Foxx Was So Good in "Ray," That They Went to the Hospital 347 00:12:46,090 --> 00:12:47,223 That They Went to the Hospital And Unplugged the Real Ray 348 00:12:47,224 --> 00:12:50,859 And Unplugged the Real Ray Charles, Like, We Don't Need Two 349 00:12:50,861 --> 00:12:55,197 Charles, Like, We Don't Need Two Of These. 350 00:12:55,199 --> 00:12:57,466 Of These. No, Man. 351 00:12:57,468 --> 00:12:59,468 No, Man. But the Big - You Know, 352 00:12:59,469 --> 00:13:00,937 But the Big - You Know, Everything Is Not About Race, 353 00:13:00,938 --> 00:13:01,171 Everything Is Not About Race, Man. 354 00:13:01,172 --> 00:13:03,238 Man. Another Big Thing Tonight Is, 355 00:13:03,239 --> 00:13:04,608 Another Big Thing Tonight Is, You're Not Allowed - Somebody 356 00:13:04,609 --> 00:13:06,142 You're Not Allowed - Somebody Told Me This, You're Not Allowed 357 00:13:06,143 --> 00:13:07,243 Told Me This, You're Not Allowed To Ask Women What They're 358 00:13:07,244 --> 00:13:08,178 To Ask Women What They're Wearing Anymore. 359 00:13:08,179 --> 00:13:08,978 Wearing Anymore. It's a Whole Thing. 360 00:13:08,979 --> 00:13:10,580 It's a Whole Thing. You Know, Ask Her More. 361 00:13:10,581 --> 00:13:13,882 You Know, Ask Her More. You Have to Ask Her More. 362 00:13:13,883 --> 00:13:16,085 You Have to Ask Her More. Now - You Know, Like, You Ask 363 00:13:16,086 --> 00:13:17,187 Now - You Know, Like, You Ask The Men More. 364 00:13:17,188 --> 00:13:20,556 The Men More. Hey, Everything's Not Sexism, 365 00:13:20,557 --> 00:13:21,224 Hey, Everything's Not Sexism, Everything's Not Racism. 366 00:13:21,225 --> 00:13:22,693 Everything's Not Racism. They Ask the Men More, Because 367 00:13:22,694 --> 00:13:25,729 They Ask the Men More, Because The Men Are All Wearing the Same 368 00:13:25,730 --> 00:13:26,596 The Men Are All Wearing the Same Outfits, Okay? 369 00:13:26,597 --> 00:13:27,631 Outfits, Okay? Every Guy Is Wearing the Exact 370 00:13:27,632 --> 00:13:28,932 Every Guy Is Wearing the Exact Same Thing. 371 00:13:28,933 --> 00:13:30,933 Same Thing. You Know, if George Clooney 372 00:13:30,934 --> 00:13:33,570 You Know, if George Clooney Showed Up With a Lime Green Tux 373 00:13:33,571 --> 00:13:36,373 Showed Up With a Lime Green Tux On and a Swan Coming Out His 374 00:13:36,374 --> 00:13:37,441 On and a Swan Coming Out His Ass, Somebody Would Go, What You 375 00:13:37,442 --> 00:13:40,743 Ass, Somebody Would Go, What You Wearing, George? 376 00:13:40,745 --> 00:13:43,813 Wearing, George? Hey, Welcome to the 88th Oscars! 377 00:13:43,815 --> 00:13:48,050 Hey, Welcome to the 88th Oscars! Academy Awards. 378 00:13:48,052 --> 00:13:49,184 Academy Awards. Yes. 379 00:13:49,186 --> 00:13:52,488 Yes. Thank You. 380 00:13:52,490 --> 00:13:55,123 Thank You. You Want Diversity, We Got 381 00:13:55,124 --> 00:13:55,625 You Want Diversity, We Got Diversity! 382 00:13:55,626 --> 00:13:57,960 Diversity! Please Welcome Emily Blunt And 383 00:13:57,962 --> 00:14:01,129 Please Welcome Emily Blunt And Somebody Whiter, Charlize 384 00:14:01,131 --> 00:14:09,071 Somebody Whiter, Charlize Theron. 385 00:14:18,248 --> 00:14:21,950 Tonight's Oscars Ceremony Will Follow a Particular Order 386 00:14:21,951 --> 00:14:22,519 Will Follow a Particular Order That Tracks the Filmmaking 387 00:14:22,520 --> 00:14:25,120 That Tracks the Filmmaking Process Itself. 388 00:14:25,122 --> 00:14:29,759 Process Itself. So, We Begin Our Presentation At 389 00:14:29,760 --> 00:14:30,326 So, We Begin Our Presentation At The Place Where Every Great 390 00:14:30,327 --> 00:14:30,960 The Place Where Every Great Movie Begins, With a Story That 391 00:14:30,961 --> 00:14:34,463 Movie Begins, With a Story That Simply Had to Be Told. 392 00:14:34,464 --> 00:14:35,098 Simply Had to Be Told. Writers, We Know That You're 393 00:14:35,099 --> 00:14:37,567 Writers, We Know That You're The True Backbone of The 394 00:14:37,568 --> 00:14:45,374 The True Backbone of The Industry and We Love You for It. 395 00:14:45,375 --> 00:14:45,909 Industry and We Love You for It. We Also Think You're All 396 00:14:45,910 --> 00:14:55,217 We Also Think You're All Extremely Hot. 397 00:14:55,218 --> 00:14:56,787 Extremely Hot. A Writer Wrote That. 398 00:14:56,788 --> 00:14:58,388 A Writer Wrote That. Here Are This Year's Highly 399 00:14:58,389 --> 00:14:59,923 Here Are This Year's Highly Original Nominees for Best 400 00:14:59,924 --> 00:15:02,991 Original Nominees for Best Original Screenplay. 401 00:15:02,992 --> 00:15:07,230 "Straight Outta Compton," Screenplay by Jonathan Herman 402 00:15:07,231 --> 00:15:08,264 Screenplay by Jonathan Herman And Andrea Berloff. 403 00:15:08,265 --> 00:15:09,766 And Andrea Berloff. Story by S. Leigh Savidge, Alan 404 00:15:09,767 --> 00:15:13,402 Story by S. Leigh Savidge, Alan Wenkus and Andrea Berloff. 405 00:15:13,403 --> 00:15:15,839 Wenkus and Andrea Berloff. So, What's a Guy From Compton 406 00:15:15,840 --> 00:15:17,874 So, What's a Guy From Compton Do When He Starts Making Real 407 00:15:17,875 --> 00:15:18,508 Do When He Starts Making Real Money From That? 408 00:15:18,509 --> 00:15:20,544 Money From That? Laflter From the Assembled, 409 00:15:20,545 --> 00:15:21,411 Laflter From the Assembled, Not From Cube. 410 00:15:21,412 --> 00:15:23,211 Not From Cube. Silence, Then? 411 00:15:23,213 --> 00:15:25,481 Silence, Then? Cube? 412 00:15:25,483 --> 00:15:27,149 Cube? Buy Raider Gear and Curl 413 00:15:27,151 --> 00:15:31,687 Buy Raider Gear and Curl Activator. 414 00:15:31,688 --> 00:15:32,689 Activator. "Bridge of Spies," Written By 415 00:15:32,690 --> 00:15:33,323 "Bridge of Spies," Written By Matt Charman and Ethan Coen And 416 00:15:33,324 --> 00:15:35,958 Matt Charman and Ethan Coen And Joel Coen. 417 00:15:35,959 --> 00:15:37,193 Joel Coen. Donovan Paces in a Detention 418 00:15:37,194 --> 00:15:37,393 Donovan Paces in a Detention Room. 419 00:15:37,394 --> 00:15:38,929 Room. He Turns to See Able Standing 420 00:15:38,930 --> 00:15:40,697 He Turns to See Able Standing Just Inside the Door. 421 00:15:40,698 --> 00:15:41,097 Just Inside the Door. Donovan - 422 00:15:41,098 --> 00:15:43,432 Donovan - The Death Sentence Is Not A 423 00:15:43,433 --> 00:15:43,867 The Death Sentence Is Not A Foregone Conclusion. 424 00:15:43,868 --> 00:15:45,301 Foregone Conclusion. Don't Worry. 425 00:15:45,302 --> 00:15:46,603 Don't Worry. I'm Not Afraid to Die, Mr. 426 00:15:46,604 --> 00:15:52,207 I'm Not Afraid to Die, Mr. Donovan. 427 00:15:52,208 --> 00:15:52,843 Donovan. "Ex MacHina Written by Alex 428 00:15:52,844 --> 00:15:55,544 "Ex MacHina Written by Alex Garland. 429 00:15:55,546 --> 00:15:59,348 Garland. They Exchange a Look, Then Ava 430 00:15:59,349 --> 00:15:59,783 They Exchange a Look, Then Ava Rests a Hand. 431 00:15:59,784 --> 00:16:01,617 Rests a Hand. Then, the Power Dies. 432 00:16:01,618 --> 00:16:01,985 Then, the Power Dies. Caleb - 433 00:16:01,986 --> 00:16:02,352 Caleb - Don't Talk. 434 00:16:02,353 --> 00:16:04,386 Don't Talk. Just Listen. 435 00:16:04,387 --> 00:16:06,022 Just Listen. You Were Right About Nathan. 436 00:16:06,023 --> 00:16:07,791 You Were Right About Nathan. Everything You Said. 437 00:16:07,792 --> 00:16:09,993 Everything You Said. What Is He Going to Do to Me? 438 00:16:09,994 --> 00:16:10,927 What Is He Going to Do to Me? He's Going to Reprogram Your 439 00:16:10,928 --> 00:16:13,796 He's Going to Reprogram Your A.i. 440 00:16:13,797 --> 00:16:14,430 A.i. "Spotlight," Written by Josh 441 00:16:14,431 --> 00:16:17,833 "Spotlight," Written by Josh Singer and Tom McCarthy 442 00:16:17,834 --> 00:16:19,202 Singer and Tom McCarthy It's From '93. 443 00:16:19,203 --> 00:16:20,236 It's From '93. Robbie Looks Down. 444 00:16:20,237 --> 00:16:21,872 Robbie Looks Down. We See the Clip. 445 00:16:21,873 --> 00:16:23,573 We See the Clip. Lawyer for Porter Victims Say 20 446 00:16:23,574 --> 00:16:25,408 Lawyer for Porter Victims Say 20 Other Pieces in the Area Are 447 00:16:25,409 --> 00:16:25,976 Other Pieces in the Area Are Accused. 448 00:16:25,977 --> 00:16:28,377 Accused. Robbie's Face Changes, Sasha 449 00:16:28,378 --> 00:16:29,646 Robbie's Face Changes, Sasha Waits, Expecting a Response. 450 00:16:29,647 --> 00:16:30,146 Waits, Expecting a Response. Robbie? 451 00:16:30,147 --> 00:16:30,881 Robbie? That It? 452 00:16:30,882 --> 00:16:32,815 That It? Robbie's Tone Catches Sasha 453 00:16:32,816 --> 00:16:33,383 Robbie's Tone Catches Sasha By Surprise. 454 00:16:33,384 --> 00:16:37,085 By Surprise. Yeah, Yeah, That's It. 455 00:16:37,086 --> 00:16:38,622 Yeah, Yeah, That's It. "Inside Out," Screenplay By 456 00:16:38,623 --> 00:16:39,222 "Inside Out," Screenplay By Pete Docter, Meg Lefauve And 457 00:16:39,223 --> 00:16:40,223 Pete Docter, Meg Lefauve And Josh Cooley. 458 00:16:40,224 --> 00:16:40,857 Josh Cooley. Original Story by Pete Docter, 459 00:16:40,858 --> 00:16:44,393 Original Story by Pete Docter, Ronnie Del Carmen. 460 00:16:44,395 --> 00:16:46,529 Ronnie Del Carmen. All Right, Here You Go. 461 00:16:46,530 --> 00:16:48,297 All Right, Here You Go. Your New Expanded Console Is Up 462 00:16:48,298 --> 00:16:49,132 Your New Expanded Console Is Up And Running. 463 00:16:49,133 --> 00:16:52,367 And Running. The New Console Lights Up. 464 00:16:52,368 --> 00:16:52,802 The New Console Lights Up. Cool, Upgrade. 465 00:16:52,803 --> 00:16:55,203 Cool, Upgrade. Fear Leans on the Console. 466 00:16:55,204 --> 00:16:56,172 Fear Leans on the Console. Did I Just Do That? 467 00:16:56,173 --> 00:16:57,774 Did I Just Do That? Guys, What's Puberty? 468 00:16:57,775 --> 00:16:58,141 Guys, What's Puberty? I Don't Know. 469 00:16:58,142 --> 00:17:03,445 I Don't Know. Probably Not Important. 470 00:17:03,447 --> 00:17:10,385 Probably Not Important. And the Oscar Goes to - 471 00:17:10,387 --> 00:17:15,724 And the Oscar Goes to - "Spotlight." 472 00:17:15,725 --> 00:17:17,527 "Spotlight." Josh Singer and Tom McCarthy 473 00:17:17,528 --> 00:17:19,629 Josh Singer and Tom McCarthy This Is the First Oscar For 474 00:17:19,630 --> 00:17:22,432 This Is the First Oscar For Josh Singer and Tom McCarthy 475 00:17:22,433 --> 00:17:23,867 Josh Singer and Tom McCarthy This Is the Third Nomination For 476 00:17:23,868 --> 00:17:25,635 This Is the Third Nomination For Tom McCarthy Who Is Also 477 00:17:25,636 --> 00:17:26,469 Tom McCarthy Who Is Also Nominated for Directing 478 00:17:26,470 --> 00:17:32,207 Nominated for Directing "Spotlight." 479 00:17:44,621 --> 00:17:49,124 We've Got to Thank Open Road, We've Got to Thank Participant. 480 00:17:49,125 --> 00:17:52,128 We've Got to Thank Participant. We Have to Thank Our Wonderful 481 00:17:52,129 --> 00:17:54,130 We Have to Thank Our Wonderful Producers, Michael Sugar, Steve 482 00:17:54,131 --> 00:17:54,397 Producers, Michael Sugar, Steve Golin. 483 00:17:54,398 --> 00:17:55,966 Golin. We Have to Thank Our Wonderful 484 00:17:55,967 --> 00:18:00,469 We Have to Thank Our Wonderful Cast and Crew From Boston And 485 00:18:00,470 --> 00:18:01,104 Cast and Crew From Boston And Toronto. 486 00:18:01,105 --> 00:18:03,639 Toronto. My Wife, Who Makes Me a Better 487 00:18:03,641 --> 00:18:06,942 My Wife, Who Makes Me a Better Writer Everymakes Me A 488 00:18:06,943 --> 00:18:08,011 Writer Everymakes Me A Better Human Every Day. 489 00:18:08,012 --> 00:18:09,713 Better Human Every Day. And My Father, Bruce Singer, Who 490 00:18:09,714 --> 00:18:11,615 And My Father, Bruce Singer, Who Taught Me How to Dream. 491 00:18:11,616 --> 00:18:13,116 Taught Me How to Dream. Thank You Very Much. 492 00:18:13,117 --> 00:18:14,818 Thank You Very Much. We Made This Film for All The 493 00:18:14,819 --> 00:18:15,585 We Made This Film for All The Journalists Who Have And 494 00:18:15,586 --> 00:18:17,286 Journalists Who Have And Continue to Hold the Powerful 495 00:18:17,287 --> 00:18:19,355 Continue to Hold the Powerful Accountable and for The 496 00:18:19,356 --> 00:18:20,423 Accountable and for The Survivors Whose Courage and Will 497 00:18:20,424 --> 00:18:23,159 Survivors Whose Courage and Will To Overcome Is Really An 498 00:18:23,160 --> 00:18:24,160 To Overcome Is Really An Inspiration. 499 00:18:24,161 --> 00:18:25,428 Inspiration. We Have to Make Sure This Never 500 00:18:25,429 --> 00:18:25,895 We Have to Make Sure This Never Happens Again. 501 00:18:25,896 --> 00:18:30,966 Happens Again. To Rhonda Price, to My Beautiful 502 00:18:30,967 --> 00:18:32,769 To Rhonda Price, to My Beautiful Wife Wendy, Nora, Vivian, My 503 00:18:32,770 --> 00:18:34,303 Wife Wendy, Nora, Vivian, My Family and All Our Friends, We 504 00:18:34,304 --> 00:18:34,638 Family and All Our Friends, We Thank You. 505 00:18:34,639 --> 00:18:36,039 Thank You. This One's for You, Geno. 506 00:18:36,040 --> 00:18:36,606 This One's for You, Geno. We Love You. 507 00:18:36,607 --> 00:18:43,411 We Love You. Love You, Mom and Dad. 508 00:18:43,412 --> 00:18:47,283 Announcer: Now, Please Welcome Oscar Nominee Ryan 509 00:18:47,284 --> 00:18:47,917 Welcome Oscar Nominee Ryan Gosling and Oscar Winner Russell 510 00:18:47,918 --> 00:18:58,260 Gosling and Oscar Winner Russell Crowe. 511 00:19:00,149 --> 00:19:04,600 Good Evening, Folks. We're Here to Present The 512 00:19:04,601 --> 00:19:05,135 We're Here to Present The Award for Best Adapted 513 00:19:05,136 --> 00:19:06,502 Award for Best Adapted Screenplay. 514 00:19:06,503 --> 00:19:07,637 Screenplay. Not to Get Too 515 00:19:07,638 --> 00:19:08,271 Not to Get Too Technical, That's the Screenplay 516 00:19:08,272 --> 00:19:08,805 Technical, That's the Screenplay That Was the Very Best At 517 00:19:08,806 --> 00:19:10,707 That Was the Very Best At Adapting to Whatever Harsh 518 00:19:10,708 --> 00:19:11,307 Adapting to Whatever Harsh Conditions and Obstacles Were 519 00:19:11,308 --> 00:19:15,377 Conditions and Obstacles Were Thrown in Its Way. 520 00:19:15,379 --> 00:19:18,513 Thrown in Its Way. No, It's a Screenplay Adapted 521 00:19:18,514 --> 00:19:20,616 No, It's a Screenplay Adapted From Another Source Such as A 522 00:19:20,617 --> 00:19:23,186 From Another Source Such as A Novel, Play, Short Story or Tv 523 00:19:23,187 --> 00:19:24,220 Novel, Play, Short Story or Tv Show. 524 00:19:24,221 --> 00:19:27,189 Show. Agree to Disagree. 525 00:19:27,191 --> 00:19:30,159 Agree to Disagree. Okay? 526 00:19:30,160 --> 00:19:31,227 Okay? Agree That You're Wrong. 527 00:19:31,228 --> 00:19:32,762 Agree That You're Wrong. Look, Let's Not Fight. 528 00:19:32,763 --> 00:19:33,730 Look, Let's Not Fight. I Mean, My God. 529 00:19:33,731 --> 00:19:35,298 I Mean, My God. We Have Two Academy Awards 530 00:19:35,299 --> 00:19:37,733 We Have Two Academy Awards Between Us. 531 00:19:37,735 --> 00:19:40,803 Between Us. This Is Beneath Us. 532 00:19:40,805 --> 00:19:43,471 This Is Beneath Us. Did You Win an Oscar? 533 00:19:43,472 --> 00:19:44,774 Did You Win an Oscar? Not When You Put It Like 534 00:19:44,775 --> 00:19:49,712 Not When You Put It Like That, but You Have Two, So, 535 00:19:49,713 --> 00:19:50,379 That, but You Have Two, So, There's Technically Two Between 536 00:19:50,380 --> 00:19:51,081 There's Technically Two Between Us. 537 00:19:51,082 --> 00:19:53,215 Us. I Have One. 538 00:19:53,216 --> 00:19:53,850 I Have One. You Have Two. 539 00:19:53,851 --> 00:19:54,517 You Have Two. I Have One. 540 00:19:54,518 --> 00:19:55,852 I Have One. Agree to Disagree. 541 00:19:55,853 --> 00:19:57,253 Agree to Disagree. Can We Go on and Give Out This 542 00:19:57,254 --> 00:19:59,322 Can We Go on and Give Out This Award So More People Can Have 543 00:19:59,323 --> 00:20:00,023 Award So More People Can Have Oscars Like We Do? 544 00:20:00,024 --> 00:20:01,024 Oscars Like We Do? Listen, Mate. 545 00:20:01,025 --> 00:20:01,624 Listen, Mate. You Can't Just Go Around 546 00:20:01,625 --> 00:20:03,558 You Can't Just Go Around Saying - 547 00:20:03,559 --> 00:20:04,160 Saying - Here Are the Nominees For 548 00:20:04,161 --> 00:20:06,162 Here Are the Nominees For Best Adapted Screenplay. 549 00:20:06,163 --> 00:20:07,197 Best Adapted Screenplay. Charles Randolph and Adam McKay 550 00:20:07,198 --> 00:20:11,166 Charles Randolph and Adam McKay For "The Big Short," Based On 551 00:20:11,167 --> 00:20:12,168 For "The Big Short," Based On The Book by Michael Lewis. 552 00:20:12,169 --> 00:20:15,070 The Book by Michael Lewis. Michael Sits Behind Drums And 553 00:20:15,071 --> 00:20:16,672 Michael Sits Behind Drums And Playing to Pantera. 554 00:20:16,673 --> 00:20:18,341 Playing to Pantera. Finally, He Breaks the Sticks 555 00:20:18,342 --> 00:20:19,109 Finally, He Breaks the Sticks From Playing Too Hard. 556 00:20:19,110 --> 00:20:22,010 From Playing Too Hard. We Hear His Wife From Upstairs. 557 00:20:22,011 --> 00:20:22,212 We Hear His Wife From Upstairs. Wife? 558 00:20:22,213 --> 00:20:23,079 Wife? Michael? 559 00:20:23,080 --> 00:20:23,479 Michael? Michael? 560 00:20:23,480 --> 00:20:23,913 Michael? Yes. 561 00:20:23,914 --> 00:20:24,981 Yes. Is Everything Okay? 562 00:20:24,982 --> 00:20:26,049 Is Everything Okay? Yes, Honey. 563 00:20:26,050 --> 00:20:27,283 Yes, Honey. Are You Sure? 564 00:20:27,284 --> 00:20:31,787 Are You Sure? Yeah, Baby. 565 00:20:31,788 --> 00:20:32,421 Yeah, Baby. Nick Hornby for "Brooklyn," 566 00:20:32,422 --> 00:20:34,523 Nick Hornby for "Brooklyn," Based on the Novel by Colm 567 00:20:34,524 --> 00:20:34,758 Based on the Novel by Colm Toibin. 568 00:20:34,759 --> 00:20:35,992 Toibin. He Sees Her and His Face Breaks 569 00:20:35,993 --> 00:20:38,327 He Sees Her and His Face Breaks Out Into a Radiant and Relieved 570 00:20:38,328 --> 00:20:38,527 Out Into a Radiant and Relieved Smile. 571 00:20:38,528 --> 00:20:39,729 Smile. She Smiles Back and Walks Down 572 00:20:39,730 --> 00:20:41,765 She Smiles Back and Walks Down The Remains Steps Towards Him. 573 00:20:41,766 --> 00:20:41,998 The Remains Steps Towards Him. Tony? 574 00:20:41,999 --> 00:20:43,466 Tony? All I Want to Do Is Travel 575 00:20:43,467 --> 00:20:45,068 All I Want to Do Is Travel Home With You, No Food, No 576 00:20:45,069 --> 00:20:46,136 Home With You, No Food, No Drink, No Nothing. 577 00:20:46,137 --> 00:20:48,304 Drink, No Nothing. I Know You Got to Study and Get 578 00:20:48,305 --> 00:20:50,606 I Know You Got to Study and Get Some Sleep, I'll Take You To 579 00:20:50,607 --> 00:20:51,808 Some Sleep, I'll Take You To Your House and Say Good Night. 580 00:20:51,809 --> 00:20:57,712 Your House and Say Good Night. Otherwise - 581 00:20:57,713 --> 00:20:59,182 Otherwise - Based on the Novel "The Price Of 582 00:20:59,183 --> 00:21:01,985 Based on the Novel "The Price Of Salt" by Patricia Highsmith. 583 00:21:01,986 --> 00:21:02,652 Salt" by Patricia Highsmith. Would You Like to Come Visit 584 00:21:02,653 --> 00:21:03,186 Would You Like to Come Visit Me This Sunday? 585 00:21:03,187 --> 00:21:04,087 Me This Sunday? Carol Waits for the Answer. 586 00:21:04,088 --> 00:21:08,924 Carol Waits for the Answer. Yes. 587 00:21:08,925 --> 00:21:09,659 Yes. What a Strange Gurl You Are. 588 00:21:09,660 --> 00:21:14,263 What a Strange Gurl You Are. Why? 589 00:21:14,265 --> 00:21:16,564 Why? Flung Out of Space. 590 00:21:16,565 --> 00:21:18,168 Flung Out of Space. She Feels Herself Blush And 591 00:21:18,169 --> 00:21:19,435 She Feels Herself Blush And Looks Away From Carol. 592 00:21:19,436 --> 00:21:23,272 Looks Away From Carol. She Tries to Attend to Her Lunch 593 00:21:23,274 --> 00:21:25,908 She Tries to Attend to Her Lunch And Martini. 594 00:21:25,910 --> 00:21:28,677 And Martini. Drew Goddard for "The Martian," 595 00:21:28,678 --> 00:21:30,113 Drew Goddard for "The Martian," Based on the Novel by Andy 596 00:21:30,114 --> 00:21:30,346 Based on the Novel by Andy We're. 597 00:21:30,347 --> 00:21:32,647 We're. Hits the Ground Like a Wet 598 00:21:32,648 --> 00:21:32,816 Hits the Ground Like a Wet Rag. 599 00:21:32,817 --> 00:21:34,516 Rag. Mark Talks to Camera. 600 00:21:34,517 --> 00:21:36,119 Mark Talks to Camera. His Clothes Are Scorched. 601 00:21:36,120 --> 00:21:38,021 His Clothes Are Scorched. His Hair Is Singed in Patches. 602 00:21:38,022 --> 00:21:38,254 His Hair Is Singed in Patches. Mark - 603 00:21:38,255 --> 00:21:43,158 Mark - So, Yeah. 604 00:21:43,160 --> 00:21:46,929 So, Yeah. I Blew Myself Up. 605 00:21:46,930 --> 00:21:47,530 I Blew Myself Up. Emma Donoghue for "Room," 606 00:21:47,531 --> 00:21:48,998 Emma Donoghue for "Room," Based on Her Novel. 607 00:21:48,999 --> 00:21:51,000 Based on Her Novel. He Tolds His Truck Up to The 608 00:21:51,001 --> 00:21:54,102 He Tolds His Truck Up to The Vent So It Can Djoin In. 609 00:21:54,103 --> 00:21:54,304 Vent So It Can Djoin In. Jack? 610 00:21:54,305 --> 00:21:56,104 Jack? Why Do the Aliens Never 611 00:21:56,105 --> 00:21:56,672 Why Do the Aliens Never Scream Back? 612 00:21:56,673 --> 00:21:59,308 Scream Back? I Guess They Still Can't Hear 613 00:21:59,309 --> 00:21:59,475 I Guess They Still Can't Hear Us. 614 00:21:59,476 --> 00:22:00,243 Us. We'll Do It Louder, Okay? 615 00:22:00,244 --> 00:22:04,646 We'll Do It Louder, Okay? Okay. 616 00:22:04,648 --> 00:22:11,586 Okay. And the Oscar Goes to - 617 00:22:11,588 --> 00:22:16,058 And the Oscar Goes to - Charles Randolph and Adam 618 00:22:16,059 --> 00:22:17,593 Charles Randolph and Adam McKay "The Big Short." 619 00:22:17,594 --> 00:22:19,729 McKay "The Big Short." This Is the First Win For 620 00:22:19,730 --> 00:22:21,697 This Is the First Win For Adam McKay Who Is Also 621 00:22:21,698 --> 00:22:22,465 Adam McKay Who Is Also Nominated for Directing "The Big 622 00:22:22,466 --> 00:22:32,341 Nominated for Directing "The Big Short" This Year. 623 00:22:44,687 --> 00:22:48,690 Ah - Thank You So Much To The Academy. 624 00:22:48,691 --> 00:22:50,426 The Academy. Also, Thank You to Michael 625 00:22:50,427 --> 00:22:51,027 Also, Thank You to Michael Lewis, for Writing an Amazing 626 00:22:51,028 --> 00:22:53,295 Lewis, for Writing an Amazing Book. 627 00:22:53,296 --> 00:22:53,997 Book. It Inspired Charles and I So 628 00:22:53,998 --> 00:22:56,298 It Inspired Charles and I So Much. 629 00:22:56,299 --> 00:22:57,166 Much. Thank You to Paramount For 630 00:22:57,167 --> 00:23:00,869 Thank You to Paramount For Taking a Risk on a Movie That's 631 00:23:00,871 --> 00:23:06,574 Taking a Risk on a Movie That's About Financial Esoterica. 632 00:23:06,575 --> 00:23:07,243 About Financial Esoterica. Thank You to My Beautiful Wife 633 00:23:07,244 --> 00:23:08,978 Thank You to My Beautiful Wife And My Children, Lily Rose, My 634 00:23:08,979 --> 00:23:11,580 And My Children, Lily Rose, My Two Daughter, Lily Rose And 635 00:23:11,581 --> 00:23:13,116 Two Daughter, Lily Rose And Pearl, I Love You So Much. 636 00:23:13,117 --> 00:23:14,951 Pearl, I Love You So Much. Most of All, if You Don't Want 637 00:23:14,952 --> 00:23:16,685 Most of All, if You Don't Want Big Money to Control Government, 638 00:23:16,686 --> 00:23:17,753 Big Money to Control Government, Don't Vote for Candidates That 639 00:23:17,754 --> 00:23:20,656 Don't Vote for Candidates That Take Money From Big Banks, Oil 640 00:23:20,657 --> 00:23:24,426 Take Money From Big Banks, Oil Or Weirdo Billionaires. 641 00:23:24,427 --> 00:23:24,627 Or Weirdo Billionaires. Stop. 642 00:23:24,628 --> 00:23:24,894 Stop. Go, Sorry. 643 00:23:24,895 --> 00:23:27,429 Go, Sorry. Thank You Very Much, Plan B. 644 00:23:27,431 --> 00:23:31,800 Thank You Very Much, Plan B. This Very Much to Paramount, To 645 00:23:31,801 --> 00:23:32,701 This Very Much to Paramount, To My Wife. 646 00:23:32,702 --> 00:23:34,569 My Wife. To My Kids, I Am So Happy to Be 647 00:23:34,570 --> 00:23:34,870 To My Kids, I Am So Happy to Be Your Father. 648 00:23:34,871 --> 00:23:41,509 Your Father. Thank You. 649 00:23:43,846 --> 00:23:46,881 Announcer: Some Of Hollywood's Most Exciting Stars 650 00:23:46,882 --> 00:23:47,216 Hollywood's Most Exciting Stars Are Coming Up. 651 00:23:47,217 --> 00:23:47,783 Are Coming Up. Plus, More From Chris Rock, 652 00:23:47,784 --> 00:24:02,630 Plus, More From Chris Rock, Next. 653 00:24:02,632 --> 00:24:08,336 Next. ¶ 654 00:24:08,337 --> 00:24:05,146 ¶ >as You Know, for the Second 655 00:24:05,147 --> 00:24:06,714 >as You Know, for the Second Year in a Row, All the Acting 656 00:24:06,715 --> 00:24:09,816 Year in a Row, All the Acting Nominees Are White. 657 00:24:09,817 --> 00:24:12,086 Nominees Are White. But Worst Than That, if You Are 658 00:24:12,087 --> 00:24:13,554 But Worst Than That, if You Are A Black Actor, Just Getting An 659 00:24:13,555 --> 00:24:14,956 A Black Actor, Just Getting An Opportunity to Be in a Movie Can 660 00:24:14,957 --> 00:24:15,556 Opportunity to Be in a Movie Can Be a Struggle. 661 00:24:15,557 --> 00:24:19,926 Be a Struggle. Let's Take a Look. 662 00:24:19,927 --> 00:24:20,828 Let's Take a Look. What Are You Doing? 663 00:24:20,829 --> 00:24:21,963 What Are You Doing? Sorry. 664 00:24:21,964 --> 00:24:22,596 Sorry. You're Joy. 665 00:24:22,597 --> 00:24:22,897 You're Joy. I'm Joy? 666 00:24:22,898 --> 00:24:25,832 I'm Joy? Come On. 667 00:24:25,833 --> 00:24:26,000 Come On. Go. 668 00:24:26,001 --> 00:24:26,167 Go. Go. 669 00:24:26,168 --> 00:24:29,736 Go. Um - 670 00:24:29,737 --> 00:24:30,738 Um - It's Not Rocket Science. 671 00:24:30,739 --> 00:24:32,706 It's Not Rocket Science. It's a Mop. 672 00:24:32,707 --> 00:24:33,374 It's a Mop. Just Say Something. 673 00:24:33,375 --> 00:24:34,708 Just Say Something. Sorry. 674 00:24:34,709 --> 00:24:35,977 Sorry. These Lights Are So Bright. 675 00:24:35,978 --> 00:24:36,310 These Lights Are So Bright. Um - 676 00:24:36,311 --> 00:24:37,377 Um - Oh, My God. 677 00:24:37,378 --> 00:24:38,780 Oh, My God. Tell Her to Say Something About 678 00:24:38,781 --> 00:24:39,080 Tell Her to Say Something About The Mop. 679 00:24:39,081 --> 00:24:40,148 The Mop. Talk About the Mop. 680 00:24:40,149 --> 00:24:41,482 Talk About the Mop. Say Something! 681 00:24:41,483 --> 00:24:42,750 Say Something! Maybe One Day They'll Make A 682 00:24:42,751 --> 00:24:44,518 Maybe One Day They'll Make A Movie About a Skinny White Lady 683 00:24:44,519 --> 00:24:45,286 Movie About a Skinny White Lady That Made a Mop. 684 00:24:45,287 --> 00:24:46,654 That Made a Mop. A Black Girl Would Have To 685 00:24:46,655 --> 00:24:47,755 A Black Girl Would Have To Invent the Cure for Cancer 686 00:24:47,756 --> 00:24:49,090 Invent the Cure for Cancer Before They Give Her a Tv Movie. 687 00:24:49,091 --> 00:24:50,124 Before They Give Her a Tv Movie. Oh, My God. 688 00:24:50,125 --> 00:24:51,658 Oh, My God. But Hey, I'm Not Mad. 689 00:24:51,659 --> 00:24:52,526 But Hey, I'm Not Mad. Because I Know How to Play The 690 00:24:52,527 --> 00:24:54,627 Because I Know How to Play The Game. 691 00:24:54,629 --> 00:24:58,765 Game. Joy. 692 00:24:58,767 --> 00:25:05,572 Joy. Ahh! 693 00:25:05,573 --> 00:25:06,741 Ahh! There Are No Actresses In 694 00:25:06,742 --> 00:25:10,711 There Are No Actresses In This Movie! 695 00:25:10,713 --> 00:25:13,146 This Movie! My Agent Called You Twice. 696 00:25:13,148 --> 00:25:16,649 My Agent Called You Twice. Then I Called You 16 Times. 697 00:25:16,651 --> 00:25:27,794 Then I Called You 16 Times. You Should Have Called Me Back. 698 00:25:27,795 --> 00:25:29,163 You Should Have Called Me Back. Look at Me. 699 00:25:29,164 --> 00:25:31,397 Look at Me. I'm a Black These Bee Yan, 700 00:25:31,398 --> 00:25:34,068 I'm a Black These Bee Yan, Starring in His First Dramatic 701 00:25:34,069 --> 00:25:34,668 Starring in His First Dramatic Role. 702 00:25:34,669 --> 00:25:34,836 Role. Ah! 703 00:25:34,837 --> 00:25:39,740 Ah! Hello? 704 00:25:39,742 --> 00:25:44,611 Hello? I'm the Danish Girl! 705 00:25:44,613 --> 00:25:47,680 I'm the Danish Girl! These Danishes Is Good, Girl! 706 00:25:47,682 --> 00:25:50,917 These Danishes Is Good, Girl! Nailed It. 707 00:25:50,919 --> 00:25:53,053 Nailed It. Guys, I'm - I'm Here. 708 00:25:53,055 --> 00:25:55,822 Guys, I'm - I'm Here. Oh, Is He Still Up There? 709 00:25:55,823 --> 00:25:56,624 Oh, Is He Still Up There? Oh, Yeah. 710 00:25:56,625 --> 00:25:57,625 Oh, Yeah. Should We Get Him? 711 00:25:57,626 --> 00:25:59,093 Should We Get Him? Yeah, You Should Get Me. 712 00:25:59,094 --> 00:26:01,863 Yeah, You Should Get Me. Don't Worry, Black Astronaut, 713 00:26:01,864 --> 00:26:02,196 Don't Worry, Black Astronaut, We Will. 714 00:26:02,197 --> 00:26:04,097 We Will. It Will Cost $2,500. 715 00:26:04,098 --> 00:26:05,366 It Will Cost $2,500. Oh, That's a Lot. 716 00:26:05,367 --> 00:26:06,868 Oh, That's a Lot. Can We Just Leave Him Up There? 717 00:26:06,869 --> 00:26:07,368 Can We Just Leave Him Up There? Ah. 718 00:26:07,369 --> 00:26:09,035 Ah. Guys, I Can Hear You. 719 00:26:09,036 --> 00:26:09,670 Guys, I Can Hear You. I'm Right Here. 720 00:26:09,671 --> 00:26:10,404 I'm Right Here. Hi. 721 00:26:10,405 --> 00:26:12,038 Hi. Yeah, Might Be a Pr Problem. 722 00:26:12,039 --> 00:26:13,674 Yeah, Might Be a Pr Problem. I'll Tell You What's a Pr 723 00:26:13,675 --> 00:26:14,408 I'll Tell You What's a Pr Problem. 724 00:26:14,409 --> 00:26:16,576 Problem. Spending 2,500 White Dollars To 725 00:26:16,577 --> 00:26:17,945 Spending 2,500 White Dollars To Save One Black Astronaut. 726 00:26:17,946 --> 00:26:19,914 Save One Black Astronaut. We'll All Be Out of Jobs. 727 00:26:19,915 --> 00:26:20,414 We'll All Be Out of Jobs. What? 728 00:26:20,415 --> 00:26:21,115 What? White Dollars? 729 00:26:21,116 --> 00:26:23,616 White Dollars? Yeah, but I Don't Really See 730 00:26:23,617 --> 00:26:25,352 Yeah, but I Don't Really See A Black Astronaut. 731 00:26:25,353 --> 00:26:27,621 A Black Astronaut. Do You See a Black Astronaut 732 00:26:27,622 --> 00:26:27,889 Do You See a Black Astronaut Anywhere? 733 00:26:27,890 --> 00:26:29,790 Anywhere? I Don't See a Black 734 00:26:29,791 --> 00:26:30,057 I Don't See a Black Astronaut. 735 00:26:30,058 --> 00:26:32,092 Astronaut. I'm Right Here [ Bleep ]! 736 00:26:32,093 --> 00:26:33,060 I'm Right Here [ Bleep ]! Oh, Gosh. 737 00:26:33,061 --> 00:26:34,128 Oh, Gosh. You Want to Get Lunch? 738 00:26:34,129 --> 00:26:34,996 You Want to Get Lunch? Oh, Yeah. 739 00:26:34,997 --> 00:26:36,763 Oh, Yeah. What About Some Pho? 740 00:26:36,765 --> 00:26:39,766 What About Some Pho? I Haven't Eaten Since June. 741 00:26:39,767 --> 00:26:40,567 I Haven't Eaten Since June. Hey, Where Are You Going? 742 00:26:40,568 --> 00:26:41,402 Hey, Where Are You Going? See. 743 00:26:41,403 --> 00:26:42,804 See. Told You They Weren't Going To 744 00:26:42,805 --> 00:26:43,570 Told You They Weren't Going To Bring You Back. 745 00:26:43,571 --> 00:26:44,605 Bring You Back. Can You Help Me? 746 00:26:44,606 --> 00:26:44,972 Can You Help Me? Kiss My Ass. 747 00:26:44,973 --> 00:26:50,443 Kiss My Ass. No! 748 00:26:54,816 --> 00:27:01,254 It's Hard to Get a Job. But Let Me Tell You Some Good 749 00:27:01,255 --> 00:27:01,889 But Let Me Tell You Some Good News. 750 00:27:01,890 --> 00:27:03,124 News. The Academy Has Taken Steps To 751 00:27:03,125 --> 00:27:03,691 The Academy Has Taken Steps To Fix This Problem. 752 00:27:03,692 --> 00:27:06,492 Fix This Problem. That's Why It Is My Honor To 753 00:27:06,493 --> 00:27:07,728 That's Why It Is My Honor To Introduce the New Director Of 754 00:27:07,729 --> 00:27:11,097 Introduce the New Director Of Our Minority Outreach Program. 755 00:27:11,099 --> 00:27:17,370 Our Minority Outreach Program. Please Welcome Miss Stacey Dash. 756 00:27:17,371 --> 00:27:19,307 Please Welcome Miss Stacey Dash. I Cannot Wait to Help My 757 00:27:19,308 --> 00:27:21,441 I Cannot Wait to Help My People Out. 758 00:27:21,443 --> 00:27:24,277 People Out. Happy Black History Month! 759 00:27:24,278 --> 00:27:26,080 Happy Black History Month! Thank You. 760 00:27:26,081 --> 00:27:29,615 Thank You. Thank You. 761 00:27:29,617 --> 00:27:32,418 Thank You. But Enough About Black People. 762 00:27:32,420 --> 00:27:40,526 But Enough About Black People. Let's Bring Out Sarah Silverman. 763 00:27:44,431 --> 00:27:50,070 I'm Here to Introduce The First of Tonight's Nominees For 764 00:27:50,071 --> 00:27:50,704 First of Tonight's Nominees For Best Original Song, "Writing's 765 00:27:50,705 --> 00:27:52,173 Best Original Song, "Writing's On the Wall." 766 00:27:52,174 --> 00:27:55,308 On the Wall." It's From "Spectre," the Latest 767 00:27:55,309 --> 00:27:55,943 It's From "Spectre," the Latest James Bond Film, Which I Did Not 768 00:27:55,944 --> 00:28:00,513 James Bond Film, Which I Did Not See. 769 00:28:00,515 --> 00:28:04,484 See. I Guess - I Guess I Was a Bond 770 00:28:04,486 --> 00:28:07,754 I Guess - I Guess I Was a Bond Girl, in That I Had Sexual 771 00:28:07,755 --> 00:28:08,322 Girl, in That I Had Sexual Intercourse With James Bond 772 00:28:08,323 --> 00:28:09,257 Intercourse With James Bond Followed by Never Hearing From 773 00:28:09,258 --> 00:28:13,293 Followed by Never Hearing From Him Again Ever. 774 00:28:13,294 --> 00:28:14,362 Him Again Ever. Like, Never, Like, Not Even A 775 00:28:14,363 --> 00:28:15,263 Like, Never, Like, Not Even A Text. 776 00:28:15,264 --> 00:28:15,796 Text. And I Know He Has a Cell 777 00:28:15,797 --> 00:28:18,631 And I Know He Has a Cell Phone - He Has Four of Them. 778 00:28:18,632 --> 00:28:18,900 Phone - He Has Four of Them. It's Tune. 779 00:28:18,901 --> 00:28:21,234 It's Tune. Whatever. 780 00:28:21,236 --> 00:28:23,436 Whatever. Maybe He Likes Sleeping With 781 00:28:23,437 --> 00:28:25,773 Maybe He Likes Sleeping With Vulnerable Women With Heavy 782 00:28:25,774 --> 00:28:28,075 Vulnerable Women With Heavy Jewish Boobs and Then Never 783 00:28:28,076 --> 00:28:29,443 Jewish Boobs and Then Never Contacting Them Again. 784 00:28:29,444 --> 00:28:29,977 Contacting Them Again. Maybe That's His Thing. 