1 00:00:15,000 --> 00:00:30,000 Visit www.Markasjudi.com Trusted Secure Online Gambling Agent 2 00:00:32,112 --> 00:00:36,445 Steven Spielberg: I started making a movie when I was a child, 3 00:00:36,445 --> 00:00:41,112 But I remember when I almost released my dream of being a film director. 4 00:00:41,112 --> 00:00:43,487 I must have been 16 years old 5 00:00:50,779 --> 00:00:53,529 A film came to the city named "Lawrence of Arabia," 6 00:00:53,529 --> 00:00:55,946 and everyone talks about it. 7 00:00:55,946 --> 00:00:58,737 I've never sat in a fancy theater chair before. 8 00:00:58,737 --> 00:01:02,112 Premium ticket prices, 70mm projection, 9 00:01:02,112 --> 00:01:03,445 stereoponic sound 10 00:01:05,862 --> 00:01:07,278 And when the movie is finished, 11 00:01:07,278 --> 00:01:10,029 I don't want to be a director again 12 00:01:10,029 --> 00:01:12,320 because the bar is too high 13 00:01:15,153 --> 00:01:19,029 There is a scene where he sees himself with the sword / knife, 14 00:01:19,029 --> 00:01:21,320 When he is first given a robe 15 00:01:21,320 --> 00:01:22,779 and he thinks of himself. 16 00:01:22,779 --> 00:01:24,487 And he walked while laughing 17 00:01:24,487 --> 00:01:27,529 and see his shadow in where is the strange robe 18 00:01:27,529 --> 00:01:29,153 he holds it really printed 19 00:01:29,153 --> 00:01:31,029 on the sand in the shadow 20 00:01:31,029 --> 00:01:32,821 That is the right time. 21 00:01:32,821 --> 00:01:36,153 And then, when they direct the retreating Turks, 22 00:01:36,153 --> 00:01:38,821 you see him again covered in thick blood. 23 00:01:38,821 --> 00:01:41,987 And he had a knife in the same position as him 24 00:01:41,987 --> 00:01:44,779 in his youth, in his glorious days. 25 00:01:44,779 --> 00:01:48,987 And he saw himself himself, who he is. 26 00:01:48,987 --> 00:01:51,153 This is the first time, see a movie, 27 00:01:51,153 --> 00:01:54,862 I realize that there is a theme a story theme that is not narrative. 28 00:01:54,862 --> 00:01:57,737 There are character themes, that is personal themes. 29 00:01:57,737 --> 00:02:00,278 That David Lean created portraits, 30 00:02:00,278 --> 00:02:02,862 surrounded by portraits with murals 31 00:02:02,862 --> 00:02:04,779 epic scope and actions, 32 00:02:04,779 --> 00:02:09,071 but at heart and core "Lawrence of Arabia" 33 00:02:09,071 --> 00:02:11,570 is "Who am I"? 34 00:02:13,862 --> 00:02:19,779 I have a profound reaction to filmmaking, 35 00:02:19,779 --> 00:02:23,195 and I go back and see this film a week later. 36 00:02:23,195 --> 00:02:25,445 I saw this film a week after that. 37 00:02:25,445 --> 00:02:27,403 And I saw this film a week after that. 38 00:02:27,403 --> 00:02:29,904 And I realized that there was no way back, 39 00:02:29,904 --> 00:02:32,654 that this will be what I will do 40 00:02:32,654 --> 00:02:35,278 or I will die trying. 41 00:02:35,278 --> 00:02:38,278 But this will be the rest of my life . 42 00:04:36,862 --> 00:04:39,612 And then try to get - It feels like lining up. 43 00:04:39,612 --> 00:04:42,029 - The camera must enter right. - slightly lower 44 00:04:42,029 --> 00:04:43,987 good there. That's perfect. 45 00:04:43,987 --> 00:04:45,654 Yes, the camera must be right a little, please. 46 00:04:45,654 --> 00:04:47,195 Turn right. 47 00:04:47,195 --> 00:04:48,987 - Right Right, right, right. - Can you get there? 48 00:04:48,987 --> 00:04:50,862 Okay, it's good. 49 00:04:50,862 --> 00:04:53,487 Every time I start a new scene, I'm nervous. 50 00:04:53,487 --> 00:04:56,071 And like going to school, must take the exam. 51 00:04:56,071 --> 00:04:58,278 I've never heard a sentence that was said before. 52 00:04:58,278 --> 00:05:00,071 I do not know what will I think to hear it, 53 00:05:00,071 --> 00:05:01,612 I do not know what I say to the actors, 54 00:05:01,612 --> 00:05:03,403 I don't know where I will put the camera on. 55 00:05:03,403 --> 00:05:05,946 And every time, it's the same. 56 00:05:05,946 --> 00:05:07,779 But I say, this is /> the greatest feeling in the world. 57 00:05:07,779 --> 00:05:09,195 I will tell you why this is a good feeling. 58 00:05:09,195 --> 00:05:11,403 The more I feel confident 59 00:05:11,403 --> 00:05:13,737 and be safe about something, 60 00:05:13,737 --> 00:05:15,821 the less I will extinguish it. 61 00:05:15,821 --> 00:05:19,821 The more I feel, "Uh-oh, this can be a big problem 62 00:05:19,821 --> 00:05:21,529 in getting the story told," 63 00:05:21,529 --> 00:05:23,445 I'll work overtime to meet the challenge 64 00:05:23,445 --> 00:05:25,029 and finish the job. 65 00:05:25,029 --> 00:05:27,071 Alright, it's done. I don't know if it's worth doing . 66 00:05:27,071 --> 00:05:29,529 So, I hate feeling nervous, 67 00:05:29,529 --> 00:05:31,612 but I need feel right now 68 00:05:31,612 --> 00:05:34,654 I'm really not sure with what I do. 69 00:05:34,654 --> 00:05:39,737 And when it causes panic , I get a good idea. 70 00:05:39,737 --> 00:05:42,695 The more I feel backward to the corner, 71 00:05:42,695 --> 00:05:44,112 the more it works so 72 00:05:44,112 --> 00:05:45,487 when I'm looking for a way out of a corner. 73 00:05:45,487 --> 00:05:47,195 I like it. Next shot 74 00:05:47,195 --> 00:05:48,570 Good. 75 00:06:09,987 --> 00:06:12,112 - Did you see that? - Yes. 76 00:06:19,779 --> 00:06:22,237 Martin Scorsese: I remember when Steven produced in "Jaws," 77 00:06:22,237 --> 00:06:24,654 the word in around the city and in "LA Times" 78 00:06:24,654 --> 00:06:27,570 is that it is stupidity and it will be a disaster. 79 00:06:30,487 --> 00:06:33,612 Richard Dreyfuss: "Jaws" started filming on May 2nd. 80 00:06:33,612 --> 00:06:35,904 I hired, I thought, on May 3, 81 00:06:35,904 --> 00:06:39,529 and they didn't have a shark, no there was a script, and there was no cast 82 00:06:39,529 --> 00:06:41,946 when they first started, so.... 83 00:06:41,946 --> 00:06:43,737 The text was never locked. 84 00:06:43,737 --> 00:06:45,904 We rewrote the script 85 00:06:45,904 --> 00:06:48,904 12 hours before we shot what we just wrote. 86 00:06:48,904 --> 00:06:51,237

87 00:06:51,237 --> 00:06:53,946 you know, it's scary for the director not to know 88 00:06:53,946 --> 00:06:55,695 if he will be able to submit the page to the cast the next day. 89 00:06:55,695 --> 00:06:57,278 Guys, we can't shoot right now. 90 00:06:57,278 --> 00:06:59,487 - Hold it. - Hold it. 91 00:06:59,487 --> 00:07:02,695 This is my second day at sea 92 00:07:02,695 --> 00:07:05,695 and I have time 54 more days. 93 00:07:05,695 --> 00:07:08,821 I will learn a lot, because now I can only tell you 94 00:07:08,821 --> 00:07:12,445 This is twice as slow as being shot in the sea because of shooting on land. 95 00:07:12,445 --> 00:07:16,403 Bill Butler: Well, the studio hasn't been shooting movies in the sea before. 96 00:07:16,403 --> 00:07:18,237 They will do it on the back lake. 97 00:07:18,237 --> 00:07:20,987 They will do it in a tank studio. 98 00:07:20,987 --> 00:07:22,529 They will make miniature boats. 99 00:07:22,529 --> 00:07:24,654 They will-- everything will be very easy 100 00:07:24,654 --> 00:07:27,320 that you will never be cold or wet. 101 00:07:27,320 --> 00:07:30,362 > 102 00:07:30,362 --> 00:07:31,987 But Steven said, "I will shoot in the open sea." 103 00:07:31,987 --> 00:07:34,153 Roll sound 104 00:07:34,153 --> 00:07:36,695 This should be a thriller 105 00:07:36,695 --> 00:07:40,362 based on people like you and me who are outside our element 106 00:07:40,362 --> 00:07:42,362 It requires a level of authenticity 107 00:07:42,362 --> 00:07:44,362 which I think shooting on the back 108 00:07:44,362 --> 00:07:46,904 at Universal in North Hollywood will not give it. 109 00:07:46,904 --> 00:07:49,487 So, for me, there is no way back. 110 00:07:49,487 --> 00:07:51,403 It must be shot in the sea. 111 00:07:58,821 --> 00:08:01,362 I think it will be cakewalk, 112 00:08:01,362 --> 00:08:03,821 but I don't know anything about tides or currents. 113 00:08:03,821 --> 00:08:06,029 I don't know how the wind affects the water, 114 00:08:06,029 --> 00:08:08,278 how the color of the sky changes the color of the water , 115 00:08:08,278 --> 00:08:10,403 or how you can't get anything suitable. 116 00:08:10,403 --> 00:08:14,278 That is a nightmare, the worst scenario after the others. 117 00:08:14,278 --> 00:08:15,987 I don't think we will ever finish. 118 00:08:15,987 --> 00:08:18,570 I just guessed that I'd be fired from the film. 119 00:08:21,904 --> 00:08:25,195 We were isolated in the middle of the sea, 12 miles off beach, 120 00:08:25,195 --> 00:08:30,862 and that's technology over art every day. 121 00:08:30,862 --> 00:08:33,320 We will be shot, there is art there, 122 00:08:33,320 --> 00:08:37,112 but you can't recognize art from business that. 123 00:08:37,112 --> 00:08:40,612 Just trying to keep the story the whole movie on my head 124 00:08:40,612 --> 00:08:43,821 is a very quiet thing, because there is no that can really help me with that. 125 00:08:43,821 --> 00:08:46,071 I have to see it before I film it. 126 00:08:46,071 --> 00:08:47,737 And that's why it is so scary on "Jaws" - 127 00:08:47,737 --> 00:08:49,904 when I can't see it Until I finally do it. 128 00:08:52,529 --> 00:08:55,946 Just before I go to make a "jaw," I have to meet Henry Hathaway. 129 00:08:55,946 --> 00:08:58,237 He is a director > tough guy, and he said, 130 00:08:58,237 --> 00:09:00,862 "There will be a time when you will arrive at the set 131 00:09:00,862 --> 00:09:03,112 and you won't know what you are do it. 132 00:09:03,112 --> 00:09:04,529 It happens to all of us. 133 00:09:04,529 --> 00:09:07,570 You must keep the secret with your life. 134 00:09:07,570 --> 00:09:10,862 Don't let anyone see when you are not sure of yourself. 135 00:09:10,862 --> 00:09:12,445 Hide it from everyone, 136 00:09:12,445 --> 00:09:14,862 or you will lose respect from everyone. " 137 00:09:14,862 --> 00:09:16,862 Markers 138 00:09:16,862 --> 00:09:18,487 - good blood - And ready? 139 00:09:18,487 --> 00:09:21,112 - And action, Roy. - Slow forward 140 00:09:21,112 --> 00:09:22,779 I can go slow forward. 141 00:09:22,779 --> 00:09:25,278 you have to go down and enter some of this nonsense. 142 00:09:30,362 --> 00:09:32,320 And go down. 143 00:09:32,320 --> 00:09:35,403 Of course everything's a mess. 144 00:09:35,403 --> 00:09:37,946 The first time we tested the shark, it sank. 145 00:09:37,946 --> 00:09:39,779 It would come out of water and go... 146 00:09:39,779 --> 00:09:43,071 Like that. 147 00:09:43,071 --> 00:09:45,529 I know it will happen 148 00:09:45,529 --> 00:09:47,153 three or four weeks to rebuild the shark, 149 00:09:47,153 --> 00:09:49,320 and so we have to make something else 150 00:09:49,320 --> 00:09:50,946 it doesn't exactly show the shark 151 00:09:50,946 --> 00:09:53,153 But give the shark senses close. 152 00:09:59,403 --> 00:10:00,779 Bring it to around after him! 153 00:10:00,779 --> 00:10:03,487 Barrel is a gift, 154 00:10:03,487 --> 00:10:08,487 because I don't need to show the shark as long as the barrel is there. 155 00:10:08,487 --> 00:10:11,320 What you don't see generally more scary than what you see, 156 00:10:11,320 --> 00:10:14,195 and the script is filled with "sharks". 157 00:10:14,195 --> 00:10:16,695 Sharks here, sharks in there, sharks where -Where. 158 00:10:16,695 --> 00:10:18,821 This film doesn't have many sharks in it. 159 00:10:24,695 --> 00:10:27,403 John Williams: If the shark has been visually available, 160 00:10:27,403 --> 00:10:29,987 it might have changed the whole psychology 161 00:10:29,987 --> 00:10:31,695 from experience 162 00:10:34,987 --> 00:10:37,403 Williams: When you hear, "boom-boom, boom-boom," 163 00:10:37,403 --> 00:10:40,487 you have been conditioned to think that is when the shark is present. 164 00:10:40,487 --> 00:10:43,029 When the shark is far, very faint. 165 00:10:43,029 --> 00:10:47,695 When the shark is just about to attack, is very close and very hard. 166 00:10:54,946 --> 00:10:57,612 Williams: We can advertise > the existence of a shark or its attitude 167 00:10:57,612 --> 00:11:01,403 with how we manage this record, 168 00:11:01,403 --> 00:11:03,237 only a few notes 169 00:11:06,529 --> 00:11:12,237 Dreyfuss: You are in a state of anxious without seeing a shark. 170 00:11:12,237 --> 00:11:14,403 It only scared you. 171 00:11:15,779 --> 00:11:17,195 Charlie, take my words for that! 172 00:11:17,195 --> 00:11:18,987 Don't look back! Swim, Charlie! 173 00:11:18,987 --> 00:11:20,237 Swim! Come on, Charlie! 174 00:11:20,237 --> 00:11:24,237 Dun-dun Dun-dun, dun-dun. 175 00:11:24,237 --> 00:11:28,071 Dun-dun, dun -dun, dun-dun, bombs bombs, bombs, bombs, bombs, bombs. 176 00:11:28,071 --> 00:11:29,862 Come on, a little more, Charlie. Attaboy. 177 00:11:29,862 --> 00:11:32,071 Come here , Charlie. Attaboy. Attaboy. 178 00:11:32,071 --> 00:11:36,612 David Edelstein: This is a perfect exercise in tension 179 00:11:36,612 --> 00:11:39,946 with techniques that can be done by other filmmakers. 180 00:11:42,237 --> 00:11:45,570 I know I use the tool eat electricity in the audience 181 00:11:45,570 --> 00:11:49,529 whenever there is some kind of
pop-up surprise. 182 00:11:49,529 --> 00:11:52,029 Michael Phillips: Like Hitchcock, he knows how to get you 183 00:11:52,029 --> 00:11:53,529 on the edge of your seat 184 00:11:53,529 --> 00:11:56,695 He doesn't show what what you want to see, 185 00:11:56,695 --> 00:11:58,779 and then he gives it when he wants to deliver it. 186 00:11:58,779 --> 00:12:03,112 J. Hoberman: He certainly likes torturing the audience. 187 00:12:04,278 --> 00:12:06,112 Has he ever been analyzed? 188 00:12:07,946 --> 00:12:10,821 1, 1,000; 2, 1,000; 189 00:12:10,821 --> 00:12:13,654 3, 1,000; 4, 1,000... 190 00:12:13,654 --> 00:12:15,695 Everything scares me when I was little. 191 00:12:15,695 --> 00:12:16,987 Everything. 192 00:12:19,654 --> 00:12:23,153 1, 1,000; 2 , 1,000; 3, one... 193 00:12:23,153 --> 00:12:26,320 I took out the tree in my horrible window. 194 00:12:26,320 --> 00:12:28,195 Itu hanya mengerikan. 195 00:12:28,195 --> 00:12:29,821 1, 1,000; 2, 1,000... 196 00:12:29,821 --> 00:12:31,987 I was filled with so much fear 197 00:12:31,987 --> 00:12:34,445 that I needed to expel some of them. 198 00:12:34,445 --> 00:12:38,821 And what better audience for < br /> drive me away from my demons 199 00:12:38,821 --> 00:12:40,153 of my three sisters. 200 00:12:42,904 --> 00:12:46,529 He will lock us in the cupboard with skull, 201 00:12:46,529 --> 00:12:50,487 have shed various colors the wax around it. 202 00:12:50,487 --> 00:12:51,654 Almost like blood. 203 00:12:51,654 --> 00:12:53,821 I will close their eyes one by one, 204 00:12:53,821 --> 00:12:55,445 take them inside closet 205 00:12:55,445 --> 00:12:57,862 I will put the whole my body against the door. 206 00:12:57,862 --> 00:12:59,487 They will close their eyes, 207 00:12:59,487 --> 00:13:03,904 and I will just sit there listen to them scream. 208 00:13:03,904 --> 00:13:07,862 I mean, tell this story now... 209 00:13:07,862 --> 00:13:09,529 I still think it's really cool. 210 00:13:09,529 --> 00:13:11,362 I will say, "I hate myself for that." 211 00:13:11,362 --> 00:13:13,195 I don't hate myself for that. That's fun. 212 00:13:13,195 --> 00:13:15,278 Initially , he just scares us. 213 00:13:15,278 --> 00:13:16,904 But through the film, 214 00:13:16,904 --> 00:13:20,029 He can scare everyone now. 215 00:13:24,779 --> 00:13:26,862 And blockbuster movies 216 00:13:26,862 --> 00:13:28,862 p> 217 00:13:28,862 --> 00:13:31,487 Summer, of course, is "Jaws," 218 00:13:31,487 --> 00:13:33,529 a story about the shark the white killer who is released. 219 00:13:33,529 --> 00:13:35,862 And the release of the film is on time 220 00:13:35,862 --> 00:13:37,695 for maximum impact during the holiday season, 221 00:13:37,695 --> 00:13:40,487 and some people who have seen it 222 00:13:43,320 --> 00:13:45,403 now see phantom sharks every time they approach water . 223 00:13:45,403 --> 00:13:48,071 Scorsese: I remember the night "Jaws" opened. 224 00:13:48,071 --> 00:13:50,904 And we see, passing all the lines in Westwood 225 00:13:50,904 --> 00:13:53,445 and places like that, and I say, "Here it is. 226 00:13:53,445 --> 00:13:55,862 This is will be a big change. " 227 00:13:55,862 --> 00:13:57,570 Janet Maslin: I was with him in the car 228 00:13:57,570 --> 00:14:01,362 and he was really nervous but excited. 229 00:14:01,362 --> 00:14:03,320 And the car drove round the corner, 230 00:14:03,320 --> 00:14:05,487 and there was a line around the corner, 231 00:14:05,487 --> 00:14:08,237 and then the car continued to run, and the line went on. 232 00:14:08,237 --> 00:14:10,278 And he 233 00:14:10,278 --> 00:14:12,570 You know, this is this instant breakthrough. 234 00:14:12,570 --> 00:14:15,570 It feels like a balloon that explodes in this car. 235 00:14:15,570 --> 00:14:19,362 And his whole life changes in a few minutes. 236 00:14:19,362 --> 00:14:21,237 And he is 25 years or whatever. 237 00:14:24,445 --> 00:14:26,487 "Jaws" costs three times fold 238 00:14:26,487 --> 00:14:29,237 and that happens about two half times the schedule. 239 00:14:29,237 --> 00:14:32,278 We finally filmed films in 159 days. 240 00:14:32,278 --> 00:14:35,071 This film was originally scheduled for for 55 days. 241 00:14:35,071 --> 00:14:36,862 But my pride is actually I think 242 00:14:36,862 --> 00:14:39,612 > 243 00:14:39,612 --> 00:14:43,987 I can shoot this film in 55 days. 244 00:14:43,987 --> 00:14:45,821 Steven shook Hollywood bones. 245 00:14:45,821 --> 00:14:50,195 "Jaws" makes more money 246 00:14:50,195 --> 00:14:51,946 than the movie made until then. 247 00:14:51,946 --> 00:14:53,487 That success changed my life. 248 00:14:53,487 --> 00:14:55,112 you know, this gives me the final piece. 249 00:14:55,112 --> 00:14:57,612 This gave me the opportunity to choose and choose 250 00:14:57,612 --> 00:15:01,487 the film that I directed since then. 251 00:15:09,487 --> 00:15:12,029 So "Jaws" is a free path towards my future . 252 00:15:12,029 --> 00:15:15,320 I want you to meet with the current maker of movies who have taken it 253 00:15:15,320 --> 00:15:16,737 - Oh Boy! - aren't you excited 254 00:15:16,737 --> 00:15:18,445 - And everyone likes it. - Have you ever seen it? 255 00:15:18,445 --> 00:15:21,362 Dinah Shore: Welcome, Mr. Steven Spielberg. 256 00:15:26,529 --> 00:15:28,821 When was your first time really interested in movies? 257 00:15:28,821 --> 00:15:30,278 When I was little. 258 00:15:30,278 --> 00:15:32,112 - really - About, yes, 13 years. 259 00:15:32,112 --> 00:15:34,487 - That's all? - Starter is very early, yes. 260 00:15:34,487 --> 00:15:36,195 No - I don't take it seriously. 261 00:15:36,195 --> 00:15:38,195 I did it - like some people paint 262 00:15:38,195 --> 00:15:40,904 and some people like it, you know, driving a small car, 263 00:15:40,904 --> 00:15:42,487 and I like making small movies. 264 00:15:42,487 --> 00:15:45,695 I'm not aware there are 50 years filming in front of me. 265 00:15:45,695 --> 00:15:48,071 And I live in Phoenix, Arizona, 266 00:15:48,071 --> 00:15:50,946 where you can listen to the growing cactus if you < don't have something better to do. 267 00:15:50,946 --> 00:15:53,029 - Yeah. - And I took a film camera 268 00:15:53,029 --> 00:15:55,487 and I learned some sort of ABC when I left, 269 00:15:55,487 --> 00:15:57,862 But it's just fun, that's < br /> is something that must be done. 270 00:16:06,278 --> 00:16:08,195 I really want my childhood 271 00:16:08,195 --> 00:16:11,654 sort of pie-in-sky, Norman Rockwell American Dream. 272 00:16:15,445 --> 00:16:18,570 My father is this computer genius who was on the team found 273 00:16:18,570 --> 00:16:22,029 the first commercial data processing machine on RCA back in 1950, 274 00:16:22,029 --> 00:16:25,445 became my father many were persuaded and went from one company to another. 275 00:16:25,445 --> 00:16:27,779 Like soldiers of bad boys, we moved from one place to another. 276 00:16:27,779 --> 00:16:31,487 But most of the formative years I took place in Phoenix, Arizona. 277 00:16:31,487 --> 00:16:35,237 My father was an American who worked very hard. 278 00:16:35,237 --> 00:16:37,904 Sometimes working six days in a week and he comes home late at night. 279 00:16:37,904 --> 00:16:41,946 His career demands a lot of time away from family. 280 00:16:41,946 --> 00:16:44,445 And my mother is Peter Pan . 281 00:16:44,445 --> 00:16:46,779 He is a sibling, not a parent, 282 00:16:46,779 --> 00:16:48,987 because he is the best friend, 283 00:16:48,987 --> 00:16:52,821 is not the primary caregiver. 284 00:16:52,821 --> 00:16:57,403 And he got into trouble when we got into trouble. 285 00:16:57,403 --> 00:17:00,320 Anne: Steve has a feeling that the family should be 286 00:17:00,320 --> 00:17:02,779 like "Father Knows Best," 287 00:17:02,779 --> 00:17:05,029 but we are not ordinary families. 288 00:17:05,029 --> 00:17:08,403 We are just the kind of bohemian people who grow up in the suburbs. 289 00:17:11,654 --> 00:17:15,779 I go to the pet shop someday, and there is a monkey 290 00:17:15,779 --> 00:17:19,445 Sit at this cage like , the position of the fetus. 291 00:17:19,445 --> 00:17:22,779 And the shopkeeper says the monkey is dying. 292 00:17:22,779 --> 00:17:26,195 She has been taken from her mother and she is depressed. 293 00:17:26,195 --> 00:17:28,529 So, I go home, drive my jeep 294 00:17:28,529 --> 00:17:33,737 with a large cage in behind and monkeys in cages. 295 00:17:33,737 --> 00:17:36,403 And I remember the kids were scared. 296 00:17:36,403 --> 00:17:38,570 They were very scared. 297 00:17:38,570 --> 00:17:42,445 Steve said, "You know, in ordinary house, 298 00:17:42,445 --> 00:17:44,570 Children say, & apos; Can we have a monkey? & apos; 299 00:17:44,570 --> 00:17:47,237 And mom says, & apos; Are you crazy? & apos; " 300 00:17:47,237 --> 00:17:50,153 You know, when I heard my story about 301 00:17:50,153 --> 00:17:54,779 The things I did, I thought, "That's crazy." 302 00:17:54,779 --> 00:17:56,779 Susan Lacy: What do you think is he crazy? 303 00:17:56,779 --> 00:17:58,654 I like that monkey. 304 00:18:03,112 --> 00:18:06,153 As a child, I spend lots of time watching television, 305 00:18:06,153 --> 00:18:07,695 or listening to the album soundtrack, 306 00:18:07,695 --> 00:18:10,487 or just sit around , stare at the clouds. 307 00:18:10,487 --> 00:18:12,529 My father always asks me for that. 308 00:18:12,529 --> 00:18:14,112 He doesn't like me getting Cs, 309 00:18:14,112 --> 00:18:17,487 But school is not the place that I really like. 310 00:18:17,487 --> 00:18:21,278 Nancy: Steve is a little kid who is alert and tentative 311 00:18:21,278 --> 00:18:23,195 and in some cases doubt. 312 00:18:23,195 --> 00:18:26,153 you know, he's not like normal children in the neighborhood. 313 00:18:26,153 --> 00:18:28,278 He is not a person relying on muscles. 314 00:18:28,278 --> 00:18:30,862 You know, he is intimidated a lot. 315 00:18:30,862 --> 00:18:32,195 That's difficult. 316 00:18:33,904 --> 00:18:37,570 Most My devil is self-inflicted wounds. 317 00:18:37,570 --> 00:18:39,529 They are things inside me. 318 00:18:39,529 --> 00:18:41,112 The way I see myself. 319 00:18:41,112 --> 00:18:45,362 I don't have many rewards for myself, 320 00:18:45,362 --> 00:18:48,695 you know, grow up. 321 00:18:49,779 --> 00:18:52,195 I'm just a lonely person. 322 00:18:52,195 --> 00:18:53,987 JJ Abrams: I think that explains a lot 323 00:18:53,987 --> 00:18:57,570 why and how he was forced to make a movie. 324 00:18:57,570 --> 00:18:59,529 That was not just a means of expression, 325 00:18:59,529 --> 00:19:01,153 But it was a means to escape, 326 00:19:01,153 --> 00:19:06,112 and that is a means to make friends with people 327 00:19:06,112 --> 00:19:08,570 that you can't instead, or start hanging out 328 00:19:08,570 --> 00:19:10,487 with girls who might not You can do the opposite, 329 00:19:10,487 --> 00:19:13,904 or just find a way to have meaning. 