0 00:00:11,000 --> 00:00:20,000 Visit www.Markasjudi.id Trusted Secure Online Gambling Agents 1 00:00:01,870 --> 00:00:05,639 [♪♪♪] 2 00:00:24,627 --> 00:00:26,527 I SAY TO IT. 3 00:00:26,562 --> 00:00:27,494 You don't ? 4 00:00:27,530 --> 00:00:28,962 I DO IT. 5 00:00:28,997 --> 00:00:31,565 I WILL BE STRONG IF I HAVE TO. 6 00:00:31,601 --> 00:00:34,568 I FEEL VERY BAD BEING THIS POSITION. 7 00:00:34,604 --> 00:00:36,670 WHAT DOES IT SAY? 8 00:00:36,706 --> 00:00:37,804 HE'S AROUND, 9 00:00:37,840 --> 00:00:39,240 USUALLY. 10 00:00:39,275 --> 00:00:41,174 HE'S ONLY FOR ONLY, 11 00:00:41,210 --> 00:00:42,843 DOES NOT LONGER . 12 00:00:43,946 --> 00:00:45,112 YOU ARE SERIOUS OF THIS TIME. 13 00:00:45,147 --> 00:00:46,413 YES. 14 00:00:46,449 --> 00:00:47,548 I AM THAT. 15 00:00:47,583 --> 00:00:48,515 EXCELLENT. 16 00:00:48,551 --> 00:00:49,883 GOOD FOR YOU. 17 00:00:49,952 --> 00:00:52,085 OK, WE'RE GOTTA GO, 18 00:00:52,121 --> 00:00:53,120 & apos; CAUSE YOU WILL BE LATE. 19 00:00:56,125 --> 00:00:58,759 I CANNOT TELL YOU HOW TO COMPLETE THIS , 20 00:00:58,794 --> 00:01:00,661 NEW CD, NEW TOUR, 21 00:01:00,696 --> 00:01:03,464 IT FEELS GREAT TO SAY THANK YOU BACK TO FANS. 22 00:01:03,499 --> 00:01:04,665 YOU WILL PLAY SMALL MARKETS 23 00:01:04,734 --> 00:01:05,633 PRETTY CONSISTENTLY 24 00:01:05,701 --> 00:01:07,234 FOR SOME LAST YEARS. 25 00:01:07,270 --> 00:01:08,569 WHY STARTING WITH A SHOW HERE 26 00:01:08,638 --> 00:01:10,137 IN YOUR HOME CITY? 27 00:01:10,172 --> 00:01:12,239 WHERE DO I FEEL MOST COMFORTABLE, 28 00:01:12,275 --> 00:01:14,541 AND MY FRIENDS HERE HIGHLY RECOMMEND. 29 00:01:14,577 --> 00:01:15,442 [CHUCKLES] 30 00:01:15,478 --> 00:01:17,144 TELL ME ABOUT THE NEW CD. 31 00:01:17,179 --> 00:01:18,245 YOU'RE THEIR, TRUE? 32 00:01:18,281 --> 00:01:19,346 BETUL. 33 00:01:19,382 --> 00:01:21,348 WE DO NOT DO LABELS CURRENTLY, 34 00:01:21,384 --> 00:01:24,084 BUT WE CAN FIND AND PRODUCE OUR OWN CD, 35 00:01:24,119 --> 00:01:26,687 AVAILABLE IN SHOWS OR IN OUR WEBSITE. 36 00:01:26,722 --> 00:01:27,721 JOHN, WHY IS A NEW CD? 37 00:01:27,757 --> 00:01:29,222 WHY NOW? 38 00:01:29,292 --> 00:01:32,559 I WIFE, PAMELA... 39 00:01:32,595 --> 00:01:34,027 [♪ ♪♪] 40 00:01:34,062 --> 00:01:36,196 DIA DILAKUKAN SAYA MEMILIKI ITU UNTUK FANS SAYA. 41 00:01:36,265 --> 00:01:37,665 AND I THINK HE'S ONLY TIRED OF ME 42 00:01:37,733 --> 00:01:39,500 HANGING AROUND THE HOUSE. 43 00:01:39,535 --> 00:01:40,401 [SWITCH] 44 00:01:40,436 --> 00:01:41,902 BUT SERIOUSLY, 45 00:01:41,970 --> 00:01:43,837 HE IS THE REASON I WRITE AGAIN. 46 00:01:43,906 --> 00:01:46,239 MY BEST FEEDBACK, 47 00:01:46,275 --> 00:01:47,541 MY MUSE, 48 00:01:47,576 --> 00:01:50,177 AND THE BOSS. 49 00:01:50,245 --> 00:01:52,613 AFTER 10 YEARS OF MARRIAGE, I KNOW ENOUGH NOT WALKING. 50 00:01:52,682 --> 00:01:53,547 [TAWA] 51 00:01:58,120 --> 00:01:59,853 [♪♪♪] 52 00:01:59,888 --> 00:02:02,055 CHOCOLATE DONUT /> OR BEAR CLAW? 53 00:02:03,459 --> 00:02:05,592 WHAT HAPPENS TO PRODUCE AND KALE? 54 00:02:05,628 --> 00:02:06,860 THIS IS A DRUG. 55 00:02:06,895 --> 00:02:07,861 DONUT OR BEAR CLAW? p> 56 00:02:07,896 --> 00:02:09,496 BEAR CLAW, SMALL PIECE. 57 00:02:09,532 --> 00:02:10,798 WHAT'S HAPPENING? 58 00:02:10,833 --> 00:02:12,433 IT IS MY SUSTER. 59 00:02:12,501 --> 00:02:13,500 IS SHE OK? 60 00:02:13,536 --> 00:02:15,202 HE COMES TO VISIT. 61 00:02:15,270 --> 00:02:16,670 I WILL TAKE A GREAT PIECE. 62 00:02:16,739 --> 00:02:17,738 WHEN HE COMES? 63 00:02:17,773 --> 00:02:19,272 SATURDAY. 64 00:02:19,342 --> 00:02:20,541 WHY? WHY AFTER ALL THIS TIME? 65 00:02:20,576 --> 00:02:22,209 SHE SHOULD HAVE MISSES ME. 66 00:02:22,277 --> 00:02:24,110 GOOD, WHICH CAN BE GOOD. 67 00:02:24,146 --> 00:02:25,446 I MEAN , THAT CAN GOOD THINGS. 68 00:02:27,850 --> 00:02:29,483 OR YOU CAN EAT YOUR FEELINGS. 69 00:02:29,518 --> 00:02:30,718 MM-HMM. 70 00:02:30,753 --> 00:02:32,453 [SHOP & apos; S ENTRY BELL JINGLES] 71 00:02:34,156 --> 00:02:35,155 HAI. 72 00:02:35,190 --> 00:02:36,323 CAN HELP YOU? 73 00:02:36,359 --> 00:02:38,392 YEAH, WE ARE LOOKING FOR FOR THE VINTAGE COAT. 74 00:02:38,427 --> 00:02:41,027 LIKE, MEN & S, MOHAIR, BLONDE...? 75 00:02:41,063 --> 00:02:42,496 LIKE A CAR COAT? 76 00:02:42,531 --> 00:02:45,098 LIKE JOHN DALTON WORE IN THE FIRST ALBUM? 77 00:02:45,133 --> 00:02:46,367 [CHUCKLES WRYLY] UH, YEAH, EXACTLY THAT. 78 00:02:46,402 --> 00:02:47,735 IT IS FOR JOHN. 79 00:02:47,803 --> 00:02:49,803 I'M CASSIE PARKER, 80 00:02:49,839 --> 00:02:51,472 I'M JOHN & S; br> AND THIS DANI. 81 00:02:51,540 --> 00:02:52,406 DAN INI ADALAH LITA MERRILL, 82 00:02:52,441 --> 00:02:53,507 DIA BERMAIN BASS DI BAND. 83 00:02:53,542 --> 00:02:55,542 BAIK, saya JENN, DAN INI DANI. 84 00:02:55,578 --> 00:02:56,610 HE IS A BIG FAN. 85 00:02:56,645 --> 00:02:57,944 I'M JUST, I LOVE THE MUSIC. 86 00:02:57,980 --> 00:02:59,012 I READ 87 00:02:59,047 --> 00:03:00,313 THAT HE PLAYS CLUB LOCAL? 88 00:03:00,349 --> 00:03:01,548 BETUL. 89 00:03:01,617 --> 00:03:02,983 I GET YOU TICKETS GUYS 90 00:03:03,018 --> 00:03:05,352 BUT IT'S SOLD OUT TO HAVE A CLUB MEMBER. 91 00:03:05,388 --> 00:03:06,854 YEAH, I'VE BEEN IT ALSO. 92 00:03:06,889 --> 00:03:08,756 OH, I KNOW YOU MUST HAVE JOIN THE FAN CLUB. 93 00:03:08,791 --> 00:03:09,823 YOU CAN COME 94 00:03:09,892 --> 00:03:11,057 FOR SOUND CHECKS, 95 00:03:11,093 --> 00:03:12,192 NEXT BEST THING. 96 00:03:12,227 --> 00:03:14,027 YEAH, OR WE CAN MAY GET JOHN 97 00:03:14,062 --> 00:03:15,128 TO AVOID BY STORES. > 98 00:03:15,163 --> 00:03:16,730 ARE YOU SERIOUS? 99 00:03:16,766 --> 00:03:19,032 I MEAN, WE'LL JUST-- WE WILL LOVE IT. 100 00:03:19,067 --> 00:03:20,166 GOOD. 101 00:03:20,202 --> 00:03:21,635 JOHN DEND SEND US ON MISSION, ENOUGH, 102 00:03:21,670 --> 00:03:23,737 UNTUK MENCOBA UNTUK MENEMUKAN KATUP DARI BAHWA ALBUM COVER? 103 00:03:23,773 --> 00:03:24,538 I know what YOU SPEAK ABOUT, 104 00:03:24,573 --> 00:03:25,539 BUT WE HAVE NO ONE. 105 00:03:25,574 --> 00:03:26,573 YOU MAY TRY VINTAGE THREADS ON ELM. 106 00:03:26,642 --> 00:03:27,708 COOL. 107 00:03:27,777 --> 00:03:29,643 IT IS REALLY NICE TO MEET YOU GUYS. 108 00:03:29,678 --> 00:03:30,944 I WILL GET YOU ABOUT REGISTER FOR VOICE CHECK. 109 00:03:30,979 --> 00:03:32,279 THANK YOU! 110 00:03:32,314 --> 00:03:33,246 [GASPING IN DELIGHT] 111 00:03:33,315 --> 00:03:34,381 IT WAS VERY COOL. 112 00:03:34,450 --> 00:03:37,718 WOW! "SOUND TEST," OFFICIAL SOUNDS SO. 113 00:03:37,753 --> 00:03:40,521 [♪♪♪] 114 00:03:46,462 --> 00:03:48,462 DANI LOVES HIM, 115 00:03:48,497 --> 00:03:50,297 AND I WANT TO GO TO CHECK SOUND. 116 00:03:50,365 --> 00:03:51,398 I'M NEVER EVER FOR ONE. 117 00:03:51,434 --> 00:03:52,733 JOHNNY DALTON. 118 00:03:52,802 --> 00:03:54,334 MUSIC COUNTRY, RIGHT? 119 00:03:54,369 --> 00:03:55,436 I AM NOT NEVER SAY IT. 120 00:03:55,471 --> 00:03:56,403 HE'S STATE, 121 00:03:56,439 --> 00:03:57,838 BUT THE MODERN TYPE. 122 00:03:57,873 --> 00:04:00,474 HE HAS THAT BIG HIT, UH, "TRUE FOR YOU." 123 00:04:00,509 --> 00:04:01,942 I LOVE THE SONG. 124 00:04:01,977 --> 00:04:03,410 IT WAS ANYWHERE SOME YEARS OLD. 125 00:04:03,446 --> 00:04:04,711 THEN, NO. 126 00:04:04,747 --> 00:04:06,313 I TAKE MONEY FROM ONE BIG HIT. 127 00:04:06,348 --> 00:04:07,514 [CHUCKLING] 128 00:04:07,550 --> 00:04:09,550 GOOD, I HAVE TO SOME, UH, I GIVE SOME GOOD NEWS. 129 00:04:09,585 --> 00:04:12,385 WE JUST SIGN UP BIG CONTRACTS TO BUILD A NEW LUXURY CONDUCT 130 00:04:12,421 --> 00:04:14,421 ONCE THEY TEAR DOWN OLD HATCHER BUILDING. 131 00:04:14,457 --> 00:04:15,756 AND YOU GONNA LOVED THIS, 132 00:04:15,791 --> 00:04:17,257 IT IS SUSTAINABLE AND COUNTRY OF ART. 133 00:04:17,292 --> 00:04:18,759 NOT A BUILDING ABOUT HISTORICAL REGISTERS? 134 00:04:18,828 --> 00:04:20,060 NO. 135 00:04:20,128 --> 00:04:21,528 NO, IT & OLD; S OLD, IT WAS NOT LOOKING FOR IT, 136 00:04:21,597 --> 00:04:24,230 BUT IT WAS OLD, AND IT WAS... IT WAS COMPLETE ANYTHING. 137 00:04:24,266 --> 00:04:25,699 It's old 138 00:04:29,137 --> 00:04:31,204 I DON'T EVEN KNOW THAT DANI HAS A SUSTER. 139 00:04:31,239 --> 00:04:33,173 BETH ANN, HE'S LONGER. 140 00:04:33,208 --> 00:04:35,408 JUDGMENTAL BIT AND CRITICAL, 141 00:04:35,444 --> 00:04:39,480 THINK DANI MUST UNDERSTAND, HIS CHILDREN, HAVE "REAL JOB." 142 00:04:39,515 --> 00:04:41,482 HAVE ANTIQUE SHOPS NOT A JOB REAL? 143 00:04:41,517 --> 00:04:42,916 BETH ANN SAYS This is a HOBBY. 144 00:04:42,952 --> 00:04:44,017 NEEDS TO SAY, 145 00:04:44,052 --> 00:04:45,552 THERE ARE MANY TENSIONS AMONG THEM. 146 00:04:45,588 --> 00:04:46,353 WHAT IS THE JOB? 147 00:04:46,388 --> 00:04:47,354 WORKING WORK. 148 00:04:47,422 --> 00:04:48,755 HE'S IN THE BOARD OF THIS AND THAT. 149 00:04:48,791 --> 00:04:51,324 IT WAS ESTABLISHED SOME BIG COMPANIES EXECUTIVELY. 150 00:04:51,360 --> 00:04:53,494 DOES NOT SOUND SUCH AS DANI. 151 00:04:53,529 --> 00:04:55,462 SO, WHY DOES IT COME TO VISIT? 152 00:04:55,498 --> 00:04:57,063 LOOKS MYSTERY. p> 153 00:04:57,099 --> 00:04:59,399 AH, THAT WORD... 154 00:04:59,468 --> 00:05:01,401 At least we MAKE PROGRESS. 155 00:05:01,436 --> 00:05:02,736 HOW WITH THAT? 156 00:05:02,771 --> 00:05:05,338 GOOD, WE HAVE MYSTERY, THERE IS NO BODY OFF. 157 00:05:05,374 --> 00:05:06,339 CUTE. 158 00:05:06,375 --> 00:05:08,308 [CHUCKLING] 159 00:05:08,343 --> 00:05:09,242 SELAMAT MALAM SAYANG. 160 00:05:09,277 --> 00:05:11,578 HAPPY NIGHTS. 161 00:05:22,224 --> 00:05:23,790 NO, TICKETS SELL, 162 00:05:23,826 --> 00:05:24,925 IT'S NOT GOOD ONLY AS WE STOP. 163 00:05:24,994 --> 00:05:26,627 IT'S HARD < br>> BELIEVE. 164 00:05:26,662 --> 00:05:28,294 GOOD, WHAT ARE WE SWITCH UP SOME OF THESE VENUSS? 165 00:05:28,330 --> 00:05:30,096 YOU KNOW, SMALL CLUBS INSTEAD OF THEATER? 166 00:05:30,132 --> 00:05:31,665 RICK, YOU DO NOT CHANGE ONE THING. 167 00:05:31,700 --> 00:05:33,266 THEIR CHAIRS WILL SELL WHEN REVIEWS COME 168 00:05:33,301 --> 00:05:35,435 AND THE NEW JOHN CD IS STREAMING 169 00:05:35,470 --> 00:05:37,270 Okay, this and this BOTH "NO" S. 170 00:05:37,339 --> 00:05:38,539 This is fine 171 00:05:38,574 --> 00:05:40,173 I am SERIOUS, RICK, NO JUNK. 172 00:05:40,208 --> 00:05:42,275 GET A DIFFERENT DESIGNER IF HE COULDN'T DO BETTER. 173 00:05:42,310 --> 00:05:43,276 JUST WANT YOU TO SEE & apos; EM. 174 00:05:43,345 --> 00:05:45,311 I LOOK AT THEM. 175 00:05:45,347 --> 00:05:46,513 YOU GET BETTER MOVING 176 00:05:46,549 --> 00:05:47,614 IF YOU WILL GET TO REHEARSAL AT TIME. 177 00:05:50,920 --> 00:05:51,785 [CLEARS THROAT] 178 00:06:04,567 --> 00:06:05,465 HOW DO I HELP? 179 00:06:07,836 --> 00:06:08,936 BETH ANN? 180 00:06:08,971 --> 00:06:10,003 JENNIFER! 181 00:06:10,039 --> 00:06:11,504 OH! IT'S LIKE A LONG TIME. 182 00:06:11,540 --> 00:06:12,539 HAVE. 183 00:06:12,608 --> 00:06:13,473 WONDERFUL TO SEE YOU. 184 00:06:13,508 --> 00:06:14,575 THANK YOU. 185 00:06:14,610 --> 00:06:16,009 IS DANI HERE? 186 00:06:16,045 --> 00:06:17,578 OH, NO, SHE & apos; S OUT, BUT HE WILL RETURN VERY VERY. 187 00:06:17,646 --> 00:06:18,679 WHERE ARE YOU AGAIN? 188 00:06:18,714 --> 00:06:20,280 DO YOU COME STRAIGHT FROM THE AIRPORT? 189 00:06:20,315 --> 00:06:21,281 OH NO. [LAUGHS] NO, NO. 190 00:06:21,316 --> 00:06:22,515 I AM IN THE AREA. 191 00:06:22,551 --> 00:06:24,484 DANI PLACE IS AN ENOUGH SMALL FOR ME. 192 00:06:24,519 --> 00:06:25,452 OH. 193 00:06:25,487 --> 00:06:26,954 WOW, YOU KNOW, 194 00:06:26,989 --> 00:06:28,221 I NEVER Go to YOUR STORE 195 00:06:28,256 --> 00:06:29,556 IT & apos; S CUTE. 196 00:06:29,592 --> 00:06:32,125 YOU ACTUALLY HAVE SOME... SOME GOOD PEOPLE. 197 00:06:32,160 --> 00:06:33,293 THANK YOU. 198 00:06:33,328 --> 00:06:34,461 OH, WELL, LISTEN, 199 00:06:34,496 --> 00:06:35,929 MY WOULD GO BACK TO THE HOTEL FOR REST, 200 00:06:35,965 --> 00:06:38,231 BUT CONCIERGE RECOMMENDED BEAUTIFUL PLACES FOR NIGHT EATS 201 00:06:38,300 --> 00:06:39,332 DO YOU JOIN? 202 00:06:39,367 --> 00:06:40,634 TREAT ME. 203 00:06:40,669 --> 00:06:42,569 THANK YOU FOR THE OFFER, I DECLARE I CANNOT. 204 00:06:42,605 --> 00:06:43,604 BUT MAY BE OTHER NIGHT. 205 00:06:43,672 --> 00:06:44,738 IT WAS BECOME A WONDERFUL. 206 00:06:44,807 --> 00:06:45,606 SO GOOD TO SEE YOU. 207 00:06:45,641 --> 00:06:46,974 YOU ALSO . 208 00:06:47,009 --> 00:06:48,075 WOW. 209 00:06:48,110 --> 00:06:49,676 IT WAS REALLY BEAUTIFUL. 210 00:06:59,688 --> 00:07:00,754 HEY, DANI? 211 00:07:00,789 --> 00:07:02,355 TRY YOUR SAFETY BELT. 212 00:07:02,390 --> 00:07:03,690 213 00:07:07,262 --> 00:07:10,263 HE'S HERE. 214 00:07:10,298 --> 00:07:13,967 ♪ AND THAT'S ALL COME TO THIS ♪ 215 00:07:14,003 --> 00:07:17,671 ♪ WHEN I'M NOT WITH YOU YOU ARE ONE THAT I MISS ♪ 216 00:07:17,706 --> 00:07:20,340 ♪ YOU'RE GOTTA BELIEVING WHAT SAY TO YOU ♪ 217 00:07:20,408 --> 00:07:25,779 ♪ GOTTA BELIEVE MY HEART HAS TRUE ♪ 218 00:07:25,814 --> 00:07:26,813 ♪ SINCE THAT /> KISS IS VERY FIRST... ♪ 219 00:07:26,849 --> 00:07:29,182 TAKE FIVE, EVERYONE. 220 00:07:29,217 --> 00:07:30,250 WOW, JOHN, MAN, IT WAS AMAZING. 221 00:07:30,318 --> 00:07:31,685 I REALLY SAY THAT. 222 00:07:31,720 --> 00:07:33,253 -What, isn't it? -IT; S HIT. 223 00:07:34,256 --> 00:07:35,255 HEI, LITA 224 00:07:35,290 --> 00:07:37,057 FRIENDS, I WANT TO SPEAK WITH YOU. 225 00:07:46,001 --> 00:07:49,569 LEAVE YOUR PERSONAL PROBLEMS AT THE DOOR, okay? 226 00:07:49,604 --> 00:07:51,672 IF YOU CANNOT DO ACT LIKE YOU TO IT IT, 227 00:07:51,707 --> 00:07:53,874 THEN BASS PLAYERS IS A DOZEN DIME. 228 00:07:53,909 --> 00:07:55,542 DO YOU WANT TO DO THIS TOURISM? 229 00:07:55,577 --> 00:07:57,510 ASK I WANT TO TO DO TOUR - 230 00:07:57,546 --> 00:07:58,478 THEN ACT LIKE THAT. 231 00:08:04,720 --> 00:08:06,767 [♪♪♪] 232 00:08:12,327 --> 00:08:14,294 [ENTRY BELL JINGLES] 233 00:08:14,362 --> 00:08:15,762 HEY! 234 00:08:15,831 --> 00:08:18,031 HAI! 235 00:08:18,100 --> 00:08:19,933 SO, I HAVE TO GET YOU ABOUT LIST FOR VOICE CHECK. 236 00:08:19,968 --> 00:08:21,234 DANI IS GONNA PROHIBITED, THANK YOU. 237 00:08:21,269 --> 00:08:22,335 DAN... 238 00:08:22,370 --> 00:08:24,370 I'VE BEEN SOME ROADS OF DALTON 239 00:08:24,439 --> 00:08:25,806 I LOVE TO SELL ABOUT CONSIGNMENT 240 00:08:25,841 --> 00:08:27,040 OH, WOW, this is COOL. 241 00:08:27,076 --> 00:08:28,541 WHICH ONE HAS AN AUTOGRAPH, SO... 242 00:08:28,577 --> 00:08:30,476 IT SHOULD BE WORTH MORE. 243 00:08:30,512 --> 00:08:31,477 DANI MAY BUY IT FOR YOURSELF. 244 00:08:31,513 --> 00:08:33,279 [ CHUCKLING] 245 00:08:33,315 --> 00:08:36,349 IS REAL JOHN LIKE A PUBLIC ONE? 246 00:08:37,319 --> 00:08:38,251 SURE. 247 00:08:38,286 --> 00:08:40,053 EVEN BETTER. 248 00:08:40,089 --> 00:08:41,254 IT & apos; HE'S NICE WAS WARNED TO THE BASIC SCHOOL MANAGEMENT 249 00:08:41,289 --> 00:08:42,689 FOR ALL OF THESE YEARS. 250 00:08:42,725 --> 00:08:45,826 DO NOT FORGET, JOHN . " 251 00:08:45,894 --> 00:08:47,227 DO YOU REALLY THINK FANS WILL STAY 252 00:08:47,262 --> 00:08:48,762 IF THEY ARE BRANDS KNOWN? 253 00:08:48,831 --> 00:08:50,697 I THINK THEY LIKE FACTS THAT THEY STAY TOGETHER, 254 00:08:50,766 --> 00:08:52,165 BUT EVERYONE IS PEOPLE. 