785 00:28:29,978 --> 00:28:33,246 Maybe That's His Thing. Know What My Thing Is? 786 00:28:33,247 --> 00:28:35,716 Know What My Thing Is? Being in Front of 80 Million 787 00:28:35,717 --> 00:28:36,750 Being in Front of 80 Million People on Live Tv and Saying 788 00:28:36,751 --> 00:28:42,088 People on Live Tv and Saying Whatever Comes Into My Mind. 789 00:28:42,089 --> 00:28:44,358 Whatever Comes Into My Mind. Oh, Here's Something. 790 00:28:44,359 --> 00:28:46,560 Oh, Here's Something. James Bond, Not a Grower or A 791 00:28:46,561 --> 00:28:50,330 James Bond, Not a Grower or A Show-Er. 792 00:28:50,332 --> 00:28:52,232 Show-Er. I Don't Want to Say He's 793 00:28:52,233 --> 00:28:54,168 I Don't Want to Say He's Terrible at Sex, but He Did 794 00:28:54,169 --> 00:28:57,071 Terrible at Sex, but He Did Sleep With 55 Women in 24 Movies 795 00:28:57,072 --> 00:28:58,505 Sleep With 55 Women in 24 Movies And Most of Them Tried to Kill 796 00:28:58,506 --> 00:29:02,608 And Most of Them Tried to Kill Him Afterwards. 797 00:29:02,609 --> 00:29:03,244 Him Afterwards. And in My Opinion, I Don't Think 798 00:29:03,245 --> 00:29:09,249 And in My Opinion, I Don't Think He's Street Enough. 799 00:29:09,250 --> 00:29:09,883 He's Street Enough. But My Personal Mishigas Aside, 800 00:29:09,884 --> 00:29:10,884 But My Personal Mishigas Aside, I'm Here to Introduce an Artist 801 00:29:10,885 --> 00:29:13,987 I'm Here to Introduce an Artist Who, Through No Fault of His 802 00:29:13,988 --> 00:29:14,621 Who, Through No Fault of His Own, Sang the Latest Bond Theme 803 00:29:14,622 --> 00:29:18,624 Own, Sang the Latest Bond Theme Song. 804 00:29:18,626 --> 00:29:20,626 Song. Singing "Writing's on the Wall," 805 00:29:20,628 --> 00:29:25,731 Singing "Writing's on the Wall," Here Is the Brilliant Sam Smith. 806 00:29:28,269 --> 00:29:41,247 ¶ ¶ I've Been Here Before 807 00:29:41,249 --> 00:29:46,453 ¶ I've Been Here Before But Always Hit the Floor ¶ 808 00:29:46,455 --> 00:29:49,522 But Always Hit the Floor ¶ ¶ I've Spent a Lifetime Running 809 00:29:49,524 --> 00:29:52,692 ¶ I've Spent a Lifetime Running And I Always Get Away ¶ 810 00:29:52,693 --> 00:29:54,228 And I Always Get Away ¶ ¶ but With You I'm Feeling 811 00:29:54,229 --> 00:29:58,898 ¶ but With You I'm Feeling Something 812 00:29:58,900 --> 00:30:03,069 Something That Makes Me Want to Stay ¶ 813 00:30:03,071 --> 00:30:08,774 That Makes Me Want to Stay ¶ ¶ if I Risk It All 814 00:30:08,776 --> 00:30:14,614 ¶ if I Risk It All Could You Break My Fall? ¶ 815 00:30:14,615 --> 00:30:16,583 Could You Break My Fall? ¶ ¶ How Do I Live? 816 00:30:16,584 --> 00:30:18,651 ¶ How Do I Live? How Do I Breathe? ¶ 817 00:30:18,652 --> 00:30:20,287 How Do I Breathe? ¶ ¶ When You're Not Here 818 00:30:20,288 --> 00:30:22,355 ¶ When You're Not Here I'm Suffocating ¶ 819 00:30:22,356 --> 00:30:23,891 I'm Suffocating ¶ ¶ I Want to Feel Love 820 00:30:23,892 --> 00:30:26,959 ¶ I Want to Feel Love Run Through My Blood ¶ 821 00:30:26,960 --> 00:30:29,296 Run Through My Blood ¶ ¶ Tell Me Is This Where I Give 822 00:30:29,297 --> 00:30:31,264 ¶ Tell Me Is This Where I Give It All Up ¶ 823 00:30:31,266 --> 00:30:33,599 It All Up ¶ ¶ for You ¶ 824 00:30:33,601 --> 00:30:39,772 ¶ for You ¶ ¶ I Have to Risk It All ¶ 825 00:30:39,774 --> 00:30:45,211 ¶ I Have to Risk It All ¶ ¶ Cause the Writing's on The 826 00:30:45,213 --> 00:30:54,587 ¶ Cause the Writing's on The Wall ¶ 827 00:30:54,589 --> 00:30:58,624 Wall ¶ ¶ a Million Shards of Glass 828 00:30:58,626 --> 00:31:05,231 ¶ a Million Shards of Glass That Haunt Me From My Past ¶ 829 00:31:05,233 --> 00:31:09,235 That Haunt Me From My Past ¶ ¶ as the Stars Begin to Gather 830 00:31:09,236 --> 00:31:10,971 ¶ as the Stars Begin to Gather And the Light Begins to Fade ¶ 831 00:31:10,972 --> 00:31:12,005 And the Light Begins to Fade ¶ ¶ When All Hope Begins To 832 00:31:12,006 --> 00:31:18,578 ¶ When All Hope Begins To Shatter 833 00:31:18,580 --> 00:31:22,582 Shatter Know That I Won't Be Afraid ¶ 834 00:31:22,584 --> 00:31:29,689 Know That I Won't Be Afraid ¶ ¶ if I Risk It All 835 00:31:29,691 --> 00:31:33,326 ¶ if I Risk It All Could You Break Our Fall? ¶ 836 00:31:33,328 --> 00:31:35,928 Could You Break Our Fall? ¶ ¶ How Do I Live? 837 00:31:35,930 --> 00:31:38,531 ¶ How Do I Live? How Do I Breathe? ¶ 838 00:31:38,532 --> 00:31:39,066 How Do I Breathe? ¶ ¶ When You're Not Here 839 00:31:39,067 --> 00:31:41,134 ¶ When You're Not Here I'm Suffocating ¶ 840 00:31:41,135 --> 00:31:42,703 I'm Suffocating ¶ ¶ I Want to Feel Love 841 00:31:42,704 --> 00:31:45,838 ¶ I Want to Feel Love Run Through My Blood ¶ 842 00:31:45,840 --> 00:31:49,175 Run Through My Blood ¶ ¶ Tell Me Is This Where I Give 843 00:31:49,176 --> 00:31:50,511 ¶ Tell Me Is This Where I Give It All Up ¶ 844 00:31:50,512 --> 00:31:53,580 It All Up ¶ ¶ for You I Have to Risk It 845 00:31:53,582 --> 00:31:58,918 ¶ for You I Have to Risk It All ¶ 846 00:31:58,920 --> 00:32:05,158 All ¶ ¶ Cause the Writing's on The 847 00:32:05,160 --> 00:32:14,300 ¶ Cause the Writing's on The Wall ¶ 848 00:32:22,476 --> 00:32:28,914 Yeah! Amazing. 849 00:32:28,916 --> 00:32:30,016 Amazing. No, Hey, Hey. 850 00:32:30,017 --> 00:32:31,652 No, Hey, Hey. My Favorite Song Is "Father 851 00:32:31,653 --> 00:32:31,885 My Favorite Song Is "Father Figure." 852 00:32:31,886 --> 00:32:33,719 Figure." All Right. 853 00:32:33,721 --> 00:32:35,821 All Right. Ladies and Gentlemen, Please 854 00:32:35,822 --> 00:32:37,358 Ladies and Gentlemen, Please Welcome Kerry Washington And 855 00:32:37,359 --> 00:32:51,837 Welcome Kerry Washington And Superman Himself, Henry Cavill. 856 00:32:51,838 --> 00:32:53,407 Superman Himself, Henry Cavill. Tonight, We're Going to See 857 00:32:53,408 --> 00:32:53,974 Tonight, We're Going to See Highlights From the Movies 858 00:32:53,975 --> 00:32:57,043 Highlights From the Movies Nominated for Best Picture. 859 00:32:57,045 --> 00:33:00,647 Nominated for Best Picture. The First Is a Sci-Fi Epic With 860 00:33:00,648 --> 00:33:01,282 The First Is a Sci-Fi Epic With Heart, a Classic Adventure Saga 861 00:33:01,283 --> 00:33:02,816 Heart, a Classic Adventure Saga That's as Big as an Entire 862 00:33:02,817 --> 00:33:05,885 That's as Big as an Entire Planet and Yet Occurs at The 863 00:33:05,886 --> 00:33:06,920 Planet and Yet Occurs at The Smallest Possible Human Scale - 864 00:33:06,921 --> 00:33:11,090 Smallest Possible Human Scale - That of One Man Alone. 865 00:33:11,092 --> 00:33:17,997 That of One Man Alone. Here Is "The Martian." 866 00:33:17,999 --> 00:33:20,032 Here Is "The Martian." This Is Space. 867 00:33:20,033 --> 00:33:21,569 This Is Space. It Does Not Cooperate. 868 00:33:21,570 --> 00:33:23,470 It Does Not Cooperate. Turns Out He's Alive and We 869 00:33:23,471 --> 00:33:24,405 Turns Out He's Alive and We Left Him on Mars. 870 00:33:24,406 --> 00:33:25,673 Left Him on Mars. He's Going to Starve To 871 00:33:25,674 --> 00:33:26,006 He's Going to Starve To Death. 872 00:33:26,007 --> 00:33:27,007 Death. At Some Point, Everything Is 873 00:33:27,008 --> 00:33:28,008 At Some Point, Everything Is Going to Go South and You're 874 00:33:28,009 --> 00:33:29,076 Going to Go South and You're Going to Say, This Is It. 875 00:33:29,077 --> 00:33:31,944 Going to Say, This Is It. This Is How I End. 876 00:33:31,945 --> 00:33:33,547 This Is How I End. Now, You Can Either Accept That 877 00:33:33,548 --> 00:33:35,249 Now, You Can Either Accept That Or You Canan Get to Work. 878 00:33:35,250 --> 00:33:36,850 Or You Canan Get to Work. Mission Control, We Are Go 879 00:33:36,851 --> 00:33:37,418 Mission Control, We Are Go For Launch. 880 00:33:37,419 --> 00:33:38,819 For Launch. Let's Go Get Our Boy. 881 00:33:38,820 --> 00:33:40,187 Let's Go Get Our Boy. You Solve One Problem and You 882 00:33:40,188 --> 00:33:41,888 You Solve One Problem and You Solve the Next One and if You 883 00:33:41,889 --> 00:33:42,590 Solve the Next One and if You Solve Enough Problems, You Get 884 00:33:42,591 --> 00:33:54,634 Solve Enough Problems, You Get To Come Home. 885 00:33:54,636 --> 00:33:57,770 To Come Home. Our Next Nominee for Best 886 00:33:57,771 --> 00:33:59,005 Our Next Nominee for Best Picture Confronts The 887 00:33:59,006 --> 00:34:00,040 Picture Confronts The Question - How Can You 888 00:34:00,041 --> 00:34:00,974 Question - How Can You Understand Something That 889 00:34:00,975 --> 00:34:02,175 Understand Something That Affected Millions of People 890 00:34:02,176 --> 00:34:03,844 Affected Millions of People Around the World, Which But 891 00:34:03,845 --> 00:34:05,946 Around the World, Which But Confounded Us All? 892 00:34:05,947 --> 00:34:06,980 Confounded Us All? Thanks to Some Brilliant Writing 893 00:34:06,981 --> 00:34:11,651 Thanks to Some Brilliant Writing And Directing, Innovative 894 00:34:11,652 --> 00:34:12,653 And Directing, Innovative Editing and a Fantastic Ensemble 895 00:34:12,654 --> 00:34:13,186 Editing and a Fantastic Ensemble Cast, "The Big Short" 896 00:34:13,187 --> 00:34:15,256 Cast, "The Big Short" Accomplished That Remarkable 897 00:34:15,257 --> 00:34:15,889 Accomplished That Remarkable Feat, Finding Humor and Pathos 898 00:34:15,890 --> 00:34:18,358 Feat, Finding Humor and Pathos Along the Way. 899 00:34:18,360 --> 00:34:23,095 Along the Way. Here Is "The Big Short." 900 00:34:23,096 --> 00:34:23,997 Here Is "The Big Short." What Is That? 901 00:34:23,998 --> 00:34:26,832 What Is That? That's America's Housing 902 00:34:26,833 --> 00:34:27,100 That's America's Housing Market. 903 00:34:27,101 --> 00:34:30,603 Market. While the Whole World Was Having 904 00:34:30,605 --> 00:34:35,908 While the Whole World Was Having A Big Party, a Few Saw Something 905 00:34:35,909 --> 00:34:36,710 A Big Party, a Few Saw Something By Doing Something the Rest Of 906 00:34:36,711 --> 00:34:38,412 By Doing Something the Rest Of The Suckers Never Thought to Do. 907 00:34:38,413 --> 00:34:38,979 The Suckers Never Thought to Do. They Looked. 908 00:34:38,980 --> 00:34:40,847 They Looked. If We're Right, People Lose 909 00:34:40,848 --> 00:34:41,047 If We're Right, People Lose Homes. 910 00:34:41,048 --> 00:34:41,649 Homes. People Lose Jobs. 911 00:34:41,650 --> 00:34:44,984 People Lose Jobs. People Lose Pensions. 912 00:34:44,985 --> 00:34:46,420 People Lose Pensions. The Housing Market Is Rock 913 00:34:46,421 --> 00:34:46,687 The Housing Market Is Rock Solid. 914 00:34:46,688 --> 00:34:48,087 Solid. It's a Time Bomb. 915 00:34:48,088 --> 00:34:49,523 It's a Time Bomb. I Find Houses. 916 00:34:49,524 --> 00:34:51,124 I Find Houses. You Guys Said You Want to Get 917 00:34:51,125 --> 00:34:51,992 You Guys Said You Want to Get Rich, Now You're Rich. 918 00:34:51,993 --> 00:34:54,227 Rich, Now You're Rich. In the Years That Followed, 919 00:34:54,228 --> 00:34:55,462 In the Years That Followed, Hundreds of Bank Executives Went 920 00:34:55,463 --> 00:34:55,696 Hundreds of Bank Executives Went To Jail. 921 00:34:55,697 --> 00:35:02,535 To Jail. Just Kidding. 922 00:35:02,536 --> 00:35:03,103 Just Kidding. Announcer: And Now, Last 923 00:35:03,104 --> 00:35:04,605 Announcer: And Now, Last Year's Oscar-Winning Supporting 924 00:35:04,606 --> 00:35:13,979 Year's Oscar-Winning Supporting Actor, J.k. Simmons. 925 00:35:13,980 --> 00:35:15,015 Actor, J.k. Simmons. The Five Women Nominated For 926 00:35:15,016 --> 00:35:17,083 The Five Women Nominated For Best Supporting Actress This 927 00:35:17,084 --> 00:35:20,753 Best Supporting Actress This Year Developed Remarkably 928 00:35:20,754 --> 00:35:21,254 Year Developed Remarkably Rounded and Convincing 929 00:35:21,255 --> 00:35:22,255 Rounded and Convincing Characters - a Murderous 930 00:35:22,256 --> 00:35:24,891 Characters - a Murderous Fugitive With a Price on Her 931 00:35:24,892 --> 00:35:25,926 Fugitive With a Price on Her Head, a Young Woman Drawn Into A 932 00:35:25,927 --> 00:35:29,029 Head, a Young Woman Drawn Into A Forbidden Relationship in The 933 00:35:29,030 --> 00:35:33,232 Forbidden Relationship in The 1950s, an Intrepid Reporter 934 00:35:33,233 --> 00:35:33,867 1950s, an Intrepid Reporter Searching for Truth, an Artist 935 00:35:33,868 --> 00:35:35,803 Searching for Truth, an Artist Whose Spouse Undergoes 936 00:35:35,804 --> 00:35:38,405 Whose Spouse Undergoes Pioneering Gender Confirmation 937 00:35:38,406 --> 00:35:39,005 Pioneering Gender Confirmation Surgery and the Plain-Spoken 938 00:35:39,006 --> 00:35:41,007 Surgery and the Plain-Spoken Marketing Chief Who Goes 939 00:35:41,008 --> 00:35:45,144 Marketing Chief Who Goes Toe-To-Toe With Steve Jobs. 940 00:35:45,145 --> 00:35:45,679 Toe-To-Toe With Steve Jobs. Here Are the Nominees For 941 00:35:45,680 --> 00:35:46,313 Here Are the Nominees For Performance by an Actress in A 942 00:35:46,314 --> 00:35:50,383 Performance by an Actress in A Supporting Role. 943 00:35:50,384 --> 00:35:50,951 Supporting Role. Jennifer Jason Leigh, "The 944 00:35:50,952 --> 00:35:54,019 Jennifer Jason Leigh, "The Hateful Eight." 945 00:35:54,020 --> 00:35:55,356 Hateful Eight." You're Making the Biggest 946 00:35:55,357 --> 00:35:57,658 You're Making the Biggest Mistake of Your Life. 947 00:35:57,659 --> 00:35:59,125 Mistake of Your Life. When Our Boys Get Here in A 948 00:35:59,126 --> 00:36:00,361 When Our Boys Get Here in A Couple of Days, They're Going To 949 00:36:00,362 --> 00:36:02,062 Couple of Days, They're Going To Cut Your Nuts Off and There 950 00:36:02,063 --> 00:36:04,097 Cut Your Nuts Off and There Won't Be a Stick Left in That 951 00:36:04,098 --> 00:36:05,165 Won't Be a Stick Left in That Town Unburned. 952 00:36:05,166 --> 00:36:06,600 Town Unburned. Well, I Guess I Should Be 953 00:36:06,601 --> 00:36:10,436 Well, I Guess I Should Be Plum Scared Right Now, Huh? 954 00:36:10,437 --> 00:36:13,073 Plum Scared Right Now, Huh? If You Had Any Braunbrains, 955 00:36:13,074 --> 00:36:16,509 If You Had Any Braunbrains, Would Be. 956 00:36:16,511 --> 00:36:20,513 Would Be. Rooney Mara, "Carol." 957 00:36:20,515 --> 00:36:23,549 Rooney Mara, "Carol." What Am I Thinking? 958 00:36:23,550 --> 00:36:25,285 What Am I Thinking? I'm Thinking That I'm Utterly 959 00:36:25,286 --> 00:36:25,619 I'm Thinking That I'm Utterly Selfish - 960 00:36:25,620 --> 00:36:26,420 Selfish - Don't Do This. 961 00:36:26,421 --> 00:36:27,755 Don't Do This. You Had No Idea. 962 00:36:27,756 --> 00:36:28,889 You Had No Idea. How Would You Have Known? 963 00:36:28,890 --> 00:36:31,358 How Would You Have Known? And I Should Have Said No To 964 00:36:31,359 --> 00:36:33,427 And I Should Have Said No To You, but I Never Say No. 965 00:36:33,428 --> 00:36:36,462 You, but I Never Say No. And It's Selfish, Because - 966 00:36:36,463 --> 00:36:37,664 And It's Selfish, Because - Because I Just Take Everything 967 00:36:37,665 --> 00:36:39,700 Because I Just Take Everything And I Don't Know Anything and I 968 00:36:39,701 --> 00:36:41,234 And I Don't Know Anything and I Don't Know What I Want and How 969 00:36:41,235 --> 00:36:42,836 Don't Know What I Want and How Could I When All I Ever Do Is 970 00:36:42,837 --> 00:36:50,009 Could I When All I Ever Do Is Say Yes to Everything? 971 00:36:50,011 --> 00:36:52,945 Say Yes to Everything? Rachel McAdams "Spotlight." 972 00:36:52,946 --> 00:36:54,782 Rachel McAdams "Spotlight." You Admit to Molesting Boys 973 00:36:54,783 --> 00:36:55,949 You Admit to Molesting Boys At St. John the Baptist? 974 00:36:55,950 --> 00:36:58,618 At St. John the Baptist? Yes, Yes, but - as I Said, I 975 00:36:58,619 --> 00:37:00,721 Yes, Yes, but - as I Said, I Never Got Any Pleasure From It. 976 00:37:00,722 --> 00:37:01,354 Never Got Any Pleasure From It. That's Important to Understand. 977 00:37:01,355 --> 00:37:04,624 That's Important to Understand. Right. 978 00:37:04,625 --> 00:37:06,159 Right. But - Can You Tell Me Where And 979 00:37:06,160 --> 00:37:07,728 But - Can You Tell Me Where And How You Fooled Around With These 980 00:37:07,729 --> 00:37:07,961 How You Fooled Around With These Boys? 981 00:37:07,962 --> 00:37:09,695 Boys? I Want to Be Clear. 982 00:37:09,697 --> 00:37:13,666 I Want to Be Clear. I Never Raped Anyone. 983 00:37:13,667 --> 00:37:14,134 I Never Raped Anyone. There's a Difference. 984 00:37:14,135 --> 00:37:14,601 There's a Difference. I Should Know. 985 00:37:14,602 --> 00:37:18,638 I Should Know. How Would You Know? 986 00:37:18,640 --> 00:37:23,810 How Would You Know? I Was Raped. 987 00:37:23,811 --> 00:37:24,445 I Was Raped. Alicia Vikander, "The Danish 988 00:37:24,446 --> 00:37:27,413 Alicia Vikander, "The Danish Girl." 989 00:37:27,415 --> 00:37:30,750 Girl." Exactly What Happened Between 990 00:37:30,751 --> 00:37:31,552 Exactly What Happened Between You Last Night? 991 00:37:31,553 --> 00:37:32,218 You Last Night? Nothing. 992 00:37:32,219 --> 00:37:32,786 Nothing. It Was Nothing. 993 00:37:32,787 --> 00:37:35,220 It Was Nothing. Did He Know It Was You? 994 00:37:35,221 --> 00:37:37,658 Did He Know It Was You? It Wasn't as Simple as That. 995 00:37:37,659 --> 00:37:40,426 It Wasn't as Simple as That. I Watched Him Kiss You. 996 00:37:40,428 --> 00:37:45,631 I Watched Him Kiss You. Can You Please Make an Effort? 997 00:37:45,633 --> 00:37:48,634 Can You Please Make an Effort? Kate Winslet, "Steve Jobs." 998 00:37:48,635 --> 00:37:49,736 Kate Winslet, "Steve Jobs." You Have to Think You're 999 00:37:49,737 --> 00:37:52,772 You Have to Think You're Having a Bizarre Overreaction To 1000 00:37:52,773 --> 00:37:54,307 Having a Bizarre Overreaction To A 19-Year-Old Girl Allowing Her 1001 00:37:54,308 --> 00:37:56,109 A 19-Year-Old Girl Allowing Her Mother to List Her Own House? 1002 00:37:56,110 --> 00:37:57,277 Mother to List Her Own House? She Could Have Tried. 1003 00:37:57,278 --> 00:37:59,480 She Could Have Tried. She's Supposed to Stop Her 1004 00:37:59,481 --> 00:37:59,847 She's Supposed to Stop Her Mother? 1005 00:37:59,848 --> 00:38:01,647 Mother? That Particular Mother - 1006 00:38:01,648 --> 00:38:03,617 That Particular Mother - She Did It to Spite Me. 1007 00:38:03,618 --> 00:38:05,385 She Did It to Spite Me. I Don't Care if She Put A 1008 00:38:05,386 --> 00:38:07,387 I Don't Care if She Put A Pipe Bomb in the Water Heater. 1009 00:38:07,388 --> 00:38:15,361 Pipe Bomb in the Water Heater. You're Going to Fix It Now. 1010 00:38:18,732 --> 00:38:24,470 And the Oscar Goes to - A Alicia Vikander, "The Danish 1011 00:38:24,472 --> 00:38:26,672 Alicia Vikander, "The Danish Girl." 1012 00:38:26,674 --> 00:38:29,274 Girl." This Is the First Oscar And 1013 00:38:29,276 --> 00:38:39,919 This Is the First Oscar And Nomination for Alicia Vikander. 1014 00:38:44,725 --> 00:38:48,293 This Is Insane. Wow. 1015 00:38:48,294 --> 00:38:49,763 Wow. Thank You So Much, the Academy 1016 00:38:49,764 --> 00:38:52,332 Thank You So Much, the Academy For This Incredible Recognition. 1017 00:38:52,333 --> 00:38:54,768 For This Incredible Recognition. I Share This With Our Fabulous 1018 00:38:54,769 --> 00:38:57,137 I Share This With Our Fabulous Crew and Cast and I Want To 1019 00:38:57,138 --> 00:38:58,939 Crew and Cast and I Want To Thank - I Want to Thank Gale 1020 00:38:58,940 --> 00:39:01,274 Thank - I Want to Thank Gale And Ann and Nina and Working 1021 00:39:01,275 --> 00:39:04,177 And Ann and Nina and Working Title and Focus and Tom, Where 1022 00:39:04,178 --> 00:39:04,978 Title and Focus and Tom, Where Are You? 1023 00:39:04,979 --> 00:39:07,279 Are You? My Director - Thank You So Much 1024 00:39:07,280 --> 00:39:09,349 My Director - Thank You So Much For Your Support and Belief In 1025 00:39:09,350 --> 00:39:12,785 For Your Support and Belief In Me and - Eddie, There You Are. 1026 00:39:12,786 --> 00:39:14,154 Me and - Eddie, There You Are. Thank You for Being the Best 1027 00:39:14,155 --> 00:39:15,022 Thank You for Being the Best Acting Partner. 1028 00:39:15,023 --> 00:39:16,757 Acting Partner. I Could Have Never Done It 1029 00:39:16,758 --> 00:39:18,559 I Could Have Never Done It Without You. 1030 00:39:18,560 --> 00:39:18,992 Without You. You Raised My Game. 1031 00:39:18,993 --> 00:39:20,694 You Raised My Game. I Wouldn't Be Here if It Wasn't 1032 00:39:20,695 --> 00:39:25,130 I Wouldn't Be Here if It Wasn't For My Dream Team, Which Is 1033 00:39:25,131 --> 00:39:26,700 For My Dream Team, Which Is Teresa, Charles, Laura, I Want 1034 00:39:26,701 --> 00:39:31,470 Teresa, Charles, Laura, I Want To Thank My Friends and My Mom 1035 00:39:31,471 --> 00:39:33,607 To Thank My Friends and My Mom And Dad - Thank You for Giving 1036 00:39:33,608 --> 00:39:36,742 And Dad - Thank You for Giving Me the Belief That Anything Can 1037 00:39:36,743 --> 00:39:38,244 Me the Belief That Anything Can Happen Even Though I Would Have 1038 00:39:38,245 --> 00:39:38,712 Happen Even Though I Would Have Never Believed This. 1039 00:39:38,713 --> 00:39:44,717 Never Believed This. Thank You. 1040 00:39:44,718 --> 00:39:45,351 Thank You. Announcer: Coming Up, Steve 1041 00:39:45,352 --> 00:39:46,286 Announcer: Coming Up, Steve Carell and Tina Fey. 1042 00:39:46,287 --> 00:39:47,854 Carell and Tina Fey. Music From the Weeknd. 1043 00:39:47,855 --> 00:39:59,198 Music From the Weeknd. Plus, More From Chris Rock. 1044 00:39:59,200 --> 00:40:06,372 Plus, More From Chris Rock. ¶ 1045 00:40:06,374 --> 00:40:08,107 ¶ >we're Black. 1046 00:40:17,161 --> 00:40:20,729 >we're Black. Um - of All the Girl on Girl 1047 00:40:20,730 --> 00:40:22,098 Um - of All the Girl on Girl Movies I Watched This Year, I 1048 00:40:22,099 --> 00:40:24,801 Movies I Watched This Year, I Got to Say, "Carol" Was About 1049 00:40:24,802 --> 00:40:25,168 Got to Say, "Carol" Was About The Third-Best. 1050 00:40:25,169 --> 00:40:26,536 The Third-Best. Here to Present the Award For 1051 00:40:26,537 --> 00:40:28,838 Here to Present the Award For Best Costume Design, 1052 00:40:28,839 --> 00:40:30,573 Best Costume Design, Academy Award Winner and A 1053 00:40:30,574 --> 00:40:33,176 Academy Award Winner and A Nominee Tonight, Ladies And 1054 00:40:33,177 --> 00:40:39,481 Nominee Tonight, Ladies And Gentlemen, Miss Cate Blanchett. 1055 00:40:39,482 --> 00:40:40,116 Gentlemen, Miss Cate Blanchett. Costumes Are Much More Than 1056 00:40:40,117 --> 00:40:43,419 Costumes Are Much More Than Just the Clothes Actors Wear On 1057 00:40:43,420 --> 00:40:43,653 Just the Clothes Actors Wear On Screen. 1058 00:40:43,654 --> 00:40:44,720 Screen. They've Been Called the Skin Of 1059 00:40:44,721 --> 00:40:47,890 They've Been Called the Skin Of The Character, an Integral Part 1060 00:40:47,891 --> 00:40:49,592 The Character, an Integral Part Of Defining the Characters We 1061 00:40:49,593 --> 00:40:49,859 Of Defining the Characters We Play. 1062 00:40:49,860 --> 00:40:50,393 Play. This Award Recognizes The 1063 00:40:50,394 --> 00:40:52,062 This Award Recognizes The Style-Makers, Colorists And 1064 00:40:52,063 --> 00:40:52,695 Style-Makers, Colorists And Fabricators of That Wonderful 1065 00:40:52,696 --> 00:40:55,831 Fabricators of That Wonderful Skin. 1066 00:40:55,832 --> 00:40:57,300 Skin. From Their Abundant Imaginations 1067 00:40:57,301 --> 00:40:59,402 From Their Abundant Imaginations Came Fairytale Fashions, 1068 00:40:59,403 --> 00:41:01,137 Came Fairytale Fashions, Post-Apocalyptic Creations And 1069 00:41:01,138 --> 00:41:02,472 Post-Apocalyptic Creations And Precise Historical 1070 00:41:02,473 --> 00:41:03,139 Precise Historical Reconstructions - All of Them 1071 00:41:03,140 --> 00:41:03,974 Reconstructions - All of Them Masterpieces. 1072 00:41:03,975 --> 00:41:04,975 Masterpieces. Here Are the Nominees For 1073 00:41:04,976 --> 00:41:11,713 Here Are the Nominees For Achievement in Costume Design. 1074 00:41:11,714 --> 00:41:13,149 Achievement in Costume Design. "Cinderella," Costume Design By 1075 00:41:13,150 --> 00:41:19,821 "Cinderella," Costume Design By Sandy Powell. 1076 00:41:19,822 --> 00:41:21,157 Sandy Powell. "The Danish Girl," Costume 1077 00:41:21,158 --> 00:41:27,896 "The Danish Girl," Costume Design by Paco Delgado. 1078 00:41:27,897 --> 00:41:29,165 Design by Paco Delgado. "Carol," Costume Design by Sandy 1079 00:41:29,166 --> 00:41:36,738 "Carol," Costume Design by Sandy Powell. 1080 00:41:36,739 --> 00:41:37,707 Powell. "The Revenant," Costume Design 1081 00:41:37,708 --> 00:41:47,082 "The Revenant," Costume Design By Jacqueline West. 1082 00:41:47,083 --> 00:41:47,683 By Jacqueline West. "Mad Max: Fury Road," Costume 1083 00:41:47,684 --> 00:41:56,058 "Mad Max: Fury Road," Costume Design by Jenny Beavan. 1084 00:41:56,060 --> 00:42:02,864 Design by Jenny Beavan. And the Oscar Goes to - Jenny 1085 00:42:02,866 --> 00:42:06,801 And the Oscar Goes to - Jenny Beavan, "Mad Max: Fury Road." 1086 00:42:06,802 --> 00:42:08,505 Beavan, "Mad Max: Fury Road." This Is the Second Oscar And 1087 00:42:08,506 --> 00:42:10,840 This Is the Second Oscar And Tenth Nomination for Jenny 1088 00:42:10,841 --> 00:42:14,043 Tenth Nomination for Jenny Beavan, Who Took Home Her First 1089 00:42:14,044 --> 00:42:15,245 Beavan, Who Took Home Her First Oscar in This Category for "A 1090 00:42:15,246 --> 00:42:36,631 Oscar in This Category for "A Room With a View." 1091 00:42:36,633 --> 00:42:40,436 Room With a View." What Another Lovely Day. 1092 00:42:40,438 --> 00:42:43,838 What Another Lovely Day. Very Quickly, if Ian Smith, Our 1093 00:42:43,839 --> 00:42:45,341 Very Quickly, if Ian Smith, Our Amazing Executive Producer From 1094 00:42:45,342 --> 00:42:47,310 Amazing Executive Producer From Scotland Hadn't Sent Me a Text, 1095 00:42:47,311 --> 00:42:48,711 Scotland Hadn't Sent Me a Text, Saying, What Are You Doing At 1096 00:42:48,712 --> 00:42:50,547 Saying, What Are You Doing At The Moment, and Then Got Me on A 1097 00:42:50,548 --> 00:42:52,482 The Moment, and Then Got Me on A Plane Out to Meet George Miller 1098 00:42:52,483 --> 00:42:54,150 Plane Out to Meet George Miller And Doug Mitchell, I Wouldn't, 1099 00:42:54,151 --> 00:42:55,918 And Doug Mitchell, I Wouldn't, Obviously, Be Standing Here. 1100 00:42:55,919 --> 00:42:59,188 Obviously, Be Standing Here. It Was a Year of Our Lives In 1101 00:42:59,189 --> 00:43:01,023 It Was a Year of Our Lives In The Namibian Desert. 1102 00:43:01,024 --> 00:43:02,492 The Namibian Desert. We Had the Most Amazing Crew. 1103 00:43:02,493 --> 00:43:05,161 We Had the Most Amazing Crew. I Hope That - I Heard They Want 1104 00:43:05,162 --> 00:43:07,029 I Hope That - I Heard They Want Ticker Tape, the Names Were 1105 00:43:07,030 --> 00:43:08,731 Ticker Tape, the Names Were Going on the Screen, But 1106 00:43:08,732 --> 00:43:09,865 Going on the Screen, But Honestly, if Anybody Wants To 1107 00:43:09,866 --> 00:43:11,167 Honestly, if Anybody Wants To Know More About Any of Them, 1108 00:43:11,168 --> 00:43:13,002 Know More About Any of Them, Just Get in Touch With Me, 1109 00:43:13,003 --> 00:43:16,938 Just Get in Touch With Me, Through My Wonderful Agents. 1110 00:43:16,940 --> 00:43:20,809 Through My Wonderful Agents. But It Was an Incredible 1111 00:43:20,810 --> 00:43:22,412 But It Was an Incredible Experience, So, I Just Want To 1112 00:43:22,413 --> 00:43:23,946 Experience, So, I Just Want To Say One Quite Serious Thing And 1113 00:43:23,947 --> 00:43:25,515 Say One Quite Serious Thing And I've Been Thinking About This A 1114 00:43:25,516 --> 00:43:28,817 I've Been Thinking About This A Lot, but Actually, It Could Be 1115 00:43:28,819 --> 00:43:32,921 Lot, but Actually, It Could Be Horribly Prophetic, Mad Fax, If 1116 00:43:32,922 --> 00:43:34,924 Horribly Prophetic, Mad Fax, If Were Don't Stop Polluting Our 1117 00:43:34,925 --> 00:43:35,525 Were Don't Stop Polluting Our Atmosphere, So, You Know, It 1118 00:43:35,526 --> 00:43:48,170 Atmosphere, So, You Know, It Could Happen. 1119 00:43:48,171 --> 00:43:49,139 Could Happen. Announcer: Please Welcome 1120 00:43:49,140 --> 00:43:49,705 Announcer: Please Welcome Tina Fey and Oscar Nominee, 1121 00:43:49,706 --> 00:44:01,216 Tina Fey and Oscar Nominee, Steve Carell. 1122 00:44:01,217 --> 00:44:02,218 Steve Carell. Production Designers Take Us 1123 00:44:02,219 --> 00:44:04,354 Production Designers Take Us To Beautiful New Worlds. 1124 00:44:04,355 --> 00:44:07,456 To Beautiful New Worlds. The Interior of a Spaceship. 1125 00:44:07,458 --> 00:44:12,127 The Interior of a Spaceship. The Thing Where a Bear Lives. 1126 00:44:12,128 --> 00:44:12,662 The Thing Where a Bear Lives. An Art Studio in 1920s 1127 00:44:12,663 --> 00:44:15,764 An Art Studio in 1920s Copenhagen. 1128 00:44:15,766 --> 00:44:19,901 Copenhagen. Tom Hanks's House? 1129 00:44:19,902 --> 00:44:20,537 Tom Hanks's House? A Tyrant's Mountain Lair In 1130 00:44:20,538 --> 00:44:21,837 A Tyrant's Mountain Lair In The Dystopian Steampunk Future. 1131 00:44:21,838 --> 00:44:24,439 The Dystopian Steampunk Future. What? 1132 00:44:24,441 --> 00:44:27,543 What? Tina Has Been Drinking. 1133 00:44:27,544 --> 00:44:28,144 Tina Has Been Drinking. But That Should Not Take Away 1134 00:44:28,145 --> 00:44:29,111 But That Should Not Take Away From the Beautiful Work of This 1135 00:44:29,112 --> 00:44:31,914 From the Beautiful Work of This Year's Nominees for Best 1136 00:44:31,915 --> 00:44:36,918 Year's Nominees for Best Production Design. 1137 00:44:36,919 --> 00:44:37,387 Production Design. The Nonimees Are - 1138 00:44:37,388 --> 00:44:39,055 The Nonimees Are - "Bridge of Spies," Production 1139 00:44:39,056 --> 00:44:40,590 "Bridge of Spies," Production Design by Adam Stockhausen And 1140 00:44:40,591 --> 00:44:42,659 Design by Adam Stockhausen And Set Decoration by Rena Deangelo 1141 00:44:42,660 --> 00:44:45,261 Set Decoration by Rena Deangelo And Bernhard Henrich. 1142 00:44:45,262 --> 00:44:48,397 And Bernhard Henrich. "The Danish Girl," Production 1143 00:44:48,398 --> 00:44:49,165 "The Danish Girl," Production Design by Eve Stewart and Set 1144 00:44:49,166 --> 00:44:54,603 Design by Eve Stewart and Set Decoration by Michael Standish. 1145 00:44:54,604 --> 00:44:56,172 Decoration by Michael Standish. "The Martian," Production Design 1146 00:44:56,173 --> 00:44:57,773 "The Martian," Production Design By Arthur Max and Set Decoration 1147 00:44:57,774 --> 00:45:02,944 By Arthur Max and Set Decoration By Celia Bobak. 1148 00:45:02,945 --> 00:45:05,047 By Celia Bobak. "The Revenant," Production 1149 00:45:05,048 --> 00:45:06,616 "The Revenant," Production Design by Jack Fisk and Set 1150 00:45:06,617 --> 00:45:13,888 Design by Jack Fisk and Set Decoration by Hamish Purdy. 1151 00:45:13,889 --> 00:45:15,391 Decoration by Hamish Purdy. "Mad Max: Fury Road," Production 1152 00:45:15,392 --> 00:45:16,025 "Mad Max: Fury Road," Production Design by Colin Gibson and Set 1153 00:45:16,026 --> 00:45:24,299 Design by Colin Gibson and Set Decoration by Lisa Thompson. 1154 00:45:24,301 --> 00:45:30,672 Decoration by Lisa Thompson. And the Oscar Goes to - "Mad 1155 00:45:30,674 --> 00:45:35,611 And the Oscar Goes to - "Mad Max: Fury Road." 1156 00:45:35,612 --> 00:45:37,913 Max: Fury Road." Colin Gibson and Lisa Thompson. 1157 00:45:37,914 --> 00:45:39,849 Colin Gibson and Lisa Thompson. This Is the First Oscar And 1158 00:45:39,850 --> 00:45:44,018 This Is the First Oscar And Nomination for Colin Gibson And 1159 00:45:44,020 --> 00:45:52,527 Nomination for Colin Gibson And Lisa Thompson. 1160 00:46:05,662 --> 00:46:11,481 It Never Ceases to Annoy Me How Many People It Takes to Make 1161 00:46:11,482 --> 00:46:15,484 How Many People It Takes to Make Me Look Competent, So You Get 1162 00:46:15,486 --> 00:46:18,587 Me Look Competent, So You Get One of These, You Get an Idea Of 1163 00:46:18,588 --> 00:46:21,324 One of These, You Get an Idea Of The Multitudes of Australians, 1164 00:46:21,325 --> 00:46:23,225 The Multitudes of Australians, New Zealanders, Brits, 1165 00:46:23,226 --> 00:46:26,361 New Zealanders, Brits, Americans, South Africans, 1166 00:46:26,362 --> 00:46:27,997 Americans, South Africans, Namibians, Who All Came Together 1167 00:46:27,998 --> 00:46:29,098 Namibians, Who All Came Together Under George's Vision to Bring 1168 00:46:29,099 --> 00:46:31,066 Under George's Vision to Bring You a Tale About a Man With 1169 00:46:31,067 --> 00:46:35,337 You a Tale About a Man With Mental Health Issues, an Amputee 1170 00:46:35,338 --> 00:46:37,173 Mental Health Issues, an Amputee Amazon and Five Runaway Sex 1171 00:46:37,174 --> 00:46:38,574 Amazon and Five Runaway Sex Slaves, So, I'd Like to Chalk 1172 00:46:38,575 --> 00:46:40,810 Slaves, So, I'd Like to Chalk This One Up as the First Oscar 1173 00:46:40,811 --> 00:46:44,245 This One Up as the First Oscar For Diversity. 1174 00:46:44,246 --> 00:46:45,682 For Diversity. Thank You, Academy, and Thank 1175 00:46:45,683 --> 00:46:46,783 Thank You, Academy, and Thank You to the Most Amazing Crew. 1176 00:46:46,784 --> 00:46:52,253 You to the Most Amazing Crew. Thank You. 1177 00:46:52,254 --> 00:46:53,756 Thank You. Announcer: Ladies And 1178 00:46:53,757 --> 00:46:54,357 Announcer: Ladies And Gentlemen, Margot Robbie And 1179 00:46:54,358 --> 00:46:59,561 Gentlemen, Margot Robbie And Oscar Winner, Jared Leto. 1180 00:46:59,562 --> 00:47:01,163 Oscar Winner, Jared Leto. Every Actor Knows That A 1181 00:47:01,164 --> 00:47:03,799 Every Actor Knows That A Memorable Character Is A 1182 00:47:03,800 --> 00:47:04,500 Memorable Character Is A Collaboration With a Lot Of 1183 00:47:04,501 --> 00:47:05,635 Collaboration With a Lot Of Different People, Especially 1184 00:47:05,636 --> 00:47:07,136 Different People, Especially With This Next Group Of 1185 00:47:07,137 --> 00:47:07,603 With This Next Group Of Nominees. 1186 00:47:07,604 --> 00:47:10,405 Nominees. Without the Genius 1187 00:47:10,406 --> 00:47:11,774 Without the Genius Contributions of Makeup Artists 1188 00:47:11,775 --> 00:47:13,343 Contributions of Makeup Artists And Hair Stylists, We Wouldn't 1189 00:47:13,344 --> 00:47:15,144 And Hair Stylists, We Wouldn't Lose Ourselves in Classic Films 1190 00:47:15,145 --> 00:47:19,514 Lose Ourselves in Classic Films Like "The Godfather," "Elephant 1191 00:47:19,515 --> 00:47:22,585 Like "The Godfather," "Elephant Man," "Raging Bull," "Magic Mike 1192 00:47:22,586 --> 00:47:25,153 Man," "Raging Bull," "Magic Mike 2." 