330 00:19:13,904 --> 00:19:15,654 The camera is my pen. 331 00:19:15,654 --> 00:19:17,320 I wrote my story through the lens. 332 00:19:17,320 --> 00:19:20,445 I wrote my story through the lens. 333 00:19:20,445 --> 00:19:22,695 p> 334 00:19:34,403 --> 00:19:36,946 And when I can say "action" and "cut," 335 00:19:36,946 --> 00:19:38,779 I take control of my life. 336 00:19:38,779 --> 00:19:40,821 I like movies like "Sands of Iwo Jima," 337 00:19:40,821 --> 00:19:44,570 "Flying Tigers," "Battleground," 338 00:19:44,570 --> 00:19:46,320 I really influenced by all that, 339 00:19:46,320 --> 00:19:47,862 and so some of my first films 340 00:19:47,862 --> 00:19:50,946 are stories about World War II. 341 00:19:50,946 --> 00:19:53,737 There is an airport with a group of WWII aircraft 342 00:19:53,737 --> 00:19:55,779 just sitting there on the asphalt. 343 00:19:58,612 --> 00:20:01,862 I'll take a photo of my friend with his finger on the stick 344 00:20:01,862 --> 00:20:04,737 and cut 8mm actual combat. 345 00:20:04,737 --> 00:20:06,779 Many were shot by John Ford, by the way. 346 00:20:06,779 --> 00:20:08,612 And making movies that look like 347 00:20:08,612 --> 00:20:10,695 production values outside the graph 348 00:20:10,695 --> 00:20:12,487 because the production value is outside the graph. 349 00:20:12,487 --> 00:20:13,779 That is the real thing. 350 00:20:17,029 --> 00:20:18,737 Abrams: you can see the films, 351 00:20:18,737 --> 00:20:23,278 and you see the ability to tell a story without words. 352 00:20:23,278 --> 00:20:26,821 The use of special effects is very primitive spectacular. 353 00:20:26,821 --> 00:20:28,654 You know, he will have a big bullet, 354 00:20:28,654 --> 00:20:30,153 he puts a little dirt saw, 355 00:20:30,153 --> 00:20:31,695 so that when the actor runs, 356 00:20:31,695 --> 00:20:33,362 they will step on one section, 357 00:20:33,362 --> 00:20:35,278 and it will throw dirt in the air 358 00:20:35,278 --> 00:20:37,612 as if they were shot when they ran. 359 00:20:37,612 --> 00:20:39,987 There are things that he did which really made sense. 360 00:20:39,987 --> 00:20:41,570 you saw the trajectory. 361 00:20:41,570 --> 00:20:43,570 There was something in that DNA, 362 00:20:43,570 --> 00:20:45,403 even though it was shot on 8mm film, 363 00:20:45,403 --> 00:20:48,195 is the same filmmaker's voice. 364 00:20:48,195 --> 00:20:50,278 But I don't know anything about whether 365 00:20:50,278 --> 00:20:53,071 I will have a career or where this will go. 366 00:20:53,071 --> 00:20:54,987 I only know that it fills up time and it gives me 367 00:20:54,987 --> 00:20:57,529 a large amount of satisfaction. 368 00:20:57,529 --> 00:21:00,112 And the second I finish a movie, I want to start a new one 369 00:21:00,112 --> 00:21:04,237 because I feel good about myself when I'm filming. 370 00:21:04,237 --> 00:21:06,153 But when I have plenty of time to think, 371 00:21:06,153 --> 00:21:11,445 all the scary whispers will start - start up. 372 00:21:11,445 --> 00:21:15,946 It's not fun to be between ideas or projects. 373 00:21:26,195 --> 00:21:28,904 Sid Sheinberg: His knowledge says that as a young man, 374 00:21:28,904 --> 00:21:32,029 Steven is sort of the Phantom of the Opera, 375 00:21:32,029 --> 00:21:35,570 haunts a lot of Universal Studios. 376 00:21:35,570 --> 00:21:39,654 He will really get a lot of 377 00:21:39,654 --> 00:21:41,737 one or another way. 378 00:21:41,737 --> 00:21:43,654 I take the studio tour bus, 379 00:21:43,654 --> 00:21:45,529 Wander around the parking lot. 380 00:21:45,529 --> 00:21:48,320 And then at one point they give you a break bathroom, 381 00:21:48,320 --> 00:21:50,071 and I never came out of the bathroom. 382 00:21:50,071 --> 00:21:54,029 I waited until I could hear a drop of drops, then came out. 383 00:21:54,029 --> 00:21:56,195 The bus vanished and I was in the parking lot. 384 00:21:56,195 --> 00:21:59,195 James Brolin: He said he went upstairs 385 00:21:59,195 --> 00:22:01,862 in the tower and took the office on the floor six, 386 00:22:01,862 --> 00:22:04,071 and nobody bothered him for six months. 387 00:22:08,862 --> 00:22:11,987 Dreyfuss: That story he asked for an office, 388 00:22:11,987 --> 00:22:14,737 telephone, enter his name in door. 389 00:22:14,737 --> 00:22:16,987 Eh, I don't believe, but you know what they say 390 00:22:16,987 --> 00:22:19,071 in "People Who Shoot Liberty Valance" - 391 00:22:19,071 --> 00:22:22,195 When the legend is greater from facts, print legends. 392 00:22:22,195 --> 00:22:25,821 Roger Ernest: Once he sneaked into Alfred Hitchcock's set 393 00:22:25,821 --> 00:22:27,737 and saw it a little 394 00:22:27,737 --> 00:22:31,278 until he is caught and asked to leave. 395 00:22:31,278 --> 00:22:33,737 Steve continues to study, 396 00:22:33,737 --> 00:22:36,487 keeps looking, keeps asking 397 00:22:36,487 --> 00:22:38,904 from all traders - 398 00:22:38,904 --> 00:22:42,071 cinematographers, lighting, editors. 399 00:22:42,071 --> 00:22:47,445 It feels like Spielberg 101 is overdrive. 400 00:22:47,445 --> 00:22:50,403 I try very hard to enter the USC Film School, 401 00:22:50,403 --> 00:22:52,112 and I just don't have the value to enter 402 00:22:52,112 --> 00:22:53,821 And I even did personal interviews at USC, 403 00:22:53,821 --> 00:22:55,654 and they refused me even directly. 404 00:22:55,654 --> 00:22:57,904 So, Universal became my film school. 405 00:23:02,195 --> 00:23:05,278 Ernest: Steven focused laser. 406 00:23:05,278 --> 00:23:10,278 He never forgot the reality that the audience was early, for him , 407 00:23:10,278 --> 00:23:12,112 not an audience in the theater. 408 00:23:12,112 --> 00:23:15,612 Audience is a studio executive. 409 00:23:15,612 --> 00:23:18,695 And he knows how to make a movie 410 00:23:18,695 --> 00:23:21,904 that will convince < br /> the studio executive, 411 00:23:21,904 --> 00:23:24,445 "Yes, I have a talent to become a director. 412 00:23:24,445 --> 00:23:26,320 Here's what I can do." 413 00:23:30,737 --> 00:23:34,320 I saw this film, and I was very enamored of this film. 414 00:23:34,320 --> 00:23:37,029 I have a very strong feeling 415 00:23:37,029 --> 00:23:40,987 that this is not a maker of young films average of you. 416 00:23:40,987 --> 00:23:45,153 Sid Sheinberg, who was Universal Television President at the time, 417 00:23:45,153 --> 00:23:47,904 He said, "So, sir, I saw your film. 418 00:23:47,904 --> 00:23:49,403 Very well made. 419 00:23:49,403 --> 00:23:51,946 I want to offer a seven-year contract 420 00:23:51,946 --> 00:23:54,403 to come to Universal for direct television. " 421 00:23:54,403 --> 00:23:57,987 He said, "If you enter with us, 422 00:23:57,987 --> 00:24:02,570 I will strongly support you in failure 423 00:24:02,570 --> 00:24:05,153 like I will succeed." 424 00:24:05,153 --> 00:24:07,445 And he is right in his word. 425 00:24:07,445 --> 00:24:12,112 And that's the beginning of the most important relationship 426 00:24:12,112 --> 00:24:14,529 I can imagine having in this business. 427 00:24:14,529 --> 00:24:17,862 Steven is known as the unclean prince. 428 00:24:17,862 --> 00:24:19,737 He is the person who will succeed. 429 00:24:19,737 --> 00:24:22,654 I mean, he directed Joan Crawford 430 00:24:22,654 --> 00:24:25,195 when he was 20 years old. 431 00:24:25,195 --> 00:24:27,862 It will teach you a lot of things. 432 00:24:27,862 --> 00:24:31,195 Joan Crawford is a member of the first professional SAG 433 00:24:31,195 --> 00:24:34,195 I've directed in my life! 434 00:24:34,195 --> 00:24:37,237 I want to see something ! 435 00:24:37,237 --> 00:24:42,695 Trees, concrete, buildings, grass, airplanes, colors! 436 00:24:42,695 --> 00:24:45,695 Are Cassavetes who say, "If you want to be a true filmmaker, 437 00:24:45,695 --> 00:24:47,862 You can't be afraid of anything or anyone. " 438 00:24:47,862 --> 00:24:49,695 And Steven doesn't. 439 00:24:49,695 --> 00:24:51,737 He was there with Joan Crawford > who wants it out every day. 440 00:24:51,737 --> 00:24:55,821 And he has to shoot and according to schedule and be nice, 441 00:24:55,821 --> 00:24:58,071 means to have a vision. 442 00:24:58,071 --> 00:25:00,071 Shots must have a point of view. 443 00:25:00,071 --> 00:25:02,278 But after the "Night Gallery" comes out, 444 00:25:02,278 --> 00:25:05,612 There are many criticisms because I am a new item. 445 00:25:05,612 --> 00:25:08,403 The youngest director ever has been included in the contract in history. 446 00:25:08,403 --> 00:25:11,821 And the manufacturers who recruit will not hire me. 447 00:25:11,821 --> 00:25:13,570 There are many hostilities, 448 00:25:13,570 --> 00:25:15,946 and I have to prove myself to everyone. 449 00:25:15,946 --> 00:25:19,237 You know, they see me as a kind of Sheinberg's stupidity. 450 00:25:19,237 --> 00:25:22,570 He underwrote me. Let him find me working. 451 00:25:27,153 --> 00:25:29,362 Brolin: I want to go straight, 452 00:25:29,362 --> 00:25:32,487 and Steven comes in, and he's still a kid! 453 00:25:32,487 --> 00:25:34,654 And I'm really jealous. 454 00:25:36,529 --> 00:25:38,695 Steven can enter a room , 455 00:25:38,695 --> 00:25:41,195 look for one or two seconds, say, "This, this." 456 00:25:41,195 --> 00:25:44,362 "Move it here, give me 25mm here." 457 00:25:44,362 --> 00:25:46,278 "Look, face it ahead." 458 00:25:46,278 --> 00:25:48,278 "Move it Silhouette here." 459 00:25:48,278 --> 00:25:49,862 Two take, three take. "That's enough, thank you." 460 00:25:49,862 --> 00:25:51,612 "Let's continue." < br /> That's amazing. 461 00:25:51,612 --> 00:25:54,237 Steven Bochco: Steven has teeth in his brain 462 00:25:54,237 --> 00:25:58,445 which automatically translates words into images 463 00:25:58,445 --> 00:26:02,320 almost without it being a conscious process for him. 464 00:26:02,320 --> 00:26:05,987 There is a unique visual sound there 465 00:26:05,987 --> 00:26:08,987 that you must not just pay attention, 466 00:26:08,987 --> 00:26:13,654 but you have to give a little the freedom to do it. 467 00:26:34,487 --> 00:26:38,112 The initial theme I always makes the underdog chased 468 00:26:38,112 --> 00:26:40,320 with persistent power 469 00:26:40,320 --> 00:26:43,779 both nature and natural enemies, 470 00:26:43,779 --> 00:26:47,695 and that person must ascend to the chance to survive. 471 00:26:47,695 --> 00:26:49,654 And many come from just 472 00:26:49,654 --> 00:26:51,862 Taste not safe that I feel since childhood 473 00:26:51,862 --> 00:26:55,029 and how it bled into work. 474 00:26:55,029 --> 00:26:58,737 I'm always a kid with big bullies, 475 00:26:58,737 --> 00:27:01,612 and "Duel" is my life on the school page. 476 00:27:01,612 --> 00:27:05,237 The truck is a bully, and the car is me. 477 00:27:09,237 --> 00:27:11,278 George Lucas: I was at Francis Coppola's house, 478 00:27:11,278 --> 00:27:13,529 and "Duel" will be shown that night, 479 00:27:13,529 --> 00:27:16,362 so I kind of get away from the party 480 00:27:16,362 --> 00:27:18,821 and say, "I want to see this film. I want to see what this child do. " 481 00:27:18,821 --> 00:27:21,153 I'm like on the fence about Steven. 482 00:27:21,153 --> 00:27:22,946 I said," Know what he is doing, 483 00:27:22,946 --> 00:27:25,487 good, but a little too
Hollywood for my taste. " 484 00:27:25,487 --> 00:27:27,612 I saw" Amblin "and I thought" Amblin "was good, 485 00:27:27,612 --> 00:27:31,153 But it wasn't - you know, that very, very striking. 486 00:27:31,153 --> 00:27:33,195 That's very, very professional. 487 00:27:33,195 --> 00:27:35,362 And for all of us, we are all rude, 488 00:27:35,362 --> 00:27:38,153 Crazy people who do work is much more dirty. 489 00:27:38,153 --> 00:27:39,987 So, I thought, "Okay, I'm going to watch the first half hour 490 00:27:39,987 --> 00:27:42,946 and just see what he's doing." 491 00:27:42,946 --> 00:27:44,737 And finally I watched everything. 492 00:27:44,737 --> 00:27:48,570 And I came to Francis, I said , "This person is amazing. 493 00:27:48,570 --> 00:27:50,320 You really have to see this movie." 494 00:27:56,987 --> 00:27:59,529 Straight from the bat, it's clear 495 00:27:59,529 --> 00:28:05,029 Nobody moves the camera like Steven Spielberg. 496 00:28:07,445 --> 00:28:11,737 Other directors have fantastic space. 497 00:28:11,737 --> 00:28:14,071

498 00:28:14,071 --> 00:28:16,695 Orson Welles, just name it, 499 00:28:19,695 --> 00:28:22,362 people who understand composition 500 00:28:22,362 --> 00:28:24,529 But the way Spielberg's camera 501 00:28:24,529 --> 00:28:27,570 and then ends at an place that really shifts 502 00:28:27,570 --> 00:28:29,946 or intensifies the emotions of the scene, 503 00:28:29,946 --> 00:28:32,779 It's just a natural gift it has. 504 00:28:32,779 --> 00:28:35,029 Who knows where it came from? 505 00:28:35,029 --> 00:28:37,987 Who - but it's the technique itself. 506 00:28:37,987 --> 00:28:39,946 Francis Ford Coppola: "Duel" is a composition 507 00:28:39,946 --> 00:28:42,779 which has a theme that is very elusive and interesting. 508 00:28:42,779 --> 00:28:45,112 you know, this unknown threat. 509 00:28:45,112 --> 00:28:48,821 Everyone has been on the road and some idiots have crossed in front of you, 510 00:28:48,821 --> 00:28:53,112 And, you know, you are tempted to get up quickly 511 00:28:53,112 --> 00:28:54,779 and go do something evil to him. 512 00:28:54,779 --> 00:28:58,487 And here he takes this and makes it a parable. 513 00:29:10,904 --> 00:29:12,487 When ABC sees "Duel," 514 00:29:12,487 --> 00:29:15,071 they are very happy with what they see . 515 00:29:15,071 --> 00:29:18,153 But at the very, very end when the truck doesn't explode 516 00:29:18,153 --> 00:29:20,320 in the fireworks display, 517 00:29:20,320 --> 00:29:21,987 George Eckstein called me and said, 518 00:29:21,987 --> 00:29:25,278 "The network was really upset because the truck didn't explode, 519 00:29:25,278 --> 00:29:28,654 so they told us back to the cliff 520 00:29:28,654 --> 00:29:30,320 and blow the truck." 521 00:29:30,320 --> 00:29:31,946 And I said, "I will not do it." 522 00:29:34,195 --> 00:29:36,195 The death of the truck is very torment. 523 00:29:36,195 --> 00:29:39,320 I said, "I made the truck die slowly." 524 00:29:39,320 --> 00:29:42,737 Oil, like blood, drips from the steering wheel. 525 00:29:42,737 --> 00:29:45,570 The wheel slowly rolls off. 526 00:29:45,570 --> 00:29:48,987 The fan is still on, but the truck dying. 527 00:29:48,987 --> 00:29:50,570 I mean, this is the death of a truck. 528 00:29:50,570 --> 00:29:52,946 That's what the audience wants to see. 529 00:29:52,946 --> 00:29:55,529 This criminal element pays - 530 00:29:55,529 --> 00:29:58,487 You know, paying the price for what did to this person. 531 00:29:58,487 --> 00:30:02,529 I won't do it I won't blow the truck. 532 00:30:02,529 --> 00:30:06,278 For Steven , small screen it's an interesting canvas, 533 00:30:06,278 --> 00:30:09,362 and obviously he painted it very well, 534 00:30:09,362 --> 00:30:11,612 But he knows this screen 535 00:30:11,612 --> 00:30:15,570 Not a big enough canvas. 536 00:30:24,071 --> 00:30:25,946 Vilmos Zsigmond: He is a director who knows 537 00:30:25,946 --> 00:30:28,112 how important cinematography is, 538 00:30:28,112 --> 00:30:32,487 and how Steven directs 539 00:30:32,487 --> 00:30:34,737 > "Sugarland Express" is so fresh, 540 00:30:34,737 --> 00:30:39,071 you know, because everything is on location. 541 00:30:39,071 --> 00:30:41,862 And half of the film is in a police car. 542 00:30:41,862 --> 00:30:43,737 And it's a difficult thing to - 543 00:30:43,737 --> 00:30:45,737 to stay alive all the time. 544 00:30:47,737 --> 00:30:49,445 you know, the angle and all that. 545 00:30:49,445 --> 00:30:51,362 For me, directing is a cameraman, 546 00:30:51,362 --> 00:30:53,529 and so I'm very on that front line. 547 00:30:53,529 --> 00:30:56,112 I have to prepare a shot, I have to block the actors, 548 00:30:56,112 --> 00:30:58,112 choreography of scene movements, 549 00:30:58,112 --> 00:30:59,779 bring the camera into the choreography, 550 00:30:59,779 --> 00:31:01,612 Find out when the camera stops, how it moves, 551 00:31:01,612 --> 00:31:03,487 how far he moves, what is the composition, 552 00:31:03,487 --> 00:31:05,946 so I always pay attention to the lens me, and that's what I did. 553 00:31:05,946 --> 00:31:07,779 I even chose the lens that I want. 554 00:31:14,487 --> 00:31:16,529 Its strength is truly the ability 555 00:31:16,529 --> 00:31:20,112 to be able to tell an story in the picture instinctively. 556 00:31:20,112 --> 00:31:24,237 Sometimes I watch his picture on TV without sound 557 00:31:24,237 --> 00:31:26,987 just to see the picture. 558 00:31:31,320 --> 00:31:36,278 Pauline Kael, one of the most influential film critics of of all time, 559 00:31:36,278 --> 00:31:38,946 wrote in "The New Yorker" made by Steven Spielberg 560 00:31:38,946 --> 00:31:43,112 one of the most phenomenal debuts in film history. 561 00:31:43,112 --> 00:31:44,570 He compared it to Howard Hawks 562 00:31:44,570 --> 00:31:49,612 In terms of how it feels it feels to the medium. 563 00:31:49,612 --> 00:31:51,320 What Kael sees in Spielberg 564 00:31:51,320 --> 00:31:54,695 is someone who has a true film feel, 565 00:31:54,695 --> 00:31:56,987 But he also said he wasn't necessarily sure 566 00:31:56,987 --> 00:31:59,320 there was so much to go with it. 567 00:31:59,320 --> 00:32:03,112 He didn't see the sign of an artist the new movie appeared 568 00:32:03,112 --> 00:32:04,654 like Martin Scorsese. 569 00:32:04,654 --> 00:32:07,695 What he saw was his birth 570 00:32:07,695 --> 00:32:11,278 of the hands of a new generation of Hollywood. 571 00:32:13,904 --> 00:32:17,195 Martin Scorsese, the maker film "Mean Streets." 572 00:32:17,195 --> 00:32:19,570 This is Brian De Palma, loud as usual. 573 00:32:23,029 --> 00:32:26,153 - George and Marcia Lucas - Hi! 574 00:32:26,153 --> 00:32:27,821 And this is Steven. 575 00:32:27,821 --> 00:32:29,821 Get the camera set. Great. 576 00:32:29,821 --> 00:32:31,695 ♪ The time has arrived today ♪ 577 00:32:33,278 --> 00:32:35,445 ♪ A young heart can go their way... ♪ 578 00:32:35,445 --> 00:32:38,904 In the mid to late 60's, there was a big change 579 00:32:38,904 --> 00:32:40,570 in the Hollywood studio system. 580 00:32:40,570 --> 00:32:42,487 It was a very different world that they had serve, 581 00:32:42,487 --> 00:32:44,654 and there is also new freedom. 582 00:32:44,654 --> 00:32:47,946 Brian De Palma: So, suddenly the door is open for young directors 583 00:32:47,946 --> 00:32:51,862 with ideas that very crazy and seemingly original. 584 00:32:51,862 --> 00:32:54,987 It's almost like, you know, crashing into a party. 585 00:32:57,195 --> 00:33:00,278 Yes, people are in trip out, and we will enter 586 00:33:00,278 --> 00:33:02,362 We are really obsessed with film, 587 00:33:02,362 --> 00:33:04,695 But we certainly don't see it as a career. 588 00:33:04,695 --> 00:33:06,695 We don't think we will make money for that. 589 00:33:06,695 --> 00:33:09,195 There are George and Francis, 590 00:33:09,195 --> 00:33:11,821 and then there is Marty and me, 591 00:33:11,821 --> 00:33:14,445 Then there's Steven. 592 00:33:14,445 --> 00:33:16,237 We come from a different place, 593 00:33:16,237 --> 00:33:20,654 > 594 00:33:20,654 --> 00:33:24,278 But needless to say, we are always very happy to be together. 595 00:33:24,278 --> 00:33:27,862 When we gather, it feels like like the director's brotherhood. 596 00:33:27,862 --> 00:33:29,403 George, place the camera on the table, at - 597 00:33:29,403 --> 00:33:33,403 I will hit the ball into the lens, 598 00:33:33,403 --> 00:33:35,862 and you choose the camera at the last moment. 599 00:33:35,862 --> 00:33:37,946 When I go into the Brats film group, 600 00:33:37,946 --> 00:33:40,320 like someone once called us, 601 00:33:47,195 --> 00:33:50,403 I never - this is the first time I feel like insiders. 602 00:33:50,403 --> 00:33:52,237 We are very, very lucky to be able to be part of that time. 603 00:33:52,237 --> 00:33:53,487 Culture is convergent. 604 00:33:53,487 --> 00:33:55,779 That's Albert. 605 00:33:55,779 --> 00:33:57,695 musician, artist. 606 00:33:57,695 --> 00:34:00,570 That is an extraordinary and fertile time. 607 00:34:00,570 --> 00:34:02,695 And here we have Amy Irving in the car. 608 00:34:02,695 --> 00:34:04,946 Brian De Palma introduced us when he made "Carrie." 609 00:34:04,946 --> 00:34:07,946 - That's how we first met. - Then they started out together. 610 00:34:07,946 --> 00:34:10,320 They were together and then they separate, 611 00:34:10,320 --> 00:34:12,278 and then they come back together again. 612 00:34:12,278 --> 00:34:14,821 - Amy is half dressed. - As usual, sew. 613 00:34:14,821 --> 00:34:17,904 Yes, sew Steven's pants to make him ready 614 00:34:17,904 --> 00:34:20,195 for the coming big day soon. 615 00:34:20,195 --> 00:34:22,320 Noogies, noogies. 616 00:34:22,320 --> 00:34:23,654 Steven is a nerd 617 00:34:23,654 --> 00:34:26,237 Master of the world! 618 00:34:26,237 --> 00:34:28,362 A funny nerdy, but he's a bookworm. 619 00:34:28,362 --> 00:34:33,987 He's not into sports or drugs or rock & apos ; n & apos; roll, 620 00:34:33,987 --> 00:34:37,195 But he is passionate and he is very enthusiastic. 621 00:34:37,195 --> 00:34:39,153 He used to talk about movies, 622 00:34:39,153 --> 00:34:41,445 and it was contagious, enthusiastic. 623 00:34:41,445 --> 00:34:43,904 Steven have the first car phone. 624 00:34:43,904 --> 00:34:45,112 This rings. 625 00:34:45,112 --> 00:34:48,445 So, Steven and I often go around 626 00:34:48,445 --> 00:34:51,531 and call a girl and say, "Okay , let's get together, " 627 00:34:51,532 --> 00:34:52,766 and he will say," Okay. " 628 00:34:52,821 --> 00:34:55,821 And of course we will be parked right outside his house. 629 00:34:55,821 --> 00:34:59,112 It's like-- I will say - 630 00:34:59,112 --> 00:35:01,529 This may seem very silly now, 631 00:35:01,529 --> 00:35:03,904 But in those days it's like a miracle. 632 00:35:03,904 --> 00:35:06,570 She's fun. He is fun to be around. 633 00:35:06,570 --> 00:35:09,112 I'm Julia Child, French chef. 634 00:35:10,737 --> 00:35:14,946 Today we carve... Thanksgiving turkey! 635 00:35:14,946 --> 00:35:17,195 We all fighting 636 00:35:17,195 --> 00:35:19,529 with our very unsuccessful first attempt 637 00:35:19,529 --> 00:35:22,403 to penetrate Hollywood establishments, 638 00:35:22,403 --> 00:35:24,862 But Steven always works. 639 00:35:24,862 --> 00:35:28,237 Steven is always a studio creature, 640 00:35:28,237 --> 00:35:32,987 and his thoughts and the methodology goes in that direction, 641 00:35:32,987 --> 00:35:34,779 and he becomes his master. 642 00:35:34,779 --> 00:35:37,779 He very lucky with the type of film 643 00:35:37,779 --> 00:35:41,320 He really has a feeling for that kind of film 644 00:35:41,320 --> 00:35:42,946 that the audience has a sense for. 645 00:35:42,946 --> 00:35:44,403 We are now in the Scorsese kitchen. 646 00:35:44,403 --> 00:35:47,862 We will show "Hell & apos; s Angels". 647 00:35:47,862 --> 00:35:49,862 We are all interested in each other. 648 00:35:49,862 --> 00:35:53,029 We have one thing that makes we are all together, one element. 649 00:35:53,029 --> 00:35:57,946 One type of madness and an obsession with film. 650 00:35:57,946 --> 00:35:59,779 We consult each other, 651 00:35:59,779 --> 00:36:03,071 and without shyly giving opinions about each other's work. 652 00:36:03,071 --> 00:36:04,904 That's very much like that, 653 00:36:04,904 --> 00:36:06,821 but we're still competitive 654 00:36:06,821 --> 00:36:08,570 "Come on and see my movie. 655 00:36:08,570 --> 00:36:10,779 Sit down - sit here. > The best sound here. " 656 00:36:10,779 --> 00:36:12,529 And blowing others away. 657 00:36:12,529 --> 00:36:15,612 Everyone is forced to do a better job 658 00:36:15,612 --> 00:36:16,904 to impress everyone , 659 00:36:16,904 --> 00:36:18,904 because Marty has done this film (Mean Streets), 660 00:36:18,904 --> 00:36:20,612 or Francis has done the film (The Godfather). 661 00:36:20,612 --> 00:36:22,529 They become like acid tests. 662 00:36:22,529 --> 00:36:26,987 you get some real foundation and you hope for honesty - 663 00:36:26,987 --> 00:36:28,570 maybe not too honest 664 00:36:31,946 --> 00:36:33,403 George shows a lot of things 665 00:36:33,403 --> 00:36:34,904 "Star Wars" for the first time, 666 00:36:34,904 --> 00:36:36,570 and has no effect. 667 00:36:36,570 --> 00:36:39,278 It was only World War II, black-and-white stock recording 668 00:36:39,278 --> 00:36:42,612 cut with snippets of blue screen production color, 669 00:36:42,612 --> 00:36:43,946 and then show us the film, 670 00:36:43,946 --> 00:36:45,904 expect us to see the movie. 671 00:36:45,904 --> 00:36:47,654 It's basically a children's film. 672 00:36:47,654 --> 00:36:49,403 you know, it's not that my other friends 673 00:36:49,403 --> 00:36:51,737 will be considered something which very valuable. 674 00:36:51,737 --> 00:36:54,445 Steven is the only person who is very enthusiastic about it 675 00:36:54,445 --> 00:36:56,529 and says, "This will be a big blow." 676 00:36:56,529 --> 00:36:58,362 But George said, "I thought this would be a disaster." 677 00:36:58,362 --> 00:37:00,112 He was very depressed, and we all went 678 00:37:00,112 --> 00:37:02,529 to Chinese restaurants