255 00:08:52,234 --> 00:08:54,134 BAHKAN SONNY DAN CHER SPLIT UP. 256 00:08:54,203 --> 00:08:56,136 YES. 257 00:08:56,171 --> 00:08:57,704 DOES NOT TEST THE CAREER. 258 00:09:00,109 --> 00:09:01,574 -HEY, HON & apos;. -HEY, SWEETHEART. 259 00:09:01,610 --> 00:09:02,475 [CHUCKLING] WHAT DAY EVERYDAY. 260 00:09:02,510 --> 00:09:03,543 LIKE WE MAKE NEWS, 261 00:09:03,612 --> 00:09:05,011 SOMETHING ABOUT US NEW CONDUCT PROJECTS 262 00:09:05,080 --> 00:09:06,412 VERY? What that? 263 00:09:06,448 --> 00:09:07,580 I'm not sure, 264 00:09:07,616 --> 00:09:09,349 THEY JUST GIVE ME THE HEAD TO WATCH TONIGHT. 265 00:09:09,384 --> 00:09:10,683 OH. 266 00:09:10,719 --> 00:09:12,052 STUDENTS COLLECTION 267 00:09:12,087 --> 00:09:13,754 IN THE CITY WORLD TODAY MEETING 268 00:09:13,789 --> 00:09:15,856 LOOKING FOR HISTORICAL STATUS FOR OLD HATCHER BUILDINGS, 269 00:09:15,891 --> 00:09:18,458 PROHIBITED FOR DEMOLITION... 270 00:09:18,493 --> 00:09:20,593 WE'RE HERE TODAY TO PROVIDE INSTRUCTIONS 271 00:09:20,629 --> 00:09:24,264 SIGNED 112 RELATED LIABILITIES 272 00:09:24,299 --> 00:09:25,298 FOR WELCOME BUILDING HATCHER - 273 00:09:25,333 --> 00:09:26,900 p> 274 00:09:26,935 --> 00:09:27,834 [PLAYBACK TV PAUSES] 275 00:09:32,875 --> 00:09:35,041 THAT'S HANNESS! 276 00:09:35,077 --> 00:09:36,109 HANNAH, HOW DO YOU DAY? 277 00:09:36,145 --> 00:09:38,078 WHAT IS ANYTHING INTERESTING? 278 00:09:38,113 --> 00:09:40,046 NO, NOT CERTAIN. 279 00:09:40,082 --> 00:09:41,214 HMM. 280 00:09:41,250 --> 00:09:42,382 LOOK LIKE YOU ABOUT TONIGHT NEWS. 281 00:09:43,852 --> 00:09:45,585 WE MAKE NEWS? 282 00:09:45,620 --> 00:09:46,787 IT WAS GREAT. 283 00:09:46,855 --> 00:09:48,789 MAYBE I REVIEWED? I HAVE TO SAY EVERYONE. 284 00:09:48,824 --> 00:09:50,056 WHOA, THERE IS. 285 00:09:50,092 --> 00:09:52,159 YOU KNOW THAT MY COMPANY BUILDING CONDITIONS. 286 00:09:52,227 --> 00:09:53,726 I KNOW. BUT YOU CANNOT. 287 00:09:53,762 --> 00:09:55,495 ACTUALLY, WE CAN. 288 00:09:55,530 --> 00:09:57,197 DAD, MANY PEOPLE VERY CAREFUL 289 00:09:57,266 --> 00:09:58,265 ABOUT THE BUILDING BUILDING HISTORY. 290 00:09:58,300 --> 00:10:00,267 YOU CANNOT SAY IT DOWN TO BUILD CONDUCT. 291 00:10:00,335 --> 00:10:01,401 WE'RE GOING TO TALK AGAIN. 292 00:10:04,472 --> 00:10:05,939 DO YOU KNOW BUILDING HATCHER? 293 00:10:05,974 --> 00:10:07,107 NO. 294 00:10:07,176 --> 00:10:08,875 BUT, I MEAN , IF YOU ESTABLISH THERE IS A SKATE PARK 295 00:10:08,911 --> 00:10:10,343 INSTEAD SOME CONDITIONS, 296 00:10:10,378 --> 00:10:12,779 YOU REALLY HAVE MY VOTE. 297 00:10:14,749 --> 00:10:18,151 [CHUCKLING] 298 00:10:18,220 --> 00:10:20,520 COURSES, I WANT TO SEE YOUR PLACE. 299 00:10:20,555 --> 00:10:21,721 I ONLY KNOW HOW DIFFICULTY CAN DO 300 00:10:21,756 --> 00:10:23,023 TO HAVE A HOUSEHOLD. 301 00:10:23,058 --> 00:10:24,124 GOOD, YOU ARE NOT A GUEST HOUSE, 302 00:10:24,159 --> 00:10:25,258 YOU ARE MY SUSTER, 303 00:10:25,294 --> 00:10:26,559 AND I HAVE A guest bedroom 304 00:10:26,594 --> 00:10:27,593 OH, YOU KNOW I'M, 305 00:10:27,662 --> 00:10:29,229 I like STAY IN THE HOTEL GOOD. 306 00:10:29,298 --> 00:10:30,363 AND ROOM SERVICES. 307 00:10:30,432 --> 00:10:31,331 YEAH, THAT'S TOO. 308 00:10:31,399 --> 00:10:32,265 OH WOW... 309 00:10:39,942 --> 00:10:40,874 THANK YOU. p> 310 00:10:40,909 --> 00:10:41,875 MM-HMM. 311 00:10:47,115 --> 00:10:48,315 YOU KNOW, DANI, 312 00:10:48,350 --> 00:10:50,350 YOUR PLACE REALLY NICE. 313 00:10:50,418 --> 00:10:51,417 YOU THOUGHT? 314 00:10:51,453 --> 00:10:52,418 YOU THOUGHT? 315 00:10:52,454 --> 00:10:53,486 p> 316 00:10:53,521 --> 00:10:55,355 YES. 317 00:10:55,390 --> 00:10:56,689 GOOD... 318 00:10:57,792 --> 00:10:58,758 YES. 319 00:11:00,028 --> 00:11:01,361 I'M A LITTLE HAPPEN 320 00:11:01,396 --> 00:11:03,964 THAT, ONLY, FROM BLUE, YOU DECIDE TO VISIT 321 00:11:03,999 --> 00:11:05,365 YES YOU KNOW LAH, 322 00:11:05,400 --> 00:11:06,867 I JUST THINK ABOUT 323 00:11:06,902 --> 00:11:10,270 HOW QUICK TIME IS ONLY SLIPPING AWAY, 324 00:11:10,305 --> 00:11:12,372 AND YOU HAVE TRIED TO BE TOGETHER 325 00:11:12,407 --> 00:11:13,606 MANY TIMES FOR YEAR, 326 00:11:13,675 --> 00:11:15,876 So... HERE I AM. 327 00:11:15,944 --> 00:11:17,710 BETTER LATE THAN EVER, TRUE? 328 00:11:17,746 --> 00:11:19,412 GOOD... 329 00:11:20,548 --> 00:11:21,714 OOH, YOU KNOW WHAT, 330 00:11:21,783 --> 00:11:22,916 I WILL SHOW YOU PICTURES FROM GIRLS 331 00:11:22,951 --> 00:11:24,117 YOU WILL NOT BELIEVE HOW BIG THEY GET . 332 00:11:24,152 --> 00:11:25,151 MM. 333 00:11:25,187 --> 00:11:26,086 ONE SECONDS. 334 00:11:29,191 --> 00:11:31,057 [♪♪♪] 335 00:11:36,731 --> 00:11:38,464 NO, IT WAS... IT FUN. 336 00:11:38,533 --> 00:11:39,399 I MEAN, EVERYTHING, 337 00:11:39,434 --> 00:11:41,134 OLD NETWORK I PEEK OUT, 338 00:11:41,169 --> 00:11:44,771 BUT FOR THE MOST PART, HE IS... NICE. 339 00:11:44,806 --> 00:11:45,705 DANI, DO NOT DO SO CYNICAL. 340 00:11:45,740 --> 00:11:47,140 PEOPLE CHANGE. 341 00:11:47,175 --> 00:11:48,341

PEOPLE CHANGE. 342 00:11:50,512 --> 00:11:51,477 p> 343 00:11:51,546 --> 00:11:53,013 [ENTRY BELL JINGLES] 344 00:11:53,048 --> 00:11:54,714 HAI. 345 00:11:54,783 --> 00:11:55,848 UM, WE JUST EXIT 346 00:11:55,918 --> 00:11:57,217 LOOKING FOR SOME THINGS TO TOUR.... 347 00:11:57,252 --> 00:11:58,919 AND CASSIE SAID 348 00:11:58,954 --> 00:12:00,486 THERE IS FAN FROM MYSELF HERE. 349 00:12:00,522 --> 00:12:03,156 HERE. 350 00:12:03,191 --> 00:12:04,791 YOU MUST DANI. 351 00:12:04,859 --> 00:12:05,858 [LAUGHS GIDDILY] HAI. JOHN... 352 00:12:05,894 --> 00:12:07,493 PLEASED TO MEET MU. 353 00:12:07,529 --> 00:12:09,796 AND YOU PAMELA! 354 00:12:09,831 --> 00:12:11,298 I LOVE THEN BOTH FOR A LONG TIME. 355 00:12:11,366 --> 00:12:12,732 AW, THANK YOU. 356 00:12:12,767 --> 00:12:14,067 DANI, NOW YOUR OPPORTUNITY, YOU CAN GIVING PHOTOS. 357 00:12:14,136 --> 00:12:15,435 OH, I DON'T WANT FOR BOTHER JOHN. 358 00:12:15,470 --> 00:12:16,903 IT'S NOT MUCH. 359 00:12:16,939 --> 00:12:17,938 JENN, I DON'T HAVE A PHONE - 360 00:12:17,973 --> 00:12:19,005 OH, USE MINE. 361 00:12:19,041 --> 00:12:19,973 HERE. 362 00:12:26,415 --> 00:12:27,180 [CAMERA SHUTTER CLICKS] 363 00:12:27,215 --> 00:12:28,214 PERFECT. 364 00:12:29,284 --> 00:12:30,483 OK OK, 365 00:12:30,552 --> 00:12:32,718 YOU WILL BE WILL BE LATE. 366 00:12:32,754 --> 00:12:34,487 I WILL STAY AND DO SOME SHOPPING . 367 00:12:34,522 --> 00:12:35,621 YES BU. 368 00:12:36,758 --> 00:12:37,958 IT WAS NICE TO MEET YOU SECOND. 369 00:12:38,026 --> 00:12:39,592 That's good TO MEET YOU, TOO. 370 00:12:39,661 --> 00:12:40,793 p> 371 00:12:40,829 --> 00:12:41,761 THANK YOU. 372 00:12:43,865 --> 00:12:46,199 JOHN DALTON... 373 00:12:46,234 --> 00:12:47,233 I HAVE A SET OF ROYAL ALBERT AND I HAVE A COECLE PIECES. 374 00:12:47,302 --> 00:12:48,268 DO YOU HAVE? 375 00:12:48,303 --> 00:12:49,502 OH, UH, YES. 376 00:12:51,340 --> 00:12:53,173 RETURN AT CORNER. 377 00:12:58,213 --> 00:12:59,980 HOW DOES IT CUTE? 378 00:13:02,284 --> 00:13:05,718 [STRUMMING ] 379 00:13:05,753 --> 00:13:07,820 [EXPERIMENTALLY HUMMING A TUNE] 380 00:13:18,066 --> 00:13:19,099 [♪♪♪] 381 00:13:27,642 --> 00:13:29,542 SORRY TO COME BY SO LATE. 382 00:13:29,577 --> 00:13:31,378 CAN WE TALK? 383 00:13:31,413 --> 00:13:32,345 SURE. 384 00:13:32,381 --> 00:13:33,880 ENTER. 385 00:13:40,055 --> 00:13:42,889 SO, LISTEN, I'M SORRY ABOUT THIS AFTERNOON. 386 00:13:42,924 --> 00:13:44,290 GOOD? 387 00:13:46,694 --> 00:13:49,262 YOU ARE INTEGRAL PART OF THIS BAND, 388 00:13:49,297 --> 00:13:51,164 AND I - AND JOHN - 389 00:13:51,199 --> 00:13:53,866 WE CANNOT COLLECT IN THIS TOURISM WITHOUT YOU. 390 00:13:53,935 --> 00:13:56,136 JOHN MUST HAVE REALLY LET YOU HAVE IT. 391 00:13:56,204 --> 00:13:57,404 THIS IS NOT THERE TO DO WITH JOHN. 392 00:13:57,439 --> 00:13:59,072 I am encrypted 393 00:13:59,141 --> 00:14:01,474 I KNOW THAT WHEN TEACHERS GOES UP, 394 00:14:01,510 --> 00:14:03,309 YOU THERE WILL BE 100%. 395 00:14:03,378 --> 00:14:04,744 GO THANK YOU. 396 00:14:06,981 --> 00:14:08,648 IS THERE ANYTHING? 397 00:14:08,683 --> 00:14:11,017 WHAT DO YOU WANT TO TALK ABOUT? 398 00:14:11,053 --> 00:14:12,452 MY GOOD ONLY. 399 00:14:12,487 --> 00:14:15,655 I ALWAYS GET SMALL... EMOTIONAL BEFORE TOUR. 400 00:14:15,723 --> 00:14:16,456 HEY, YEAH, I GET THAT 401 00:14:16,525 --> 00:14:18,091 I understand. I ALSO. 402 00:14:19,294 --> 00:14:22,228 GO THANK YOU TO COME OVER. 403 00:14:23,598 --> 00:14:26,166 YOU KNOW, I CAN USE A BEVERAGE. 404 00:14:27,502 --> 00:14:28,834 UH... 405 00:14:28,903 --> 00:14:30,937 IT & S; S KINDA LATE, RICK. 406 00:14:31,005 --> 00:14:32,505 YES YOU ARE TRUE. 407 00:14:34,076 --> 00:14:35,308 I LET IT BE YOURSELF. 408 00:14:35,377 --> 00:14:36,576 HAPPY EVENING. 409 00:14:36,611 --> 00:14:38,344 YES. 410 00:14:49,791 --> 00:14:51,891 YOU'RE ABOVE SECOND CLUB BEFORE, TRUE? 411 00:14:51,960 --> 00:14:53,460 FIRST. 412 00:14:53,495 --> 00:14:54,794 IT WILL NOT BE LARGE IF WE DEVELOP AROUND 413 00:14:54,829 --> 00:14:56,862 AND WE CAN SEE ACTUAL DISPLAY? 414 00:14:56,898 --> 00:14:58,698 YEAH, BUT SOUND CHECK WILL FUN . 415 00:14:58,733 --> 00:15:00,666 OH, BETH ANN WORDS 416 00:15:00,735 --> 00:15:02,702 HE WANTS TO WORK HERE A DAY. 417 00:15:02,737 --> 00:15:03,769 OH. 418 00:15:03,838 --> 00:15:05,037 NO HANG OUT, BUT WORKING? 419 00:15:05,073 --> 00:15:06,339 THAT ANYTHING IS INTENDED. 420 00:15:06,374 --> 00:15:07,340 I SAY LET HER. 421 00:15:07,409 --> 00:15:08,708 HE KNOWS ANTIQUES. 422 00:15:08,743 --> 00:15:10,009 HE KNOWS ANTIQUES. 423 00:15:10,044 --> 00:15:12,712 I JUST SEE HER BUY. 424 00:15:12,780 --> 00:15:17,717 [♪♪♪] 425 00:15:17,752 --> 00:15:19,685 WAH! 426 00:15:19,754 --> 00:15:20,520 HAI. JENN AND DANI? 427 00:15:20,589 --> 00:15:21,921 WE ABOUT REGISTER? 428 00:15:23,758 --> 00:15:24,591 THANK YOU. 429 00:15:35,537 --> 00:15:36,603 I WILL IMAGE IT OUT - 430 00:15:36,671 --> 00:15:38,037 -FIND HIM. -I WILL DEAL WITH IT - 431 00:15:38,072 --> 00:15:39,372 -FIND HIM. -Good. 432 00:15:41,876 --> 00:15:44,377 [PAMELA SIGHING TESTILY] 433 00:15:44,412 --> 00:15:46,045 - HAI. -HAI. 434 00:15:46,114 --> 00:15:47,880 IS IT ALL GOOD? 435 00:15:47,915 --> 00:15:50,150 LITA, OUR BASS PLAYER, NEEDS HERE NOW. 436 00:15:50,185 --> 00:15:51,651 OUR SOUND CARE STARTS IN MINUTES. 437 00:15:51,686 --> 00:15:53,119 JOHN USES THIS AS THE LAST REHEARSAL, 438 00:15:53,155 --> 00:15:54,254 WALKING THROUGH STOPS AND STARTS - 439 00:15:54,289 --> 00:15:55,522 PAMELA! 440 00:16:00,094 --> 00:16:01,594 WHAT IS THIS? 441 00:16:01,630 --> 00:16:03,163 WE ONLY HAVE THIS. 442 00:16:04,332 --> 00:16:06,633 "I CANNOT DO THIS AGAIN. 443 00:16:06,668 --> 00:16:07,467 "CINTA KALIAN SEMUA. SELAMAT TINGGAL. 444 00:16:07,502 --> 00:16:08,468 LITA. " 445 00:16:08,537 --> 00:16:09,835 HE CANNOT QUIT. 446 00:16:09,871 --> 00:16:11,704 NO NOW. 447 00:16:11,773 --> 00:16:13,473 I WILL HARDLY RETURN HERE BY SCRUFF OF THEECK. 448 00:16:13,508 --> 00:16:14,807 CASSIE, DRIVE ME OVER. 449 00:16:14,876 --> 00:16:16,075 I WILL RETURN IN HALF AN HOUR. 450 00:16:17,679 --> 00:16:18,645 [RICK]: ALL RIGHT, BACK TO WORK! 451 00:16:18,680 --> 00:16:20,180 RETURN TO WORK! 452 00:16:20,248 --> 00:16:21,814 CHECK THE VOICE IN 30 MINUTES. 453 00:16:21,849 --> 00:16:23,716 THE SHOW STARTS ON TIME, WELL? 454 00:16:25,487 --> 00:16:26,819 YOU GUYS WELCOME TO STAY. 455 00:16:26,854 --> 00:16:29,121 LOOK LIKE WE WILL BE ASKED HALF AN HOUR OR SO. 456 00:16:29,191 --> 00:16:30,356 WHAT HAPPENS? 457 00:16:30,392 --> 00:16:31,857 OUR BASS PLAYER
QUIT ONLY, 458 00:16:31,893 --> 00:16:32,958 WITH TEXT 459 00:16:44,706 --> 00:16:45,672 HER CAR HERE. 460 00:16:45,707 --> 00:16:46,639 YES. 461 00:16:49,377 --> 00:16:51,344 LITA! 462 00:16:51,379 --> 00:16:52,612 [BANGING] 463 00:16:52,647 --> 00:16:54,614 OPEN THE DOOR! 464 00:16:54,649 --> 00:16:55,915 [TIP] 465 00:16:57,252 --> 00:16:58,585 USE YOUR KEY. 466 00:17:06,961 --> 00:17:08,595 LITA? 467 00:17:10,665 --> 00:17:12,164 LITA? 468 00:17:13,735 --> 00:17:14,767 [GASPS IN HORROR] 469 00:17:15,870 --> 00:17:17,337 CALL 9-1-1. 470 00:17:25,146 --> 00:17:27,313 I need... I NEED AMBULANCE. 471 00:17:43,523 --> 00:17:45,290 [CAMERA SHUTTERS SNAPPING] 472 00:17:46,359 --> 00:17:47,559 You succeeded? 473 00:17:47,594 --> 00:17:48,426 YES. 474 00:17:48,495 --> 00:17:49,294 THANK YOU. 475 00:18:16,223 --> 00:18:17,989 ARE YOU DOING HERE ? 476 00:18:18,057 --> 00:18:19,790 WHAT ARE YOU DOING HERE? 477 00:18:19,859 --> 00:18:21,526 THIS IS NOT A HOMICIDE. 478 00:18:21,561 --> 00:18:23,828 DETECTIVE TOWARDS A SKENE UNCERTAIN DEATH. 479 00:18:23,863 --> 00:18:25,130 AND YOU? 480 00:18:25,165 --> 00:18:27,532 GOOD, I'M IN THE CLUB WHEN EVERYONE HAS TEXT. 481 00:18:27,567 --> 00:18:29,534 LITA MERRILL BROUGHT SOME THINGS TO MY STORE. p> 482 00:18:29,603 --> 00:18:31,469 HE SELLS THEM ABOUT CONSIGNMENT 483 00:18:31,505 --> 00:18:32,803 AND? 484 00:18:32,872 --> 00:18:35,173 GOOD, WHY SOMEONE SELL THINGS ON CONSIGNMENT 485 00:18:35,208 --> 00:18:36,907 IF THEY PLANNING ON KILLING THEM? 486 00:18:36,943 --> 00:18:39,210 GOOD, WHICH IS ABLE TO BE WHAT HAPPENS. 487 00:18:39,246 --> 00:18:40,445 BAIK. 488 00:18:40,514 --> 00:18:41,779 IF IT'S NOT A CRIME CRIME, 489 00:18:41,814 --> 00:18:43,814 THEN YOU ARE NOT THOUGHT IF I TAKE AROUND AROUND, ARE YOU? 490 00:18:43,850 --> 00:18:45,617 [SIGHS] 491 00:18:45,652 --> 00:18:47,218 GOOD. 492 00:18:47,254 --> 00:18:48,719 I WILL MEET YOU. 493 00:18:48,788 --> 00:18:51,956 JUST TAKE A LOOK AROUND, AND TELL ME WHAT YOU SEE. 494 00:18:51,991 --> 00:18:52,923 I WILL BE BACK IN EVERYTHING, 495 00:18:52,959 --> 00:18:55,493 AND DO NOT LOVE ANYTHING. 496 00:19:35,935 --> 00:19:37,435 [SIGHS SADLY] 497 00:19:46,879 --> 00:19:47,878 OK, SHERLOCK, 498 00:19:47,947 --> 00:19:49,180 YOURSELF KNOCK. 499 00:19:49,249 --> 00:19:51,516 LET S S HEAR WHAT YOU GET. 500 00:19:51,551 --> 00:19:55,119 GOOD, LET THE FIRST SAY TELL, THIS IS VERY EXTENSIVE. 501 00:19:55,154 --> 00:19:56,821 I MEAN , I DON'T KNOW THE GOOD MERRILL, 502 00:19:56,889 --> 00:19:59,724 BUT IT WAS HARD TO BELIEVE HE WENT. 503 00:19:59,759 --> 00:20:01,192 BUT FROM MYSTERY STANDPOINT, 504 00:20:01,228 --> 00:20:03,761 TIDAK ADA MAMPU MENJADI SEGALA APUN. 505 00:20:03,796 --> 00:20:05,763 DOES THE OPEN DOOR, CERTAIN WINDOWS? 506 00:20:05,832 --> 00:20:07,532 THEY ARE ALL. 507 00:20:07,567 --> 00:20:08,433 DO YOU SEE TEXT? 508 00:20:08,468 --> 00:20:09,667 NO. 509 00:20:09,736 --> 00:20:11,236 BUT PAMELA TOLD ME THAT LITA WRITE 510 00:20:11,271 --> 00:20:13,304 HE COULDN'T DO THIS AGAIN, HE LIKED EVERYONE, 511 00:20:13,340 --> 00:20:14,472 AND GOODBYE 512 00:20:14,507 --> 00:20:16,107 AND THERE'S YOUR OWN. 513 00:20:16,142 --> 00:20:18,376 NOW, FROM WHAT I KNOW, 514 00:20:18,411 --> 00:20:21,479 DALTON AND CASSIE, THEY ARE KNOWN AT THE DOOR, 515 00:20:21,514 --> 00:20:22,580 NO ANSWER, 516 00:20:22,616 --> 00:20:23,548 AND THEY LET THEM IN. 517 00:20:23,583 --> 00:20:24,782 WAIT, THEY HAVE A KEY? 518 00:20:24,851 --> 00:20:26,016 YES. 519 00:20:26,052 --> 00:20:28,219 CASSIE HAS ONE FOR ALL BAND MEMBERS. 