1193 00:47:25,155 --> 00:47:28,256 2." Think About It. 1194 00:47:28,257 --> 00:47:29,392 Think About It. Let's Be Honest. 1195 00:47:29,393 --> 00:47:32,361 Let's Be Honest. They Deserve an Award Just For 1196 00:47:32,362 --> 00:47:33,563 They Deserve an Award Just For Putting Up With These Actors, 1197 00:47:33,564 --> 00:47:36,998 Putting Up With These Actors, Not to Mention the Prosthetics, 1198 00:47:36,999 --> 00:47:37,533 Not to Mention the Prosthetics, The Wigs. 1199 00:47:37,534 --> 00:47:39,334 The Wigs. The Occasional Merkin. 1200 00:47:39,335 --> 00:47:41,170 The Occasional Merkin. If You Happen to Be Laughing, 1201 00:47:41,171 --> 00:47:41,871 If You Happen to Be Laughing, Please Explain It to the Person 1202 00:47:41,872 --> 00:47:44,272 Please Explain It to the Person Next to You. 1203 00:47:44,274 --> 00:47:46,875 Next to You. And if You Aren't, Google It. 1204 00:47:46,876 --> 00:47:47,943 And if You Aren't, Google It. Here Are the Nominees For 1205 00:47:47,944 --> 00:47:48,511 Here Are the Nominees For Achievement in Makeup And 1206 00:47:48,512 --> 00:47:53,648 Achievement in Makeup And Hairstyling. 1207 00:47:53,649 --> 00:47:55,718 Hairstyling. "Mad Max: Fury Road," Lesley 1208 00:47:55,719 --> 00:47:56,318 "Mad Max: Fury Road," Lesley Vanderwalt, Elka Wardega And 1209 00:47:56,319 --> 00:48:01,423 Vanderwalt, Elka Wardega And Damian Martin. 1210 00:48:01,425 --> 00:48:05,126 Damian Martin. "The 100-Year-Old Man Who 1211 00:48:05,127 --> 00:48:05,695 "The 100-Year-Old Man Who Climbed Out the Window And 1212 00:48:05,696 --> 00:48:06,295 Climbed Out the Window And Disappeared," Love Larson And 1213 00:48:06,296 --> 00:48:12,868 Disappeared," Love Larson And Eva Von Bahr. 1214 00:48:12,869 --> 00:48:13,903 Eva Von Bahr. "The Revenant," Sian Grigg, 1215 00:48:13,904 --> 00:48:14,437 "The Revenant," Sian Grigg, Duncan Jarman and Robert 1216 00:48:14,438 --> 00:48:22,076 Duncan Jarman and Robert Pandini. 1217 00:48:22,078 --> 00:48:31,052 Pandini. And the Oscar Goes to - "Mad 1218 00:48:31,054 --> 00:48:37,826 And the Oscar Goes to - "Mad Max: Fury Road." 1219 00:48:37,828 --> 00:48:40,061 Max: Fury Road." This Is the First Oscar And 1220 00:48:40,063 --> 00:48:42,697 This Is the First Oscar And Nomination for Lesley 1221 00:48:42,699 --> 00:48:49,137 Nomination for Lesley Vanderwalt, Elka Wardega And 1222 00:48:49,139 --> 00:48:59,948 Vanderwalt, Elka Wardega And Damian Martin. 1223 00:49:22,572 --> 00:49:25,406 Wow. Amazing. 1224 00:49:25,408 --> 00:49:27,476 Amazing. You Can Pop the Corks at Home, 1225 00:49:27,478 --> 00:49:31,179 You Can Pop the Corks at Home, We're Bringing Home Gold. 1226 00:49:31,180 --> 00:49:31,547 We're Bringing Home Gold. Fantastic. 1227 00:49:31,548 --> 00:49:33,515 Fantastic. Thank You Very Much to The 1228 00:49:33,516 --> 00:49:33,749 Thank You Very Much to The Academy. 1229 00:49:33,750 --> 00:49:34,951 Academy. Thank You Very Much to Warner 1230 00:49:34,952 --> 00:49:35,284 Thank You Very Much to Warner Brothers. 1231 00:49:35,285 --> 00:49:37,186 Brothers. Thank You to All of Fantastic 1232 00:49:37,187 --> 00:49:38,287 Thank You to All of Fantastic Crew Across the Globe. 1233 00:49:38,288 --> 00:49:40,055 Crew Across the Globe. There Were Many of Them, As 1234 00:49:40,056 --> 00:49:40,356 There Were Many of Them, As Colin Said. 1235 00:49:40,357 --> 00:49:42,924 Colin Said. A Lot of It Has Already Been 1236 00:49:42,925 --> 00:49:44,594 A Lot of It Has Already Been Said by Jenny and Colin, But 1237 00:49:44,595 --> 00:49:46,428 Said by Jenny and Colin, But Once Again, We Want to Thank 1238 00:49:46,429 --> 00:49:49,631 Once Again, We Want to Thank George, Who Is, You Know, It Was 1239 00:49:49,632 --> 00:49:51,868 George, Who Is, You Know, It Was His Vision, His Vision, And 1240 00:49:51,869 --> 00:49:53,603 His Vision, His Vision, And Thank You for Taking Us All 1241 00:49:53,604 --> 00:49:53,803 Thank You for Taking Us All Along. 1242 00:49:53,804 --> 00:49:56,505 Along. You're Amazing, George, We Love 1243 00:49:56,506 --> 00:49:56,672 You're Amazing, George, We Love You. 1244 00:49:56,673 --> 00:49:58,272 You. And Just Like to Thank My 1245 00:49:58,274 --> 00:50:01,242 And Just Like to Thank My Parents and My Beautiful 1246 00:50:01,243 --> 00:50:02,545 Parents and My Beautiful One-Week-Old Today Daughter And 1247 00:50:02,546 --> 00:50:04,413 One-Week-Old Today Daughter And Her Beautiful Mother. 1248 00:50:04,414 --> 00:50:06,682 Her Beautiful Mother. And All Our Supporters Back 1249 00:50:06,683 --> 00:50:06,883 And All Our Supporters Back Home. 1250 00:50:06,884 --> 00:50:07,683 Home. Thank You So Much. 1251 00:50:07,684 --> 00:50:12,286 Thank You So Much. Thank You to the Academy. 1252 00:50:12,287 --> 00:50:14,089 Thank You to the Academy. Announcer: Ladies And 1253 00:50:14,090 --> 00:50:14,891 Announcer: Ladies And Gentlemen, Please Welcome Oscar 1254 00:50:14,892 --> 00:50:15,457 Gentlemen, Please Welcome Oscar Winner Benicio Del Toro And 1255 00:50:15,458 --> 00:50:26,167 Winner Benicio Del Toro And Jennifer Garner. 1256 00:50:29,104 --> 00:50:32,206 A "Revenant" - a Dead Spirit That Comes Back to Life To 1257 00:50:32,208 --> 00:50:36,811 That Comes Back to Life To Terrorize the Living. 1258 00:50:36,812 --> 00:50:37,446 Terrorize the Living. Regarding Our Next Best Picture 1259 00:50:37,447 --> 00:50:38,014 Regarding Our Next Best Picture Nominee, It Represents The 1260 00:50:38,015 --> 00:50:41,115 Nominee, It Represents The Extraordinary Power of Human 1261 00:50:41,116 --> 00:50:42,018 Extraordinary Power of Human Endurance. 1262 00:50:42,019 --> 00:50:43,586 Endurance. Inspired by True Events, It's 1263 00:50:43,587 --> 00:50:47,188 Inspired by True Events, It's The Epic Tale of a Legendary 1264 00:50:47,189 --> 00:50:49,091 The Epic Tale of a Legendary Explorer's Quest to Survive A 1265 00:50:49,092 --> 00:50:51,861 Explorer's Quest to Survive A Vicious Winter and Find 1266 00:50:51,862 --> 00:50:52,494 Vicious Winter and Find Redemption After He's Brutally 1267 00:50:52,495 --> 00:50:54,496 Redemption After He's Brutally Mauled and Left for Dead. 1268 00:50:54,497 --> 00:50:59,400 Mauled and Left for Dead. Here Is "The Revenant." 1269 00:51:03,673 --> 00:51:08,176 You Know How Far I Came For Him. 1270 00:51:08,178 --> 00:51:12,213 Him. He's Afraid. 1271 00:51:12,214 --> 00:51:13,182 He's Afraid. Right Here on the Smart End 1272 00:51:13,183 --> 00:51:21,089 Right Here on the Smart End Of This Rifle. 1273 00:51:21,090 --> 00:51:22,191 Of This Rifle. Be Here for as Long As 1274 00:51:22,192 --> 00:51:22,458 Be Here for as Long As Necessary. 1275 00:51:22,459 --> 00:51:23,825 Necessary. I Understand. 1276 00:51:23,826 --> 00:51:24,894 I Understand. I Do That for You. 1277 00:51:24,895 --> 00:51:27,896 I Do That for You. I Aunt Afraid to Die. 1278 00:51:27,898 --> 00:51:39,941 I Aunt Afraid to Die. I've Done It Already. 1279 00:51:41,464 --> 00:51:46,148 In Our Next Best Picture Nominee, Civilization Has 1280 00:51:46,149 --> 00:51:46,749 Nominee, Civilization Has Collapsed and the World Is A 1281 00:51:46,750 --> 00:51:49,818 Collapsed and the World Is A Toxic Wasteland. 1282 00:51:49,820 --> 00:51:53,154 Toxic Wasteland. Two Rebels Are Pursued by A 1283 00:51:53,155 --> 00:51:55,457 Two Rebels Are Pursued by A Ruthless Tyrant and His Gangs In 1284 00:51:55,458 --> 00:51:55,958 Ruthless Tyrant and His Gangs In A High-Octane Road War. 1285 00:51:55,959 --> 00:52:00,328 A High-Octane Road War. Here Is "Mad Max: Fury Road." 1286 00:52:04,233 --> 00:52:08,903 As the World Fell, Each Of Us, in Our Own Way, Was Broken. 1287 00:52:08,904 --> 00:52:10,572 Us, in Our Own Way, Was Broken. It Was Hard to Know Who Was More 1288 00:52:10,573 --> 00:52:14,009 It Was Hard to Know Who Was More Crazy. 1289 00:52:14,011 --> 00:52:18,113 Crazy. Me or Everyone Else. 1290 00:52:18,115 --> 00:52:21,783 Me or Everyone Else. I Am the One Reduced to a Single 1291 00:52:21,784 --> 00:52:22,685 I Am the One Reduced to a Single Entity. 1292 00:52:22,686 --> 00:52:26,021 Entity. Survive. 1293 00:52:26,023 --> 00:52:35,630 Survive. My Name Is Max. 1294 00:52:35,631 --> 00:52:37,633 My Name Is Max. Announcer: Coming Up, More 1295 00:52:37,634 --> 00:52:47,208 Announcer: Coming Up, More From Chris Rock, Live. 1296 00:52:47,210 --> 00:52:51,112 From Chris Rock, Live. ¶ 1297 00:52:51,114 --> 00:52:53,714 ¶ >okay, It's Always 1298 00:53:00,137 --> 00:53:02,705 >okay, It's Always Fascinating to Meet the Real 1299 00:53:02,706 --> 00:53:03,474 Fascinating to Meet the Real People That the Movies Are Based 1300 00:53:03,475 --> 00:53:03,841 People That the Movies Are Based On. 1301 00:53:03,842 --> 00:53:06,141 On. And Some of Them Are Here 1302 00:53:06,142 --> 00:53:06,376 And Some of Them Are Here Tonight. 1303 00:53:06,377 --> 00:53:10,079 Tonight. From "Joy," the Real Joy Mangano 1304 00:53:10,080 --> 00:53:10,347 From "Joy," the Real Joy Mangano Is Here. 1305 00:53:10,348 --> 00:53:15,217 Is Here. Give It Up for Joy. 1306 00:53:15,218 --> 00:53:17,187 Give It Up for Joy. From "Spotlight," the Boston 1307 00:53:17,188 --> 00:53:22,525 From "Spotlight," the Boston Globe Reporter, the Real Mike 1308 00:53:22,526 --> 00:53:22,926 Globe Reporter, the Real Mike Rezendes Is Here. 1309 00:53:22,927 --> 00:53:25,595 Rezendes Is Here. Give It Up for Mike. 1310 00:53:25,597 --> 00:53:28,898 Give It Up for Mike. And From "Straight Outta 1311 00:53:28,899 --> 00:53:31,234 And From "Straight Outta Compton," the Real Suge Knight 1312 00:53:31,235 --> 00:53:32,035 Compton," the Real Suge Knight Is Here. 1313 00:53:32,036 --> 00:53:36,038 Is Here. Give It Up for Suge. 1314 00:53:36,040 --> 00:53:38,975 Give It Up for Suge. Gld to See You Could Make It, 1315 00:53:38,976 --> 00:53:39,175 Gld to See You Could Make It, Suge. 1316 00:53:39,176 --> 00:53:42,011 Suge. Please Welcome One of Tonight's 1317 00:53:42,013 --> 00:53:46,482 Please Welcome One of Tonight's Nominees, Rachel McAdams and A 1318 00:53:46,483 --> 00:53:47,985 Nominees, Rachel McAdams and A Shoulda Been Nominee, Michael B. 1319 00:53:47,986 --> 00:53:53,689 Shoulda Been Nominee, Michael B. Jordan. 1320 00:53:54,431 --> 00:53:59,663 The Unique Visual Styles Composed by Our Next Nominees 1321 00:53:59,664 --> 00:54:00,664 Composed by Our Next Nominees Were Achieved by Creative Use Of 1322 00:54:00,665 --> 00:54:01,297 Were Achieved by Creative Use Of Formats as Varied as the Stories 1323 00:54:01,298 --> 00:54:04,834 Formats as Varied as the Stories They Captured. 1324 00:54:04,835 --> 00:54:05,468 They Captured. From a Soft and Subtle Love 1325 00:54:05,469 --> 00:54:05,903 From a Soft and Subtle Love Story Shot on Super 1326 00:54:05,904 --> 00:54:09,204 Story Shot on Super 16-Millimeter Film, to A 1327 00:54:09,206 --> 00:54:12,474 16-Millimeter Film, to A Larger-Than-Life Action Thriller 1328 00:54:12,476 --> 00:54:19,515 Larger-Than-Life Action Thriller Shot in the Widesk Pwidescreen 1329 00:54:19,516 --> 00:54:20,817 Shot in the Widesk Pwidescreen 70-Millimeter Format, Not Used 1330 00:54:20,818 --> 00:54:23,186 70-Millimeter Format, Not Used Since the 1960s, Here Are The 1331 00:54:23,187 --> 00:54:23,954 Since the 1960s, Here Are The Nominees for Achievement In 1332 00:54:23,955 --> 00:54:26,455 Nominees for Achievement In Cinematography. 1333 00:54:26,456 --> 00:54:27,024 Cinematography. "The Hateful Eight," Robert 1334 00:54:27,025 --> 00:54:33,062 "The Hateful Eight," Robert Richardson. 1335 00:54:33,064 --> 00:54:48,143 Richardson. "Carol," Ed Lachman. 1336 00:54:48,145 --> 00:54:59,589 "Carol," Ed Lachman. "Sicario," Roger Deakins. 1337 00:54:59,590 --> 00:55:00,156 "Sicario," Roger Deakins. "Mad Max: Fury Road," John 1338 00:55:00,157 --> 00:55:12,101 "Mad Max: Fury Road," John Seale. 1339 00:55:12,102 --> 00:55:12,636 Seale. "The Revenant," Emmanuel 1340 00:55:12,637 --> 00:55:27,883 "The Revenant," Emmanuel Lubezki. 1341 00:55:27,885 --> 00:55:40,062 Lubezki. And the Oscar Goes to - E Manul 1342 00:55:40,064 --> 00:55:42,531 And the Oscar Goes to - E Manul Liubezki 1343 00:55:42,532 --> 00:55:43,333 Liubezki Lubezki, "The Revenant." 1344 00:55:43,334 --> 00:55:47,369 Lubezki, "The Revenant." This Is the Second Win For 1345 00:55:47,370 --> 00:55:49,172 This Is the Second Win For Emanuel Llubezki. 1346 00:55:49,173 --> 00:55:51,641 Emanuel Llubezki. He Has a Total of Eight Career 1347 00:55:51,643 --> 00:56:00,983 He Has a Total of Eight Career Nominations. 1348 00:56:00,984 --> 00:56:02,085 Nominations. Academy, Thank You So Much. 1349 00:56:02,086 --> 00:56:03,553 Academy, Thank You So Much. This Is Incredible. 1350 00:56:03,554 --> 00:56:05,221 This Is Incredible. I Want to Share It With the Cast 1351 00:56:05,222 --> 00:56:10,026 I Want to Share It With the Cast And Crew, Especially With My 1352 00:56:10,028 --> 00:56:22,772 And Crew, Especially With My Come Pcompadre,innaritu. 1353 00:56:22,773 --> 00:56:23,674 Come Pcompadre,innaritu. Leo and Tom. 1354 00:56:23,675 --> 00:56:26,642 Leo and Tom. All the Producers, Regency And 1355 00:56:26,643 --> 00:56:28,011 All the Producers, Regency And Fox, All the Freedom And 1356 00:56:28,012 --> 00:56:28,745 Fox, All the Freedom And Support. 1357 00:56:28,746 --> 00:56:33,582 Support. My Wife, Lauren, I Love You So 1358 00:56:33,583 --> 00:56:34,084 My Wife, Lauren, I Love You So Much. 1359 00:56:34,085 --> 00:56:35,250 Much. Happy Birthday. 1360 00:56:35,252 --> 00:56:39,188 Happy Birthday. To My Parents, My Friends and To 1361 00:56:39,190 --> 00:56:42,591 To My Parents, My Friends and To All the Cinematographers That 1362 00:56:42,592 --> 00:56:45,562 All the Cinematographers That Were Nominated With Me, I Admire 1363 00:56:45,563 --> 00:56:48,864 Were Nominated With Me, I Admire You So Much, I Love Your Work. 1364 00:56:48,866 --> 00:56:55,604 You So Much, I Love Your Work. Alejandro, Thank You So Much. 1365 00:56:55,605 --> 00:56:56,606 Alejandro, Thank You So Much. Announcer: And Now, Please 1366 00:56:56,607 --> 00:56:57,240 Announcer: And Now, Please Welcome Priyanka Chopra and Liev 1367 00:56:57,241 --> 00:57:04,714 Welcome Priyanka Chopra and Liev Schreiber. 1368 00:57:09,513 --> 00:57:13,824 All Night Tonight, We've Been Taking You Through The 1369 00:57:13,825 --> 00:57:16,459 Taking You Through The Filmmaking Process as We Present 1370 00:57:16,460 --> 00:57:17,194 Filmmaking Process as We Present This Year's Oscars. 1371 00:57:17,195 --> 00:57:18,161 This Year's Oscars. We Started With the Script, 1372 00:57:18,162 --> 00:57:20,063 We Started With the Script, Added in Our Essential 1373 00:57:20,064 --> 00:57:22,099 Added in Our Essential Production Elements - Design, 1374 00:57:22,100 --> 00:57:22,733 Production Elements - Design, Costumes, Hair and Make-Up And 1375 00:57:22,734 --> 00:57:24,735 Costumes, Hair and Make-Up And Cinematography. 1376 00:57:24,736 --> 00:57:26,269 Cinematography. Once Shooting Begins, The 1377 00:57:26,270 --> 00:57:29,238 Once Shooting Begins, The Footage Eventually Ends Up In 1378 00:57:29,239 --> 00:57:31,474 Footage Eventually Ends Up In The Skillful Hands of an Editor. 1379 00:57:31,475 --> 00:57:32,075 The Skillful Hands of an Editor. The Subtle Brilliance of This 1380 00:57:32,076 --> 00:57:34,644 The Subtle Brilliance of This Next Group of Artists Comes 1381 00:57:34,645 --> 00:57:35,278 Next Group of Artists Comes Through in the Almost Invisible 1382 00:57:35,279 --> 00:57:38,281 Through in the Almost Invisible Rhythms of Great Filmmaking. 1383 00:57:38,282 --> 00:57:43,986 Rhythms of Great Filmmaking. Here Are the Nominees For 1384 00:57:43,987 --> 00:57:45,188 Here Are the Nominees For Achievement in Film Editing. 1385 00:57:45,189 --> 00:57:52,795 Achievement in Film Editing. "The Big Short," Hank Corwin. 1386 00:57:52,796 --> 00:57:54,097 "The Big Short," Hank Corwin. From the Boston Globe. 1387 00:57:54,098 --> 00:58:00,169 From the Boston Globe. What Do You Want? 1388 00:58:00,170 --> 00:58:00,937 What Do You Want? "Spotlight," Tom McArdle 1389 00:58:00,938 --> 00:58:04,640 "Spotlight," Tom McArdle I Would Just Like to Ask A 1390 00:58:04,641 --> 00:58:04,841 I Would Just Like to Ask A Few - 1391 00:58:04,842 --> 00:58:05,408 Few - "The Revenant," Stephen 1392 00:58:05,409 --> 00:58:13,215 "The Revenant," Stephen Mirrione. 1393 00:58:13,216 --> 00:58:13,750 Mirrione. "Star Wars: The Force 1394 00:58:13,751 --> 00:58:17,186 "Star Wars: The Force Awakens," Maryann Brandon And 1395 00:58:17,188 --> 00:58:19,721 Awakens," Maryann Brandon And Mary Jo Markey. 1396 00:58:19,722 --> 00:58:20,356 Mary Jo Markey. "Mad Max: Fury Road," Margaret 1397 00:58:20,357 --> 00:58:30,666 "Mad Max: Fury Road," Margaret Sixel. 1398 00:58:30,668 --> 00:58:36,738 Sixel. And the Oscar Goes to - 1399 00:58:36,740 --> 00:58:40,810 And the Oscar Goes to - Margaret Sixel, "Mad Max: Fury 1400 00:58:40,812 --> 00:58:45,614 Margaret Sixel, "Mad Max: Fury Road." 1401 00:58:45,616 --> 00:58:47,817 Road." This Is the First Oscar And 1402 00:58:47,819 --> 00:59:00,095 This Is the First Oscar And Nomination for Margaret Sixel. 1403 00:59:00,097 --> 00:59:07,469 Nomination for Margaret Sixel. Wow. 1404 00:59:07,471 --> 00:59:09,404 Wow. Mad Max Is Doing Okay Tonight. 1405 00:59:09,405 --> 00:59:11,041 Mad Max Is Doing Okay Tonight. Thank You So Much to The 1406 00:59:11,042 --> 00:59:11,407 Thank You So Much to The Academy. 1407 00:59:11,408 --> 00:59:12,909 Academy. Mad Max Was the Best Reviewed 1408 00:59:12,910 --> 00:59:14,110 Mad Max Was the Best Reviewed Film of 2015. 1409 00:59:14,111 --> 00:59:15,912 Film of 2015. Audiences Loved It, and to Be 1410 00:59:15,913 --> 00:59:17,413 Audiences Loved It, and to Be Honored Tonight Is Just More 1411 00:59:17,414 --> 00:59:19,782 Honored Tonight Is Just More Than We Could Have Ever Hoped 1412 00:59:19,783 --> 00:59:20,383 Than We Could Have Ever Hoped For. 1413 00:59:20,384 --> 00:59:23,018 For. But It Took Enormous Creative 1414 00:59:23,019 --> 00:59:24,454 But It Took Enormous Creative Courage and Guts to Make This 1415 00:59:24,455 --> 00:59:24,754 Courage and Guts to Make This Film. 1416 00:59:24,755 --> 00:59:26,655 Film. So, I Want to Say Thanks To 1417 00:59:26,656 --> 00:59:29,159 So, I Want to Say Thanks To George Miller, Doug Mitchell, 1418 00:59:29,160 --> 00:59:31,161 George Miller, Doug Mitchell, The Whole Crew That Endured Six 1419 00:59:31,162 --> 00:59:32,829 The Whole Crew That Endured Six Months in the Desert to Bring 1420 00:59:32,830 --> 00:59:36,398 Months in the Desert to Bring Back the Most Amazing Footage. 1421 00:59:36,399 --> 00:59:38,735 Back the Most Amazing Footage. It's in the Edit Room That The 1422 00:59:38,736 --> 00:59:40,436 It's in the Edit Room That The Film Is Finally Forged. 1423 00:59:40,437 --> 00:59:45,207 Film Is Finally Forged. It's the Final Rewrite. 1424 00:59:45,209 --> 00:59:47,709 It's the Final Rewrite. So, I Want to Thank All The 1425 00:59:47,710 --> 00:59:49,079 So, I Want to Thank All The Working Posts Who Work With 1426 00:59:49,080 --> 00:59:50,947 Working Posts Who Work With Their Hands, Heads and Most 1427 00:59:50,948 --> 00:59:53,183 Their Hands, Heads and Most Importantly, Their Hearts. 1428 00:59:53,184 --> 01:00:00,089 Importantly, Their Hearts. Thank You. 1429 01:00:07,597 --> 01:00:10,665 In Honor of Black History Month, the Academy of Motion 1430 01:00:10,666 --> 01:00:12,435 Month, the Academy of Motion Pictures and Arts and Science 1431 01:00:12,436 --> 01:00:14,404 Pictures and Arts and Science Has Prepared This Special 1432 01:00:14,405 --> 01:00:14,737 Has Prepared This Special Presentation. 1433 01:00:14,738 --> 01:00:19,308 Presentation. Let's Take a Look. 1434 01:00:19,310 --> 01:00:22,111 Let's Take a Look. Hello. 1435 01:00:22,112 --> 01:00:23,146 Hello. I'm Angela Bassett. 1436 01:00:23,147 --> 01:00:25,448 I'm Angela Bassett. The Academy of Motion Picture 1437 01:00:25,449 --> 01:00:27,317 The Academy of Motion Picture Arts and Sciences Has Long 1438 01:00:27,318 --> 01:00:29,052 Arts and Sciences Has Long Acknowledged People of Color. 1439 01:00:29,053 --> 01:00:30,787 Acknowledged People of Color. And Tonight, We Honor Someone 1440 01:00:30,788 --> 01:00:32,789 And Tonight, We Honor Someone Who Has Shattered Barriers With 1441 01:00:32,790 --> 01:00:35,225 Who Has Shattered Barriers With His Groundbreaking Performances. 1442 01:00:35,226 --> 01:00:37,827 His Groundbreaking Performances. Whether in Serious Dramas Like 1443 01:00:37,828 --> 01:00:40,530 Whether in Serious Dramas Like "Enemy of the State" or In 1444 01:00:40,531 --> 01:00:43,099 "Enemy of the State" or In Whimsical Productions Like 1445 01:00:43,100 --> 01:00:47,002 Whimsical Productions Like "Shark Tale" or When He Was A 1446 01:00:47,003 --> 01:00:49,372 "Shark Tale" or When He Was A Fresher Talent, This Man Has 1447 01:00:49,373 --> 01:00:52,075 Fresher Talent, This Man Has Long Been an Inspiration to His 1448 01:00:52,076 --> 01:00:52,309 Long Been an Inspiration to His People. 1449 01:00:52,310 --> 01:00:55,744 People. You Can Call It Actor, Producer, 1450 01:00:55,746 --> 01:00:58,680 You Can Call It Actor, Producer, Comedian, Musician. 1451 01:00:58,682 --> 01:01:02,351 Comedian, Musician. But We Just Like to Call Him 1452 01:01:02,353 --> 01:01:04,386 But We Just Like to Call Him Jack Black. 1453 01:01:04,387 --> 01:01:06,289 Jack Black. For Black History Month Minute, 1454 01:01:06,290 --> 01:01:16,398 For Black History Month Minute, I'm Angela Bassett. 1455 01:01:16,399 --> 01:01:17,167 I'm Angela Bassett. Announcer: The Minions Are On 1456 01:01:17,168 --> 01:01:28,377 Announcer: The Minions Are On Their Way. 1457 01:01:28,378 --> 01:01:29,179 Their Way. And Coming Up, Music From The 1458 01:01:29,180 --> 01:01:37,352 And Coming Up, Music From The Weeknd, and La 1459 01:01:37,354 --> 01:01:48,397 Weeknd, and La ¶ 1460 01:01:48,399 --> 01:01:49,909 ¶ Announcer: Please Welcome 1461 01:01:53,893 --> 01:01:57,289 Announcer: Please Welcome Chadwick Boseman and Chris 1462 01:01:57,290 --> 01:02:07,264 Chadwick Boseman and Chris Evans. 1463 01:02:15,540 --> 01:02:20,277 Chris and I Have Been Asked To Present Two Awards to The 1464 01:02:20,278 --> 01:02:20,845 To Present Two Awards to The Incredibly Talented People 1465 01:02:20,846 --> 01:02:22,247 Incredibly Talented People Responsible for Stirring Our 1466 01:02:22,248 --> 01:02:24,849 Responsible for Stirring Our Imagination Through the Use Of 1467 01:02:24,850 --> 01:02:25,350 Imagination Through the Use Of Sound. 1468 01:02:25,351 --> 01:02:27,418 Sound. Sound Adds Dimension to Film, 1469 01:02:27,419 --> 01:02:27,952 Sound Adds Dimension to Film, Whether It Be Simple And 1470 01:02:27,953 --> 01:02:28,586 Whether It Be Simple And Naturalistic or Terrifying And 1471 01:02:28,587 --> 01:02:29,521 Naturalistic or Terrifying And Out of This World. 1472 01:02:29,522 --> 01:02:30,155 Out of This World. First Up, Here Are the Nominees 1473 01:02:30,156 --> 01:02:30,688 First Up, Here Are the Nominees For Achievement in Sound 1474 01:02:30,689 --> 01:02:42,933 For Achievement in Sound Editing. 1475 01:02:51,609 --> 01:03:03,521 ¶ 1476 01:03:36,321 --> 01:03:43,461 And the Oscar Goes to - "Mad Max: Fury Road," Mark 1477 01:03:43,463 --> 01:03:48,832 "Mad Max: Fury Road," Mark Mangini and David White. 1478 01:03:48,833 --> 01:03:50,768 Mangini and David White. This Is the First Oscar And 1479 01:03:50,769 --> 01:03:52,370 This Is the First Oscar And Nomination for David White. 1480 01:03:52,371 --> 01:03:54,973 Nomination for David White. The First Win and Fourth 1481 01:03:54,974 --> 01:03:57,209 The First Win and Fourth Nomination for Mark Mangini, Who 1482 01:03:57,210 --> 01:04:07,218 Nomination for Mark Mangini, Who Was Previously Tom Nate Dnomina 1483 01:04:07,219 --> 01:04:07,619 Was Previously Tom Nate Dnomina "A 1484 01:04:07,620 --> 01:04:08,153 "A "Aladdin" and "The Fifth 1485 01:04:08,154 --> 01:04:19,896 "Aladdin" and "The Fifth Element." 1486 01:04:19,898 --> 01:04:22,199 Element." Yes! 1487 01:04:22,201 --> 01:04:24,502 Yes! For Thousands of Years, We've 1488 01:04:24,503 --> 01:04:26,704 For Thousands of Years, We've Been Telling Stories in the Dark 1489 01:04:26,705 --> 01:04:29,806 Been Telling Stories in the Dark Around a Flickering Light. 1490 01:04:29,807 --> 01:04:32,277 Around a Flickering Light. Whether a Campfire or A 1491 01:04:32,278 --> 01:04:33,145 Whether a Campfire or A Projector, David and I Do It 1492 01:04:33,146 --> 01:04:34,679 Projector, David and I Do It With Sound. 1493 01:04:34,680 --> 01:04:38,616 With Sound. George Miller Would Tell Us, Mad 1494 01:04:38,617 --> 01:04:40,185 George Miller Would Tell Us, Mad Max Is a Film We See With Our 1495 01:04:40,186 --> 01:04:42,719 Max Is a Film We See With Our Ears. 1496 01:04:42,721 --> 01:04:44,888 Ears. I Knew Sound Could Tell My 1497 01:04:44,889 --> 01:04:45,590 I Knew Sound Could Tell My Story, but Nothing Quite Like 1498 01:04:45,591 --> 01:04:47,991 Story, but Nothing Quite Like This. 1499 01:04:47,993 --> 01:04:50,594 This. Sound Artists Are Story Tellers. 1500 01:04:50,595 --> 01:04:52,230 Sound Artists Are Story Tellers. Thank You, George. 1501 01:04:52,231 --> 01:04:53,398 Thank You, George. I Hope to See You Around The 1502 01:04:53,399 --> 01:04:54,466 I Hope to See You Around The Next Campfire. 1503 01:04:54,467 --> 01:04:56,268 Next Campfire. Yeah, I'm So Proud, So Proud 1504 01:04:56,269 --> 01:04:58,036 Yeah, I'm So Proud, So Proud To Work on This Loud, Loud, Loud 1505 01:04:58,037 --> 01:05:01,272 To Work on This Loud, Loud, Loud Film That Actually Had Silence 1506 01:05:01,273 --> 01:05:01,473 Film That Actually Had Silence In It. 1507 01:05:01,474 --> 01:05:02,641 In It. So Good to Work With This Guy 1508 01:05:02,642 --> 01:05:04,209 So Good to Work With This Guy And I'm Proud to Represent All 1509 01:05:04,210 --> 01:05:04,909 And I'm Proud to Represent All My Australian Colleagues. 1510 01:05:04,910 --> 01:05:07,411 My Australian Colleagues. Yeah! 1511 01:05:07,413 --> 01:05:11,014 Yeah! Yeah! 1512 01:05:11,016 --> 01:05:19,122 Yeah! Go George! 1513 01:05:22,427 --> 01:05:26,430 All Right. Why Not? 1514 01:05:26,431 --> 01:05:27,065 Why Not? The Next Oscar Is for Sound 1515 01:05:27,066 --> 01:05:30,534 The Next Oscar Is for Sound Mixing. 1516 01:05:30,535 --> 01:05:31,869 Mixing. It Recognizes the Complex Art 1517 01:05:31,870 --> 01:05:32,504 It Recognizes the Complex Art Of Precisely Manipulating Every 1518 01:05:32,505 --> 01:05:33,205 Of Precisely Manipulating Every Single Effect, From the Faintest 1519 01:05:33,206 --> 01:05:34,706 Single Effect, From the Faintest Breath to the Loudest Explosion. 1520 01:05:34,707 --> 01:05:39,076 Breath to the Loudest Explosion. Here Are the Nominees. 1521 01:05:48,786 --> 01:06:06,704 [ Screaming ] Use the Cables From The 1522 01:06:06,705 --> 01:06:06,971 Use the Cables From The Guideline. 1523 01:06:06,972 --> 01:06:08,072 Guideline. Anchor It With the Rover! 1524 01:06:08,073 --> 01:06:10,907 Anchor It With the Rover! Watch Out! 1525 01:06:10,909 --> 01:06:20,817 Watch Out! Ahh! 1526 01:06:25,857 --> 01:06:38,902 Can I Try That? I Like This Thing! 1527 01:06:38,904 --> 01:06:42,205 I Like This Thing! And the Oscar Goes to - 1528 01:06:42,207 --> 01:06:44,808 And the Oscar Goes to - "Mad Max: Fury Road," Chris 1529 01:06:44,809 --> 01:06:45,443 "Mad Max: Fury Road," Chris Jenkins, Gregg Rudloff and Ben 1530 01:06:45,444 --> 01:06:49,446 Jenkins, Gregg Rudloff and Ben Osmo. 1531 01:06:49,448 --> 01:06:52,616 Osmo. This Is the First Oscar And 1532 01:06:52,617 --> 01:06:53,351 This Is the First Oscar And Nomination for Ben Osmo. 1533 01:06:53,352 --> 01:06:54,786 Nomination for Ben Osmo. The Third Win and Fifth 1534 01:06:54,787 --> 01:06:55,987 The Third Win and Fifth Nomination for Chris Jenkins. 1535 01:06:55,988 --> 01:07:00,291 Nomination for Chris Jenkins. And the Third Win and Seventh 1536 01:07:00,293 --> 01:07:08,699 And the Third Win and Seventh Nomination for Gregg Rudloff. 1537 01:07:26,517 --> 01:07:30,555 Thank You Very Much. First of All, Big Shoutout To 1538 01:07:30,556 --> 01:07:31,856 First of All, Big Shoutout To The Academy. 1539 01:07:31,857 --> 01:07:33,858 The Academy. Thank You for All Your Support 1540 01:07:33,859 --> 01:07:35,126 Thank You for All Your Support Of Our Creative Craft. 1541 01:07:35,127 --> 01:07:37,729 Of Our Creative Craft. To Our Fellow Nominees, We Can't 1542 01:07:37,730 --> 01:07:38,396 To Our Fellow Nominees, We Can't Say Enough. 1543 01:07:38,397 --> 01:07:40,731 Say Enough. We Are So Proud to Be in Your 1544 01:07:40,732 --> 01:07:42,099 We Are So Proud to Be in Your Company and We're So Proud To 1545 01:07:42,100 --> 01:07:42,967 Company and We're So Proud To Represent Tonight. 1546 01:07:42,968 --> 01:07:44,202 Represent Tonight. To George Miller, You Are The 1547 01:07:44,203 --> 01:07:45,570 To George Miller, You Are The Heart and Soul of All of This. 1548 01:07:45,571 --> 01:07:46,438 Heart and Soul of All of This. Can't Say Enough About You. 1549 01:07:46,439 --> 01:07:48,906 Can't Say Enough About You. Thank You, Thank You, Thank You 1550 01:07:48,907 --> 01:07:49,941 Thank You, Thank You, Thank You For Giving Us the Opportunity. 1551 01:07:49,942 --> 01:07:51,242 For Giving Us the Opportunity. To Warner Brothers, to All Of 1552 01:07:51,243 --> 01:07:52,344 To Warner Brothers, to All Of Our Friends There, the People 1553 01:07:52,345 --> 01:07:54,278 Our Friends There, the People That Support Us, and Most Of 1554 01:07:54,279 --> 01:07:56,348 That Support Us, and Most Of All, to Our Families, to Jean 1555 01:07:56,349 --> 01:07:58,650 All, to Our Families, to Jean And to Sue, to James Up in The 1556 01:07:58,651 --> 01:07:59,984 And to Sue, to James Up in The Cheap Seats, Thank You All Very, 1557 01:07:59,985 --> 01:08:02,486 Cheap Seats, Thank You All Very, Very Much. 1558 01:08:02,488 --> 01:08:04,154 Very Much. Thanks, Everybody. 1559 01:08:04,156 --> 01:08:07,958 Thanks, Everybody. Thanks to All the Australians, 1560 01:08:07,959 --> 01:08:08,593 Thanks to All the Australians, Nami 1561 01:08:08,594 --> 01:08:14,197 Nami Namibians. 1562 01:08:37,756 --> 01:08:44,294 You See? Go! 1563 01:08:44,929 --> 01:08:52,770 ¶ Announcer: And Now, Here Is 1564 01:08:52,771 --> 01:08:54,238 Announcer: And Now, Here Is Actor and Performance Capture 1565 01:08:54,239 --> 01:09:03,747 Actor and Performance Capture Artist, Andy Serkis. 1566 01:09:03,748 --> 01:09:04,348 Artist, Andy Serkis. Thank You. 1567 01:09:04,349 --> 01:09:06,884 Thank You. Thank You. 1568 01:09:06,885 --> 01:09:08,720 Thank You. The Most Important Thing to Know 1569 01:09:08,721 --> 01:09:10,522 The Most Important Thing to Know About Visual Effects Is That No 1570 01:09:10,523 --> 01:09:12,356 About Visual Effects Is That No Matter How Revolutionary Or 1571 01:09:12,357 --> 01:09:13,525 Matter How Revolutionary Or Sophisticated the Technology We 1572 01:09:13,526 --> 01:09:17,193 Sophisticated the Technology We Use Is, It Still Takes Beating 1573 01:09:17,194 --> 01:09:18,329 Use Is, It Still Takes Beating Hearts and Minds of Human 1574 01:09:18,330 --> 01:09:19,997 Hearts and Minds of Human Becomes to Make Movie Magic. 1575 01:09:19,998 --> 01:09:22,734 Becomes to Make Movie Magic. As Film Makers and as Actors In 1576 01:09:22,735 --> 01:09:24,903 As Film Makers and as Actors In The 21st Century, We Can Create 1577 01:09:24,904 --> 01:09:26,170 The 21st Century, We Can Create Any World We Want. 1578 01:09:26,171 --> 01:09:30,073 Any World We Want. We Can Play Anything We Want. 1579 01:09:30,074 --> 01:09:31,743 We Can Play Anything We Want. Chris, if You Were to Put on A 1580 01:09:31,744 --> 01:09:33,110 Chris, if You Were to Put on A Motion Capture Suit Right Now, 1581 01:09:33,111 --> 01:09:35,146 Motion Capture Suit Right Now, You Could Play a Planet 1582 01:09:35,147 --> 01:09:36,881 You Could Play a Planet Threatening Monster to Donald 1583 01:09:36,882 --> 01:09:41,418 Threatening Monster to Donald Trump and - Actually, That's 1584 01:09:41,419 --> 01:09:43,421 Trump and - Actually, That's Not Very Diverse, but Anyway. 1585 01:09:43,422 --> 01:09:44,656 Not Very Diverse, but Anyway. Having Had the Honor of Working 1586 01:09:44,657 --> 01:09:47,425 Having Had the Honor of Working With Many of the Greatest, I 1587 01:09:47,426 --> 01:09:49,961 With Many of the Greatest, I Have a Real Special Appreciation 1588 01:09:49,962 --> 01:09:51,262 Have a Real Special Appreciation For the Men and Women That 1589 01:09:51,263 --> 01:09:52,864 For the Men and Women That Dedicate Themselves and Find The 1590 01:09:52,865 --> 01:09:53,998 Dedicate Themselves and Find The Delicate Balance Between 1591 01:09:53,999 --> 01:09:54,599 Delicate Balance Between Illusion and Flesh and Blood. 1592 01:09:54,600 --> 01:09:58,969 Illusion and Flesh and Blood. Here Are the Nominees for This 1593 01:09:58,970 --> 01:09:59,904 Here Are the Nominees for This Year's Achievements in Visual 1594 01:09:59,905 --> 01:10:06,376 Year's Achievements in Visual Effects. 1595 01:10:06,377 --> 01:10:07,879 Effects. "Star Wars: The Force Awakens," 1596 01:10:07,880 --> 01:10:09,447 "Star Wars: The Force Awakens," Roger Guyett, Patrick Tubach, 1597 01:10:09,448 --> 01:10:15,151 Roger Guyett, Patrick Tubach, Neal Scanlan and Chris Corbould. 1598 01:10:15,152 --> 01:10:16,888 Neal Scanlan and Chris Corbould. "Ex MacHina Andrew Whitehurst, 1599 01:10:16,889 --> 01:10:17,789 "Ex MacHina Andrew Whitehurst, Paul Norris, Mark Ardington And 1600 01:10:17,790 --> 01:10:22,459 Paul Norris, Mark Ardington And Sara Bennett. 1601 01:10:22,460 --> 01:10:24,028 Sara Bennett. "The Revenant," Rich McBride 1602 01:10:24,029 --> 01:10:26,163 "The Revenant," Rich McBride Matthew Shumway, Jason Smith And 1603 01:10:26,164 --> 01:10:31,301 Matthew Shumway, Jason Smith And Cameron Waldbauer. 