after the movie is finished, 679 00:37:02,529 --> 00:37:06,362 and Brian stands up and starts checking about, 680 00:37:06,362 --> 00:37:09,779 "What happened around here? I don't understand the story. 681 00:37:09,779 --> 00:37:11,946 Who are these people? Who is that hairy man? 682 00:37:11,946 --> 00:37:15,112 Where are they from? Where is the context? 683 00:37:15,112 --> 00:37:17,362 Where is the backstory? That makes me crazy. " 684 00:37:17,362 --> 00:37:18,946 Brian goes to George. 685 00:37:18,946 --> 00:37:20,987 And George just sits there. He turns red. 686 00:37:20,987 --> 00:37:23,112 George, I think, wants to kill him. 687 00:37:23,112 --> 00:37:25,487 But of all that, something great comes. 688 00:37:25,487 --> 00:37:28,779 Brian basically said, "you need, like, old movies 689 00:37:28,779 --> 00:37:30,904 to start the image with a preface, 690 00:37:30,904 --> 00:37:33,695 and all these words appear on the screen, and they travel, 691 00:37:33,695 --> 00:37:36,320 and the preface tells you what you see 692 00:37:36,320 --> 00:37:39,362 and why you are in the theater and what that mythology is. 693 00:37:39,362 --> 00:37:41,237 Tell us what the world is, 694 00:37:41,237 --> 00:37:43,029 and then we can enjoy the photo. " 695 00:37:43,029 --> 00:37:45,612 And that's the birth of the famous prologue. 696 00:37:45,612 --> 00:37:48,987 Steven came to visit me when I was shooting "Scarface," 697 00:37:48,987 --> 00:37:50,654 and I gave him one unit 698 00:37:50,654 --> 00:37:54,737 to shoot Colombian people who climbed the stairs. 699 00:37:54,737 --> 00:37:57,487 Say hello to my little friend. 700 00:37:57,487 --> 00:37:59,821 So, we just shot
people shot 701 00:37:59,821 --> 00:38:01,987 for several weeks 702 00:38:01,987 --> 00:38:04,570 We all respect each other's work, 703 00:38:04,570 --> 00:38:06,821 and we just try to each other help 704 00:38:06,821 --> 00:38:10,153 When we see things that we think can be fixed. 705 00:38:10,153 --> 00:38:11,862 Alright, now I'm back - 706 00:38:11,862 --> 00:38:13,821 the camera to our new director - 707 00:38:13,821 --> 00:38:17,904 That's the worst swish pot I've ever seen. 708 00:38:17,904 --> 00:38:19,821 The worst inhaling pot I've ever seen. 709 00:38:19,821 --> 00:38:21,695 Dia menembak aku. Aku benar-benar dalam kegelapan. 710 00:38:21,695 --> 00:38:23,570 How do you expect to see something? 711 00:38:23,570 --> 00:38:26,112 It's like what happened in Paris in the 20s. 712 00:38:26,112 --> 00:38:29,029 You know, you got a bunch of > people, they are all crazy, 713 00:38:29,029 --> 00:38:32,570 and they are controversial and do the same fight, 714 00:38:32,570 --> 00:38:34,362 But you kinda see it later and you say, 715 00:38:34,362 --> 00:38:35,695 "How can the whole group -" 716 00:38:35,695 --> 00:38:38,695 The whole group be successful 717 00:38:38,695 --> 00:38:41,529 and dominate the film business. 718 00:38:41,529 --> 00:38:42,821 It's like, how can that be? 719 00:38:42,821 --> 00:38:44,946 We're just a bunch of crazy kids. 720 00:38:44,946 --> 00:38:47,403 But, you know, I think a lot of it really loves movies 721 00:38:47,403 --> 00:38:51,112 and all are desperate for make films in any way we can. 722 00:39:11,946 --> 00:39:13,403 Dear God. 723 00:39:16,570 --> 00:39:18,904 Tony Kushner: When watching Steven's movie, 724 00:39:18,904 --> 00:39:22,237 you feel like being in in the presence of something mysterious 725 00:39:22,237 --> 00:39:25,946 and unspeakable and poetic. 726 00:39:25,946 --> 00:39:27,862 Enjoying very simple pleasures - 727 00:39:27,862 --> 00:39:31,320 afraid , amused, mesmerized. 728 00:39:45,445 --> 00:39:47,195 I was greatly affected 729 00:39:47,195 --> 00:39:50,029 by how far Stanley Kubrick took "2001: A Space Odyssey" 730 00:39:50,029 --> 00:39:52,987 into the world, really, expressionist art, 731 00:39:52,987 --> 00:39:56,737 and I want to take "Close Encounters" even further. 732 00:39:58,654 --> 00:40:01,112 I really want the audience to see screen and say, 733 00:40:01,112 --> 00:40:03,112 "I have an appearance," 734 00:40:03,112 --> 00:40:05,612 But I'm not sure all this will work. 735 00:40:06,946 --> 00:40:08,779 Bob Balaban: It's very risky . 736 00:40:08,779 --> 00:40:10,320 Effects for "Close Encounters" 737 00:40:10,320 --> 00:40:12,320 have basically never been done before. 738 00:40:12,320 --> 00:40:15,904 He shoots people with a motion control camera, 739 00:40:15,904 --> 00:40:18,071 makes the camera move, pan, tilt, 740 00:40:18,071 --> 00:40:19,695 whatever it wants to do 741 00:40:19,695 --> 00:40:22,612 And then what is recorded, actually, on tape, 742 00:40:22,612 --> 00:40:25,737 and then when Doug Trumbull, special effects watchdog, 743 00:40:25,737 --> 00:40:28,695 returned to the facility post production, 744 00:40:28,695 --> 00:40:31,987 he could actually duplicate the camera was moving . 745 00:40:31,987 --> 00:40:35,029 So when you marry two images, they are perfect, 746 00:40:35,029 --> 00:40:38,320 and you can have, for really about the first time, 747 00:40:38,320 --> 00:40:39,821 move special effects 748 00:40:39,821 --> 00:40:41,862 Always before, you have to sit there calmly, 749 00:40:41,862 --> 00:40:44,112 Because if you move, it will destroy everything . 750 00:40:44,112 --> 00:40:45,695 Everyone does it today. 751 00:40:45,695 --> 00:40:48,445 They can't do the movie effect 752 00:40:48,445 --> 00:40:53,029 Except Steven and Doug don't try all this. 753 00:40:55,821 --> 00:40:59,529 The stakes are very high for Steven on "Close Encounters." 754 00:40:59,529 --> 00:41:02,529 Columbia Pictures really is on the verge of bankruptcy, 755 00:41:02,529 --> 00:41:05,654 and they bet farms in this film. 756 00:41:05,654 --> 00:41:09,071 He has a banker and Hollywood who is breathing around his neck 757 00:41:09,071 --> 00:41:12,112 to prove to the world that "Jaws" is not a coincidence. 758 00:41:12,112 --> 00:41:16,695 So, Steven has the responsibility a big answer on his shoulder, 759 00:41:16,695 --> 00:41:20,029 but he must remain loyal to what works for him, 760 00:41:20,029 --> 00:41:21,779 or that 761 00:41:21,779 --> 00:41:23,695 And he does it. 762 00:41:23,695 --> 00:41:26,862 Win or lose, he makes the movie he dreams for. 763 00:41:30,237 --> 00:41:32,071 When I still small, dad I invited me to watch 764 00:41:32,071 --> 00:41:35,237 Perseid meteor shower and introduce me to the sky 765 00:41:35,237 --> 00:41:37,570 as a place of unspeakable miracles. 766 00:41:37,570 --> 00:41:40,904 And because it's a wonderful experience for me, 767 00:41:40,904 --> 00:41:43,862 heaven promises if there will be, 768 00:41:43,862 --> 00:41:46,654 you know, the first meeting 769 00:41:46,654 --> 00:41:49,529 between extraterrestrial civilization and our own, 770 00:41:49,529 --> 00:41:53,195 will only be tame and constructive. 771 00:41:53,195 --> 00:41:54,737 That will be the talk. 772 00:42:04,071 --> 00:42:05,987 When These extraterrestrials come here, 773 00:42:05,987 --> 00:42:07,654 we don't know what they can talk about, 774 00:42:07,654 --> 00:42:09,362 what they understand, or even what they see , 775 00:42:09,362 --> 00:42:11,695 so Steven has an idea that communication 776 00:42:11,695 --> 00:42:15,779 should be a combination of sound and light. 777 00:42:26,362 --> 00:42:28,529 I first thought math would be 778 00:42:28,529 --> 00:42:30,987 common language between intergalactic species, 779 00:42:30,987 --> 00:42:33,654 but I think that will be much more emotional 780 00:42:33,654 --> 00:42:37,112 If music is how we talk to each other. 781 00:42:41,779 --> 00:42:44,029 I am not consciously looking for a film 782 00:42:44,029 --> 00:42:46,612 that has a spiritual core. 783 00:42:46,612 --> 00:42:48,779 There is a spiritual part of myself that happened 784 00:42:48,779 --> 00:42:52,445 to bleed to in work, and so I'm aware, 785 00:42:52,445 --> 00:42:54,946 That's the only important choice, 786 00:42:54,946 --> 00:42:59,237 will find things inherently have something from the belief system 787 00:42:59,237 --> 00:43:01,946 That's beyond our understanding, it's a little out there. 788 00:43:01,946 --> 00:43:05,779 "Close Encounters" is more a personal statement 789 00:43:05,779 --> 00:43:08,112 from the previous two films. 790 00:43:08,112 --> 00:43:10,320 I mean, he wrote the script. 791 00:43:10,320 --> 00:43:12,821 That meant a lot to Steven. 792 00:43:12,821 --> 00:43:14,946 The origin came from a film 793 00:43:14,946 --> 00:43:17,362 I've actually written and directed when I was 17 years old. 794 00:43:20,654 --> 00:43:24,153 That was the story of the first human contact with with a UFO. 795 00:43:26,112 --> 00:43:31,153 And there's actually a UFO in the "Firelight" that I made. 796 00:43:31,153 --> 00:43:34,153 I saw a lot of movies, and I have a whole card catalog in my brain 797 00:43:34,153 --> 00:43:36,071 of the things I've seen 798 00:43:36,071 --> 00:43:38,654 And just by watching a movie with special effects in it, 799 00:43:38,654 --> 00:43:41,821 I can search for almost anything. 800 00:43:41,821 --> 00:43:44,195 On the one hand, he has lived with "Close Encounters" 801 00:43:44,195 --> 00:43:46,904 since he was a child. 802 00:43:46,904 --> 00:43:50,403 And he has a vision with real feelings 803 00:43:50,403 --> 00:43:52,487 from what this film must feel like 804 00:43:52,487 --> 00:43:53,987 when you experience the movie. 805 00:43:55,570 --> 00:43:58,654 Steven doesn't want to make his own film. 806 00:43:58,654 --> 00:44:01,612 > 807 00:44:01,612 --> 00:44:03,821 He wants to make a great personal movie. 808 00:44:07,195 --> 00:44:08,695 That's not true. That's not true. 809 00:44:10,862 --> 00:44:12,529 That's not true. 810 00:44:15,946 --> 00:44:18,071 incorrect. 811 00:44:18,071 --> 00:44:20,445 that Richard Dreyfuss is struggling. 812 00:44:20,445 --> 00:44:22,112 I'm close to the film. 813 00:44:23,904 --> 00:44:26,695 Something opens up his imagination 814 00:44:26,695 --> 00:44:28,403 to find something he thinks 815 00:44:28,403 --> 00:44:31,862 will give some cathartic answers. 816 00:44:31,862 --> 00:44:34,320 He must go through chaos 817 00:44:34,320 --> 00:44:36,737 to achieve some kind of clarity. 818 00:44:36,737 --> 00:44:38,737 He is an artist who tries to plumb 819 00:44:38,737 --> 00:44:41,487 the depth of his imagination. 820 00:44:41,487 --> 00:44:43,071 So I think in some sense 821 00:44:43,071 --> 00:44:44,862 "Close Encounters" may be the most, 822 00:44:44,862 --> 00:44:46,946 Most uncertain most personal film 823 00:44:46,946 --> 00:44:49,737 I have arrived at that point, 824 00:44:49,737 --> 00:44:52,862 Because it's also about family dissolution. 825 00:45:10,320 --> 00:45:13,487 I remember when we moved to Northern California from Arizona. 826 00:45:13,487 --> 00:45:17,071 I have felt that the situation isn't going well with my parents. 827 00:45:17,071 --> 00:45:18,904 And one day, father I just broke down, 828 00:45:18,904 --> 00:45:20,946 and I've never seen my father cry before. 829 00:45:20,946 --> 00:45:22,695 And I just stood on kitchen, 830 00:45:22,695 --> 00:45:25,237 Angry because my father is not a man. 831 00:45:25,237 --> 00:45:27,862 He cries like a child. 832 00:45:27,862 --> 00:45:31,320 And I start shouting "whiny" /> to him as hard as I can. 833 00:45:31,320 --> 00:45:34,071 Just started shouting, "Whiny, you whiny, you whiny," 834 00:45:34,071 --> 00:45:35,612 until they push me out of the kitchen. 835 00:45:35,612 --> 00:45:38,403 p> 836 00:45:38,403 --> 00:45:42,237 Roy, promise me that you will leave! Please! 837 00:45:42,237 --> 00:45:45,153 You cry! You cry! You cry! 838 00:45:45,153 --> 00:45:46,737 - you cry Crying! - Get out of here! Come out! 839 00:45:46,737 --> 00:45:47,821 Come on, you guys. 840 00:45:47,821 --> 00:45:49,278 - Whiny! - Come on. 841 00:45:49,278 --> 00:45:51,320 You cry! 842 00:45:51,320 --> 00:45:55,403 - Shut up! - Ronnie: Stop it! 843 00:45:55,403 --> 00:45:58,487 and celebrate about life itself 844 00:45:58,487 --> 00:46:04,278 to be full of real despair and sadness. 845 00:46:12,071 --> 00:46:14,195 I will see my mother go to the living room 846 00:46:14,195 --> 00:46:17,821 and play some Schumann and cry. 847 00:46:17,821 --> 00:46:20,779 Cry until he can't see the notes on paper. 848 00:46:22,779 --> 00:46:25,570 I'll sit with him and hold /> his hands, talk to him. 849 00:46:25,570 --> 00:46:28,779 He just said, "I am very lonely here. I am very sad here." 850 00:46:28,779 --> 00:46:30,654 I also experienced things the same. 851 00:46:30,654 --> 00:46:32,195 And all I know is that my father 852 00:46:32,195 --> 00:46:34,403 was fulfilled up there, and it didn't. 853 00:46:34,403 --> 00:46:36,821 So, when it was announced by my mother 854 00:46:36,821 --> 00:46:39,862 that my mother and my father split up, 855 00:46:39,862 --> 00:46:41,320 I don't know the details. 856 00:46:41,320 --> 00:46:43,779 I don't know why they split up, 857 00:46:43,779 --> 00:46:44,946 and I'm not for a long time. 858 00:46:44,946 --> 00:46:46,195 I don't want to know. 859 00:46:46,195 --> 00:46:48,904 I fell in love with someone else. 860 00:46:48,904 --> 00:46:53,237 I fell in love with Bernie Adler. 861 00:46:53,237 --> 00:46:56,779 I looked to behind, I thought, "How dare I do that?" 862 00:46:56,779 --> 00:46:58,779 But I really didn't care at that moment. 863 00:46:58,779 --> 00:47:01,695 It's all about me and /> my unhappiness. 864 00:47:01,695 --> 00:47:04,654 Bernie is my father's best friend, 865 00:47:04,654 --> 00:47:06,237 and he is an equipment. 866 00:47:06,237 --> 00:47:07,362 It feels like having an uncle. 867 00:47:10,071 --> 00:47:13,278 I will never tell children that she divorced me. 868 00:47:13,278 --> 00:47:15,612 Instead, I let them think that I divorced her. 869 00:47:15,612 --> 00:47:16,904 Why did you do that ? 870 00:47:16,904 --> 00:47:18,904 Protect him because he is fragile. 871 00:47:20,237 --> 00:47:21,946 And he still is. 872 00:47:21,946 --> 00:47:26,403 So, I think I can get less hurt from him. 873 00:47:26,403 --> 00:47:28,362 I still love him. 874 00:47:28,362 --> 00:47:30,904 My father and stepfather are good friends. 875 00:47:30,904 --> 00:47:33,195 My mother married my father's best friend. 876 00:47:33,195 --> 00:47:34,737 You saw a picture of big, that's bad. 877 00:47:34,737 --> 00:47:36,904 That's so bad. 878 00:47:36,904 --> 00:47:38,487 It doesn't hit me until I get older 879 00:47:38,487 --> 00:47:40,612 that it's something that is very difficult for Dad, 880 00:47:40,612 --> 00:47:43,403 and I - my heart bled to him. 881 00:47:43,403 --> 00:47:46,737 Steve really thought my father left us. 882 00:47:46,737 --> 00:47:51,278 So, for a few years, we blocked it. 883 00:47:51,278 --> 00:47:53,695 And Steve, I know, blame him 884 00:47:53,695 --> 00:47:57,737 for a bad relationship. 885 00:47:57,737 --> 00:47:59,403 That's really the worst period 886 00:47:59,403 --> 00:48:00,779 all my life 887 00:48:02,946 --> 00:48:05,278 I never told daddy I was that I was angry with him. 888 00:48:05,278 --> 00:48:06,946 We never had angry words, 889 00:48:06,946 --> 00:48:08,946 But that was an alienation 890 00:48:08,946 --> 00:48:10,612 that I created, not from my father. 891 00:48:10,612 --> 00:48:12,946 He is looking for a relationship with me. 892 00:48:12,946 --> 00:48:15,445 I just left and got lost in my work, 893 00:48:15,445 --> 00:48:17,278 The way I saw my father lost in his 894 00:48:17,278 --> 00:48:19,237 all years come home late 895 00:48:19,237 --> 00:48:21,695 and work the weekend back in Phoenix and all that. 896 00:48:21,695 --> 00:48:24,445 I became my father. I became a workaholic. 897 00:48:24,445 --> 00:48:28,695 And I lost contact with him. 898 00:48:28,695 --> 00:48:32,487 It continued for... 15 years. 899 00:48:35,071 --> 00:48:36,612 Tom Snyder: You know, I read about you today. 900 00:48:36,612 --> 00:48:38,403 You have done four films. That's all. 901 00:48:38,403 --> 00:48:40,570 Four films that I can count. 902 00:48:40,570 --> 00:48:42,612 You are not Alfred Hitchcock finished over 50 years. 903 00:48:42,612 --> 00:48:43,862 you are not John Ford. 904 00:48:43,862 --> 00:48:45,320 Can you believe that you have directed 905 00:48:45,320 --> 00:48:46,987 four films and you are famous people? 906 00:48:46,987 --> 00:48:50,195 - Can you believe that? - Can I believe that? 907 00:48:52,112 --> 00:48:53,737 Yes, I can, as a matter of fact. 908 00:48:53,737 --> 00:48:55,946 I can believe that I has directed four films, 909 00:48:55,946 --> 00:48:58,779 even though it looks like I have directed even longer. 910 00:48:58,779 --> 00:49:02,071 Tom Hanks: He arrived at the scene in such a big way. 911 00:49:02,071 --> 00:49:03,779 You know, the way "Jaws" entered 912 00:49:03,779 --> 00:49:06,737 into consciousness the world is very large. 913 00:49:06,737 --> 00:49:09,112 "Close Encounters" is 10 times bigger. 914 00:49:09,112 --> 00:49:11,779 But Steven is in the process of finding himself. 915 00:49:11,779 --> 00:49:14,320 I don't think he himself knows 916 00:49:14,320 --> 00:49:16,487 where this path will take him. 917 00:49:16,487 --> 00:49:18,821 I'm sure, like other people at that age, 918 00:49:18,821 --> 00:49:21,904 He wondered if he really was as good as he thought. 919 00:49:21,904 --> 00:49:24,362 And turns out he is. 920 00:49:24,362 --> 00:49:25,987 After you do "Jaws" 921 00:49:25,987 --> 00:49:28,612 and then "Close Encounters," well, where do you go? 922 00:49:28,612 --> 00:49:31,153 Bars, as they say, are set to a certain level. 923 00:49:31,153 --> 00:49:32,362 And what are you doing? 924 00:49:32,362 --> 00:49:33,737 You become yourself in the form of 925 00:49:33,737 --> 00:49:35,779 and you jump over the bar again. 926 00:49:58,320 --> 00:50:00,612 Initially, my idea was for "ET" 927 00:50:00,612 --> 00:50:03,737 p> 928 00:50:03,737 --> 00:50:07,946 does not include extraterrestrials. 929 00:50:07,946 --> 00:50:11,278 It will be about how divorce affects childhood 930 00:50:15,362 --> 00:50:19,362 and how it really is kind of trauma to children. 931 00:50:19,362 --> 00:50:24,071 - Father's shirt - Yeah. 932 00:50:24,071 --> 00:50:25,946 Remember when he used to invite us to the soccer match 933 00:50:25,946 --> 00:50:28,320 and take us to the movies, 934 00:50:28,320 --> 00:50:32,195 and we will have popcorn fights? 935 00:50:32,195 --> 00:50:34,612 So, the main theme is about 936 00:50:34,612 --> 00:50:38,946 Me, man, boy 937 00:50:38,946 --> 00:50:42,779 - Elliott - And what extraordinary event 938 00:50:42,779 --> 00:50:44,779 will be needed to fill Elliott's heart 939 00:50:44,779 --> 00:50:47,112 after losing his father? 940 00:50:47,112 --> 00:50:49,946 This will bring something extraordinary 941 00:50:49,946 --> 00:50:51,904 as an outer creature that comes into his life. 942 00:51:05,445 --> 00:51:07,278 Drew Barrymore: Steven, as a filmmaker, 943 00:51:07,278 --> 00:51:12,362 can make another world, almost impossible scenario, 944 00:51:12,362 --> 00:51:15,112 but do it in the suburbs 945 00:51:15,112 --> 00:51:17,987 and with real families and real people , 946 00:51:17,987 --> 00:51:22,570 So, you can go to outer world, outer space, 947 00:51:22,570 --> 00:51:26,112 extraterrestrial scenarios, it doesn't make sense, 948 00:51:26,112 --> 00:51:29,695 because it's based on humans 949 00:51:29,695 --> 00:51:31,487 and human stories. 950 00:51:31,487 --> 00:51:34,153 Okay, he's a man from outer space 951 00:51:34,153 --> 00:51:36,695 and we take him to a spaceship. 952 00:51:36,695 --> 00:51:41,570 - Well, can't he go up? - This is reality, Greg. 953 00:51:41,570 --> 00:51:44,821 "E.T." is an American story on the outskirts of the city, 954 00:51:44,821 --> 00:51:47,029 and suburbia are all that I know of growing up. 955 00:51:47,029 --> 00:51:50,112 So, the movie that I made in the 70s, era 80s, 956 00:51:50,112 --> 00:51:52,654 is a reflection of what I know. 957 00:51:52,654 --> 00:51:54,445 My main religion is the suburbs. 958 00:51:54,445 --> 00:51:56,529 You know, families all gather, 959 00:51:56,529 --> 00:51:59,529 No one is divorced, there is no who is unhappy with each other. 960 00:51:59,529 --> 00:52:00,946 Of course, everything is wrong. 961 00:52:00,946 --> 00:52:03,153 Maybe you might imagine it.... 962 00:52:03,153 --> 00:52:04,477 I can't imagine it. 963 00:52:04,478 --> 00:52:06,861 Maybe it's a perverted child or flawed or something. 964 00:52:06,904 --> 00:52:08,695 A disabled child. 965 00:52:08,695 --> 00:52:11,362 Maybe elf or leprechaun. 966 00:52:11,362 --> 00:52:13,529 There is no such thing, penis breath! 967 00:52:13,529 --> 00:52:15,821 Elliott! 968 00:52:15,821 --> 00:52:17,029 Sit down. 969 00:52:19,362 --> 00:52:22,695 Daddy will trust me. 970 00:52:27,737 --> 00:52:31,445 Maybe you should call your father and tell him about it. 971 00:52:31,445 --> 00:52:33,987 I can't He is in Mexico together Sally. 972 00:52:41,821 --> 00:52:44,529 Where is Mexico 973 00:52:44,529 --> 00:52:47,071 I saw my childhood through this family 974 00:52:47,071 --> 00:52:50,612 and the great young actor. 975 00:52:50,612 --> 00:52:52,654 Peter Coyote: When Steven works with children, 976 00:52:52,654 --> 00:52:55,987 He brings some sort of feeling "let's play". 977 00:52:55,987 --> 00:52:58,737 He must pull you back. Take this , here. 978 00:52:58,737 --> 00:53:02,071 It's not like someone who talks about babies with children. 979 00:53:02,071 --> 00:53:05,029 It's just that he really communicates with them. 980 00:53:05,029 --> 00:53:08,737 And this is like direct transmission. 981 00:53:08,737 --> 00:53:13,237 Now he suddenly turns to you, his eyes open. 982 00:53:19,320 --> 00:53:21,737 Do that to ET < Br /> Give a pleasant scream to ET 983 00:53:21,737 --> 00:53:24,737 Do it again, really excited about "Are they coming?" 984 00:53:24,737 --> 00:53:26,821 Breathing, breathing, breathing, breathing, breathing. 