520 00:20:28,288 --> 00:20:29,721 SO, THEY ARE ENTERING, 521 00:20:29,756 --> 00:20:31,289 THEY'RE HANGING. 522 00:20:31,358 --> 00:20:33,090 CASSIE IS CALLED 9-1-1, 523 00:20:33,159 --> 00:20:35,660 AND THEN JOHN LIFTED HER DOWN, 524 00:20:35,695 --> 00:20:38,463 AND RISK RISK. 525 00:20:38,498 --> 00:20:39,731 WHAT IS YOUR THEORY? 526 00:20:39,799 --> 00:20:41,999 HE SEEMED SO HAPPY, FRANK. 527 00:20:42,034 --> 00:20:43,768 HE IS EXCITED ABOUT GOING ON TOUR. 528 00:20:43,803 --> 00:20:45,770 IT'S NOT JUST FIT. 529 00:20:45,838 --> 00:20:46,638 GOOD, MANY PEOPLE, 530 00:20:46,673 --> 00:20:49,073 YOU KNOW, PEOPLE ARE REQUIRED, 531 00:20:49,108 --> 00:20:51,208 THEY STILL SEE THEIR PROBLEMS. 532 00:20:51,244 --> 00:20:53,378 I SEE IT A LOT OF PREVIOUS TIME. p> 533 00:20:53,413 --> 00:20:55,913 NOW WHAT HAPPENS? 534 00:20:55,948 --> 00:20:56,914 WAIT FOR CORONER REPORTS, 535 00:20:56,949 --> 00:20:59,584 AND IF THERE ARE SUCH AS SEEM, THEN... 536 00:20:59,653 --> 00:21:01,286 WHAT IS IT. 537 00:21:13,333 --> 00:21:14,265 HERE YOU GO. 538 00:21:14,301 --> 00:21:15,433 THANK YOU. 539 00:21:18,004 --> 00:21:19,904 TAKE-OUT IN THE KITCHEN. 540 00:21:19,972 --> 00:21:21,472 I THOUGHT < YOU MAY NEED ITALY. 541 00:21:21,508 --> 00:21:23,474 YOU KNOW ME GOOD. 542 00:21:23,543 --> 00:21:25,176 I'M SORRY ABOUT YOUR FRIENDS. 543 00:21:26,613 --> 00:21:30,147 I THINK ABOUT YOUR FRIENDS. I WAS LITA. 544 00:21:30,216 --> 00:21:31,248 I DON'T KNOW WHAT TO DO 545 00:21:31,284 --> 00:21:33,117 DENGAN STUFF DIA BELI DI TOKO. 546 00:21:33,152 --> 00:21:34,585 GOOD, IT BELONGS TO ESTATE, 547 00:21:34,621 --> 00:21:36,253 SO SOMEONE COME TO COME AND CLAIM IT, 548 00:21:36,289 --> 00:21:38,756 OR YOU CAN BRING IT THAT FOR POLICE 549 00:21:38,825 --> 00:21:40,325 DO YOU HAVE A FAMILY HERE? 550 00:21:40,360 --> 00:21:41,459 I don't know 551 00:21:41,494 --> 00:21:43,628 I REALLY DON'T KNOW IT'S A LOT OF IT. 552 00:21:44,664 --> 00:21:46,297 WE ARE LUCKY. 553 00:21:46,333 --> 00:21:48,032 WE HAVE ONE OTHER, 554 00:21:48,100 --> 00:21:49,567 WE HAVE TWO BIG CHILDREN. 555 00:21:49,602 --> 00:21:50,401 GOOD LIFE. 556 00:21:50,437 --> 00:21:52,503 LIFE GOOD. 557 00:21:52,539 --> 00:21:53,938 BUT AS TWO BIG CHILDREN... 558 00:21:53,973 --> 00:21:55,005 [CHUCKLES] 559 00:21:55,074 --> 00:21:56,774 NOW ALSO, I THINK ONLY ONE. 560 00:21:56,810 --> 00:21:59,711 HANN'T CAUSE ME MANY GRIEFS WORK. 561 00:21:59,779 --> 00:22:00,911 ACTUALLY, NOT HANNELY, MY GIRLS, 562 00:22:00,947 --> 00:22:02,647 BECAUSE I DON'T KNOW IT; S MY DAUGHTER 563 00:22:02,716 --> 00:22:05,416 WHO WORK TOWARDS MY COMPANY'S BIGGEST PROJECT. 564 00:22:06,619 --> 00:22:08,820 ITU AKAN OKE. 565 00:22:08,888 --> 00:22:10,087 I, UH, GET FOOD. 566 00:22:10,122 --> 00:22:11,556 THANK YOU. 567 00:22:15,294 --> 00:22:17,829 [♪♪♪] 568 00:22:17,864 --> 00:22:20,197 THIS IS TERRIBLE. I DO NOT BELIEVE IT . 569 00:22:20,266 --> 00:22:21,232 I KNOW SOMETHING WRONG 570 00:22:21,267 --> 00:22:22,367 MINUTES OF EVERYONE COME AT THE STAGE 571 00:22:22,402 --> 00:22:23,835 WITH THEIR PHONE. 572 00:22:23,870 --> 00:22:25,236 YOU CAN SEE FROM THEIR FACTS, 573 00:22:25,304 --> 00:22:26,804 WS BANDS ONLY DEVASTATED 574 00:22:28,575 --> 00:22:30,842 WHO ARE YOUR SUSTERS? 575 00:22:30,877 --> 00:22:33,277 UM, HE IS BACK IN THE HOTEL. 576 00:22:33,312 --> 00:22:34,178 HE GOT THEATER TICKETS. 577 00:22:34,247 --> 00:22:35,413 WE WILL BE BACK. 578 00:22:35,448 --> 00:22:37,415 OH, I THOUGHT HE WANTS TO WORK IN THE STORE. 579 00:22:37,450 --> 00:22:38,416 OH, HE'S NOT 580 00:22:38,485 --> 00:22:39,851 HE STOPS WITH IT. 581 00:22:42,054 --> 00:22:43,287 WHAT ARE YOU READING? 582 00:22:43,356 --> 00:22:45,456 OH, JUST A LITTLE AGATHA CHRISTIE . 583 00:22:45,492 --> 00:22:46,791 OH NO. 584 00:22:46,826 --> 00:22:48,393 WHAT? 585 00:22:48,428 --> 00:22:50,094 YOU DO IT AGAIN. 586 00:22:50,129 --> 00:22:51,562 DO WHAT? 587 00:22:51,631 --> 00:22:54,265 I JUST READ THE BOOK IS EASY TO LITTLE. 588 00:22:54,300 --> 00:22:57,769 OH, YES, AND MY SUSTER HERE BECAUSE HE MISSES ME. 589 00:22:57,837 --> 00:23:00,438 SOLVE THAT MYSTERY. 590 00:23:16,523 --> 00:23:17,722 -HAI DAD. -HEI. 591 00:23:17,757 --> 00:23:19,189 UH, ARE YOU GOING? 592 00:23:19,225 --> 00:23:20,425 -I WILL SPEAK TO YOU -YEAH , I HAVE TO HAVE GROUP GROUPS. 593 00:23:20,460 --> 00:23:21,292 UM, NOT SURE WHEN I WILL RETURN, 594 00:23:21,327 --> 00:23:22,259 BUT WE WILL SPEAK. 595 00:23:22,295 --> 00:23:23,227 GOOD. 596 00:23:28,968 --> 00:23:31,803 GOOD. p> 597 00:23:31,838 --> 00:23:34,906 I SPEAK WITH HANNAH ABOUT THE HATCHER BUILDING. 598 00:23:34,941 --> 00:23:36,841 BUILDINGS THAT HAVE NO HISTORICAL HISTORY. br /> OUTSIDE, 599 00:23:36,876 --> 00:23:38,142 BUT INSIDE FULLY ROTTING. 600 00:23:38,177 --> 00:23:39,710 SHE PASSIONATE WEDDING ABOUT IT, 601 00:23:39,746 --> 00:23:41,746 AND NOT IT HOW DO WE PLAY IT, 602 00:23:41,781 --> 00:23:43,113 WALKING FOR WHAT HE BELIEVES IN? 603 00:23:43,182 --> 00:23:45,716 GOOD, WHY CAN'T YOU PASSIONATE ABOUT NEW CONDITIONS? 604 00:23:45,785 --> 00:23:47,284 [CHUCKLES] 605 00:23:47,320 --> 00:23:49,887 [♪♪♪] 606 00:23:53,760 --> 00:23:55,426 SHOW BEEN RESCHEDULED. 607 00:23:55,462 --> 00:23:57,027 ITLL BE A TRIBUTE TO LITA. 608 00:23:57,063 --> 00:23:59,597 I HAVE A TICKET, IF YOU ARE STILL INTERESTED. 609 00:23:59,632 --> 00:24:00,565 GOOD, I'M 610 00:24:00,600 --> 00:24:01,599 THANK YOU. 611 00:24:01,634 --> 00:24:02,867 HOW JOHN? 612 00:24:02,902 --> 00:24:05,436 IT WAS BACK. 613 00:24:05,472 --> 00:24:08,873 HE RELATED TO HIS LIFE
FOR SOME DAYS. 614 00:24:08,908 --> 00:24:11,843 IT'S SO TRAUMATIC. 615 00:24:11,878 --> 00:24:14,244 HE'S NOTHING A LITA WAS CLUE WILL THROUGH ANYTHING. 616 00:24:14,280 --> 00:24:15,580 I AM SOMETHING 617 00:24:15,615 --> 00:24:17,147 HARD TO SEE SIGNS. 618 00:24:17,183 --> 00:24:18,148 ACTUALLY, 619 00:24:18,184 --> 00:24:19,350 OUR MANAGER IS PUBLISHED 620 00:24:19,418 --> 00:24:21,452 HE FINDS A LITTLE FROM IT IN REHEARSAL 621 00:24:21,488 --> 00:24:23,187 BUT... 622 00:24:23,222 --> 00:24:24,989 JOHN AWAY. 623 00:24:25,024 --> 00:24:26,958 HE WAS NEVER GOOD ABOUT DEATH, 624 00:24:26,993 --> 00:24:28,359 AND HE WAS WALKING - 625 00:24:28,394 --> 00:24:30,027 HE'S THOUGHTS MAY BE STILL EXPECTING. 626 00:24:30,062 --> 00:24:31,061 HE DOS CPR 627 00:24:31,130 --> 00:24:33,297 UNTIL THE AMBULANCE GUYS Departs . 628 00:24:33,332 --> 00:24:34,932 IT'S REALLY TREATED. 629 00:24:34,968 --> 00:24:36,567 DEFEND ME. 630 00:24:36,603 --> 00:24:38,102 THANK YOU. 631 00:24:38,137 --> 00:24:40,805 ITLL TAKE TIME, BUT... WE MUST THROUGH IT. 632 00:24:44,343 --> 00:24:46,276 Okay, you didn't go HAVE A PRETTY GOOD SENSE ABOUT PEOPLE, 633 00:24:46,312 --> 00:24:48,212 YOU GIVE ME THAT, TRUE? 634 00:24:48,247 --> 00:24:50,381 OK, SHARED. 635 00:24:50,416 --> 00:24:51,549 I TOLD YOU THAT LITA COME TO THE STORE 636 00:24:51,618 --> 00:24:53,484 BEFORE ALL THIS HAPPENS? 637 00:24:53,553 --> 00:24:55,252 I KNOW. 638 00:24:55,287 --> 00:24:56,654 HE HAS SOME THINGS IN PT TO SELL CONSIGNMENT. p> 639 00:24:56,689 --> 00:24:57,989 YES. 640 00:24:58,024 --> 00:24:59,189 IT'S NOT WHAT IS SERIOUS Dear people. 641 00:24:59,258 --> 00:25:00,825 IYA NIH. 642 00:25:00,860 --> 00:25:03,327 ITU TIDAK APA YANG SERIUS Orang terhormat. 643 00:25:03,362 --> 00:25:05,930 I JUST DON'T GET THE FEELING. 644 00:25:05,965 --> 00:25:07,464 SO...? 645 00:25:09,002 --> 00:25:11,101 SO, THIS IS REMINDS ME FROM THE AGATHA CHRISTIE PARTNER, 646 00:25:11,137 --> 00:25:13,470 WHERE THERE ARE A STAGED START. 647 00:25:14,641 --> 00:25:15,873 CONTINUE. 648 00:25:15,909 --> 00:25:16,874 I don't know THAT LITA MERRILL 649 00:25:16,910 --> 00:25:18,976 EVEN KICKED THAT'S THE OVER SEAT. 650 00:25:19,012 --> 00:25:20,277 WHAT IS POSSIBLE 651 00:25:20,312 --> 00:25:22,246 THAT SOMEONE IS TAKEN THAT ROPE OVER THE BEAM, 652 00:25:22,281 --> 00:25:23,881 LIFTED HER UP, AND PUTTING INTO THE Rope, 653 00:25:23,950 --> 00:25:25,182 THEN FLUNG THE CHAIR OVER 654 00:25:25,251 --> 00:25:26,651 MAKE LIKE LIKE IT'S KICKED? 655 00:25:26,719 --> 00:25:28,519 AND I TAKE THE CLOSED CLOSE ON THE SEAT? 656 00:25:28,555 --> 00:25:30,021 THERE'S THERE A LOOSE SCREW ON THE LEG. 657 00:25:30,056 --> 00:25:31,055 I DON'T KNOW 658 00:25:31,123 --> 00:25:31,923 IF IT CAN HAVE SUPPORT WEIGHT 659 00:25:31,958 --> 00:25:32,924 FROM PEOPLE WHO STAND AT IT. 660 00:25:34,794 --> 00:25:36,093 SO, MY AIRTIGHT, 661 00:25:36,162 --> 00:25:38,328 LOCKED-UP-AND-DONE SUICIDE 662 00:25:38,364 --> 00:25:39,764 What now? 663 00:25:39,799 --> 00:25:41,298 YET. 664 00:25:41,367 --> 00:25:42,733 BUT WE CAN'T ENTER A CLOSER LOOK? 665 00:25:45,615 --> 00:25:47,748 HE'S BETTER OWN IN THE WORLD. 666 00:25:48,007 --> 00:25:49,340 BOTH PARENTS ARE DEAD, 667 00:25:48,875 --> 00:25:50,541 THERE ARE NO BROTHERS AND SISTERS. 668 00:25:51,845 --> 00:25:53,945 WHAT ARE YOURSELF? 669 00:25:54,014 --> 00:25:55,312 WHO WILL GO TO? 670 00:25:55,348 --> 00:25:57,181 GOOD, IT'S NOT ABLE TO HE SHOULD BE, 671 00:25:57,216 --> 00:25:58,482 AND IF THERE IS NO COME FORWARD HEIRS, 672 00:25:58,518 --> 00:25:59,951 ASSETS WILL GO TO THE COUNTRY . 673 00:25:59,986 --> 00:26:01,252 WHAT IS ASSETS? 674 00:26:01,287 --> 00:26:02,553 NO MUCH. 675 00:26:02,588 --> 00:26:03,855 HOME HAS MORTGAGE. 676 00:26:03,923 --> 00:26:05,222 SEVEN-YEAR-OLD CAR. 677 00:26:09,562 --> 00:26:12,396 > 678 00:26:12,431 --> 00:26:14,431 IT'S SPOOKY HERE NOW. 679 00:26:14,500 --> 00:26:16,768 GOOD, I WANT TO SAY YOU CAN BE USED FOR IT, 680 00:26:16,803 --> 00:26:17,902 BUT... NOT TRUE. 681 00:26:17,937 --> 00:26:20,538 SO... 682 00:26:20,573 --> 00:26:22,840 WHAT'S IN THE AGENDA FOR US TODAY? 683 00:26:22,876 --> 00:26:24,676 ENTIRE HOUSE, SO... 684 00:26:24,744 --> 00:26:27,511 Maybe only SEE AROUND, okay? 685 00:26:27,547 --> 00:26:28,913 MM-HMM. 686 00:26:30,917 --> 00:26:32,449 STUDY OF HOME RECORDING. 687 00:26:32,485 --> 00:26:34,385 I WANT IF HE LEFT A MESSAGE. 688 00:26:34,420 --> 00:26:36,821 GOOD, I THINK THAT TEXT COVERS MESSAGES. 689 00:26:36,856 --> 00:26:38,255 HE HAS IT GOOD. 690 00:26:38,291 --> 00:26:42,393 DO IT HAVE TO BE A DIARY, OR ANYTHING LIKE IT? 691 00:26:42,461 --> 00:26:43,327 STOP. 692 00:26:44,731 --> 00:26:46,864 WHAT ABOUT BOYFRIEND OR EX AN? 693 00:26:46,900 --> 00:26:47,865 LAST RELATIONSHIPS GIFT 694 00:26:47,901 --> 00:26:49,600 ABOUT TWO AND A HALF YEARS OLD. 695 00:26:49,635 --> 00:26:51,235 HE MARRIED NOW, LIVE IN FLORIDA. 696 00:26:58,812 --> 00:27:01,012 HEY, THERE ARE TWO TOOTHBRUSHES HERE. 697 00:27:01,047 --> 00:27:02,046 TWO TOOTHBRUSHES? 698 00:27:02,082 --> 00:27:03,514 VERY? 699 00:27:03,583 --> 00:27:05,817 HE IS MADE. 700 00:27:05,885 --> 00:27:07,085 TOUR I HAVE BEEN TWO TOOTHBRUSHES. 701 00:27:07,120 --> 00:27:08,652 CONTINUE? 702 00:27:08,688 --> 00:27:09,754 CAN WE FEEL THIS? 703 00:27:09,789 --> 00:27:12,423 I HAVE A REAL MURDER TO FOLLOW UP ON . 704 00:27:18,464 --> 00:27:19,697 HONEST... 705 00:27:20,900 --> 00:27:22,233 VIEW? 706 00:27:22,301 --> 00:27:23,968 LOOK AT THIS, WHAT ARE YOU THOUGHT? 707 00:27:25,739 --> 00:27:27,504 GOOD, IT & apos; S > LITTLE LITTLE, 708 00:27:27,540 --> 00:27:29,440 DOES NOT MEAN SOMEBODY CANNOT STAND. 709 00:27:29,475 --> 00:27:32,610 YEAH, YOU ARE REALLY RIGHT. 710 00:27:32,645 --> 00:27:34,578 I DON'T KNOW, I'M JUST... 711 00:27:34,647 --> 00:27:37,181 SOMETHING DOES NOT FEEL TRUE. 712 00:27:42,822 --> 00:27:44,889 HEY, DO YOU SEE THIS? 713 00:27:44,924 --> 00:27:46,657 There is a SCRATCH ON THE FLOOR 714 00:27:46,692 --> 00:27:47,792 IN WHERE CHAIR WILL HAVE BEEN, 715 00:27:47,827 --> 00:27:50,294 BUT LEGS ON THE CHAIR HAVE FELT PADS. 716 00:27:50,329 --> 00:27:52,830 THEN IT IS A CHAIR DOESN'T MAKE A SCRATCH. 717 00:27:52,866 --> 00:27:54,732 DO YOU KNOW WHAT? 718 00:27:54,801 --> 00:27:55,967 OR HOW IS THE LONG LENGTH? 719 00:27:57,670 --> 00:27:58,770 OK, TIME TO GO 720 00:27:58,805 --> 00:28:00,371 [SIGHS] 721 00:28:00,406 --> 00:28:01,338 HONEST... 722 00:28:06,545 --> 00:28:08,045 THANK YOU. 723 00:28:08,081 --> 00:28:09,213 [SQUEALS IN EXCITEMENT] 724 00:28:09,282 --> 00:28:11,382 YOU NEED TO SHOPPING. 725 00:28:11,417 --> 00:28:14,252 HAPPY LATE BIRTHDAYS FOR MY BABY SUSTER. 726 00:28:14,320 --> 00:28:15,286 OH. 727 00:28:15,321 --> 00:28:17,721 WE START. 728 00:28:17,757 --> 00:28:18,756 SEE. 729 00:28:18,792 --> 00:28:19,657 BEAUTIFUL ONCE. 730 00:28:19,692 --> 00:28:22,126 OH. WOW... 731 00:28:22,162 --> 00:28:24,695 I LOVE THIS ONE. 732 00:28:24,730 --> 00:28:26,030 UM... 733 00:28:27,300 --> 00:28:29,366 OH, HONEY, me... 734 00:28:29,435 --> 00:28:31,435 I DON'T KNOW WHAT SAYS. 735 00:28:31,470 --> 00:28:32,770 "THANK YOU." [LAUGHS] 736 00:28:32,839 --> 00:28:34,205 EXCEPT ONLY, 737 00:28:34,240 --> 00:28:35,940 I WILL NOT USE EVERYTHING. 738 00:28:35,975 --> 00:28:39,277 DANI, I WANT TO GET SOMETHING GOOD. 739 00:28:39,345 --> 00:28:40,477 AND THEY ARE ANY. 740 00:28:40,513 --> 00:28:42,579 AND THEY'RE GOING TO SEE THANK YOU 741 00:28:42,615 --> 00:28:44,916 LISTENING, DANI, I... 742 00:28:44,951 --> 00:28:46,918 I TRY TO HELP YOU. 743 00:28:46,986 --> 00:28:48,652 SWEETHEART, YOU'RE STILL SINGLE, 744 00:28:48,688 --> 00:28:51,155 AND YOU DRESS ARTSY. 745 00:28:51,191 --> 00:28:53,224 MAYBE, ONLY POSSIBLE, THIS IS TIME TO... 746 00:28:53,259 --> 00:28:54,992 I don't know, TAKE THINGS ARE MORE SERIOUS. 747 00:28:55,028 --> 00:28:57,929 SOMETHING IS IMPORTANT WITH YOUR LIFE. 748 00:28:57,964 --> 00:29:00,198 I GO TO BATHROOMS WHEN I NEED SOAP, 749 00:29:00,233 --> 00:29:01,933 I GO BELOW YOURSELF, 750 00:29:01,968 --> 00:29:04,568 AND I FIND THE CRYSTAL LATE TO YOUR PIPE. 751 00:29:04,603 --> 00:29:06,804 [LAUGHS] DANI... 752 00:29:06,840 --> 00:29:08,940 COME ON, I MEAN, THAT NEW-AGE STUFF, 753 00:29:08,975 --> 00:29:11,209 IT MUST HAVE BEEN MORE YEARS OLD. 754 00:29:11,244 --> 00:29:12,710 THEY CLEAN ENERGY. 755 00:29:13,880 --> 00:29:14,678 YOU DO NOT HAVE TO BELIEVE IT 756 00:29:14,714 --> 00:29:16,914 GOOD, I'M NOT. 757 00:29:16,950 --> 00:29:18,049 IT'S OK, IT'S FINE, 758 00:29:18,084 --> 00:29:20,451 YOU KNOW, I'M JUST GONNA RETURNED THIS. 759 00:29:20,486 --> 00:29:21,385 BETH ANN, I'M SORRY - 760 00:29:21,454 --> 00:29:23,587 NOT A BIG PROBLEM. 761 00:29:23,622 --> 00:29:24,956 I DO NOT MEAN TO LOVE YOUR FEELINGS. 762 00:29:25,024 --> 00:29:27,458 TRUE, IT'S REALLY FINE. 763 00:29:27,493 --> 00:29:28,792 TIDAK MASALAH. 764 00:29:30,296 --> 00:29:31,562 [SIGHS HEAVILY] 765 00:29:40,073 --> 00:29:40,972 PERMISSION? 766 00:29:41,007 --> 00:29:41,873 HEI. 767 00:29:41,908 --> 00:29:43,207 DO YOU HAVE ACCESS? 768 00:29:43,243 --> 00:29:44,775 I WANT TO GET INSIDE < br> AND TAKE SOME PHOTOS. 769 00:29:44,844 --> 00:29:46,377 GOOD, YOU HAVE GONNA TO CONTACT THE OWNER. 770 00:29:46,412 --> 00:29:47,778 SORRY. 