1604 01:10:31,302 --> 01:10:33,371 Cameron Waldbauer. "The Martian," Richard Stammers, 1605 01:10:33,372 --> 01:10:34,939 "The Martian," Richard Stammers, Anders Langlands, Chris Lawrence 1606 01:10:34,940 --> 01:10:38,642 Anders Langlands, Chris Lawrence And Steven Warner. 1607 01:10:38,643 --> 01:10:40,879 And Steven Warner. "Mad Max: Fury Road," Andrew 1608 01:10:40,880 --> 01:10:42,213 "Mad Max: Fury Road," Andrew Jackson, Tom Wood, Dan Oliver 1609 01:10:42,214 --> 01:10:52,455 Jackson, Tom Wood, Dan Oliver And Andy Williams. 1610 01:10:52,457 --> 01:11:00,397 And Andy Williams. And the Oscar Goes to - 1611 01:11:00,398 --> 01:11:01,098 And the Oscar Goes to - "Exmachina." 1612 01:11:01,099 --> 01:11:03,001 "Exmachina." Andrew Whitehurst, Paul Norris, 1613 01:11:03,002 --> 01:11:04,869 Andrew Whitehurst, Paul Norris, Mark Ardington and Sara Bennett. 1614 01:11:04,870 --> 01:11:07,639 Mark Ardington and Sara Bennett. This Is the First Oscar And 1615 01:11:07,640 --> 01:11:09,874 This Is the First Oscar And Nomination for Andrew 1616 01:11:09,875 --> 01:11:11,342 Nomination for Andrew Whitehurst, Paul Norris, Mark 1617 01:11:11,343 --> 01:11:21,552 Whitehurst, Paul Norris, Mark Ardington and Sara Bennett. 1618 01:11:46,210 --> 01:11:50,380 I'm Really Bad at Predicting This, Apparently. 1619 01:11:50,382 --> 01:11:53,383 This, Apparently. This Is So Utterly Unexpected. 1620 01:11:53,384 --> 01:11:55,019 This Is So Utterly Unexpected. Visual Effects Is Massively A 1621 01:11:55,020 --> 01:11:55,787 Visual Effects Is Massively A Team Game. 1622 01:11:55,788 --> 01:11:58,889 Team Game. More So Maybe Than Any Other 1623 01:11:58,890 --> 01:11:59,290 More So Maybe Than Any Other Department. 1624 01:11:59,291 --> 01:12:01,158 Department. We Have to Thank People in Two 1625 01:12:01,159 --> 01:12:01,459 We Have to Thank People in Two Directions. 1626 01:12:01,460 --> 01:12:03,094 Directions. We've Got to Thank the Studio, 1627 01:12:03,095 --> 01:12:06,362 We've Got to Thank the Studio, We've Got to Thank The 1628 01:12:06,363 --> 01:12:06,998 We've Got to Thank The Prod 1629 01:12:06,999 --> 01:12:08,566 Prod Production, Alex for Being An 1630 01:12:08,567 --> 01:12:10,134 Production, Alex for Being An Amazing Director. 1631 01:12:10,135 --> 01:12:11,803 Amazing Director. And We Have to Thank the Teams 1632 01:12:11,804 --> 01:12:14,905 And We Have to Thank the Teams Of Artists, Production And 1633 01:12:14,907 --> 01:12:18,408 Of Artists, Production And Technical Personnel and Double 1634 01:12:18,410 --> 01:12:21,812 Technical Personnel and Double Negative and Utopia Who Are 1635 01:12:21,813 --> 01:12:22,046 Negative and Utopia Who Are Amazing. 1636 01:12:22,047 --> 01:12:23,180 Amazing. Without Them, We Are Nothing. 1637 01:12:23,181 --> 01:12:28,418 Without Them, We Are Nothing. Thank You So, So Much. 1638 01:12:28,420 --> 01:12:36,259 Thank You So, So Much. Thank You. 1639 01:12:36,260 --> 01:12:37,228 Thank You. Announcer: Ladies And 1640 01:12:37,229 --> 01:12:37,862 Announcer: Ladies And Gentlemen, Please Welcome Olivia 1641 01:12:37,863 --> 01:12:48,138 Gentlemen, Please Welcome Olivia Munn and Jason Segel. 1642 01:12:48,139 --> 01:12:49,707 Munn and Jason Segel. People Often Complain - 1643 01:12:49,708 --> 01:12:51,275 People Often Complain - Jason, the Oscars Are Too Short. 1644 01:12:51,276 --> 01:12:51,909 Jason, the Oscars Are Too Short. You Simply Don't Give Out Enough 1645 01:12:51,910 --> 01:12:55,445 You Simply Don't Give Out Enough Awards. 1646 01:12:55,446 --> 01:12:56,080 Awards. Which Is Why We Held a Whole 1647 01:12:56,081 --> 01:12:57,515 Which Is Why We Held a Whole Other Oscars Two Weeks Before 1648 01:12:57,516 --> 01:12:59,050 Other Oscars Two Weeks Before Tonight That's So Exclusive, 1649 01:12:59,051 --> 01:13:02,252 Tonight That's So Exclusive, None of You Could Come. 1650 01:13:02,254 --> 01:13:04,955 None of You Could Come. The Annual Sci-Tech Awards. 1651 01:13:04,956 --> 01:13:05,256 The Annual Sci-Tech Awards. You Know It. 1652 01:13:05,257 --> 01:13:06,223 You Know It. The Academy's Sci-Tech Awards 1653 01:13:06,224 --> 01:13:06,858 The Academy's Sci-Tech Awards Honor the Wizards Who Not Only 1654 01:13:06,859 --> 01:13:08,860 Honor the Wizards Who Not Only See the Future of Movies, But 1655 01:13:08,861 --> 01:13:09,460 See the Future of Movies, But Invent New Ways to Bring That 1656 01:13:09,461 --> 01:13:11,495 Invent New Ways to Bring That Vision to Life. 1657 01:13:11,496 --> 01:13:12,130 Vision to Life. Jason and I Were Honored To 1658 01:13:12,131 --> 01:13:13,031 Jason and I Were Honored To Host This Year's Ceremony And 1659 01:13:13,032 --> 01:13:14,598 Host This Year's Ceremony And Bask in the Achievements Of 1660 01:13:14,599 --> 01:13:17,168 Bask in the Achievements Of Hollywood's Top Engineers, 1661 01:13:17,169 --> 01:13:17,769 Hollywood's Top Engineers, Programmers and Scientists To 1662 01:13:17,770 --> 01:13:18,369 Programmers and Scientists To Find Out the Exact Day Robots 1663 01:13:18,370 --> 01:13:22,906 Find Out the Exact Day Robots Take Over. 1664 01:13:22,908 --> 01:13:26,043 Take Over. August 27. 1665 01:13:26,045 --> 01:13:31,114 August 27. Here Are Some Highlights. 1666 01:13:31,116 --> 01:13:35,218 Here Are Some Highlights. This Year's 11 Sicientific 1667 01:13:35,219 --> 01:13:36,788 This Year's 11 Sicientific And Technical Awards Went to - 1668 01:13:36,789 --> 01:13:37,354 And Technical Awards Went to - A Gigantic Inflatable Green 1669 01:13:37,355 --> 01:13:37,588 A Gigantic Inflatable Green Screen. 1670 01:13:37,589 --> 01:13:38,222 Screen. Four Different Media Review 1671 01:13:38,223 --> 01:13:38,723 Four Different Media Review Stations Each Allowing 1672 01:13:38,724 --> 01:13:39,323 Stations Each Allowing Simultaneous Collaboration By 1673 01:13:39,324 --> 01:13:40,491 Simultaneous Collaboration By Artists Around the World. 1674 01:13:40,492 --> 01:13:42,493 Artists Around the World. An Amazing Color Monitor. 1675 01:13:42,494 --> 01:13:44,062 An Amazing Color Monitor. And a Revolutionary Animation 1676 01:13:44,063 --> 01:13:46,130 And a Revolutionary Animation System That Uses 3-D Printers. 1677 01:13:46,131 --> 01:13:47,732 System That Uses 3-D Printers. And Then There Was the - 1678 01:13:47,733 --> 01:13:49,266 And Then There Was the - Image Shaker! 1679 01:13:49,267 --> 01:13:50,802 Image Shaker! A Device That Allows Cameramen 1680 01:13:50,803 --> 01:13:51,869 A Device That Allows Cameramen To Create Earthquakes on Demand. 1681 01:13:51,870 --> 01:13:52,436 To Create Earthquakes on Demand. Let's Not Leave Out The 1682 01:13:52,437 --> 01:13:54,971 Let's Not Leave Out The Software. 1683 01:13:54,973 --> 01:13:57,074 Software. There Was a 3-D Texturing Tool. 1684 01:13:57,075 --> 01:13:58,076 There Was a 3-D Texturing Tool. And a Tracking System That 1685 01:13:58,077 --> 01:13:58,642 And a Tracking System That Creates Fantastically Real 1686 01:13:58,643 --> 01:13:59,677 Creates Fantastically Real Images. 1687 01:13:59,678 --> 01:14:02,245 Images. Lastly, the Academy Saluted 1688 01:14:02,246 --> 01:14:03,881 Lastly, the Academy Saluted Smpte, for 100 Years of Setting 1689 01:14:03,882 --> 01:14:04,515 Smpte, for 100 Years of Setting The Technical Standards for Our 1690 01:14:04,516 --> 01:14:06,850 The Technical Standards for Our Industry. 1691 01:14:06,851 --> 01:14:08,419 Industry. On Behalf of the Society Of 1692 01:14:08,420 --> 01:14:10,421 On Behalf of the Society Of Motion Picture and Television 1693 01:14:10,422 --> 01:14:12,123 Motion Picture and Television Engineers, I Thank the Academy 1694 01:14:12,124 --> 01:14:12,924 Engineers, I Thank the Academy For This Prestigious 1695 01:14:12,925 --> 01:14:22,398 For This Prestigious Recognition. 1696 01:14:22,399 --> 01:14:23,300 Recognition. This Is Not the Way to Our 1697 01:14:23,301 --> 01:14:24,135 This Is Not the Way to Our Seats! 1698 01:14:24,136 --> 01:14:28,872 Seats! [ R2-D2 Beeping ] 1699 01:14:28,873 --> 01:14:29,373 [ R2-D2 Beeping ] I Forgot the Tickets? 1700 01:14:29,374 --> 01:14:30,374 I Forgot the Tickets? How Dare You! 1701 01:14:30,375 --> 01:14:30,942 How Dare You! The Tickets Were Your Job, 1702 01:14:30,943 --> 01:14:34,644 The Tickets Were Your Job, Nitwit. 1703 01:14:34,645 --> 01:14:35,713 Nitwit. Don't Encourage Him, Bb-8. 1704 01:14:35,714 --> 01:14:38,514 Don't Encourage Him, Bb-8. [ R2-D2 Beeping ] 1705 01:14:38,515 --> 01:14:39,683 [ R2-D2 Beeping ] Actually, I Do Not Look Like 1706 01:14:39,684 --> 01:14:42,485 Actually, I Do Not Look Like Him. 1707 01:14:42,486 --> 01:14:44,055 Him. He Happens to Look Rather Like 1708 01:14:44,056 --> 01:14:44,222 He Happens to Look Rather Like Me. 1709 01:14:44,223 --> 01:14:44,856 Me. How Do You Think We Made It This 1710 01:14:44,857 --> 01:14:47,557 How Do You Think We Made It This Far? 1711 01:14:47,559 --> 01:14:50,093 Far? [ Bb-8 Beeping ] 1712 01:14:50,095 --> 01:14:52,462 [ Bb-8 Beeping ] Oh, My! 1713 01:14:52,463 --> 01:14:52,897 Oh, My! It Is John Williams! 1714 01:14:52,898 --> 01:14:53,464 It Is John Williams! I Always Enjoy Hearing His 1715 01:14:53,465 --> 01:14:55,531 I Always Enjoy Hearing His Music. 1716 01:14:55,532 --> 01:14:56,100 Music. He's So Very Talented for A 1717 01:14:56,101 --> 01:15:02,973 He's So Very Talented for A Human. 1718 01:15:02,974 --> 01:15:04,242 Human. His 50th Oscar Nomination 1719 01:15:04,243 --> 01:15:07,010 His 50th Oscar Nomination Tonight? 1720 01:15:07,011 --> 01:15:07,311 Tonight? My Goodness! 1721 01:15:07,312 --> 01:15:08,146 My Goodness! And He Has Already Won Five For 1722 01:15:08,147 --> 01:15:12,883 And He Has Already Won Five For Composing. 1723 01:15:12,884 --> 01:15:13,584 Composing. No Wonder He Has a Good Seat. 1724 01:15:13,585 --> 01:15:16,452 No Wonder He Has a Good Seat. [ Bb-8 Beeping ] 1725 01:15:16,453 --> 01:15:17,755 [ Bb-8 Beeping ] Yes, We Must Find Ours At 1726 01:15:17,756 --> 01:15:20,056 Yes, We Must Find Ours At Once. 1727 01:15:20,057 --> 01:15:20,892 Once. Come Along, You Two. 1728 01:15:20,893 --> 01:15:22,225 Come Along, You Two. Hmm. 1729 01:15:22,227 --> 01:15:24,828 Hmm. He Is Quite Handsome, I Suppose. 1730 01:15:24,829 --> 01:15:25,897 He Is Quite Handsome, I Suppose. Wait! 1731 01:15:25,898 --> 01:15:26,430 Wait! Wait! 1732 01:15:26,431 --> 01:15:30,167 Wait! Wait for Me! 1733 01:15:30,169 --> 01:15:31,234 Wait for Me! R-2! 1734 01:15:31,235 --> 01:15:31,435 R-2! Bb-8! 1735 01:15:31,436 --> 01:15:37,174 Bb-8! Don't Leave Me! 1736 01:16:18,891 --> 01:16:22,727 L Right. I've Been Out Here Working for A 1737 01:16:22,728 --> 01:16:24,263 I've Been Out Here Working for A Couple of Weeks, for a Little 1738 01:16:24,264 --> 01:16:24,930 Couple of Weeks, for a Little While, Right? 1739 01:16:24,931 --> 01:16:27,665 While, Right? And I've Been Away From My Two 1740 01:16:27,666 --> 01:16:28,868 And I've Been Away From My Two Daughters at a Very Important 1741 01:16:28,869 --> 01:16:31,003 Daughters at a Very Important Time in Their Life. 1742 01:16:31,004 --> 01:16:33,238 Time in Their Life. I Have Missed Most of Girl Scout 1743 01:16:33,239 --> 01:16:36,107 I Have Missed Most of Girl Scout Cookie Season. 1744 01:16:36,108 --> 01:16:37,342 Cookie Season. I Haven't Been There to Help 1745 01:16:37,343 --> 01:16:39,578 I Haven't Been There to Help Them Sell Cookies, and Last 1746 01:16:39,579 --> 01:16:41,246 Them Sell Cookies, and Last Night, Zora, My Youngest Called 1747 01:16:41,247 --> 01:16:43,849 Night, Zora, My Youngest Called Me Up, Said, Daddy, How Come We 1748 01:16:43,850 --> 01:16:46,184 Me Up, Said, Daddy, How Come We Never Sell the Most Cookies. 1749 01:16:46,185 --> 01:16:48,754 Never Sell the Most Cookies. How Come Mrs. Dunn Wins Every 1750 01:16:48,755 --> 01:16:49,021 How Come Mrs. Dunn Wins Every Year? 1751 01:16:49,022 --> 01:16:50,823 Year? It Would Been So Much to My Two 1752 01:16:50,824 --> 01:16:53,158 It Would Been So Much to My Two Little Girls if We Could Beat 1753 01:16:53,159 --> 01:16:53,726 Little Girls if We Could Beat Linda Dunn. 1754 01:16:53,727 --> 01:16:55,628 Linda Dunn. So, I Want You to Reach Into 1755 01:16:55,629 --> 01:16:58,163 So, I Want You to Reach Into Your Millionaire Pockets and I 1756 01:16:58,164 --> 01:17:00,566 Your Millionaire Pockets and I Want You to Buy Some of My 1757 01:17:00,567 --> 01:17:02,200 Want You to Buy Some of My Daughter's Girl Scout Cookies. 1758 01:17:02,201 --> 01:17:05,136 Daughter's Girl Scout Cookies. Look at My Babies Up There. 1759 01:17:05,138 --> 01:17:08,573 Look at My Babies Up There. Are You Going to Deny My 1760 01:17:08,574 --> 01:17:09,575 Are You Going to Deny My Princesses Some Cookies? 1761 01:17:09,576 --> 01:17:11,410 Princesses Some Cookies? All Right, Tina Fey! 1762 01:17:11,411 --> 01:17:12,812 All Right, Tina Fey! Get That Money, Girl. 1763 01:17:12,813 --> 01:17:16,080 Get That Money, Girl. Make That Money. 1764 01:17:16,081 --> 01:17:17,015 Make That Money. Yeah, Tina Fey. 1765 01:17:17,016 --> 01:17:17,382 Yeah, Tina Fey. Charlize Theron. 1766 01:17:17,383 --> 01:17:17,950 Charlize Theron. Yes. 1767 01:17:17,951 --> 01:17:19,851 Yes. Yes. 1768 01:17:19,852 --> 01:17:20,118 Yes. Okay. 1769 01:17:20,119 --> 01:17:20,753 Okay. You Get Them. 1770 01:17:20,754 --> 01:17:21,186 You Get Them. You Get Them. 1771 01:17:21,187 --> 01:17:23,321 You Get Them. Leo! 1772 01:17:23,322 --> 01:17:24,056 Leo! You Made $30 Million. 1773 01:17:24,057 --> 01:17:25,057 You Made $30 Million. Come On. 1774 01:17:25,058 --> 01:17:28,025 Come On. Come On! 1775 01:17:28,026 --> 01:17:29,328 Come On! Michael B. Jordan's Here. 1776 01:17:29,329 --> 01:17:30,028 Michael B. Jordan's Here. You Know What? 1777 01:17:30,029 --> 01:17:33,297 You Know What? No, No, You Got Enough Girls. 1778 01:17:33,298 --> 01:17:34,399 No, No, You Got Enough Girls. Come On. 1779 01:17:34,400 --> 01:17:35,867 Come On. Let's Get This Money. 1780 01:17:35,869 --> 01:17:40,204 Let's Get This Money. Let's Get This Money! 1781 01:17:40,205 --> 01:17:40,773 Let's Get This Money! All Right. 1782 01:17:40,774 --> 01:17:41,306 All Right. Thank You. 1783 01:17:41,307 --> 01:17:42,307 Thank You. Give It to the Girls. 1784 01:17:42,308 --> 01:17:43,943 Give It to the Girls. Give It to the Girls. 1785 01:17:43,944 --> 01:17:44,577 Give It to the Girls. Oh, Lou Gossett. 1786 01:17:44,578 --> 01:17:45,511 Oh, Lou Gossett. Watch Out Now. 1787 01:17:45,512 --> 01:17:47,645 Watch Out Now. Youdiabetes. 1788 01:17:47,647 --> 01:17:51,248 Youdiabetes. You Can't Have These. 1789 01:17:51,249 --> 01:17:53,719 You Can't Have These. While This Is Going On, Let's 1790 01:17:53,720 --> 01:17:55,454 While This Is Going On, Let's Get Back to the Awards. 1791 01:17:55,455 --> 01:17:58,255 Get Back to the Awards. Here to Present the Oscar For 1792 01:17:58,256 --> 01:18:00,559 Here to Present the Oscar For Best Animated Short Film, Please 1793 01:18:00,560 --> 01:18:03,528 Best Animated Short Film, Please Welcome the Minions! 1794 01:18:03,530 --> 01:18:08,566 Welcome the Minions! Thank You! 1795 01:18:08,568 --> 01:18:15,740 Thank You! Ah - 1796 01:18:51,510 --> 01:18:56,614 [ Laughter ] "Bear Story," Gabriel Osorio And 1797 01:18:56,616 --> 01:18:59,017 "Bear Story," Gabriel Osorio And Pato Escala. 1798 01:18:59,018 --> 01:19:00,019 Pato Escala. "Prologue," Richard Williams And 1799 01:19:00,020 --> 01:19:03,187 "Prologue," Richard Williams And Imogen Sutton. 1800 01:19:03,188 --> 01:19:04,590 Imogen Sutton. "Sanjay's Super Team," Sanjay 1801 01:19:04,591 --> 01:19:07,325 "Sanjay's Super Team," Sanjay Patel and Nicole Grindle. 1802 01:19:07,326 --> 01:19:11,963 Patel and Nicole Grindle. "We Can't Live Without Cosmos," 1803 01:19:11,964 --> 01:19:12,631 "We Can't Live Without Cosmos," Konstantin Bronzit. 1804 01:19:12,632 --> 01:19:13,165 Konstantin Bronzit. "World of Tomorrow," Don 1805 01:19:13,166 --> 01:19:17,468 "World of Tomorrow," Don Hertzfeldt. 1806 01:19:27,112 --> 01:19:32,917 "Bear Story." This Is the First Oscar and Name 1807 01:19:32,919 --> 01:19:39,356 This Is the First Oscar and Name Nation for Gabriel Osorio And 1808 01:19:39,358 --> 01:19:48,432 Nation for Gabriel Osorio And Pato Escala. 1809 01:20:06,685 --> 01:20:13,457 Wow. We Are Really Happy Right 1810 01:20:13,458 --> 01:20:13,826 We Are Really Happy Right Now. 1811 01:20:13,827 --> 01:20:15,927 Now. We Want to Thank the Academy, 1812 01:20:15,929 --> 01:20:19,931 We Want to Thank the Academy, Our Families, and Everyone In 1813 01:20:19,932 --> 01:20:21,834 Our Families, and Everyone In Chile Who Have Supported Us And 1814 01:20:21,835 --> 01:20:24,136 Chile Who Have Supported Us And Trusts in Our Work. 1815 01:20:24,137 --> 01:20:25,437 Trusts in Our Work. Personally, I Want to Dedicate 1816 01:20:25,438 --> 01:20:27,139 Personally, I Want to Dedicate This Achievement to My 1817 01:20:27,140 --> 01:20:28,974 This Achievement to My Grandfather, Who Is the One Who 1818 01:20:28,975 --> 01:20:29,908 Grandfather, Who Is the One Who Inspired This Story, and to All 1819 01:20:29,909 --> 01:20:33,344 Inspired This Story, and to All The People, Like Him, Who Have 1820 01:20:33,345 --> 01:20:35,480 The People, Like Him, Who Have Suffered in Exile. 1821 01:20:35,481 --> 01:20:38,349 Suffered in Exile. We Really Hope That This Must 1822 01:20:38,350 --> 01:20:38,784 We Really Hope That This Must Never Happen Again. 1823 01:20:38,785 --> 01:20:41,619 Never Happen Again. Thanks. 1824 01:20:41,621 --> 01:20:44,122 Thanks. Thank You, All. 1825 01:20:44,124 --> 01:20:46,891 Thank You, All. We Are From a Small Country 1826 01:20:46,892 --> 01:20:48,127 We Are From a Small Country Called Chile. 1827 01:20:48,128 --> 01:20:49,895 Called Chile. This Is the First Oscar for Our 1828 01:20:49,896 --> 01:20:50,162 This Is the First Oscar for Our Country. 1829 01:20:50,163 --> 01:20:50,763 Country. So, It's Very Important For 1830 01:20:50,764 --> 01:20:55,066 So, It's Very Important For Us - Thank You All. 1831 01:20:55,068 --> 01:21:05,543 Us - Thank You All. [ Speaking Foreign Language ] 1832 01:21:05,544 --> 01:21:09,915 Announcer: To Present The Award for Best Animated Feature 1833 01:21:09,916 --> 01:21:11,550 Award for Best Animated Feature As They Celebrate the 20th 1834 01:21:11,551 --> 01:21:13,752 As They Celebrate the 20th Anniversary of "Toy Story," Here 1835 01:21:13,753 --> 01:21:17,689 Anniversary of "Toy Story," Here Are Buzz Lightyear and Woody. 1836 01:21:17,690 --> 01:21:19,391 Are Buzz Lightyear and Woody. Wow, Buzz, Can You Believe, 1837 01:21:19,392 --> 01:21:21,126 Wow, Buzz, Can You Believe, It's Been 20 Years Since You And 1838 01:21:21,127 --> 01:21:22,661 It's Been 20 Years Since You And I Met in Andy's Room? 1839 01:21:22,662 --> 01:21:24,063 I Met in Andy's Room? You Mean 20 Years Since You 1840 01:21:24,064 --> 01:21:25,764 You Mean 20 Years Since You Tried to Terminate Me by Pushing 1841 01:21:25,765 --> 01:21:27,265 Tried to Terminate Me by Pushing Me Out the Window in Andy's 1842 01:21:27,266 --> 01:21:27,465 Me Out the Window in Andy's Room. 1843 01:21:27,466 --> 01:21:28,366 Room. Come On, Buzz. 1844 01:21:28,367 --> 01:21:30,267 Come On, Buzz. I Told You, That Was An 1845 01:21:30,268 --> 01:21:30,669 I Told You, That Was An Accident. 1846 01:21:30,670 --> 01:21:32,704 Accident. Besides, if It Wasn't for Me, 1847 01:21:32,705 --> 01:21:34,006 Besides, if It Wasn't for Me, You'd Still Be Walking Around 1848 01:21:34,007 --> 01:21:39,343 You'd Still Be Walking Around Like a Clueless Space Ranger. 1849 01:21:39,344 --> 01:21:39,845 Like a Clueless Space Ranger. Hi, I'm Buzz Lightyear. 1850 01:21:39,846 --> 01:21:41,013 Hi, I'm Buzz Lightyear. I Come in Peace. 1851 01:21:41,014 --> 01:21:41,914 I Come in Peace. To Infinity and Beyond. 1852 01:21:41,915 --> 01:21:42,647 To Infinity and Beyond. Really? 1853 01:21:42,648 --> 01:21:44,982 Really? You're Going to Mock Me in Front 1854 01:21:44,983 --> 01:21:46,952 You're Going to Mock Me in Front Of 900 Million People at The 1855 01:21:46,953 --> 01:21:47,586 Of 900 Million People at The Academy Awards. 1856 01:21:47,587 --> 01:21:50,554 Academy Awards. Look, Buzz, an Alien. 1857 01:21:50,555 --> 01:21:51,090 Look, Buzz, an Alien. Where? 1858 01:21:51,091 --> 01:21:52,758 Where? If It Wasn't for Me, You'd Be 1859 01:21:52,759 --> 01:21:54,226 If It Wasn't for Me, You'd Be Walking Around Like an Old 1860 01:21:54,227 --> 01:21:55,493 Walking Around Like an Old Cowboy Tv Star. 1861 01:21:55,494 --> 01:21:56,494 Cowboy Tv Star. Hey! 1862 01:21:56,495 --> 01:21:58,696 Hey! Howdy Hey, You're My Favorite 1863 01:21:58,698 --> 01:22:01,665 Howdy Hey, You're My Favorite Deputy. 1864 01:22:01,666 --> 01:22:02,234 Deputy. Yee-Haw! 1865 01:22:02,235 --> 01:22:03,001 Yee-Haw! Ride Like the Wind. 1866 01:22:03,002 --> 01:22:05,402 Ride Like the Wind. All Right, Enough Already. 1867 01:22:05,404 --> 01:22:08,239 All Right, Enough Already. The Nominees for Animated - 1868 01:22:08,240 --> 01:22:10,175 The Nominees for Animated - Reach for the Sky! 1869 01:22:10,176 --> 01:22:12,777 Reach for the Sky! Come On, Buzz. 1870 01:22:12,778 --> 01:22:14,613 Come On, Buzz. The Nominees for Animated 1871 01:22:14,614 --> 01:22:16,548 The Nominees for Animated Feature Film Are - 1872 01:22:16,549 --> 01:22:17,149 Feature Film Are - "Shaun the Sheep Movie," Mark 1873 01:22:17,150 --> 01:22:22,820 "Shaun the Sheep Movie," Mark Burton and Richard Starzak. 1874 01:22:22,821 --> 01:22:23,421 Burton and Richard Starzak. "Anomalisa," Charlie Kaufman, 1875 01:22:23,422 --> 01:22:26,424 "Anomalisa," Charlie Kaufman, Duke Johnson and Rosa Tran. 1876 01:22:26,425 --> 01:22:30,594 Duke Johnson and Rosa Tran. "Boy and the World," Alê Abreu. 1877 01:22:30,596 --> 01:22:34,265 "Boy and the World," Alê Abreu. "When Marnie Was There," 1878 01:22:34,266 --> 01:22:34,800 "When Marnie Was There," Hiromasa Yonebayashi And 1879 01:22:34,801 --> 01:22:39,470 Hiromasa Yonebayashi And Yoshiaki Nishimura. 1880 01:22:39,471 --> 01:22:40,672 Yoshiaki Nishimura. "Inside Out," Pete Docter And 1881 01:22:40,673 --> 01:22:44,809 "Inside Out," Pete Docter And Jonas Rivera. 1882 01:22:44,811 --> 01:22:46,811 Jonas Rivera. And the Envelope Please. 1883 01:22:46,812 --> 01:22:47,946 And the Envelope Please. Thanks, Guys. 1884 01:22:47,947 --> 01:22:49,546 Thanks, Guys. You're Welcome. 1885 01:22:49,548 --> 01:22:53,417 You're Welcome. And the Oscar Goes to - 1886 01:22:53,419 --> 01:22:59,323 And the Oscar Goes to - "Inside Out", Pete Docter And 1887 01:22:59,324 --> 01:23:00,292 "Inside Out", Pete Docter And Jonas Rivera. 1888 01:23:00,293 --> 01:23:01,894 Jonas Rivera. This Is the First Oscar And 1889 01:23:01,895 --> 01:23:03,962 This Is the First Oscar And Second Nomination for Jonas 1890 01:23:03,963 --> 01:23:04,196 Second Nomination for Jonas Rivera. 1891 01:23:04,197 --> 01:23:12,436 Rivera. The Second Nomination for Pete 1892 01:23:12,437 --> 01:23:14,706 The Second Nomination for Pete Docter, Who Is Also Nominated 1893 01:23:14,707 --> 01:23:17,009 Docter, Who Is Also Nominated For Best Screenplay This Year 1894 01:23:17,010 --> 01:23:19,877 For Best Screenplay This Year For "Inside Out." 1895 01:23:19,879 --> 01:23:22,613 For "Inside Out." He Took Home His First Oscar For 1896 01:23:22,614 --> 01:23:22,881 He Took Home His First Oscar For "Up." 1897 01:23:22,882 --> 01:23:26,117 "Up." We Are So Lucky, Because, 1898 01:23:26,118 --> 01:23:27,485 We Are So Lucky, Because, Regardless of a Gold Man or Not, 1899 01:23:27,486 --> 01:23:29,121 Regardless of a Gold Man or Not, We Get to Make Stuff. 1900 01:23:29,122 --> 01:23:30,989 We Get to Make Stuff. Right, We Do, and on This 1901 01:23:30,990 --> 01:23:32,257 Right, We Do, and on This Film, Every Single Story Board, 1902 01:23:32,258 --> 01:23:35,827 Film, Every Single Story Board, Every Single Frame, Cut, Line Of 1903 01:23:35,828 --> 01:23:37,329 Every Single Frame, Cut, Line Of Dialogue, Every Single Pixel Was 1904 01:23:37,330 --> 01:23:39,664 Dialogue, Every Single Pixel Was Done by the Amazing Artists We 1905 01:23:39,665 --> 01:23:41,366 Done by the Amazing Artists We Work With at Pixar. 1906 01:23:41,367 --> 01:23:42,901 Work With at Pixar. They Should Be Up There With Us 1907 01:23:42,902 --> 01:23:43,135 They Should Be Up There With Us Tonight. 1908 01:23:43,136 --> 01:23:43,635 Tonight. We Love Them. 1909 01:23:43,636 --> 01:23:46,437 We Love Them. Along With the Amazing Cast. 1910 01:23:46,438 --> 01:23:47,706 Along With the Amazing Cast. Best Cast Ever, We Love You. 1911 01:23:47,707 --> 01:23:49,574 Best Cast Ever, We Love You. We Want to Thank Our Wives, 1912 01:23:49,575 --> 01:23:49,975 We Want to Thank Our Wives, Amanda - 1913 01:23:49,976 --> 01:23:50,542 Amanda - Michelle. 1914 01:23:50,543 --> 01:23:52,576 Michelle. Our Kids. 1915 01:23:52,578 --> 01:23:55,012 Our Kids. This Was Born From Watching Our 1916 01:23:55,013 --> 01:23:56,281 This Was Born From Watching Our Kids Grow Up, Which Is Not Easy. 1917 01:23:56,282 --> 01:23:58,350 Kids Grow Up, Which Is Not Easy. If You Are in Junior High, High 1918 01:23:58,351 --> 01:23:59,985 If You Are in Junior High, High School, Working It Out, 1919 01:23:59,986 --> 01:24:00,986 School, Working It Out, Suffering, There Are Days You 1920 01:24:00,987 --> 01:24:02,487 Suffering, There Are Days You Are Going to Feel Sad, Angry, 1921 01:24:02,488 --> 01:24:03,922 Are Going to Feel Sad, Angry, Going to Be Scared. 1922 01:24:03,923 --> 01:24:04,556 Going to Be Scared. That's Nothing You Can Choose, 1923 01:24:04,557 --> 01:24:07,691 That's Nothing You Can Choose, But You Can Make Stuff. 1924 01:24:07,693 --> 01:24:11,628 But You Can Make Stuff. Make Films, Draw, Write, It Will 1925 01:24:11,629 --> 01:24:12,197 Make Films, Draw, Write, It Will Make a World of Difference. 1926 01:24:12,198 --> 01:24:18,870 Make a World of Difference. Thank You. 1927 01:24:23,742 --> 01:24:37,221 Please Welcome Next Year's Host, Kevin Hart. 1928 01:24:37,222 --> 01:24:38,023 Host, Kevin Hart. Hello. 1929 01:24:38,024 --> 01:24:39,957 Hello. Hey, Man, Make Some Noise For 1930 01:24:39,958 --> 01:24:41,593 Hey, Man, Make Some Noise For Chris Rock, Doing an Amazing Job 1931 01:24:41,594 --> 01:24:41,826 Chris Rock, Doing an Amazing Job Up Here. 1932 01:24:41,827 --> 01:24:43,394 Up Here. My Guy. 1933 01:24:43,396 --> 01:24:47,498 My Guy. My Guy. 1934 01:24:47,499 --> 01:24:48,666 My Guy. All Right, Look, Before I Do 1935 01:24:48,667 --> 01:24:50,269 All Right, Look, Before I Do This, I Want to Take a Second To 1936 01:24:50,270 --> 01:24:51,536 This, I Want to Take a Second To Get Something Off My Chest. 1937 01:24:51,537 --> 01:24:53,105 Get Something Off My Chest. First and Foremost, I'm A 1938 01:24:53,106 --> 01:24:53,505 First and Foremost, I'm A Positive Guy. 1939 01:24:53,506 --> 01:24:55,407 Positive Guy. I Feed Off Positive Energy and I 1940 01:24:55,408 --> 01:24:58,076 I Feed Off Positive Energy and I Feel Like Positive Overall Beats 1941 01:24:58,077 --> 01:24:58,543 Feel Like Positive Overall Beats Negative. 1942 01:24:58,544 --> 01:24:59,945 Negative. With That Being Said, I Want To 1943 01:24:59,946 --> 01:25:02,147 With That Being Said, I Want To Take a Moment to Applaud All Of 1944 01:25:02,148 --> 01:25:04,516 Take a Moment to Applaud All Of My Actors and Actresses of Color 1945 01:25:04,517 --> 01:25:05,918 My Actors and Actresses of Color That Didn't Get Nominated 1946 01:25:05,919 --> 01:25:06,318 That Didn't Get Nominated Tonight. 1947 01:25:06,319 --> 01:25:07,652 Tonight. The Reason Why I Say That Is 1948 01:25:07,653 --> 01:25:08,853 The Reason Why I Say That Is Because I Want Them To 1949 01:25:08,854 --> 01:25:09,922 Because I Want Them To Understand That Tonight Should 1950 01:25:09,923 --> 01:25:11,256 Understand That Tonight Should Not Determine the Hard Work And 1951 01:25:11,257 --> 01:25:12,424 Not Determine the Hard Work And Effort That You Put Into Your 1952 01:25:12,425 --> 01:25:12,624 Effort That You Put Into Your Craft. 1953 01:25:12,625 --> 01:25:15,126 Craft. At the End of the Day, We Love 1954 01:25:15,127 --> 01:25:16,661 At the End of the Day, We Love What We Do and We Are Breaking 1955 01:25:16,662 --> 01:25:17,462 What We Do and We Are Breaking Major Ground Doing It. 1956 01:25:17,463 --> 01:25:18,897 Major Ground Doing It. These Problems of Today Will 1957 01:25:18,898 --> 01:25:20,165 These Problems of Today Will Become Problems of the Old. 1958 01:25:20,166 --> 01:25:21,699 Become Problems of the Old. Let's Not Let This Negative 1959 01:25:21,700 --> 01:25:23,701 Let's Not Let This Negative Issue of Diversity Beat Us. 1960 01:25:23,702 --> 01:25:25,304 Issue of Diversity Beat Us. Let's Continue to Do What We Do 1961 01:25:25,305 --> 01:25:26,038 Let's Continue to Do What We Do Best and Work Hard. 1962 01:25:26,039 --> 01:25:29,340 Best and Work Hard. With That Being Said - 1963 01:25:29,341 --> 01:25:29,975 With That Being Said - Congratulations on an Amazing 1964 01:25:29,976 --> 01:25:32,376 Congratulations on an Amazing Year, Okay? 1965 01:25:32,378 --> 01:25:36,147 Year, Okay? That's From Me to Them. 1966 01:25:36,148 --> 01:25:36,781 That's From Me to Them. Congratulations. 1967 01:25:36,782 --> 01:25:38,783 Congratulations. I Also Want to Say That I Only 1968 01:25:38,784 --> 01:25:39,651 I Also Want to Say That I Only Came Tonight Because I Thought 1969 01:25:39,652 --> 01:25:41,019 Came Tonight Because I Thought For Sure That I Would Get a Seat 1970 01:25:41,020 --> 01:25:42,287 For Sure That I Would Get a Seat In the Front Row and It Still 1971 01:25:42,288 --> 01:25:42,887 In the Front Row and It Still Didn't Happen. 1972 01:25:42,888 --> 01:25:44,489 Didn't Happen. I Don't Know Why, but I Thought 1973 01:25:44,490 --> 01:25:46,024 I Don't Know Why, but I Thought This Was the Year to Kind Of 1974 01:25:46,025 --> 01:25:47,859 This Was the Year to Kind Of Show My Face More in the Front 1975 01:25:47,860 --> 01:25:49,261 Show My Face More in the Front Row Because of All of the Black 1976 01:25:49,262 --> 01:25:50,162 Row Because of All of the Black Stuff That Was Going On. 1977 01:25:50,163 --> 01:25:51,529 Stuff That Was Going On. I Was Like, They'll Go to Me. 1978 01:25:51,530 --> 01:25:52,164 I Was Like, They'll Go to Me. And You Didn't. 1979 01:25:52,165 --> 01:25:52,697 And You Didn't. But Whatever. 1980 01:25:52,698 --> 01:25:53,698 But Whatever. It's Okay. 1981 01:25:53,699 --> 01:25:55,866 It's Okay. I Have a Suit With Shiny Stuff 1982 01:25:55,867 --> 01:25:57,336 I Have a Suit With Shiny Stuff On It, So, I Still Made A 1983 01:25:57,337 --> 01:25:57,635 On It, So, I Still Made A Statement. 1984 01:25:57,636 --> 01:25:59,537 Statement. Okay, Guys, Right Now, Let's 1985 01:25:59,538 --> 01:26:00,372 Okay, Guys, Right Now, Let's Move on With the Show. 1986 01:26:00,373 --> 01:26:00,672 Move on With the Show. Listen. 1987 01:26:00,673 --> 01:26:04,308 Listen. Our Second Nominated Song 1988 01:26:04,309 --> 01:26:04,943 Our Second Nominated Song Tonight Was a Big Hit for This 1989 01:26:04,944 --> 01:26:06,144 Tonight Was a Big Hit for This Next Performer, Who Actually 1990 01:26:06,145 --> 01:26:07,179 Next Performer, Who Actually Dominated the R & B Charts In 1991 01:26:07,180 --> 01:26:07,912 Dominated the R & B Charts In 2016. 1992 01:26:07,913 --> 01:26:11,949 2016. Performing "Earned It" From 1993 01:26:11,950 --> 01:26:14,552 Performing "Earned It" From "Fifty Shades of Grey," Ladies 1994 01:26:14,553 --> 01:26:17,389 "Fifty Shades of Grey," Ladies And Gentlemen, Please Make Some 1995 01:26:17,390 --> 01:26:22,693 And Gentlemen, Please Make Some Noise for My Guy, the Weeknd. 1996 01:26:23,695 --> 01:26:46,550 ¶ ¶ 1997 01:26:46,551 --> 01:26:47,152 ¶ ¶ You Make It Look Like It's 1998 01:26:47,153 --> 01:26:49,620 ¶ You Make It Look Like It's Magic 1999 01:26:49,622 --> 01:26:54,125 Magic 'Cause I See Nobody 2000 01:26:54,126 --> 01:26:55,927 'Cause I See Nobody Nobody but You, You, You ¶ 2001 01:26:55,928 --> 01:27:01,098 Nobody but You, You, You ¶ ¶ I'm Never Confused 2002 01:27:01,100 --> 01:27:04,668 ¶ I'm Never Confused Hey, Hey I'm So Used to Being 2003 01:27:04,670 --> 01:27:09,940 Hey, Hey I'm So Used to Being Used ¶ 2004 01:27:09,941 --> 01:27:10,509 Used ¶ ¶ So I Love When You Call 2005 01:27:10,510 --> 01:27:12,110 ¶ So I Love When You Call Unexpected 2006 01:27:12,111 --> 01:27:14,079 Unexpected 'Cause I Hate When the Moment's 2007 01:27:14,080 --> 01:27:16,680 'Cause I Hate When the Moment's Expected ¶ 2008 01:27:16,682 --> 01:27:18,149 Expected ¶ ¶ So I'ma Care For 2009 01:27:18,151 --> 01:27:21,885 ¶ So I'ma Care For You, You, You ¶ 2010 01:27:21,887 --> 01:27:27,624 You, You, You ¶ ¶ I'ma Care For 2011 01:27:27,625 --> 01:27:28,660 ¶ I'ma Care For You, You, You, You Yeah ¶ 2012 01:27:28,661 --> 01:27:30,195 You, You, You, You Yeah ¶ ¶ 'Cause, Girl, You're Perfect 2013 01:27:30,196 --> 01:27:35,899 ¶ 'Cause, Girl, You're Perfect You're Always Worth It ¶ 2014 01:27:35,900 --> 01:27:36,368 You're Always Worth It ¶ ¶ and You Deserve It 2015 01:27:36,369 --> 01:27:39,036 ¶ and You Deserve It The Way You Work It ¶ 2016 01:27:39,037 --> 01:27:40,605 The Way You Work It ¶ ¶ 'Cause, Girl, You 2017 01:27:40,606 --> 01:27:48,379 ¶ 'Cause, Girl, You Earn Earned It ¶ 2018 01:27:48,381 --> 01:27:52,550 Earn Earned It ¶ ¶ Girl You Earn Earned It ¶ 2019 01:27:52,551 --> 01:27:54,152 ¶ Girl You Earn Earned It ¶ ¶ on That Lonely Night 2020 01:27:54,153 --> 01:27:56,787 ¶ on That Lonely Night We Said It Wouldn't Be Love ¶ 2021 01:27:56,789 --> 01:28:02,993 We Said It Wouldn't Be Love ¶ ¶ but We Felt the Rush 2022 01:28:02,994 --> 01:28:04,696 ¶ but We Felt the Rush It Made Us Believe It Was Only 2023 01:28:04,697 --> 01:28:06,597 It Made Us Believe It Was Only Us ¶ 2024 01:28:06,599 --> 01:28:08,665 Us ¶ ¶ Convinced We Were Broken 2025 01:28:08,667 --> 01:28:14,371 ¶ Convinced We Were Broken Inside 2026 01:28:14,373 --> 01:28:19,643 Inside Yeah Inside Yeah ¶ 2027 01:28:19,645 --> 01:28:22,179 Yeah Inside Yeah ¶ ¶ 'Cause, Girl, You're Perfect 2028 01:28:22,181 --> 01:28:25,316 ¶ 'Cause, Girl, You're Perfect You're Always Worth It ¶ 2029 01:28:25,318 --> 01:28:27,918 You're Always Worth It ¶ ¶ and You Deserve It 2030 01:28:27,920 --> 01:28:32,656 ¶ and You Deserve It The Way You Work It ¶ 2031 01:28:32,658 --> 01:28:36,093 The Way You Work It ¶ ¶ 'Cause, Girl, You 2032 01:28:36,095 --> 01:28:39,363 ¶ 'Cause, Girl, You Earn Earned It ¶ 2033 01:28:39,365 --> 01:28:48,739 Earn Earned It ¶ ¶ Girl You Earn Earned It ¶ 2034 01:29:00,846 --> 01:29:05,490 Announcer: 40 Years After His Big Screen Debut, Will Rocky 2035 01:29:05,491 --> 01:29:07,959 Big Screen Debut, Will Rocky Balboa Knock Out His Opponents? 