985 00:53:26,821 --> 00:53:28,487 - work alone - Does this mean they will come? 986 00:53:28,487 --> 00:53:30,445 No, work alone even more. Working alone 987 00:53:30,445 --> 00:53:33,237 Does this mean they will come? 988 00:53:33,237 --> 00:53:35,153 989 00:53:35,153 --> 00:53:37,362 p> 990 00:53:37,362 --> 00:53:39,445 Bigger, bigger. "Does this mean they will come?" 991 00:53:39,445 --> 00:53:42,904 Does this mean they will come? 992 00:53:42,904 --> 00:53:46,904 Yes! 993 00:53:46,904 --> 00:53:48,821 Melissa Mathison: She has to be a little father, a little friend, 994 00:53:48,821 --> 00:53:51,237 But she, more than what , their observer, 995 00:53:51,237 --> 00:53:54,278 and me thought it was very fun for him. 996 00:53:54,278 --> 00:53:57,237 Wait a minute. Drew, this is for you, my dear. 997 00:53:57,237 --> 00:54:01,445 - Your apple - I want to shoot "E.T." in continuity 998 00:54:01,445 --> 00:54:04,529 This gives the children context for the work they did that day, 999 00:54:04,529 --> 00:54:07,821 Because they know tomorrow tomorrow there will be a script 1000 00:54:07,821 --> 00:54:10,487 and yesterday yesterday in the script. 1001 00:54:10,487 --> 00:54:12,237 So, for young people, 1002 00:54:12,237 --> 00:54:15,654 This gives them real confidence that they are living 1003 00:54:15,654 --> 00:54:17,695 and they live the life of a story. 1004 00:54:17,695 --> 00:54:20,195 Now they put the machine on his chest, 1005 00:54:20,195 --> 00:54:23,529 and they will surprise him to try to make it come back. 1006 00:54:23,529 --> 00:54:25,779 And when they gave him a surprise, 1007 00:54:25,779 --> 00:54:29,612 it was very hard and it made you jump and cry even more. 1008 00:54:29,612 --> 00:54:31,320 They put it on his chest now, 1009 00:54:31,320 --> 00:54:34,654 and he press the button, and continue, "Pow!" 1010 00:54:34,654 --> 00:54:36,612 Are you okay, honey? 1011 00:54:36,612 --> 00:54:38,946 Huh? Are you okay? 1012 00:54:38,946 --> 00:54:41,862 Come see. Wipe your doll's face too. 1013 00:54:41,862 --> 00:54:44,195 Thank you. Thank you. 1014 00:54:44,195 --> 00:54:46,946 Good. Oh. 1015 00:54:46,946 --> 00:54:51,445 For years I wondered about the universal appeal of this film, 1016 00:54:51,445 --> 00:54:53,779 and one day, it hit me. 1017 00:54:53,779 --> 00:54:56,445 There are no two humans on Earth 1018 00:54:56,445 --> 00:54:58,695 who are far apart 1019 00:54:58,695 --> 00:55:02,029 than humans and that alien. 1020 00:55:02,029 --> 00:55:03,529 Come. 1021 00:55:07,737 --> 00:55:09,320 Stay. 1022 00:55:12,112 --> 00:55:14,278 And if Elliott, 1023 00:55:14,278 --> 00:55:16,862 and mother, and the little girl, 1024 00:55:16,862 --> 00:55:22,904 and scientists, all can love and empathize 1025 00:55:22,904 --> 00:55:25,320 and make the right approach 1026 00:55:25,320 --> 00:55:28,487 and the relationship with this creature, 1027 00:55:28,487 --> 00:55:32,029 So, there can also be two people on Earth, 1028 00:55:32,029 --> 00:55:36,946 and I think that is a subtext that is bubbling through movies 1029 00:55:36,946 --> 00:55:38,737 and definitely touched something, 1030 00:55:38,737 --> 00:55:40,737 because you didn't get many movies 1031 00:55:40,737 --> 00:55:43,946 that were loved and universally valued 1032 00:55:43,946 --> 00:55:45,779 40 years later. 1033 00:55:46,946 --> 00:55:49,112 And it's talking to something. 1034 00:55:49,112 --> 00:55:52,946 Some desires for can reach the limits 1035 00:55:52,946 --> 00:55:54,904 and touch others. 1036 00:55:56,821 --> 00:56:02,445 I'll be here. 1037 00:56:12,112 --> 00:56:14,862 See you 1038 00:56:14,862 --> 00:56:17,779 Leonardo DiCaprio: This is a very difficult balance as a director 1039 00:56:17,779 --> 00:56:21,904 to encourage young people < br /> do dramatic sequences, 1040 00:56:21,904 --> 00:56:25,487 because you clearly manipulate them for some capacity. 1041 00:56:28,904 --> 00:56:32,237 But Steven knows how to take them as directors 1042 00:56:32,237 --> 00:56:35,362 to some of these darker places 1043 00:56:35,362 --> 00:56:38,403 while handling them with child gloves. 1044 00:56:47,654 --> 00:56:50,153 AO Scott: Children in the Spielberg world 1045 00:56:50,153 --> 00:56:52,362 might be vulnerable, maybe not happy, 1046 00:56:52,362 --> 00:56:55,487 but they are also very... they are very strong 1047 00:56:55,487 --> 00:56:56,987 and they are heroic 1048 00:57:02,695 --> 00:57:04,737 I think all the films I have handled 1049 00:57:04,737 --> 00:57:06,445 with young people and their stories 1050 00:57:06,445 --> 00:57:09,862 are about the importance of empowering these children 1051 00:57:09,862 --> 00:57:12,112 to control the story, 1052 00:57:12,112 --> 00:57:13,821 at least control their lives. 1053 00:57:19,029 --> 00:57:22,237 Kathleen Kennedy: Steven intuitively sees the world 1054 00:57:22,237 --> 00:57:24,362 through an innocent lens, 1055 00:57:24,362 --> 00:57:26,904 and the children do it naturally. 1056 00:57:26,904 --> 00:57:30,362 So, it becomes a kind of go-to lens 1057 00:57:30,362 --> 00:57:33,987 that he wants to use for the story. 1058 00:57:33,987 --> 00:57:36,153 p> 1059 00:57:36,153 --> 00:57:39,029 George Negus: One of the most interesting things I've ever read about you 1060 00:57:39,029 --> 00:57:42,987 film and luck when he is still growing up. 1061 00:57:42,987 --> 00:57:44,695 He is truly a great child. " 1062 00:57:44,695 --> 00:57:47,112 Do you see yourself? Is that a reasonable comment? 1063 00:57:47,112 --> 00:57:48,343 I think that makes sense. 1064 00:57:48,344 --> 00:57:51,062 You must understand-- How do you define a big child? 1065 00:57:51,112 --> 00:57:54,029 A big child who is responsible, or just a child who is irresponsible? 1066 00:57:54,029 --> 00:57:56,695 Because I think you are /> must be responsible, 1067 00:57:56,695 --> 00:57:59,153 But you don't want to lose the child inside you, 1068 00:57:59,153 --> 00:58:01,112 because that's what makes you young, 1069 00:58:01,112 --> 00:58:03,153 and that's what keeps you in touch, 1070 00:58:03,153 --> 00:58:06,071 and keeps smiling on your face 1071 00:58:06,071 --> 00:58:07,862 I don't really know what 1072 00:58:07,862 --> 00:58:10,487 feels like being an adult 1073 00:58:12,737 --> 00:58:14,445 - Oh... - I... 1074 00:58:14,445 --> 00:58:15,403 God! 1075 00:58:19,029 --> 00:58:20,821 I feel my wheat 1076 00:58:20,821 --> 00:58:23,071 after both "jaws" and "Close Encounters." 1077 00:58:23,071 --> 00:58:25,904 So I thought, "I can do comedy." Why not? 1078 00:58:25,904 --> 00:58:29,071 If I do both films, why can't I do anything? 1079 00:58:29,071 --> 00:58:30,487 And I have a sense of humor. 1080 00:58:30,487 --> 00:58:32,487 I go to the movies and I laugh when they are funny. 1081 00:58:32,487 --> 00:58:34,529 Why not handle comedy? 1082 00:58:34,529 --> 00:58:37,570 I feel very immune at that time. 1083 00:58:37,570 --> 00:58:39,362 I guarantee 1084 00:58:39,362 --> 00:58:42,112 there will be no bombs dropped here. 1085 00:58:42,112 --> 00:58:43,862 Bob Zemeckis and Bob Gale wrote the script, 1086 00:58:43,862 --> 00:58:45,278 and it is slim and evil. 1087 00:58:45,278 --> 00:58:47,237 I am the one who unfurled humor 1088 00:58:47,237 --> 00:58:50,904 and budget until the break point. 1089 00:58:50,904 --> 00:58:54,779 For me, that was the reason for just blowing a lump of nonsense 1090 00:58:54,779 --> 00:58:57,987 and trying to make the audience laugh . 1091 00:58:57,987 --> 00:59:01,695 But like I did a crime war by making "1941." 1092 00:59:01,695 --> 00:59:03,904 Everyone messed it up. 1093 00:59:03,904 --> 00:59:06,946 I was completely destroyed. 1094 00:59:06,946 --> 00:59:10,821 Just the feeling of failure, the cold emptiness, 1095 00:59:10,821 --> 00:59:12,779 where every movie reminder, 1096 00:59:12,779 --> 00:59:14,946 you get the feeling hurt in the middle of your stomach, 1097 00:59:14,946 --> 00:59:18,278 and you just want to dig a hole and put a head in it. 1098 00:59:18,278 --> 00:59:22,278 I mean, for next year, I put my head in many holes. 1099 00:59:22,278 --> 00:59:25,445 And my friend George Lucas came to save him. 1100 00:59:34,946 --> 00:59:37,153 George said, "What did you do next?" 1101 00:59:37,153 --> 00:59:40,362 And Steven said that he really > want to do a James Bond movie. 1102 00:59:40,362 --> 00:59:42,862 And George said, "I have something much better than James Bond." 1103 00:59:42,862 --> 00:59:44,570 It's about an archaeologist 1104 00:59:44,570 --> 00:59:46,695 and he went hunting for supernatural artifacts. 1105 00:59:46,695 --> 00:59:48,779 And Steven said, "I like it. 1106 00:59:48,779 --> 00:59:50,362 Let's do it." 1107 00:59:50,362 --> 00:59:53,487 He is not stock, standard hero. 1108 00:59:53,487 --> 00:59:55,654 He is not one of "just adding water" 1109 00:59:55,654 --> 00:59:57,987 and he will grow into the hero of your dreams. 1110 00:59:57,987 --> 01:00:00,029 There are humans under all that. 1111 01:00:00,029 --> 01:00:03,237 That's what made Indiana Jones accessible to the public. 1112 01:00:03,237 --> 01:00:06,612 - I thought they were trying to kill us. - I know, Dad ! 1113 01:00:06,612 --> 01:00:09,029 Well, this is a new experience for me. 1114 01:00:09,029 --> 01:00:11,821 It happened to me all the time. 1115 01:00:27,737 --> 01:00:31,029 This is an action-adventure movie where each reel is cliffhanger. 1116 01:00:31,029 --> 01:00:34,029 Only pure escape entertainment. 1117 01:00:36,237 --> 01:00:38,862 It will be an all-out "B" movie, 1118 01:00:38,862 --> 01:00:42,529 and the film "B" is fun because
they don't take it seriously. 1119 01:00:42,529 --> 01:00:44,029 you do it fast. You do it dirty 1120 01:00:44,029 --> 01:00:45,862 you cheat everything you might be able to 1121 01:00:45,862 --> 01:00:47,445 to save money as much as possible, 1122 01:00:47,445 --> 01:00:49,071 > 1123 01:00:49,071 --> 01:00:50,987 and you don't worry about the fact 1124 01:01:01,654 --> 01:01:04,278 that it won't be "Lawrence of Arabia." 1125 01:01:04,278 --> 01:01:07,237 We take it to the studio, and what what I didn't realize 1126 01:01:07,237 --> 01:01:10,029 was that Steven did not have a great reputation, 1127 01:01:10,029 --> 01:01:13,029 because he always passed budgets and schedules. 1128 01:01:13,029 --> 01:01:15,737 So , every studio says no. 1129 01:01:15,737 --> 01:01:19,529 And some of them even said, "you know, if you can get a different director, 1130 01:01:19,529 --> 01:01:23,071 we will do it, but Steven doesn't can make the film for $ 20 million. " 1131 01:01:23,071 --> 01:01:25,487 If it's $ 20 million, we will make $ 20 million. " 1132 01:01:25,487 --> 01:01:28,071 My experience at three costs is great, 1133 01:01:28,071 --> 01:01:29,737 " Jaws, "" Close Encounters, "" & apos; 41, " 1134 01:01:29,737 --> 01:01:31,529 Teach me how to be more economical 1135 01:01:31,529 --> 01:01:34,112 and profitable "Raiders" immeasurably. 1136 01:01:34,112 --> 01:01:37,278 He has something to prove, but he also doesn't want to disappoint me, his friend. 1137 01:01:37,278 --> 01:01:40,529 you know, it's like, it's not a studio, it's us. 1138 01:01:40,529 --> 01:01:43,862 Friday night. If we don't get this , we don't get the shot. 1139 01:01:43,862 --> 01:01:46,904 If we don't get an injection, we don't get the film. 1140 01:01:46,904 --> 01:01:49,821 If they don't get the movie, we all go down the creek. 1141 01:01:49,821 --> 01:01:51,612 George said, "Look, if you direct this, 1142 01:01:51,612 --> 01:01:53,320 you have to shake hands me now and promise 1143 01:01:53,320 --> 01:01:55,946 If it's a big blow, you have to direct two more. " 1144 01:01:55,946 --> 01:01:58,112 And that is great collaboration. 1145 01:01:58,112 --> 01:01:59,695 Father! 1146 01:01:59,695 --> 01:02:01,071 - What? What? - Father! 1147 01:02:01,071 --> 01:02:02,320 - Father! - What? 1148 01:02:02,320 --> 01:02:04,487 - Head for fireplace - Oh. 1149 01:02:04,487 --> 01:02:08,278 Harrison Ford: "Indiana Jones" movie is always more about movies 1150 01:02:08,278 --> 01:02:10,112 than about anything else. 1151 01:02:10,112 --> 01:02:12,987 They follow certain film formulas, 1152 01:02:12,987 --> 01:02:15,946 which frees them to do silly things. 1153 01:02:24,153 --> 01:02:26,654 Tom Stoppard: There is something I admire 1154 01:02:26,654 --> 01:02:28,237 on "Indiana Jones." 1155 01:02:28,237 --> 01:02:30,362 When Harrison fell off the cliff 1156 01:02:30,362 --> 01:02:33,862 and his friends thought he had died and they peeked down, 1157 01:02:33,862 --> 01:02:36,445 and Harrison appeared without his hat, 1158 01:02:36,445 --> 01:02:39,862 because he had fallen from the cliff, for God's sake, 1159 01:02:39,862 --> 01:02:44,320 and the mysterious wind blew the hat into the frame. 1160 01:02:44,320 --> 01:02:47,904 These films were clearly made for the audience. 1161 01:02:47,904 --> 01:02:49,946 They were made for filmgoer. 1162 01:02:49,946 --> 01:02:52,987 They were made for filmgoer. 1163 01:02:52,987 --> 01:02:56,112

1164 01:02:56,112 --> 01:02:59,570 They are meant for pure entertainment pleasure. 1165 01:03:06,487 --> 01:03:11,320 Which does not mean that they cannot be emotionally involved, 1166 01:03:11,320 --> 01:03:13,570 which does not mean they are not can be smart from time to time. 1167 01:03:13,570 --> 01:03:17,153 But they have to satisfy entertainment. 1168 01:03:17,153 --> 01:03:19,529 And Steven and George already know 1169 01:03:19,529 --> 01:03:23,029 how use the filmmaking machine 1170 01:03:25,029 --> 01:03:27,278 to satisfy the audience in a certain way 1171 01:03:27,278 --> 01:03:29,821 not so many directors or producers. 1172 01:03:29,821 --> 01:03:33,195 Hugh Downs: In the history of century long motion this, 1173 01:03:33,195 --> 01:03:35,195 there has been one director, one, 1174 01:03:35,195 --> 01:03:37,362 Walter Parkes: Steven is the most commercial director 1175 01:03:37,362 --> 01:03:39,112 in film history, 1176 01:03:39,112 --> 01:03:41,529 and I think it's because he has deep understanding 1177 01:03:41,529 --> 01:03:43,445 how the language of cinema 1178 01:03:43,445 --> 01:03:45,904 causes an emotional reaction to the audience. 1179 01:03:45,904 --> 01:03:50,737 And there is no question that the idea making films is a phenomenon 1180 01:03:50,737 --> 01:03:53,029 very exciting for Steven. 1181 01:03:53,029 --> 01:03:54,987 But it brings a lot of mixed results. 1182 01:03:54,987 --> 01:03:56,529 There are people who hate it, 1183 01:03:56,529 --> 01:03:58,862 people who blame it for damaging film. 1184 01:03:58,862 --> 01:04:01,403 William Goldman has written specifically 1185 01:04:01,403 --> 01:04:03,071 that it is blockbuster and Steven 1186 01:04:03,071 --> 01:04:05,403 and George Lucas has destroyed Hollywood. 1187 01:04:05,403 --> 01:04:08,362 Some people see Spielberg as a repressive force, 1188 01:04:08,362 --> 01:04:12,029 that he brought some sort of empty escape 1189 01:04:12,029 --> 01:04:14,821 that will bring the film in the other direction. 1190 01:04:14,821 --> 01:04:17,071 And of course with marketing executives 1191 01:04:17,071 --> 01:04:19,529 who moved to the studio 1192 01:04:19,529 --> 01:04:21,737 in the late 70s and early 80s, 1193 01:04:21,737 --> 01:04:25,153 It is clear that what they see is a dollar sign. 1194 01:04:25,153 --> 01:04:27,320 But I will not blame Spielberg for that. 1195 01:04:27,320 --> 01:04:29,862 Return to the first review by Pauline Kael. 1196 01:04:29,862 --> 01:04:32,570 He says he is a great popular entertainer, 1197 01:04:32,570 --> 01:04:36,029 that he feels what the audience wants to see. 1198 01:04:36,029 --> 01:04:38,195 Why are there people who apologize for that? 1199 01:04:38,195 --> 01:04:39,654 Let me make you react to something 1200 01:04:39,654 --> 01:04:41,946 said by one of your partners, another director. 1201 01:04:41,946 --> 01:04:43,695 "Steven Spielberg can't be compared 1202 01:04:43,695 --> 01:04:46,403 with people like Mike Nichols and Barry Levinson. 1203 01:04:46,403 --> 01:04:48,987 There's a place for mass entertainment, 1204 01:04:48,987 --> 01:04:50,862 But don't be confused 1205 01:04:50,862 --> 01:04:55,403 with art or quality, making award-winning films. " 1206 01:04:55,403 --> 01:04:58,029 Sometimes I think that such statements 1207 01:04:58,029 --> 01:04:59,987 are arrogant in themselves, 1208 01:04:59,987 --> 01:05:02,570 because that kind of says that, you know, 1209 01:05:02,570 --> 01:05:06,237 p> 1210 01:05:06,237 --> 01:05:11,112 art is serious and art can't - can't move you 1211 01:05:11,112 --> 01:05:12,821 Art can't be on a bike with ET and fly across the moon, 1212 01:05:12,821 --> 01:05:15,320 that it's not art. 1213 01:05:15,320 --> 01:05:17,779 If you make this type of film 1214 01:05:17,779 --> 01:05:20,278 that makes the type of money that the movie does, 1215 01:05:20,278 --> 01:05:22,946 and if you make it entertainment franchises 1216 01:05:22,946 --> 01:05:26,112 or just something that appeals to many people 1217 01:05:26,112 --> 01:05:30,403 and unapologetically mainstream entertainment, 1218 01:05:30,403 --> 01:05:33,987 then there is little , I think, suspicion. 1219 01:05:33,987 --> 01:05:36,821 Come on, kid, because I am waiting for you. 1220 01:05:42,071 --> 01:05:45,153 You cut me and I will kill you. 1221 01:05:45,153 --> 01:05:49,403 I am looking for a perception that is different from myself alone. 1222 01:05:49,403 --> 01:05:51,278 And if I don't want to consciously 1223 01:05:51,278 --> 01:05:53,445 make a departure and prove something, 1224 01:05:53,445 --> 01:05:55,821 not only for myself but for others, 1225 01:05:55,821 --> 01:05:58,695 I might not choose "Color Purple" as the next movie. 1226 01:05:58,695 --> 01:06:01,112 But it's my first movie that is really mature, 1227 01:06:01,112 --> 01:06:05,570 that takes, you know, substantive, humanistic subject matter. 1228 01:06:05,570 --> 01:06:09,695 I'm 40 years old and I see life may be less optimistic. 1229 01:06:09,695 --> 01:06:12,153 So, I know this will be > a very serious trip, 1230 01:06:12,153 --> 01:06:13,987 and I am willing to accept it. 1231 01:06:13,987 --> 01:06:17,029 All my life I have to fight. 1232 01:06:17,029 --> 01:06:21,029 I have to fight my father, I have to fight my uncle, 1233 01:06:21,029 --> 01:06:23,612 I have to fight my brothers. 1234 01:06:23,612 --> 01:06:26,612 A girl is not safe in family, 1235 01:06:26,612 --> 01:06:30,695 But I never thought I had to fight in my own house! 1236 01:06:32,153 --> 01:06:34,779 I loved Harpo. 1237 01:06:34,779 --> 01:06:37,821 God knew I loved it, 1238 01:06:37,821 --> 01:06:42,612 but I will kill him dead before I let him beat me. 1239 01:06:42,612 --> 01:06:45,821 Oprah Winfrey: For Steven to take this material too 1240 01:06:45,821 --> 01:06:47,737 is a very big problem, 1241 01:06:47,737 --> 01:06:49,737 because you play around in some areas 1242 01:06:49,737 --> 01:06:52,821 Where if wrong, then many people are upset. 1243 01:06:52,821 --> 01:06:56,695 He wants creating not only the world-view of African-Americans, 1244 01:06:56,695 --> 01:06:59,654 but the matriarchal world 1245 01:06:59,654 --> 01:07:04,737 in the face of repression patriarchy and violence. 1246 01:07:04,737 --> 01:07:07,071 And I truly believe that he wants it 1247 01:07:07,071 --> 01:07:10,278 to stretch himself with the way he had never done before. 1248 01:07:10,278 --> 01:07:12,612 And he did push himself, 1249 01:07:12,612 --> 01:07:15,570 but he won't force himself too far before - 1250 01:07:15,570 --> 01:07:18,862 the audience or maybe his own, 1251 01:07:18,862 --> 01:07:20,862 you know, the core of inclination. 1252 01:07:20,862 --> 01:07:22,946 He never asked me how I felt. 1253 01:07:22,946 --> 01:07:26,445 Never asked anything about myself. 1254 01:07:26,445 --> 01:07:29,445 Wait above me,
do business. 1255 01:07:29,445 --> 01:07:32,487 "Doing business"? Is she bu - 1256 01:07:32,487 --> 01:07:34,362 why, Miss Celie, you sound like 1257 01:07:34,362 --> 01:07:38,071 she went to toilet to you 1258 01:07:38,071 --> 01:07:39,862 That's how it feels. 1259 01:07:39,862 --> 01:07:42,112 I have a problem with some critics 1260 01:07:42,112 --> 01:07:44,320 I don't like that I avoid 1261 01:07:44,320 --> 01:07:46,695 From the love story between Shug and Celie. 1262 01:07:46,695 --> 01:07:51,403 And the scene where Avery's Shug shows Celie, with a mirror, her vagina, 1263 01:07:51,403 --> 01:07:54,695 that doesn't enter into the film, 1264 01:07:54,695 --> 01:07:56,612 that definitely really changed 1265 01:07:56,612 --> 01:08:00,821 the whole nature and tone of the film. 1266 01:08:00,821 --> 01:08:04,445 I just didn't go for the full monty of books that. 1267 01:08:04,445 --> 01:08:08,737 I might have done that if I made a movie 10 years later. 1268 01:08:08,737 --> 01:08:11,529 I'm just shy. I'm a little embarrassed. 1269 01:08:11,529 --> 01:08:13,654 I'm not the right person to do that. 1270 01:08:15,821 --> 01:08:19,362 Steven tells the story Alice wrote, 1271 01:08:19,362 --> 01:08:22,487 and he tried to access it 1272 01:08:22,487 --> 01:08:25,737 from his personal point of view. 1273 01:08:25,737 --> 01:08:29,862 He can never go to where Alice goes with the book. 1274 01:08:43,654 --> 01:08:47,904 Maslin: That book is appreciated because nonsense and realism, 1275 01:08:47,904 --> 01:08:51,987 and none of the quality he knew. 1276 01:08:51,987 --> 01:08:56,362 He only asked him with even approaching the incident. 1277 01:08:56,362 --> 01:08:58,862 Nothing really want Steven Spielberg 1278 01:08:58,862 --> 01:09:00,695 to become a sandy filmmaker. 1279 01:09:00,695 --> 01:09:02,529 That's not his sensitivity. 1280 01:09:02,529 --> 01:09:05,612 But with "The Color Purple," the right color, 1281 01:09:05,612 --> 01:09:08,029 the settings have been built from the bottom up 1282 01:09:08,029 --> 01:09:10,112 according to the specifications. 1283 01:09:10,112 --> 01:09:15,987 Something is very wrong and looks like Disney's storyboard 1284 01:09:15,987 --> 01:09:17,904 about the film 1285 01:09:17,904 --> 01:09:20,195 you know, he wants to make a prettier picture 1286 01:09:20,195 --> 01:09:22,362 than is intended in the text. 1287 01:09:22,362 --> 01:09:23,570 That is Steven. 1288 01:09:23,570 --> 01:09:25,737 He wants to make everything like that. 1289 01:09:25,737 --> 01:09:27,904 He wants to make life like that. 1290 01:09:32,946 --> 01:09:34,403 I have a baby on the road, 1291 01:09:34,403 --> 01:09:37,071 and that child will change my life. 1292 01:09:37,071 --> 01:09:40,237 - Already have, by the way. - Are you nervous or anything? 1293 01:09:40,237 --> 01:09:41,821 I am not nervous, no. 1294 01:09:41,821 --> 01:09:43,654 I just thought it was the best thing 1295 01:09:43,654 --> 01:09:46,362 It happened to me and Amy. 1296 01:09:46,362 --> 01:09:48,071 We really can't wait for this. 1297 01:09:51,487 --> 01:09:53,737 I think Amy's fate and I 1298 01:09:53,737 --> 01:09:55,821 are to bring Max to the world, 1299 01:09:55,821 --> 01:09:59,612 which is a beautiful thing. 1300 01:09:59,612 --> 01:10:03,946 Before that, I didn't sure I know what personal life is. 1301 01:10:03,946 --> 01:10:06,779 I think life starts 1302 01:10:06,779 --> 01:10:10,278 with, you know, "Action!" 1303 01:10:10,278 --> 01:10:11,445 And then, " Cut! " 1304 01:10:13,403 --> 01:10:15,195 After my father broke up, 1305 01:10:15,195 --> 01:10:17,403 I always thought that I would do my best 1306 01:10:17,403 --> 01:10:19,570 that if I ever decided someday to married, 1307 01:10:19,570 --> 01:10:21,071 I will not divorce. 1308 01:10:21,071 --> 01:10:22,612 And then, of course, I did. 1309 01:10:27,821 --> 01:10:31,237 Divorce in any situation hurts. 1310 01:10:31,237 --> 01:10:34,195 And this hurts me a lot 1311 01:10:34,195 --> 01:10:37,612 because I'm a divorce child 1312 01:10:37,612 --> 01:10:39,278 because I'm a divorce child 1313 01:10:39,278 --> 01:10:42,487 p> 1314 01:10:42,487 --> 01:10:45,029 and I know what it's like 1315 01:10:50,403 --> 01:10:53,987 - Jamie: my plane - Jamie! Jamie! 1316 01:10:57,821 --> 01:10:58,987 Mother? 1317 01:11:01,112 --> 01:11:02,987 - Mother? - Frank Marshall: "Empire of the Sun" 1318 01:11:02,987 --> 01:11:05,654 about this young man growing in Shanghai 1319 01:11:05,654 --> 01:11:07,654 which was separated from his parents 1320 01:11:07,654 --> 01:11:09,821 during the Japanese invasion. 