771 00:29:47,813 --> 00:29:48,612 YOU KNOW THEY WANT /> FOR THIS TEAR BELOW 772 00:29:48,647 --> 00:29:49,580 AND MAKE CONDOS? 773 00:29:49,615 --> 00:29:51,215 YEAH, I AM ALREADY. 774 00:29:51,251 --> 00:29:53,450 IT IS DETERIORATING FOR SOME TIMES NOW. 775 00:29:53,486 --> 00:29:54,585 GOOD, IT WASN'T SEE IT. 776 00:29:54,620 --> 00:29:56,053 YOU KNOW, BUNCH OF US AT SCHOOL 777 00:29:56,089 --> 00:29:57,855 TRYING TO GET HIMSELF AS A HISTORICAL BUILDING. 778 00:29:57,891 --> 00:29:59,857 THEY CANNOT JUST IT DOWN TEARS 779 00:29:59,893 --> 00:30:01,792 Things NOT ALWAYS HOW THEY ARE LOOKING FOR. 780 00:30:01,827 --> 00:30:03,094 THIS OLD BUILDING IMPORTANT. 781 00:30:03,129 --> 00:30:04,695 WE WILL LOSING ALL OUR FUTURE SENSES. 782 00:30:04,730 --> 00:30:06,330 I AGREE WITH YOU THERE, 783 00:30:06,366 --> 00:30:08,465 BUT THERE'S BETTER BUILDING FOR YOU SAVE. 784 00:30:08,501 --> 00:30:10,567 GOOD, WE START WITH THIS ONE. 785 00:30:10,603 --> 00:30:12,970 THEN WE RETURN OTHERS. 786 00:30:21,447 --> 00:30:22,780 DR. TRAMELL. 787 00:30:22,815 --> 00:30:23,781 OH, JENNIFER, 788 00:30:23,849 --> 00:30:25,416 THIS IS HONESTY, 789 00:30:25,484 --> 00:30:27,385 I DO NOT HAVE EVERY MURDERS LATELY. 790 00:30:27,453 --> 00:30:28,619 I'M AT THE SOUND SCHOOL 791 00:30:28,654 --> 00:30:30,554 WHEN LITA MERRILL IS COMMITTED TO A COMMITTED. 792 00:30:30,589 --> 00:30:32,423 I HAVE QUESTIONS QUESTIONS, 793 00:30:32,491 --> 00:30:33,524 RECORDED. 794 00:30:33,559 --> 00:30:35,559 I WILL NOT SAY A SOUL. 795 00:30:38,264 --> 00:30:40,331 I'M JUST SPECIAL, 796 00:30:40,366 --> 00:30:43,901 DO YOU EVER HAVE KILLING STAGED TO APPEAR AS SUICIDE? 797 00:30:43,937 --> 00:30:45,202 WHY IN THE WORLD 798 00:30:45,238 --> 00:30:46,804 I'M EVEN STARTING THINKING THAT IN THIS CASE? 799 00:30:46,839 --> 00:30:48,105 JUST A HUSBAND 800 00:30:51,177 --> 00:30:53,010 FOLLOW I. 801 00:30:59,052 --> 00:31:00,151 LITA MERRILL, 802 00:31:00,186 --> 00:31:01,285 WOMEN are 30 years old, 803 00:31:01,321 --> 00:31:03,187 HEAVY NORMAL, FULLY HEALTHY, 804 00:31:03,222 --> 00:31:05,356 THERE ARE NO TRAUMA OTHER SIGNS 805 00:31:05,391 --> 00:31:07,825 OTHER THAN CONNECTING WITH HANGING. 806 00:31:08,995 --> 00:31:11,395 WHAT IF HE'S FIRST STRANGLED? 807 00:31:11,431 --> 00:31:12,896 GOOD, THE BRUISE ON THE SKIN 808 00:31:12,966 --> 00:31:15,299 WILL BE DIFFERENT. 809 00:31:15,335 --> 00:31:16,934 HERE, WE HAVE " V ", 810 00:31:16,970 --> 00:31:18,802 THAT DON'T HAPPEN WITH STRANGULATION 811 00:31:18,838 --> 00:31:21,439 THAT WILL BE A STRAIGHT LINE. 812 00:31:21,474 --> 00:31:23,140 GOOD. 813 00:31:23,209 --> 00:31:25,576 WHAT IF HE IS REQUIRED FIRST? 814 00:31:25,644 --> 00:31:26,844 GOOD, THERE WILL BE A EVIDENCE THAT 815 00:31:26,879 --> 00:31:28,179 IN THE BLOOD STREAM, 816 00:31:28,247 --> 00:31:30,848 AND NOTHING. 817 00:31:41,227 --> 00:31:42,093 HEY. 818 00:31:42,128 --> 00:31:43,660 HI, HON. 819 00:31:43,696 --> 00:31:45,463 YOU ARE LOOKING FOR IN OLD BUILDING? 820 00:31:45,498 --> 00:31:47,999 BUILDING HATCHER, TO BE. 821 00:31:48,067 --> 00:31:49,100 I WOULD BE THERE TODAY, 822 00:31:49,135 --> 00:31:50,201 AND I WANT TO STUDENT 823 00:31:50,236 --> 00:31:52,436 WHO PROVIDES SPEECH IN THE CITY CITY. 824 00:31:52,472 --> 00:31:53,770 WHICH IS ONE HANNAH WS AT? 825 00:31:53,806 --> 00:31:55,106 YES. 826 00:31:55,141 --> 00:31:57,808 HE KNOWS I WILL NOT BE TEAR DOWN IMPORTANT BUILDING. BUT I COULDN'T SEEM TO FIND 827 00:31:57,843 --> 00:31:59,543 IMPORTANT ANYTHING ABOUT IT. 828 00:31:59,612 --> 00:32:02,146 What does HANNO say? 829 00:32:02,215 --> 00:32:03,914 WE HAVE NO < br /> THAT CONVERSATION 830 00:32:03,983 --> 00:32:05,383 BUT I SPEAK WITH LYNWOOD FRANK TODAY. 831 00:32:06,585 --> 00:32:08,819 HE HAS YOU SAVE IT OUT FOR HOME 832 00:32:08,888 --> 00:32:10,687 WHERE THE MUSIC IS DEAD 833 00:32:10,723 --> 00:32:12,490 AND HE LOVES YOU WILL SPEAK SOME SENSES TO ME? 834 00:32:12,525 --> 00:32:14,392 LET ME ASK YOU, 835 00:32:15,728 --> 00:32:17,261 WHAT IS POSSIBLE < br /> THAT THIS IS ONLY A CASE 836 00:32:17,330 --> 00:32:19,330 WOMEN WHO MAKES IT LIFE? 837 00:32:19,365 --> 00:32:21,632 YES. 838 00:32:21,700 --> 00:32:23,167 AND FRANK SAID 839 00:32:23,202 --> 00:32:24,235 THAT HE HAS TEXT FROM THE PHONE 840 00:32:24,303 --> 00:32:25,469 IN ONE HOUR THEY FIND IT? 841 00:32:25,505 --> 00:32:27,438 DALAM SATU JAM MEREKA MENEMUKANNYA? 842 00:32:27,473 --> 00:32:29,340 ITU BENAR, TERLALU. 843 00:32:29,375 --> 00:32:31,208 AND NO SUSPECTS, AND THERE IS NO MOTIVE. 844 00:32:31,244 --> 00:32:33,310 BUT YOU THINK... 845 00:32:33,346 --> 00:32:35,846 I DON'T KNOW WHAT I THOUGHT. 846 00:32:35,881 --> 00:32:37,581 I JUST GO WITH MY FEELINGS, 847 00:32:37,650 --> 00:32:39,650 AND SOMETHING DOES NOT FEEL TRUE. 848 00:32:41,754 --> 00:32:42,719 HEY... 849 00:32:42,755 --> 00:32:44,721 YOU KNOW WHAT I AM < br>> THINK ABOUT 850 00:32:44,790 --> 00:32:46,190 IN THE DRIVE HOME? 851 00:32:46,259 --> 00:32:47,891 OH, I CAN GUESS. 852 00:32:47,927 --> 00:32:49,260 THAT OMELETTE YOU MAKE? 853 00:32:49,295 --> 00:32:50,894 One with THE SWISS CHEESE 854 00:32:50,963 --> 00:32:51,895 AND PROVOLONE 855 00:32:51,964 --> 00:32:53,764 OH, IT WAS VERY GOOD. 856 00:32:54,800 --> 00:32:56,833 I GUESSED WRONG. 857 00:32:56,869 --> 00:32:59,970 [LAUGH] 858 00:33:02,908 --> 00:33:05,876 I DON'T KNOW HOW LONG HE SHOULD STAY. 859 00:33:05,945 --> 00:33:07,545 WE GET THAT TYPE. 860 00:33:07,580 --> 00:33:09,346 HE HAS ME SOME NEW CLOTHES, 861 00:33:09,382 --> 00:33:11,182 THINK I HAVE TO LOOK LESS "ART," 862 00:33:11,217 --> 00:33:12,416 AS SHE PUTS IT. 863 00:33:12,452 --> 00:33:14,751 THAT YOU ASK AS - 864 00:33:14,787 --> 00:33:16,120 THEY BECOME CRITICAL. 865 00:33:16,155 --> 00:33:18,222 AH. 866 00:33:18,291 --> 00:33:20,091 MAYBE I OVER-REACTING? 867 00:33:20,126 --> 00:33:21,225 POSSIBLE. 868 00:33:23,329 --> 00:33:24,861 Most no I wake up. 869 00:33:24,897 --> 00:33:26,163 PROGRESS, TRUE? 870 00:33:26,199 --> 00:33:27,465 IT IS PROGRESS. 871 00:33:27,500 --> 00:33:28,899 [ENTRY BELL JINGLES] 872 00:33:35,674 --> 00:33:37,575 PERMISSION, CAN HELP YOU? 873 00:33:40,146 --> 00:33:41,579 I UNDERSTAND LITA MERRILL BRING SOME STUFFS HERE 874 00:33:41,614 --> 00:33:42,746 TO SELL? 875 00:33:43,682 --> 00:33:45,015 UM... 876 00:33:45,050 --> 00:33:46,584 DO YOU KNOW LITA? 877 00:33:46,619 --> 00:33:47,918 YES. 878 00:33:47,953 --> 00:33:49,120 WHO ARE MY. 879 00:33:49,155 --> 00:33:50,654 NOW REDUCE. 880 00:33:50,689 --> 00:33:52,490 WHAT HE WAS REQUIRED < br /> BELONGS TO ME, 881 00:33:52,525 --> 00:33:54,425 AND I AM BACK. 882 00:33:57,723 --> 00:34:00,033 WITH ALL RESPECT, I DON'T KNOW YOU, 883 00:34:00,033 --> 00:34:02,133 AND I DON'T < br /> WILL GIVE ANYTHING 884 00:34:02,168 --> 00:34:04,268 FOR SOMEONE OFF THE STREET. 885 00:34:04,304 --> 00:34:05,502 I'LL GIVE YOU LITA & apos; S BELONGINGS 886 00:34:05,571 --> 00:34:06,637 To POLICE, 887 00:34:06,705 --> 00:34:08,205 AND YOU CAN CONNECT WITH THEM. 888 00:34:08,241 --> 00:34:09,473 OH, I WILL 889 00:34:10,609 --> 00:34:13,610 YOU DO NOT HAVE THEIR RIGHT TO THEM. 890 00:34:13,679 --> 00:34:15,846 THEY BELONG TO ME 891 00:34:22,455 --> 00:34:24,922 IT'S HARD, 892 00:34:24,958 --> 00:34:29,393 ESPECIALLY FIND IT AND SEE IT LIKE IT. 893 00:34:29,462 --> 00:34:30,761 IS HE EXCITED AT ALL? 894 00:34:30,796 --> 00:34:33,197 I THINK HE WILL HAVE PROBLEMS OF RELATIONSHIP. 895 00:34:33,232 --> 00:34:34,765 DO YOU KNOW WHO IS HE INVOLVED WITH? 896 00:34:36,669 --> 00:34:38,702 NOT TRUE, NO. 897 00:34:38,737 --> 00:34:40,904 UM, ALL I AM KNOW IT WAS 898 00:34:40,940 --> 00:34:42,673 ONE DAY, LITA REALLY HAPPY, 899 00:34:42,708 --> 00:34:44,175 AND THEN ALL SUDDEN, HE WAS NOT. 900 00:34:44,243 --> 00:34:45,642 YOU KNOW, HE < br /> REALLY EXCITED TO GO TOUR, 901 00:34:45,711 --> 00:34:46,777 AND THEN IT WAS LIKE 902 00:34:46,846 --> 00:34:49,146 DARK CLOUD ONLY MOVED IN 903 00:34:49,182 --> 00:34:50,814 ANYTHING IN BAND /> OR IN CREW 904 00:34:50,850 --> 00:34:51,949 WHO KNOWS HER GOOD? 905 00:34:51,985 --> 00:34:53,284 TIDAK. 906 00:34:53,353 --> 00:34:55,052 HE IS A LONER TYPE. 907 00:34:55,088 --> 00:34:56,787 HE'S TOWARDS OWNERSHIP, IT IS CONFIDENTIAL. 908 00:34:56,822 --> 00:34:58,789 I MAYBE CLOSED TO IT. 909 00:34:58,824 --> 00:35:00,858 THERE GUY WHICH COMES TO MY STORE 910 00:35:00,893 --> 00:35:02,960 AND IT'S THAT HE'S TOWARDS LITA. 911 00:35:02,996 --> 00:35:04,295 BO? 912 00:35:04,330 --> 00:35:06,097 WOW. 913 00:35:06,132 --> 00:35:07,698 THEY DIVORED THE AGO YEAR. 914 00:35:07,733 --> 00:35:09,166 I MEAN, BEFORE I EVEN CHECKED IT. 915 00:35:09,202 --> 00:35:10,968 Did HE SPEAK ABOUT IT? 916 00:35:11,004 --> 00:35:15,006 YEAH, BUT I DON'T THINK THAT HE HAS ANY CONTACT. 917 00:35:15,041 --> 00:35:16,940 I MEAN, BO IS A REAL MISTAKE. 918 00:35:16,976 --> 00:35:18,476 He is lying, he is checked, 919 00:35:18,544 --> 00:35:19,410 He does not go ANYWHERE IN LIFE, 920 00:35:19,445 --> 00:35:21,945 EXCEPT BEING IN BAR BAND. 921 00:35:21,981 --> 00:35:23,947 LITA WAS PROSPECTED HE HE WAS NEVER BACK. 922 00:35:23,983 --> 00:35:25,483 He say they are old. 923 00:35:26,619 --> 00:35:28,119 NOT POSSIBLE. 924 00:35:30,556 --> 00:35:32,189 UH HUH... 925 00:35:33,126 --> 00:35:34,825 GOOD, I UNDERSTAND IT. 926 00:35:34,860 --> 00:35:35,792 THANK YOU. 927 00:35:35,828 --> 00:35:36,760 [HANGS UP PHONE] 928 00:35:37,930 --> 00:35:40,664 OK, A BRODIE TAYLOR, 929 00:35:40,699 --> 00:35:41,698 "BO", 930 00:35:41,734 --> 00:35:42,933 WHEN THIS IS CLAIMING 931 00:35:42,968 --> 00:35:44,635 HE'S STILL RICE TO LITA MERRILL 932 00:35:44,703 --> 00:35:45,736 LITA SAYS EVERYONE 933 00:35:45,771 --> 00:35:47,371 HE'S DIVORCED IN THE FIRST. 934 00:35:48,841 --> 00:35:50,241 GOOD. 935 00:35:50,276 --> 00:35:51,808 WE SEE WHAT THE RECORD COMES COME. 936 00:35:54,313 --> 00:35:55,479 GOOD. 937 00:35:55,515 --> 00:35:58,115 THEY'RE RICE 10 YEARS THEN... 938 00:35:58,151 --> 00:36:00,084 NO RECORD DIVORCE. 939 00:36:00,153 --> 00:36:01,318 LOOK LIKE THEY STILL RICE 940 00:36:01,354 --> 00:36:02,986 AT THE TIME IT'S DEATH. 941 00:36:03,022 --> 00:36:05,356 WHEN HE TAKES THE POSSESSION Where is he? 942 00:36:05,391 --> 00:36:06,823 YET. 943 00:36:06,859 --> 00:36:08,625 THE PAPERWORK STILL IN THE PROCESS. 944 00:36:08,661 --> 00:36:09,893 DO NOT FIND IT 945 00:36:09,929 --> 00:36:11,762 THAT AFTER THE DIES, 946 00:36:11,797 --> 00:36:14,665 HER ESTRANGED HUSBANDS SUDDENLY SHOWS UP? 947 00:36:14,700 --> 00:36:17,601 YOU HAVE ME TO TREAT THIS LIKE KILLING. 948 00:36:17,636 --> 00:36:19,270 GOOD, YOU WANT SUSPEK. 949 00:36:19,338 --> 00:36:20,737 YOU WANT TO MOTIVE. 950 00:36:20,806 --> 00:36:23,574 HUSBAND ALWAYS ALWAYS MAIN SUSPECT, RIGHT? 951 00:36:23,609 --> 00:36:25,543 AND MOTIVATION IS HER ESTATE. 952 00:36:27,180 --> 00:36:28,912 GOOD FLIERS AND POSTERS, 953 00:36:28,948 --> 00:36:30,247 BUT WE NEED TO DO SOMETHING 954 00:36:30,283 --> 00:36:32,083 IT'S REALLY GOING TO HAVE THE IMPACT 955 00:36:32,118 --> 00:36:33,584 WHAT DO YOU HAVE THOUGHT? 956 00:36:33,652 --> 00:36:34,651 I THINK ALL THE LINE 957 00:36:34,687 --> 00:36:36,320 BRIEF VIDEOS WE CAN PUT ON THE NET. < /p> 958 00:36:36,355 --> 00:36:37,421 ITU. 959 00:36:37,457 --> 00:36:39,056 ORS CAN REALLY SEE IT 960 00:36:39,092 --> 00:36:40,091 WE CAN HAVE MONTAGE 961 00:36:40,159 --> 00:36:41,559 FROM ALL OLD BUILDINGS IN THIS CITY 962 00:36:41,594 --> 00:36:43,494 THAT IS NOT LONGER HERE... 963 00:36:43,563 --> 00:36:45,062 END WITH BUILDING HATCHER 964 00:36:45,098 --> 00:36:46,029 WE NEED A SKRIPT. 965 00:36:46,065 --> 00:36:46,964 AMY CAN DO IT. 966 00:36:46,999 --> 00:36:47,931 CAMERA? 967 00:36:47,967 --> 00:36:48,999 I UNDERSTAND IT. 968 00:36:49,034 --> 00:36:50,867 DAN KITA PERLU NARRATOR. 969 00:36:52,671 --> 00:36:54,037 COME ON, AJ, I AM NOT TRUE - 970 00:36:54,073 --> 00:36:55,038 MADE. 971 00:36:55,108 --> 00:36:57,608 YOU WILL BE BIG. 972 00:37:02,115 --> 00:37:03,581 [ENTRY BELL JINGLES] 973 00:37:21,467 --> 00:37:24,401 I DON'T COME HERE TO SPEND YOU, DANI, 974 00:37:24,437 --> 00:37:27,304 BUT IT WAS EVERYTHING I SEEM TO DO. 975 00:37:27,340 --> 00:37:29,006 YOU KNOW, I THOUGHT I THINK 976 00:37:29,074 --> 00:37:29,940 AND GENERAL. 977 00:37:29,975 --> 00:37:31,008 I KNOW, 978 00:37:31,043 --> 00:37:32,743 AND I APPRECIATE IT. 979 00:37:34,046 --> 00:37:35,746 UH... [CHUCKLES AWKWARDLY] 980 00:37:35,781 --> 00:37:38,115 I DON'T SEE ANY POINT STAYING BETTER. 981 00:37:39,418 --> 00:37:40,851 I don't know WHY CAN YOU NOT RECEIVE ME 982 00:37:40,886 --> 00:37:42,753 ONLY TO BECOME ME 983 00:37:45,391 --> 00:37:48,192 ANYWAY, I'M JUST, I WANT TO KNOW THAT I... 984 00:37:48,261 --> 00:37:49,960 I WENT NOW. 985 00:37:51,063 --> 00:37:52,429 HAPPY TO STAY. 986 00:37:52,498 --> 00:37:54,265 BYE. 987 00:38:00,640 --> 00:38:02,606 SO, YOU DO NOT WANT TO DELIVER BUILDINGS? 988 00:38:02,642 --> 00:38:04,708 NO, I WANT TO BUILD NEW BUILDINGS 989 00:38:04,743 --> 00:38:05,676 HAVE TO GIVE ME 990 00:38:05,711 --> 00:38:06,677 THAT YOU'RE GOING TO MOVE 991 00:38:06,712 --> 00:38:07,678 CONDO PROJECTS. 992 00:38:07,713 --> 00:38:08,479 VERY? 993 00:38:08,514 --> 00:38:09,413 YES . 994 00:38:09,448 --> 00:38:11,649 GOOD, WE'RE NOT. 995 00:38:11,684 --> 00:38:12,650 YOU KNOW, THAT> LL GO EASIER 996 00:38:12,685 --> 00:38:14,185 IF YOU'RE HOT IT WITH HAIR DRYERS . 997 00:38:14,253 --> 00:38:15,719 HANN & apos; S GOT ONE. 998 00:38:15,754 --> 00:38:17,188 [SIGHS] 999 00:38:20,759 --> 00:38:23,727 [ZIPPING LUGGAGE] 1000 00:38:25,898 --> 00:38:27,665 [KNOCK ON BEDROOM DOOR] 1001 00:38:29,635 --> 00:38:31,368