2036 01:29:07,960 --> 01:29:09,861 Balboa Knock Out His Opponents? We'll Find Out, When the Oscars 2037 01:29:09,862 --> 01:29:11,029 We'll Find Out, When the Oscars Return, Live From the Dolby 2038 01:29:11,030 --> 01:29:13,430 Return, Live From the Dolby Theatre, on Abc. 2039 01:29:16,927 --> 01:29:21,358 Announcer: Please Welcome Academy Award Winners Kate 2040 01:29:21,359 --> 01:29:34,904 Academy Award Winners Kate Winslet and Reese Witherspoon. 2041 01:29:34,906 --> 01:29:38,141 Winslet and Reese Witherspoon. A Game of Cat and Mouse 2042 01:29:38,142 --> 01:29:38,775 A Game of Cat and Mouse During the Most Frigid Moments 2043 01:29:38,776 --> 01:29:41,712 During the Most Frigid Moments Of the Cold War Shapes the Story 2044 01:29:41,713 --> 01:29:42,246 Of the Cold War Shapes the Story Of Our Next Best Picture 2045 01:29:42,247 --> 01:29:42,479 Of Our Next Best Picture Nominee. 2046 01:29:42,480 --> 01:29:45,181 Nominee. When a Soviet Spy Is Captured 2047 01:29:45,182 --> 01:29:46,116 When a Soviet Spy Is Captured And Put on Trial, One American 2048 01:29:46,117 --> 01:29:46,650 And Put on Trial, One American Must Defend His Country's 2049 01:29:46,651 --> 01:29:50,119 Must Defend His Country's Fundamental Principles Of 2050 01:29:50,120 --> 01:29:50,687 Fundamental Principles Of Justice and Decency Against 2051 01:29:50,688 --> 01:29:51,222 Justice and Decency Against Enemies Both Foreign And 2052 01:29:51,223 --> 01:29:53,656 Enemies Both Foreign And Domestic. 2053 01:29:53,658 --> 01:29:56,692 Domestic. Here Is "Bridge of Spies." 2054 01:29:56,694 --> 01:30:00,230 Here Is "Bridge of Spies." I Pledge Alleen Lee Jans To 2055 01:30:00,231 --> 01:30:00,630 I Pledge Alleen Lee Jans To The Flag. 2056 01:30:00,631 --> 01:30:02,466 The Flag. We Have Engaged in a War With 2057 01:30:02,467 --> 01:30:03,633 We Have Engaged in a War With The Soviet Union. 2058 01:30:03,634 --> 01:30:08,004 The Soviet Union. Soviets Got Their Guy. 2059 01:30:08,006 --> 01:30:10,840 Soviets Got Their Guy. We Want You to Negotiate The 2060 01:30:10,841 --> 01:30:11,175 We Want You to Negotiate The Swap. 2061 01:30:11,176 --> 01:30:12,309 Swap. I'm an Insurance Agent. 2062 01:30:12,310 --> 01:30:13,543 I'm an Insurance Agent. You Work for the Cia Now. 2063 01:30:13,544 --> 01:30:15,179 You Work for the Cia Now. The Family of a Man Trying To 2064 01:30:15,180 --> 01:30:15,913 The Family of a Man Trying To Free a Traitor. 2065 01:30:15,914 --> 01:30:20,917 Free a Traitor. You Should Be Careful. 2066 01:30:20,918 --> 01:30:22,253 You Should Be Careful. You Do Not Know Who You Are 2067 01:30:22,254 --> 01:30:23,320 You Do Not Know Who You Are Dealing With. 2068 01:30:23,321 --> 01:30:25,821 Dealing With. What's the Next Move When You 2069 01:30:25,823 --> 01:30:28,925 What's the Next Move When You Don't Know What the Game Is. 2070 01:30:28,927 --> 01:30:36,799 Don't Know What the Game Is. And Justice for All. 2071 01:30:36,800 --> 01:30:38,102 And Justice for All. Our Next Best Picture Nominee 2072 01:30:38,103 --> 01:30:39,370 Our Next Best Picture Nominee Recounts a True Story Of 2073 01:30:39,371 --> 01:30:41,906 Recounts a True Story Of Fearless Local Journalism. 2074 01:30:41,907 --> 01:30:43,473 Fearless Local Journalism. Despite Obstacles at Every Turn, 2075 01:30:43,474 --> 01:30:46,143 Despite Obstacles at Every Turn, A Team of Undaunted Journalists 2076 01:30:46,144 --> 01:30:47,677 A Team of Undaunted Journalists Investigates Allegations Of 2077 01:30:47,678 --> 01:30:48,245 Investigates Allegations Of Sexual Abuse in One of The 2078 01:30:48,246 --> 01:30:48,712 Sexual Abuse in One of The World's Most Powerful 2079 01:30:48,713 --> 01:30:51,281 World's Most Powerful Institutions. 2080 01:30:51,283 --> 01:30:54,817 Institutions. Here Is "Spotlight." 2081 01:30:54,819 --> 01:30:58,154 Here Is "Spotlight." The Boston Priest Abused 80 2082 01:30:58,155 --> 01:30:58,422 The Boston Priest Abused 80 Kids. 2083 01:30:58,423 --> 01:30:59,756 Kids. The Church Did Nothing. 2084 01:30:59,757 --> 01:31:02,792 The Church Did Nothing. This Strikes Me as an Essential 2085 01:31:02,793 --> 01:31:04,061 This Strikes Me as an Essential Story to a Local Paper. 2086 01:31:04,062 --> 01:31:05,329 Story to a Local Paper. That's What Your Team Would 2087 01:31:05,330 --> 01:31:05,495 That's What Your Team Would Do? 2088 01:31:05,496 --> 01:31:06,596 Do? We're Going After the System. 2089 01:31:06,597 --> 01:31:07,898 We're Going After the System. We're Going to Tell This 2090 01:31:07,899 --> 01:31:08,098 We're Going to Tell This Story. 2091 01:31:08,099 --> 01:31:09,366 Story. We're Going to Tell It Right. 2092 01:31:09,367 --> 01:31:10,834 We're Going to Tell It Right. This Is Not Just Boston. 2093 01:31:10,835 --> 01:31:13,103 This Is Not Just Boston. And It Goes Right to The 2094 01:31:13,104 --> 01:31:13,337 And It Goes Right to The Vatican. 2095 01:31:13,338 --> 01:31:14,972 Vatican. We Got to Go With This Now. 2096 01:31:14,973 --> 01:31:18,308 We Got to Go With This Now. No, I'm Not Going to Rush The 2097 01:31:18,309 --> 01:31:18,742 No, I'm Not Going to Rush The Story. 2098 01:31:18,743 --> 01:31:21,210 Story. If It Takes a Village to Raise A 2099 01:31:21,211 --> 01:31:23,013 If It Takes a Village to Raise A Chide, It Takes a Village To 2100 01:31:23,014 --> 01:31:23,847 Chide, It Takes a Village To Abuse One. 2101 01:31:23,848 --> 01:31:25,115 Abuse One. How Do You Say No to God, 2102 01:31:25,116 --> 01:31:30,053 How Do You Say No to God, Right? 2103 01:31:30,055 --> 01:31:33,990 Right? Powerful. 2104 01:31:33,991 --> 01:31:35,025 Powerful. Thank You. 2105 01:31:35,026 --> 01:31:36,827 Thank You. Well, Tonight, I've Been Calling 2106 01:31:36,828 --> 01:31:39,663 Well, Tonight, I've Been Calling Out Hollywood for Its Lack Of 2107 01:31:39,664 --> 01:31:40,797 Out Hollywood for Its Lack Of Diversity and I Don't Want To 2108 01:31:40,798 --> 01:31:41,531 Diversity and I Don't Want To Just Complain. 2109 01:31:41,532 --> 01:31:43,067 Just Complain. I Want to Help Solve the Problem 2110 01:31:43,068 --> 01:31:45,069 I Want to Help Solve the Problem And That's Going to Take a Fresh 2111 01:31:45,070 --> 01:31:45,569 And That's Going to Take a Fresh Perspective. 2112 01:31:45,570 --> 01:31:47,237 Perspective. So, I Went Far Away From 2113 01:31:47,238 --> 01:31:49,373 So, I Went Far Away From Hollywood, I Went as Far Away As 2114 01:31:49,374 --> 01:31:49,840 Hollywood, I Went as Far Away As I Could. 2115 01:31:49,841 --> 01:31:51,907 I Could. I Went to My Favorite Movie 2116 01:31:51,908 --> 01:31:52,776 I Went to My Favorite Movie Theater in Compton. 2117 01:31:52,777 --> 01:31:58,448 Theater in Compton. Let's Take a Look. 2118 01:31:58,450 --> 01:32:03,987 Let's Take a Look. ¶ 2119 01:32:03,989 --> 01:32:06,055 ¶ In Your Own Words, What Is 2120 01:32:06,056 --> 01:32:07,224 In Your Own Words, What Is The Oscar Controversy About? 2121 01:32:07,225 --> 01:32:09,059 The Oscar Controversy About? Well, I Guess It's About 2122 01:32:09,060 --> 01:32:11,261 Well, I Guess It's About Giving Blacks a Chance to Win. 2123 01:32:11,262 --> 01:32:12,629 Giving Blacks a Chance to Win. Were You Upset When You Heard 2124 01:32:12,630 --> 01:32:13,998 Were You Upset When You Heard There Were No Black Nominees 2125 01:32:13,999 --> 01:32:14,598 There Were No Black Nominees This Year? 2126 01:32:14,599 --> 01:32:18,234 This Year? Actually - I Mean, I Wasn't 2127 01:32:18,235 --> 01:32:20,337 Actually - I Mean, I Wasn't Surprised, but I Mean, Kind Of 2128 01:32:20,338 --> 01:32:21,105 Surprised, but I Mean, Kind Of Bothered Me a Little Bit. 2129 01:32:21,106 --> 01:32:22,572 Bothered Me a Little Bit. It Was Terrible. 2130 01:32:22,573 --> 01:32:25,208 It Was Terrible. I Mean, Like, Smack a White 2131 01:32:25,209 --> 01:32:25,675 I Mean, Like, Smack a White Man Bad? 2132 01:32:25,676 --> 01:32:27,543 Man Bad? Almost. 2133 01:32:27,545 --> 01:32:30,413 Almost. You Still Go to Jail in L.a. For 2134 01:32:30,414 --> 01:32:31,281 You Still Go to Jail in L.a. For Smacking a White Man. 2135 01:32:31,282 --> 01:32:32,416 Smacking a White Man. You Get Three Years for A 2136 01:32:32,417 --> 01:32:35,418 You Get Three Years for A Hard Look. 2137 01:32:35,419 --> 01:32:36,286 Hard Look. Right About That. 2138 01:32:36,287 --> 01:32:38,854 Right About That. Did You Think About Rioting 2139 01:32:38,855 --> 01:32:39,390 Did You Think About Rioting And Looting? 2140 01:32:39,391 --> 01:32:41,325 And Looting? No, We Did That Already and I 2141 01:32:41,326 --> 01:32:42,393 No, We Did That Already and I Didn't Get Nothing the First 2142 01:32:42,394 --> 01:32:42,592 Didn't Get Nothing the First Time. 2143 01:32:42,593 --> 01:32:45,628 Time. I Was Too Little. 2144 01:32:45,629 --> 01:32:46,397 I Was Too Little. This Was Your Time to Get 2145 01:32:46,398 --> 01:32:47,197 This Was Your Time to Get That Tv. 2146 01:32:47,198 --> 01:32:49,265 That Tv. I Know, Right? 2147 01:32:49,267 --> 01:32:52,502 I Know, Right? So, Did You See Any of The 2148 01:32:52,503 --> 01:32:53,303 So, Did You See Any of The Oscar-Nominated Movies. 2149 01:32:53,304 --> 01:32:57,740 Oscar-Nominated Movies. You See "Spotlight?" 2150 01:32:57,742 --> 01:33:01,411 You See "Spotlight?" No, What the Hell Is That? 2151 01:33:01,412 --> 01:33:01,645 No, What the Hell Is That? No. 2152 01:33:01,646 --> 01:33:07,683 No. No. 2153 01:33:07,684 --> 01:33:08,852 No. Do You Feel That "Trumbo" 2154 01:33:08,853 --> 01:33:11,255 Do You Feel That "Trumbo" Should Have Been a Bigger Hit? 2155 01:33:11,256 --> 01:33:14,957 Should Have Been a Bigger Hit? Did You See "The Big Short?" 2156 01:33:14,958 --> 01:33:15,992 Did You See "The Big Short?" I Did Not. 2157 01:33:15,993 --> 01:33:19,295 I Did Not. "Bridge of Spies?" 2158 01:33:19,296 --> 01:33:21,131 "Bridge of Spies?" Where Are You Getting These 2159 01:33:21,132 --> 01:33:22,332 Where Are You Getting These Movies From? 2160 01:33:22,333 --> 01:33:23,467 Movies From? They're Real Movies. 2161 01:33:23,468 --> 01:33:25,169 They're Real Movies. I Come to the Movies All The 2162 01:33:25,170 --> 01:33:25,369 I Come to the Movies All The Time. 2163 01:33:25,370 --> 01:33:26,603 Time. These Are Real Movies. 2164 01:33:26,604 --> 01:33:28,238 These Are Real Movies. Like, in London and Stuff? 2165 01:33:28,239 --> 01:33:29,573 Like, in London and Stuff? Did You See "Bridge Of 2166 01:33:29,574 --> 01:33:29,806 Did You See "Bridge Of Spies?" 2167 01:33:29,807 --> 01:33:31,174 Spies?" No. 2168 01:33:31,176 --> 01:33:33,776 No. No, I Did Not. 2169 01:33:33,778 --> 01:33:35,811 No, I Did Not. I Have Never Heard of That 2170 01:33:35,812 --> 01:33:36,012 I Have Never Heard of That Movie. 2171 01:33:36,013 --> 01:33:38,214 Movie. Tom Hanks. 2172 01:33:38,215 --> 01:33:38,682 Tom Hanks. I've Heard of Him. 2173 01:33:38,683 --> 01:33:40,050 I've Heard of Him. And Steven Spielberg. 2174 01:33:40,051 --> 01:33:40,917 And Steven Spielberg. I've Heard of Him. 2175 01:33:40,918 --> 01:33:43,386 I've Heard of Him. Did You See "Straight Outta 2176 01:33:43,387 --> 01:33:43,820 Did You See "Straight Outta Compton." 2177 01:33:43,821 --> 01:33:44,455 Compton." I Did See That. 2178 01:33:44,456 --> 01:33:45,389 I Did See That. I Loved It. 2179 01:33:45,390 --> 01:33:45,989 I Loved It. Of Course. 2180 01:33:45,990 --> 01:33:46,623 Of Course. Oh, Yeah. 2181 01:33:46,624 --> 01:33:47,723 Oh, Yeah. Yes, I Did. 2182 01:33:47,725 --> 01:33:50,126 Yes, I Did. Oh, Hell Yes. 2183 01:33:50,127 --> 01:33:51,661 Oh, Hell Yes. What's Your Favorite Movie Of 2184 01:33:51,662 --> 01:33:52,396 What's Your Favorite Movie Of All Time? 2185 01:33:52,397 --> 01:33:53,862 All Time? "Super Fly." 2186 01:33:53,863 --> 01:33:55,132 "Super Fly." "Super Fly." 2187 01:33:55,133 --> 01:33:58,101 "Super Fly." Now, What Was Your Favorite 2188 01:33:58,102 --> 01:33:59,369 Now, What Was Your Favorite White Movie of the Year? 2189 01:33:59,370 --> 01:34:00,537 White Movie of the Year? Oh, Man. 2190 01:34:00,538 --> 01:34:01,770 Oh, Man. "By the Sea." 2191 01:34:01,772 --> 01:34:05,708 "By the Sea." With - Brad Pitt and Angelina 2192 01:34:05,709 --> 01:34:05,909 With - Brad Pitt and Angelina Jolie. 2193 01:34:05,910 --> 01:34:07,443 Jolie. Wow. 2194 01:34:07,445 --> 01:34:12,648 Wow. Not Even They Would Say That. 2195 01:34:12,649 --> 01:34:14,784 Not Even They Would Say That. Here's a Real Oscar. 2196 01:34:14,785 --> 01:34:16,620 Here's a Real Oscar. I'm Going to Give You This and I 2197 01:34:16,621 --> 01:34:18,255 I'm Going to Give You This and I Want You to Look Into That 2198 01:34:18,256 --> 01:34:19,623 Want You to Look Into That Camera and Give Your Speech. 2199 01:34:19,624 --> 01:34:21,625 Camera and Give Your Speech. I Want You to Tell Hollywood How 2200 01:34:21,626 --> 01:34:22,559 I Want You to Tell Hollywood How You Feel Right Now. 2201 01:34:22,560 --> 01:34:25,761 You Feel Right Now. Um - First and Fore Most, 2202 01:34:25,762 --> 01:34:27,297 Um - First and Fore Most, I'd Like to Thank God. 2203 01:34:27,298 --> 01:34:28,532 I'd Like to Thank God. This Should Be Not Just 2204 01:34:28,533 --> 01:34:30,867 This Should Be Not Just White, It Should Be Asian, 2205 01:34:30,868 --> 01:34:32,536 White, It Should Be Asian, Hispanic, There's So Much Talent 2206 01:34:32,537 --> 01:34:33,637 Hispanic, There's So Much Talent Out There of All Races. 2207 01:34:33,638 --> 01:34:35,872 Out There of All Races. I Feel Like Most of Y'all 2208 01:34:35,873 --> 01:34:38,342 I Feel Like Most of Y'all Kind of Owe Us, So, You're Not 2209 01:34:38,343 --> 01:34:40,477 Kind of Owe Us, So, You're Not Really Hip To, What, the Younger 2210 01:34:40,478 --> 01:34:41,178 Really Hip To, What, the Younger People Like. 2211 01:34:41,179 --> 01:34:43,179 People Like. I Like to Thank the Academy 2212 01:34:43,180 --> 01:34:45,582 I Like to Thank the Academy For Nominating Yet Another White 2213 01:34:45,583 --> 01:34:45,982 For Nominating Yet Another White Person This Year. 2214 01:34:45,983 --> 01:34:48,917 Person This Year. Um - I Would Complain, but It 2215 01:34:48,918 --> 01:34:50,454 Um - I Would Complain, but It Was Me, So, Maybe I'll Complain 2216 01:34:50,455 --> 01:34:51,255 Was Me, So, Maybe I'll Complain Next Year. 2217 01:34:51,256 --> 01:34:54,357 Next Year. You Give Black Actors More 2218 01:34:54,358 --> 01:34:55,959 You Give Black Actors More Awards, Because They Deserve It 2219 01:34:55,960 --> 01:34:56,826 Awards, Because They Deserve It And They Work Hard for It Just 2220 01:34:56,827 --> 01:34:57,761 And They Work Hard for It Just Like Anybody Else. 2221 01:34:57,762 --> 01:34:59,129 Like Anybody Else. How About That? 2222 01:34:59,130 --> 01:35:07,736 How About That? America. 2223 01:35:07,737 --> 01:35:08,138 America. Yeah. 2224 01:35:08,139 --> 01:35:09,206 Yeah. I Take This Home. 2225 01:35:09,207 --> 01:35:09,473 I Take This Home. No, No. 2226 01:35:09,474 --> 01:35:18,113 No, No. What? 2227 01:35:18,115 --> 01:35:20,583 What? Announcer: Please Welcome 2228 01:35:20,584 --> 01:35:21,591 Announcer: Please Welcome Last Year's Oscar-Winning 2229 01:35:21,592 --> 01:35:22,592 Last Year's Oscar-Winning Supporting Actress, Patricia 2230 01:35:22,593 --> 01:35:30,967 Supporting Actress, Patricia Arquette. 2231 01:35:34,672 --> 01:35:38,307 Consider Five Powerful Performances, Each One 2232 01:35:38,309 --> 01:35:41,911 Performances, Each One Compelling, Original, Unique. 2233 01:35:41,912 --> 01:35:42,445 Compelling, Original, Unique. An Ex-Neurologist Turned 2234 01:35:42,446 --> 01:35:45,548 An Ex-Neurologist Turned Financial Genius. 2235 01:35:45,549 --> 01:35:46,116 Financial Genius. A Disloyal and Sadistic Fur 2236 01:35:46,117 --> 01:35:49,686 A Disloyal and Sadistic Fur Trapper. 2237 01:35:49,687 --> 01:35:50,253 Trapper. A Persuasive Investigative 2238 01:35:50,254 --> 01:35:54,390 A Persuasive Investigative Journalist. 2239 01:35:54,392 --> 01:35:58,527 Journalist. A Soviet Spy, Pivotal to A 2240 01:35:58,528 --> 01:35:58,929 A Soviet Spy, Pivotal to A Prisoner Exchange. 2241 01:35:58,930 --> 01:36:01,764 Prisoner Exchange. And an Aging Fighter Named 2242 01:36:01,765 --> 01:36:03,433 And an Aging Fighter Named Rocky Balboa. 2243 01:36:03,434 --> 01:36:08,604 Rocky Balboa. These Are the Characters Given 2244 01:36:08,605 --> 01:36:09,239 These Are the Characters Given Thoughtful Portrayals by the Men 2245 01:36:09,240 --> 01:36:10,207 Thoughtful Portrayals by the Men Nominated for Performance by An 2246 01:36:10,208 --> 01:36:11,775 Nominated for Performance by An Actor in a Supporting Role. 2247 01:36:11,776 --> 01:36:15,444 Actor in a Supporting Role. Here Are the Nominees. 2248 01:36:15,446 --> 01:36:18,981 Here Are the Nominees. Christian Bale, "The Big Short." 2249 01:36:18,982 --> 01:36:20,117 Christian Bale, "The Big Short." The Housing Market Is Propped 2250 01:36:20,118 --> 01:36:25,121 The Housing Market Is Propped Up on These Bad Loans. 2251 01:36:25,122 --> 01:36:26,289 Up on These Bad Loans. It's a Time Bomb. 2252 01:36:26,290 --> 01:36:27,524 It's a Time Bomb. I Want to Short It. 2253 01:36:27,525 --> 01:36:29,459 I Want to Short It. Through What Instrument, 2254 01:36:29,460 --> 01:36:29,693 Through What Instrument, Michael? 2255 01:36:29,694 --> 01:36:31,895 Michael? There Are No Insurance Contracts 2256 01:36:31,896 --> 01:36:33,097 There Are No Insurance Contracts Or Options for Mortgage Bonds. 2257 01:36:33,098 --> 01:36:33,663 Or Options for Mortgage Bonds. The Bonds Are Too Stable. 2258 01:36:33,664 --> 01:36:39,035 The Bonds Are Too Stable. Lawrence - Just - This Is 2259 01:36:39,036 --> 01:36:40,204 Lawrence - Just - This Is What I'm Going to Do. 2260 01:36:40,205 --> 01:36:42,606 What I'm Going to Do. I Am Going to Get a Bank to Make 2261 01:36:42,607 --> 01:36:48,377 I Am Going to Get a Bank to Make Me One. 2262 01:36:48,379 --> 01:36:51,748 Me One. Tom Hardy, "The Revenant." 2263 01:36:51,750 --> 01:36:58,888 Tom Hardy, "The Revenant." You Lied to Me. 2264 01:36:58,890 --> 01:37:01,357 You Lied to Me. I Have the Skills and the Sense 2265 01:37:01,359 --> 01:37:03,525 I Have the Skills and the Sense Of You, Boy. 2266 01:37:03,527 --> 01:37:06,462 Of You, Boy. There's No Point, You 2267 01:37:06,464 --> 01:37:12,101 There's No Point, You Understand? 2268 01:37:12,103 --> 01:37:19,041 Understand? God Giveth, God Taketh Away. 2269 01:37:19,042 --> 01:37:21,578 God Giveth, God Taketh Away. Mark Ruffalo, "Spotlight." 2270 01:37:21,579 --> 01:37:24,380 Mark Ruffalo, "Spotlight." They Knew and They Let It 2271 01:37:24,381 --> 01:37:25,048 They Knew and They Let It Happen to Kids. 2272 01:37:25,049 --> 01:37:26,949 Happen to Kids. Okay? 2273 01:37:26,950 --> 01:37:27,851 Okay? It Could Have Been You. 2274 01:37:27,852 --> 01:37:28,819 It Could Have Been You. It Could Have Been Me. 2275 01:37:28,820 --> 01:37:31,353 It Could Have Been Me. It Could Have Been Any of Us. 2276 01:37:31,354 --> 01:37:33,423 It Could Have Been Any of Us. We Got to Nail These Scum Bags. 2277 01:37:33,424 --> 01:37:35,358 We Got to Nail These Scum Bags. We Have to Show People That 2278 01:37:35,359 --> 01:37:36,827 We Have to Show People That Nobody Can Get Away With This. 2279 01:37:36,828 --> 01:37:38,228 Nobody Can Get Away With This. Not a Priest or a Cardinal or A 2280 01:37:38,229 --> 01:37:44,901 Not a Priest or a Cardinal or A Freaking Pope. 2281 01:37:44,902 --> 01:37:45,468 Freaking Pope. Mark Rylance, "Bridge Of 2282 01:37:45,469 --> 01:37:48,437 Mark Rylance, "Bridge Of Spies." 2283 01:37:48,438 --> 01:37:49,239 Spies." Waiting for Another Man? 2284 01:37:49,240 --> 01:37:51,340 Waiting for Another Man? Yep. 2285 01:37:51,342 --> 01:37:55,077 Yep. You Want Him, Too? 2286 01:37:55,079 --> 01:37:56,745 You Want Him, Too? I Want Him. 2287 01:37:56,746 --> 01:37:58,282 I Want Him. Doesn't Matter What He Wants. 2288 01:37:58,283 --> 01:37:58,949 Doesn't Matter What He Wants. I'm in Charge and You Are Free 2289 01:37:58,950 --> 01:37:59,582 I'm in Charge and You Are Free To Go. 2290 01:37:59,583 --> 01:38:09,258 To Go. Please Go. 2291 01:38:09,260 --> 01:38:12,061 Please Go. [ Speaking Foreign Language ] 2292 01:38:12,063 --> 01:38:17,766 [ Speaking Foreign Language ] I Can Wait. 2293 01:38:17,768 --> 01:38:20,903 I Can Wait. Sylvester Stallone, "Creed." 2294 01:38:20,904 --> 01:38:22,139 Sylvester Stallone, "Creed." I Don't Even Know What I'm 2295 01:38:22,140 --> 01:38:22,840 I Don't Even Know What I'm Doing Here. 2296 01:38:22,841 --> 01:38:25,241 Doing Here. I Got Other Plans in My Life And 2297 01:38:25,242 --> 01:38:26,310 I Got Other Plans in My Life And This Wasn't Part of It. 2298 01:38:26,311 --> 01:38:28,811 This Wasn't Part of It. Your Father Was Special. 2299 01:38:28,812 --> 01:38:30,447 Your Father Was Special. Tell You the Truth, I Don't Know 2300 01:38:30,448 --> 01:38:32,115 Tell You the Truth, I Don't Know If You're Special. 2301 01:38:32,116 --> 01:38:33,817 If You're Special. Only You Will Know That. 2302 01:38:33,818 --> 01:38:35,185 Only You Will Know That. I Ain't Going to Come Overnight. 2303 01:38:35,186 --> 01:38:37,354 I Ain't Going to Come Overnight. You Are Going to Take a Beating. 2304 01:38:37,355 --> 01:38:38,788 You Are Going to Take a Beating. You Are Going to Get Knocked 2305 01:38:38,789 --> 01:38:39,890 You Are Going to Get Knocked Out, You're Going to Get Up And 2306 01:38:39,891 --> 01:38:41,091 Out, You're Going to Get Up And We're Going to See if You Got 2307 01:38:41,092 --> 01:38:41,925 We're Going to See if You Got The Right Thing. 2308 01:38:41,926 --> 01:38:43,060 The Right Thing. But You Got to Work Hard. 2309 01:38:43,061 --> 01:38:45,062 But You Got to Work Hard. I Swear to God, if You're Not 2310 01:38:45,063 --> 01:38:58,307 I Swear to God, if You're Not Going to Do It - I'm Out. 2311 01:38:58,308 --> 01:38:59,343 Going to Do It - I'm Out. Oh, Sorry. 2312 01:38:59,344 --> 01:39:08,184 Oh, Sorry. And the Oscar Goes to - Mark 2313 01:39:08,186 --> 01:39:12,521 And the Oscar Goes to - Mark Rylance, "Bridge of Spies." 2314 01:39:12,522 --> 01:39:14,524 Rylance, "Bridge of Spies." This Is the First Oscar And 2315 01:39:14,525 --> 01:39:31,573 This Is the First Oscar And Nomination for Mark Rylance. 2316 01:39:34,711 --> 01:39:39,115 I've Always - I've Always Just Adored Stories, Hearing 2317 01:39:39,116 --> 01:39:39,917 Just Adored Stories, Hearing Them, Seeing Them, Being In 2318 01:39:39,918 --> 01:39:41,718 Them, Seeing Them, Being In Them, So, for Me to Have The 2319 01:39:41,719 --> 01:39:43,753 Them, So, for Me to Have The Chance to Work With, I Think, 2320 01:39:43,754 --> 01:39:45,789 Chance to Work With, I Think, One of the Greatest Storytellers 2321 01:39:45,790 --> 01:39:48,258 One of the Greatest Storytellers Of Our Time, Steven Spielberg, 2322 01:39:48,259 --> 01:39:53,462 Of Our Time, Steven Spielberg, Has Just Been Such an Honor. 2323 01:39:53,463 --> 01:39:55,732 Has Just Been Such an Honor. And Unlike Some of the Leaders 2324 01:39:55,733 --> 01:39:58,001 And Unlike Some of the Leaders We're Being Presented With These 2325 01:39:58,002 --> 01:39:59,369 We're Being Presented With These Days, He Leads With Such Love, 2326 01:39:59,370 --> 01:40:01,838 Days, He Leads With Such Love, He Is Surrounded by Masters In 2327 01:40:01,839 --> 01:40:04,141 He Is Surrounded by Masters In Every Craft, and Not the Least, 2328 01:40:04,142 --> 01:40:05,175 Every Craft, and Not the Least, Mr. Tom Hanks. 2329 01:40:05,176 --> 01:40:07,044 Mr. Tom Hanks. I'm So Pleased That Our Film Has 2330 01:40:07,045 --> 01:40:08,478 I'm So Pleased That Our Film Has Been Nominated So Many Times, 2331 01:40:08,479 --> 01:40:10,513 Been Nominated So Many Times, And as a Face of the Film, I 2332 01:40:10,514 --> 01:40:11,781 And as a Face of the Film, I Meet Many People in the Streets 2333 01:40:11,782 --> 01:40:13,750 Meet Many People in the Streets And It's Lovely to Have Them, 2334 01:40:13,751 --> 01:40:15,752 And It's Lovely to Have Them, They Are Always Saying, Would It 2335 01:40:15,753 --> 01:40:16,619 They Are Always Saying, Would It Help, and All That Stuff. 2336 01:40:16,620 --> 01:40:18,555 Help, and All That Stuff. And if You Ever Wonder About 2337 01:40:18,556 --> 01:40:20,490 And if You Ever Wonder About Acting With Tom Hanks, Would It 2338 01:40:20,491 --> 01:40:22,025 Acting With Tom Hanks, Would It Help, the Answer Is Clearly Yes. 2339 01:40:22,026 --> 01:40:23,460 Help, the Answer Is Clearly Yes. I Want to Just Say Thank You To 2340 01:40:23,461 --> 01:40:25,095 I Want to Just Say Thank You To My Fellow Nominees, I Don't Know 2341 01:40:25,096 --> 01:40:27,197 My Fellow Nominees, I Don't Know How They Separate My Acting From 2342 01:40:27,198 --> 01:40:29,199 How They Separate My Acting From Your Glorious Acting in These 2343 01:40:29,200 --> 01:40:30,700 Your Glorious Acting in These Wonderful Films That You Are In. 2344 01:40:30,701 --> 01:40:32,135 Wonderful Films That You Are In. I Don't Know How They Separated 2345 01:40:32,136 --> 01:40:33,837 I Don't Know How They Separated The Five of Us From All The 2346 01:40:33,838 --> 01:40:35,939 The Five of Us From All The Other Supporting Actors Who Are 2347 01:40:35,940 --> 01:40:37,774 Other Supporting Actors Who Are Making Films at the Moment. 2348 01:40:37,775 --> 01:40:40,510 Making Films at the Moment. It's a Wonderful Time to Be An 2349 01:40:40,511 --> 01:40:41,445 It's a Wonderful Time to Be An Actor and I'm Proud to Be Part 2350 01:40:41,446 --> 01:40:41,644 Actor and I'm Proud to Be Part Of It. 2351 01:40:41,645 --> 01:40:44,513 Of It. Thank You. 2352 01:40:44,514 --> 01:40:46,049 Thank You. Announcer: Coming Up, Louis 2353 01:40:46,050 --> 01:40:48,118 Announcer: Coming Up, Louis c.k., More From Chris Rock, Lady 2354 01:40:48,119 --> 01:40:49,686 c.k., More From Chris Rock, Lady Gaga Performs and a Special 2355 01:40:49,687 --> 01:40:57,993 Gaga Performs and a Special Tribute From Dave Grohl. 2356 01:40:57,995 --> 01:41:08,170 Tribute From Dave Grohl. ¶ 2357 01:41:08,172 --> 01:41:09,804 ¶ I Know You're Hungry. 2358 01:41:13,220 --> 01:41:18,045 I Know You're Hungry. You Wish You Got a Cookie Right 2359 01:41:18,046 --> 01:41:18,678 You Wish You Got a Cookie Right Now, Right? 2360 01:41:18,679 --> 01:41:22,248 Now, Right? You Know Our Next Presenter From 2361 01:41:22,250 --> 01:41:26,385 You Know Our Next Presenter From His Show "Horace and Pete" And 2362 01:41:26,386 --> 01:41:28,788 His Show "Horace and Pete" And His Work on the Emmy-Winning 2363 01:41:28,789 --> 01:41:29,756 His Work on the Emmy-Winning "Chris Rock Show." 2364 01:41:29,757 --> 01:41:35,627 "Chris Rock Show." Please Welcome Louis C.k. 2365 01:41:35,629 --> 01:41:40,032 Please Welcome Louis C.k. That's Good, Man, Thank You. 2366 01:41:40,033 --> 01:41:40,934 That's Good, Man, Thank You. Thank You. 2367 01:41:40,935 --> 01:41:42,835 Thank You. I'm Here to Present the Award 2368 01:41:42,836 --> 01:41:45,372 I'm Here to Present the Award For Best Documentary Short Film. 2369 01:41:45,373 --> 01:41:48,275 For Best Documentary Short Film. Which Is My Favorite Award. 2370 01:41:48,276 --> 01:41:50,710 Which Is My Favorite Award. This Is Easily My Favorite 2371 01:41:50,711 --> 01:41:50,944 This Is Easily My Favorite Subject. 2372 01:41:50,945 --> 01:41:51,545 Subject. It Really Is. 2373 01:41:51,546 --> 01:41:54,813 It Really Is. This Is the One Award That Has 2374 01:41:54,814 --> 01:41:55,648 This Is the One Award That Has The Opportunity to Change A 2375 01:41:55,649 --> 01:41:56,015 The Opportunity to Change A Life. 2376 01:41:56,016 --> 01:41:57,451 Life. Because, I Mean, I'm Happy For 2377 01:41:57,452 --> 01:41:59,652 Because, I Mean, I'm Happy For All of You, but You Came Here 2378 01:41:59,653 --> 01:42:01,288 All of You, but You Came Here Winners and You Are Leaving 2379 01:42:01,289 --> 01:42:01,621 Winners and You Are Leaving Millionaires. 2380 01:42:01,622 --> 01:42:02,722 Millionaires. Not Going to Make That Big A 2381 01:42:02,723 --> 01:42:03,022 Not Going to Make That Big A Difference. 2382 01:42:03,023 --> 01:42:04,958 Difference. The Rest of the Oscars Are Going 2383 01:42:04,959 --> 01:42:08,294 The Rest of the Oscars Are Going To Mansions and the Home Of 2384 01:42:08,295 --> 01:42:09,862 To Mansions and the Home Of People With Good Unions. 2385 01:42:09,863 --> 01:42:12,798 People With Good Unions. This Is Documentary Short Film. 2386 01:42:12,800 --> 01:42:19,271 This Is Documentary Short Film. You Cannot - It's Not Even 2387 01:42:19,272 --> 01:42:20,807 You Cannot - It's Not Even Documentary Feature, You Know? 2388 01:42:20,808 --> 01:42:23,009 Documentary Feature, You Know? Al Gore Got One of Those And 2389 01:42:23,010 --> 01:42:23,477 Al Gore Got One of Those And Michael Moore. 2390 01:42:23,478 --> 01:42:24,578 Michael Moore. This Is - No, You Cannot Make A 2391 01:42:24,579 --> 01:42:27,580 This Is - No, You Cannot Make A Dime on This. 2392 01:42:27,582 --> 01:42:29,881 Dime on This. These People Will Never Be Rich 2393 01:42:29,882 --> 01:42:31,851 These People Will Never Be Rich As Long as They Live. 2394 01:42:31,852 --> 01:42:35,087 As Long as They Live. So, This Oscar Means Something, 2395 01:42:35,088 --> 01:42:36,823 So, This Oscar Means Something, Because All They Do Is Tell 2396 01:42:36,824 --> 01:42:37,924 Because All They Do Is Tell Stories That Are Important. 2397 01:42:37,925 --> 01:42:39,192 Stories That Are Important. Now, You All Do, but You Also 2398 01:42:39,193 --> 01:42:39,459 Now, You All Do, but You Also Get Rich. 2399 01:42:39,460 --> 01:42:43,529 Get Rich. But These People - All They Got 2400 01:42:43,530 --> 01:42:45,064 But These People - All They Got Is This Oscar Is Going Home in A 2401 01:42:45,065 --> 01:42:50,902 Is This Oscar Is Going Home in A Honda Civic. 2402 01:42:50,903 --> 01:42:52,639 Honda Civic. The Person Who Owns This - This 2403 01:42:52,640 --> 01:42:54,174 The Person Who Owns This - This Oscar Is Going to Be the Nicest 2404 01:42:54,175 --> 01:42:55,742 Oscar Is Going to Be the Nicest Thing They Ever Own in Their 2405 01:42:55,743 --> 01:42:56,276 Thing They Ever Own in Their Life. 2406 01:42:56,277 --> 01:42:58,644 Life. It's Going to Give Them Anxiety 2407 01:42:58,645 --> 01:42:59,212 It's Going to Give Them Anxiety To Keep It in Their Crappy 2408 01:42:59,213 --> 01:43:03,582 To Keep It in Their Crappy Apartment. 2409 01:43:03,583 --> 01:43:05,685 Apartment. Here Are the Nominees for Best 2410 01:43:05,686 --> 01:43:08,887 Here Are the Nominees for Best Documentary Short Subject. 2411 01:43:08,889 --> 01:43:12,724 Documentary Short Subject. "Body Team 12," David Darg And 2412 01:43:12,726 --> 01:43:15,060 "Body Team 12," David Darg And Bryn Mooser. 2413 01:43:15,061 --> 01:43:15,595 Bryn Mooser. "Chau, Beyond the Lines," 2414 01:43:15,596 --> 01:43:19,198 "Chau, Beyond the Lines," Courtney Marsh and Jerry Franck. 2415 01:43:19,199 --> 01:43:20,900 Courtney Marsh and Jerry Franck. "Claude Lanzmann: Spectres Of 2416 01:43:20,901 --> 01:43:25,937 "Claude Lanzmann: Spectres Of The Shoah," Adam Benzine. 2417 01:43:25,938 --> 01:43:27,507 The Shoah," Adam Benzine. "A Girl in the River: The Price 2418 01:43:27,508 --> 01:43:28,041 "A Girl in the River: The Price Of Forgiveness," Sharmeen 2419 01:43:28,042 --> 01:43:30,876 Of Forgiveness," Sharmeen Obaid-Chinoy. 2420 01:43:30,877 --> 01:43:31,444 Obaid-Chinoy. "Last Day of Freedom," Dee 2421 01:43:31,445 --> 01:43:39,285 "Last Day of Freedom," Dee Hibbert-Jones and Nomi Talisman. 2422 01:43:39,287 --> 01:43:42,754 Hibbert-Jones and Nomi Talisman. And the Oscar Goes to - Mad 2423 01:43:42,756 --> 01:43:48,360 And the Oscar Goes to - Mad Max - No. 2424 01:43:48,361 --> 01:43:48,995 Max - No. "A Girl in the River: The Price 2425 01:43:48,996 --> 01:43:52,864 "A Girl in the River: The Price Of Forgiveness," Sharmeen 2426 01:43:52,865 --> 01:43:53,733 Of Forgiveness," Sharmeen Obaid-Chinoy. 2427 01:43:53,734 --> 01:43:55,569 Obaid-Chinoy. This Is the Second Oscar And 2428 01:43:55,570 --> 01:43:58,205 This Is the Second Oscar And Second Nomination for Sharmeen 2429 01:43:58,206 --> 01:44:08,180 Second Nomination for Sharmeen Obaid-Chinoy. 2430 01:44:11,150 --> 01:44:14,152 Thank God I Have Two of Them Now. 2431 01:44:14,153 --> 01:44:15,422 Now. This Is What Happens When 2432 01:44:15,423 --> 01:44:19,191 This Is What Happens When Determined Women Get Together. 2433 01:44:19,193 --> 01:44:23,161 Determined Women Get Together. From the Woman in My Film Who 2434 01:44:23,162 --> 01:44:24,731 From the Woman in My Film Who Remarkably Survived and Honor 2435 01:44:24,732 --> 01:44:29,368 Remarkably Survived and Honor Killing and Shared Her Story, To 2436 01:44:29,369 --> 01:44:32,239 Killing and Shared Her Story, To Sheila and Lisa From Hbo, To 2437 01:44:32,240 --> 01:44:33,540 Sheila and Lisa From Hbo, To Tina Brown, Who Supported Me 2438 01:44:33,541 --> 01:44:35,475 Tina Brown, Who Supported Me From Day One. 2439 01:44:35,476 --> 01:44:38,244 From Day One. To the Men Who Champion Women 2440 01:44:38,245 --> 01:44:40,447 To the Men Who Champion Women Like Jeff Barts in My Film, Who 2441 01:44:40,448 --> 01:44:44,149 Like Jeff Barts in My Film, Who Edited the Film, to My Friend 2442 01:44:44,150 --> 01:44:45,485 Edited the Film, to My Friend Who Brought This Film to The 2443 01:44:45,486 --> 01:44:46,986 Who Brought This Film to The Government, to All the Brave Men 2444 01:44:46,987 --> 01:44:49,589 Government, to All the Brave Men Out There, Like My Father and My 2445 01:44:49,590 --> 01:44:51,658 Out There, Like My Father and My Husband, Who Push Women to Go To 2446 01:44:51,659 --> 01:44:54,628 Husband, Who Push Women to Go To School and Work and Who Want A 2447 01:44:54,629 --> 01:45:00,932 School and Work and Who Want A More Just Society for Women. 