1321 01:11:09,821 --> 01:11:11,403 Mama! 1322 01:11:11,403 --> 01:11:13,570 - Jamie! - Mother! 1323 01:11:13,570 --> 01:11:16,862 And he experienced an extraordinary transformation 1324 01:11:16,862 --> 01:11:20,320 and the process of growth. 1325 01:11:20,320 --> 01:11:22,821 That is playing on what I know is my power, 1326 01:11:22,821 --> 01:11:26,403 is able to take on the reality of a dark and gloomy war 1327 01:11:26,403 --> 01:11:28,570 and put it with a child's approach 1328 01:11:28,570 --> 01:11:31,821 By the way this special child sees the war. 1329 01:11:40,237 --> 01:11:41,946 > 1330 01:11:41,946 --> 01:11:43,320 That's based on the experience 1331 01:11:43,320 --> 01:11:45,862 that JG Ballard has a 1332 01:11:49,029 --> 01:11:51,862 in a Japanese exile camp. 1333 01:11:51,862 --> 01:11:53,862 Jim is a lost boy who tries to find out 1334 01:11:56,029 --> 01:11:58,445 where he is in this world. p> 1335 01:11:58,445 --> 01:12:01,278 This is a movie about growing too fast 1336 01:12:01,278 --> 01:12:02,904 and leaving all you have ever used 1337 01:12:06,570 --> 01:12:09,320 to keep yourself safe 1338 01:12:09,320 --> 01:12:11,403 > 1339 01:12:11,403 --> 01:12:13,278 If you don't have anything to keep yourself safe, 1340 01:12:14,946 --> 01:12:16,654 you become a survivor like everyone else, 1341 01:12:16,654 --> 01:12:19,071 and you grow very fast. 1342 01:12:19,071 --> 01:12:21,112 this extraordinary congratulations 1343 01:12:21,112 --> 01:12:23,821 who managed to have more perseverance on him 1344 01:12:23,821 --> 01:12:27,779 than, really, people around him. 1345 01:12:32,821 --> 01:12:36,695 This is a great tradition epic filmmaking. 1346 01:12:36,695 --> 01:12:40,362 The sports stadium is in the end of all things, 1347 01:12:40,362 --> 01:12:42,570 all items that have been stolen there, 1348 01:12:42,570 --> 01:12:45,278 surrealism 1349 01:12:45,278 --> 01:12:50,278 and what makes you feel at that time and place, 1350 01:12:50,278 --> 01:12:51,654 what this world feels like, 1351 01:12:51,654 --> 01:12:55,153 how it's destroyed messy, all civilizations. 1352 01:13:11,695 --> 01:13:16,237 And then, something that even is more disturbing to its beauty, 1353 01:13:16,237 --> 01:13:19,320 and that is light from the atomic bomb. 1354 01:13:24,195 --> 01:13:27,654 It's like a soul that goes beyond other lives. 1355 01:13:29,071 --> 01:13:31,737 Mrs. Victor. 1356 01:13:31,737 --> 01:13:37,195 This is very poetic and... mystical. 1357 01:13:47,654 --> 01:13:49,320 This is war 1358 01:13:49,320 --> 01:13:53,570 and that is real death and horror. 1359 01:13:53,570 --> 01:13:55,987 And that is like the end of innocence 1360 01:13:55,987 --> 01:13:58,320 for Spielberg's child 1361 01:14:00,612 --> 01:14:03,153 I think that is a true film - really great, 1362 01:14:03,153 --> 01:14:05,487 But, for me, it's finally shaded 1363 01:14:05,487 --> 01:14:10,737 into tenderness or unnecessary sentimentality. 1364 01:14:10,737 --> 01:14:12,612 I don't know where it came from , 1365 01:14:12,612 --> 01:14:15,612 But he likes and enjoys sentiment. 1366 01:14:15,612 --> 01:14:17,029 This is part of him. 1367 01:14:26,654 --> 01:14:29,195 At that time, he was not stopped, to be exact, 1368 01:14:29,195 --> 01:14:31,821 by many critics, but a bit skeptical. 1369 01:14:31,821 --> 01:14:33,195 "Oh, he wants to be serious now. 1370 01:14:33,195 --> 01:14:34,862 Oh, he's trying to make a serious film . 1371 01:14:34,862 --> 01:14:37,153 Oh, now he wants it "- which, I mean - 1372 01:14:37,153 --> 01:14:40,737 This is some kind of bad thing 1373 01:14:40,737 --> 01:14:42,362 to say about any artist 1374 01:14:42,362 --> 01:14:44,779 That definitely hurts her feelings. 1375 01:14:44,779 --> 01:14:46,403 I don't think anyone as an artist 1376 01:14:46,403 --> 01:14:49,029 wants to feel like they are being pigeonholed 1377 01:14:49,029 --> 01:14:52,904 in a way that people others determine who they are. 1378 01:14:52,904 --> 01:14:55,320 And when Steven starts exploring 1379 01:14:55,320 --> 01:14:57,779 other types of stories that are more serious, 1380 01:14:57,779 --> 01:15:00,654 They are very reluctant let it do that. 1381 01:15:00,654 --> 01:15:03,195 It's like, "How dare you, Steven Spielberg? 1382 01:15:03,195 --> 01:15:05,737 We have determined that you make this kind of film, 1383 01:15:05,737 --> 01:15:08,779 So why did you suddenly try to make this? " 1384 01:15:08,779 --> 01:15:10,946 He's not too intellectual, 1385 01:15:10,946 --> 01:15:15,071 But maybe as a filmmaker, Steven use those films 1386 01:15:15,071 --> 01:15:17,612 like stepping stones along the way. 1387 01:15:17,612 --> 01:15:20,153 He doesn't know where he is headed, 1388 01:15:20,153 --> 01:15:23,570 but I think he trains the muscles, by the way, 1389 01:15:23,570 --> 01:15:26,362 To find out that he can go there, 1390 01:15:26,362 --> 01:15:28,362 it's okay 1391 01:15:40,946 --> 01:15:43,821 My memories were first - I was on a stroller. 1392 01:15:43,821 --> 01:15:45,529 I only remember being moved somewhere, 1393 01:15:45,529 --> 01:15:49,029 and grandmother and grandfather me with me. 1394 01:15:51,612 --> 01:15:55,112 We go to this basement. 1395 01:15:55,112 --> 01:15:58,654 There is a red light above a set of doors. 1396 01:16:01,654 --> 01:16:03,529 And I only remember get closer 1397 01:16:03,529 --> 01:16:06,237 to this red light where all these parents - 1398 01:16:06,237 --> 01:16:10,987 only men are chanting something. 1399 01:16:10,987 --> 01:16:14,029 And the red light is Eternal Light, Ner Tamid, 1400 01:16:14,029 --> 01:16:16,862 and that is my first memory. 1401 01:16:19,695 --> 01:16:22,904 - Do you believe in God? - Yes. 1402 01:16:22,904 --> 01:16:24,987 Tell me about that Where not? 1403 01:16:24,987 --> 01:16:27,362 It came from me - 1404 01:16:27,362 --> 01:16:31,029 you know, spiritually I - not even spiritual, 1405 01:16:31,029 --> 01:16:33,946 my religious roots and family. 1406 01:16:37,195 --> 01:16:40,904 All my grandparents have very influential strong against me. 1407 01:16:40,904 --> 01:16:43,278 My grandfather, Fievel, plays guitar 1408 01:16:43,278 --> 01:16:45,570 and he sings all Yiddish Russian songs. 1409 01:16:45,570 --> 01:16:47,487 And my grandmother, Jennie, 1410 01:16:47,487 --> 01:16:50,445 teach English to victims Hungarian Holocaust congratulations. 1411 01:16:54,821 --> 01:16:57,904 We are Orthodox. I grew up Orthodox. 1412 01:16:57,904 --> 01:17:00,987 And traditions have become a big part my family, 1413 01:17:00,987 --> 01:17:02,946 and religious studies, and Hebrew school, 1414 01:17:02,946 --> 01:17:07,153 and bar mitzvah, and the bat mitzvah for my sister. 1415 01:17:07,153 --> 01:17:10,195 But we always live in an environment where there are no Jews. 1416 01:17:10,195 --> 01:17:13,904 And there are real cultural differences in those days 1417 01:17:13,904 --> 01:17:16,153 between Jews and non-people Jewish, 1418 01:17:16,153 --> 01:17:18,320 real cultural splits. 1419 01:17:18,320 --> 01:17:19,946 I remember that at one point, 1420 01:17:19,946 --> 01:17:23,529 Children stood outside and sang 1421 01:17:23,529 --> 01:17:25,946 "Spielberg was a dirty Jew " 1422 01:17:25,946 --> 01:17:29,237 I must have been excluded 1423 01:17:29,237 --> 01:17:32,362 and was appointed and discriminated against. 1424 01:17:32,362 --> 01:17:34,195 What I want to do is adjust myself. 1425 01:17:34,195 --> 01:17:37,862 And by being Jewish, it is impossible I can adjust to anything. 1426 01:17:37,862 --> 01:17:40,529 My grandfather will come to spend a week with us, 1427 01:17:40,529 --> 01:17:43,237 and I'll play on the page in front of the seven houses below, 1428 01:17:43,237 --> 01:17:45,071 and my grandfather will stand up on our front porch 1429 01:17:45,071 --> 01:17:47,278 and shout my Hebrew name, "Shmuel ! " 1430 01:17:47,278 --> 01:17:49,320 Seberas maybe," Shmuel! " 1431 01:17:49,320 --> 01:17:50,981 And all my friends will say, 1432 01:17:50,982 --> 01:17:53,389 " Did he talk to you? That's your house. " 1433 01:17:53,445 --> 01:17:56,112 And I immediately denied that it was me. 1434 01:17:56,112 --> 01:17:58,946 "No, he definitely called someone else." 1435 01:17:58,946 --> 01:18:00,779 "What is your name Shmuel?" 1436 01:18:00,779 --> 01:18:02,320 And all my friends start to laugh. 1437 01:18:02,320 --> 01:18:04,029 "Shmuel, is that Shmuel?" 1438 01:18:04,029 --> 01:18:05,320 And in the meantime, in the background, 1439 01:18:05,320 --> 01:18:07,112 you can hear my grandfather's shout 1440 01:18:07,112 --> 01:18:09,445 with a Russian accent, "Shmuel!" 1441 01:18:09,445 --> 01:18:11,320 Steve doesn't want to be a Jew. 1442 01:18:11,320 --> 01:18:13,362 He doesn't want to be a person > Jews because it makes us 1443 01:18:13,362 --> 01:18:15,071 too different from everyone 1444 01:18:15,071 --> 01:18:17,821 And the "Pastor Knows Best" family 1445 01:18:17,821 --> 01:18:20,029 is a family that assimilates. 1446 01:18:20,029 --> 01:18:22,654 And I think he missed her so much. 1447 01:18:22,654 --> 01:18:27,445 I started to deny my Jewish religion, 1448 01:18:27,445 --> 01:18:29,570 you know, started to deny 1449 01:18:29,570 --> 01:18:32,278 everything that I receive as a child 1450 01:18:32,278 --> 01:18:33,821 and don't want to accept 1451 01:18:33,821 --> 01:18:36,278 if it will make me a pariah 1452 01:18:36,278 --> 01:18:38,029 I am ashamed of myself. 1453 01:18:38,029 --> 01:18:41,237 I still feel ashamed of myself 1454 01:18:41,237 --> 01:18:45,946 I still feel ashamed of myself 1455 01:18:45,946 --> 01:18:49,445 p> 1456 01:18:53,445 --> 01:18:55,403 even remembers a long stretch of my life 1457 01:18:55,403 --> 01:18:57,779 where I don't want to become a Jew anymore. 1458 01:18:57,779 --> 01:18:59,071 When I first met Kate, 1459 01:18:59,071 --> 01:19:04,153 > 1460 01:19:04,153 --> 01:19:07,153 something that only happened in theaters 1461 01:19:07,153 --> 01:19:08,821 happened to me. 1462 01:19:08,821 --> 01:19:11,403 This is a terrible cliché, but the bell starts ringing. 1463 01:19:11,403 --> 01:19:13,737 Love at first sight. That's right 1464 01:19:13,737 --> 01:19:16,487 There's something there 1465 01:19:16,487 --> 01:19:18,570 so both of them are confident about Katie 1466 01:19:18,570 --> 01:19:20,821 and convince me. 1467 01:19:30,320 --> 01:19:33,362 There is a kind of in-syncness. 1468 01:19:33,362 --> 01:19:35,654 with the appeal in the tradition of 1469 01:19:35,654 --> 01:19:38,029 and the depth of history of Judaism. 1470 01:19:38,029 --> 01:19:40,654 And he really wanted to marry me as a Jew. 1471 01:19:40,654 --> 01:19:43,904 So, he turned to religion Jews before we got married. 1472 01:19:43,904 --> 01:19:46,362 Sue: He said he always felt like going home. 1473 01:19:46,362 --> 01:19:48,862 He always feel this is the place. 1474 01:19:48,862 --> 01:19:51,570 So when he studied Judaism and entered it, 1475 01:19:51,570 --> 01:19:54,737 brought Steve back to appreciate it 1476 01:19:54,737 --> 01:19:56,779 Kate brought something to Steven 1477 01:19:56,779 --> 01:20:00,029 that I didn't think Steven believed he could have it. 1478 01:20:00,029 --> 01:20:03,821 He was very dedicated to family idea 1479 01:20:03,821 --> 01:20:07,071 In that case, you know, the purest essence 1480 01:20:07,071 --> 01:20:09,946 that doesn't just bring it, 1481 01:20:09,946 --> 01:20:12,695 I think, a happiness which he never thought of , 1482 01:20:12,695 --> 01:20:15,362 but I suspect it contributes 1483 01:20:15,362 --> 01:20:17,487 to its growth as an artist. 1484 01:20:29,403 --> 01:20:31,779 In 1982, Sid Sheinberg gave me this book 1485 01:20:31,779 --> 01:20:33,695 that is the book "Schindler list "to read. 1486 01:20:33,695 --> 01:20:36,445 He felt my destiny made this film. 1487 01:20:36,445 --> 01:20:38,237 He tried hard to get me 1488 01:20:38,237 --> 01:20:40,862 to pay attention to it, < br /> don't give up. 1489 01:20:40,862 --> 01:20:44,654 I think he was intimidated 1490 01:20:44,654 --> 01:20:47,904 with the thought of making it. 1491 01:20:47,904 --> 01:20:50,570 He has this book for more than 10 years 1492 01:20:50,570 --> 01:20:52,737 before he is ready to do it. 1493 01:20:52,737 --> 01:20:55,112 And he just says, "I will know when it's time." 1494 01:20:55,112 --> 01:20:56,529 you know, if anything push it there, 1495 01:20:56,529 --> 01:20:57,987 "I will know when it's time." 1496 01:20:59,695 --> 01:21:01,237 And then the time comes. 1497 01:21:07,112 --> 01:21:11,987 Liam Neeson: On my first day, we outside the gate of Auschwitz. 1498 01:21:11,987 --> 01:21:16,112 At 5:30 a.m., bitter, very cold. 1499 01:21:16,112 --> 01:21:18,487 And hundreds of extra 1500 01:21:18,487 --> 01:21:21,612 wearing those horrible pajamas 1501 01:21:21,612 --> 01:21:23,570 and German guards 1502 01:21:23,570 --> 01:21:27,278 and the real Alsatian dogs, real evil dogs. 1503 01:21:31,487 --> 01:21:33,612 No! No! 1504 01:21:33,612 --> 01:21:36,529 No one can prepare me for my first visit to Auschwitz. 1505 01:21:36,529 --> 01:21:38,112 Nobody prepared me for that. 1506 01:21:40,529 --> 01:21:43,278 I want shoot where the story actually happened, 1507 01:21:43,278 --> 01:21:46,612 all the actual locations, 1508 01:21:46,612 --> 01:21:48,612 But that's when I realized that I went to Poland 1509 01:21:48,612 --> 01:21:51,237 for the first time I played fire. 1510 01:21:51,237 --> 01:21:52,695 It was terrible. 1511 01:21:52,695 --> 01:21:55,278 He was like someone whose skin was torn. 1512 01:21:55,278 --> 01:21:57,570 He was very vulnerable, 1513 01:21:57,570 --> 01:21:59,904 pacing all the time. 1514 01:21:59,904 --> 01:22:01,529 I know how important 1515 01:22:01,529 --> 01:22:04,403 This subject and this film is for him. 1516 01:22:13,570 --> 01:22:17,570 He tells a story of about his family, his tribe, 1517 01:22:17,570 --> 01:22:22,153 so I'm aware of 1518 01:22:22,153 --> 01:22:24,570 > the weight of the subject matter. 1519 01:22:24,570 --> 01:22:28,403 I told the crew, "This is not a documentary, 1520 01:22:28,403 --> 01:22:30,362 But we document the things that actually happened 1521 01:22:30,362 --> 01:22:35,112 where you stand right now. " 1522 01:22:35,112 --> 01:22:38,695 And I say too, you know, " We who are Jews, 1523 01:22:38,695 --> 01:22:41,821 You know, never can stand here, 1524 01:22:45,862 --> 01:22:48,362 you know, in 1943. " 1525 01:22:48,362 --> 01:22:52,153 I know this can't be just another movie 1526 01:22:52,153 --> 01:22:53,779 and it's impossible for anything I've done before. 1527 01:22:53,779 --> 01:22:55,862 I have to approach the material 1528 01:22:55,862 --> 01:22:58,362 and I have to approach the location 1529 01:22:58,362 --> 01:23:03,362 and I have to make this very quiet and lonely production. 1530 01:23:03,362 --> 01:23:06,029 We shoot at the ground holy and holy. 1531 01:23:08,904 --> 01:23:10,487 Wherever we shoot Kraków 1532 01:23:10,487 --> 01:23:12,737 We feel like we're shooting a funeral. 1533 01:23:12,737 --> 01:23:16,403 And that changes the whole my approach to cinema. 1534 01:23:16,403 --> 01:23:17,779 I - the film looks different 1535 01:23:17,779 --> 01:23:20,071 than anything I've ever done before . 1536 01:23:20,071 --> 01:23:23,862 I tried to do it without fancy tricks, no fancy lenses, 1537 01:23:23,862 --> 01:23:26,237 no big Hollywood cranes are sweeping. 1538 01:23:26,237 --> 01:23:28,320 I tried to take all the tools 1539 01:23:28,320 --> 01:23:30,654 where I made so many of my movies 1540 01:23:30,654 --> 01:23:32,529 and just threw them from the window. 1541 01:23:32,529 --> 01:23:35,237 I've never handled anything, but I want to hold it 1542 01:23:35,237 --> 01:23:37,195 as many as "Schindler List" as much as possible. 1543 01:23:37,195 --> 01:23:39,695 I just want to create for all of us 1544 01:23:39,695 --> 01:23:43,237 the feeling that we are really there at that time. 1545 01:23:43,237 --> 01:23:45,237 Goodbye to the Jews! 1546 01:23:45,237 --> 01:23:48,403 Goodbye to Jews! Goodbye to Jews! 1547 01:23:48,403 --> 01:23:51,570 I just want to know the synagogue... 1548 01:23:51,570 --> 01:23:52,779 ... good background, 1549 01:23:52,779 --> 01:23:54,237 or the park is a good background, 1550 01:23:54,237 --> 01:23:56,445 because this is rather interesting here. 1551 01:23:56,445 --> 01:23:58,946 Ralph Fiennes: Steven said, "I feel like directing my first film. 1552 01:23:58,946 --> 01:24:00,529 p> 1553 01:24:00,529 --> 01:24:01,946 I'm not a storyboard of any kind. " 1554 01:24:01,946 --> 01:24:03,487 And I think that gives him the adrenaline 1555 01:24:03,487 --> 01:24:05,403 or something we all feel. 1556 01:24:05,403 --> 01:24:09,237 Fire, vigilance. 1557 01:24:09,237 --> 01:24:11,779 I've never felt the same level of energy and focus. 1558 01:24:11,779 --> 01:24:14,529 He seems to inhale the cinema. 1559 01:24:14,529 --> 01:24:17,821 I think he feels things intuitively and emotionally. 1560 01:24:17,821 --> 01:24:19,278 ... and such coverage. 1561 01:24:19,278 --> 01:24:21,946 He is like an abstract painter 1562 01:24:21,946 --> 01:24:25,237 which has the canvas 1563 01:24:25,237 --> 01:24:28,779 and has an incredible palette 1564 01:24:28,779 --> 01:24:30,695 but doesn't know what color 1565 01:24:30,695 --> 01:24:33,612 to install the screen first. 1566 01:24:33,612 --> 01:24:36,029 But once he's committed to that color, 1567 01:24:36,029 --> 01:24:38,987 he just shoots at all the cylinders. 1568 01:24:38,987 --> 01:24:41,612 And there are times when he runs, 1569 01:24:41,612 --> 01:24:43,362 walks physically, with that camera 1570 01:24:43,362 --> 01:24:45,779 Because of many things, he shoots himself. 1571 01:24:45,779 --> 01:24:47,029 Handheld camera 1572 01:24:47,029 --> 01:24:48,654 He will run up and down, 1573 01:24:48,654 --> 01:24:50,987 say, "Come on, come with me, hurry," 1574 01:24:50,987 --> 01:24:52,904 because the idea formed in his head. 1575 01:24:52,904 --> 01:24:55,403 And we will all < > chase after him, "What? What?" 1576 01:24:55,403 --> 01:24:58,029 He will be inspired. He sees something. 1577 01:25:10,195 --> 01:25:13,320 Sir Ben Kingsley: We all struggle with incomprehensibility 1578 01:25:13,320 --> 01:25:16,737 as characters and as actors. 1579 01:25:16,737 --> 01:25:20,612 But we put one foot in ahead of the others in our mandate 1580 01:25:20,612 --> 01:25:23,821 as Elie Wiesel said, telling her stories. 1581 01:25:26,362 --> 01:25:28,112 Kingsley: We take the coat 1582 01:25:28,112 --> 01:25:30,987 from the actor-warrior, if you like it. 1583 01:25:30,987 --> 01:25:34,904 Because if you soften something with sentiments, 1584 01:25:34,904 --> 01:25:38,112 you reduce the punch must be felt by the audience 1585 01:25:38,112 --> 01:25:39,862 and must be under. 1586 01:25:52,570 --> 01:25:55,029 In the liquidation of the ghetto scene, 1587 01:25:55,029 --> 01:25:56,695 I know I have to serve the story. 1588 01:25:56,695 --> 01:26:00,112 I remembered my sentence, but I was very shocked. 1589 01:26:00,112 --> 01:26:01,904 Don't act! 1590 01:26:07,904 --> 01:26:10,403 Beautiful chaos 1591 01:26:10,403 --> 01:26:12,904 cannot be repeated or forgotten 1592 01:26:20,362 --> 01:26:24,570 Oskar Schindler is a gregarious man. 1593 01:26:24,570 --> 01:26:27,029 He is a second-class entrepreneur. 1594 01:26:27,029 --> 01:26:29,987 A little shady character, you know? 1595 01:26:29,987 --> 01:26:34,612 A man about the city , love the women, like the liquor. 1596 01:26:34,612 --> 01:26:38,237 That's right, that's it. 1597 01:26:38,237 --> 01:26:40,237 And he did this amazing thing. 1598 01:26:40,237 --> 01:26:44,529 He saved more than 1,100 Jewish lives. 1599 01:26:44,529 --> 01:26:47,570 There is something that mysteriously 1600 01:26:47,570 --> 01:26:49,112 has described about this character 1601 01:26:49,112 --> 01:26:51,779 It is impossible really understand 1602 01:26:51,779 --> 01:26:53,946 why did he do what he did 1603 01:26:53,946 --> 01:26:56,445 But we decided to let the audience 1604 01:26:56,445 --> 01:26:59,278 do it himself. 1605 01:26:59,278 --> 01:27:01,112 I was a smoker on at that time. 1606 01:27:01,112 --> 01:27:03,654 Steve is not a smoker, but... 1607 01:27:03,654 --> 01:27:05,487 he will start telling how to smoke. 1608 01:27:05,487 --> 01:27:08,946 He will say, "All right, you're looking at the table. 1609 01:27:08,946 --> 01:27:12,821 You saw three of the people this high-ranking Nazi. 1610 01:27:12,821 --> 01:27:14,612 Drag your cigarettes. " 1611 01:27:14,612 --> 01:27:18,612 " No, no, do it again. 1612 01:27:18,612 --> 01:27:21,071 Keep your fingers there. Take drag. 1613 01:27:21,071 --> 01:27:24,779 Let smoke curl up on your face. 1614 01:27:24,779 --> 01:27:27,612 Do it again. 1615 01:27:27,612 --> 01:27:29,987 Okay, now bring your hand very, very slowly. " 1616 01:27:29,987 --> 01:27:32,612 So, basically he told me how to breathe. 1617 01:27:32,612 --> 01:27:34,904 I remember sharing with Ben Kingsley 1618 01:27:34,904 --> 01:27:36,779 tonight or tomorrow. 1619 01:27:36,779 --> 01:27:40,278 I said, "Ben, I'm just-- if every scene will be like that, 1620 01:27:40,278 --> 01:27:42,570 I'm a fucking doll, you know? 1621 01:27:42,570 --> 01:27:44,071 I don't want to be a puppet. > 1622 01:27:44,071 --> 01:27:45,529 I'm 41 years old. " 1623 01:27:45,529 --> 01:27:47,362 And I remember Ben well. 1624 01:27:47,362 --> 01:27:49,946 He said, "Great conductor... 1625 01:27:51,487 --> 01:27:54,529 need a good soloist 1626 01:27:54,529 --> 01:27:56,153 So just believe that. 1627 01:27:56,153 --> 01:27:57,654 Go towards him. 1628 01:27:57,654 --> 01:27:59,612 > 1629 01:27:59,612 --> 01:28:00,987 Don't fight it. Just go in there. " 1630 01:28:00,987 --> 01:28:04,320 And that's what I did. 1631 01:28:04,320 --> 01:28:05,779 I just opened up for Steven, you know? 1632 01:28:05,779 --> 01:28:07,987 My father likes to say, 1633 01:28:07,987 --> 01:28:12,529 "you need three things in life - 1634 01:28:12,529 --> 01:28:14,487 a doctor who is good, forgiving pastor, 1635 01:28:18,779 --> 01:28:20,821 1636 01:28:20,821 --> 01:28:22,529 1637 01:28:22,529 --> 01:28:26,445 p> 1638 01:28:26,445 --> 01:28:28,487 and a smart accountant. " 1639 01:28:28,487 --> 01:28:31,737 The first two... 1640 01:28:31,737 --> 01:28:34,529 I have never used much for. 1641 01:28:34,529 --> 01:28:38,029 But the third one? 1642 01:28:38,029 --> 01:28:40,403 You also have my window 1643 01:28:40,403 --> 01:28:42,821 into my insights about Oskar Schindler. " 1644 01:28:42,821 --> 01:28:44,737 I tried to say thank you. 1645 01:28:46,737 --> 01:28:49,779 I said that I can't do this without you. 1646 01:28:49,779 --> 01:28:52,737 Whatever I can pick up From Schindler himself, 1647 01:28:52,737 --> 01:28:55,403 I think a lot of it will come up from how you see it. 1648 01:28:58,654 --> 01:29:00,237 Same. 1649 01:29:00,237 --> 01:29:01,904 There are very, very few directors 1650 01:29:01,904 --> 01:29:04,987 who respect silence just like Steven. 1651 01:29:04,987 --> 01:29:07,737 He will catch every movement 1652 01:29:07,737 --> 01:29:11,029 you offer to the camera, and he will use it. 1653 01:29:11,029 --> 01:29:16,153 His intuition for something that is real and now very strong. 1654 01:29:16,153 --> 01:29:19,320 He wants to avoid cliches about the Nazis, 1655 01:29:19,320 --> 01:29:22,779 And, in terms of performance, I understand it on my first day. 1656 01:29:22,779 --> 01:29:26,195 You know, the problem is about Amon who coughs - "Ahem, excuse me," 1657 01:29:26,195 --> 01:29:29,779 and gives him some kind of human failure, touching it like that. 1658 01:29:29,779 --> 01:29:31,821 Do you have a question, sir? 1659 01:29:31,821 --> 01:29:35,695 Yes, why is the car open? I froze. 1660 01:29:35,695 --> 01:29:37,654 There are several ways in which, through performances and filmmaking, 1661 01:29:37,654 --> 01:29:40,112 You can get and signal "bad guys". 