1002 00:38:31,404 --> 00:38:32,570 DANI... 1003 00:38:32,638 --> 00:38:34,471 HAI. 1004 00:38:35,741 --> 00:38:38,108 HAI. 1005 00:38:38,177 --> 00:38:40,544 NOT MY WANT YOU TO GO. 1006 00:38:40,613 --> 00:38:41,645 I MEAN, NOT LIKE THIS. 1007 00:38:41,681 --> 00:38:43,681 WE HAVE HAVE 1008 00:38:43,716 --> 00:38:46,049 SOME OF THE GOODS TO WORK THROUGH, 1009 00:38:47,486 --> 00:38:48,586 BUT I WILL SPEAK IF YOU ARE. 1010 00:38:48,621 --> 00:38:50,721 IN ADDITION, 1011 00:38:51,591 --> 00:38:53,190 YOU PROMISE TO HELP IN THE STORE. 1012 00:38:55,595 --> 00:38:56,727 [GUSHES] AW...! 1013 00:38:56,762 --> 00:38:58,562 AW, DANI, 1014 00:38:58,631 --> 00:39:01,064 IT MEANS A LOT TO ME. 1015 00:39:03,469 --> 00:39:04,801 I BRING YOU A PRESENT. 1016 00:39:04,837 --> 00:39:06,103 YOU MUST NOT DO IT. 1017 00:39:06,138 --> 00:39:08,071 NO, I KNOW, BUT I WANT. 1018 00:39:08,107 --> 00:39:10,207 I WANT APOLOGIS. 1019 00:39:10,243 --> 00:39:12,008 THANK YOU. 1020 00:39:13,178 --> 00:39:14,778 [LAUGHS] 1021 00:39:14,813 --> 00:39:16,547 -CRYSTALS? - MM-HMM. 1022 00:39:16,582 --> 00:39:17,648 AW... 1023 00:39:17,683 --> 00:39:19,149 OH, DARLING, THEY ARE WONDERFUL. 1024 00:39:19,184 --> 00:39:20,251 NOW, THEY WILL WORK ANYWHERE. 1025 00:39:20,286 --> 00:39:21,452 ONLY ON THE DRESSER IS FINE. 1026 00:39:21,487 --> 00:39:22,686 WELL, 1027 00:39:22,722 --> 00:39:24,988 AND THEY & L; LL CLEAR OUT ALL BAD ENERGY? 1028 00:39:25,023 --> 00:39:26,123 MAYBE. 1029 00:39:29,128 --> 00:39:30,761 WE WILL NOT NEED THAT 1030 00:39:30,829 --> 00:39:32,363 STAY SHE. 1031 00:39:32,398 --> 00:39:34,398 THANK YOU. 1032 00:39:40,339 --> 00:39:41,305 BYE, MOTHER. 1033 00:39:41,340 --> 00:39:43,240 HAVE YOUR FUN DAY, HONEY. 1034 00:39:43,276 --> 00:39:44,141 HAVE YOU LOOK AT HIS? 1035 00:39:44,176 --> 00:39:45,242 GONE. 1036 00:39:45,311 --> 00:39:46,343 HE HAS A COMMITTEE MEETING. 1037 00:39:46,379 --> 00:39:47,645 GOOD, WHEN YOU LOOK AT IT, YOU CAN SAY IT 1038 00:39:47,680 --> 00:39:49,546 THAT HE AND I NEED TO SIT DOWN AND HAVE A TALK? 1039 00:39:49,582 --> 00:39:50,814 IT WAS FUNNY, 1040 00:39:50,849 --> 00:39:52,383 I TELL YOU TO SAY YOU THE SAME THING. 1041 00:40:04,096 --> 00:40:06,797 AW, COME ON. 1042 00:40:06,832 --> 00:40:08,732 [SIGHS HEAVILY] 1043 00:40:08,768 --> 00:40:10,434 Okay , LET; S TAKE IT AGAIN, AND THIS TIME, 1044 00:40:10,503 --> 00:40:11,402 ATTITUDE IN OLD BUILDING 1045 00:40:11,470 --> 00:40:12,503 IT IS TO BE DEFINED. 1046 00:40:12,538 --> 00:40:14,271 -You ARE READY? -YA. 1047 00:40:14,307 --> 00:40:15,105 GOOD. 1048 00:40:15,140 --> 00:40:16,940 ACTION. 1049 00:40:17,009 --> 00:40:19,677 THE FIRST BUILDING IN THIS COUNTY WITH AN LIFT, 1050 00:40:19,745 --> 00:40:21,244 DESIGNED BY NOT USING ARCHITECT 1051 00:40:21,280 --> 00:40:22,546 ADRIAN BERNARD, 1052 00:40:22,581 --> 00:40:25,048 AND THREE PRESIDENTS HAVE STAY UNDER THE ROOF. 1053 00:40:25,117 --> 00:40:27,484 NOW WE HAVE A CHANCE TO SAVE IT. 1054 00:40:27,553 --> 00:40:29,353 CONDITIONS CAN GO ANYWHERE. 1055 00:40:29,388 --> 00:40:32,155 THE HATCHER BUILDING CAN ONLY HERE. 1056 00:40:32,191 --> 00:40:33,524 [BEEPS RECORDING OFF] 1057 00:40:33,559 --> 00:40:34,391 IT'S GREAT, HANNAH. 1058 00:40:34,427 --> 00:40:35,592 WE ARE GOOD? 1059 00:40:35,628 --> 00:40:37,828 YEAH, I THINK WE UNDERSTAND. 1060 00:40:37,863 --> 00:40:39,663 p> 1061 00:40:39,699 --> 00:40:42,132 SO... 1062 00:40:42,201 --> 00:40:44,501 DO YOU WANT TOGETHER EVENING SATURDAY? 1063 00:40:44,537 --> 00:40:47,571 TO, LIKE, EDIT? 1064 00:40:47,606 --> 00:40:48,939 I THINK MAYBE WE CAN ONLY GO FOR NIGHT EATING, 1065 00:40:49,007 --> 00:40:51,007 OR HANG OUT? 1066 00:40:51,043 --> 00:40:53,310 LIKE DATE? 1067 00:40:53,346 --> 00:40:54,478 YES I AM LEFT. 1068 00:40:54,547 --> 00:40:55,912 UH, YEAH 1069 00:40:57,416 --> 00:40:59,783 I LOVE IT. 1070 00:40:59,819 --> 00:41:01,552 -Good. -KEREN. 1071 00:41:01,587 --> 00:41:03,487 I JUST WALK ON RIGHT To his room 1072 00:41:03,522 --> 00:41:05,121 AND TELL him I WANT TO STAY. 1073 00:41:05,157 --> 00:41:06,357 WOW. 1074 00:41:06,425 --> 00:41:07,624 I AM IMPRESSED. 1075 00:41:07,660 --> 00:41:09,393 WE HAVE HOW LONG TO GO, 1076 00:41:09,428 --> 00:41:10,961 BUT I GIVE IT SOME CRYSTALS, 1077 00:41:10,996 --> 00:41:12,796 HE IS RECEIVED OF THEM. 1078 00:41:12,832 --> 00:41:14,765 IN ONE SWEATER AND PEARL AFTER ALL. 1079 00:41:14,800 --> 00:41:15,766 NOT SMALL. 1080 00:41:15,835 --> 00:41:17,033 [LAUGHS] [ENTRY BELL JINGLES] 1081 00:41:17,069 --> 00:41:18,034 HEY. 1082 00:41:18,103 --> 00:41:19,169 [EXHALING] 1083 00:41:19,204 --> 00:41:20,270 GOOD. 1084 00:41:20,305 --> 00:41:22,239 NOW, I FIND THAT LITA AND BO 1085 00:41:22,274 --> 00:41:23,407 SEPARATED YEARS AGO. 1086 00:41:23,476 --> 00:41:25,976 DIVORCE has started, BUT NEVER COMPLETE. 1087 00:41:26,011 --> 00:41:28,345 WHY IS HERE? 1088 00:41:28,381 --> 00:41:29,212 GOOD, HE LIVES FROM COUNTRY, 1089 00:41:29,248 --> 00:41:31,314 p> 1090 00:41:31,350 --> 00:41:34,117 AND FOR REASONS THAT CANNOT BE RESERVED, 1091 00:41:34,152 --> 00:41:36,487 HE COMES HERE SOME DAYS BEFORE LITA'S DEATH. 1092 00:41:36,522 --> 00:41:38,054 IT IS VERY INTERESTING. 1093 00:41:38,123 --> 00:41:40,223 GOOD, IT GETS MORE INTERESTING. 1094 00:41:40,259 --> 00:41:42,426 THERE IS A LIFE PRIVATE POLICY ON LITA 1095 00:41:42,495 --> 00:41:44,194 BO IS A BENEFIT. 1096 00:41:44,229 --> 00:41:46,129 HE IS NOT MAYBE THOUGHT ABOUT IT. 1097 00:41:46,164 --> 00:41:47,865 HE PAYS PREMIUM? 1098 00:42:02,347 --> 00:42:04,146 LOOKS THAT THE WAY 1099 00:42:04,215 --> 00:42:05,348 I HAPPY TO HELP WITH ANY WAY CAN. 1100 00:42:05,383 --> 00:42:06,482 THANK YOU. 1101 00:42:06,517 --> 00:42:08,351 I checked WITH THE LYNWOOD DETECTIVE, 1102 00:42:08,386 --> 00:42:10,052 AND HE HAS YOU DISCREET, 1103 00:42:10,088 --> 00:42:12,654 WE APPRECIATE. 1104 00:42:12,690 --> 00:42:15,491 WE'RE ALL THANK YOU LITA DEATH. 1105 00:42:15,526 --> 00:42:18,227 I UNDERSTAND. 1106 00:42:18,262 --> 00:42:20,196 THE DETECTIVE OF LYNWOOD TOLD ME THAT THEY STILL RICE, 1107 00:42:20,231 --> 00:42:21,297 AND THAT HUSBAND HAS HERE. 1108 00:42:21,332 --> 00:42:22,365 THAT CANNOT BE RIGHT. 1109 00:42:22,433 --> 00:42:24,467 IT WAS THEY THERE'S. 1110 00:42:24,535 --> 00:42:25,401 I HAVE ALL LITA CONTRACTS, 1111 00:42:25,436 --> 00:42:27,136 THE TAX FORM. 1112 00:42:27,171 --> 00:42:29,005 HE'S NEVER HE HAD BEEN WARNED ANY OF THEM. 1113 00:42:29,073 --> 00:42:31,240 THEY SEPARATE EIGHT AGO YEARS. 1114 00:42:31,275 --> 00:42:32,608 THEY STARTED DIVORCE PROCEDURES, 1115 00:42:32,676 --> 00:42:34,443 BUT NO FINALIZATION. 1116 00:42:34,479 --> 00:42:36,545 CONTINUE WHAT DOES IT MEAN? 1117 00:42:36,580 --> 00:42:38,580 CAUSES OF DEATH GIVEN AS SUICIDE. 1118 00:42:38,616 --> 00:42:39,848 NO CHANGED, HAS BEEN? 1119 00:42:39,884 --> 00:42:41,117 NO. 1120 00:42:41,152 --> 00:42:43,619 TEXT IS CLEARLY SUICIDE NOTES, 1121 00:42:43,654 --> 00:42:44,753 AND JOHN AND CASSIE GO TO HOMES 1122 00:42:44,788 --> 00:42:46,155 RIGHT AFTER GETTING IT. 1123 00:42:46,190 --> 00:42:47,723 HOW CAN IT BE POSSIBLE BE ANYTHING ELSE? 1124 00:42:47,791 --> 00:42:49,625 I don't know 1125 00:42:49,660 --> 00:42:52,061 BUT CASSIE HAS AN IMPRESSION THAT YOU THINK 1126 00:42:52,096 --> 00:42:54,130 THAT THIS IS NOT POSSIBLE HAS BEEN SUICIDE. 1127 00:42:56,734 --> 00:42:59,835 WHEN I WAS ALONE, HE UPBEAT AND HAPPY. 1128 00:42:59,870 --> 00:43:01,203 HE JUST BRINGS SOME THINGS TO MY STORE 1129 00:43:01,272 --> 00:43:03,539 FOR SALE ON CONSIGNMENT. 1130 00:43:03,574 --> 00:43:06,409 WHICH IS NOT LIKE LIKE SUICIDAL BEHAVIOR. 1131 00:43:06,477 --> 00:43:08,511 GOOD, ON DAY BEFORE HE DIED, 1132 00:43:08,579 --> 00:43:11,047 HE WAS LOOKING TRULY DOWN. 1133 00:43:11,082 --> 00:43:12,814 WE HAD WALKED. > 1134 00:43:12,850 --> 00:43:13,982 FRANKLY, I WORK WITH THE POINT 1135 00:43:14,018 --> 00:43:15,817 THAT I HAVE TO SEE IT THAT NIGHT. 1136 00:43:15,853 --> 00:43:17,953 YOU SAY WHAT IS THE BOTHERING? 1137 00:43:18,022 --> 00:43:19,255 NO. 1138 00:43:19,323 --> 00:43:20,789 BUT I CAN SAY SOMETHING WAS UP. 1139 00:43:20,824 --> 00:43:22,224 HE'S NOT NEVER. 1140 00:43:22,260 --> 00:43:23,259 [FOOTSTEPS APPROACH] 1141 00:43:25,863 --> 00:43:27,029 JOHN 1142 00:43:27,065 --> 00:43:28,431 JENNIFER 1143 00:43:28,466 --> 00:43:31,233 I WRITE SOMETHING. 1144 00:43:31,269 --> 00:43:33,936 MAY OPEN SHOW WITH... FOR LITA... 1145 00:43:33,971 --> 00:43:35,938 LET & apos; S HEAR. 1146 00:43:35,973 --> 00:43:37,106 YES. 1147 00:43:37,141 --> 00:43:38,207 YES... 1148 00:43:49,087 --> 00:43:51,053 I START... 1149 00:43:51,089 --> 00:43:52,254 LYRIC. 1150 00:43:52,323 --> 00:43:54,490 [♪♪♪] 1151 00:43:56,227 --> 00:43:58,760 ♪ NEVER HAVE A GOODBYE ♪ 1152 00:43:58,829 --> 00:44:02,131 ♪ NEVER THOUGHT HE WENT 1153 00:44:02,166 --> 00:44:04,366 ♪ STILL DON'T KNOW WHY ♪ 1154 00:44:04,402 --> 00:44:08,304 ♪ AND I GUESS I NEVER KNOW... ♪ 1155 00:44:09,974 --> 00:44:11,240 WHAT ARE YOU THOUGHT? 1156 00:44:11,275 --> 00:44:12,975 IT STARTED. 1157 00:44:13,010 --> 00:44:15,478 IT WAS BEGINNING GOOD. 1158 00:44:15,546 --> 00:44:16,878 YES BUNG, IT'S ONE OF HEARTS. 1159 00:44:18,382 --> 00:44:19,482 BEAUTIFUL. 1160 00:44:20,518 --> 00:44:21,484 THINK SO? 1161 00:44:21,519 --> 00:44:23,452 I do 1162 00:44:24,522 --> 00:44:27,856 THEN I WILL TRY TO FINISH IT. 1163 00:44:35,299 --> 00:44:36,265 JENN... 1164 00:44:36,300 --> 00:44:39,301 THIS HAS HIT JOHN HARD. 1165 00:44:39,337 --> 00:44:41,903 HE'S MINIMIZING CANCELLATION OF THE TOUR. 1166 00:44:41,939 --> 00:44:44,873 WE DO NOT TELL HIM NOT YET THAT BO TAYLOR SHOWED UP, 1167 00:44:44,908 --> 00:44:47,109 OR ANYTHING. 1168 00:44:47,145 --> 00:44:49,077 I DON'T THINK HE COULD HANDLE IT. 1169 00:44:49,113 --> 00:44:51,413 I UNDERSTAND. 1170 00:44:51,482 --> 00:44:54,783 I WILL TELL YOU IF ANYTHING COMES . 1171 00:44:59,790 --> 00:45:00,956 WELL, I ASKED IT TO 1172 00:45:00,991 --> 00:45:02,424 FOR THE DROP BY TO INTERVIEW. 1173 00:45:02,460 --> 00:45:05,461 NOW, HE'S NOT SUSPECT, > AND NO CRIME, 1174 00:45:05,496 --> 00:45:07,763 EXCEPT ABOVE THAT WILL BE ACTIVE YOUR THOUGHTS, 1175 00:45:07,798 --> 00:45:10,533 BUT I THOUGHT YOU WANT TO TAKE. 1176 00:45:10,568 --> 00:45:12,834 [LYNWOOD]: I APPRECIATE YOU COME. 1177 00:45:12,870 --> 00:45:15,771 NOW, INITIAL REPORT SAY DEATH BY SUICIDE, 1178 00:45:15,806 --> 00:45:17,273 SO THAT ALL FORMALIZED, 1179 00:45:17,341 --> 00:45:19,341 LITA'S QUESTIONS WILL BE REQUIRED. 1180 00:45:19,377 --> 00:45:20,409 [BO]: I HOPE SO. 1181 00:45:20,444 --> 00:45:21,810 THIS HAS BEEN TAKEN HOW TO LONG. 1182 00:45:21,879 --> 00:45:23,078 I NEED TO GET BACK TO SOUTH CAROLINA. 1183 00:45:23,113 --> 00:45:24,980 I UNDERSTAND. 1184 00:45:25,015 --> 00:45:26,948 GOOD, IF YOU JUST HELP US WILL BE SOME HOLE, 1185 00:45:26,984 --> 00:45:28,417 WE WILL GET QUICK PROCESS. 1186 00:45:28,452 --> 00:45:30,052 GOOD SPEECH. 1187 00:45:30,087 --> 00:45:31,520 ARE YOU CONSCIOUS 1188 00:45:31,556 --> 00:45:34,423 THAT YOU NEVER TELL ANYONE < br /> THAT HE STILL RICE? 1189 00:45:34,458 --> 00:45:37,560 ON THE TAX RETURN, ABOUT THE WORKING CONTRACT... 1190 00:45:37,595 --> 00:45:39,127 HE'S ONLY SINGLE. 1191 00:45:39,163 --> 00:45:40,329 [CHUCKLES ] 1192 00:45:40,364 --> 00:45:42,398 HE MAY BE THOUGHT HE IS VORED. 1193 00:45:42,433 --> 00:45:43,932 I NEVER MAKE IT. 1194 00:45:44,001 --> 00:45:45,801 THERE IS NO SUPPORT, WITHOUT ALIMONI, 1195 00:45:45,836 --> 00:45:47,436 THERE IS NO PROPERTY FOR SPLIT UP. 1196 00:45:47,471 --> 00:45:48,604 WHY ARE YOU NOT FILE THE PAPERS? 1197 00:45:48,639 --> 00:45:49,705 I ALWAYS KNOW 1198 00:45:49,740 --> 00:45:51,207 HOW TO SPEAK HIM. 1199 00:45:51,242 --> 00:45:53,975 I'M THOUGHT POSSIBLE NUMBER SOMETHING. 1200 00:45:54,011 --> 00:45:55,611 HE DOS IT. 1201 00:45:55,646 --> 00:45:57,846 [LYNWOOD]: So, YOU LIVE THOUSAND COUPLE MILES AWAY, 1202 00:45:57,881 --> 00:45:59,348 You haven't done it
IN CONTACT FOR YEAR... 1203 00:45:59,383 --> 00:46:01,584 YET YOU HAVE BEEN 1204 00:46:01,619 --> 00:46:04,353 AND JUST HAPPENED HERE WHEN HE'S NEXT SUICIDE? 1205 00:46:06,524 --> 00:46:08,257 I THOUGHT THIS IS FRIENDLY INTERVIEW, DETECTIVE. 1206 00:46:08,292 --> 00:46:09,592 THIS. 1207 00:46:09,627 --> 00:46:11,694 IT, BUT YOU MUST ADMIT IT IS A LITTLE LITTLE... 1208 00:46:11,729 --> 00:46:13,161 COMFORT . 1209 00:46:15,466 --> 00:46:18,467 GOOD. 1210 00:46:18,502 --> 00:46:21,470 Things that have never happened WILL BE GOOD FOR ME. 1211 00:46:21,539 --> 00:46:23,105 I HAVE NO GIG. 1212 00:46:23,173 --> 00:46:24,373 I'M IN ME. 1213 00:46:24,408 --> 00:46:26,908 I NEED A LOAN. 1214 00:46:26,944 --> 00:46:29,678 SO WHY, AFTER OLD, 1215 00:46:29,714 --> 00:46:31,447 DOES HE COMPLETE YOUR MONEY? 1216 00:46:31,482 --> 00:46:33,349 YEAH, I HAVE TO BE CRAZY. 1217 00:46:33,417 --> 00:46:35,183 HE'S RELATING TO ME. 1218 00:46:35,219 --> 00:46:37,620 I LIKE A STRANGER, SOMEONE IS USED TO KNOW. 1219 00:46:37,655 --> 00:46:39,255 SO, HE IS REFUSED TO GIVE YOUR MONEY? 1220 00:46:39,290 --> 00:46:41,890 [BO]: THAT WILL BE UNDERSTATEMENT. 1221 00:46:41,925 --> 00:46:44,960 HE WAS JUST GOING, HOW IS HORRIBLE I WAS. 1222 00:46:44,995 --> 00:46:46,194 [LYNWOOD]: AND WILL YOU MENTION 1223 00:46:46,264 --> 00:46:47,329 THAT YOU NEVER FINALIZED DIVORCE? 1224 00:46:47,398 --> 00:46:50,899 I OFFERED FINALLY WILL TAKE TREATMENT, 1225 00:46:50,968 --> 00:46:53,935 FOR A $ 5,000 CREDIT. 1226 00:46:53,971 --> 00:46:55,738 HE WILL TELL YOU TO GET. 1227 00:46:55,773 --> 00:46:58,206 AND HOW ABOUT INSURANCE POLICY 1228 00:46:58,276 --> 00:46:59,241 YOU PUT OUT ON HER? 1229 00:46:59,277 --> 00:47:01,243 [CHUCKLES] 1230 00:47:02,680 --> 00:47:04,813 HOW DO YOU KNOW ABOUT THAT? 1231 00:47:04,848 --> 00:47:06,815 p> 1232 00:47:06,884 --> 00:47:10,185 30 BUCKS A MONTH, 10 YEARS AGO. 1233 00:47:10,220 --> 00:47:12,854 I GET THE LAST EAT. 1234 00:47:12,923 --> 00:47:15,891 JURAN LIFE DOES NOT PAY IF YOU KILL YOURSELF . 1235 00:47:19,029 --> 00:47:20,729 DO YOU THINK HE'S SMART? 1236 00:47:20,765 --> 00:47:22,364 BECAUSE I DON'T THINK He is SMART. 1237 00:47:22,400 --> 00:47:24,667 [CHUCKLES] HARD TO SAY . 1238 00:47:24,702 --> 00:47:26,067 TIME TERM 1239 00:47:26,103 --> 00:47:27,736 EVEN IN A CASE FROM SUICIDE 1240 00:47:27,772 --> 00:47:29,438 TWO YEARS AFTER POLICY. 1241 00:47:29,473 --> 00:47:30,706 HOW MUCH PAYOUT? 1242 00:47:30,741 --> 00:47:32,908 MM, ABOUT 100 GRAND. 1243 00:47:32,943 --> 00:47:35,110 That can be MUCH MONEY FOR BO. 1244 00:47:35,179 --> 00:47:36,878 SO, HE KILLS IT, > FAITH THE SUICIDE, 1245 00:47:36,914 --> 00:47:38,447 INSURANCE COLLECTIONS, 1246 00:47:38,482 --> 00:47:40,248 AND THERE ARE NO PURCHASE INVESTIGATIONS. 1247 00:47:40,284 --> 00:47:41,350 BUT HOW DOES IT? 1248 00:47:41,385 --> 00:47:42,718 HE DOESN'T JUST GO TO SIT THERE 1249 00:47:42,753 --> 00:47:44,453 DAN BIARKAN DIA LAKUKAN BAHWA KEPADANYA. 1250 00:47:44,488 --> 00:47:47,222 CORONER SAID THERE ARE NO STRUGGLE SIGNS. 1251 00:47:47,257 --> 00:47:49,658 MAYBE IT CAN'T BE EXPECTED ONLY. 1252 00:47:49,694 --> 00:47:50,826 KHLOROFORM? 1253 00:47:50,861 --> 00:47:53,161 I'M I HAVE BEEN ASKED IN AUTOPSY. 1254 00:47:53,230 --> 00:47:55,096 AS WOULD HAVE SLEEP DRUGS, 1255 00:47:55,165 --> 00:47:57,299 ROOF, WHAT. 1256 00:47:58,268 --> 00:47:59,167 I KNOW. 1257 00:48:00,471 --> 00:48:01,903 NO, IF HE'S WHOLE STAGE, 1258 00:48:01,939 --> 00:48:03,539 WHY DO NOT LEAVE AFTER HE DIES? 1259 00:48:03,574 --> 00:48:05,574 WHY COME AT THE STORE 1260 00:48:05,609 --> 00:48:06,642 AND ASK FOR THE CONSIGNER ITEMS? 1261 00:48:06,711 --> 00:48:08,043 HMM. 1262 00:48:08,078 --> 00:48:08,977 YES. 1263 00:48:09,913 --> 00:48:11,246 [♪♪♪] 1264 00:48:13,116 --> 00:48:17,353 WOMEN... 1265 00:48:22,827 --> 00:48:24,326 HOW DO I APPEARANCE? WHAT IS THIS GOOD? 1266 00:48:24,362 --> 00:48:25,961 -You ARE LOOKING GREAT. -GORGEOUS. 1267 00:48:25,996 --> 00:48:27,262 EXCELLENT. 1268 00:48:27,297 --> 00:48:28,530 MAYBE I MAKE SIMPLE SUGGESTIONS ABOUT THE STORE? 1269 00:48:28,566 --> 00:48:30,999 PLEASE. 1270 00:48:31,034 --> 00:48:32,067 SILAHKAN. 1271 00:48:32,102 --> 00:48:32,901 I NEED THIS YESTERDAY. 