2448 01:45:00,933 --> 01:45:03,436 More Just Society for Women. Last Week - This Week, The 2449 01:45:03,437 --> 01:45:04,337 Last Week - This Week, The Pakistani Prime Minister Has 2450 01:45:04,338 --> 01:45:06,072 Pakistani Prime Minister Has Said That He Will Change the Law 2451 01:45:06,073 --> 01:45:07,173 Said That He Will Change the Law On Honor Killing After Watching 2452 01:45:07,174 --> 01:45:08,308 On Honor Killing After Watching This Film. 2453 01:45:08,309 --> 01:45:16,114 This Film. That Is the Power of Film. 2454 01:45:16,115 --> 01:45:16,716 That Is the Power of Film. Announcer: And Now, Please 2455 01:45:16,717 --> 01:45:17,317 Announcer: And Now, Please Welcome Daisy Ridley and Dev 2456 01:45:17,318 --> 01:45:26,592 Welcome Daisy Ridley and Dev Patel. 2457 01:45:28,761 --> 01:45:32,766 Stories of Real Life and Real Lives Are Where All 2458 01:45:32,767 --> 01:45:35,901 Lives Are Where All Documentaries Start. 2459 01:45:35,903 --> 01:45:39,204 Documentaries Start. When These True Stories Are 2460 01:45:39,206 --> 01:45:42,308 When These True Stories Are Turned Into Great Films, They 2461 01:45:42,309 --> 01:45:43,610 Turned Into Great Films, They Can Engage Audiences With A 2462 01:45:43,611 --> 01:45:44,977 Can Engage Audiences With A Special Intensity. 2463 01:45:44,978 --> 01:45:45,578 Special Intensity. This Year's Documentary 2464 01:45:45,579 --> 01:45:46,112 This Year's Documentary Masterpieces Include Two 2465 01:45:46,113 --> 01:45:46,713 Masterpieces Include Two Biographies of Brilliant But 2466 01:45:46,714 --> 01:45:47,714 Biographies of Brilliant But Troubled Artists, and Three 2467 01:45:47,715 --> 01:45:48,348 Troubled Artists, and Three Films About People Fighting Back 2468 01:45:48,349 --> 01:45:49,783 Films About People Fighting Back Against Oppression and Injustice 2469 01:45:49,784 --> 01:45:50,350 Against Oppression and Injustice When Politics Become Deeply 2470 01:45:50,351 --> 01:45:50,784 When Politics Become Deeply Personal. 2471 01:45:50,785 --> 01:45:53,018 Personal. Here Are the Nominees For 2472 01:45:53,020 --> 01:45:57,523 Here Are the Nominees For Best Documentary Feature. 2473 01:45:57,524 --> 01:45:58,591 Best Documentary Feature. "Amy," Asif Kapadia and James 2474 01:45:58,592 --> 01:46:02,361 "Amy," Asif Kapadia and James Gay-Rees. 2475 01:46:02,363 --> 01:46:04,763 Gay-Rees. I Don't Think I'm Going To 2476 01:46:04,764 --> 01:46:06,933 I Don't Think I'm Going To Be - I Don't Think I Could 2477 01:46:06,934 --> 01:46:08,368 Be - I Don't Think I Could Handle It. 2478 01:46:08,369 --> 01:46:08,901 Handle It. "Cartel Land," Matthew 2479 01:46:08,902 --> 01:46:11,637 "Cartel Land," Matthew Heineman and Tom Yellin. 2480 01:46:11,638 --> 01:46:13,906 Heineman and Tom Yellin. You Can't Stop the Cartel. 2481 01:46:13,907 --> 01:46:18,109 You Can't Stop the Cartel. No Matter What You Do. 2482 01:46:18,110 --> 01:46:19,145 No Matter What You Do. "The Look of Silence," Joshua 2483 01:46:19,146 --> 01:46:19,713 "The Look of Silence," Joshua Oppenheimer and Signe Byrge 2484 01:46:19,714 --> 01:46:26,985 Oppenheimer and Signe Byrge Sorensen. 2485 01:46:26,987 --> 01:46:29,621 Sorensen. "What Happened, Miss Simone?" 2486 01:46:29,622 --> 01:46:30,256 "What Happened, Miss Simone?" Liz Garbus, Amy Hobby and Justin 2487 01:46:30,257 --> 01:46:34,360 Liz Garbus, Amy Hobby and Justin Wilkes. 2488 01:46:34,362 --> 01:46:37,062 Wilkes. Nina Simone Was a Free 2489 01:46:37,063 --> 01:46:38,565 Nina Simone Was a Free Spirit, in an Era That Didn't 2490 01:46:38,566 --> 01:46:40,299 Spirit, in an Era That Didn't Really Appreciate a Woman's 2491 01:46:40,300 --> 01:46:42,768 Really Appreciate a Woman's Genius. 2492 01:46:42,769 --> 01:46:44,337 Genius. "Winter on Fire: Ukraine's 2493 01:46:44,338 --> 01:46:44,904 "Winter on Fire: Ukraine's Fight for Freedom," Evgeny 2494 01:46:44,905 --> 01:46:56,248 Fight for Freedom," Evgeny Afineevsky and Den Tolmor. 2495 01:46:56,250 --> 01:47:01,520 Afineevsky and Den Tolmor. And the Oscar Goes to - 2496 01:47:01,521 --> 01:47:02,121 And the Oscar Goes to - "Amy," Asif Kapadia and James 2497 01:47:02,122 --> 01:47:06,458 "Amy," Asif Kapadia and James Gay-Rees. 2498 01:47:06,460 --> 01:47:08,927 Gay-Rees. This Is the First Oscar And 2499 01:47:08,929 --> 01:47:12,998 This Is the First Oscar And Nomination for Asif Kapadia And 2500 01:47:13,000 --> 01:47:22,274 Nomination for Asif Kapadia And James Gay-Rees. 2501 01:47:32,952 --> 01:47:35,888 Oh, Wow. Thank You. 2502 01:47:35,889 --> 01:47:36,623 Thank You. This Is Amazing. 2503 01:47:36,624 --> 01:47:38,057 This Is Amazing. Thank You to Everyone in The 2504 01:47:38,058 --> 01:47:39,158 Thank You to Everyone in The Academy, Everyone That Voted For 2505 01:47:39,159 --> 01:47:39,759 Academy, Everyone That Voted For Us. 2506 01:47:39,760 --> 01:47:40,827 Us. All the Love You Have Shown To 2507 01:47:40,828 --> 01:47:41,494 All the Love You Have Shown To The Film. 2508 01:47:41,495 --> 01:47:43,129 The Film. To the Contributors, Everyone 2509 01:47:43,130 --> 01:47:44,731 To the Contributors, Everyone That Trusted Us to Actually Make 2510 01:47:44,732 --> 01:47:45,364 That Trusted Us to Actually Make This Film. 2511 01:47:45,365 --> 01:47:47,433 This Film. This Film Is All About Amy, 2512 01:47:47,434 --> 01:47:49,402 This Film Is All About Amy, Showing the World Who She Really 2513 01:47:49,403 --> 01:47:49,903 Showing the World Who She Really Was. 2514 01:47:49,904 --> 01:47:51,203 Was. The Beautiful Girl, the Amazing 2515 01:47:51,204 --> 01:47:52,639 The Beautiful Girl, the Amazing Soul. 2516 01:47:52,640 --> 01:47:53,706 Soul. Funny, Intelligent, Witty. 2517 01:47:53,707 --> 01:47:54,373 Funny, Intelligent, Witty. Someone Special. 2518 01:47:54,374 --> 01:47:55,508 Someone Special. Someone Who Needed Looking 2519 01:47:55,509 --> 01:47:55,975 Someone Who Needed Looking After. 2520 01:47:55,976 --> 01:47:58,376 After. We Just Wanted to Show the World 2521 01:47:58,377 --> 01:47:59,345 We Just Wanted to Show the World Who She Really Was. 2522 01:47:59,346 --> 01:48:02,481 Who She Really Was. Thank You to A-24, the Gang 2523 01:48:02,483 --> 01:48:05,317 Thank You to A-24, the Gang On the Corner, Everybody At 2524 01:48:05,318 --> 01:48:05,585 On the Corner, Everybody At Universal. 2525 01:48:05,586 --> 01:48:06,753 Universal. Chris King, Our Editor, This Is 2526 01:48:06,754 --> 01:48:08,387 Chris King, Our Editor, This Is For You, My Friend. 2527 01:48:08,388 --> 01:48:09,689 For You, My Friend. And Lastly, This Is for The 2528 01:48:09,690 --> 01:48:10,156 And Lastly, This Is for The Fans. 2529 01:48:10,157 --> 01:48:11,624 Fans. Amy's Fans Who Loved Her Through 2530 01:48:11,625 --> 01:48:12,492 Amy's Fans Who Loved Her Through Thick and Thin. 2531 01:48:12,493 --> 01:48:13,893 Thick and Thin. That's All She Ever Really 2532 01:48:13,894 --> 01:48:14,126 That's All She Ever Really Needed. 2533 01:48:14,127 --> 01:48:15,094 Needed. Thank You Very Much. 2534 01:48:15,095 --> 01:48:17,196 Thank You Very Much. And Our Families and Our 2535 01:48:17,197 --> 01:48:17,697 And Our Families and Our Wives and Our Children. 2536 01:48:17,698 --> 01:48:23,268 Wives and Our Children. Thank You. 2537 01:48:25,404 --> 01:48:30,141 You Know, the People That Made Ukraine on Fire Are Going 2538 01:48:30,142 --> 01:48:32,512 Made Ukraine on Fire Are Going To Hate Amy Winehouse's Music 2539 01:48:32,513 --> 01:48:33,980 To Hate Amy Winehouse's Music For the Rest of Their Lives. 2540 01:48:33,981 --> 01:48:34,781 For the Rest of Their Lives. Cut That Off. 2541 01:48:34,782 --> 01:48:35,849 Cut That Off. As Always, the Result Of 2542 01:48:35,850 --> 01:48:41,086 As Always, the Result Of Tonight's Academy Awards Have 2543 01:48:41,088 --> 01:48:45,090 Tonight's Academy Awards Have Been Tab Ewe Late Ewe Lated 2544 01:48:45,091 --> 01:48:45,592 Been Tab Ewe Late Ewe Lated Pricewaterhousecoopers. 2545 01:48:45,593 --> 01:48:54,700 Pricewaterhousecoopers. I Want You to Welcome Ming Zu, 2546 01:48:54,702 --> 01:49:02,374 I Want You to Welcome Ming Zu, Bai Ling and David Moscowi Tz. 2547 01:49:02,375 --> 01:49:02,742 Bai Ling and David Moscowi Tz. It's Okay. 2548 01:49:02,743 --> 01:49:04,343 It's Okay. If Anybody Is Upset About That 2549 01:49:04,344 --> 01:49:05,545 If Anybody Is Upset About That Joke, Just Tweet About It On 2550 01:49:05,546 --> 01:49:07,113 Joke, Just Tweet About It On Your Phone That Was Also Made By 2551 01:49:07,114 --> 01:49:07,413 Your Phone That Was Also Made By These Kids. 2552 01:49:07,414 --> 01:49:15,521 These Kids. Okay? 2553 01:49:15,523 --> 01:49:18,123 Okay? Announcer: Coming Up, 2554 01:49:18,124 --> 01:49:19,025 Announcer: Coming Up, Performances From Dave Grohl And 2555 01:49:19,026 --> 01:49:20,960 Performances From Dave Grohl And Lady Gaga and More From Chris 2556 01:49:20,961 --> 01:49:25,497 Lady Gaga and More From Chris Rock. 2557 01:49:32,205 --> 01:49:38,009 ¶ >all Right, Guys. 2558 01:49:45,335 --> 01:49:47,703 >all Right, Guys. The Big Moment of the Night. 2559 01:49:47,704 --> 01:49:50,538 The Big Moment of the Night. And I'm Not Talking About Best 2560 01:49:50,539 --> 01:49:50,771 And I'm Not Talking About Best Picture. 2561 01:49:50,772 --> 01:49:50,936 Picture. No. 2562 01:49:50,937 --> 01:49:52,971 No. We're About to See How Much 2563 01:49:52,972 --> 01:49:54,638 We're About to See How Much Money We Raised Selling Girl 2564 01:49:54,639 --> 01:49:56,338 Money We Raised Selling Girl Scout Cookies, All Right? 2565 01:49:56,339 --> 01:49:58,540 Scout Cookies, All Right? That's Right. 2566 01:49:58,541 --> 01:49:59,974 That's Right. I Want to Thank All of You, 2567 01:49:59,975 --> 01:50:01,407 I Want to Thank All of You, Because a Lot of You Kicked In. 2568 01:50:01,408 --> 01:50:03,676 Because a Lot of You Kicked In. A Lot of You Kicked In. 2569 01:50:03,677 --> 01:50:07,011 A Lot of You Kicked In. Harvey Weinstein, Kiss My Ass. 2570 01:50:07,012 --> 01:50:07,844 Harvey Weinstein, Kiss My Ass. But Everybody Else, I Love You, 2571 01:50:07,845 --> 01:50:09,879 But Everybody Else, I Love You, Okay? 2572 01:50:09,880 --> 01:50:12,013 Okay? My Daughters Cannot Wait to See 2573 01:50:12,014 --> 01:50:13,480 My Daughters Cannot Wait to See How Much Money We Have Raised. 2574 01:50:13,481 --> 01:50:16,849 How Much Money We Have Raised. So, Here We Go With This Tote 2575 01:50:16,850 --> 01:50:17,883 So, Here We Go With This Tote Board. 2576 01:50:17,884 --> 01:50:19,416 Board. Now, Last Year - Last Year, We 2577 01:50:19,417 --> 01:50:22,251 Now, Last Year - Last Year, We Made, You Know, $600 And 2578 01:50:22,252 --> 01:50:23,218 Made, You Know, $600 And Finished Number Two. 2579 01:50:23,219 --> 01:50:24,819 Finished Number Two. So, Let's See if We Did It. 2580 01:50:24,820 --> 01:50:25,451 So, Let's See if We Did It. Okay, Linda Dunn. 2581 01:50:25,452 --> 01:50:32,658 Okay, Linda Dunn. Here We Come. 2582 01:50:32,659 --> 01:50:36,795 Here We Come. Let's - Oh, Yes! 2583 01:50:36,796 --> 01:50:40,130 Let's - Oh, Yes! $65,243. 2584 01:50:40,131 --> 01:50:40,596 $65,243. Thank You. 2585 01:50:40,597 --> 01:50:42,463 Thank You. And I Want to Send a Special 2586 01:50:42,464 --> 01:50:44,464 And I Want to Send a Special Thanks to Suge Knight for Buying 2587 01:50:44,465 --> 01:50:45,732 Thanks to Suge Knight for Buying The Most Cookies. 2588 01:50:45,733 --> 01:50:48,433 The Most Cookies. Thank You, Suge. 2589 01:50:48,434 --> 01:50:51,135 Thank You, Suge. Thanks a Lot, Suge, All Right. 2590 01:50:51,136 --> 01:50:54,437 Thanks a Lot, Suge, All Right. Oh, Man, This Is Great. 2591 01:50:54,438 --> 01:50:56,438 Oh, Man, This Is Great. Lola, Zora, Love You. 2592 01:50:56,439 --> 01:50:57,471 Lola, Zora, Love You. See You Tuesday. 2593 01:50:57,472 --> 01:51:01,408 See You Tuesday. Please Welcome Academy 2594 01:51:01,409 --> 01:51:07,346 Please Welcome Academy Award-Winner Whoopi Goldberg. 2595 01:51:09,239 --> 01:51:14,524 In Addition to the Golden Statues We're Presenting 2596 01:51:14,525 --> 01:51:16,025 Statues We're Presenting Tonight, the Academy's Board Of 2597 01:51:16,026 --> 01:51:19,129 Tonight, the Academy's Board Of Governors Honors Individuals For 2598 01:51:19,130 --> 01:51:19,763 Governors Honors Individuals For Exceptional Contributions to The 2599 01:51:19,764 --> 01:51:24,166 Exceptional Contributions to The Motion Picture Arts And 2600 01:51:24,167 --> 01:51:24,834 Motion Picture Arts And Sciences, and for Humanitarian 2601 01:51:24,835 --> 01:51:26,503 Sciences, and for Humanitarian Efforts That Have Brought Credit 2602 01:51:26,504 --> 01:51:28,171 Efforts That Have Brought Credit To Our Industry. 2603 01:51:28,172 --> 01:51:29,573 To Our Industry. Last November, Three Outstanding 2604 01:51:29,574 --> 01:51:31,074 Last November, Three Outstanding Academy Award Nominated Artists 2605 01:51:31,075 --> 01:51:34,210 Academy Award Nominated Artists Were Recognized With Honorary 2606 01:51:34,211 --> 01:51:48,991 Were Recognized With Honorary Oscars - Actress Gena Rowlands, 2607 01:51:48,992 --> 01:51:50,694 Oscars - Actress Gena Rowlands, Filmmaker Spike Lee and With The 2608 01:51:50,695 --> 01:51:53,697 Filmmaker Spike Lee and With The Jean Hersholt Humanitarian 2609 01:51:53,698 --> 01:51:56,600 Jean Hersholt Humanitarian Award, Actress Debbie Reynolds. 2610 01:51:56,601 --> 01:52:00,169 Award, Actress Debbie Reynolds. Here Are a Few Moments From The 2611 01:52:00,170 --> 01:52:02,004 Here Are a Few Moments From The Celebration. 2612 01:52:02,005 --> 01:52:09,378 ¶ Gena Rowlands Smashed The 2613 01:52:09,379 --> 01:52:11,981 Gena Rowlands Smashed The Female Stereotype of Her Time. 2614 01:52:11,982 --> 01:52:14,017 Female Stereotype of Her Time. She Has Had the Most Profound 2615 01:52:14,018 --> 01:52:18,120 She Has Had the Most Profound Influence on My Work. 2616 01:52:18,121 --> 01:52:19,323 Influence on My Work. I Think I'll Take Him Home 2617 01:52:19,324 --> 01:52:21,524 I Think I'll Take Him Home With Me Tonight. 2618 01:52:21,526 --> 01:52:24,393 With Me Tonight. I Am Truly Proud and Deeply 2619 01:52:24,395 --> 01:52:27,763 I Am Truly Proud and Deeply Honored to Present The 2620 01:52:27,765 --> 01:52:32,167 Honored to Present The Remarkable Debbie Reynolds With 2621 01:52:32,169 --> 01:52:36,205 Remarkable Debbie Reynolds With The Jean Hersholt Humanitarian 2622 01:52:36,206 --> 01:52:36,406 The Jean Hersholt Humanitarian Award. 2623 01:52:36,407 --> 01:52:38,208 Award. Debdebbie, for Everything Th 2624 01:52:38,209 --> 01:52:39,075 Debdebbie, for Everything Th You Are and Everything You've 2625 01:52:39,076 --> 01:52:39,543 You Are and Everything You've Done, Thank You. 2626 01:52:39,544 --> 01:52:41,345 Done, Thank You. It's Been a Wonderful Journey 2627 01:52:41,346 --> 01:52:44,280 It's Been a Wonderful Journey With a Wonderful Friend, Who 2628 01:52:44,281 --> 01:52:45,014 With a Wonderful Friend, Who Inspires Me a Lot. 2629 01:52:45,015 --> 01:52:48,784 Inspires Me a Lot. Our Partner, Pioneer, 2630 01:52:48,785 --> 01:52:49,085 Our Partner, Pioneer, Phenomenon. 2631 01:52:49,086 --> 01:52:55,123 Phenomenon. It Is Easier to Be The 2632 01:52:55,124 --> 01:52:56,360 It Is Easier to Be The President of the United States 2633 01:52:56,361 --> 01:52:58,662 President of the United States As a Black Person Than the Head 2634 01:52:58,663 --> 01:53:01,196 As a Black Person Than the Head Of a Studio. 2635 01:53:01,198 --> 01:53:04,166 Of a Studio. I Didn't Find Film. 2636 01:53:04,167 --> 01:53:04,501 I Didn't Find Film. Film Found Me. 2637 01:53:04,502 --> 01:53:10,406 Film Found Me. Thank You Very Much. 2638 01:53:10,407 --> 01:53:10,940 Thank You Very Much. Announcer: Ladies And 2639 01:53:10,941 --> 01:53:12,208 Announcer: Ladies And Gentlemen, the President of The 2640 01:53:12,209 --> 01:53:14,010 Gentlemen, the President of The Academy of Motion Picture Arts 2641 01:53:14,011 --> 01:53:14,611 Academy of Motion Picture Arts And Sciences, Cheryl Boone 2642 01:53:14,612 --> 01:53:22,385 And Sciences, Cheryl Boone Isaacs. 2643 01:53:26,590 --> 01:53:30,158 On Behalf of the Academy, Congratulations to All The 2644 01:53:30,160 --> 01:53:35,865 Congratulations to All The Nominees and Oscar Winners. 2645 01:53:35,866 --> 01:53:36,500 Nominees and Oscar Winners. Your Work Is the Reason This Was 2646 01:53:36,501 --> 01:53:37,000 Your Work Is the Reason This Was An Amazing Year for Our 2647 01:53:37,001 --> 01:53:40,068 An Amazing Year for Our Industry. 2648 01:53:40,069 --> 01:53:40,670 Industry. Your Artistry and Skills Are 2649 01:53:40,671 --> 01:53:44,172 Your Artistry and Skills Are Truly Worthy of the Academy's 2650 01:53:44,174 --> 01:53:47,843 Truly Worthy of the Academy's Highest Honor. 2651 01:53:47,844 --> 01:53:48,478 Highest Honor. And as We Reflect Upon Your Work 2652 01:53:48,479 --> 01:53:50,414 And as We Reflect Upon Your Work Of the Past Year, Tonight Is 2653 01:53:50,415 --> 01:53:51,014 Of the Past Year, Tonight Is Also a Time to Talk About The 2654 01:53:51,015 --> 01:53:55,083 Also a Time to Talk About The Future. 2655 01:53:55,084 --> 01:53:56,152 Future. The Oscars Celebrate The 2656 01:53:56,153 --> 01:53:58,722 The Oscars Celebrate The Storytellers Who Have The 2657 01:53:58,723 --> 01:53:59,289 Storytellers Who Have The Opportunity to Work in The 2658 01:53:59,290 --> 01:54:01,891 Opportunity to Work in The Powerful Medium of Film. 2659 01:54:01,892 --> 01:54:02,526 Powerful Medium of Film. And With That Opportunity Comes 2660 01:54:02,527 --> 01:54:06,562 And With That Opportunity Comes Responsibility. 2661 01:54:06,563 --> 01:54:08,665 Responsibility. Our Audiences Are Global And 2662 01:54:08,666 --> 01:54:10,734 Our Audiences Are Global And Rich in Diversity, and Every 2663 01:54:10,735 --> 01:54:11,367 Rich in Diversity, and Every Facet of Our Industry Should Be 2664 01:54:11,368 --> 01:54:14,904 Facet of Our Industry Should Be As Well. 2665 01:54:14,905 --> 01:54:16,440 As Well. Everyone in the Hollywood 2666 01:54:16,441 --> 01:54:18,007 Everyone in the Hollywood Community Has a Role to Play In 2667 01:54:18,008 --> 01:54:20,176 Community Has a Role to Play In Bringing About the Vital Changes 2668 01:54:20,177 --> 01:54:22,145 Bringing About the Vital Changes The Industry Needs So That We 2669 01:54:22,146 --> 01:54:22,779 The Industry Needs So That We Can Accurately Reflect the World 2670 01:54:22,780 --> 01:54:25,815 Can Accurately Reflect the World Today. 2671 01:54:25,817 --> 01:54:28,451 Today. The Academy Board of Governors 2672 01:54:28,452 --> 01:54:30,019 The Academy Board of Governors Recently Took Concrete Action 2673 01:54:30,020 --> 01:54:32,055 Recently Took Concrete Action And Sent a Message That 2674 01:54:32,056 --> 01:54:34,123 And Sent a Message That Inclusion Only Serves to Make Us 2675 01:54:34,124 --> 01:54:37,225 Inclusion Only Serves to Make Us All Stronger. 2676 01:54:37,226 --> 01:54:39,362 All Stronger. And It's Important That All The 2677 01:54:39,363 --> 01:54:41,397 And It's Important That All The Members of the Academy, And 2678 01:54:41,398 --> 01:54:42,432 Members of the Academy, And Everyone in This Room, Help 2679 01:54:42,433 --> 01:54:46,535 Everyone in This Room, Help Deliver That Message. 2680 01:54:46,536 --> 01:54:48,638 Deliver That Message. Each of You Is an Ambassador Who 2681 01:54:48,639 --> 01:54:50,440 Each of You Is an Ambassador Who Can Influence Others in The 2682 01:54:50,441 --> 01:54:50,707 Can Influence Others in The Industry. 2683 01:54:50,708 --> 01:54:52,175 Industry. It's Not Enough to Just Listen 2684 01:54:52,176 --> 01:54:53,577 It's Not Enough to Just Listen And Agree. 2685 01:54:53,578 --> 01:54:56,679 And Agree. We Must Take Action. 2686 01:54:56,681 --> 01:54:59,782 We Must Take Action. While Change Is Often Difficult, 2687 01:54:59,783 --> 01:55:00,149 While Change Is Often Difficult, It Is Necessary. 2688 01:55:00,150 --> 01:55:02,485 It Is Necessary. Dr. Martin Luther King Once 2689 01:55:02,487 --> 01:55:05,521 Dr. Martin Luther King Once Said, "The Ultimate Measure of A 2690 01:55:05,522 --> 01:55:06,122 Said, "The Ultimate Measure of A Man Is Not Where He Stands In 2691 01:55:06,123 --> 01:55:11,727 Man Is Not Where He Stands In Moments of Comfort And 2692 01:55:11,728 --> 01:55:12,362 Moments of Comfort And Convenience, but Where He Stands 2693 01:55:12,363 --> 01:55:14,531 Convenience, but Where He Stands At Times of Challenge And 2694 01:55:14,532 --> 01:55:15,899 At Times of Challenge And Controversy." 2695 01:55:15,900 --> 01:55:18,001 Controversy." I Am Confident That Together We 2696 01:55:18,002 --> 01:55:19,536 I Am Confident That Together We Can Shape a Future of Which All 2697 01:55:19,537 --> 01:55:22,270 Can Shape a Future of Which All Of Us Can Be Proud. 2698 01:55:22,272 --> 01:55:31,146 Of Us Can Be Proud. Thank You. 2699 01:55:31,147 --> 01:55:32,516 Thank You. Announcer: And Now, Please 2700 01:55:32,517 --> 01:55:35,051 Announcer: And Now, Please Welcome Academy Award Winner, 2701 01:55:35,052 --> 01:55:44,159 Welcome Academy Award Winner, Louis Gossett Jr. 2702 01:55:44,160 --> 01:55:45,194 Louis Gossett Jr. Thank You. 2703 01:55:45,195 --> 01:55:48,597 Thank You. Every Time We Reminisce About 2704 01:55:48,598 --> 01:55:50,466 Every Time We Reminisce About A Moving Scene, Laugh at A 2705 01:55:50,467 --> 01:55:54,837 A Moving Scene, Laugh at A Priceless Bit of Comedy Or 2706 01:55:54,838 --> 01:55:55,438 Priceless Bit of Comedy Or Recall a Story That Gave Us A 2707 01:55:55,439 --> 01:55:56,039 Recall a Story That Gave Us A New Outlook on Life, We Honor 2708 01:55:56,040 --> 01:55:56,573 New Outlook on Life, We Honor The Artists Behind Those 2709 01:55:56,574 --> 01:55:59,174 The Artists Behind Those Moments. 2710 01:55:59,176 --> 01:56:02,077 Moments. Now, Tonight, We Celebrate The 2711 01:56:02,078 --> 01:56:03,847 Now, Tonight, We Celebrate The Fine Work in the Movies, We Also 2712 01:56:03,848 --> 01:56:04,915 Fine Work in the Movies, We Also Reflect on Some of The 2713 01:56:04,916 --> 01:56:07,716 Reflect on Some of The Unforgettable Members of Our 2714 01:56:07,717 --> 01:56:08,484 Unforgettable Members of Our Community We Have Lost During 2715 01:56:08,485 --> 01:56:09,753 Community We Have Lost During The Last Year. 2716 01:56:09,754 --> 01:56:12,320 The Last Year. So Now, With This Special 2717 01:56:12,321 --> 01:56:14,925 So Now, With This Special Performance by Dave Grohl, Let's 2718 01:56:14,926 --> 01:56:18,561 Performance by Dave Grohl, Let's Remember Some Cherished Friends 2719 01:56:18,562 --> 01:56:20,664 Remember Some Cherished Friends Whose Lasting Work Continues To 2720 01:56:20,665 --> 01:56:25,868 Whose Lasting Work Continues To Inspire and Entertain the World. 2721 01:56:32,241 --> 01:56:36,144 ¶ ¶ Blackbird Singing in the Dead 2722 01:56:36,146 --> 01:56:38,581 ¶ Blackbird Singing in the Dead Of Night 2723 01:56:38,583 --> 01:56:44,152 Of Night Take These Broken Wings And 2724 01:56:44,153 --> 01:56:44,520 Take These Broken Wings And Learn to Fly ¶ 2725 01:56:44,521 --> 01:56:47,890 Learn to Fly ¶ ¶ All Your Life 2726 01:56:47,892 --> 01:56:50,525 ¶ All Your Life You Were Only Waiting 2727 01:56:50,527 --> 01:56:59,334 You Were Only Waiting For This Moment to Arise ¶ 2728 01:56:59,335 --> 01:57:00,003 For This Moment to Arise ¶ ¶ Blackbird Singing in the Dead 2729 01:57:00,004 --> 01:57:04,073 ¶ Blackbird Singing in the Dead Of Night 2730 01:57:04,074 --> 01:57:04,708 Of Night Take These Sunken Eyes and Learn 2731 01:57:04,709 --> 01:57:10,445 Take These Sunken Eyes and Learn To See ¶ 2732 01:57:10,447 --> 01:57:12,247 To See ¶ To Us, Mr. Bond. 2733 01:57:12,249 --> 01:57:14,516 To Us, Mr. Bond. We Are the Best. 2734 01:57:14,517 --> 01:57:15,351 We Are the Best. ¶ You Were Only Waiting 2735 01:57:15,352 --> 01:57:20,188 ¶ You Were Only Waiting For This Moment to Be Free ¶ 2736 01:57:20,190 --> 01:57:25,327 For This Moment to Be Free ¶ ¶ Blackbird Fly 2737 01:57:25,329 --> 01:57:32,601 ¶ Blackbird Fly Blackbird Fly ¶ 2738 01:57:35,705 --> 01:57:43,045 ¶ I Wish You the Best Of 2739 01:57:43,047 --> 01:57:49,652 I Wish You the Best Of Everything. 2740 01:57:49,654 --> 01:57:53,622 Everything. Truly for Some Men, Nothing 2741 01:57:53,624 --> 01:58:00,996 Truly for Some Men, Nothing Is Written Unless They Write It. 2742 01:58:04,433 --> 01:58:11,106 Now You're Talking. We Got Old Herbie Back! 2743 01:58:11,108 --> 01:58:13,575 We Got Old Herbie Back! I Can Teach You How To 2744 01:58:13,576 --> 01:58:15,411 I Can Teach You How To Bewitch the Mind and Ensnare The 2745 01:58:15,412 --> 01:58:22,951 Bewitch the Mind and Ensnare The Senses. 2746 01:58:24,220 --> 01:58:32,627 ¶ Blackbird Fly Blackbird Fly 2747 01:58:32,629 --> 01:58:36,165 Blackbird Fly Into the Light of the Dark Black 2748 01:58:36,167 --> 01:58:40,169 Into the Light of the Dark Black Night ¶ 2749 01:58:40,171 --> 01:58:42,037 Night ¶ No, I Buy You Up. 2750 01:58:42,038 --> 01:58:43,173 No, I Buy You Up. You Don't Buy Me Up. 2751 01:58:43,174 --> 01:58:43,840 You Don't Buy Me Up. ¶ Blackbird Singing in the Dead 2752 01:58:43,841 --> 01:58:45,274 ¶ Blackbird Singing in the Dead Of Night 2753 01:58:45,275 --> 01:58:48,177 Of Night Take These Broken Wings And 2754 01:58:48,179 --> 01:58:50,612 Take These Broken Wings And Learn to Fly ¶ 2755 01:58:50,614 --> 01:58:56,185 Learn to Fly ¶ ¶ All Your Life 2756 01:58:56,186 --> 01:58:56,720 ¶ All Your Life You Were Only Waiting 2757 01:58:56,721 --> 01:59:16,471 You Were Only Waiting For This Moment to Arise ¶ 2758 01:59:16,472 --> 01:59:17,140 For This Moment to Arise ¶ ¶ Blackbird Singing in the Dead 2759 01:59:17,141 --> 01:59:22,211 ¶ Blackbird Singing in the Dead Of Night 2760 01:59:22,213 --> 01:59:24,146 Of Night Take These Broken Wings And 2761 01:59:24,147 --> 01:59:25,849 Take These Broken Wings And Learn to Fly ¶ 2762 01:59:25,850 --> 01:59:30,552 Learn to Fly ¶ ¶ All Your Life 2763 01:59:30,553 --> 01:59:32,155 ¶ All Your Life You Were Only Waiting 2764 01:59:32,156 --> 01:59:38,360 You Were Only Waiting For This Moment to Arise ¶ 2765 01:59:38,361 --> 01:59:40,163 For This Moment to Arise ¶ I Believe I Might Be Of 2766 01:59:40,164 --> 01:59:40,797 I Believe I Might Be Of Service. 2767 01:59:40,798 --> 01:59:44,633 Service. ¶ You Were Only Waiting 2768 01:59:44,635 --> 01:59:52,607 ¶ You Were Only Waiting For This Moment to Arise ¶ 2769 01:59:52,608 --> 01:59:54,944 For This Moment to Arise ¶ I Have Always Been and Always 2770 01:59:54,945 --> 02:00:01,483 I Have Always Been and Always Shall Be Your Friend. 2771 02:00:02,618 --> 02:00:08,123 ¶ 2772 02:00:19,235 --> 02:00:28,843 ¶ >all Right, Before We Move 2773 02:00:28,844 --> 02:00:30,344 >all Right, Before We Move On, I Want to Give a Thanks To 2774 02:00:30,345 --> 02:00:32,245 On, I Want to Give a Thanks To The Girl Scouts of Los Angeles 2775 02:00:32,246 --> 02:00:32,744 The Girl Scouts of Los Angeles For Their Help. 2776 02:00:32,745 --> 02:00:35,679 For Their Help. Thank You. 2777 02:00:35,680 --> 02:00:38,882 Thank You. Thank You. 2778 02:00:38,883 --> 02:00:40,349 Thank You. Woo, This Is Close to Me. 2779 02:00:40,350 --> 02:00:43,184 Woo, This Is Close to Me. All Right, From "Room," Please 2780 02:00:43,185 --> 02:00:47,121 All Right, From "Room," Please Welcome Jacob Tremblay, and My 2781 02:00:47,122 --> 02:00:51,024 Welcome Jacob Tremblay, and My Man - Wait, Oh, Abraham Attah. 2782 02:00:51,025 --> 02:01:01,499 Man - Wait, Oh, Abraham Attah. Come On. 2783 02:01:06,783 --> 02:01:21,264 We're Here to Present The Award for - 2784 02:01:21,265 --> 02:01:21,665 Award for - Thanks, Chris. 2785 02:01:21,666 --> 02:01:26,769 Thanks, Chris. I Loved You in "Madagascar." 2786 02:01:26,770 --> 02:01:27,404 I Loved You in "Madagascar." He's a Zebra. 2787 02:01:27,405 --> 02:01:29,805 He's a Zebra. He's Hilarious. 2788 02:01:29,806 --> 02:01:30,974 He's Hilarious. For Obvious Reasons, Abraham And 2789 02:01:30,975 --> 02:01:31,575 For Obvious Reasons, Abraham And I Are Here Tonight to Present 2790 02:01:31,576 --> 02:01:33,810 I Are Here Tonight to Present The Oscar for Best Live Action 2791 02:01:33,811 --> 02:01:35,679 The Oscar for Best Live Action Short. 2792 02:01:35,680 --> 02:01:37,780 Short. The Nominees This Year Show 2793 02:01:37,781 --> 02:01:39,349 The Nominees This Year Show That When It Comes to Making An 2794 02:01:39,350 --> 02:01:40,350 That When It Comes to Making An Impact on the Big Screen, Size 2795 02:01:40,351 --> 02:01:43,453 Impact on the Big Screen, Size Really Doesn't Matter. 2796 02:01:43,454 --> 02:01:44,555 Really Doesn't Matter. Here Are the Nominees For 2797 02:01:44,556 --> 02:01:51,760 Here Are the Nominees For Best Live Action Short Film. 2798 02:01:51,761 --> 02:01:52,362 Best Live Action Short Film. "Ave Maria," Basil Khalil And 2799 02:01:52,363 --> 02:01:55,931 "Ave Maria," Basil Khalil And Eric Dupont. 2800 02:01:55,933 --> 02:02:03,272 Eric Dupont. "Day One," Henry Hughes. 2801 02:02:03,273 --> 02:02:04,274 "Day One," Henry Hughes. "Everything Will Be Okay (Alles 2802 02:02:04,275 --> 02:02:07,377 "Everything Will Be Okay (Alles Wird Gut)," Patrick Vollrath. 2803 02:02:07,378 --> 02:02:12,615 Wird Gut)," Patrick Vollrath. "Shok," Jamie Donoughue. 2804 02:02:12,616 --> 02:02:13,250 "Shok," Jamie Donoughue. "Stutterer," Benjamin Cleary And 2805 02:02:13,251 --> 02:02:18,387 "Stutterer," Benjamin Cleary And Serena Armitage. 2806 02:02:18,389 --> 02:02:24,693 Serena Armitage. And the Oscar Goes to - 2807 02:02:24,695 --> 02:02:32,701 And the Oscar Goes to - Serena Armitage. 2808 02:02:32,703 --> 02:02:35,171 Serena Armitage. This Is the First Oscar And 2809 02:02:35,172 --> 02:02:37,007 This Is the First Oscar And Nomination for Benjamin Clearly 2810 02:02:37,008 --> 02:02:49,752 Nomination for Benjamin Clearly And Serena Armitage. 2811 02:02:53,823 --> 02:02:55,203 Announcer: Please Welcome 2812 02:02:57,294 --> 02:03:01,397 Thank You. You Know, When You Make Your 2813 02:03:01,399 --> 02:03:04,267 You Know, When You Make Your First Ever Film, You Got To 2814 02:03:04,268 --> 02:03:05,235 First Ever Film, You Got To Convince a Lot of People to Jump 2815 02:03:05,236 --> 02:03:07,671 Convince a Lot of People to Jump On Board and Take a Risk for The 2816 02:03:07,672 --> 02:03:08,972 On Board and Take a Risk for The First Time Director, And, You 2817 02:03:08,973 --> 02:03:11,107 First Time Director, And, You Know, to Every Single Member Of 2818 02:03:11,108 --> 02:03:15,678 Know, to Every Single Member Of The Cast and Crew, to Jump On 2819 02:03:15,679 --> 02:03:16,746 The Cast and Crew, to Jump On Board, I'm Forever Grateful. 2820 02:03:16,747 --> 02:03:18,748 Board, I'm Forever Grateful. To the Academy, for This Award, 2821 02:03:18,749 --> 02:03:20,350 To the Academy, for This Award, It's Such a Huge Honor. 2822 02:03:20,351 --> 02:03:21,585 It's Such a Huge Honor. Thank You So Much. 2823 02:03:21,586 --> 02:03:25,054 Thank You So Much. To My Amazing Parents, for Up 2824 02:03:25,056 --> 02:03:30,226 To My Amazing Parents, for Up The Support, Thank You. 2825 02:03:30,227 --> 02:03:32,929 The Support, Thank You. And Matthew, You Are This Film, 2826 02:03:32,930 --> 02:03:33,430 And Matthew, You Are This Film, Brother. 2827 02:03:33,431 --> 02:03:36,165 Brother. Every Day Is a Proud Day to Be 2828 02:03:36,166 --> 02:03:37,267 Every Day Is a Proud Day to Be Irish, but Today More Than 2829 02:03:37,268 --> 02:03:38,368 Irish, but Today More Than Usual. 2830 02:03:38,369 --> 02:03:39,736 Usual. For Everyone Back Home for All 2831 02:03:39,737 --> 02:03:41,805 For Everyone Back Home for All The Support, Thank You So Much. 2832 02:03:41,806 --> 02:03:43,907 The Support, Thank You So Much. On Behalf of Myself And 2833 02:03:43,908 --> 02:03:45,342 On Behalf of Myself And Shawn, We Just Want to Thank Ben 2834 02:03:45,343 --> 02:03:48,345 Shawn, We Just Want to Thank Ben For Bringing Us on the Journey 2835 02:03:48,346 --> 02:03:49,779 For Bringing Us on the Journey And for the Academy for Honoring 2836 02:03:49,780 --> 02:03:50,080 And for the Academy for Honoring Short Films. 2837 02:03:50,081 --> 02:03:58,821 Short Films. Thank You. 2838 02:03:58,822 --> 02:04:02,326 Announcer: Please Welcome International Stars Sofia 2839 02:04:02,327 --> 02:04:14,604 International Stars Sofia Vergara and Byung-Hun Lee. 2840 02:04:14,605 --> 02:04:16,139 Vergara and Byung-Hun Lee. This Year's Nominees For 2841 02:04:16,140 --> 02:04:17,741 This Year's Nominees For Foreign Language Film All 2842 02:04:17,742 --> 02:04:19,809 Foreign Language Film All Showcase the Special Ability Of 2843 02:04:19,810 --> 02:04:21,811 Showcase the Special Ability Of Movies to Transport Us in Space 2844 02:04:21,812 --> 02:04:22,679 Movies to Transport Us in Space And Time. 2845 02:04:22,680 --> 02:04:26,382 And Time. An Outpost in Afghanistan, A 2846 02:04:26,384 --> 02:04:29,418 An Outpost in Afghanistan, A Nazi Concentration Camp, A 2847 02:04:29,419 --> 02:04:30,019 Nazi Concentration Camp, A Conservative Turkish Village, 2848 02:04:30,020 --> 02:04:31,888 Conservative Turkish Village, The Amazon Rain Forest, and The 2849 02:04:31,889 --> 02:04:33,790 The Amazon Rain Forest, and The Middle East During World War I. 2850 02:04:33,791 --> 02:04:36,760 Middle East During World War I. All of This Year's Films Take 2851 02:04:36,761 --> 02:04:38,128 All of This Year's Films Take Place on Battlefields of One 2852 02:04:38,129 --> 02:04:39,062 Place on Battlefields of One Sort or Another. 2853 02:04:39,063 --> 02:04:40,130 Sort or Another. The Filmmakers Explore The 2854 02:04:40,131 --> 02:04:42,699 The Filmmakers Explore The Fundamental Aspects of Humanity 2855 02:04:42,700 --> 02:04:45,868 Fundamental Aspects of Humanity That Both Divide Us And, 2856 02:04:45,869 --> 02:04:46,436 That Both Divide Us And, Sometimes, Bind Us Together. 