1662 01:29:40,112 --> 01:29:42,237 And I think he wants it, it's quite correct, 1663 01:29:42,237 --> 01:29:44,112 for say, "No, the person who does the job. 1664 01:29:44,112 --> 01:29:47,029 - you decide what you think." - I have an idea. 1665 01:29:47,029 --> 01:29:48,946 How about just lighting up their mouths, nothing else? 1666 01:29:48,946 --> 01:29:51,112 I just left - you know - 1667 01:29:51,112 --> 01:29:53,695 Tidak, dia, aku ingin menerangi hanya dari atas, kamu tahu, 1668 01:29:53,695 --> 01:29:55,862 so we get some shadows here, like... 1669 01:29:55,862 --> 01:29:59,029 Okay, I just want to make sure we don't get too nose 1670 01:29:59,029 --> 01:30:02,737 with - You know, the crime character 1671 01:30:02,737 --> 01:30:04,946 by having a light straight down. 1672 01:30:04,946 --> 01:30:07,237 Everything we do in this media is about light and shadow, 1673 01:30:07,237 --> 01:30:10,153 how cinematographers turn on actors, turn on the set lights. 1674 01:30:10,153 --> 01:30:11,987 If you see "Schindler list", 1675 01:30:11,987 --> 01:30:14,487 Amon Goeth always has light. 1676 01:30:14,487 --> 01:30:16,821 He always has that beautiful front light. 1677 01:30:16,821 --> 01:30:18,362 You know, that guy is very clear. 1678 01:30:18,362 --> 01:30:19,779 There is no mystery in him. 1679 01:30:19,779 --> 01:30:21,487 you don't have to increase the crime, 1680 01:30:21,487 --> 01:30:23,654 if you can say, by lighting. 1681 01:30:23,654 --> 01:30:25,570 Now, if you see Oskar Schindler, 1682 01:30:25,570 --> 01:30:27,153 That is a confused person. 1683 01:30:27,153 --> 01:30:29,153 He came to Poland to make money, 1684 01:30:29,153 --> 01:30:32,278 So it's always glamorous, but it's always dark. 1685 01:30:32,278 --> 01:30:35,654 And then as the film develops, he gets more lots of frontal light. 1686 01:30:35,654 --> 01:30:36,987 The shadows disappear. 1687 01:30:36,987 --> 01:30:38,987 They say you are good 1688 01:30:38,987 --> 01:30:41,695 Because he is learning who he is. 1689 01:31:04,445 --> 01:31:07,320 Little girl red really happened. 1690 01:31:07,320 --> 01:31:11,403 Schindler rode a horse to see these people were rounded up. 1691 01:31:13,487 --> 01:31:18,529 He saw this little girl wearing a suit red. 1692 01:31:18,529 --> 01:31:20,695 Of all the massacres that are going on, 1693 01:31:20,695 --> 01:31:22,821 He can't let go his sight from this little girl 1694 01:31:22,821 --> 01:31:24,445 meanders on the road. 1695 01:31:24,445 --> 01:31:25,862 He can't look away from him 1696 01:31:25,862 --> 01:31:28,237 and wonders why he hasn't been taken 1697 01:31:28,237 --> 01:31:30,195 along with others. 1698 01:31:30,195 --> 01:31:32,654 And, of course, the answer is, "Okay, he will be taken. 1699 01:31:32,654 --> 01:31:34,195 Maybe not in the next few minutes, 1700 01:31:34,195 --> 01:31:36,570 But he won't be able to survive . " 1701 01:31:43,071 --> 01:31:45,071 During the liquidation of the ghetto, 1702 01:31:45,071 --> 01:31:47,112 When they bring people and put them in the truck 1703 01:31:47,112 --> 01:31:48,904 and shoot old people on the street, 1704 01:31:48,904 --> 01:31:50,862 They leave it alone. 1705 01:31:50,862 --> 01:31:53,403 Somehow, the clearest target 1706 01:31:53,403 --> 01:31:55,071 is not captured. 1707 01:31:55,071 --> 01:31:58,029 And, for me, that meaningless about what happened to Oskar Schindler, 1708 01:31:58,029 --> 01:32:01,737 and more that the world closed eyes on the Holocaust 1709 01:32:01,737 --> 01:32:05,237 and the industrialization process mass murder. 1710 01:32:05,237 --> 01:32:07,071 Can you believe this 1711 01:32:07,071 --> 01:32:10,654 As if I don't have enough to do, they come with this? 1712 01:32:10,654 --> 01:32:14,946 I have to find every lap that buried here and burn it. 1713 01:32:14,946 --> 01:32:17,112 The party ends, Oskar. 1714 01:32:17,112 --> 01:32:19,570 They close us, send everyone to Auschwitz. 1715 01:32:19,570 --> 01:32:20,779 - When? - I don't know 1716 01:32:20,779 --> 01:32:22,153 Once I can arrange the shipping. 1717 01:32:22,153 --> 01:32:26,195 Maybe 30, 40 days. That should be fun. 1718 01:32:28,862 --> 01:32:30,403 So, the little girl is red, 1719 01:32:30,403 --> 01:32:32,821 for me, symbolizing the Holocaust 1720 01:32:32,821 --> 01:32:35,529 and all her terrible crimes, 1721 01:32:35,529 --> 01:32:38,237 and nobody did anything when that happened. 1722 01:32:41,821 --> 01:32:46,112 Michael Kahn: I remember I collected a scene, very hard, emotional. 1723 01:32:46,112 --> 01:32:49,112 And Steven came that night. 1724 01:32:49,112 --> 01:32:52,612 We went to where he was staying 1725 01:32:52,612 --> 01:32:54,695 and I started running the scene. 1726 01:32:54,695 --> 01:32:58,071 Dan dia melihatnya. "Tunggu dulu, Mike, aku tidak bisa melakukannya." 1727 01:32:58,071 --> 01:33:01,112 He's like - he goes like, "I can't do it. 1728 01:33:01,112 --> 01:33:03,654 It's too difficult." And he leaves. 1729 01:33:03,654 --> 01:33:06,071 I only remember go home and fall apart. 1730 01:33:06,071 --> 01:33:08,570 And Kate is in the shooting location with me. 1731 01:33:08,570 --> 01:33:11,029 We often cry together many times. 1732 01:33:11,029 --> 01:33:13,987 He really made me go through all that production. 1733 01:33:13,987 --> 01:33:17,112 We are four months in Kraków. Long time. 1734 01:33:17,112 --> 01:33:20,529 That, emotionally, the toughest movie I've ever made. 1735 01:33:31,487 --> 01:33:33,987 Annette Insdorf: This film isn't about 1736 01:33:33,987 --> 01:33:37,153 the Holocaust with the capital "H." 1737 01:33:37,153 --> 01:33:41,862 This is the window < br /> certain in the past. 1738 01:33:50,862 --> 01:33:53,278 And here, a president director 1739 01:33:53,278 --> 01:33:55,237 has made a film 1740 01:33:55,237 --> 01:33:58,529 that will eventually reach the audience the big one, 1741 01:33:58,529 --> 01:34:01,112 includes people who might never know 1742 01:34:01,112 --> 01:34:03,821 the word "Auschwitz." 1743 01:34:10,862 --> 01:34:12,821 About three quarters go through shooting, 1744 01:34:12,821 --> 01:34:15,529 Steven has an idea about the end of this film. 1745 01:34:15,529 --> 01:34:18,737 He wants to fly us to Jerusalem. 1746 01:34:18,737 --> 01:34:21,445 We will shoot a scene in Schindler's grave. 1747 01:34:21,445 --> 01:34:23,112 I need to have 1748 01:34:23,112 --> 01:34:26,403 some testimonies built on in the film 1749 01:34:26,403 --> 01:34:29,695 Who said this story really happened. 1750 01:34:32,570 --> 01:34:34,403 The thing that dared to do. 1751 01:34:34,403 --> 01:34:35,779 These are the real people. 1752 01:35:05,320 --> 01:35:09,278 That was an important moment in Steven's life. 1753 01:35:09,278 --> 01:35:11,695 He realized that he could not take it 1754 01:35:11,695 --> 01:35:13,487 one of the benefits of the film. 1755 01:35:13,487 --> 01:35:15,529 He wanted restore something, 1756 01:35:15,529 --> 01:35:18,445 Then he started what became the Shoah Foundation, 1757 01:35:18,445 --> 01:35:22,445 documented oral history and captured history 1758 01:35:22,445 --> 01:35:26,612 in a way that allows people not to forget. 1759 01:35:26,612 --> 01:35:31,445 The Shoah Foundation is a way to try to hear it 1760 01:35:31,445 --> 01:35:34,987 a faint echo of the story we have disappeared. 1761 01:35:34,987 --> 01:35:37,987 So, connected with he is a storyteller, 1762 01:35:37,987 --> 01:35:41,278 that is in the DNA. 1763 01:35:41,278 --> 01:35:44,029 They start running towards /> lane and they are shot. 1764 01:35:44,029 --> 01:35:46,445 That might be the last patrol of the day. 1765 01:35:46,445 --> 01:35:48,153 They shouldn't be there again. 1766 01:35:48,153 --> 01:35:50,153 And of course they asked for a newspaper, 1767 01:35:50,153 --> 01:35:52,654 But my grandfather did not have it. 1768 01:35:52,654 --> 01:35:56,153 And they took it. They took it. 1769 01:35:58,445 --> 01:36:02,403 He got thousands < br /> and thousands of testimonies, 1770 01:36:02,403 --> 01:36:03,987 and not just about the Holocaust. 1771 01:36:03,987 --> 01:36:07,320 About Rwanda, about Bosnia, you know? 1772 01:36:07,320 --> 01:36:10,779 And it's amazing , this legacy is the "Schindler list" 1773 01:36:10,779 --> 01:36:12,695 has given birth to Steven. 1774 01:36:30,320 --> 01:36:32,821 Experience makes "Schindler list" 1775 01:36:32,821 --> 01:36:37,112 make me reconcile for all reasons, 1776 01:36:37,112 --> 01:36:42,987 Reason in vain and noble, I hide from my Judaism. 1777 01:36:42,987 --> 01:36:47,529 And that makes me very proud of being a Jew. 1778 01:36:49,000 --> 01:36:51,500 In 1993, Schindler List Winning 7 1994 Academy Awards (Oscar) in categories including... 1779 01:36:52,000 --> 01:36:54,500 ... Best Films, and Steven Spielberg which won Oscars for the First Time in the category... . 1780 01:36:54,500 --> 01:36:56,000 ... Best Director. 1781 01:37:07,529 --> 01:37:10,737 There are several periods of time in the history of filmmaking 1782 01:37:10,737 --> 01:37:14,029 where you experienced a clash of events 1783 01:37:14,029 --> 01:37:15,904 who innovates and creates something new. 1784 01:37:15,904 --> 01:37:18,904 And "Jurassic Park" is one of those times. 1785 01:37:18,904 --> 01:37:20,987 - Save it there - That is the beginning 1786 01:37:20,987 --> 01:37:22,737 from, really, the digital age 1787 01:37:22,737 --> 01:37:26,278 where the central character is made digitally. 1788 01:37:26,278 --> 01:37:28,403 No one has ever gone there before that. 1789 01:37:28,403 --> 01:37:32,071 Come on! 1790 01:37:32,071 --> 01:37:34,153 Steven said to me, 1791 01:37:34,153 --> 01:37:38,737 "I want a dinosaur as high as 28 feet to 30 feet on the set 1792 01:37:38,737 --> 01:37:40,904 that actors can interact with, 1793 01:37:40,904 --> 01:37:43,153 and I want them to run. " 1794 01:37:43,153 --> 01:37:45,821 There are at least 60 shots wide 1795 01:37:45,821 --> 01:37:47,779 with 60 dinosaurs 1796 01:37:47,779 --> 01:37:49,737 who cannot operate mechanically. 1797 01:37:49,737 --> 01:37:51,278 They must run away. They must appear. 1798 01:37:51,278 --> 01:37:52,821 They must rotate and turn around. They must be real. 1799 01:37:52,821 --> 01:37:56,695 So, I went to start talking to experts 1800 01:37:56,695 --> 01:38:00,195 in the field of prosthetics and theme park 1801 01:38:00,195 --> 01:38:01,487 to find out how we will do this 1802 01:38:01,487 --> 01:38:03,029 And, of course, all people say to me, 1803 01:38:03,029 --> 01:38:05,237 "We can build these items , but can't run." 1804 01:38:05,237 --> 01:38:07,153 So, I returned to Steven and I said, "They can't run away." 1805 01:38:07,153 --> 01:38:08,862 He said, "Okay, they have to run." 1806 01:38:08,862 --> 01:38:11,153 - Okay, some of the team, moved there. - Move. 1807 01:38:11,153 --> 01:38:14,487 So, all of these developments are going on, 1808 01:38:14,487 --> 01:38:19,278 and along with that, Dennis Muren calls me and he said, 1809 01:38:19,278 --> 01:38:22,278 "I'm working on something with a computer 1810 01:38:22,278 --> 01:38:24,612 which I think can be extraordinary." 1811 01:38:31,071 --> 01:38:32,821 Aah! 1812 01:38:32,821 --> 01:38:34,445 The opening key! 1813 01:38:34,445 --> 01:38:36,487 And we flew to ILM, 1814 01:38:36,487 --> 01:38:38,195 and we went to this small office, 1815 01:38:38,195 --> 01:38:41,487 and there was a computer, and Dennis said, "Watch this." 1816 01:38:41,487 --> 01:38:42,862 And he pressed a button, 1817 01:38:42,862 --> 01:38:45,153 and there is a dinosaur running. 1818 01:38:45,153 --> 01:38:46,445 This is all on the computer. 1819 01:38:46,445 --> 01:38:47,737 There are no models, no there is a camera, or anything. 1820 01:38:47,737 --> 01:38:49,153 When we see them, 1821 01:38:49,153 --> 01:38:50,779 It's like nothing you've ever seen before. 1822 01:38:50,779 --> 01:38:54,071 And that is one of the main moments 1823 01:38:54,071 --> 01:38:57,025 where are you suddenly aware, oh, my God... 1824 01:38:57,026 --> 01:38:57,919 O Lord. 1825 01:38:57,987 --> 01:38:59,445 Oh, God, we are there. 1826 01:38:59,445 --> 01:39:01,737 This is the time front. 1827 01:39:01,737 --> 01:39:03,695 I can't believe what I see. 1828 01:39:03,695 --> 01:39:05,695 Can't believe it. 1829 01:39:05,695 --> 01:39:07,570 They live. They are real. 1830 01:39:07,570 --> 01:39:10,987 And it's very exciting, we all jump to our feet 1831 01:39:10,987 --> 01:39:13,320 because we have never seen anything like this. 1832 01:39:13,320 --> 01:39:15,029 I'm not exaggerating when I say it 1833 01:39:15,029 --> 01:39:18,737 See the exam as it is now 1834 01:39:18,737 --> 01:39:20,278 When you hear a sound in a movie. 1835 01:39:20,278 --> 01:39:23,862 There is a new tool that will be large, 1836 01:39:23,862 --> 01:39:25,071 and you can know. 1837 01:39:38,612 --> 01:39:41,029 Laura Dern: It's an experiment. 1838 01:39:41,029 --> 01:39:42,821 It feels wild. 1839 01:39:42,821 --> 01:39:45,946 And see, you know, their brains work 1840 01:39:45,946 --> 01:39:48,654 When we shoot, and how they adjust the shot, 1841 01:39:48,654 --> 01:39:51,029 and how cute Steven is, 1842 01:39:51,029 --> 01:39:55,570 you are trapped in a dream that he is waking up and his magic. 1843 01:39:55,570 --> 01:39:58,654 Jeff Goldblum: During a scene where we first saw a dinosaur, 1844 01:39:58,654 --> 01:40:00,071 He put the camera on me and said, "Okay, Jeff, 1845 01:40:00,071 --> 01:40:01,695 Now you see that. 1846 01:40:01,695 --> 01:40:03,362 Okay, so look at that. 1847 01:40:03,362 --> 01:40:05,445 Yes, just go ahead. Keep rolling. 1848 01:40:05,445 --> 01:40:07,821 Is that real? Is this a hoax 1849 01:40:07,821 --> 01:40:11,153 And now, for no reason at all once, you start laughing. 1850 01:40:11,153 --> 01:40:12,570 Keep laughing a little. 1851 01:40:12,570 --> 01:40:14,487 Laugh a little more. That's all. 1852 01:40:14,487 --> 01:40:16,695 Now you are stunned again 1853 01:40:16,695 --> 01:40:18,362 and you just keep quiet. 1854 01:40:19,904 --> 01:40:21,445 Okay, that's it. Okay, I got what I need. 1855 01:40:21,445 --> 01:40:23,237 Let's go. Let's continue. " Like that. 1856 01:40:23,237 --> 01:40:25,071 He knows exactly what he needs. 1857 01:40:25,071 --> 01:40:26,946 Weapons, you know, faces men - all faces, 1858 01:40:26,946 --> 01:40:30,071 weapon, face, and then to Bob. 1859 01:40:30,071 --> 01:40:33,570 - enter there - "Jurassic Park" is a memorial story. 1860 01:40:33,570 --> 01:40:35,779 We stand on a giant shoulder 1861 01:40:35,779 --> 01:40:38,654 > 1862 01:40:38,654 --> 01:40:42,320 to create the next big thing, 1863 01:40:42,320 --> 01:40:45,654 but we are not responsible for our own creation. 1864 01:40:45,654 --> 01:40:48,153 That is what brings Godzilla up from the depths. 1865 01:40:48,153 --> 01:40:52,695 You fall apart with atomic energy, you get Godzilla. 1866 01:40:52,695 --> 01:40:55,195 Rick Carter: There are many themes < br /> dark in "Jurassic Park" 1867 01:40:55,195 --> 01:40:58,695 That's about, you know, releasing the Pandora box. 1868 01:40:58,695 --> 01:41:01,779 It turns out, not only genetic engineering, 1869 01:41:01,779 --> 01:41:04,112 p> 1870 01:41:04,112 --> 01:41:05,946 which is the theme in the film, 1871 01:41:05,946 --> 01:41:08,195 it's actually the digital revolution 1872 01:41:20,071 --> 01:41:22,654 coming out right behind the fence. 1873 01:41:22,654 --> 01:41:24,946 Muren: This opens the world /> just in storytelling 1874 01:41:24,946 --> 01:41:27,529 because you can do whatever you want 1875 01:41:27,529 --> 01:41:30,320 you are not limited by plastic or metal 1876 01:41:30,320 --> 01:41:32,654 or gravity or whatever. 1877 01:41:32,654 --> 01:41:35,487 If you can imagine it, you can do it. 1878 01:41:35,487 --> 01:41:37,320 And that is the beginning of the whole nother era. 1879 01:41:50,821 --> 01:41:55,362 Muren: Steven is a master who has a shot effect for a purpose. 1880 01:41:55,362 --> 01:41:59,071 They exist to advance the story 1881 01:41:59,071 --> 01:42:02,029 and to make it a different journey 1882 01:42:02,029 --> 01:42:04,195 than ever seen before. 1883 01:42:04,195 --> 01:42:05,862 And that can be a spaceship, 1884 01:42:05,862 --> 01:42:08,403 It could be a dinosaur, it could be to be an alien landing, 1885 01:42:08,403 --> 01:42:12,195 It could be, you know, the red coat that someone wears 1886 01:42:12,195 --> 01:42:14,612 When they run through black-and-white movies. 1887 01:42:14,612 --> 01:42:17,529 - Put the camera down. - This is part of the emotional scene 1888 01:42:17,529 --> 01:42:19,278 of the story he told 1889 01:42:19,278 --> 01:42:21,362 I've never seen a moment 1890 01:42:21,362 --> 01:42:23,362 in the Spielberg movie that you feel 1891 01:42:23,362 --> 01:42:25,821 bahwa teknologinya menghancurkan ceritanya. 1892 01:42:25,821 --> 01:42:27,612 And it's very difficult. 1893 01:42:27,612 --> 01:42:30,529 I mean, times like this , which we must feel 1894 01:42:30,529 --> 01:42:33,862 spontaneously and real on the screen... 1895 01:42:33,862 --> 01:42:35,821 There are 200 people around, 1896 01:42:35,821 --> 01:42:37,862 and half were created six months later 1897 01:42:37,862 --> 01:42:41,570 and half were six months before. 1898 01:42:41,570 --> 01:42:43,320 When he made " Jurassic Park, " 1899 01:42:43,320 --> 01:42:45,071 There is no guarantee that will work. 1900 01:42:45,071 --> 01:42:47,862 That can easily be a disaster. 1901 01:42:47,862 --> 01:42:52,529 But that the right ratio for joy and fear for Steven. 1902 01:42:52,529 --> 01:42:55,195 Doing a movie should scare you a little. 1903 01:42:55,195 --> 01:42:58,237 If not, you don't push it. 1904 01:42:58,237 --> 01:42:59,904

1905 01:42:59,904 --> 01:43:01,987 "Schindler list," which seems - 1906 01:43:01,987 --> 01:43:05,403 Obviously, it should be the movie now - 1907 01:43:05,403 --> 01:43:10,946 is a black-and-white film three hours about Holocaust. 1908 01:43:10,946 --> 01:43:12,612 That's not - 1909 01:43:12,612 --> 01:43:15,654 Who is the green light with the film, you know? 1910 01:43:15,654 --> 01:43:20,153 That's as big as the risk of CG dinosaurs. Bigger 1911 01:43:20,153 --> 01:43:23,278 you say "All credibility I am a fantasy filmmaker - 1912 01:43:23,278 --> 01:43:26,362 I will risk all of that on CG dinosaurs. 1913 01:43:26,362 --> 01:43:28,821 And all credibility I am an artist, 1914 01:43:28,821 --> 01:43:30,529 I will also use the phone. 1915 01:43:30,529 --> 01:43:33,112 And I will do it for 12 months. 1916 01:43:33,112 --> 01:43:35,278 The fingers crossed. " 1917 01:43:35,278 --> 01:43:36,779 They are clear now. 1918 01:43:36,779 --> 01:43:40,237 They are not guaranteed at all. 1919 01:43:40,237 --> 01:43:43,612 And that must be a very terrible period , 1920 01:43:43,612 --> 01:43:46,779 because you really pushed all your chips to the center of the table 1921 01:43:46,779 --> 01:43:48,654 at that time 1922 01:43:48,654 --> 01:43:50,445 Of course, it turns out that is very good for Steven, 1923 01:43:50,445 --> 01:43:52,612 gave him one of the weirdest 1924 01:43:52,612 --> 01:43:56,071 and the most astonishing years of any film director. 1925 01:43:56,071 --> 01:43:59,029 This is my greatest technology work - 1926 01:43:59,029 --> 01:44:01,779 Schpiel-Borg 2000. 1927 01:44:01,779 --> 01:44:03,779 I ignored the costs. 1928 01:44:03,779 --> 01:44:05,403 Your play buddy, Pinky, 1929 01:44:05,403 --> 01:44:08,779 is actually a very advanced clone cybernetic 1930 01:44:08,779 --> 01:44:12,029 one of the characters Hollywood the greatest. 1931 01:44:12,029 --> 01:44:14,987 And if the box number office is indicated, 1932 01:44:14,987 --> 01:44:19,195 It has the potential to be to be the ruler of the world. 1933 01:44:19,195 --> 01:44:22,403 Steven is the most famous director of in the world, easily. 1934 01:44:24,029 --> 01:44:26,612 - Listen - What? 1935 01:44:31,987 --> 01:44:34,071 Steven, you made it lots of movies. 1936 01:44:34,071 --> 01:44:36,779 When will you do a big one? 1937 01:44:36,779 --> 01:44:39,445 Wow. What do you mean "the big one?" 1938 01:44:39,445 --> 01:44:41,320 Something that was clicked with the public. 1939 01:44:41,320 --> 01:44:42,654 "Sesuatu yang diklik dengan publik." 1940 01:44:45,195 --> 01:44:47,362 The man is a clear force 1941 01:44:47,362 --> 01:44:49,237 in the business of making films. 1942 01:44:49,237 --> 01:44:51,403 Running a company, being an executive producer, 1943 01:44:51,403 --> 01:44:53,362 being a producer, and Being a director. 1944 01:44:53,362 --> 01:44:57,195 Robert Zemeckis: For a filmmaker, you can't have a better producer 1945 01:44:57,195 --> 01:44:59,195 than one of the best directors in the world. 1946 01:44:59,195 --> 01:45:02,529 He really nurtures young talent that comes. 1947 01:45:02,529 --> 01:45:05,029 This is a very amazing list. 1948 01:45:07,779 --> 01:45:10,445 He is also a great figure < br /> in the television business. 1949 01:45:10,445 --> 01:45:11,862 He started a restaurant. 1950 01:45:11,862 --> 01:45:14,153 Dive! Submarine sandwich 1951 01:45:14,153 --> 01:45:16,529 The man, equally do 27 things at once 1952 01:45:16,529 --> 01:45:19,821 and unconsciously fully about it. 1953 01:45:19,821 --> 01:45:22,362 How many hats do men wear? That is impossible. 1954 01:45:22,362 --> 01:45:24,071 He once told me, "When I'm at the buffet, 1955 01:45:24,071 --> 01:45:27,278 I like to eat too much on my plate." 1956 01:45:29,570 --> 01:45:32,112 Holly Hunter: She will /> produce in theaters, 1957 01:45:32,112 --> 01:45:34,278 do preproduction for other films, 1958 01:45:34,278 --> 01:45:35,946 and edit not one third. 1959 01:45:35,946 --> 01:45:37,904 He gets a lot of different channels. 1960 01:45:37,904 --> 01:45:39,153 you know, I have a list. 1961 01:45:39,153 --> 01:45:40,403 you know, "change the light bulb," 1962 01:45:40,403 --> 01:45:42,029 and it's there for a week. 1963 01:45:42,029 --> 01:45:44,153 No, he got a lot of achievements. 1964 01:45:44,153 --> 01:45:47,278 Tom Brokaw: The three richest people the richest in the richest world in the world 1965 01:45:47,278 --> 01:45:50,071 are working together today to make a film studio, 1966 01:45:50,071 --> 01:45:53,195 The first major independent studio in Hollywood 1967 01:45:53,195 --> 01:45:54,237 almost half a century. 1968 01:45:56,278 --> 01:45:58,362 Aku tidak berpikir Steven benar-benar takut dengan apapun. 1969 01:45:58,362 --> 01:46:01,112 He is always ready to go and does something new. 1970 01:46:03,112 --> 01:46:06,320 Jeffrey Katzenberg: Nothing can consume information, 1971 01:46:06,320 --> 01:46:09,195 is in so much the place is so easy. 1972 01:46:09,195 --> 01:46:12,320 It used to make me crazy if the scenario appears, 1973 01:46:12,320 --> 01:46:14,445 That, you know, we all wait, 1974 01:46:14,445 --> 01:46:16,612 no matter what, I can never go home 1975 01:46:16,612 --> 01:46:18,654 and read it in front of it. 1976 01:46:20,278 --> 01:46:22,403 Dustin Hoffman: To be talented, 1977 01:46:22,403 --> 01:46:27,403 > 1978 01:46:27,403 --> 01:46:29,112 To be successful almost mythologically, 1979 01:46:29,112 --> 01:46:30,570 your jaw drops 1980 01:46:30,570 --> 01:46:35,153 Often you see that person 1981 01:46:35,153 --> 01:46:38,904 combine their success into their personalities. 1982 01:46:38,904 --> 01:46:41,487 There is selfishness. 1983 01:46:41,487 --> 01:46:44,946 And just the opposite with Steven. 1984 01:46:48,904 --> 01:46:52,487 Steven is like a man who works for Steven Spielberg . 1985 01:46:52,487 --> 01:46:54,654 One day pure happiness, for me, 1986 01:46:54,654 --> 01:46:56,612 is the day I am with my family. 1987 01:46:56,612 --> 01:46:59,779 My eyes are closed, they are swimming in the pool, 1988 01:46:59,779 --> 01:47:01,862 - and I'm just listening to their voices. - Once again. 1989 01:47:01,862 --> 01:47:04,237 That's good, Theo. That's the best. 1990 01:47:04,237 --> 01:47:06,403 I never knew I will have a big family. 1991 01:47:06,403 --> 01:47:08,153 That surprised me. 1992 01:47:08,153 --> 01:47:10,403 Kate never thought would have a big family. 