1272 00:48:32,936 --> 00:48:36,071 THIS IS A PIECE HERE... 1273 00:48:36,139 --> 00:48:37,272 AND THIS PIECE 1274 00:48:37,307 --> 00:48:38,741 MADE FROM MAKERS THE SAME ENGLISH, 1275 00:48:38,776 --> 00:48:40,308 AND I THINK THE POSSIBLE, 1276 00:48:40,378 --> 00:48:41,810 OUR PERHAPS SHOULD BE THEIR SIMPLE PLACE, 1277 00:48:41,846 --> 00:48:43,379 BECAUSE IF SOMETHING INTERESTED IN ONE, 1278 00:48:43,447 --> 00:48:44,480 THEY MAY LIKE BOTH. 1279 00:48:44,515 --> 00:48:45,914 IT IS GOOD. 1280 00:48:45,949 --> 00:48:47,716 IT IS A GOOD IDE. 1281 00:48:47,752 --> 00:48:48,884 [ENTRY BELL JINGLES] 1282 00:48:51,021 --> 00:48:52,954 OH, MAKE SURE 1283 00:48:54,592 --> 00:48:56,157 [♪♪♪] 1284 00:48:56,193 --> 00:48:57,526 HELLO. 1285 00:48:57,595 --> 00:48:58,994 WELCOME TO RAGS to RICHES. 1286 00:48:59,062 --> 00:49:00,863 CAN YOU HELP YOU ANYTHING? 1287 00:49:00,898 --> 00:49:03,766 I DON'T SURE I REALLY EVEN IN THE TRUE PLACE. 1288 00:49:03,801 --> 00:49:05,634 WHAT IS VINTAGE HAMILTON? 1289 00:49:05,669 --> 00:49:06,602 OH, YES, IT IS. 1290 00:49:06,637 --> 00:49:07,569 GOOD EYES. 1291 00:49:07,605 --> 00:49:08,404 THANK YOU. 1292 00:49:08,472 --> 00:49:10,005 NICE YOURSELF. 1293 00:49:10,040 --> 00:49:11,273 OH, IT WAS BEAUTIFUL. 1294 00:49:11,308 --> 00:49:13,709 NOW, I AM LOOKING FOR FOR DAYS IN BIRDS 1295 00:49:13,744 --> 00:49:14,710 FOR MY NIECE. 1296 00:49:14,745 --> 00:49:15,677 HOW MUCH DOES IT HAVE? p> 1297 00:49:15,713 --> 00:49:17,012 12. 1298 00:49:17,080 --> 00:49:18,547 YOU KNOW WHAT, I THINK I MAY HAVE THE PERFECT THING. 1299 00:49:18,582 --> 00:49:19,548 FOLLOW ME. 1300 00:49:19,583 --> 00:49:20,582 IT & apos; SA SET, 1301 00:49:20,651 --> 00:49:22,117 AND IT'S REALLY VERY BEAUTIFUL. 1302 00:49:24,955 --> 00:49:27,022 HEI, SWEETHEART. 1303 00:49:28,526 --> 00:49:29,658 THEY COOL. 1304 00:49:29,693 --> 00:49:30,826 SHOULD I ASK FOR? 1305 00:49:30,895 --> 00:49:32,728 NO, THEY'RE TO THE TOMORROW POLICE 1306 00:49:32,763 --> 00:49:34,162 WE WILL SELL THEY ON CONSIGNMENT, 1307 00:49:34,197 --> 00:49:36,799 BUT IT'S GREAT, OWNER THROUGH AWAY. 1308 00:49:36,834 --> 00:49:37,599 IT WAS SORRY. 1309 00:49:37,635 --> 00:49:39,067 YES. 1310 00:49:39,102 --> 00:49:41,036 YOU KNOW THERE IS NO TO EAT IN KITCHEN. 1311 00:49:41,071 --> 00:49:42,037 > 1312 00:49:42,105 --> 00:49:43,505 WHAT? 1313 00:49:43,574 --> 00:49:45,908 I JUST GO TO THE MARKET. 1314 00:49:45,943 --> 00:49:47,175 THERE ARE MUCH TO EAT IN THE REFRIGERATOR. 1315 00:49:47,210 --> 00:49:48,477 [HUFFS TESTILY] 1316 00:49:58,456 --> 00:50:00,564 LOGAN! 1317 00:50:02,635 --> 00:50:03,836 LOGAN! 1318 00:50:04,121 --> 00:50:05,186 HEY. 1319 00:50:05,222 --> 00:50:06,288 CAN YOU INFORM ME WHAT IS THIS IN THIS? 1320 00:50:06,356 --> 00:50:07,488 YEAH, I CAN TRY. 1321 00:50:08,959 --> 00:50:10,458 [TIPING] 1322 00:50:11,861 --> 00:50:13,761 WHO DOESN'T WORK. 1323 00:50:15,165 --> 00:50:16,464 AND... 1324 00:50:16,499 --> 00:50:18,566 IT DOESN'T WORK WELL. 1325 00:50:18,601 --> 00:50:21,202 LOOKS LIKE SOME TYPES OF MUSIC SOFTWARE. 1326 00:50:21,238 --> 00:50:22,770 WE MAY HAVE TO BUY COPIES 1327 00:50:22,806 --> 00:50:23,972 BEFORE WE CAN SEE 1328 00:50:24,007 --> 00:50:24,806 > WHAT IS THAT 1329 00:50:24,874 --> 00:50:25,840 GOOD, DO YOU BEST. 1330 00:50:25,875 --> 00:50:27,875 YOU CAN MAKE A DUPLICATE? 1331 00:50:27,911 --> 00:50:29,344 YEAH, IT'S NO PROBLEM. 1332 00:50:29,413 --> 00:50:30,545 BUT IF YOU WANT TO SEE WHAT ARE THERE, 1333 00:50:30,580 --> 00:50:32,447 WE NEED THIS SOFTWARE 1334 00:50:34,051 --> 00:50:37,319 OR COMPUTER IT COMES FROM. 1335 00:50:37,387 --> 00:50:38,886 PROJECTS IS GOING FORWARD. 1336 00:50:38,922 --> 00:50:41,156 THERE IS NO ONE BUT HAVE THEN AND ITS GROUPS 1337 00:50:41,191 --> 00:50:42,757 YOU MUST HAVE TALKING TO IT. 1338 00:50:42,792 --> 00:50:45,126 I'm not sure IT WILL DO WELL. 1339 00:50:45,195 --> 00:50:46,527 WHY IT SHOULD BE A BUILT THERE ? 1340 00:50:46,563 --> 00:50:47,695 NOTHING SOME TYPES OF COMPROMY 1341 00:50:47,730 --> 00:50:49,130 YOU CAN MAKE? 1342 00:50:49,166 --> 00:50:52,533 EVERYONE WORKS THINKING IT'S GONNA BLOW OVER. 1343 00:50:52,569 --> 00:50:55,770 WE HAVE APPROVAL, WE HAVE A PERMISSION. 1344 00:50:55,805 --> 00:50:57,738 I SAY NO WORK, BUT... 1345 00:50:57,774 --> 00:50:59,107 BUT WHAT? 1346 00:50:59,176 --> 00:51:01,142 BUT EVER SINCE HAVE BEEN THREE, 1347 00:51:01,178 --> 00:51:04,145 HE CAN GET YOU ANYTHING HE WANTS. 1348 00:51:05,415 --> 00:51:06,481 OH BOY. 1349 00:51:09,286 --> 00:51:11,453 THE WORK WORTH ON LITA LAPTOP. 1350 00:51:11,521 --> 00:51:13,021 YOU GET SUSPEK AND MOTIVE 1351 00:51:13,056 --> 00:51:14,522 I KNOW. 1352 00:51:14,557 --> 00:51:15,957 I FOLLOW USED LITTLE. > 1353 00:51:15,993 --> 00:51:18,994 BO TAYLOR HAS A RECORD, ESPECIALLY RELATED ALCOHOL, 1354 00:51:19,029 --> 00:51:20,962 BUT SOME HOUSEHOLD VIOLENCE. 1355 00:51:20,998 --> 00:51:22,464 SEEMS HE HAS TEMPER. 1356 00:51:22,499 --> 00:51:23,931 WHERE WAS THE LAST DAY OFF? 1357 00:51:23,967 --> 00:51:25,766 THERE IS NO ALIBI, 1358 00:51:25,835 --> 00:51:27,935 BUT THERE IS NO > THAT DECLARING LITA LIFE 1359 00:51:27,971 --> 00:51:29,471 OTHER THAN CIRCUMSTANTIAL. 1360 00:51:29,506 --> 00:51:30,771 WE NEED MORE. 1361 00:51:30,807 --> 00:51:32,607 GOOD. 1362 00:51:32,642 --> 00:51:34,775 I WANT TO SEE THROUGH 1363 00:51:34,811 --> 00:51:36,444 > LITA apS STUFF, 1364 00:51:37,914 --> 00:51:40,348 COMPUTER, NOTEBOOKS, PAPERS? 1365 00:51:40,384 --> 00:51:41,849 SOME WAYS, I THOUGHT YOU MAY LIKE TO DO IT. 1366 00:51:41,918 --> 00:51:43,818 I CHECK WITH CHIEF. 1367 00:51:43,887 --> 00:51:44,752 He said that IF YOU TAKE A LOOK, 1368 00:51:44,787 --> 00:51:45,887 BUT THE INSISTS ARE I WILL BE RIGHT 1369 00:51:45,922 --> 00:51:46,854 ALL TIME. 1370 00:51:46,890 --> 00:51:47,989 LARGE, LET & apos; S GO. 1371 00:51:48,025 --> 00:51:50,325 LET NOT NOT. 1372 00:51:50,360 --> 00:51:51,259 I STILL HAVE A PAPER TO FINISH UP HERE. 1373 00:51:51,294 --> 00:51:52,227 I CAN MEET YOU IN LITA'S HOUSE 1374 00:51:52,262 --> 00:51:53,728 AROUND 4:00. 1375 00:51:53,796 --> 00:51:55,296 I WILL BE THERE. 1376 00:52:01,905 --> 00:52:03,804 DANI, CAN YOU RETURN TO 3:30? 1377 00:52:03,873 --> 00:52:04,939 YES BU. 1378 00:52:05,008 --> 00:52:06,374 NOW, COME WITH ME OR STAY? 1379 00:52:06,410 --> 00:52:07,608 YOU. 1380 00:52:07,644 --> 00:52:09,710 OH, NO, I NEVER EVER TO GARAGE SALE. 1381 00:52:09,746 --> 00:52:11,979 NOT THEY ARE ONLY BASED JUNK SALES? 1382 00:52:12,015 --> 00:52:13,648 YOU KNOW, THIS LOOKS LIKE A MEISSEN. 1383 00:52:13,683 --> 00:52:14,582 IS THIS REPRO? 1384 00:52:14,617 --> 00:52:15,583 IT'S REAL. 1385 00:52:15,618 --> 00:52:16,951 THE 19TH CENTURY. 1386 00:52:17,020 --> 00:52:18,386 FOUND IN A GARAGE SALE. 1387 00:52:18,422 --> 00:52:19,654 $ 3.00. 1388 00:52:20,823 --> 00:52:21,989 Okay, I will 1389 00:52:22,025 --> 00:52:23,258 GET YOUR VALVE. 1390 00:52:34,671 --> 00:52:38,506 WE WOULD USE SPLIT UP 1391 00:52:38,542 --> 00:52:39,640 CAN I SEE IN CLOSETS AND ONLY A LITTLE AROUND? 1392 00:52:39,676 --> 00:52:41,076 EXCEPT THERE ARE SIGNS THAT SAYS "OFF LIMIT," 1393 00:52:41,111 --> 00:52:43,911 DAPAT SAYA LIHAT DI CLOSETS DAN HANYA SEDIKIT DI SEKITAR? 1394 00:52:43,947 --> 00:52:45,646 KECUALI ADA TANDA YANG MENGATAKAN "MATI BATAS," 1395 00:52:45,682 --> 00:52:47,449 EVERYTHING IS FAIR GAME. 1396 00:52:47,484 --> 00:52:49,117 GOOD, LET & apos; S SPLIT UP THEN. 1397 00:52:50,420 --> 00:52:52,087 [♪♪♪] 1398 00:53:17,847 --> 00:53:18,646 [BETH ANN, DISTRAUGHT]: NO... 1399 00:53:19,849 --> 00:53:21,316 PETER, THERE ARE NO WILL NOT RETURN, 1400 00:53:21,351 --> 00:53:22,250 NOTHING START AGAIN FROM THE BEGINNING, 1401 00:53:22,285 --> 00:53:24,152 I DON'T WANT. 1402 00:53:24,187 --> 00:53:26,020 I AM FINISHED. 1403 00:53:26,055 --> 00:53:27,755 I AM REALLY. 1404 00:53:27,790 --> 00:53:29,190 NO, please, CAN YOU... 1405 00:53:29,226 --> 00:53:32,860 PLEASE, JUST BE OUT BY TIME I GET HOME. 1406 00:53:32,895 --> 00:53:34,762 YES, TRUE, PETER. 1407 00:53:35,798 --> 00:53:37,565 YES. 1408 00:53:40,370 --> 00:53:41,469 [STIFLES A SOB] 1409 00:53:45,875 --> 00:53:47,742 GOOD, I'M RESPONSIBLE 1410 00:53:47,777 --> 00:53:48,743 IF THERE IS A DELAY, 1411 00:53:48,778 --> 00:53:50,345 FEES GOING TO ESCALATE. 1412 00:53:50,380 --> 00:53:51,712 THIS BUILDING IS NOT QUALIFIED 1413 00:53:51,748 --> 00:53:53,314 FOR HISTORICAL HISTORY STATUS, RIGHT? 1414 00:53:53,350 --> 00:53:54,982 DOES NOT AWAY LIKE WE CAN MAKE. 1415 00:53:55,051 --> 00:53:56,117 It was designed WITH THE ARCHITECTION DONE, 1416 00:53:56,186 --> 00:53:57,118 BUT IT WAS THAT. 1417 00:53:57,154 --> 00:53:58,186 ANY REASONS 1418 00:53:58,221 --> 00:54:00,188 WE CANNOT MOVE UP > THE GROUND-BREAKING? 1419 00:54:00,257 --> 00:54:02,557 NO. 1420 00:54:04,561 --> 00:54:06,528 [♪♪♪] 1421 00:54:48,305 --> 00:54:49,737 [GASPS IN FRIGHT] 1422 00:54:49,772 --> 00:54:50,838 [SIGHS] OH... 1423 00:54:50,873 --> 00:54:52,840 THANK YOU MUCH. 1424 00:54:52,875 --> 00:54:54,175 ARE WE LOOKING FOR FOR ANY CERTAIN, 1425 00:54:54,211 --> 00:54:56,411 OR ARE WE JUST WANDERING AROUND? 1426 00:54:56,446 --> 00:54:58,879 OH, I WOULD HAVE SOME THOUGHT THOUGHTS. 1427 00:54:58,948 --> 00:55:00,815 [EXHALING] 1428 00:55:02,586 --> 00:55:04,952 WE CAN SEE THE MOST OF THE NEWEST INTERNET SEARCH. 1429 00:55:04,987 --> 00:55:06,187 IF YOU HAVE the PASSWORD. 1430 00:55:06,256 --> 00:55:07,288 OR IF IT DOESN'T NEED ONE. 1431 00:55:08,425 --> 00:55:09,924 AND IT'S NOT. 1432 00:55:09,992 --> 00:55:12,460 Okay, here WERE ANYWHERE. 1433 00:55:12,495 --> 00:55:13,494 WHEN? 1434 00:55:13,563 --> 00:55:14,696 NIGHT BEFORE THE DEATH. 1435 00:55:14,731 --> 00:55:17,164 THE ROAD TEST FOR A NEW CAR... 1436 00:55:17,200 --> 00:55:19,967 HERE WEBSITE FOR CAR LOANS. 1437 00:55:20,002 --> 00:55:22,570 WHO ARE NOT SOUND LIKE SOMEONE ABOUT WILL DO HIMSELF IN. 1438 00:55:22,606 --> 00:55:24,672 THERE ARE NO MENTALS OF HEALTH HOTLINES , 1439 00:55:24,708 --> 00:55:27,942 NO WEB SEARCHES ABOUT DEPRESSION OR SUICIDE. 1440 00:55:27,977 --> 00:55:29,877 It's OK CHANGES IN FACT 1441 00:55:29,912 --> 00:55:32,146 THAT JOHN AND CASSIE < br>> FIND THE BODY 1442 00:55:32,181 --> 00:55:34,949 35 MINUTES AFTER HE HAS TEXT. 1443 00:55:35,017 --> 00:55:37,518 IF YOU CANNOT EXPLAIN THAT, YOU HAVE NO. 1444 00:55:37,554 --> 00:55:39,086 [SIGHS HEAVILY] 1445 00:55:53,903 --> 00:55:55,836 WHAT IS THE RIGHT ARE YOU LOOKING FOR? 1446 00:55:55,872 --> 00:55:58,806 IF SOMEONE STAGED THE SUICIDE... 1447 00:55:58,841 --> 00:56:01,576 THEN LEFT WRITTEN ONLY TO SHOW, 1448 00:56:01,611 --> 00:56:02,977 AND THE HARDWOOD FLOOR 1449 00:56:03,012 --> 00:56:05,346 HAVE ANYTHING TO HAVE TEN FRESH. 1450 00:56:30,373 --> 00:56:31,939 FRANK, LOOK THIS . 1451 00:56:31,974 --> 00:56:34,241 IT & apos; S MISSING A RUBBER LEG CAP, AND LOGIN BARE BARE. 1452 00:56:44,020 --> 00:56:44,786 HMM. 1453 00:56:46,389 --> 00:56:47,755 I WILL GIVE IT TO YOU, 1454 00:56:47,791 --> 00:56:50,325 THAT SCRATCH WAS CREATED WITH STEPLADDER. 1455 00:57:03,606 --> 00:57:05,306 WHAT IS THIS? 1456 00:57:05,342 --> 00:57:07,342 LOOKS LIKE A DEFINITELY TAG. 1457 00:57:07,377 --> 00:57:09,176 WHERE? 1458 00:57:09,212 --> 00:57:11,446 IT & SA; SA PIECE OF CONFETTI FROM GERMANY. 1459 00:57:11,481 --> 00:57:13,047 That number, IT & APPS; SER SERIAL NUMBER. 1460 00:57:13,082 --> 00:57:14,982 IT HELPS IDENTIFY THE OWNER. 1461 00:57:15,017 --> 00:57:17,017 TINY PIECE OF PAPER This COMES FROM GERMANY? 1462 00:57:17,053 --> 00:57:18,252 THE WHOLE BUNCH OF THEM, 1463 00:57:18,287 --> 00:57:20,221 THEY SHOOT OUT WHEN THE PROCESS IS NOT RESPONSE. 1464 00:57:20,256 --> 00:57:23,023 WE CANNOT USE BALLISTICS, WE USE THE CONFETTI. 1465 00:57:23,059 --> 00:57:25,493 [♪♪♪] 1466 00:57:25,562 --> 00:57:27,027 FRANK, IT WAS 1467 00:57:27,063 --> 00:57:28,863 THAT HOW HE CANNOT BE APPLIED. 1468 00:57:33,218 --> 00:57:34,450 WILL BE ASSIGNMENTS DO NOT REACH IT 1469 00:57:34,486 --> 00:57:35,652 ENOUGH LONG FOR SOMEONE TO HANG HER 1470 00:57:35,687 --> 00:57:36,586 WITHOUT STRUGGLE? 1471 00:57:36,622 --> 00:57:37,687 ITU PERTANYAAN. 1472 00:57:37,723 --> 00:57:39,556 WHEN YOU GET HIT With 50,000 VOLTS, 1473 00:57:39,591 --> 00:57:41,057 YOU'RE DIFFICULT PARALYZED. 1474 00:57:41,126 --> 00:57:42,191 FOR HOW MUCH? 1475 00:57:42,260 --> 00:57:43,326 ASSUME 30 SECONDS, 1476 00:57:43,395 --> 00:57:44,427

1477 00:57:44,462 --> 00:57:46,696 BUT IF PROBE & apos; S STILL IMPLIED, 1478 00:57:46,732 --> 00:57:48,097 PULL THE TRIGGER AGAIN, 30 SECONDS MORE. 1479 00:57:48,133 --> 00:57:50,233 A PERSON CAN BE SHOWN 1480 00:57:50,268 --> 00:57:52,068 IF THEY FALL AND RETURN THEIR HEAD... 1481 00:57:52,103 --> 00:57:53,870 WH-WHAT IS SORT OF THIS FLOOR? 1482 00:57:53,906 --> 00:57:56,006 HARD WOOD. 1483 00:57:56,074 --> 00:57:57,541 BUT DON'T OLD LEAVE THREE IN THE BODY? 1484 00:57:57,576 --> 00:57:59,743 GOOD, NOT IF THE PRONGS ARE HIT CLOTHING. 1485 00:58:02,180 --> 00:58:03,647 FEES WILL BE THEN ARC TO THE BODY. 1486 00:58:03,715 --> 00:58:05,015 LET ME DECREASE THIS, 1487 00:58:05,050 --> 00:58:07,517 YOU SAY 1488 00:58:07,553 --> 00:58:09,285 KILLERS ARE MADE SUCH AS SUICIDE, 1489 00:58:09,320 --> 00:58:10,420 PRODUCE EVERYTHING? 1490 00:58:10,455 --> 00:58:11,421 1491 00:58:11,456 --> 00:58:13,289 MAKE EVERYTHING? 1492 00:58:13,324 --> 00:58:15,324 JOHN RAN IN, AND HE GETS IT, 1493 00:58:15,360 --> 00:58:16,459 AND THE DOOR SENT, 1494 00:58:16,494 --> 00:58:17,460 SO HOW CAN I BE A MURDER? 1495 00:58:17,529 --> 00:58:18,562 TIME WORKS 1496 00:58:18,597 --> 00:58:20,830 IF KILLER CHECKS IT SEND TEXT. 1497 00:58:20,866 --> 00:58:21,965 THEN, HE DIES, 1498 00:58:22,000 --> 00:58:23,399 THE DOOR KEY WITH THE KEY. 1499 00:58:23,435 --> 00:58:24,467 YOU AND JOHN SHOW UP, 1500 00:58:24,502 --> 00:58:26,502 AND IT LOOK SUCH AS SUICIDE. 1501 00:58:26,538 --> 00:58:28,404 DO YOU HAVE ANYTHING TO SUPPORT THIS? 1502 00:58:28,440 --> 00:58:30,406 THERE ARE EVIDENCE < br> IN SCENE 1503 00:58:30,442 --> 00:58:32,141 THAT A TASER MAY HAVE BEEN USED. 1504 00:58:34,112 --> 00:58:37,346 WELL YOU ARE TRUE, OR YOU MAKE THINGS. 1505 00:58:37,382 --> 00:58:39,348 YOU KNOW, LITA MERRILL, HE IS A REAL PEOPLE, 1506 00:58:39,384 --> 00:58:41,184 AND IT HAS STRONGLY ENOUGH FACING HIS DEATH 1507 00:58:41,252 --> 00:58:42,752 WITHOUT HAVING THEIR LIFE AGAIN AND AGAIN 1508 00:58:42,788 --> 00:58:44,754 BECAUSE YOU LIKE THE MYSTERY BOOK, 1509 00:58:44,790 --> 00:58:46,155 SO PLEASE LEAVE. 1510 00:58:46,191 --> 00:58:47,857 I'M SORRY, I DON'T MEAN TO BRING YOU 1511 00:58:47,926 --> 00:58:49,425 I'M ALREADY UPSET. 1512 00:58:49,461 --> 00:58:52,328 NOW, IF YOU WILL PREVENT ME, I HAVE TO WORK. 1513 00:58:59,705 --> 00:59:02,472 NO, I DON'T DECIDE. 1514 00:59:02,507 --> 00:59:04,240 IT WAS A SCALE TYPE. 1515 00:59:04,275 --> 00:59:07,343 YEAH, I NEED MY LIFE AT SCHOOL. 1516 00:59:07,378 --> 00:59:10,046 ONE MORE YEARS, AND GRADUATION. 1517 00:59:10,082 --> 00:59:12,482 WELCOME TO THE REAL WORLD. 1518 00:59:12,517 --> 00:59:13,516 SOUNDING THE BASIC SCHOOL BETTER AND BETTER AGAIN. 1519 00:59:13,551 --> 00:59:15,184 WHAT ABOUT YOU? 1520 00:59:15,220 --> 00:59:17,053 I don't know 1521 00:59:17,089 --> 00:59:18,321 I WANT TRAVELING. 1522 00:59:18,356 --> 00:59:19,188 PARIS? 1523 00:59:19,224 --> 00:59:21,124 -OH, REALLY.