2857 02:04:46,437 --> 02:04:47,036 Sometimes, Bind Us Together. Here Are the Nominees For 2858 02:04:47,037 --> 02:04:51,006 Here Are the Nominees For Best Foreign Language Film. 2859 02:04:51,007 --> 02:04:53,109 Best Foreign Language Film. From Colombia, "Embrace of The 2860 02:04:53,110 --> 02:04:53,677 From Colombia, "Embrace of The Serpent," Directed by Ciro 2861 02:04:53,678 --> 02:04:57,212 Serpent," Directed by Ciro Guerra. 2862 02:04:57,214 --> 02:05:01,817 Guerra. From France, "Mustang," Directed 2863 02:05:01,819 --> 02:05:05,087 From France, "Mustang," Directed By Deniz Gamze Erguven. 2864 02:05:05,088 --> 02:05:07,123 By Deniz Gamze Erguven. From Hungary, "Son of Saul," 2865 02:05:07,124 --> 02:05:11,794 From Hungary, "Son of Saul," Directed by Laszlo Nemes. 2866 02:05:11,795 --> 02:05:13,930 Directed by Laszlo Nemes. From Jordan, "Theeb," Directed 2867 02:05:13,931 --> 02:05:18,066 From Jordan, "Theeb," Directed By Naji Abu Nowar. 2868 02:05:18,067 --> 02:05:20,103 By Naji Abu Nowar. From Denmark, "A War," Directed 2869 02:05:20,104 --> 02:05:27,976 From Denmark, "A War," Directed By Tobias Lindholm. 2870 02:05:27,978 --> 02:05:32,981 By Tobias Lindholm. And the Oscar Goes to - "Son 2871 02:05:32,983 --> 02:05:44,860 And the Oscar Goes to - "Son Of Saul," Hungary. 2872 02:05:44,861 --> 02:05:46,663 Of Saul," Hungary. This Is the Second Oscar And 2873 02:05:46,664 --> 02:06:01,544 This Is the Second Oscar And Ninth Nomination for Hungary. 2874 02:06:04,280 --> 02:06:09,585 Wow. Thanks to the Academy for This 2875 02:06:09,586 --> 02:06:11,955 Thanks to the Academy for This Incredible Honor. 2876 02:06:11,956 --> 02:06:15,524 Incredible Honor. Thank You for Tom Bernard, 2877 02:06:15,525 --> 02:06:17,494 Thank You for Tom Bernard, Michael Barker, for Supporting 2878 02:06:17,495 --> 02:06:18,127 Michael Barker, for Supporting Us. 2879 02:06:18,128 --> 02:06:20,496 Us. Thanks to Hungary for Funding 2880 02:06:20,497 --> 02:06:20,764 Thanks to Hungary for Funding This Film. 2881 02:06:20,765 --> 02:06:24,199 This Film. I Want to Share This With My 2882 02:06:24,200 --> 02:06:26,470 I Want to Share This With My Main Actor, and the Incredible 2883 02:06:26,471 --> 02:06:30,005 Main Actor, and the Incredible Cast and Crew That Believe In 2884 02:06:30,006 --> 02:06:31,675 Cast and Crew That Believe In This Project When No One Else 2885 02:06:31,676 --> 02:06:34,477 This Project When No One Else Did. 2886 02:06:34,479 --> 02:06:38,046 Did. You Know, Even in the Darkest 2887 02:06:38,048 --> 02:06:42,184 You Know, Even in the Darkest Hours of Mankind, When - in The 2888 02:06:42,185 --> 02:06:44,187 Hours of Mankind, When - in The Darkest Hours of Mankind, There 2889 02:06:44,188 --> 02:06:48,758 Darkest Hours of Mankind, There Might Be a Voice Within Us That 2890 02:06:48,759 --> 02:06:51,495 Might Be a Voice Within Us That Allows Us to Remain Human. 2891 02:06:51,496 --> 02:06:52,562 Allows Us to Remain Human. That's the Hope of This Film. 2892 02:06:52,563 --> 02:06:52,996 That's the Hope of This Film. Thank You Very Much. 2893 02:06:52,997 --> 02:07:00,369 Thank You Very Much. Thank You. 2894 02:07:02,272 --> 02:07:09,845 Announcer: Ladies And Gentlemen, the Vice President Of 2895 02:07:09,846 --> 02:07:10,447 Gentlemen, the Vice President Of The United States, Joe Biden. 2896 02:07:10,448 --> 02:07:21,791 The United States, Joe Biden. Thank You. 2897 02:07:21,792 --> 02:07:22,292 Thank You. Thank You Very Much. 2898 02:07:22,293 --> 02:07:28,631 Thank You Very Much. Thank You. 2899 02:07:28,633 --> 02:07:30,132 Thank You. Hey, How Are You? 2900 02:07:30,133 --> 02:07:30,834 Hey, How Are You? No, No, No. 2901 02:07:30,835 --> 02:07:34,269 No, No, No. Thank You. 2902 02:07:34,270 --> 02:07:35,505 Thank You. I'm the Least Qualified Man Here 2903 02:07:35,506 --> 02:07:35,739 I'm the Least Qualified Man Here Tonight. 2904 02:07:35,740 --> 02:07:38,373 Tonight. Thank You. 2905 02:07:38,375 --> 02:07:40,876 Thank You. Good Evening. 2906 02:07:40,877 --> 02:07:41,511 Good Evening. Good Evening. 2907 02:07:41,512 --> 02:07:44,146 Good Evening. And Thank You Very Much. 2908 02:07:44,147 --> 02:07:45,682 And Thank You Very Much. Despite Significant Progress 2909 02:07:45,683 --> 02:07:47,784 Despite Significant Progress Over the Last Few Years, Too 2910 02:07:47,785 --> 02:07:52,321 Over the Last Few Years, Too Many Women and Men on and Off 2911 02:07:52,322 --> 02:07:52,923 Many Women and Men on and Off Cluj 2912 02:07:52,924 --> 02:07:53,623 Cluj College Campuses Are Still 2913 02:07:53,624 --> 02:07:55,291 College Campuses Are Still Victims of Sexual Abuse. 2914 02:07:55,292 --> 02:07:57,360 Victims of Sexual Abuse. And Tonight, I'm Asking You To 2915 02:07:57,361 --> 02:07:58,995 And Tonight, I'm Asking You To Join Millions of Americans, 2916 02:07:58,996 --> 02:08:01,264 Join Millions of Americans, Including Me, President Obama, 2917 02:08:01,265 --> 02:08:02,599 Including Me, President Obama, The Thousands of Students I've 2918 02:08:02,600 --> 02:08:05,569 The Thousands of Students I've Met on College Campuses, and The 2919 02:08:05,570 --> 02:08:06,202 Met on College Campuses, and The Artists Here Tonight, to Take 2920 02:08:06,203 --> 02:08:09,638 Artists Here Tonight, to Take The Pledge. 2921 02:08:09,640 --> 02:08:11,574 The Pledge. A Pledge That Says, I Will 2922 02:08:11,575 --> 02:08:13,477 A Pledge That Says, I Will Intervene in Situations When 2923 02:08:13,478 --> 02:08:14,744 Intervene in Situations When Consent Has Not or Cannot Be 2924 02:08:14,745 --> 02:08:17,746 Consent Has Not or Cannot Be Given. 2925 02:08:17,748 --> 02:08:23,418 Given. Let's Change the Culture. 2926 02:08:23,420 --> 02:08:26,956 Let's Change the Culture. We Must and We Can Change The 2927 02:08:26,957 --> 02:08:29,559 We Must and We Can Change The Culture, So That No Abused Woman 2928 02:08:29,560 --> 02:08:31,895 Culture, So That No Abused Woman Or Man Like the Survivors You 2929 02:08:31,896 --> 02:08:33,196 Or Man Like the Survivors You Will See Tonight, Ever Feel They 2930 02:08:33,197 --> 02:08:35,565 Will See Tonight, Ever Feel They Have to Ask Themselves, What Did 2931 02:08:35,566 --> 02:08:37,633 Have to Ask Themselves, What Did I Do? 2932 02:08:37,635 --> 02:08:40,135 I Do? They Did Nothing Wrong. 2933 02:08:40,137 --> 02:08:44,439 They Did Nothing Wrong. So, Folks, I Really Mean This, 2934 02:08:44,440 --> 02:08:45,108 So, Folks, I Really Mean This, I'm Sincere. 2935 02:08:45,109 --> 02:08:45,976 I'm Sincere. Take the Pledge. 2936 02:08:45,977 --> 02:08:51,914 Take the Pledge. Go Look At, Visit Itsonus.org. 2937 02:08:51,915 --> 02:08:52,549 Go Look At, Visit Itsonus.org. Performing Her Oscar-Nominated 2938 02:08:52,550 --> 02:08:56,619 Performing Her Oscar-Nominated Song "Til It Happens to You," 2939 02:08:56,620 --> 02:08:57,821 Song "Til It Happens to You," Written With Diane Warren, For 2940 02:08:57,822 --> 02:09:00,891 Written With Diane Warren, For The Film "The Hunting Ground," 2941 02:09:00,892 --> 02:09:02,291 The Film "The Hunting Ground," Welcome My Friend and A 2942 02:09:02,292 --> 02:09:03,026 Welcome My Friend and A Courageous Lady Herself, Lady 2943 02:09:03,027 --> 02:09:08,998 Courageous Lady Herself, Lady Gaga. 2944 02:09:10,099 --> 02:09:28,751 ¶ 2945 02:09:31,621 --> 02:09:42,998 ¶ You Tell Me It Gets Better It Gets Better in Time ¶ 2946 02:09:42,999 --> 02:09:43,567 It Gets Better in Time ¶ ¶ You Say I'll Pull Myself 2947 02:09:43,568 --> 02:09:45,634 ¶ You Say I'll Pull Myself Together 2948 02:09:45,636 --> 02:09:49,805 Together Pull It Together 2949 02:09:49,807 --> 02:09:52,407 Pull It Together You'll Be Fine ¶ 2950 02:09:52,408 --> 02:09:53,076 You'll Be Fine ¶ ¶ Tell Me, What the Hell Do You 2951 02:09:53,077 --> 02:09:56,511 ¶ Tell Me, What the Hell Do You Know 2952 02:09:56,513 --> 02:10:03,251 Know What Do You Know ¶ 2953 02:10:03,252 --> 02:10:03,920 What Do You Know ¶ ¶ Tell Me How the Hell Could You 2954 02:10:03,921 --> 02:10:09,792 ¶ Tell Me How the Hell Could You Know 2955 02:10:09,793 --> 02:10:10,560 Know How Could You Know ¶ 2956 02:10:10,561 --> 02:10:17,833 How Could You Know ¶ ¶ Till It Happens to You 2957 02:10:17,835 --> 02:10:20,435 ¶ Till It Happens to You You Don't Know How It Feels ¶ 2958 02:10:20,437 --> 02:10:23,038 You Don't Know How It Feels ¶ ¶ How It Feels 2959 02:10:23,040 --> 02:10:26,208 ¶ How It Feels Till It Happens to You ¶ 2960 02:10:26,210 --> 02:10:29,277 Till It Happens to You ¶ ¶ You Won't Know 2961 02:10:29,279 --> 02:10:32,915 ¶ You Won't Know It Won't Be Real 2962 02:10:32,917 --> 02:10:38,654 It Won't Be Real No, It Won't Be Real ¶ 2963 02:10:38,656 --> 02:10:45,828 No, It Won't Be Real ¶ ¶ Won't Know How It Feels 2964 02:10:45,829 --> 02:10:46,362 ¶ Won't Know How It Feels Till Your World Burns And 2965 02:10:46,363 --> 02:10:52,434 Till Your World Burns And Crashes ¶ 2966 02:10:52,435 --> 02:10:53,202 Crashes ¶ ¶ Till You're at the End 2967 02:10:53,203 --> 02:10:59,474 ¶ Till You're at the End The End of Your Rope ¶ 2968 02:10:59,475 --> 02:11:01,011 The End of Your Rope ¶ ¶ Till You're Standing in My 2969 02:11:01,012 --> 02:11:03,145 ¶ Till You're Standing in My Shoes 2970 02:11:03,147 --> 02:11:05,147 Shoes I Don't Wanna Hear a Thing From 2971 02:11:05,148 --> 02:11:06,215 I Don't Wanna Hear a Thing From You 2972 02:11:06,216 --> 02:11:09,317 You From You, From You ¶ 2973 02:11:09,319 --> 02:11:18,193 From You, From You ¶ ¶ 'Cause You Don't Know 2974 02:11:18,195 --> 02:11:25,834 ¶ 'Cause You Don't Know Till It Happens to You ¶ 2975 02:11:25,835 --> 02:11:28,071 Till It Happens to You ¶ ¶ You Don't Know How I Feel 2976 02:11:28,072 --> 02:11:31,740 ¶ You Don't Know How I Feel How I Feel 2977 02:11:31,742 --> 02:11:35,443 How I Feel How I Feel ¶ 2978 02:11:35,445 --> 02:11:37,445 How I Feel ¶ ¶ Till It Happens to You 2979 02:11:37,446 --> 02:11:39,015 ¶ Till It Happens to You You Won't Know 2980 02:11:39,016 --> 02:11:41,116 You Won't Know It Won't Be Real ¶ 2981 02:11:41,117 --> 02:11:42,618 It Won't Be Real ¶ ¶ How Could You Know? 2982 02:11:42,619 --> 02:11:46,254 ¶ How Could You Know? No, It Won't Be Real ¶ 2983 02:11:46,256 --> 02:11:50,492 No, It Won't Be Real ¶ ¶ How Could You Know? 2984 02:11:50,494 --> 02:11:54,697 ¶ How Could You Know? Won't Know How I Feel ¶ 2985 02:11:54,698 --> 02:11:56,232 Won't Know How I Feel ¶ ¶ Till It Happens to You 2986 02:11:56,233 --> 02:11:58,300 ¶ Till It Happens to You Happens to You 2987 02:11:58,302 --> 02:12:01,436 Happens to You Happens to You ¶ 2988 02:12:01,437 --> 02:12:02,972 Happens to You ¶ ¶ Happens to You 2989 02:12:02,973 --> 02:12:04,540 ¶ Happens to You Happens to You 2990 02:12:04,541 --> 02:12:08,210 Happens to You Happens to You ¶ 2991 02:12:08,212 --> 02:12:19,654 Happens to You ¶ ¶ How Could You Know? 2992 02:12:19,656 --> 02:12:21,824 ¶ How Could You Know? Till It Happens You 2993 02:12:21,826 --> 02:12:28,463 Till It Happens You You Won't Know 2994 02:12:28,465 --> 02:12:36,972 You Won't Know How I Feel ¶ 2995 02:13:11,707 --> 02:13:14,743 Announcer: Coming Up, The Awards for Song and Score. 2996 02:13:14,744 --> 02:13:15,812 Awards for Song and Score. Plus, More From Chris Rock, Live 2997 02:13:15,813 --> 02:13:21,082 Plus, More From Chris Rock, Live From the Dolby Theatre. 2998 02:13:40,042 --> 02:13:45,214 ¶ Announcer: And Now, Oscar 2999 02:13:45,215 --> 02:13:46,649 Announcer: And Now, Oscar Nominated Composer Pharrell 3000 02:13:46,650 --> 02:13:47,750 Nominated Composer Pharrell Williams and Winner of the Jean 3001 02:13:47,751 --> 02:13:48,351 Williams and Winner of the Jean Hersholt Humanitarian Award, 3002 02:13:48,352 --> 02:13:58,630 Hersholt Humanitarian Award, Quincy Jones. 3003 02:13:58,631 --> 02:14:02,700 Just a Handful of Notes With Just the Right Combination Can 3004 02:14:02,701 --> 02:14:04,370 Just the Right Combination Can Unite a Group of Total Strangers 3005 02:14:04,371 --> 02:14:08,373 Unite a Group of Total Strangers In a Darkened Movie Theater. 3006 02:14:08,374 --> 02:14:09,541 In a Darkened Movie Theater. I Was Blessed to Have Gone To 3007 02:14:09,542 --> 02:14:12,878 I Was Blessed to Have Gone To The U.s.s., the University Of 3008 02:14:12,880 --> 02:14:16,447 The U.s.s., the University Of Steven Spielberg, When We 3009 02:14:16,448 --> 02:14:18,050 Steven Spielberg, When We Coproduced "The Color Purple" 3010 02:14:18,051 --> 02:14:19,952 Coproduced "The Color Purple" And We Used to Refer to The 3011 02:14:19,953 --> 02:14:21,520 And We Used to Refer to The Music as Emotion Lotion. 3012 02:14:21,521 --> 02:14:23,222 Music as Emotion Lotion. This Year's Exceptional 3013 02:14:23,223 --> 02:14:26,691 This Year's Exceptional Compositions Are Sure to Bring 3014 02:14:26,692 --> 02:14:27,726 Compositions Are Sure to Bring That Special Sense of Shared 3015 02:14:27,727 --> 02:14:28,294 That Special Sense of Shared Experience to Audiences For 3016 02:14:28,295 --> 02:14:28,827 Experience to Audiences For Years to Come. 3017 02:14:28,828 --> 02:14:29,461 Years to Come. Here Are the Nominees for Best 3018 02:14:29,462 --> 02:14:35,033 Here Are the Nominees for Best Original Score. 3019 02:14:35,034 --> 02:14:35,634 Original Score. "Bridge of Spies," by Thomas 3020 02:14:35,635 --> 02:14:40,838 "Bridge of Spies," by Thomas Newman. 3021 02:14:40,840 --> 02:14:52,817 Newman. ¶ 3022 02:14:52,819 --> 02:14:59,124 ¶ "Carol," by Carter Burwell. 3023 02:14:59,126 --> 02:15:11,036 "Carol," by Carter Burwell. ¶ 3024 02:15:11,038 --> 02:15:15,407 ¶ "Sicario," by Johann Johannsson. 3025 02:15:15,409 --> 02:15:30,621 "Sicario," by Johann Johannsson. ¶ 3026 02:15:30,623 --> 02:15:32,357 ¶ "The Hateful Eight," by Ennio 3027 02:15:32,359 --> 02:15:36,461 "The Hateful Eight," by Ennio Morricone. 3028 02:15:36,463 --> 02:15:51,109 Morricone. ¶ 3029 02:15:51,110 --> 02:15:52,078 ¶ "Star Wars: The Force Awakens," 3030 02:15:52,079 --> 02:15:56,414 "Star Wars: The Force Awakens," By John Williams. 3031 02:15:56,416 --> 02:16:08,759 By John Williams. ¶ 3032 02:16:11,830 --> 02:16:20,338 And the Oscar Goes to - "The Hateful Eight," by Ennio 3033 02:16:20,340 --> 02:16:23,308 "The Hateful Eight," by Ennio Morricone. 3034 02:16:25,212 --> 02:16:29,547 This Is the First Oscar And Sixth Nomination for Ennio 3035 02:16:30,183 --> 02:16:32,385 Morricone. He Received an Honorary Award In 3036 02:16:31,830 --> 02:16:32,230 2006 in Recognition of His Mag Kn 3037 02:16:32,231 --> 02:16:32,864 Kn Magn 3038 02:16:32,865 --> 02:16:33,497 Magn Magnificent Contributions to The 3039 02:16:33,498 --> 02:16:40,370 Magnificent Contributions to The Art of Film Music. 3040 02:17:52,236 --> 02:17:57,774 Translator: Thank You to The Academy for This Prestigious 3041 02:17:57,776 --> 02:18:01,278 Academy for This Prestigious Acknowledgement. 3042 02:18:01,279 --> 02:18:03,281 Acknowledgement. My Tribute Goes to the Other 3043 02:18:03,282 --> 02:18:04,882 My Tribute Goes to the Other Nominees, and in Particular To 3044 02:18:04,883 --> 02:18:12,355 Nominees, and in Particular To The Esteemed John Williams. 3045 02:18:12,356 --> 02:18:14,192 The Esteemed John Williams. There Isn't a Great Soundtrack 3046 02:18:14,193 --> 02:18:16,360 There Isn't a Great Soundtrack Without a Great Movie That 3047 02:18:16,361 --> 02:18:26,736 Without a Great Movie That Inspires It. 3048 02:18:26,738 --> 02:18:32,041 Inspires It. I Want to Thank Quentin 3049 02:18:32,043 --> 02:18:36,045 I Want to Thank Quentin Tarantino for Having Chosen Me 3050 02:18:36,047 --> 02:18:46,089 Tarantino for Having Chosen Me To Make This Extraordinary Film. 3051 02:18:46,090 --> 02:18:48,192 To Make This Extraordinary Film. I Dedicate This Award to My 3052 02:18:48,193 --> 02:18:49,327 I Dedicate This Award to My Wife, Maria, Who Is There 3053 02:18:49,328 --> 02:18:51,561 Wife, Maria, Who Is There Watching Me. 3054 02:18:51,563 --> 02:18:58,668 Watching Me. Thank You. 3055 02:19:00,893 --> 02:19:04,697 Announcer: Ladies And Gentlemen, Last Year's Oscar 3056 02:19:04,698 --> 02:19:05,264 Gentlemen, Last Year's Oscar Winners for Original Song, 3057 02:19:05,265 --> 02:19:15,306 Winners for Original Song, Common and John Legend. 3058 02:19:22,014 --> 02:19:26,050 Every Musician Dreams Of Writing and Performing a Song 3059 02:19:26,051 --> 02:19:26,686 Writing and Performing a Song That Resonates With the People 3060 02:19:26,687 --> 02:19:31,256 That Resonates With the People Who Hear It. 3061 02:19:31,258 --> 02:19:33,825 Who Hear It. When That Song Becomes a Part Of 3062 02:19:33,826 --> 02:19:34,594 When That Song Becomes a Part Of A Movie, It's Forever Bonded 3063 02:19:34,595 --> 02:19:35,928 A Movie, It's Forever Bonded With the Spirit and the Message 3064 02:19:35,929 --> 02:19:38,530 With the Spirit and the Message Of the Film. 3065 02:19:38,531 --> 02:19:40,633 Of the Film. The Songs Nominated This Year 3066 02:19:40,634 --> 02:19:42,167 The Songs Nominated This Year Are as Powerful as the Films In 3067 02:19:42,168 --> 02:19:43,736 Are as Powerful as the Films In Which They Appeared. 3068 02:19:43,737 --> 02:19:46,571 Which They Appeared. Three of Them Have Been 3069 02:19:46,572 --> 02:19:47,106 Three of Them Have Been Performed for Us Tonight. 3070 02:19:47,107 --> 02:19:49,442 Performed for Us Tonight. Here Are the Nominees for Best 3071 02:19:49,443 --> 02:19:51,010 Here Are the Nominees for Best Original Song. 3072 02:19:51,011 --> 02:19:53,612 Original Song. "Manta Ray," From "Racing 3073 02:19:53,613 --> 02:19:56,181 "Manta Ray," From "Racing Extinction," Music by J. Ralph 3074 02:19:56,182 --> 02:20:01,653 Extinction," Music by J. Ralph Lyric by Anohni. 3075 02:20:01,655 --> 02:20:13,498 Lyric by Anohni. ¶ 3076 02:20:13,499 --> 02:20:14,133 ¶ "Simple Song #3," From "Youth" 3077 02:20:14,134 --> 02:20:18,703 "Simple Song #3," From "Youth" Music and Lyric by David Lang. 3078 02:20:18,705 --> 02:20:31,149 Music and Lyric by David Lang. ¶ 3079 02:20:31,150 --> 02:20:32,685 ¶ "Earned It," From "Fifty Shades 3080 02:20:32,686 --> 02:20:37,388 "Earned It," From "Fifty Shades Of Grey," Music and Lyric by The 3081 02:20:37,389 --> 02:20:37,957 Of Grey," Music and Lyric by The Weeknd, Ahmad Balshe, Jason 3082 02:20:37,958 --> 02:20:43,394 Weeknd, Ahmad Balshe, Jason Quenneville and Stephan Moccio. 3083 02:20:43,395 --> 02:20:45,698 Quenneville and Stephan Moccio. "Til It Happens to You," From 3084 02:20:45,699 --> 02:20:46,332 "Til It Happens to You," From "The Hunting Ground" Music And 3085 02:20:46,333 --> 02:20:46,966 "The Hunting Ground" Music And Lyric by Diane Warren and Lady 3086 02:20:46,967 --> 02:20:53,004 Lyric by Diane Warren and Lady Gaga. 3087 02:20:53,005 --> 02:20:53,606 Gaga. "Writing's on the Wall," From 3088 02:20:53,607 --> 02:20:54,540 "Writing's on the Wall," From "Spectre," Music and Lyric By 3089 02:20:54,541 --> 02:21:02,481 "Spectre," Music and Lyric By Jimmy Napes and Sam Smith. 3090 02:21:02,483 --> 02:21:11,289 Jimmy Napes and Sam Smith. And the Oscar Goes to - 3091 02:21:11,291 --> 02:21:14,359 And the Oscar Goes to - Jimmy Napes and Sam Smith For 3092 02:21:14,360 --> 02:21:16,128 Jimmy Napes and Sam Smith For "Writing's on the Wall." 3093 02:21:16,129 --> 02:21:18,364 "Writing's on the Wall." This Is the First Oscar And 3094 02:21:18,365 --> 02:21:20,199 This Is the First Oscar And Nomination for Jimmy Napes And 3095 02:21:20,200 --> 02:21:32,243 Nomination for Jimmy Napes And Sam Smith. 3096 02:21:42,822 --> 02:21:46,625 I Actually Can't Breathe Right Now. 3097 02:21:46,626 --> 02:21:46,926 Right Now. Oh, My God. 3098 02:21:46,927 --> 02:21:47,560 Oh, My God. Thank You to This Man Right 3099 02:21:47,561 --> 02:21:49,194 Thank You to This Man Right Here, Jimmy Napes. 3100 02:21:49,195 --> 02:21:51,096 Here, Jimmy Napes. To All the Nominees, You're 3101 02:21:51,097 --> 02:21:51,631 To All the Nominees, You're Incredible. 3102 02:21:51,632 --> 02:21:54,365 Incredible. Gaga, You're Incredible. 3103 02:21:54,366 --> 02:21:57,102 Gaga, You're Incredible. I Read an Article a Few Months 3104 02:21:57,103 --> 02:22:03,008 I Read an Article a Few Months Ago and He Said That No Openly 3105 02:22:03,009 --> 02:22:04,443 Ago and He Said That No Openly Gay Man Had Ever Won an Oscar, 3106 02:22:04,444 --> 02:22:07,112 Gay Man Had Ever Won an Oscar, If This Is the Case, Even if It 3107 02:22:07,113 --> 02:22:08,548 If This Is the Case, Even if It Isn't the Case, I Want To 3108 02:22:08,549 --> 02:22:10,917 Isn't the Case, I Want To Dedicate This to the Lgbt 3109 02:22:10,918 --> 02:22:16,354 Dedicate This to the Lgbt Community, All Around the World. 3110 02:22:16,355 --> 02:22:18,323 Community, All Around the World. I Stand Here - I Stand Here 3111 02:22:18,324 --> 02:22:20,159 I Stand Here - I Stand Here Tonight as a Proud Gay Man and I 3112 02:22:20,160 --> 02:22:21,727 Tonight as a Proud Gay Man and I Hope We Can All Stand Together 3113 02:22:21,728 --> 02:22:22,895 Hope We Can All Stand Together As Equals One Day. 3114 02:22:22,896 --> 02:22:34,072 As Equals One Day. Thank You So Much. 3115 02:22:37,209 --> 02:22:42,346 All Right. Congratulations, No Jokes There. 3116 02:22:42,348 --> 02:22:46,350 Congratulations, No Jokes There. Not Going to Get Me in Trouble. 3117 02:22:46,352 --> 02:22:49,888 Not Going to Get Me in Trouble. Please Welcome Olivia Wilde And 3118 02:22:49,890 --> 02:23:01,733 Please Welcome Olivia Wilde And Oscar Nominee Sacha Baron Cohen. 3119 02:23:10,542 --> 02:23:13,511 I Know What You Were Thinking When I Walked On. 3120 02:23:13,513 --> 02:23:18,617 When I Walked On. Here Comes Yet Another Token 3121 02:23:18,619 --> 02:23:22,787 Here Comes Yet Another Token Black Presenter. 3122 02:23:22,789 --> 02:23:26,825 Black Presenter. But It Ain't Just. 3123 02:23:26,826 --> 02:23:28,227 But It Ain't Just. It's All People of All Colors. 3124 02:23:28,228 --> 02:23:29,862 It's All People of All Colors. How Come There's No Oscar For 3125 02:23:29,863 --> 02:23:51,916 How Come There's No Oscar For Them. 3126 02:23:51,918 --> 02:23:59,423 Them. And of Course, the Amazing Black 3127 02:23:59,424 --> 02:24:01,894 And of Course, the Amazing Black Lord From "Star Wars," Darth 3128 02:24:01,895 --> 02:24:02,594 Lord From "Star Wars," Darth Vader. 3129 02:24:02,595 --> 02:24:04,395 Vader. This Is for You. 3130 02:24:04,396 --> 02:24:06,065 This Is for You. Now, Check Out a Movie About A 3131 02:24:06,066 --> 02:24:15,173 Now, Check Out a Movie About A Room Full of White People. 3132 02:24:15,174 --> 02:24:16,809 Room Full of White People. ¶ When Evening When the Sun Went 3133 02:24:16,810 --> 02:24:17,043 ¶ When Evening When the Sun Went Down ¶ 3134 02:24:17,044 --> 02:24:18,410 Down ¶ ¶ and the Jungle Fire Was 3135 02:24:18,411 --> 02:24:19,912 ¶ and the Jungle Fire Was Burning ¶ 3136 02:24:19,913 --> 02:24:22,513 Burning ¶ You Have to Understand, We 3137 02:24:22,514 --> 02:24:24,316 You Have to Understand, We Can't Keep Living Like This. 3138 02:24:24,317 --> 02:24:25,718 Can't Keep Living Like This. You're Just Tricking Me. 3139 02:24:25,719 --> 02:24:26,085 You're Just Tricking Me. Jack. 3140 02:24:26,086 --> 02:24:28,619 Jack. The World Is So Big. 3141 02:24:28,620 --> 02:24:29,789 The World Is So Big. When Jack Came, I Just Knew That 3142 02:24:29,790 --> 02:24:32,224 When Jack Came, I Just Knew That I Had to Keep Him Safe. 3143 02:24:32,225 --> 02:24:33,458 I Had to Keep Him Safe. Going to Come to the Door. 3144 02:24:33,459 --> 02:24:34,794 Going to Come to the Door. So, You're Going to Help Me. 3145 02:24:34,795 --> 02:24:35,127 So, You're Going to Help Me. I'm Scared. 3146 02:24:35,128 --> 02:24:37,062 I'm Scared. I Know. 3147 02:24:37,063 --> 02:24:37,763 I Know. You're Going to Love It. 3148 02:24:37,764 --> 02:24:38,698 You're Going to Love It. What? 3149 02:24:38,699 --> 02:24:48,206 What? The World. 3150 02:24:49,709 --> 02:24:54,579 The Enigma of Arrival Creates The Drama in Our Final Best 3151 02:24:54,580 --> 02:24:55,380 The Drama in Our Final Best Picture Nominee. 3152 02:24:55,381 --> 02:24:56,916 Picture Nominee. A Young Woman Searching for A 3153 02:24:56,917 --> 02:24:58,984 A Young Woman Searching for A Better Life Must Decide Whether 3154 02:24:58,985 --> 02:25:00,586 Better Life Must Decide Whether To Resist the Pull of Her Native 3155 02:25:00,587 --> 02:25:02,554 To Resist the Pull of Her Native Country and Make a New Home In 3156 02:25:02,555 --> 02:25:03,189 Country and Make a New Home In The Place That Has Welcomed 3157 02:25:03,190 --> 02:25:03,756 The Place That Has Welcomed Generations of Aspirational 3158 02:25:03,757 --> 02:25:05,758 Generations of Aspirational Newcomers. 3159 02:25:05,759 --> 02:25:13,198 Newcomers. Here Is "Brooklyn." 3160 02:25:13,200 --> 02:25:16,201 Here Is "Brooklyn." ¶ 3161 02:25:16,203 --> 02:25:18,236 ¶ Welcome to the United States, 3162 02:25:18,237 --> 02:25:18,437 Welcome to the United States, Ma'am. 3163 02:25:18,438 --> 02:25:19,205 Ma'am. Dear Rose. 3164 02:25:19,206 --> 02:25:21,107 Dear Rose. I Still Miss You and Mother And 3165 02:25:21,108 --> 02:25:22,842 I Still Miss You and Mother And Think About You Every Day. 3166 02:25:22,843 --> 02:25:25,309 Think About You Every Day. I'm Not Irish. 3167 02:25:25,311 --> 02:25:27,212 I'm Not Irish. You Don't Sound Irish. 3168 02:25:27,213 --> 02:25:28,347 You Don't Sound Irish. For the First Time I've Been 3169 02:25:28,348 --> 02:25:30,682 For the First Time I've Been In America, I'm Really Happy. 3170 02:25:30,683 --> 02:25:31,884 In America, I'm Really Happy. I Got Married in Brooklyn Before 3171 02:25:31,885 --> 02:25:34,219 I Got Married in Brooklyn Before I Came Home. 3172 02:25:34,220 --> 02:25:36,321 I Came Home. I'm Going to Live in Brooklyn, 3173 02:25:36,322 --> 02:25:36,588 I'm Going to Live in Brooklyn, New York. 3174 02:25:36,589 --> 02:25:38,589 New York. I Know It. 3175 02:25:38,591 --> 02:25:45,496 I Know It. Yes. 3176 02:25:45,497 --> 02:25:46,799 Yes. Announcer: The Big Acting 3177 02:25:46,800 --> 02:25:48,100 Announcer: The Big Acting Awards Are Still to Come. 3178 02:25:48,101 --> 02:25:49,268 Awards Are Still to Come. Plus, Find Out Which One Of 3179 02:25:49,269 --> 02:25:50,236 Plus, Find Out Which One Of These Directors Will Take Home 3180 02:25:50,237 --> 02:25:59,010 These Directors Will Take Home The Oscar. 3181 02:25:59,012 --> 02:26:02,147 The Oscar. ¶ 3182 02:26:00,557 --> 02:26:01,191 Announcer: Please Welcome Writer, Producer and Director, 3183 02:26:01,192 --> 02:26:10,566 Writer, Producer and Director, j.j. Abrams. 3184 02:26:10,568 --> 02:26:12,568 j.j. Abrams. To the Five Directors 3185 02:26:12,569 --> 02:26:15,038 To the Five Directors Nominated Tonight, You Have Been 3186 02:26:15,039 --> 02:26:16,139 Nominated Tonight, You Have Been Singled Out for Your Courage. 3187 02:26:16,140 --> 02:26:16,773 Singled Out for Your Courage. The Courage to Stay True to Your 3188 02:26:16,774 --> 02:26:19,776 The Courage to Stay True to Your Visions, to Inspire Passion In 3189 02:26:19,777 --> 02:26:20,377 Visions, to Inspire Passion In Your Casts and Crews, and To 3190 02:26:20,378 --> 02:26:21,311 Your Casts and Crews, and To Dream, Even Though Dreams Can 3191 02:26:21,312 --> 02:26:22,879 Dream, Even Though Dreams Can Easily and Unexpectedly Turn 3192 02:26:22,880 --> 02:26:26,549 Easily and Unexpectedly Turn Into Nightmares. 3193 02:26:26,550 --> 02:26:27,184 Into Nightmares. But Despite the Inherent Risks, 3194 02:26:27,185 --> 02:26:27,817 But Despite the Inherent Risks, The Astounding Films You've Made 3195 02:26:27,818 --> 02:26:30,687 The Astounding Films You've Made Have Resulted in a Combined 37 3196 02:26:30,688 --> 02:26:31,254 Have Resulted in a Combined 37 Nominations, Including This 3197 02:26:31,255 --> 02:26:32,255 Nominations, Including This Award. 3198 02:26:32,256 --> 02:26:33,323 Award. Here Are the Nominees For 3199 02:26:33,324 --> 02:26:37,859 Here Are the Nominees For Achievement in Directing. 3200 02:26:37,860 --> 02:26:39,296 Achievement in Directing. I'm Just a Big Believer In, 3201 02:26:39,297 --> 02:26:40,530 I'm Just a Big Believer In, You Do What You Need to Do To 3202 02:26:40,531 --> 02:26:44,567 You Do What You Need to Do To Tell the Story. 3203 02:26:44,568 --> 02:26:45,202 Tell the Story. Adam McKay "The Big Short." 3204 02:26:45,203 --> 02:26:47,003 Adam McKay "The Big Short." It's a Story About What's 3205 02:26:47,004 --> 02:26:48,638 It's a Story About What's Happening Right This Second. 3206 02:26:48,639 --> 02:26:51,708 Happening Right This Second. It's Got the Importance and Fun 3207 02:26:51,709 --> 02:26:52,075 It's Got the Importance and Fun To It, as Well. 3208 02:26:52,076 --> 02:26:53,577 To It, as Well. Like to Work as Much as I 3209 02:26:53,578 --> 02:26:56,146 Like to Work as Much as I Possibly Can for as Long as I 3210 02:26:56,147 --> 02:26:59,215 Possibly Can for as Long as I Possibly Can With the Actors. 3211 02:26:59,216 --> 02:26:59,782 Possibly Can With the Actors. Lenny Abrahamson, "Room." 3212 02:26:59,783 --> 02:27:03,785 Lenny Abrahamson, "Room." Tom McCarthy "Spotlight." 3213 02:27:03,786 --> 02:27:04,887 Tom McCarthy "Spotlight." Involved in the Presence Of 3214 02:27:04,888 --> 02:27:06,823 Involved in the Presence Of Thinking the Thing Into 3215 02:27:06,824 --> 02:27:07,090 Thinking the Thing Into Existence. 3216 02:27:07,091 --> 02:27:08,425 Existence. At the End of the Day, Our 3217 02:27:08,426 --> 02:27:10,360 At the End of the Day, Our Job Is to Tell Stories, but It 3218 02:27:10,361 --> 02:27:11,361 Job Is to Tell Stories, but It Is Nice to Feel Like the Movie 3219 02:27:11,362 --> 02:27:14,363 Is Nice to Feel Like the Movie Has Something to Say. 3220 02:27:14,364 --> 02:27:15,965 Has Something to Say. Tom McCarthy "Spotlight." 3221 02:27:15,966 --> 02:27:17,667 Tom McCarthy "Spotlight." It's Rare You Get to Work On 3222 02:27:17,668 --> 02:27:19,002 It's Rare You Get to Work On Material That You Genuinely 3223 02:27:19,003 --> 02:27:20,103 Material That You Genuinely Believe Has Social Relevance, 3224 02:27:20,104 --> 02:27:22,405 Believe Has Social Relevance, And So, I Feel Like We Were 3225 02:27:22,406 --> 02:27:23,906 And So, I Feel Like We Were Really Motivated by That. 3226 02:27:23,907 --> 02:27:26,409 Really Motivated by That. The Way I Approach This Was 3227 02:27:26,410 --> 02:27:29,378 The Way I Approach This Was Long Takes, Not Many Cuts. 3228 02:27:29,379 --> 02:27:30,013 Long Takes, Not Many Cuts. Alejandro G. Inarritu, "The 3229 02:27:30,014 --> 02:27:31,648 Alejandro G. Inarritu, "The Revenant." 3230 02:27:31,649 --> 02:27:38,487 Revenant." Very Precise Choreography. 3231 02:27:38,488 --> 02:27:38,988 Very Precise Choreography. Rehearse. 3232 02:27:38,989 --> 02:27:41,158 Rehearse. Beautiful Way to Use What Cinema 3233 02:27:41,159 --> 02:27:41,391 Beautiful Way to Use What Cinema Is For. 3234 02:27:41,392 --> 02:27:45,494 Is For. Shooting Mostly in Continuity 3235 02:27:45,495 --> 02:27:48,565 Shooting Mostly in Continuity Replicated What the Chase Is. 3236 02:27:48,566 --> 02:27:49,199 Replicated What the Chase Is. George Miller, "Mad Max: Fury 3237 02:27:49,200 --> 02:27:50,066 George Miller, "Mad Max: Fury Road." 3238 02:27:50,067 --> 02:27:52,801 Road." It Was an Opportunity to Do 3239 02:27:52,802 --> 02:27:53,870 It Was an Opportunity to Do What I Attempted to Do Back 3240 02:27:53,871 --> 02:27:55,605 What I Attempted to Do Back Then, but to Use the New 3241 02:27:55,606 --> 02:28:03,679 Then, but to Use the New Technology. 3242 02:28:05,682 --> 02:28:13,055 And the Oscar Goes to - Alejandro G. Inarritu, "The 3243 02:28:13,057 --> 02:28:17,793 Alejandro G. Inarritu, "The Revenant." 3244 02:28:17,795 --> 02:28:20,563 Revenant." This Is the Fourth Oscar And 3245 02:28:20,565 --> 02:28:26,168 This Is the Fourth Oscar And Seventh Nomination for Alejandro 3246 02:28:26,169 --> 02:28:28,171 Seventh Nomination for Alejandro G. Inarritu. 3247 02:28:28,172 --> 02:28:30,972 G. Inarritu. He Took Home Three Oscars Last 3248 02:28:30,974 --> 02:28:40,649 He Took Home Three Oscars Last Year for "Birdman." 3249 02:28:49,286 --> 02:28:52,762 Thank You to the Academy. I Can't Believe This Is 3250 02:28:52,763 --> 02:28:55,897 I Can't Believe This Is Happening, I - It Is Amazing To 3251 02:28:55,898 --> 02:28:57,133 Happening, I - It Is Amazing To Receive This Award Tonight. 3252 02:28:57,134 --> 02:29:00,603 Receive This Award Tonight. But - It's Much More Beautiful 3253 02:29:00,605 --> 02:29:04,840 But - It's Much More Beautiful For Me to Share It With All The 3254 02:29:04,841 --> 02:29:07,344 For Me to Share It With All The Talent and Crazy Cast And 3255 02:29:07,345 --> 02:29:09,613 Talent and Crazy Cast And Colleagues and Crew Members 3256 02:29:09,614 --> 02:29:10,747 Colleagues and Crew Members Along the Continent That Made 3257 02:29:10,748 --> 02:29:12,415 Along the Continent That Made This Film Possible, to All And 3258 02:29:12,416 --> 02:29:14,351 This Film Possible, to All And Each of You. 3259 02:29:14,352 --> 02:29:16,485 Each of You. I Thank You From My Heart. 3260 02:29:16,487 --> 02:29:21,857 I Thank You From My Heart. Leo - You Are "The Revenant." 3261 02:29:21,858 --> 02:29:23,192 Leo - You Are "The Revenant." Thank You for Giving Every Soul, 3262 02:29:23,193 --> 02:29:24,827 Thank You for Giving Every Soul, Your Soul, Your Heart. 3263 02:29:24,828 --> 02:29:28,897 Your Soul, Your Heart. Your Life. 3264 02:29:28,899 --> 02:29:31,467 Your Life. Tom Hardy, All the Native 3265 02:29:31,468 --> 02:29:33,603 Tom Hardy, All the Native American Cast, All the English 3266 02:29:33,604 --> 02:29:34,671 American Cast, All the English American Cast, Thank You Very 3267 02:29:34,672 --> 02:29:38,274 American Cast, Thank You Very Much for Your Trust, for Your 3268 02:29:38,275 --> 02:29:38,508 Much for Your Trust, for Your Talent. 