1993 01:47:10,403 --> 01:47:14,779 So, evolution natural in our life is a gift. 1994 01:47:14,779 --> 01:47:16,654 Jessica is the oldest, 1995 01:47:16,654 --> 01:47:19,403 and then Max, and then Theo after that, 1996 01:47:19,403 --> 01:47:22,403 and then Sasha , and then Sawyer, 1997 01:47:22,403 --> 01:47:24,779 then Mikaela, then Destry. 1998 01:47:24,779 --> 01:47:26,654 Woman: Whoo-hoo! 1999 01:47:26,654 --> 01:47:29,487 Kate is a power in my life. 2000 01:47:29,487 --> 01:47:31,071 Kate is a power in my life. 2001 01:47:31,071 --> 01:47:32,737 p> 2002 01:47:32,737 --> 01:47:34,362 And I think its authenticity 2003 01:47:34,362 --> 01:47:37,612 of the type of film that I started making 2004 01:47:37,612 --> 01:47:40,779 After Katie and I were together 2005 01:47:40,779 --> 01:47:44,487 It has something to do with bringing sort of truth into my life 2006 01:47:44,487 --> 01:47:47,987 where truth begins to rise stage make-believe. 2007 01:47:47,987 --> 01:47:49,445 Okay, turn on the camera. 2008 01:47:49,445 --> 01:47:51,695 - Roll - All right, do it. 2009 01:47:51,695 --> 01:47:53,362 Action 2010 01:47:53,362 --> 01:47:54,946 You know, I have rejected 2011 01:47:54,946 --> 01:47:58,403 many of the very successful movie franchises 2012 01:47:58,403 --> 01:48:01,612 that 10 years before I jumped on the chance to direct. 2013 01:48:01,612 --> 01:48:03,695 But it's not a type of inheritance 2014 01:48:03,695 --> 01:48:06,195 I want to leave my children. 2015 01:48:27,612 --> 01:48:29,737 p> 2016 01:48:29,737 --> 01:48:34,278 Steven wants "Saving Private Ryan" 2017 01:48:34,278 --> 01:48:36,237 to be a different type very tactile and personal warfare film. 2018 01:48:36,237 --> 01:48:39,987 We don't know that Omaha Beach 2019 01:48:39,987 --> 01:48:42,320 He doesn't describe anything to us. 2020 01:48:42,320 --> 01:48:44,237 He is playing with feelings of confusion 2021 01:48:44,237 --> 01:48:45,862 and panic and fear, 2022 01:48:45,862 --> 01:48:48,112 capture the moment our own shock, 2023 01:48:48,112 --> 01:48:51,403 or our surprise, or our own emptiness. 2024 01:48:51,403 --> 01:48:53,737 And the difference between standing in around before we shoot 2025 01:48:53,737 --> 01:48:55,987 and say, "Hey, ready to do this? Nice to meet you. We start. 2026 01:48:55,987 --> 01:48:57,612 Can you swim? You can't swim 2027 01:48:57,612 --> 01:49:00,278 You are better, because you are in Steven Spielberg's movie. 2028 01:49:00,278 --> 01:49:03,695 You are better... " So, we talk like that. 2029 01:49:03,695 --> 01:49:05,487 And then open 2030 01:49:05,487 --> 01:49:09,821 and all the power of making physical films go berserk. 2031 01:49:28,320 --> 01:49:30,153 Next to it! 2032 01:49:36,362 --> 01:49:38,487 From the side, boy! 2033 01:49:49,403 --> 01:49:51,821 I tried very hard to put the audience 2034 01:49:51,821 --> 01:49:55,904 As close as possible to the experience that I know how to do it 2035 01:49:55,904 --> 01:49:58,821 so there will never be any feeling of security 2036 01:49:58,821 --> 01:50:00,445 in the audience. 2037 01:50:00,445 --> 01:50:02,153 And when you narrow that distance - 2038 01:50:02,153 --> 01:50:04,654 If you succeed narrow the distance, 2039 01:50:04,654 --> 01:50:08,445 then the audience really becomes that character. 2040 01:50:17,112 --> 01:50:19,529 Come on. 2041 01:50:19,529 --> 01:50:22,695 In "Saving Private Ryan," Spielberg understands 2042 01:50:22,695 --> 01:50:25,612 the possibility of expressionistic sound. 2043 01:50:28,071 --> 01:50:30,779 You can hear bullets rocking. 2044 01:50:30,779 --> 01:50:33,278 You can hear they penetrate the flesh 2045 01:50:33,278 --> 01:50:35,278 and damage this body. 2046 01:50:35,278 --> 01:50:37,987 you feel what your ears ring 2047 01:50:37,987 --> 01:50:41,195 In the middle of this and get very confused. 2048 01:50:48,612 --> 01:50:50,987 The intensity of the scene, 2049 01:50:50,987 --> 01:50:52,737 visceral elements , 2050 01:50:52,737 --> 01:50:55,362 is not only metaphorically, but literally, 2051 01:50:55,362 --> 01:50:58,862 like nothing - nothing has been put into the previous movie . 2052 01:51:05,237 --> 01:51:08,403 I decided to shoot the entire Omaha Beach sequence 2053 01:51:08,403 --> 01:51:10,237 in complete continuity , 2054 01:51:10,237 --> 01:51:12,904 do not know what will happen next. 2055 01:51:12,904 --> 01:51:15,403 And all cameramen I was given instructions 2056 01:51:15,403 --> 01:51:18,779 to be spontaneous in what was < > they decided to shoot, 2057 01:51:18,779 --> 01:51:21,029 like documentary cameramen. 2058 01:51:21,029 --> 01:51:24,695 And for, like, 27 days, we really took the beach 2059 01:51:24,695 --> 01:51:27,529 as a filmmaker, one page every time. 2060 01:51:31,278 --> 01:51:35,071 Mama! Mama! 2061 01:51:35,071 --> 01:51:37,112 "Saving Private Ryan" is revealed 2062 01:51:37,112 --> 01:51:39,737 certain visceral truths about war 2063 01:51:39,737 --> 01:51:42,195 that people will not learn from books. 2064 01:51:42,195 --> 01:51:44,779 They won't learn from the documentary. 2065 01:51:44,779 --> 01:51:46,987 That's what he is at the peak of his power 2066 01:51:46,987 --> 01:51:49,195 do something that someone else can't do. 2067 01:51:49,195 --> 01:51:52,362 The first time we spoke about the movie, 2068 01:51:52,362 --> 01:51:54,158 He said, "I can't wait shoot it 2069 01:51:54,159 --> 01:51:56,354 the machine gun nest arrived at the location, there was one problem - 2070 01:51:56,403 --> 01:51:58,445 The sun was not in the right place. 2071 01:51:58,445 --> 01:52:01,529 Steven thought the plane was built like this, 2072 01:52:01,529 --> 01:52:03,487 but it was built this way. 2073 01:52:03,487 --> 01:52:07,071 So, he can't shoot him, because the sun 2074 01:52:07,071 --> 01:52:08,779 won't give him the light he wants. 2075 01:52:08,779 --> 01:52:10,695 p> 2076 01:52:10,695 --> 01:52:12,779 And he is angry, maybe with himself alone or maybe with someone 2077 01:52:12,779 --> 01:52:16,071 who doesn't tell him what does the compass mean? 2078 01:52:16,071 --> 01:52:18,403 siapa yang tidak memberitahunya apa arti kompas itu? 2079 01:52:18,403 --> 01:52:20,654 So, he kept going, and when he returned, 2080 01:52:20,654 --> 01:52:22,278 He said, "Okay, I know how I will shoot him." 2081 01:52:25,445 --> 01:52:27,487 And that is a different perspective 2082 01:52:27,487 --> 01:52:30,487 from other attacks that we have done in this film. 2083 01:52:31,987 --> 01:52:34,487 And if you are not Steven, 2084 01:52:34,487 --> 01:52:36,487 if you do not have this life 2085 01:52:36,487 --> 01:52:39,487 of cinematic language in your head, 2086 01:52:39,487 --> 01:52:41,487 That is a different kind of day. 2087 01:52:41,487 --> 01:52:45,153 But because his eyes are so connected to his brain 2088 01:52:45,153 --> 01:52:47,112 and every movie he has seen 2089 01:52:47,112 --> 01:52:48,654 and every movie he has ever made, 2090 01:52:48,654 --> 01:52:49,987 he just came out and said, 2091 01:52:49,987 --> 01:52:52,403 "This is how we will do this, and that's it." 2092 01:52:52,403 --> 01:52:53,821 Extraordinary. 2093 01:53:03,320 --> 01:53:06,821 "Saving Private Ryan" to honor veterans, 2094 01:53:06,821 --> 01:53:10,112 and I think little respects my father 2095 01:53:10,112 --> 01:53:12,362 who flew missions during World War II. 2096 01:53:12,362 --> 01:53:15,862 He was not in Europe. He was in India and Burma. 2097 01:53:15,862 --> 01:53:18,987 When I was a kid, my father told the stories of the Second World War at any time. 2098 01:53:18,987 --> 01:53:21,029 His veteran friends would come home 2099 01:53:21,029 --> 01:53:22,529 and I will listen to them tell the story of war. 2100 01:53:22,529 --> 01:53:24,403 So, WWII, the greatest generation, 2101 01:53:24,403 --> 01:53:28,946 becomes something that I hope you can become my part. 2102 01:53:28,946 --> 01:53:31,487 Steven has an intricate relationship with his father, 2103 01:53:31,487 --> 01:53:35,362 but he starts connecting back and realizes 2104 01:53:35,362 --> 01:53:38,195 it's his first impression from a lot of things he has 2105 01:53:38,195 --> 01:53:39,737 isn't necessarily true. 2106 01:53:39,737 --> 01:53:41,695 It's very complex for me for a long time, 2107 01:53:41,695 --> 01:53:45,237 but at least I have an art form 2108 01:53:45,237 --> 01:53:48,071 that I can filter it. 2109 01:53:48,071 --> 01:53:49,403 At least I have that. 2110 01:53:49,403 --> 01:53:53,153 If the movie does something for me, that - 2111 01:53:53,153 --> 01:53:57,403 I have avoided therapy
because film is my therapy. 2112 01:54:00,612 --> 01:54:02,654 Junior? 2113 01:54:02,654 --> 01:54:05,320 - Yes sir. - And this father-child obsession 2114 01:54:05,320 --> 01:54:07,195 I have watched the film I clearly 2115 01:54:07,195 --> 01:54:13,237 for many feelings that I have brought with me 2116 01:54:13,237 --> 01:54:15,946 that I want to break away , and I have it. 2117 01:54:15,946 --> 01:54:19,071 Do you remember the last time the time we drank calmly? 2118 01:54:19,071 --> 01:54:21,320 Huh? 2119 01:54:21,320 --> 01:54:23,654 I have a milkshake. 2120 01:54:23,654 --> 01:54:25,821 Hmm? What are we talking about? 2121 01:54:27,779 --> 01:54:30,320 We are not talking. 2122 01:54:30,320 --> 01:54:32,071 We never speak. 2123 01:54:32,071 --> 01:54:33,529 A father who is absent 2124 01:54:33,529 --> 01:54:35,529 has haunted Steven as long as his life, 2125 01:54:35,529 --> 01:54:39,779 and he has been fixing it with all sorts of ways in movies. 2126 01:54:39,779 --> 01:54:42,821 That is the heart. 2127 01:54:42,821 --> 01:54:44,403 Even though I like movies, 2128 01:54:44,403 --> 01:54:46,320 I see the absence of the father 2129 01:54:46,320 --> 01:54:48,237 is quite significant 2130 01:54:48,237 --> 01:54:50,987 For a long time , Steven is very angry with me. 2131 01:54:50,987 --> 01:54:52,403 That's it. 2132 01:54:54,987 --> 01:54:57,987 - hug? - I'm hurt by it, but it's very slow. 2133 01:54:57,987 --> 01:55:00,487 No handshake? Want to kick teeth? 2134 01:55:00,487 --> 01:55:02,237 I didn't talk about it with Steven. 2135 01:55:02,237 --> 01:55:06,153 I just filtered it a little 2136 01:55:06,153 --> 01:55:08,320 and it hurts a little. > 2137 01:55:08,320 --> 01:55:12,195 I thought I had lost you, son. 2138 01:55:12,195 --> 01:55:14,821 I thought you were too, sir. 2139 01:55:14,821 --> 01:55:17,570 My father and I finally resolved our differences, 2140 01:55:17,570 --> 01:55:22,195 and we might be closer now than before. 2141 01:55:22,195 --> 01:55:24,403 When he made "Saving Private Ryan," 2142 01:55:24,403 --> 01:55:26,779 He said, "I made this for my father." 2143 01:55:26,779 --> 01:55:28,237 And that's amazing. 2144 01:55:28,237 --> 01:55:31,153 It makes me feel warm here. 2145 01:55:45,987 --> 01:55:49,821 Lawrence Kasdan: Steven always has a big vision 2146 01:55:49,821 --> 01:55:52,487 of what movies can be. 2147 01:55:54,487 --> 01:55:57,403 He is an American filmmaker. 2148 01:55:57,403 --> 01:56:01,862 And that is not star-eyed patriotism. 2149 01:56:01,862 --> 01:56:03,529 Animals! 2150 01:56:03,529 --> 01:56:06,071 He is interested in all themes 2151 01:56:06,071 --> 01:56:09,737 that are attached on American characters 2152 01:56:09,737 --> 01:56:13,362 and American society and how it develops. 2153 01:56:13,362 --> 01:56:15,362 There are people who are struggling 2154 01:56:15,362 --> 01:56:18,987 in one way or another freedom in these films. 2155 01:56:18,987 --> 01:56:23,737 Give... we are free. 2156 01:56:23,737 --> 01:56:25,862 He does not take freedom for granted. 2157 01:56:27,278 --> 01:56:29,570 Liberty and equality, 2158 01:56:29,570 --> 01:56:31,946 Constitution, 2159 01:56:31,946 --> 01:56:33,529 and individual rights. 2160 01:56:35,071 --> 01:56:37,904 He evolved as a filmmaker. 2161 01:56:37,904 --> 01:56:41,403 "Amistad" and "Lincoln" > and "Bridge of Spies" 2162 01:56:41,403 --> 01:56:43,029 all about the rule of law. 2163 01:56:43,029 --> 01:56:45,904 They are all about rights even people 2164 01:56:45,904 --> 01:56:49,153 are brought here to against their will 2165 01:56:49,153 --> 01:56:53,904 or come here for /> become an army of opposing soldiers 2166 01:56:53,904 --> 01:56:55,570 and get caught. 2167 01:56:55,570 --> 01:56:58,320 The law fully covers everyone. 2168 01:56:58,320 --> 01:56:59,612 We should show it 2169 01:56:59,612 --> 01:57:01,946 He has a defense that able, what we did. 2170 01:57:01,946 --> 01:57:04,612 Why did you quote the Constitution damn it to me? 2171 01:57:04,612 --> 01:57:06,195 Tom, if you look me in the eye 2172 01:57:06,195 --> 01:57:08,071 and say that we have no reason 2173 01:57:08,071 --> 01:57:09,445 For an appeal, I will drop it right now. 2174 01:57:09,445 --> 01:57:11,695 I did not say that. You know what I say. > 2175 01:57:11,695 --> 01:57:13,695 Tom says there are fees for these things. 2176 01:57:13,695 --> 01:57:15,570 That's right. 2177 01:57:15,570 --> 01:57:18,570 Fees for families and your company. 2178 01:57:18,570 --> 01:57:20,237 I really believe in this country, 2179 01:57:20,237 --> 01:57:21,737 and I always have. 2180 01:57:21,737 --> 01:57:23,946 And it only resonates throughout my work - 2181 01:57:23,946 --> 01:57:25,821 wants to tell an American story, 2182 01:57:25,821 --> 01:57:28,612 wants to tell about < br /> principled and ethical people 2183 01:57:28,612 --> 01:57:30,445 who, against all suggestions 2184 01:57:30,445 --> 01:57:33,654 and against the best people's judgments, 2185 01:57:33,654 --> 01:57:36,529 continue doing what right. 2186 01:57:36,529 --> 01:57:40,654 I'm sure it sounds like me, you know, 2187 01:57:40,654 --> 01:57:44,779 idealist or some kind of patriot, 2188 01:57:44,779 --> 01:57:46,779 But I'm a patriot. 2189 01:57:46,779 --> 01:57:49,362 And I am also an idealist. 2190 01:57:49,362 --> 01:57:52,445 Say everything we do is show the world 2191 01:57:52,445 --> 01:57:54,779 that democracy is not chaos. 2192 01:57:57,487 --> 01:58:01,112 That there is no power /> extraordinary eyes 2193 01:58:01,112 --> 01:58:03,071 in the unity of the people. 2194 01:58:03,071 --> 01:58:05,654 Say we have shown that people can survive 2195 01:58:05,654 --> 01:58:09,403 a terrible sacrifice but still sticking together. 2196 01:58:09,403 --> 01:58:12,071 Maybe not at least save the idea of democracy, 2197 01:58:12,071 --> 01:58:14,445 to aspire? 2198 01:58:14,445 --> 01:58:17,278 Finally become worth it? 2199 01:58:17,278 --> 01:58:19,320 Daniel Day-Lewis: The first thing you have to overcome 2200 01:58:19,320 --> 01:58:21,445 is the reluctance to approach Lincoln 2201 01:58:21,445 --> 01:58:23,987 because he is great person. 2202 01:58:23,987 --> 01:58:26,821 His experience as president is inside, you know, 2203 01:58:26,821 --> 01:58:29,987 One of the biggest crises that has ever known about this country. 2204 01:58:29,987 --> 01:58:32,904 And of course, of course, 2205 01:58:32,904 --> 01:58:36,737 He made a very uncomfortable decision 2206 01:58:36,737 --> 01:58:38,487 For many people. 2207 01:58:38,487 --> 01:58:42,529 We really guaranteed to lose everything. 2208 01:58:42,529 --> 01:58:45,737 We don't need amendment to deletion. 2209 01:58:45,737 --> 01:58:48,071 Leave the Constitution alone! 2210 01:58:48,071 --> 01:58:50,195 ... the commissioner of peace is present today this, or - 2211 01:58:54,278 --> 01:58:57,029 I can't listen to this anymore. 2212 01:58:58,654 --> 01:59:01,946 I can't achieve something unlucky 2213 01:59:01,946 --> 01:59:04,403 of every human meaning or value 2214 01:59:04,403 --> 01:59:08,195 until we heal ourselves from slavery 2215 01:59:08,195 --> 01:59:11,737 and end this war! 2216 01:59:11,737 --> 01:59:15,153 And is there any of you or anyone else who knows, 2217 01:59:15,153 --> 01:59:17,737 I know I need this! 2218 01:59:17,737 --> 01:59:21,237 2219 01:59:21,237 --> 01:59:23,153 p> 2220 01:59:23,153 --> 01:59:25,612 This amendment is the cure! 2221 01:59:25,612 --> 01:59:29,445 Steven worked long time 2222 01:59:29,445 --> 01:59:33,737 to find out where the story was to tell it. 2223 01:59:33,737 --> 01:59:36,153 And it took courage for Steven to < make a film about Abraham Lincoln 2224 01:59:36,153 --> 01:59:39,403 where Lincoln shares the highest bill with the House of Representatives. 2225 01:59:39,403 --> 01:59:41,570 and people are on the side different from this problem, 2226 01:59:41,570 --> 01:59:43,570 and the people who were Democrats were Republicans now, 2227 01:59:43,570 --> 01:59:45,112 and Republicans now are Democrats later, 2228 01:59:45,112 --> 01:59:47,737 is quite confusing for people to make sense 2229 01:59:47,737 --> 01:59:49,403 directly from what the story is 2230 01:59:49,403 --> 01:59:52,112 But somehow why did he think that Americans 2231 01:59:52,112 --> 01:59:54,529 could feel this man and feel what he was doing, 2232 01:59:54,529 --> 01:59:57,570 they would see what democracy was when it really works. 2233 01:59:57,570 --> 01:59:59,821 A movement has been made to bring the bill 2234 01:59:59,821 --> 02:00:02,153 for the 13th Amendment for voting. 2235 02:00:02,153 --> 02:00:04,153 - Did I hear it for a moment? - I am both moving. 2236 02:00:04,153 --> 02:00:06,445 So moved, so ordered. 2237 02:00:06,445 --> 02:00:09,821 And in the end, this is not the victory of Lincoln 2238 02:00:09,821 --> 02:00:12,112 who are pushed forward in the film. 2239 02:00:12,112 --> 02:00:13,987 I think what really pushed forward 2240 02:00:13,987 --> 02:00:16,445 was that this was a victory for democracy. 2241 02:00:16,445 --> 02:00:20,737 The part that was assigned to me was to raise the flag. 2242 02:00:20,737 --> 02:00:25,654 And when it goes up, it will be for people to save it. 2243 02:00:28,403 --> 02:00:29,695 That is what I say. 2244 02:00:32,779 --> 02:00:35,654 ♪ We will come, Father Abraham ♪ 2245 02:00:35,654 --> 02:00:37,612 ♪ 300,000 more ♪ 2246 02:00:37,612 --> 02:00:40,071 ♪ From the winding stream of Mississippi ♪ 2247 02:00:40,071 --> 02:00:42,362 ♪ And from the coast of New England ♪ 2248 02:00:42,362 --> 02:00:44,987 ♪ We leave our plow.... ♪ 2249 02:00:51,654 --> 02:00:54,153 Oh yeah! 2250 02:00:58,153 --> 02:00:59,779 Todd McCarthy: From that time 2251 02:00:59,779 --> 02:01:01,821 of the millennium in Spielberg's career, 2252 02:01:01,821 --> 02:01:06,237 There was something, whether it is personal, political, historical, 2253 02:01:06,237 --> 02:01:10,278 which drives it in a direction that is more adventurous and darker. 2254 02:01:10,278 --> 02:01:12,071 I basically don't buy 2255 02:01:12,071 --> 02:01:14,654 that he has a pessimistic world view 2256 02:01:14,654 --> 02:01:19,071 or that he suddenly changes and has more dubious opinions 2257 02:01:19,071 --> 02:01:21,821 from humanity, but still, 2258 02:01:21,821 --> 02:01:24,695 there is a change. 2259 02:01:24,695 --> 02:01:27,195 He was willing to go to the place 2260 02:01:27,195 --> 02:01:30,320 that he would never entered the previous film. 2261 02:01:35,320 --> 02:01:37,570 Alright, Howard Marks. Where are you 2262 02:01:37,570 --> 02:01:40,029 The story is very complicated, "Minority Report." 2263 02:01:40,029 --> 02:01:41,654 A very dark story actually. 2264 02:01:41,654 --> 02:01:44,195 you know, democracy, freedom of choice, 2265 02:01:44,195 --> 02:01:46,612 corruption. 2266 02:01:46,612 --> 02:01:48,987 Dark and futuristic dystopian tones 2267 02:01:48,987 --> 02:01:51,403 it was very attractive to me at the time. 2268 02:01:51,403 --> 02:01:53,362 Tennessee Williams said that artists 2269 02:01:53,362 --> 02:01:55,570 were like canaries in coal mines. 2270 02:01:55,570 --> 02:01:58,112 And Steven had an extraordinary talent 2271 02:01:58,112 --> 02:02:02,153 to feel what is happening in the world around him 2272 02:02:02,153 --> 02:02:05,654 and what needs said at that moment. 2273 02:02:05,654 --> 02:02:08,904 I think he is a filmmaker that is very reliable. 2274 02:02:08,904 --> 02:02:11,278 With the mandate of the Division Precrime District of Columbia, 2275 02:02:11,278 --> 02:02:12,854 I put you under arrest for 2276 02:02:12,855 --> 02:02:14,694 the murder of Sarah Marks and < br /> Donald in the future... 2277 02:02:14,737 --> 02:02:18,278 This film anticipates the overall post-9/11 mentality 2278 02:02:18,278 --> 02:02:21,278 holds people before they can commit a crime 2279 02:02:21,278 --> 02:02:22,904 and preventive detention and so on. 2280 02:02:26,987 --> 02:02:28,529 But the movie I made 2281 02:02:28,529 --> 02:02:31,737 That is a real statement about 9/11 is "War of the World." 2282 02:02:31,737 --> 02:02:33,071 For me, it starts with what will actually happen 2283 02:02:37,071 --> 02:02:40,779 if we are invaded 2284 02:02:40,779 --> 02:02:42,695 and everything what we think 2285 02:02:42,695 --> 02:02:44,612 dan segala sesuatu yang kita pikir 2286 02:02:44,612 --> 02:02:47,779 makes us immune to invasion 2287 02:02:47,779 --> 02:02:48,862 is it wrong? 2288 02:03:00,529 --> 02:03:02,654 There is a Cruise character sequence 2289 02:03:02,654 --> 02:03:05,654 Walk through the streets and rays turn people into dust 2290 02:03:05,654 --> 02:03:08,987 and some of the dust is in his hair. 2291 02:03:08,987 --> 02:03:11,153 And he goes home and sees himself shocked 2292 02:03:11,153 --> 02:03:14,695 and realizes that it is the rest in his hair. 2293 02:03:14,695 --> 02:03:16,403 Oh! 2294 02:03:16,403 --> 02:03:19,112 Steven handled that very wisely. 2295 02:03:19,112 --> 02:03:21,904 9/11 was part of national soul we, 2296 02:03:21,904 --> 02:03:25,153 you don't have to do much to evoke the shock that we all feel 2297 02:03:25,153 --> 02:03:28,071 and the helplessness that we all feel attacked. 2298 02:03:49,487 --> 02:03:51,612 Good afternoon. I am Jim McKay talking to you 2299 02:03:51,612 --> 02:03:54,737 Staying current from ABC headquarters 2300 02:03:54,737 --> 02:03:58,071 tepat di luar Desa Olimpiade di Munich, Jerman Barat. 2301 02:03:58,071 --> 02:04:01,153 Peace of what - will be called "Calm Olympics" 2302 02:04:01,153 --> 02:04:04,779 Go home just before dawn This morning around 5:00. 2303 02:04:04,779 --> 02:04:08,029 Nothing expecting Steven Spielberg, 2304 02:04:08,029 --> 02:04:10,654 is perhaps the most famous Jewish artist in the world, 2305 02:04:10,654 --> 02:04:12,403 to weigh in the Middle East 2306 02:04:12,403 --> 02:04:14,237 because it is a minefield, 2307 02:04:14,237 --> 02:04:16,362 and Steven is not a sensationalist 2308 02:04:16,362 --> 02:04:19,695 in the sense of wanting to create, 2309 02:04:19,695 --> 02:04:22,445 you know, a storm triggers controversy. 2310 02:04:22,445 --> 02:04:24,904 This is building number 31 . 2311 02:04:24,904 --> 02:04:26,654 Right now, 2312 02:04:26,654 --> 02:04:29,862 eight or nine creatures fearful life 2313 02:04:29,862 --> 02:04:31,737 are being held. 2314 02:04:31,737 --> 02:04:34,987 I feel I am not can make this one side. 2315 02:04:34,987 --> 02:04:39,445 So, I know this will be controversy because of the very controversy. 2316 02:04:56,071 --> 02:04:59,278 Eric Bana: Stories of Mossad agent groups 2317 02:04:59,278 --> 02:05:01,821 who was assembled to avenge his death 2318 02:05:01,821 --> 02:05:04,862 from Israeli athletes at Munich Olympics. 2319 02:05:08,987 --> 02:05:13,195 Their task was to pursue a list of targeted people 2320 02:05:13,195 --> 02:05:16,362 who are part of a terrorist group. 2321 02:05:16,362 --> 02:05:20,320 And their task is one by one, kill them. 2322 02:05:20,320 --> 02:05:23,821 Daniel Craig: This film tries to influence /> and turn on a debate. 2323 02:05:23,821 --> 02:05:26,904 Is revenge the answer? Does it really solve anything? 