-I ALSO. 1524 00:59:21,159 --> 00:59:23,392 I SPENT THREE YEARS TAKING FRENCH, 1525 00:59:23,428 --> 00:59:25,194 SO I was pictured I MAY USE IT. 1526 00:59:25,230 --> 00:59:26,395 That's very funny 1527 00:59:26,464 --> 00:59:27,530 I WATCH THIS DOCUMENTER 1528 00:59:27,599 --> 00:59:29,232 IN PARIS UNDERNEATH WHAT, 1529 00:59:29,267 --> 00:59:31,868 OLED ROMAN AQUADUCTS, CATACOMBS. 1530 00:59:31,903 --> 00:59:33,003 IT'S REALLY COOL. 1531 00:59:33,038 --> 00:59:34,403 I WANT TO SEE IT. 1532 00:59:34,439 --> 00:59:36,740 HMM? ALLONS CHEZ MOI. 1533 00:59:36,775 --> 00:59:38,241 BETH... 1534 00:59:38,309 --> 00:59:41,177 PARENTS ARE ALWAYS STRICT WITH THE FIRST, RIGHT CHILDREN? 1535 00:59:41,246 --> 00:59:43,513 AYOLAH, IT IS BEYOND IT WENT WAY. 1536 00:59:43,548 --> 00:59:46,549 DANI, I HAVE TO BE RESPONSIBLE, 1537 00:59:46,618 --> 00:59:48,151 GET STRAIGHT "A" S, 1538 00:59:48,219 --> 00:59:49,218 ONLY DATE BOYS 1539 00:59:49,254 --> 00:59:51,387 THAT THEY ARE APPROVED. 1540 00:59:51,422 --> 00:59:52,656 DO YOU REMEMBER 1541 00:59:52,691 --> 00:59:53,990 DAD IS USED ALWAYS ALWAYS CONTACT ME "PRIDE." 1542 00:59:54,026 --> 00:59:55,125 YES. 1543 00:59:55,160 --> 00:59:58,628 BUT YOU Is he "JOY." 1544 00:59:58,664 --> 01:00:00,930 I WANT TO BE LIFE, TOO. 1545 01:00:00,966 --> 01:00:04,734 OH, MAN, I'M VERY JEALOUS HOW IT'S WILL LIGHT 1546 01:00:04,803 --> 01:00:07,737 WHEN YOU ARE AROUND. 1547 01:00:07,773 --> 01:00:08,972 AND YOUR TALENT. 1548 01:00:09,041 --> 01:00:10,840 YOU SPEAK 1549 01:00:10,876 --> 01:00:12,375 TIDAK SEPERTI ANDA. 1550 01:00:12,443 --> 01:00:13,509 YOU ARE ARTIST. 1551 01:00:13,578 --> 01:00:14,678 I'M JUST... 1552 01:00:14,746 --> 01:00:16,179 I WANT TO SHOW YOU SOMETHING. 1553 01:00:26,424 --> 01:00:28,424 OH, WOW, IT'S OUR HOME, 1554 01:00:28,459 --> 01:00:29,693 WHERE WE ASK... 1555 01:00:29,728 --> 01:00:30,894 MM-HMM. 1556 01:00:30,929 --> 01:00:32,595 YOU LOVE THAT 1557 01:00:32,630 --> 01:00:34,230 WHAT? 1558 01:00:36,601 --> 01:00:38,134 OH, LIFE I, I'M NOT. 1559 01:00:38,170 --> 01:00:39,169 Not me 1560 01:00:39,204 --> 01:00:40,336 MM-HMM. 1561 01:00:40,405 --> 01:00:42,072 YOU WILL CLOSE THIS? 1562 01:00:42,107 --> 01:00:44,708 COURSES, I KEY IT, BEAUTIFUL. 1563 01:00:44,743 --> 01:00:46,509 BETH, YOU ARE REALLY GOOD. 1564 01:00:51,216 --> 01:00:53,416 [SIGHS HEAVILY] 1565 01:00:53,451 --> 01:00:55,719 HONEY, I OVERHEARD YOUR MOBILE PHONE HAS TODAY. 1566 01:00:56,988 --> 01:00:58,621 WHAT ARE YOU MEANING? 1567 01:00:58,656 --> 01:01:02,258 GOOD, I AM OUTSIDE THE DOOR WHEN YOU SPEAK TO PETER. 1568 01:01:03,361 --> 01:01:06,162 MY JUSTICE IS MORE. > 1569 01:01:06,198 --> 01:01:08,064 BETH, I'M VERY SORRY. 1570 01:01:08,100 --> 01:01:09,065 NO PROBLEM. 1571 01:01:10,635 --> 01:01:12,501 AND I FEEL OK. 1572 01:01:14,873 --> 01:01:17,040 AND I WISH US NOTHING. 1573 01:01:17,075 --> 01:01:18,174 Are we okay 1574 01:01:18,210 --> 01:01:19,609 WE ARE GOOD, TRUE? 1575 01:01:19,644 --> 01:01:21,644 OH YES. 1576 01:01:21,713 --> 01:01:24,013 YEAH, WE GET THERE. 1577 01:01:24,049 --> 01:01:26,582 I don't know, I FEEL STRONG. 1578 01:01:26,618 --> 01:01:29,219 I FEEL LIKE I READY TO REACH 1579 01:01:29,254 --> 01:01:32,421 AND DEAL WITH THINGS THAT I NEED TO CONNECT WITH. 1580 01:01:32,457 --> 01:01:33,923 AND YOU KNOW WHAT DO I THOUGHT TO HELP? 1581 01:01:33,959 --> 01:01:34,791 WHAT? 1582 01:01:34,860 --> 01:01:36,159 THE CRYSTALS 1583 01:01:36,194 --> 01:01:37,360 YES. 1584 01:01:37,395 --> 01:01:38,628 REAL. 1585 01:01:38,663 --> 01:01:40,830 I MEAN, REALLY I AM REALLY THINK THAT THEY WORK. 1586 01:01:40,899 --> 01:01:43,332 [WHISPERING] I HAVE MORE. 1587 01:01:43,368 --> 01:01:45,201 IT'S SPOOKY DOWN THERE. 1588 01:01:45,270 --> 01:01:47,170 All of them? WOW... 1589 01:01:47,239 --> 01:01:48,704 I WILL GO. 1590 01:01:48,740 --> 01:01:51,007 I LOVE THE PART From NOTRE DAME 1591 01:01:53,444 --> 01:01:54,310 HANNAH... 1592 01:01:57,015 --> 01:01:58,948 CAN I TALK TO YOU FOR MINUTES? 1593 01:01:58,984 --> 01:02:00,483 AJ, this is MY DAD, JASON, 1594 01:02:00,551 --> 01:02:01,918 AND DAD, THIS IS AJ. 1595 01:02:01,953 --> 01:02:02,819 WE'RE ALREADY MET. 1596 01:02:02,854 --> 01:02:03,753 HELLO, AJ. 1597 01:02:03,789 --> 01:02:05,855 HAI. 1598 01:02:05,924 --> 01:02:07,490 You are the wife of HANNAH? 1599 01:02:07,558 --> 01:02:08,925 YES. 1600 01:02:08,994 --> 01:02:10,860 p> 1601 01:02:10,896 --> 01:02:13,163 WHERE ARE YOU MEETING? 1602 01:02:20,272 --> 01:02:23,072 HANNAH 1603 01:02:23,141 --> 01:02:24,373 OH, CANNOT BE AWARE. 1604 01:02:24,442 --> 01:02:26,342 MY GIRLS WILL OUT WITH GUY 1605 01:02:26,411 --> 01:02:27,576 WHO DOES THINK I TRY TO DESTROY THE HISTORY OF OUR CITY. 1606 01:02:27,612 --> 01:02:28,711 THEY'RE ONLY FRIENDS. 1607 01:02:28,746 --> 01:02:31,047 JENN... 1608 01:02:31,116 --> 01:02:32,648 THERE IS NO ONE ONE FRIENDS At that age 1609 01:02:32,684 --> 01:02:35,118 IS THERE A WAY 1610 01:02:35,187 --> 01:02:36,719 FOR YOU TWO FINDING General land 1611 01:02:38,290 --> 01:02:41,991 I WORK THAT. 1612 01:02:47,032 --> 01:02:48,364 SO, I WAS AT THE MORGUE TODAY... 1613 01:02:48,399 --> 01:02:49,432 WHEN YOU WANT EDIT? 1614 01:02:49,467 --> 01:02:50,466 Are you sure 1615 01:02:50,501 --> 01:02:51,667 YOUR DAD WILL NOT BE HAPPY... 1616 01:02:51,703 --> 01:02:53,169 OH, LET ME WORRY ABOUT ME. 1617 01:02:53,205 --> 01:02:55,571 I WILL NOT BE YOUR WORDS FOR IT. 1618 01:02:55,606 --> 01:02:56,706 [CHUCKLING] 1619 01:02:56,741 --> 01:02:57,974 HOW DO I TUESDAY ONLY? 1620 01:02:58,009 --> 01:02:59,309 IT WAS WORKING. 1621 01:02:59,344 --> 01:03:01,744 AND... I REALLY FUN TONIGHT. 1622 01:03:01,779 --> 01:03:03,479 I MEAN, BEFORE. 1623 01:03:03,514 --> 01:03:05,348 I AM ALSO. 1624 01:03:06,952 --> 01:03:08,351 UNTIL JUMPA TUESDAY. p> 1625 01:03:08,386 --> 01:03:09,418 CHECK YOU THEN. 1626 01:03:14,092 --> 01:03:15,258 DETECTIVE LYNWOOD SAID 1627 01:03:15,327 --> 01:03:16,625 He is now SERIOUSLY CONSIDERING 1628 01:03:16,661 --> 01:03:17,827 THIS CAN BE A MURDER. 1629 01:03:17,863 --> 01:03:19,162 HOW POSSIBLE? 1630 01:03:19,231 --> 01:03:21,764 IT'S STILL IN WATER, 1631 01:03:21,833 --> 01:03:26,069 BUT THEY FIND EVIDENCE THAT A TASER MAY HAVE BEEN USED. 1632 01:03:26,104 --> 01:03:27,703 I DO NOT SEE A hunter 1633 01:03:27,739 --> 01:03:28,972 NO TASKS FOUND, 1634 01:03:29,007 --> 01:03:30,773 EVIDENCE OF EVIDENCE THAT ONE HAS BEEN USED. 1635 01:03:30,808 --> 01:03:32,541 [JOHN ]: IT WASN'T SIGNED. 1636 01:03:32,577 --> 01:03:35,211 [SIGHS] THIS IS HORRIBLE. 1637 01:03:35,247 --> 01:03:36,846 APAKAH ITU INI TAYLOR? 1638 01:03:36,882 --> 01:03:40,250 DETECTIVE LYNWOOD LOOKS LOOKING FOR WHO HAS IT. 1639 01:03:41,219 --> 01:03:42,852 HOW? 1640 01:03:42,888 --> 01:03:45,288 THEY LEAVE TAGS THAT CAN BE ID OWNER. 1641 01:03:45,323 --> 01:03:47,823 VERY? 1642 01:03:47,859 --> 01:03:49,725 IT WILL BE INTERESTING. 1643 01:03:49,794 --> 01:03:50,526 IT IS NOT "INTERESTING." 1644 01:03:51,796 --> 01:03:53,229 I CANNOT HANDLE THIS. 1645 01:03:55,700 --> 01:03:57,200 PLEASE ME. 1646 01:03:58,569 --> 01:04:02,005 WE CAN CHANGE WITH MUSIC WALK BEFORE TOUR. 1647 01:04:02,040 --> 01:04:04,274 IT & APOS; SAD, AND WE HAVE TO RESPECT IT. 1648 01:04:04,309 --> 01:04:06,209 BUT KILLER? 1649 01:04:06,244 --> 01:04:08,677 IT'S ALL PRESS IS GONNA CARE ABOUT. 1650 01:04:32,203 --> 01:04:32,936 [GLASS SHATTERING] 1651 01:04:51,656 --> 01:04:53,356 [LOUD THUD] 1652 01:05:00,571 --> 01:05:04,140 [RADIO CHATTER POLICE] 1653 01:05:07,112 --> 01:05:08,077 JENN, HEY. 1654 01:05:08,113 --> 01:05:09,112 YOU CANNOT GO THERE, 1655 01:05:09,180 --> 01:05:10,312 THEY STILL ANNOUNCED EVIDENCE. 1656 01:05:10,348 --> 01:05:11,848 I ONLY SAW CASSIE YESTERDAY. 1657 01:05:11,883 --> 01:05:12,949 WHAT HAPPENED? 1658 01:06:38,981 --> 01:05:14,083 LIKE A ROBBERY GONE IS WRONG. 1659 01:05:14,119 --> 01:05:15,885 TYPICAL OF SMASH-AND-GRAB. 1660 01:05:15,200 --> 00:10:58,486 HOW DOES HE DIE? 1661 01:05:17,521 --> 01:05:18,721 SHE HE IS SET UP THIEVES. 1662 01:05:18,790 --> 01:05:19,822 IT IS LATE AT THE NIGHT, 1663 01:05:19,858 --> 01:05:21,891 REALLY, HE'S GROWED HE'S SLEEPING. 1664 01:05:21,926 --> 01:05:25,027 THERE ARE SOME DEFINITES EVIDENCE EVIDENCE. 1665 01:05:25,063 --> 01:05:26,996 HE MEASURES SOME BLOWS TO HEAD FROM BRASS LIGHTS. 1666 01:05:28,399 --> 01:05:29,598 YOU WOULD GO GO RETURN TO THE STORE, JENN. 1667 01:05:29,667 --> 01:05:30,800 I WILL SPEAK WITH YOU LOVELY. 1668 01:05:30,835 --> 01:05:31,934 GOOD. 1669 01:05:31,970 --> 01:05:33,136 I KNOW WHAT YOU THINK, 1670 01:05:33,171 --> 01:05:34,904 AND I DON'T KNOW IF THIS IS CONNECTED 1671 01:05:34,939 --> 01:05:36,839 DEATH OF LITA RILL OR NOT. 1673 01:05:39,343 --> 01:05:41,110 ARE THE WORDS OF OWNERS FROM TASER GUN? 1674 01:05:41,146 --> 01:05:42,245 YET. 1675 01:05:42,280 --> 01:05:44,413 WE CONTACT MANUFACTURER, ENOUGH. 1676 01:05:44,482 --> 01:05:46,482 OH, AND MAKE THINGS LESS MORE INTERESTING, 1677 01:05:46,517 --> 01:05:48,217 BO & ap; S DISAPPEARED. 1678 01:05:48,253 --> 01:05:50,486 AKU PERGI KE MOTEL DI MANA DIA TINGGAL. 1679 01:05:50,521 --> 01:05:52,054 YEAH, MANAGERS ONLY THAT HE CLEARED OUT 1680 01:05:52,123 --> 01:05:53,489 IN THE NIGHT. 1681 01:05:57,561 --> 01:05:59,328 IT'S TOO MUCH COINCIDENCE. 1682 01:05:59,363 --> 01:06:01,931 LYNWOOD SAYS IT IS ROBBERY , BUT I DON'T THINK SO. 1683 01:06:01,966 --> 01:06:03,065 IF THIS DEATH IS CONNECTED, 1684 01:06:03,101 --> 01:06:04,566 WHAT DOES CASSIE KNOW WHAT SHOULD BE GIVEN? 1685 01:06:04,635 --> 01:06:05,868 I don't know, 1686 01:06:05,937 --> 01:06:07,603 BUT WHEN I SAW HEST YESTERDAY, SOMETHING IS DEAD. 1687 01:06:07,638 --> 01:06:10,006 YOUR BO TAYLOR SUSPEK IN LITA DEATH. 1688 01:06:10,041 --> 01:06:12,474 NOW, WHAT IS THERE TO CONTACT HIM FOR CASSIE? 1689 01:06:13,812 --> 01:06:16,712 I DON'T SEE CONNECTION. 1690 01:06:16,747 --> 01:06:18,047 MAYBE IT IS ROBBERY. 1691 01:06:19,317 --> 01:06:20,249 HI, LOGAN . 1692 01:06:20,285 --> 01:06:21,784 HEY, DANI. 1693 01:06:21,853 --> 01:06:23,252 HEY, UM, I AM ABLE TO TO OPEN FLASH. 1694 01:06:23,321 --> 01:06:25,521 MY FRIENDS HAVE HOME STUDIO. 1695 01:06:25,589 --> 01:06:27,389 GREAT. WHAT IS IT? 1696 01:06:27,425 --> 01:06:29,525 BUNCH OF SONGS, EASY LIKE DEMOS. 1697 01:06:29,560 --> 01:06:32,628 Mostly "LOVE IS WONDERFUL" TYPES OF STUFF, 1698 01:06:32,663 --> 01:06:35,198 BUT THE MOST LATEST ONE THIS IS DIFFERENT. 1699 01:06:35,233 --> 01:06:36,532 IT & apos; SA REAL DOWNER. 1700 01:06:36,567 --> 01:06:37,934 GOOD, CAN I HEAR IT? 1701 01:06:37,969 --> 01:06:39,235 YEAH, THIS SOFTWARE IN MY COMPUTER, 1702 01:06:39,270 --> 01:06:40,970 SO YOU HAVE TO LISTEN TO IT WHEN YOU GET HOME, 1703 01:06:41,039 --> 01:06:44,307 BUT HERE, I WRITE LYRICS. 1704 01:06:44,342 --> 01:06:46,075 ANYWAYS, I HAVE TO FOR THE BOOK, SO... 1705 01:06:46,110 --> 01:06:47,143 UNTIL THE PROSPEROUS. 1706 01:06:47,212 --> 01:06:48,610 THANK YOU, I SEE YOU TONIGHT. 1707 01:06:49,714 --> 01:06:51,547 WHAT SAYS? 1708 01:06:51,615 --> 01:06:53,549 SEEMS TO BE ABOUT... 1709 01:06:53,584 --> 01:06:55,751 WOMEN IN LOVE WITH A... 1710 01:06:55,820 --> 01:06:57,519 GOOD, I HAVE, An old man 1711 01:06:57,555 --> 01:07:00,589 Said, "YOU HAVE YOU WILL TELL YOURSELF. 1712 01:07:00,624 --> 01:07:02,058 "BAIK, AKU TIDAK BISA MENUNGGU DI SINI DI SHELF. 1713 01:07:02,093 --> 01:07:04,493 "HE WENT TO LISTEN TO NEWS FROM ME. 1714 01:07:04,528 --> 01:07:06,963 " TIME THAT WE'RE ALL FREE. 1715 01:07:06,998 --> 01:07:10,399 "TRUE TO YOU ONLY NOT TRUE 1716 01:07:10,468 --> 01:07:13,602 p> 1717 01:07:13,637 --> 01:07:15,104 AND NOT TRUE TRUE IS ALL ABOUT YOU... " 1718 01:07:15,173 --> 01:07:16,405 YOU DON'T HAPPEN TO PROVIDE GUY NAMES 1719 01:07:16,474 --> 01:07:17,506 ANYWHERE? 1720 01:07:17,541 --> 01:07:20,076 FEAR NO. 1721 01:07:20,111 --> 01:07:21,177 IT CAN ONLY SONG. 1722 01:07:21,212 --> 01:07:22,678 RIGHT. 1723 01:07:24,615 --> 01:07:25,915 RIGHT. 1724 01:07:25,950 --> 01:07:27,049 I DO NOT HAVE EVERY OBJECTION. 1725 01:07:27,085 --> 01:07:28,384 I LIKE LIKE IDE. 1726 01:07:28,419 --> 01:07:29,585 ACCORDING TO MU IT'S GET PASSED? 1727 01:07:29,653 --> 01:07:30,552 I WAS HALF DAY YESTERDAY 1728 01:07:30,621 --> 01:07:31,954 IN THE TIME OFFICE. 1729 01:07:31,990 --> 01:07:34,090 THEY ARE ALL SUPPORT. 1730 01:07:34,505 --> 01:07:36,725 [CELL PHONE RINGING] 1731 01:07:37,101 --> 01:07:40,462 YES? 1732 01:07:40,531 --> 01:07:43,366 OK THANK YOU. 1733 01:07:43,401 --> 01:07:44,934 SOMETHING I THOUGHT WE HAVE TO TAKE A LOOK AT. 1734 01:07:44,969 --> 01:07:47,236 FIRST BUILDING IN THIS COUNTY WITH AN LIFT, 1735 01:07:47,272 --> 01:07:50,773 DETERMINED BY NOT USED ARCHITECTS ADRIAN BERNARD... 1736 01:07:50,808 --> 01:07:52,275 "SHANNON?" 1737 01:07:52,310 --> 01:07:54,210 [CHUCKLING] ALL RELATIONSHIP TO YOU, JASON? 1738 01:07:54,245 --> 01:07:55,644 YES. 1739 01:07:55,679 --> 01:07:58,114 IT'S MY SON. 1740 01:07:58,149 --> 01:08:01,384 ... BUT HATCHER BUILDING CAN ONLY HERE. 1741 01:08:06,524 --> 01:08:08,357 -HANNAH! IT? 1742 01:08:08,393 --> 01:08:11,427 CAN YOU COME DOWN FOR SEC SEC? 1743 01:08:14,498 --> 01:08:16,765 I THOUGHT YOU WAS INTERNET VIDEO. 1744 01:08:16,801 --> 01:08:17,666 YEAH, WE NEED TO SPEAK ABOUT THAT - 1745 01:08:17,701 --> 01:08:18,734 I CALL YOU EARLIER. 1746 01:08:18,769 --> 01:08:20,269 I DON'T WANT YOU TO HAPPEN. 1747 01:08:20,305 --> 01:08:21,570 GOOD, I - 1748 01:08:21,605 --> 01:08:23,806 GOOD, I'M SORRY ABOUT THAT, BUT NOT ABOUT VIDEO. 1749 01:08:23,841 --> 01:08:25,408 -I DON'T THINK YOU UNDERSTAND - -I. 1750 01:08:25,443 --> 01:08:27,509 DAD, I NEVER DISAPPOINTED IN YOU. 1751 01:08:27,545 --> 01:08:28,577 ANDA BISA MELAKUKAN APA PUN. 1752 01:09:04,646 --> 01:08:30,546 YOU ARE MY HERO. YOU STILL, 1753 01:08:30,614 --> 01:08:32,614 BUT I JUST HAVE YOUR COMPANY DO NOT BUILD THIS PROJECT. 1754 01:08:32,650 --> 01:08:34,016 I HAVE TO GO, 1755 01:08:34,052 --> 01:08:35,717 p> 1756 01:08:35,753 --> 01:08:36,685 I THINK GET BACK TO STUDENTS. 1758 01:08:41,025 --> 01:08:43,292 HANNAH... 1759 01:09:39,999 --> 01:08:49,798 I MAY HAVE A BETTER STORY FOR YOU. 1760 01:08:49,834 --> 01:08:51,467 > 1761 01:08:51,502 --> 01:08:52,701 AH, NO, IT WAS TRUE TO BE GREAT, 1762 01:08:52,736 --> 01:08:54,170 BUT I, I NEED TO GET BACK. 1763 01:08:54,205 --> 01:08:55,237 GOOD, HOPE, YOU WILL COME RETURN AND VISIT 1764 01:08:55,306 --> 01:08:57,139 I THINK YOU HAVE A FUTURE IN ANTIQUE SALES. 1765 01:08:57,175 --> 01:08:58,874 YES. 1766 01:08:58,909 --> 01:09:00,343 I WILL. HONEST, WORK HERE 1767 01:09:00,378 --> 01:09:01,810 HAS MOST FUN I WILL BE AT AGE. 1768 01:09:01,846 --> 01:09:03,512 OH, HEY, DANI SAYS ME 1769 01:09:03,547 --> 01:09:05,114 ABOUT MYSTERY YOU TRY TO SEE. 1770 01:09:05,149 --> 01:09:06,248 ALWAYS WITH AGATHA. 1771 01:09:06,284 --> 01:09:07,916 I ALSO. YOU KNOW WHAT, NEXT TRIP, 1772 01:09:07,986 --> 01:09:09,218 WE HAVE TO SAY MYSTERIES. 1773 01:09:09,287 --> 01:09:10,619 HE HAVE THIS, 1774 01:09:10,654 --> 01:09:12,688 "NOW YOU HAVE DELETED IT IS NOT POSSIBLE, 1775 01:09:12,723 --> 01:09:14,556 ANYTHING, BUT IMPROBABLE--" 1776 01:09:59,592 --> 01:09:15,657 "- MUST BE RIGHT." 1777 01:09:15,693 --> 01:09:16,792 YES. 1778 01:09:16,827 --> 01:09:18,461 WHAT IS HELP? 1779 01:09:18,496 --> 01:09:20,096 ACTUALLY, IT'S NOT. 1780 01:09:20,164 --> 01:09:21,063 THANK YOU, BETH . 1781 01:09:27,805 --> 01:09:29,771 WHAT'S HAPPENING? 1782 01:09:29,807 --> 01:09:31,573 LET THE ROAD. 1783 01:09:34,379 --> 01:09:36,012 IT'S PRETTY COOL-LOOKING BUILDING. 1784 01:09:36,047 --> 01:09:38,747 YES I THINK SO. 1785 01:09:38,782 --> 01:09:41,317 YOU'RE MOTHER WONDERING IF THERE IS ANY WAY 1786 01:09:41,352 --> 01:09:42,651 WE CAN GET YOUR GROUPS, UH, 1787 01:09:42,686 --> 01:09:44,320 GO TOGETHER < br>> WITH THIS PROJECT? 1788 01:09:44,389 --> 01:09:45,787 UH, NOT EXCEPT YOU WILL BE REQUIRED 1789 01:09:45,856 --> 01:09:47,689 TO BUILD IT SOMEPLACE ELSE. 1790 01:09:47,725 --> 01:09:49,791 IT IS THOUGHT. 1791 01:09:49,827 --> 01:09:51,760 DEVELOPMENT ONLY INTERESTED 1792 01:09:51,795 --> 01:09:53,229 IN MAKING MONEY 1793 01:09:53,264 --> 01:09:54,796 SAD, BUT TRUE. 1794 01:09:54,832 --> 01:09:56,665 So, I look into that, AND YOU ARE TRUE. 1795 01:09:57,635 --> 01:09:58,767 ABOUT? 1796 01:09:58,802 --> 01:10:00,169 ABOUT GAINING HISTORICAL STATUS. 1797 01:10:00,204 --> 01:10:02,304 CITY, IT WAS TURNING, LOVING IDEA, 1798 01:10:02,340 --> 01:10:05,374 SO WE APPLY FOR HISTORY DESIGN. 