3269 02:29:38,509 --> 02:29:41,109 Talent. I Want to Thank Chivo, Thank You 3270 02:29:41,110 --> 02:29:43,647 I Want to Thank Chivo, Thank You For Bringing the Light to This 3271 02:29:43,648 --> 02:29:46,082 For Bringing the Light to This Journey and I Want to Thank, 3272 02:29:46,083 --> 02:29:47,751 Journey and I Want to Thank, Too, to Arnold Milton, Thank You 3273 02:29:47,752 --> 02:29:49,552 Too, to Arnold Milton, Thank You For Your Unconditional Support. 3274 02:29:49,553 --> 02:29:53,855 For Your Unconditional Support. My Producers, All the People - 3275 02:29:53,856 --> 02:29:56,593 My Producers, All the People - I - I Am Very Lucky to Be Here 3276 02:29:56,594 --> 02:29:58,495 I - I Am Very Lucky to Be Here Tonight, Okay? 3277 02:29:58,496 --> 02:30:00,530 Tonight, Okay? But Unfortunately, Many Others 3278 02:30:00,531 --> 02:30:03,032 But Unfortunately, Many Others Haven't Had the Same Luck. 3279 02:30:03,033 --> 02:30:07,035 Haven't Had the Same Luck. There Is a Line in the Film That 3280 02:30:07,037 --> 02:30:11,840 There Is a Line in the Film That Says, They Don't Listen to You, 3281 02:30:11,841 --> 02:30:13,310 Says, They Don't Listen to You, When They See the Color of Your 3282 02:30:13,311 --> 02:30:13,510 When They See the Color of Your Skin. 3283 02:30:13,511 --> 02:30:14,177 Skin. So, What a Great Opportunity To 3284 02:30:14,178 --> 02:30:17,813 So, What a Great Opportunity To Our Generation to Really 3285 02:30:17,814 --> 02:30:20,583 Our Generation to Really Liberate Ourselves From All 3286 02:30:20,584 --> 02:30:24,787 Liberate Ourselves From All Prejudice And, You Know, This 3287 02:30:24,788 --> 02:30:26,022 Prejudice And, You Know, This Way of Thinking and Make Sure 3288 02:30:26,023 --> 02:30:27,457 Way of Thinking and Make Sure For Once and Forever That The 3289 02:30:27,458 --> 02:30:31,226 For Once and Forever That The Color of Skin Become As 3290 02:30:31,227 --> 02:30:32,762 Color of Skin Become As Irrelevant and the Length of Our 3291 02:30:32,763 --> 02:30:33,262 Irrelevant and the Length of Our Hair. 3292 02:30:33,263 --> 02:30:33,896 Hair. This Is for My Father. 3293 02:30:33,897 --> 02:30:38,834 This Is for My Father. Thank You Very Much. 3294 02:30:38,835 --> 02:30:39,469 Thank You Very Much. Announcer: Still to Come, The 3295 02:30:39,470 --> 02:30:41,971 Announcer: Still to Come, The Most Anticipated Awards of The 3296 02:30:41,972 --> 02:30:44,541 Most Anticipated Awards of The Night - Actress, Actor and Best 3297 02:30:44,542 --> 02:30:44,774 Night - Actress, Actor and Best Picture. 3298 02:30:44,775 --> 02:30:47,909 Picture. Find Out Who Wins, Right Here. 3299 02:31:02,805 --> 02:31:03,105 >yeah! It Is Late. 3300 02:31:03,106 --> 02:31:03,605 It Is Late. It Is Infomercial Late. 3301 02:31:03,606 --> 02:31:05,340 It Is Infomercial Late. Okay. 3302 02:31:05,342 --> 02:31:07,775 Okay. Now, I Want to Say Hello To 3303 02:31:07,777 --> 02:31:12,080 Now, I Want to Say Hello To Tonight's Musical Director, 3304 02:31:12,081 --> 02:31:12,448 Tonight's Musical Director, Harold Wheeler. 3305 02:31:12,449 --> 02:31:18,954 Harold Wheeler. Say Hello. 3306 02:31:18,955 --> 02:31:19,888 Say Hello. Yeah. 3307 02:31:19,889 --> 02:31:21,889 Yeah. There He Is. 3308 02:31:21,890 --> 02:31:22,258 There He Is. All Right. 3309 02:31:22,259 --> 02:31:25,827 All Right. We Do That Just So Harold Can Go 3310 02:31:25,828 --> 02:31:27,629 We Do That Just So Harold Can Go To the Governor's Ball. 3311 02:31:27,630 --> 02:31:29,498 To the Governor's Ball. Please Welcome Last Year's 3312 02:31:29,499 --> 02:31:31,100 Please Welcome Last Year's Winner for Best Actor and A 3313 02:31:31,101 --> 02:31:32,068 Winner for Best Actor and A Nominee Tonight, Mr. Eddie 3314 02:31:32,069 --> 02:31:39,640 Nominee Tonight, Mr. Eddie Redmayne. 3315 02:31:42,131 --> 02:31:46,015 Good Evening. The Five Extraordinary Artists 3316 02:31:46,016 --> 02:31:50,651 The Five Extraordinary Artists Nominated for Best Actress 3317 02:31:50,652 --> 02:31:51,220 Nominated for Best Actress Delivered Performances With 3318 02:31:51,221 --> 02:31:52,221 Delivered Performances With Complexity and Depth. 3319 02:31:52,222 --> 02:31:54,290 Complexity and Depth. They Brought to Life A 3320 02:31:54,291 --> 02:31:54,991 They Brought to Life A Divorce-Bound Woman Who Finds 3321 02:31:54,992 --> 02:31:56,959 Divorce-Bound Woman Who Finds Unexpected Passion With a Shop 3322 02:31:56,960 --> 02:32:00,462 Unexpected Passion With a Shop Girl. 3323 02:32:00,463 --> 02:32:01,930 Girl. A Young Mother Who, With Her 3324 02:32:01,931 --> 02:32:03,332 A Young Mother Who, With Her Son, Escapes Captivity And 3325 02:32:03,333 --> 02:32:05,401 Son, Escapes Captivity And Adjusts to the World Outside. 3326 02:32:05,402 --> 02:32:07,503 Adjusts to the World Outside. A Struggling Single Mother And 3327 02:32:07,504 --> 02:32:08,570 A Struggling Single Mother And Inventor Who Builds a Business 3328 02:32:08,571 --> 02:32:11,239 Inventor Who Builds a Business Empire. 3329 02:32:11,241 --> 02:32:13,841 Empire. A Woman Whose Marriage Is Tested 3330 02:32:13,842 --> 02:32:14,977 A Woman Whose Marriage Is Tested By the Revelation of A 3331 02:32:14,978 --> 02:32:16,379 By the Revelation of A Decades-Old Secret. 3332 02:32:16,380 --> 02:32:19,048 Decades-Old Secret. And a Young Irish Immigrant Torn 3333 02:32:19,049 --> 02:32:19,648 And a Young Irish Immigrant Torn Between Two Countries and Two 3334 02:32:19,649 --> 02:32:23,684 Between Two Countries and Two Separate Lives. 3335 02:32:23,685 --> 02:32:24,220 Separate Lives. Here Are the Nominees For 3336 02:32:24,221 --> 02:32:24,853 Here Are the Nominees For Performance by an Actress in A 3337 02:32:24,854 --> 02:32:29,457 Performance by an Actress in A Leading Role. 3338 02:32:29,459 --> 02:32:34,629 Leading Role. Cate Blanchett, "Carol." 3339 02:32:34,630 --> 02:32:36,865 Cate Blanchett, "Carol." How Much Are You Paying For 3340 02:32:36,866 --> 02:32:37,066 How Much Are You Paying For This? 3341 02:32:37,067 --> 02:32:39,834 This? I Wish I Could Oblige You, 3342 02:32:39,835 --> 02:32:41,003 I Wish I Could Oblige You, Ma'am, but the Tapes Have Been 3343 02:32:41,004 --> 02:32:41,870 Ma'am, but the Tapes Have Been Sent to Your Husband. 3344 02:32:41,871 --> 02:32:43,172 Sent to Your Husband. That Can't Be Right. 3345 02:32:43,173 --> 02:32:44,940 That Can't Be Right. My Reputation Rests on My 3346 02:32:44,941 --> 02:32:48,543 My Reputation Rests on My Efficiency. 3347 02:32:48,545 --> 02:32:51,346 Efficiency. How Do I Know You're Not 3348 02:32:51,348 --> 02:32:54,416 How Do I Know You're Not Lying? 3349 02:32:54,418 --> 02:32:57,352 Lying? Brie Larson, "Room." 3350 02:32:57,353 --> 02:32:58,687 Brie Larson, "Room." We Call Him Old Nick. 3351 02:32:58,688 --> 02:32:59,855 We Call Him Old Nick. I Don't Know What His Real Name 3352 02:32:59,856 --> 02:33:01,257 I Don't Know What His Real Name Is. 3353 02:33:01,258 --> 02:33:03,191 Is. But He Pretended His Dog Was 3354 02:33:03,192 --> 02:33:03,459 But He Pretended His Dog Was Sick - 3355 02:33:03,460 --> 02:33:04,560 Sick - What Is the Dog's Name? 3356 02:33:04,561 --> 02:33:06,994 What Is the Dog's Name? There Wasn't a Dog! 3357 02:33:06,995 --> 02:33:07,763 There Wasn't a Dog! He Was Trying to Trick Me. 3358 02:33:07,764 --> 02:33:10,398 He Was Trying to Trick Me. Okay? 3359 02:33:10,400 --> 02:33:11,899 Okay? There Wasn't a Dog. 3360 02:33:11,900 --> 02:33:12,701 There Wasn't a Dog. Old Nick Stole Me. 3361 02:33:12,702 --> 02:33:14,136 Old Nick Stole Me. I Want a Different Story. 3362 02:33:14,137 --> 02:33:15,003 I Want a Different Story. No, This Is the Story That 3363 02:33:15,004 --> 02:33:20,408 No, This Is the Story That You Get. 3364 02:33:20,410 --> 02:33:24,745 You Get. Jennifer Lawrence, "Joy." 3365 02:33:24,746 --> 02:33:26,048 Jennifer Lawrence, "Joy." Please. 3366 02:33:26,049 --> 02:33:28,950 Please. Tommy Needs to Be Changed! 3367 02:33:28,951 --> 02:33:29,318 Tommy Needs to Be Changed! Oh, Chris See. 3368 02:33:29,319 --> 02:33:31,953 Oh, Chris See. What Are You Doing? 3369 02:33:31,954 --> 02:33:32,955 What Are You Doing? I Just - 3370 02:33:32,956 --> 02:33:34,956 I Just - What Are You Doing? 3371 02:33:34,958 --> 02:33:38,693 What Are You Doing? You're Going to Lose Another 3372 02:33:38,694 --> 02:33:38,860 You're Going to Lose Another Job. 3373 02:33:38,861 --> 02:33:41,196 Job. You're Sick - I'm a Singer, 3374 02:33:41,197 --> 02:33:41,930 You're Sick - I'm a Singer, That's What I Do. 3375 02:33:41,931 --> 02:33:43,832 That's What I Do. You're Not Making Any Money 3376 02:33:43,833 --> 02:33:44,200 You're Not Making Any Money Singing. 3377 02:33:44,201 --> 02:33:46,934 Singing. Get in Your Car and Go to Your 3378 02:33:46,935 --> 02:33:47,103 Get in Your Car and Go to Your Job. 3379 02:33:47,104 --> 02:33:48,003 Job. I Can't Do This. 3380 02:33:48,004 --> 02:33:48,837 I Can't Do This. I Can't Do This. 3381 02:33:48,838 --> 02:33:55,110 I Can't Do This. I Am Losing My Mind! 3382 02:33:55,111 --> 02:33:55,611 I Am Losing My Mind! Charlotte Rampling, 3383 02:33:55,612 --> 02:33:57,612 Charlotte Rampling, "45 Years." 3384 02:33:57,613 --> 02:33:59,448 "45 Years." I Really Need You to Want To 3385 02:33:59,449 --> 02:33:59,781 I Really Need You to Want To Be There. 3386 02:33:59,782 --> 02:34:02,317 Be There. I Do Want to Be There. 3387 02:34:02,319 --> 02:34:05,886 I Do Want to Be There. There's One Thing, Haven't 3388 02:34:05,887 --> 02:34:07,789 There's One Thing, Haven't Been Enough for You. 3389 02:34:07,790 --> 02:34:09,558 Been Enough for You. It's Something Altogether 3390 02:34:09,559 --> 02:34:11,093 It's Something Altogether Different That Everyone Else 3391 02:34:11,094 --> 02:34:12,561 Different That Everyone Else Feels It, Too. 3392 02:34:12,562 --> 02:34:13,529 Feels It, Too. You Really Believe You 3393 02:34:13,530 --> 02:34:14,597 You Really Believe You Haven't Been Enough for Me? 3394 02:34:14,598 --> 02:34:15,764 Haven't Been Enough for Me? No, I Think I Was Enough For 3395 02:34:15,765 --> 02:34:19,000 No, I Think I Was Enough For You. 3396 02:34:19,002 --> 02:34:25,673 You. I'm Just Not Sure You Do. 3397 02:34:25,675 --> 02:34:29,010 I'm Just Not Sure You Do. Saoirse Ronan, "Brooklyn." 3398 02:34:29,011 --> 02:34:31,547 Saoirse Ronan, "Brooklyn." We Have Talked About You. 3399 02:34:31,548 --> 02:34:33,714 We Have Talked About You. And I Like You. 3400 02:34:33,716 --> 02:34:36,951 And I Like You. And I Like Being With You. 3401 02:34:36,953 --> 02:34:45,826 And I Like Being With You. And - Maybe I Feel the Same 3402 02:34:45,827 --> 02:34:45,994 And - Maybe I Feel the Same Way. 3403 02:34:45,995 --> 02:34:47,363 Way. So, the Next Time You Tell Me 3404 02:34:47,364 --> 02:34:52,534 So, the Next Time You Tell Me You Love Me, if There Is a Next 3405 02:34:52,536 --> 02:35:04,312 You Love Me, if There Is a Next Time, I'll Say I Love You, Too. 3406 02:35:04,314 --> 02:35:13,020 Time, I'll Say I Love You, Too. And the Oscar Goes to - Brie 3407 02:35:13,022 --> 02:35:15,523 And the Oscar Goes to - Brie Larson, "Room." 3408 02:35:15,525 --> 02:35:18,660 Larson, "Room." This Is the First Oscar And 3409 02:35:18,662 --> 02:35:31,138 This Is the First Oscar And Nomination for Brie Larson. 3410 02:35:38,235 --> 02:35:42,539 Oh, Wow! Thank You. 3411 02:35:42,540 --> 02:35:44,174 Thank You. Thank You, First, to The 3412 02:35:44,175 --> 02:35:44,408 Thank You, First, to The Academy. 3413 02:35:44,409 --> 02:35:47,043 Academy. I Want to Start Big, Because The 3414 02:35:47,044 --> 02:35:49,413 I Want to Start Big, Because The Thing That I Love About Movie 3415 02:35:49,414 --> 02:35:50,648 Thing That I Love About Movie Making Is How Many People It 3416 02:35:50,649 --> 02:35:52,182 Making Is How Many People It Takes to Make It, So, I Want To 3417 02:35:52,183 --> 02:35:54,518 Takes to Make It, So, I Want To Start First With the Toronto 3418 02:35:54,519 --> 02:35:56,386 Start First With the Toronto Film Festival, Who Gave Us A 3419 02:35:56,387 --> 02:35:58,456 Film Festival, Who Gave Us A Chance, Who Gave Us a Platform 3420 02:35:58,457 --> 02:35:59,189 Chance, Who Gave Us a Platform First. 3421 02:35:59,190 --> 02:36:02,291 First. A-24, for Taking This Movie Into 3422 02:36:02,292 --> 02:36:03,794 A-24, for Taking This Movie Into Their Hands and Sharing It With 3423 02:36:03,795 --> 02:36:04,562 Their Hands and Sharing It With The World. 3424 02:36:04,563 --> 02:36:06,896 The World. Thanks to Our Director, Who Is 3425 02:36:06,897 --> 02:36:09,099 Thanks to Our Director, Who Is Absolutely Incredible. 3426 02:36:09,100 --> 02:36:10,968 Absolutely Incredible. Emma, Who Created This World. 3427 02:36:10,969 --> 02:36:13,903 Emma, Who Created This World. Jacob Tremblay, My Partner 3428 02:36:13,904 --> 02:36:15,172 Jacob Tremblay, My Partner Through This. 3429 02:36:15,173 --> 02:36:15,973 Through This. In Every Way Possible. 3430 02:36:15,974 --> 02:36:19,642 In Every Way Possible. My Real Partner, Alex Greenwald, 3431 02:36:19,643 --> 02:36:20,310 My Real Partner, Alex Greenwald, I Love You. 3432 02:36:20,311 --> 02:36:23,880 I Love You. To My Parents, My Agent, My 3433 02:36:23,881 --> 02:36:26,149 To My Parents, My Agent, My Manager, the Rest of My Team, My 3434 02:36:26,150 --> 02:36:27,585 Manager, the Rest of My Team, My Friends, My Family, Thank You So 3435 02:36:27,586 --> 02:36:30,288 Friends, My Family, Thank You So Everyone Who Paratilticipated I 3436 02:36:31,289 --> 02:36:31,523 Everyone Who Paratilticipated I "Room." 3437 02:36:31,524 --> 02:36:32,023 "Room." Thank You to the Fans. 3438 02:36:32,024 --> 02:36:33,658 Thank You to the Fans. Thank You to the Movie-Goers. 3439 02:36:33,659 --> 02:36:34,693 Thank You to the Movie-Goers. Thank You for Going to The 3440 02:36:34,694 --> 02:36:36,094 Thank You for Going to The Theater and Seeing Our Film. 3441 02:36:36,095 --> 02:36:36,761 Theater and Seeing Our Film. I Appreciate It. 3442 02:36:36,762 --> 02:36:44,301 I Appreciate It. Thank You. 3443 02:36:44,302 --> 02:36:45,336 Thank You. Announcer: Next, the Most 3444 02:36:45,337 --> 02:36:45,971 Announcer: Next, the Most Talked-About Awards of the Year. 3445 02:36:45,972 --> 02:36:46,905 Talked-About Awards of the Year. Which Actor Will Win? 3446 02:36:46,906 --> 02:36:47,939 Which Actor Will Win? And Will Your Favorite Film Take 3447 02:36:47,940 --> 02:36:53,143 And Will Your Favorite Film Take Home the Oscar? 3448 02:37:05,706 --> 02:37:08,252 Announcer: And Now, Please Welcome Last Year's Winner For 3449 02:37:08,253 --> 02:37:18,831 Welcome Last Year's Winner For Leading Actress, Julianne Moore. 3450 02:37:18,832 --> 02:37:20,433 Leading Actress, Julianne Moore. These Five Actors Have 3451 02:37:20,434 --> 02:37:22,402 These Five Actors Have Rewarded Movie-Goers With Fully 3452 02:37:22,403 --> 02:37:24,504 Rewarded Movie-Goers With Fully Dimensional Characters, Some 3453 02:37:24,505 --> 02:37:25,105 Dimensional Characters, Some Drawn From Real-Life, All Of 3454 02:37:25,106 --> 02:37:27,607 Drawn From Real-Life, All Of Them Larger Than Life. 3455 02:37:27,608 --> 02:37:28,208 Them Larger Than Life. The Blacklisted Screenwriter 3456 02:37:28,209 --> 02:37:36,879 The Blacklisted Screenwriter Dalton Trumbo. 3457 02:37:36,880 --> 02:37:38,949 Dalton Trumbo. The Resourceful Astronaut 3458 02:37:38,950 --> 02:37:44,653 The Resourceful Astronaut Abandoned on Mars. 3459 02:37:44,654 --> 02:37:46,290 Abandoned on Mars. The Vengeful Frontiersman, 3460 02:37:46,291 --> 02:37:50,359 The Vengeful Frontiersman, Betrayed by His Companions. 3461 02:37:50,360 --> 02:37:51,995 Betrayed by His Companions. The Brilliant and Complicated 3462 02:37:51,996 --> 02:37:57,633 The Brilliant and Complicated Co-Founder of Apple. 3463 02:37:57,634 --> 02:37:58,702 Co-Founder of Apple. And One of the First People To 3464 02:37:58,703 --> 02:38:00,337 And One of the First People To Undergo Gender Confirmation 3465 02:38:00,338 --> 02:38:05,808 Undergo Gender Confirmation Surgery. 3466 02:38:05,809 --> 02:38:06,509 Surgery. Here Are the Outstanding 3467 02:38:06,510 --> 02:38:08,045 Here Are the Outstanding Nominees for Performance by An 3468 02:38:08,046 --> 02:38:13,182 Nominees for Performance by An Actor in a Leading Role. 3469 02:38:13,183 --> 02:38:15,185 Actor in a Leading Role. Bryan Cranston, "Trumbo." 3470 02:38:15,186 --> 02:38:17,454 Bryan Cranston, "Trumbo." When You Hear Me Working, You 3471 02:38:17,455 --> 02:38:18,989 When You Hear Me Working, You Don't Knock. 3472 02:38:18,990 --> 02:38:20,557 Don't Knock. But It's My Birthday. 3473 02:38:20,558 --> 02:38:22,859 But It's My Birthday. You Don't Knock. 3474 02:38:22,860 --> 02:38:23,060 You Don't Knock. Ever. 3475 02:38:23,061 --> 02:38:24,561 Ever. So, the House Is on Fire, You 3476 02:38:24,562 --> 02:38:25,595 So, the House Is on Fire, You Don't Want to Know? 3477 02:38:25,596 --> 02:38:27,830 Don't Want to Know? I Work in the Bathtub. 3478 02:38:27,832 --> 02:38:30,099 I Work in the Bathtub. Surrounded by Water. 3479 02:38:30,100 --> 02:38:32,469 Surrounded by Water. So, I'm Fairly Certain That Even 3480 02:38:32,470 --> 02:38:33,570 So, I'm Fairly Certain That Even If the Whole Country Was On 3481 02:38:33,571 --> 02:38:35,339 If the Whole Country Was On Fire, That I Could Still 3482 02:38:35,340 --> 02:38:36,940 Fire, That I Could Still Function as This Family's 3483 02:38:36,941 --> 02:38:38,608 Function as This Family's Personal Slave and All I Ask Is 3484 02:38:38,609 --> 02:38:41,844 Personal Slave and All I Ask Is Not to Be Interrupted for Every 3485 02:38:41,846 --> 02:38:46,582 Not to Be Interrupted for Every Little Slice of Birthday Cake. 3486 02:38:46,583 --> 02:38:48,919 Little Slice of Birthday Cake. Matt Damon, "The Martian." 3487 02:38:48,920 --> 02:38:51,321 Matt Damon, "The Martian." I'm About to Leave Where I'm 3488 02:38:51,322 --> 02:38:53,523 I'm About to Leave Where I'm Going to Commandeer the Area. 3489 02:38:53,524 --> 02:38:55,492 Going to Commandeer the Area. Nobody Gave Me Permission to Do 3490 02:38:55,493 --> 02:38:57,027 Nobody Gave Me Permission to Do This and They Can't Until I'm On 3491 02:38:57,028 --> 02:38:58,661 This and They Can't Until I'm On Board the Aries 4. 3492 02:38:58,662 --> 02:39:00,097 Board the Aries 4. So, That Means I'm Going to Be 3493 02:39:00,098 --> 02:39:01,331 So, That Means I'm Going to Be Taking a Craft Over In 3494 02:39:01,332 --> 02:39:02,933 Taking a Craft Over In International Waters Without 3495 02:39:02,934 --> 02:39:05,102 International Waters Without Permission, Which, By 3496 02:39:05,103 --> 02:39:10,873 Permission, Which, By Definition, Makes Me a Pirate. 3497 02:39:10,875 --> 02:39:16,612 Definition, Makes Me a Pirate. Space Pirate. 3498 02:39:16,613 --> 02:39:17,180 Space Pirate. Leonardo Dicaprio, "The 3499 02:39:17,181 --> 02:39:24,253 Leonardo Dicaprio, "The Revenant." 3500 02:39:44,607 --> 02:39:49,745 Michael Fassbender, "Steve Jobs." 3501 02:39:49,746 --> 02:39:51,548 Jobs." Don't Send Him Around to Slap 3502 02:39:51,549 --> 02:39:53,317 Don't Send Him Around to Slap Me Around the Press. 3503 02:39:53,318 --> 02:39:55,884 Me Around the Press. Anybody Else, Anyone But 3504 02:39:55,885 --> 02:39:56,119 Anybody Else, Anyone But Rainman. 3505 02:39:56,120 --> 02:39:58,421 Rainman. Don't Manipulate Him Like That. 3506 02:39:58,422 --> 02:40:00,057 Don't Manipulate Him Like That. Whatever You May Think, I'm 3507 02:40:00,058 --> 02:40:01,959 Whatever You May Think, I'm Always Going to Protect Him. 3508 02:40:01,960 --> 02:40:05,227 Always Going to Protect Him. Come On, Steve. 3509 02:40:05,229 --> 02:40:10,433 Come On, Steve. That's What Men Do. 3510 02:40:10,434 --> 02:40:11,068 That's What Men Do. Eddie Redmayne, "The Danish 3511 02:40:11,069 --> 02:40:15,504 Eddie Redmayne, "The Danish Girl." 3512 02:40:15,506 --> 02:40:19,141 Girl." I Promised - 3513 02:40:19,143 --> 02:40:21,577 I Promised - Einar Is Dead. 3514 02:40:21,578 --> 02:40:22,312 Einar Is Dead. We Both Have to Accept That. 3515 02:40:22,313 --> 02:40:24,781 We Both Have to Accept That. You Took Care of Me, but Now, I 3516 02:40:24,782 --> 02:40:26,183 You Took Care of Me, but Now, I Have to Take Care of Myself, I 3517 02:40:26,184 --> 02:40:30,152 Have to Take Care of Myself, I Have to Have a Life of My Own. 3518 02:40:30,154 --> 02:40:39,528 Have to Have a Life of My Own. And You Need to Do the Same. 3519 02:40:41,965 --> 02:40:51,740 And the Oscar Goes to - Leonardo Dicaprio. 3520 02:40:51,741 --> 02:40:53,276 Leonardo Dicaprio. This Is the First Oscar And 3521 02:40:53,277 --> 02:40:54,911 This Is the First Oscar And Sixth Nomination for Leonardo 3522 02:40:54,912 --> 02:41:08,324 Sixth Nomination for Leonardo Dicaprio. 3523 02:41:08,626 --> 02:41:20,270 Thank You, Thank You. Thank You, Thank You All So Very 3524 02:41:20,272 --> 02:41:22,539 Thank You, Thank You All So Very Much. 3525 02:41:22,540 --> 02:41:23,941 Much. Thank You to the Academy, Thank 3526 02:41:23,942 --> 02:41:25,476 Thank You to the Academy, Thank You to All of You in This Room. 3527 02:41:25,477 --> 02:41:27,878 You to All of You in This Room. I Have to Congratulate the Other 3528 02:41:27,879 --> 02:41:29,980 I Have to Congratulate the Other Incredible Nominees This Year 3529 02:41:29,981 --> 02:41:33,083 Incredible Nominees This Year For Their Unbelievable 3530 02:41:33,084 --> 02:41:33,617 For Their Unbelievable Performances. 3531 02:41:33,618 --> 02:41:34,685 Performances. "The Revenant" Was a Product Of 3532 02:41:34,686 --> 02:41:36,787 "The Revenant" Was a Product Of The Tireless Efforts of An 3533 02:41:36,788 --> 02:41:37,922 The Tireless Efforts of An Unbelievable Cast and Crew. 3534 02:41:37,923 --> 02:41:40,158 Unbelievable Cast and Crew. I Got to Work Alongside First 3535 02:41:40,159 --> 02:41:43,527 I Got to Work Alongside First Off, to My Brother in This 3536 02:41:43,528 --> 02:41:44,395 Off, to My Brother in This En 3537 02:41:44,396 --> 02:41:44,929 En End 3538 02:41:44,930 --> 02:41:46,363 End Endeavor, Mr. Tom Hardy. 3539 02:41:46,364 --> 02:41:48,266 Endeavor, Mr. Tom Hardy. Tom - Your Fierce Talent On 3540 02:41:48,267 --> 02:41:51,435 Tom - Your Fierce Talent On Screen Can Only Be Surpassed By 3541 02:41:51,436 --> 02:41:53,704 Screen Can Only Be Surpassed By Your Friendship Offscreen. 3542 02:41:53,705 --> 02:41:55,506 Your Friendship Offscreen. To Alejandro. 3543 02:41:55,507 --> 02:41:58,308 To Alejandro. As the History of Cinema 3544 02:41:58,309 --> 02:42:00,945 As the History of Cinema Unfolds, You Have Forged Your 3545 02:42:00,946 --> 02:42:02,080 Unfolds, You Have Forged Your Way Into History. 3546 02:42:02,081 --> 02:42:03,347 Way Into History. What an Unbelievable Talent You 3547 02:42:03,348 --> 02:42:03,514 What an Unbelievable Talent You Are. 3548 02:42:03,515 --> 02:42:06,283 Are. Thank You to You and Chivo For 3549 02:42:06,284 --> 02:42:08,519 Thank You to You and Chivo For Creating a Transcendent 3550 02:42:08,520 --> 02:42:10,421 Creating a Transcendent Cinematic Experience for All Of 3551 02:42:10,422 --> 02:42:10,588 Cinematic Experience for All Of Us. 3552 02:42:10,589 --> 02:42:13,590 Us. Everybody at Fox and New 3553 02:42:13,591 --> 02:42:13,824 Everybody at Fox and New Regency. 3554 02:42:13,825 --> 02:42:16,560 Regency. You Are the Champion of This 3555 02:42:16,561 --> 02:42:17,528 You Are the Champion of This En 3556 02:42:17,529 --> 02:42:18,062 En End 3557 02:42:18,063 --> 02:42:18,329 End Endeavor. 3558 02:42:18,330 --> 02:42:18,596 Endeavor. My Team. 3559 02:42:18,597 --> 02:42:19,330 My Team. I Have to Thank Everyone From 3560 02:42:19,331 --> 02:42:21,932 I Have to Thank Everyone From The Very Onset of My Career, Mr. 3561 02:42:21,933 --> 02:42:25,168 The Very Onset of My Career, Mr. Jones for Casting Me in My First 3562 02:42:25,169 --> 02:42:27,138 Jones for Casting Me in My First Film, Mr. Scorsese for Teaching 3563 02:42:27,139 --> 02:42:28,239 Film, Mr. Scorsese for Teaching Me So Much. 3564 02:42:28,240 --> 02:42:30,773 Me So Much. To Mr. Rick Yorn, Thank You For 3565 02:42:30,775 --> 02:42:33,776 To Mr. Rick Yorn, Thank You For Helping Me Navigate My Way 3566 02:42:33,777 --> 02:42:34,712 Helping Me Navigate My Way Through This Industry. 3567 02:42:34,713 --> 02:42:36,581 Through This Industry. To My Parents, None of This 3568 02:42:36,582 --> 02:42:37,415 To My Parents, None of This Would Be Possible Without You. 3569 02:42:37,416 --> 02:42:38,816 Would Be Possible Without You. My Friends, I Love You. 3570 02:42:38,817 --> 02:42:40,918 My Friends, I Love You. And I Want to Say This. 3571 02:42:40,919 --> 02:42:45,255 And I Want to Say This. Making "The Revenant" Was About 3572 02:42:45,256 --> 02:42:45,823 Making "The Revenant" Was About Man's Relationship to The 3573 02:42:45,824 --> 02:42:46,424 Man's Relationship to The Natural World. 3574 02:42:46,425 --> 02:42:48,992 Natural World. A World That We Felt in 2015 Was 3575 02:42:48,993 --> 02:42:50,761 A World That We Felt in 2015 Was The Hottest Year in Recorded 3576 02:42:50,762 --> 02:42:51,061 The Hottest Year in Recorded History. 3577 02:42:51,062 --> 02:42:52,430 History. Our Production Needed to Move To 3578 02:42:52,431 --> 02:42:53,864 Our Production Needed to Move To The Southern Tip of This Planet 3579 02:42:53,865 --> 02:42:55,933 The Southern Tip of This Planet Just to Be Able to Find Snow. 3580 02:42:55,934 --> 02:42:56,734 Just to Be Able to Find Snow. Climate Change Is Real. 3581 02:42:56,735 --> 02:43:00,003 Climate Change Is Real. It Is Happening Right Now. 3582 02:43:00,005 --> 02:43:02,939 It Is Happening Right Now. It Is the Most Urgent Threat 3583 02:43:02,940 --> 02:43:05,276 It Is the Most Urgent Threat Facing Our Entire Species and We 3584 02:43:05,277 --> 02:43:09,078 Facing Our Entire Species and We Need to Work Together and Stop 3585 02:43:09,079 --> 02:43:09,747 Need to Work Together and Stop Procrastinating. 3586 02:43:09,748 --> 02:43:10,681 Procrastinating. We Need to Support Leaders 3587 02:43:10,682 --> 02:43:13,850 We Need to Support Leaders Around the World Who Do Not 3588 02:43:13,851 --> 02:43:15,986 Around the World Who Do Not Speak for the Big Polluters, The 3589 02:43:15,987 --> 02:43:17,955 Speak for the Big Polluters, The Big Corporations, but Who Speak 3590 02:43:17,956 --> 02:43:21,525 Big Corporations, but Who Speak For All of Humanity, for The 3591 02:43:21,526 --> 02:43:22,460 For All of Humanity, for The Indigenous People of the World. 3592 02:43:22,461 --> 02:43:24,695 Indigenous People of the World. For the Billions and Billions Of 3593 02:43:24,696 --> 02:43:25,530 For the Billions and Billions Of Underprivileged People Who Will 3594 02:43:25,531 --> 02:43:26,964 Underprivileged People Who Will Be Most Affected by This. 3595 02:43:26,965 --> 02:43:28,166 Be Most Affected by This. For Our Children's Children And 3596 02:43:28,167 --> 02:43:29,833 For Our Children's Children And For Those People Out There Whose 3597 02:43:29,834 --> 02:43:31,202 For Those People Out There Whose Voices Have Been Drowned Out By 3598 02:43:31,203 --> 02:43:33,137 Voices Have Been Drowned Out By The Politics of Greed. 3599 02:43:33,138 --> 02:43:35,273 The Politics of Greed. I Thank You All for This Amazing 3600 02:43:35,274 --> 02:43:36,140 I Thank You All for This Amazing Award Tonight. 3601 02:43:36,141 --> 02:43:38,142 Award Tonight. Let Us Not Take This Planet For 3602 02:43:38,143 --> 02:43:38,376 Let Us Not Take This Planet For Granted. 3603 02:43:38,377 --> 02:43:40,677 Granted. I Do Not Take Tonight For 3604 02:43:40,678 --> 02:43:40,911 I Do Not Take Tonight For Granted. 3605 02:43:40,912 --> 02:43:47,484 Granted. Thank You So Very Much. 3606 02:43:47,485 --> 02:43:48,486 Thank You So Very Much. Announcer: Ladies And 3607 02:43:48,487 --> 02:43:49,119 Announcer: Ladies And Gentlemen Please Welcome, Oscar 3608 02:43:49,120 --> 02:44:00,129 Gentlemen Please Welcome, Oscar Winner Morgan Freeman. 3609 02:44:04,702 --> 02:44:07,237 The Moviemaking Process Is Complete. 3610 02:44:07,238 --> 02:44:08,239 Complete. The Picture That Hits the Big 3611 02:44:08,240 --> 02:44:09,873 The Picture That Hits the Big Screen Is the Result Of 3612 02:44:09,874 --> 02:44:12,376 Screen Is the Result Of Collaboration by Dedicated 3613 02:44:12,377 --> 02:44:14,545 Collaboration by Dedicated Practitioners of the Art, Many 3614 02:44:14,546 --> 02:44:17,615 Practitioners of the Art, Many Of Whom We Recognized Tonight. 3615 02:44:17,616 --> 02:44:18,683 Of Whom We Recognized Tonight. Writers, Directors, Designers, 3616 02:44:18,684 --> 02:44:20,751 Writers, Directors, Designers, Cinematographers, Effects 3617 02:44:20,752 --> 02:44:25,988 Cinematographers, Effects Artists, Editors, Composers, 3618 02:44:25,989 --> 02:44:28,025 Artists, Editors, Composers, Actors and Now, of Course, The 3619 02:44:28,026 --> 02:44:29,594 Actors and Now, of Course, The Producers Who Guide the Process 3620 02:44:29,595 --> 02:44:34,598 Producers Who Guide the Process From the First Glimmer of An 3621 02:44:34,599 --> 02:44:35,766 From the First Glimmer of An Idea to the Final Fadeout. 3622 02:44:35,767 --> 02:44:36,367 Idea to the Final Fadeout. Our Last Award Honors That 3623 02:44:36,368 --> 02:44:38,901 Our Last Award Honors That Magical Realization. 3624 02:44:38,902 --> 02:44:40,971 Magical Realization. Once Again, Here Are The 3625 02:44:40,972 --> 02:44:50,447 Once Again, Here Are The Nominees for Best Picture. 3626 02:44:50,449 --> 02:44:52,482 Nominees for Best Picture. "Brooklyn." 3627 02:44:52,483 --> 02:44:52,717 "Brooklyn." "Room." 3628 02:44:52,718 --> 02:44:56,586 "Room." "Spotlight." 3629 02:44:56,588 --> 02:45:00,257 "Spotlight." "Bridge of Spies." 3630 02:45:00,259 --> 02:45:05,061 "Bridge of Spies." "The Big Short." 3631 02:45:05,063 --> 02:45:08,765 "The Big Short." "The Revenant." 3632 02:45:08,767 --> 02:45:13,470 "The Revenant." "The Martian." 3633 02:45:13,472 --> 02:45:19,041 "The Martian." "Mad Max: Fury Road." 3634 02:45:19,043 --> 02:45:23,346 "Mad Max: Fury Road." And the Oscar Goes to - 3635 02:45:23,348 --> 02:45:33,623 And the Oscar Goes to - "Spotlight." 3636 02:45:33,625 --> 02:45:39,729 "Spotlight." "Spotlight" Has Six Oscar 3637 02:45:39,730 --> 02:45:40,998 "Spotlight" Has Six Oscar Nominations This Year, Wink For 3638 02:45:40,999 --> 02:45:42,966 Nominations This Year, Wink For Best Original Screenplay And 3639 02:45:42,967 --> 02:45:55,312 Best Original Screenplay And Best Picture. 3640 02:46:08,559 --> 02:46:13,229 Thank You, Hello, Everybody. I Love You, Lauren. 3641 02:46:13,231 --> 02:46:17,434 I Love You, Lauren. Wow. 3642 02:46:17,435 --> 02:46:18,803 Wow. This Film Gave a Voice To 3643 02:46:18,804 --> 02:46:20,970 This Film Gave a Voice To Survivors. 3644 02:46:20,972 --> 02:46:23,673 Survivors. And This Oscar Amplifies That 3645 02:46:23,674 --> 02:46:24,542 And This Oscar Amplifies That Voice, Which We Hope Will Become 3646 02:46:24,543 --> 02:46:27,244 Voice, Which We Hope Will Become A Choir That Will Resonate All 3647 02:46:27,245 --> 02:46:40,289 A Choir That Will Resonate All The Way to the Vatican. 3648 02:46:40,290 --> 02:46:41,024 The Way to the Vatican. Hope 3649 02:46:41,025 --> 02:46:42,526 Hope Pope Francis, It's Time To 3650 02:46:42,527 --> 02:46:43,894 Pope Francis, It's Time To Protect the Children and Restore 3651 02:46:43,895 --> 02:46:44,762 Protect the Children and Restore The Faith. 3652 02:46:44,763 --> 02:46:45,295 The Faith. Thank You Very Much. 3653 02:46:45,296 --> 02:46:47,030 Thank You Very Much. We Would Not Be Here Today 3654 02:46:47,031 --> 02:46:48,766 We Would Not Be Here Today Without the Heroic Efforts Of 3655 02:46:48,767 --> 02:46:49,700 Without the Heroic Efforts Of Our Reporters. 3656 02:46:49,701 --> 02:46:52,669 Our Reporters. Not Only Did They Affect Global 3657 02:46:52,670 --> 02:46:54,304 Not Only Did They Affect Global Change, but They Absolutely Show 3658 02:46:54,305 --> 02:46:56,940 Change, but They Absolutely Show Us the Necessity For 3659 02:46:56,941 --> 02:47:01,143 Us the Necessity For Investigative Journalism. 3660 02:47:01,145 --> 02:47:04,447 Investigative Journalism. We'd Like to Thank Our 3661 02:47:04,449 --> 02:47:07,617 We'd Like to Thank Our Partners, Everyone at Open Road. 3662 02:47:07,618 --> 02:47:09,152 Partners, Everyone at Open Road. Jeff and Jonathan and Everyone 3663 02:47:09,153 --> 02:47:13,256 Jeff and Jonathan and Everyone At Participant. 3664 02:47:13,258 --> 02:47:16,325 At Participant. E-1 Anonymous Content. 3665 02:47:16,326 --> 02:47:18,829 E-1 Anonymous Content. Josh Stinger and Tom McCarthy 3666 02:47:18,830 --> 02:47:20,364 Josh Stinger and Tom McCarthy Your Vision Is Unparalleled. 3667 02:47:20,365 --> 02:47:23,566 Your Vision Is Unparalleled. To Our Cast, if There Ever Was A 3668 02:47:23,567 --> 02:47:25,469 To Our Cast, if There Ever Was A Perfectly Calibrated Ensemble, 3669 02:47:25,470 --> 02:47:25,770 Perfectly Calibrated Ensemble, You Are It. 3670 02:47:25,771 --> 02:47:38,715 You Are It. Thank You So Much. 3671 02:47:38,716 --> 02:47:39,049 Thank You So Much. All Right! 3672 02:47:39,050 --> 02:47:42,752 All Right! Thank You. 3673 02:47:42,754 --> 02:47:44,821 Thank You. I Want to Unvit Everybody Here 3674 02:47:44,822 --> 02:47:45,689 I Want to Unvit Everybody Here To the B.e.t. Awards This 3675 02:47:45,690 --> 02:47:47,891 To the B.e.t. Awards This Summer. 3676 02:47:47,893 --> 02:47:49,626 Summer. And I Just Want to Say Good 3677 02:47:49,627 --> 02:47:50,027 And I Just Want to Say Good Night. 3678 02:47:50,028 --> 02:47:52,228 Night. This Has Been an Amazing 3679 02:47:52,229 --> 02:47:53,397 This Has Been an Amazing Experience. 3680 02:47:53,398 --> 02:47:55,198 Experience. Congratulate All the Oscar 3681 02:47:55,199 --> 02:47:55,466 Congratulate All the Oscar Winners. 3682 02:47:55,467 --> 02:47:57,067 Winners. Buy Some Girl Scout Cookies. 3683 02:47:57,068 --> 02:48:00,437 Buy Some Girl Scout Cookies. Black Lives Matter. 3684 02:48:00,439 --> 02:48:02,774 Black Lives Matter. Thank You! 3685 02:48:02,776 --> 02:48:03,986 Thank You! Brook Lunn! 3686 02:48:04,036 --> 02:48:08,586 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0