2324 02:05:26,904 --> 02:05:28,904 If you continue the cycle of violence 2325 02:05:28,904 --> 02:05:30,737 and the blood cycle, then... 2326 02:05:30,737 --> 02:05:33,737 That's what they will do and nothing else. 2327 02:05:35,904 --> 02:05:38,529 Steven really wants to tell a human story, 2328 02:05:38,529 --> 02:05:42,195 that this is a male and not a super hero. 2329 02:05:42,195 --> 02:05:45,403 Doubts and their mistakes 2330 02:05:45,403 --> 02:05:48,904 and them - are the reality of what happened, do you know? 2331 02:05:48,904 --> 02:05:51,612 Life isn't a "James Bond" movie. 2332 02:05:51,612 --> 02:05:53,237 Are you - are you Wael Zwaiter? 2333 02:05:53,237 --> 02:05:55,487 He said yes already. He said yes. 2334 02:05:58,737 --> 02:06:00,779 What do we do? 2335 02:06:04,737 --> 02:06:06,029 What do I do? 2336 02:06:06,029 --> 02:06:08,112 Do you know why we are here? 2337 02:06:18,987 --> 02:06:21,904 At "Munich," Spielberg < 2338 02:06:21,904 --> 02:06:23,987 2339 02:06:23,987 --> 02:06:28,445 And he doesn't know where he is on it. 2340 02:06:28,445 --> 02:06:30,737 2341 02:06:30,737 --> 02:06:34,487 He - he supports it, 2342 02:06:34,487 --> 02:06:36,529 2343 02:06:36,529 --> 02:06:39,320 2344 02:06:39,320 --> 02:06:43,153 p> 2345 02:06:52,320 --> 02:06:55,987 But he was also bothered by it. 2346 02:06:57,195 --> 02:06:58,987 So, that is an example 2347 02:06:58,987 --> 02:07:02,237 of some kind of attention that entered into his work. 2348 02:07:04,529 --> 02:07:07,278 It took three days to shoot the scene. 2349 02:07:07,278 --> 02:07:10,320 Everything had to be from point of view. 2350 02:07:10,320 --> 02:07:12,779 There was a point of view people in the car. 2351 02:07:12,779 --> 02:07:17,029 So now we wait for the red light. 2352 02:07:17,029 --> 02:07:20,195 There is a point of view the guy in the telephone booth 2353 02:07:20,195 --> 02:07:21,862 who will dial that number 2354 02:07:21,862 --> 02:07:24,071 There is Avner's point of view. 2355 02:07:24,071 --> 02:07:27,195 This is a triangle of shots. 2356 02:07:27,195 --> 02:07:29,570 Geography is one of the things that matters most to me, 2357 02:07:29,570 --> 02:07:31,862 so that the audience doesn't thrown into chaos 2358 02:07:31,862 --> 02:07:33,654 trying to find out the story you told me. 2359 02:07:33,654 --> 02:07:36,403 Audience needs more clear than you. 2360 02:07:38,779 --> 02:07:40,695 - Does the truck block the signal? - No. 2361 02:07:40,695 --> 02:07:42,195 Will the remote still work? 2362 02:07:42,195 --> 02:07:43,862 I can make tension 2363 02:07:43,862 --> 02:07:47,237 if the audience knows where all players are, 2364 02:07:47,237 --> 02:07:48,821 and they know what the stakes are, 2365 02:07:48,821 --> 02:07:51,112 and they know that there is a ticking clock. 2366 02:07:51,112 --> 02:07:53,487 Like mothers and daughters entering the car 2367 02:07:53,487 --> 02:07:56,779 and then wind back because he forgot the glasses. 2368 02:08:05,529 --> 02:08:07,071 The tension of the order 2369 02:08:07,071 --> 02:08:09,529 is to let the audience know geographically 2370 02:08:09,529 --> 02:08:12,071 where is everyone at any time. 2371 02:08:12,071 --> 02:08:15,029 Allô? Allô? 2372 02:08:17,362 --> 02:08:18,737 Allô? 2373 02:08:37,278 --> 02:08:38,320 Stop! 2374 02:08:38,320 --> 02:08:40,821 Stop stopping. Cancel. 2375 02:08:44,153 --> 02:08:46,028 you are in the hands of someone who 2376 02:08:46,029 --> 02:08:48,225 will always show what you need to see 2377 02:08:48,278 --> 02:08:52,029 to understand, at the level narration, what happens. 2378 02:08:52,029 --> 02:08:54,112 And you will also see many things 2379 02:08:54,112 --> 02:08:56,695 that will help you understand a deeper level too. 2380 02:08:56,695 --> 02:09:02,278 And narrative devices like that are on his head 2381 02:09:02,278 --> 02:09:06,362 You know, I think is almost without precedent. 2382 02:09:12,153 --> 02:09:14,195 - Oui? - Mahmoud Hamshari? 2383 02:09:14,195 --> 02:09:15,362 Yes. 2384 02:09:22,362 --> 02:09:25,946 We talk a lot about politics 2385 02:09:25,946 --> 02:09:27,987 making movies like this. 2386 02:09:27,987 --> 02:09:30,445 How do you make films that allow 2387 02:09:30,445 --> 02:09:32,320 for possible understanding 2388 02:09:32,320 --> 02:09:35,987 why do these people kill athletes 2389 02:09:35,987 --> 02:09:37,153 do what they do 2390 02:09:37,153 --> 02:09:40,695 Not for any reason to forgive him, 2391 02:09:40,695 --> 02:09:43,654 but to try and understand it. 2392 02:09:43,654 --> 02:09:47,362 you killed Jews, and the world feels bad for them and thinks you are animals. 2393 02:09:47,362 --> 02:09:49,821 Yes, but then the world will see 2394 02:09:49,821 --> 02:09:51,695 how they make us be animals. 2395 02:09:51,695 --> 02:09:53,195 They will start asking questions 2396 02:09:53,195 --> 02:09:55,195 about the conditions in our enclosure. 2397 02:09:55,195 --> 02:09:58,029 The film is considered to suffer 2398 02:09:58,029 --> 02:09:59,695 of a sense of moral equality, 2399 02:09:59,695 --> 02:10:03,237 which is really the thing that is the bravest about this film. 2400 02:10:03,237 --> 02:10:07,737 This is looking for humanitarian aspects on both sides of the conflict this. 2401 02:10:07,737 --> 02:10:11,362 Ambiguity is something that you don't associate with Spielberg's films, 2402 02:10:11,362 --> 02:10:14,570 and "Munich" are films where he goes further 2403 02:10:14,570 --> 02:10:17,570 in its determination and ferocity 2404 02:10:17,570 --> 02:10:19,654 with which it approaches the subject. 2405 02:10:19,654 --> 02:10:21,862 Do we reach something? 2406 02:10:21,862 --> 02:10:24,695 Everyone we kill has > replaced by the worse! 2407 02:10:24,695 --> 02:10:27,612 Why did I cut my fingernails? They will grow back. 2408 02:10:27,612 --> 02:10:31,445 Do we kill to replace terrorist leadership or leadership Palestine? 2409 02:10:31,445 --> 02:10:33,237 kamu beritahu aku apa yang telah kami lakukan. 2410 02:10:33,237 --> 02:10:36,987 You killed them for a country that you now choose to leave behind. 2411 02:10:36,987 --> 02:10:39,403 The end of the film is not a celebration - 2412 02:10:39,403 --> 02:10:41,445 rejoices in the death of the enemy. 2413 02:10:41,445 --> 02:10:43,153 This is very quiet, 2414 02:10:43,153 --> 02:10:44,737 and only in the second view 2415 02:10:44,737 --> 02:10:46,654 am I aware of the Twin Towers? 2416 02:10:46,654 --> 02:10:48,445 is revealed at the end. 2417 02:10:50,570 --> 02:10:52,779 > 2418 02:10:52,779 --> 02:10:55,403 We do some scenes 2419 02:10:55,403 --> 02:10:56,904 without having space in the frame, 2420 02:10:56,904 --> 02:10:58,654 and then we do one take 2421 02:10:58,654 --> 02:11:02,071 by having space in the frame, 2422 02:11:02,071 --> 02:11:05,112 > 2423 02:11:05,112 --> 02:11:07,112 knowing that he would put Towers in. 2424 02:11:07,112 --> 02:11:08,570 Steven knew that he was making a controversial film. 2425 02:11:08,570 --> 02:11:10,570 He just didn't want to impose limits. 2426 02:11:10,570 --> 02:11:14,570 Why not just go and say what I want to say, you know? " 2427 02:11:18,029 --> 02:11:21,570 I made a choice because I want people to say 2428 02:11:21,570 --> 02:11:23,445 " Munich "is the context 2429 02:11:23,445 --> 02:11:26,612 for the problems that exist in the world today 2430 02:11:26,612 --> 02:11:30,195 and basically threatening us all. 2431 02:11:30,195 --> 02:11:34,112 You know, history is a special reminder 2432 02:11:34,112 --> 02:11:38,278 how bad it can be. 2433 02:11:38,278 --> 02:11:41,529 And if we don't solve this problem, 2434 02:11:41,529 --> 02:11:43,529 they accumulate. 2435 02:11:43,529 --> 02:11:45,445 And you can't-- There is no rug that is big enough 2436 02:11:45,445 --> 02:11:47,278 to sweep this problem under 2437 02:11:47,278 --> 02:11:50,570 And finally, something will happen. 2438 02:11:50,570 --> 02:11:53,529 So, "Munich" is a prayer for peace, 2439 02:11:53,529 --> 02:11:55,278 but peace in a way that is difficult. 2440 02:11:55,278 --> 02:11:58,320 you know, peace with find yourself 2441 02:11:58,320 --> 02:12:00,862 Your moral base is high. 2442 02:12:07,112 --> 02:12:09,029 All my films come from from my part 2443 02:12:09,029 --> 02:12:11,112 that I really can't articulate. 2444 02:12:11,112 --> 02:12:13,946 I definitely have intuitive facilities, 2445 02:12:13,946 --> 02:12:16,821 but I don't really analyze it or don't really question it. 2446 02:12:16,821 --> 02:12:19,195 It's like looking for a horse gift in the mouth, 2447 02:12:19,195 --> 02:12:22,237 and I'm almost superstitious that if I start questioning it, 2448 02:12:22,237 --> 02:12:24,445 it will, you know, fly away 2449 02:12:24,445 --> 02:12:27,153 I don't think there is any doubt < > that Steven's work 2450 02:12:27,153 --> 02:12:29,779 deals with a particular theme in his life, 2451 02:12:29,779 --> 02:12:33,237 which makes him a real private filmmaker. 2452 02:12:33,237 --> 02:12:38,029 Do you understand what which we say to you, Frank? 2453 02:12:38,029 --> 02:12:41,695 Your father and I divorced. 2454 02:12:41,695 --> 02:12:43,570 And the expression through pictures, 2455 02:12:43,570 --> 02:12:46,153 through the choice of stories and how he is dealing with characters. 2456 02:12:50,529 --> 02:12:52,403 All sensitivity Steven 2457 02:12:52,403 --> 02:12:56,153 Parallel to this young man's journey. 2458 02:12:57,695 --> 02:12:59,737 you immediately with this child, 2459 02:12:59,737 --> 02:13:01,195 and no matter what he does, 2460 02:13:01,195 --> 02:13:03,278 you know he is finding a way back 2461 02:13:03,278 --> 02:13:06,362 to repair the house this torn staircase. 2462 02:13:06,362 --> 02:13:10,029 - Have you tried calling him? - No. 2463 02:13:10,029 --> 02:13:13,029 Why - why didn't you call him right now? 2464 02:13:13,029 --> 02:13:14,946 < Daddy, why don't you call him now? Here. 2465 02:13:14,946 --> 02:13:16,737 Daddy, just call him 2466 02:13:16,737 --> 02:13:18,821 Call him for me You call him 2467 02:13:18,821 --> 02:13:21,737 you tell him that I have two first class tickets to go to see her child - 2468 02:13:21,737 --> 02:13:24,195 Your mother is married now with my friend Jack Barnes. 2469 02:13:24,195 --> 02:13:27,570 - They have homes on Long Island. - Oh no. 2470 02:13:27,570 --> 02:13:29,403 So often in Spielberg's film 2471 02:13:29,403 --> 02:13:31,071 an important relationship 2472 02:13:31,071 --> 02:13:33,612 is a relationship between parents and children 2473 02:13:33,612 --> 02:13:37,237 or family members or community members 2474 02:13:37,237 --> 02:13:40,487 are bound by affection and loyalty and responsibility. 2475 02:13:40,487 --> 02:13:43,278 This is a big theme that appears again and again and again 2476 02:13:43,278 --> 02:13:45,570 in different phases of his own life 2477 02:13:45,570 --> 02:13:47,487 and in different stories. 2478 02:13:50,112 --> 02:13:51,862 Whoa! Hey! 2479 02:13:51,862 --> 02:13:54,071 Ronnie, hold it. Hold Wa - 2480 02:13:54,071 --> 02:13:55,112 Hold 2481 02:13:57,278 --> 02:13:59,445 Family is a big element in my life, 2482 02:13:59,445 --> 02:14:01,445 That is why so many of my stories 2483 02:14:01,445 --> 02:14:06,987 are about separation and then reunification. 2484 02:14:06,987 --> 02:14:10,987 Even "Lincoln" is about separation and reunification. 2485 02:14:25,987 --> 02:14:27,445 Barry! 2486 02:14:27,445 --> 02:14:29,529 I have made a lot of movies 2487 02:14:29,529 --> 02:14:33,320 about broken families 2488 02:14:33,320 --> 02:14:38,112 and then the family found a foundation together to reunite. 2489 02:14:45,362 --> 02:14:48,570 There is a feeling that everything something, including the natural world, 2490 02:14:48,570 --> 02:14:52,112 conspire to attract people 2491 02:14:52,112 --> 02:14:55,237 or beings separate from each other 2492 02:14:55,237 --> 02:14:57,946 and then return it. 2493 02:14:57,946 --> 02:14:59,570 It's like Shakespeare's romance. 2494 02:14:59,570 --> 02:15:05,570 There is deep trust in his work... 2495 02:15:05,570 --> 02:15:09,195 What is missing will be restored. 2496 02:15:09,195 --> 02:15:11,153 And I thought he was looking for it 2497 02:15:11,153 --> 02:15:14,862 in almost all the movies he made. 2498 02:15:18,821 --> 02:15:21,237 Now slowly. 2499 02:15:21,237 --> 02:15:23,112 My mom and dad have today relationship 2500 02:15:23,112 --> 02:15:25,529 the authors in a storybook 2501 02:15:25,529 --> 02:15:27,862 will be accused of being overrated. 2502 02:15:27,862 --> 02:15:30,403 I feel very lucky that after years apart, 2503 02:15:30,403 --> 02:15:33,654 My parents spend quality with each other. 2504 02:15:33,654 --> 02:15:37,195 If you look at the first 18 years 2505 02:15:37,195 --> 02:15:39,862 of Steve's life and now, today, 2506 02:15:39,862 --> 02:15:42,737 you won't know that there is a big piece in the middle, 2507 02:15:42,737 --> 02:15:44,445 that there is a divorce and farewell, 2508 02:15:44,445 --> 02:15:47,195 lots of tears, and man
02:15:50,487 and, you know, it looks like we are one a continuous and happy family. 2510 02:15:50,487 --> 02:15:52,570 We just lost > film rolls at home 2511 02:15:52,570 --> 02:15:54,112 in the middle of life. 2512 02:15:54,112 --> 02:15:56,654 Now he's back in love with me. 2513 02:15:56,654 --> 02:15:57,862 Isn't that good? 2514 02:15:59,529 --> 02:16:03,403 Oh, Lea. 2515 02:16:05,529 --> 02:16:07,612 Janusz, it will be two better shots. 2516 02:16:07,612 --> 02:16:10,570 Jika Dougie ada di sini, oke, maka itu bukan penyebarannya. 2517 02:16:10,570 --> 02:16:14,278 - So it's not one. This is here. - No, no, it's a single. 2518 02:16:14,278 --> 02:16:17,445 As we begin to pull away again, Dougie immediately follows. 2519 02:16:17,445 --> 02:16:18,695 Then we keep moving ? 2520 02:16:18,695 --> 02:16:19,987 Yes, we keep moving, 2521 02:16:19,987 --> 02:16:21,779 But now it looks like 2522 02:16:21,779 --> 02:16:24,195 - there's nothing in the middle but the window is - Get to you. 2523 02:16:24,195 --> 02:16:27,695 Steven likes to be part of from a large group of people 2524 02:16:27,695 --> 02:16:30,362 and filmmaking companies who are making movies. 2525 02:16:30,362 --> 02:16:32,695 This is is a great big club. This is a big and big family. 2526 02:16:32,695 --> 02:16:36,779 - Tom, "Action" - I think it defines Steven's filmmaking 2527 02:16:36,779 --> 02:16:38,445 In many things, many different ways 2528 02:16:38,445 --> 02:16:42,821 because Steven reasoned and felt very safe 2529 02:16:42,821 --> 02:16:46,112 in the environment with family. 2530 02:16:46,112 --> 02:16:48,403 He liked close relationships 2531 02:16:48,403 --> 02:16:51,737 with some people he trusted 2532 02:16:51,737 --> 02:16:54,278 and he could open his life up. 2533 02:16:54,278 --> 02:16:56,612 And then he was very reluctant told anyone to leave. 2534 02:16:56,612 --> 02:16:58,779 It's there. It looks really good. 2535 02:16:58,779 --> 02:17:00,612 We work for Steven. 2536 02:17:00,612 --> 02:17:03,946 He is the boss, but he encourages people with talent 2537 02:17:03,946 --> 02:17:06,654 to use talent, to be brave with it, 2538 02:17:06,654 --> 02:17:08,153 to take risks, 2539 02:17:08,153 --> 02:17:10,695 because he wants to be stimulated as a filmmaker, 2540 02:17:10,695 --> 02:17:12,987 But who works with him, you know. 2541 02:17:12,987 --> 02:17:15,403 And that is the quality that is very good at filmmakers. 2542 02:17:15,403 --> 02:17:17,320 He is very collaborative. 2543 02:17:17,320 --> 02:17:19,320 He uses his people many times in films 2544 02:17:19,320 --> 02:17:21,487 because we have spoken briefly with each other. 2545 02:17:21,487 --> 02:17:23,946 - We've all worked together. - And they will come to full size... 2546 02:17:23,946 --> 02:17:25,904 He understands that people can serve him 2547 02:17:25,904 --> 02:17:28,362 and how to synchronize his wishes with your own wishes. 2548 02:17:28,362 --> 02:17:30,195 He must have made a great general. 2549 02:17:30,195 --> 02:17:32,445 If you could say it was a film unit 2550 02:17:32,445 --> 02:17:35,153 Can be like a crew Special Forces movie, 2551 02:17:35,153 --> 02:17:36,529 That's what he has. 2552 02:17:36,529 --> 02:17:39,153 The team works so fast, 2553 02:17:39,153 --> 02:17:42,612 It's so difficult to pass lots of things every day. 2554 02:17:42,612 --> 02:17:44,403 Everyone stands up, claps. 2555 02:17:44,403 --> 02:17:45,987 And I think you can come for sadness 2556 02:17:45,987 --> 02:17:47,862 very, very quickly on Steven's set 2557 02:17:47,862 --> 02:17:49,821 If you don't well prepared. 2558 02:17:49,821 --> 02:17:51,195 Everyone must 2559 02:17:51,195 --> 02:17:53,487 And it creates extraordinary energy. 2560 02:17:56,445 --> 02:18:00,112 I work with my colleague, and I've worked with him for decades. 2561 02:18:00,112 --> 02:18:02,153 I mean, I don't know what I will do without them. 2562 02:18:02,153 --> 02:18:05,237 Roll sound 2563 02:18:06,654 --> 02:18:09,112 I can't really have sanity 2564 02:18:09,112 --> 02:18:11,695 unless I have intimacy. 2565 02:18:11,695 --> 02:18:13,612 And it's just an extraordinary family 2566 02:18:13,612 --> 02:18:16,737 that I have been able to collect over the years. 2567 02:18:16,737 --> 02:18:19,195 I like being part of a tapestry, 2568 02:18:19,195 --> 02:18:21,445 So to speak, you know, like "Fiddler on the Roof". 2569 02:18:21,445 --> 02:18:24,654 ♪ After 37 years, happy to know... ♪ Do you know? 2570 02:18:24,654 --> 02:18:27,529 Michael Kahn and I are sisters. 2571 02:18:27,529 --> 02:18:30,195 Michael p> 2572 02:18:30,195 --> 02:18:34,695 He started with me in "Close Encounters of the Third Kind," 2573 02:18:34,695 --> 02:18:37,862 Janusz Kaminski has been doing everything since "Schindler list." 2574 02:18:37,862 --> 02:18:41,862 But John Williams is my oldest collaboration, 2575 02:18:41,862 --> 02:18:45,487 and I depend on Johnny more from which I depend on anyone 2576 02:18:45,487 --> 02:18:47,946 to rewrite my musical film 2577 02:18:47,946 --> 02:18:51,904 and put them over more rung than I can achieve. 2578 02:18:51,904 --> 02:18:54,445 you know, if I have to go back and come back 2579 02:18:54,445 --> 02:18:57,570 the creative team that surrounds me, 2580 02:18:57,570 --> 02:19:00,987 I won't be able to work as often as I do. 2581 02:19:00,987 --> 02:19:02,403 > 2582 02:19:04,904 --> 02:19:08,029 That's impossible. 2583 02:19:08,029 --> 02:19:10,320 Steven sees movies continuously 2584 02:19:10,320 --> 02:19:14,153 and again and again and again, 2585 02:19:14,153 --> 02:19:16,862 reference images and framing and ideas. 2586 02:19:20,695 --> 02:19:23,403 That is something that Steven did all the time. 2587 02:19:23,403 --> 02:19:26,904 The work of the filmmaker that was great was constantly created 2588 02:19:26,904 --> 02:19:29,737 So, one of the films that I still see every year 2589 02:19:29,737 --> 02:19:31,654 is "Lawrence of Arabia." 2590 02:19:39,612 --> 02:19:42,695 Shots, shadows, 2591 02:19:42,695 --> 02:19:46,029 and character portraits that are so complex, 2592 02:19:46,029 --> 02:19:48,153 that is pure filmmaking. 2593 02:19:48,153 --> 02:19:49,737 Hey! 2594 02:19:49,737 --> 02:19:53,278 Hey! Hey! Hey! 2595 02:20:00,029 --> 02:20:01,946 Who are you? 2596 02:20:03,987 --> 02:20:06,987 Who are you? 2597 02:20:06,987 --> 02:20:08,695 Steven always wants to work 2598 02:20:08,695 --> 02:20:12,320 In a big sort, you know,
history canvas like that, 2599 02:20:12,320 --> 02:20:15,112 and it took a lot of films before he completed it 2600 02:20:15,112 --> 02:20:19,112 the level of making that great film. 2601 02:20:19,112 --> 02:20:21,821 Years ago , Pauline Kael gave me a really great review 2602 02:20:21,821 --> 02:20:23,987 on "Sugarland Express," but he said, 2603 02:20:23,987 --> 02:20:26,570 "Whatever is on the surface maybe there. 2604 02:20:26,570 --> 02:20:28,071 Maybe there's nothing behind that. " 2605 02:20:28,071 --> 02:20:30,320 And he's really right. 2606 02:20:30,320 --> 02:20:33,695 I haven't grown through film. 2607 02:20:33,695 --> 02:20:35,862 It will come in time. 2608 02:20:42,362 --> 02:20:46,153 Look what he did almost 50 years. 2609 02:20:48,612 --> 02:20:51,112 There must be many variations. 2610 02:20:53,320 --> 02:20:57,612 There are a number of things that he did that didn't work, 2611 02:20:57,612 --> 02:21:00,654 But not at all < br /> there are those like him 2612 02:21:00,654 --> 02:21:03,529 and there is no trajectory of film career 2613 02:21:03,529 --> 02:21:07,237 That is something like he is in film history. 2614 02:21:07,237 --> 02:21:11,362 He speaks cinema as if his mother tongue. 2615 02:21:11,362 --> 02:21:14,153 He is very fluent in doing it so he does many things 2616 02:21:14,153 --> 02:21:16,195 no one else dares to do it 2617 02:21:16,195 --> 02:21:18,612 and they are immediately recognized 2618 02:21:18,612 --> 02:21:21,737 as pure things. 2619 02:21:21,737 --> 02:21:25,695 He has a dynamic sense of real filmmaking. 2620 02:21:25,695 --> 02:21:27,403 I talk about filmmaking - 2621 02:21:27,403 --> 02:21:30,362 in the narrative tradition of the great American cinema. 2622 02:21:31,529 --> 02:21:32,946 Steven is blessed 2623 02:21:32,946 --> 02:21:35,237 because he can be commercial 2624 02:21:35,237 --> 02:21:37,112 and he can do art. 2625 02:21:37,112 --> 02:21:39,403 > 2626 02:21:39,403 --> 02:21:40,987 That's why I always compare it 2627 02:21:40,987 --> 02:21:43,570 to some sort of George Gershwin, 2628 02:21:43,570 --> 02:21:45,987 because Gershwin can write a show on Broadway 2629 02:21:45,987 --> 02:21:48,737 or he can write "Concerto in F." 2630 02:21:48,737 --> 02:21:50,612 He can do both, and very much few people can do both. 2631 02:21:50,612 --> 02:21:53,570 And Steven can do both. 2632 02:21:56,071 --> 02:21:57,862 And that is the talent you have to go through. 2633 02:21:57,862 --> 02:21:59,237 you think of that young man in Arizona, 2634 02:21:59,237 --> 02:22:01,445 in the desert, watching a movie, 2635 02:22:01,445 --> 02:22:04,612 watching television constantly, 2636 02:22:04,612 --> 02:22:06,904 One day sneak into a studio, 2637 02:22:06,904 --> 02:22:09,737 This is a fantastic Hollywood story. 2638 02:22:11,612 --> 02:22:14,487 He found a way to take his views on the world, 2639 02:22:14,487 --> 02:22:19,153 his dreams, his optimism, 2640 02:22:19,153 --> 02:22:23,237 and also the feeling of the incredible sensation, 2641 02:22:23,237 --> 02:22:24,946 and sort of galvanizing everything 2642 02:22:24,946 --> 02:22:27,737 into anything the story he says. 2643 02:22:27,737 --> 02:22:30,112 This is authentic to him. 2644 02:22:32,737 --> 02:22:34,612 Steven has a part of himself 2645 02:22:34,612 --> 02:22:36,612 who wants to see something good 2646 02:22:36,612 --> 02:22:38,320 in darkness 2647 02:22:38,320 --> 02:22:41,112 or who wants to only have playing time. 2648 02:22:45,654 --> 02:22:48,987 And maybe someone says that he is not nervous enough 2649 02:22:48,987 --> 02:22:53,112 or he is not bitter enough, he is not strange enough, 2650 02:22:53,112 --> 02:22:55,612 or he isn't dark enough, 2651 02:22:55,612 --> 02:22:58,821 but when it all ends and is said and done, 2652 02:22:58,821 --> 02:23:02,821 What Steven has left is very large. 2653 02:23:04,487 --> 02:23:07,987 Having humor and tension 2654 02:23:07,987 --> 02:23:10,529 and adventure and heart 2655 02:23:10,529 --> 02:23:14,320 through his eyes that are great telling 2656 02:23:14,320 --> 02:23:17,737 is a good thing. 2657 02:23:17,737 --> 02:23:21,612 Steven still has a huge appetite 2658 02:23:21,612 --> 02:23:23,821 for the work he does. 2659 02:23:23,821 --> 02:23:26,071 This is a rare thing. 2660 02:23:26,071 --> 02:23:29,487 You know, we all have , maybe, shelf life. 2661 02:23:31,487 --> 02:23:34,737 Yes, we might pass the shelf life, 2662 02:23:34,737 --> 02:23:37,904 Most of us, without even knowing it. 2663 02:23:37,904 --> 02:23:42,362 But in his case, I thought, until the day of his death, he would start working 2664 02:23:42,362 --> 02:23:47,695 that he felt really forced to do something. 2665 02:23:55,000 --> 02:24:10,000 Submitted by: www.subtitlecinema.com