1799 01:10:05,410 --> 01:10:07,176 DAD... 1800 01:10:07,211 --> 01:10:08,177 ARE YOU SERIOUS? 1801 01:10:08,212 --> 01:10:09,811 YES. 1802 01:10:09,847 --> 01:10:11,613 WAIT, WHAT ABOUT YOUR PROJECT? 1803 01:10:11,649 --> 01:10:13,282 WHO STAYED HERE. 1804 01:10:13,317 --> 01:10:15,484 BY DEVELOPING BUILDINGS WITH HISTORICAL DESIGN, 1805 01:10:15,520 --> 01:10:17,486 THERE ARE TAX CREDITS, SPECIAL CREDITS, 1806 01:10:17,555 --> 01:10:18,921 ALL ALL, THIS IS WIN-WIN. 1807 01:10:18,956 --> 01:10:20,022 You DO NOT PROVIDE? 1808 01:10:20,058 --> 01:10:21,157 VIEW SIGNS. 1809 01:10:25,229 --> 01:10:26,929 DAD... 1810 01:10:26,997 --> 01:10:27,863 YOU ARE THE BEST. 1811 01:10:41,879 --> 01:10:42,911 [SHOT] JASON! 1812 01:10:42,947 --> 01:10:44,480 [GRUMBLES] MM? 1813 01:10:44,549 --> 01:10:46,549 PROBLEMS IS TEXT. 1814 01:10:46,584 --> 01:10:47,649 WHAT? 1815 01:10:47,685 --> 01:10:49,418 OTHERS POINTS TO KILL, 1816 01:10:49,454 --> 01:10:50,786 AND IF THE DEATH CASE IS CHECKED, 1817 01:10:50,821 --> 01:10:53,422 IT IS NOT POSSIBLE THE EX-HUSBAND BO TAYLOR. 1818 01:10:53,491 --> 01:10:55,524 YES YOU ARE TRUE. NOW BACK TO SLEEP. 1819 01:10:55,593 --> 01:10:56,825 BUT HOW SOMEONE 1820 01:10:56,894 --> 01:10:58,094 SEND TEXT FROM LITA PHONE 1821 01:10:58,129 --> 01:10:59,695 IF IT WAS NOT LITA? 1822 01:10:59,730 --> 01:11:01,830 AND HOW PHONE END UP ON HER BODY? 1823 01:11:01,865 --> 01:11:03,799 [GROGGILY] DO NOT... KNOW... 1824 01:11:06,604 --> 01:11:07,703 [GROUP GROUPS] 1825 01:11:10,341 --> 01:11:11,907 p> 1826 01:11:13,043 --> 01:11:13,875 [KNOCKS] LOGAN? 1827 01:11:13,911 --> 01:11:15,010 [PASS] 1828 01:11:15,045 --> 01:11:17,546 LOGAN? 1829 01:11:25,123 --> 01:11:26,222 [VIDEO GAME BLEEPING] 1830 01:11:26,257 --> 01:11:28,657 OH. 1831 01:11:28,692 --> 01:11:29,758 HEY, YEAH, I'M ONLY ABOUT GOING TO A BED. 1832 01:11:29,793 --> 01:11:30,926 I CAN SEE IT. 1833 01:11:30,961 --> 01:11:32,894 WITH LIFE PROBLEMS OR MYSTERY PROBLEMS? 1834 01:11:32,930 --> 01:11:34,630 FIRST PROBLEM. 1835 01:11:34,665 --> 01:11:35,897 I KNOW THERE IS ANYTHING 1836 01:11:35,933 --> 01:11:36,798 WHICH CAN FIND PHONE YOUR MOBILE 1837 01:11:36,834 --> 01:11:38,367 IF IT IS LOST OR STOLEN. 1838 01:11:38,402 --> 01:11:40,136 RIGHT, YEAH, YOU CAN GET THAT ON YOUR LAPTOP, TOO. 1839 01:11:40,171 --> 01:11:40,969 BUT YOU CAN RETURN AT TIME, 1840 01:11:41,005 --> 01:11:42,138 SAY, TWO WEEKS, 1841 01:11:42,173 --> 01:11:43,405 AND SEE WHO YOUR PHONE? 1842 01:11:43,441 --> 01:11:45,574 NO, ALL APPS > ARE AT REAL TIME. 1843 01:11:45,610 --> 01:11:46,675 BUT I MEAN, IF YOU MAKE CELL PHONE CALL, 1844 01:11:46,710 --> 01:11:47,843 YOU CAN GET POLICE 1845 01:11:47,878 --> 01:11:49,512 TO GO AND CHECK THAT'S COMING FROM. 1846 01:11:49,580 --> 01:11:51,013 WHAT ABOUT TEXT? 1847 01:11:51,048 --> 01:11:52,181 YEAH, SAME. 1848 01:11:52,216 --> 01:11:53,982 HERE, LET ME SHOW YOU. 1849 01:11:58,022 --> 01:12:00,623 Okay, so, HERE'S OUR MAP, 1850 01:12:00,658 --> 01:12:02,758 AND THIS LITTLE SYMBOL, THEY ARE CELL TOWER 1851 01:12:02,793 --> 01:12:04,226 WHEN YOU MAKE A CELL PHONE CALL, 1852 01:12:04,262 --> 01:12:05,427 YOUR PHONE CONNECTION TO A TESTED TOWER, 1853 01:12:05,496 --> 01:12:06,862 p> 1854 01:12:06,897 --> 01:12:08,997 AND IT IS SENT FROM ONE TO OTHER 1855 01:12:09,066 --> 01:12:11,066 UNTIL IT REACHES THE GOAL. 1856 01:12:11,101 --> 01:12:13,469 SO, LET ME GET THIS STRAIGHT. 1857 01:12:13,504 --> 01:12:14,470 IF I AM DANI & apos; S, AND I KILL IT - 1858 01:12:14,505 --> 01:12:15,904 MOTHER! 1859 01:12:15,939 --> 01:12:17,739 HYPOTHETIS. 1860 01:12:17,775 --> 01:12:19,508 I AM SOMETHING,
AND HE DIES. 1861 01:12:19,544 --> 01:12:21,177 I AM NOTHING HER CELL PHONE, 1862 01:12:21,212 --> 01:12:22,511 AND I BRING THE BAR WHERE DO I MEET SOME FRIENDS. 1863 01:12:22,580 --> 01:12:25,648 I GO TO RESTROOM, 1864 01:12:25,683 --> 01:12:27,816 AND SEND A TEXT FROM DANI PHONE TO MY PHONE 1865 01:12:27,851 --> 01:12:31,420 THAT SAYS "COME ON OVER." 1866 01:12:31,455 --> 01:12:33,322 I THEN TEXT FOR MY FRIENDS. 1867 01:12:33,357 --> 01:12:35,157 I GET ONE OF THEM TO DRIVE ME OVER THERE. 1868 01:12:35,193 --> 01:12:36,325 - and not WILL NEVER GUESS 1869 01:12:36,394 --> 01:12:37,793 THAT PHONE IT IS RECEIVING TEXT 1870 01:12:37,828 --> 01:12:39,995 IN THE SAME ROOM AS PHONE IT HAS TEXT. 1871 01:12:40,030 --> 01:12:40,929 EXACTLY! 1872 01:12:43,234 --> 01:12:45,000 CAN I GO TO BED NOW? 1873 01:12:45,035 --> 01:12:46,802 OH, YES, OF COURSE. 1874 01:12:46,837 --> 01:12:47,869 AND THANK YOU. 1875 01:12:47,938 --> 01:12:49,771 AND THANK YOU. 1876 01:12:49,807 --> 01:12:51,073 AND p> 1877 01:12:54,907 --> 01:12:57,106 YOU ARE GENIUS. 1878 01:12:57,406 --> 01:12:59,206 WELCOME NIGHT. 1879 01:12:59,275 --> 01:13:01,908 IT APPEARS TO HAVE BEEN A ROBBERY. 1880 01:13:01,944 --> 01:13:03,210 HE DIED AS A RESULT. 1881 01:13:03,245 --> 01:13:05,112 CASSIE, OH, MAN... 1882 01:13:06,748 --> 01:13:09,616 HE'S HARD. 1883 01:13:09,685 --> 01:13:11,385 HE MAY BE WENT RIGHT IN HIM. 1884 01:13:11,454 --> 01:13:14,821 THIS HAS BEEN DIFFERENT TIME... 1885 01:13:14,890 --> 01:13:17,657 FOR US ALL. 1886 01:13:17,693 --> 01:13:19,860 FIRST, LITA & apos; S SUICIDE, AND NOW THIS IS. 1887 01:13:19,928 --> 01:13:23,263 JOHN REQUESTS I CARRY YOU GUYS WITH TODAY, SO... 1888 01:13:23,332 --> 01:13:25,832 JOHN? 1889 01:13:25,868 --> 01:13:28,802 HE IS OUR MOTHER, 1890 01:13:28,871 --> 01:13:31,605 OUR CONFECTURES 1891 01:13:31,640 --> 01:13:33,507 HE KNOWS OUR SECRETS. 1892 01:13:33,575 --> 01:13:36,710 AND, NEVER, KNOWS WHEN WE MANAGE SOME POINTS. 1893 01:13:39,048 --> 01:13:40,114 I WANT TO ASK YOU, 1894 01:13:40,149 --> 01:13:42,716 AS A BAND, 1895 01:13:42,751 --> 01:13:46,686 HOW DOES YOUR FEELING ABOUT MOVING FORWARD 1896 01:13:46,755 --> 01:13:49,023 WHAT WE PLAY DISPLAY SHOW? 1897 01:13:49,058 --> 01:13:50,524 DO WE CANCEL THE TOUR? 1898 01:13:50,559 --> 01:13:52,859 JOHN, YOU KNOW IF GLASS IS HERE, 1899 01:13:52,928 --> 01:13:54,128 HE KICK YOUR BUTT 1900 01:13:54,163 --> 01:13:55,996 TO EVEN OUR SUGGESTING ISSUE 1901 01:13:56,032 --> 01:13:57,797 HE A "SHOW MUST GO ON" TYPE, 1902 01:13:57,833 --> 01:13:59,266 ALL THE TRIP, 1903 01:13:59,301 --> 01:14:03,203 BUT JOHNNY, I MEAN, YOU'RE PARTY. 1904 01:14:03,239 --> 01:14:05,272 I MEAN, YOU GOTTA GO AUDIENCE FACE. 1905 01:14:05,307 --> 01:14:06,573 THEY COME HERE TO SEE YOU, 1906 01:14:06,608 --> 01:14:08,142 MEREKA DATANG DI SINI UNTUK MEMILIKI WAKTU YANG BAIK. 1907 01:14:08,210 --> 01:14:10,477 YOU THOUGHT YOU CAN DO IT? 1908 01:14:12,348 --> 01:14:14,948 I don't know 1909 01:14:22,591 --> 01:14:23,557 [KNOCKS GENTLY] 1910 01:14:24,626 --> 01:14:25,992 COME IN, JENN. 1911 01:14:26,028 --> 01:14:28,395 > 1912 01:14:34,437 --> 01:14:37,171 FATHER. TAYLOR HERE ONLY TO LEAVE. 1913 01:14:45,981 --> 01:14:47,448 I'M A LOT, BUT I AM NOT A KILLER. 1914 01:14:47,483 --> 01:14:50,617 GOOD... IT SEEMS 1915 01:14:50,652 --> 01:14:52,752 HE REALLY DON'T KNOW POLICY WILL PAY. 1916 01:14:52,788 --> 01:14:54,288 WHEN HE FINDS IT, GOOD, HE'S PANIC, 1917 01:14:54,356 --> 01:14:55,689 THOUGHT WE'RE PIN KILLING HIM. 1918 01:14:55,724 --> 01:14:58,158 AND? 1919 01:14:58,194 --> 01:15:00,094 AND... I HAVE TO SOME NEWS FOR YOU. 1920 01:15:00,129 --> 01:15:02,862 IT LITTLE BAD. 1921 01:15:02,898 --> 01:15:05,799 TUGU TAG ID THAT WE WERE FOUND IN STEPLADDER, 1922 01:15:05,834 --> 01:15:08,235 IT WAS SPLIT TO A GUN SOLD TO CASSIE PARKER. 1923 01:15:08,270 --> 01:15:10,604 CASSIE? 1924 01:15:10,639 --> 01:15:11,505 TUGU BELONGED CASSIE? 1925 01:15:11,540 --> 01:15:13,107 NO, HE JUST PURCHASED. 1926 01:15:13,142 --> 01:15:15,909 DO NOT EVEN MEAN IT IS ALLOWED IN THE LITA LIVING ROOM. 1927 01:15:15,978 --> 01:15:16,876 BUT IF HE DOES NOT REPRESENT IT, 1928 01:15:16,945 --> 01:15:18,278 HE MAY KNOW THAT, 1929 01:15:18,314 --> 01:15:19,480 > AND ARRIVING, 1930 01:15:19,548 --> 01:15:21,248 IT DOESN'T LOOK LIKE A ROBBERY on CASSIE; S. 1931 01:15:22,551 --> 01:15:25,185 FRANK, I DON'T THINK OWN TEXT BY LITA, 1932 01:15:25,254 --> 01:15:26,720 OR EVEN OWN FROM LITA'S HOUSE; S. 1933 01:15:28,290 --> 01:15:30,557 WHAT ARE YOU MEANING? 1934 01:15:30,626 --> 01:15:32,058 CAN YOU HAVE A PHONE COMPANY CHECK THE TOWER BRAND RECORDS 1935 01:15:32,094 --> 01:15:34,194 AND SEE WHERE IT WAS COPYED FROM? 1936 01:15:34,230 --> 01:15:35,729 I HAVE TO GET A GUARANTEE, 1937 01:15:35,764 --> 01:15:37,531 AND WILL NOT GIVE US EXACT LOCATION, 1938 01:15:37,600 --> 01:15:38,398 ONLY AFFORDABLE TOWER. 1939 01:15:38,434 --> 01:15:39,733 GOOD. 1940 01:15:39,768 --> 01:15:42,469 START WITH THE TOWER SEL CLOSE TO VOICE CHECK. 1941 01:15:42,505 --> 01:15:43,970 [FIVE & SIX; S DEMOS PLAY BACK] 1942 01:15:44,006 --> 01:15:47,341 ♪... GOOD, I CAN'T WAIT HERE ON SHELF ♪ 1943 01:15:47,376 --> 01:15:50,277 ♪ SHE S S GONNA LISTENING TO THE NEWS FROM ME... ♪ 1944 01:15:50,312 --> 01:15:51,811 WHAT ARE YOU LISTENING TO? 1945 01:15:51,847 --> 01:15:53,413 ♪... THE TIME WE'RE DOING /> ALL SET FREE... ♪ 1946 01:15:53,449 --> 01:15:54,615 LITA RELEASES. 1947 01:15:54,683 --> 01:15:56,116 SONGS SHE WROTE. 1948 01:15:56,152 --> 01:15:57,851 THIS IS TRADING. 1949 01:15:57,919 --> 01:15:59,819 IT'S ALL RIGHT THERE'S ON THE SEASON. 1950 01:15:59,888 --> 01:16:02,389 WHAT IS THE RIGHT? 1951 01:16:02,424 --> 01:16:05,492 HE IS LOVE WITH HUMAN MARRIED. 1952 01:16:05,561 --> 01:16:07,361 SAY SHE GOING TO SAY WIFE, 1953 01:16:07,396 --> 01:16:08,695 SAY SHE & S; S GOING TO SAY THE WORLD 1954 01:16:08,730 --> 01:16:09,796 IT'S NOT GOOD. 1955 01:16:09,831 --> 01:16:11,565 I AM RESPONSIBLE < br /> ABOUT HERSELF. 1956 01:16:11,600 --> 01:16:13,467 I THINK SO. 1957 01:16:13,536 --> 01:16:14,934 HE IS NOT MENTIONED GUY NAME 1958 01:16:15,003 --> 01:16:16,403 ANYWHERE IN SONG, DID SHE? < /p> 1959 01:16:16,438 --> 01:16:18,004 TIDAK. 1960 01:16:41,397 --> 01:16:43,163 [KNOCKING ON DOOR] 1961 01:16:44,933 --> 01:16:47,033 WHAT ARE YOU DOING HERE? 1962 01:16:47,069 --> 01:16:48,968 I WILL NOT GO. 1963 01:16:49,004 --> 01:16:50,537 I THINK YOU MAY BE WANTING TO HEAR 1964 01:16:50,606 --> 01:16:51,938 WHAT TO SAY. 1965 01:16:51,973 --> 01:16:53,773 I MUST NOT CALL SECURITY. 1966 01:16:53,842 --> 01:16:55,875 YOU KILL LITA. 1967 01:16:55,944 --> 01:16:56,943 YOU HAVE AN AFFAIR, 1968 01:16:56,978 --> 01:16:58,612 AND YOU ARE DELIVERED FOR DIVORCE PAMELA, 1969 01:16:58,647 --> 01:17:00,280 BUT YOU SHOW STALLING, 1970 01:17:00,349 --> 01:17:02,349 SO LITA GIVE YOU ULTIMATUM. 1971 01:17:02,384 --> 01:17:04,017 WELL YOU GO PUBLIC, OR HE WOULD 1972 01:17:04,086 --> 01:17:06,019 AND THAT CANNOT HAPPEN, 1973 01:17:06,054 --> 01:17:08,388 BECAUSE YOUR FANS LOVE YOU AND THE PAMELA TOGETHER. 1974 01:17:08,424 --> 01:17:11,425 YOU'VE BEEN "TRUE TO HIM," AS A SONG GOES. 1975 01:17:12,894 --> 01:17:14,661 YOU'VE GOTTEN ACTIVE IMAGINATION 1976 01:17:14,697 --> 01:17:16,430 NO, I HAVE A FLASH DRIVE 1977 01:17:16,465 --> 01:17:17,731 WITH THE SONG LITA MERRILL WROTE 1978 01:17:17,766 --> 01:17:19,199 DESCRIBING THE WHOLE THING. 1979 01:17:21,870 --> 01:17:24,104 LITA IS DEAD WHEN THE CASH AND I leave. 1980 01:17:24,139 --> 01:17:25,872 IT IS IMPACT FOR ME TO KILL IT ONLY. 1981 01:17:25,907 --> 01:17:27,341 DO YOU SPEAK ABOUT CASSIE OR LITA? 1982 01:17:27,376 --> 01:17:28,842 BECAUSE THEY ARE MUCH DEAD. 1983 01:17:30,312 --> 01:17:32,613 YOU ARE DEATH OF LITA DEATH, PERFECT. 1984 01:17:32,681 --> 01:17:34,548 YOU STEAL THE ASSIGNMENT FROM CASSIE... 1985 01:17:36,352 --> 01:17:38,818 TIME MUST RIGHT 1986 01:17:38,854 --> 01:17:41,355 IN YOUR WAY FOR VOICES, YOU DROPPED BY LITA & S.... 1987 01:17:41,390 --> 01:17:44,157 IT'S EASY TO GET INSIDE BECAUSE YOU HAVE YOUR OWN KEY. 1988 01:18:07,683 --> 01:18:09,249 LET ME GO GET DRESSED. 1989 01:18:09,285 --> 01:18:10,250 I WILL RETURN. 1990 01:18:15,491 --> 01:18:17,491 YOU PLACE STEPLADDER UNDER THE BEAMS. 1991 01:18:17,559 --> 01:18:19,259 You must act fast... 1992 01:18:32,240 --> 01:18:33,407 [METAL SCRAPING] 1993 01:18:40,683 --> 01:18:43,183 [TASER VOLTS CRACKLING] 1994 01:18:44,219 --> 01:18:45,752 YOU HAVE ROPE, 1995 01:18:45,788 --> 01:18:47,454 YOU AVOID SUICIDE... 1996 01:18:51,893 --> 01:18:53,226 AND YOU MAY NOT KNOW ABOUT SMALL ID TAGS 1997 01:18:53,261 --> 01:18:54,695 THAT SHOOT OUT, 1998 01:18:54,730 --> 01:18:56,229 TAPI ANDA TAHU TAHU TIDAK MENINGGALKAN MEREKA. 1999 01:18:56,264 --> 01:18:58,231 YOU PICKED THEM UP, 2000 01:18:58,266 --> 01:19:01,535 ALL EXCEPT ONE WHO APPLIES TO STEPLADDER, 2001 01:19:01,603 --> 01:19:03,136 ONE YOU DO NOT SEE. 2002 01:19:04,105 --> 01:19:05,605 THIS IS CRAZY. 2003 01:19:05,674 --> 01:19:08,508 I HAVE TEXT AT THE SAME TIME ALL OTHERS ARE IN. 2004 01:19:08,544 --> 01:19:11,144 BUT YOU HAVE TEXT, RIGHT FROM THIS DRESSING OFFICE. 2005 01:19:11,213 --> 01:19:13,347 YOU'RE AGAIN. 2006 01:19:13,382 --> 01:19:15,315 PHONE IN THE POCKET OF IT WHEN THEY FIND IT. 2007 01:19:15,351 --> 01:19:17,083 AND HOW WILL YOU YOU KNOW IT? 2008 01:19:18,520 --> 01:19:20,654 YOU KNOW THAT BECAUSE YOU PUT IT THERE. 2009 01:19:20,689 --> 01:19:22,789 YOU HAVE CASSIE DRIVE YOU RETURN TO LITA & apos; S, 2010 01:19:22,825 --> 01:19:23,790 WHERE, HORRIFIED, 2011 01:19:23,826 --> 01:19:25,258 YOU WALK TO MEET THE LITA AGENCY. 2012 01:19:25,293 --> 01:19:26,693 BUT WHAT YOU REALLY DO 2013 01:19:26,729 --> 01:19:29,262 YOU SEE THE PHONE RETURN TO PANTA LITA POCKET. 2014 01:19:30,566 --> 01:19:32,165 PAM! 2015 01:19:32,200 --> 01:19:33,533 GET HERE! 2016 01:19:34,603 --> 01:19:36,102 ANDA TIDAK BISA MEMBUKTIKAN HAL INI. 2017 01:19:38,039 --> 01:19:39,573 SET THIS JOB WHACK STAY AWAY FROM ME. 2018 01:19:39,641 --> 01:19:40,874 I HAVE TO HAVE SHOW TO DO. 2019 01:19:50,686 --> 01:19:51,585 HE COMES, LET & AP; S GO, 2020 01:19:51,620 --> 01:19:53,019 LET & AP; S GET OUT THERE, ALL RIGHT? 2021 01:19:53,054 --> 01:19:54,588 [MANAGER CLAPPING INCOURAGEMENT] 2022 01:20:08,404 --> 01:20:10,771 WE START. 2023 01:20:10,806 --> 01:20:11,772 OK, JOHN. 2024 01:20:11,840 --> 01:20:13,940 [BAND STARTS PLAYING] 2025 01:20:13,975 --> 01:20:15,509 JOHN DALTON, 2026 01:20:15,577 --> 01:20:16,476 YOU ARE BELOW ARREST 2027 01:20:16,545 --> 01:20:17,911 FOR MURDERS From LITA MERRILL 2028 01:20:17,946 --> 01:20:20,146 AND PARKER CASSIE. 2029 01:20:20,181 --> 01:20:21,748 WHAT? 2030 01:20:22,918 --> 01:20:24,050 [BAND STOPS PLAYING] 2031 01:20:26,054 --> 01:20:27,287 [HANDCUFFS HANDLING HANDLING] 2032 01:20:37,666 --> 01:20:39,232 WATCH YOUR HEAD . 2033 01:20:55,451 --> 01:20:57,283 [♪♪♪] 2034 01:21:00,021 --> 01:21:01,488 - IS IS FROM BETH ANN? -MM-HMM. 2035 01:21:01,523 --> 01:21:02,456 WHAT'S IN THE WORLD? 2036 01:21:02,491 --> 01:21:03,723 OH, I FEEL A FRAME. 2037 01:21:03,759 --> 01:21:05,091 IT'S PAINTING 2038 01:21:06,562 --> 01:21:07,661 OOH... 2039 01:21:08,730 --> 01:21:11,397 [GASPS IN DELIGHT] 2040 01:21:11,433 --> 01:21:13,767 ITU SANGAT BAGUS. 2041 01:21:15,170 --> 01:21:18,004 AND IT'S NOT FOR SALE. 2042 01:21:23,946 --> 01:21:26,012 ALL RIGHT, GUYS, READY DINNERS. 2043 01:21:26,047 --> 01:21:27,180 HANNAH, DO YOU NEED AID? 2044 01:21:27,248 --> 01:21:28,314 NO, THANK YOU, I MUST BE CLOSED. 2045 01:21:28,383 --> 01:21:30,249 Besides, IT & apos; S SUPPOSED BECOME A SURPRISE. 2046 01:21:30,285 --> 01:21:32,318 YOU KNOW HE DO NOT ENTER. 2047 01:21:32,354 --> 01:21:34,087 [CHUCKLING] 2048 01:21:36,057 --> 01:21:37,056 Where am I? 2049 01:21:37,092 --> 01:21:38,358 OH. 2050 01:21:38,393 --> 01:21:39,693 SO... 2051 01:21:39,761 --> 01:21:41,728 IT IS ALMOST PERFECT KILLING 2052 01:21:41,763 --> 01:21:43,830 THEN THERE CASSIE PARKER. 2053 01:21:43,866 --> 01:21:45,532 JOHN KILLS HER TASER IN IT. 2054 01:21:45,567 --> 01:21:46,466 WHEN HE LEARNS 2055 01:21:46,502 --> 01:21:47,634 GUN CAN BE REQUIRED, 2056 01:21:47,669 --> 01:21:48,702 SHE SHOULD HAVE HIS WILL. 2057 01:21:48,737 --> 01:21:50,370 HE'S ONLY ONE WHO KNOWS HIM. 2058 01:21:51,974 --> 01:21:53,740 I HAVE A CALL /> FROM TODAY, 2059 01:21:53,775 --> 01:21:56,209 INSTALLING ME OTHER JOBS ARE WELL MADE. 2060 01:21:57,713 --> 01:21:58,712 DO YOU SAY IT MY MOTHER IS RECEIVED? 2061 01:21:58,780 --> 01:22:00,113 ACTUALLY, 2062 01:22:00,148 --> 01:22:01,147 I DO IT. 2063 01:22:01,182 --> 01:22:02,215 VERY? 2064 01:22:02,250 --> 01:22:03,550 GOOD, NOT LIKE HE WAS... 2065 01:22:03,585 --> 01:22:05,385 CLUELESS. 2066 01:22:05,453 --> 01:22:06,319 [ALL GROANING AT THE PUN] 2067 01:22:06,354 --> 01:22:08,822 OWN. 2068 01:22:08,857 --> 01:22:10,056 HE SAYS ME THAT SHERLOCK HOLMES 2069 01:22:10,091 --> 01:22:12,158 ACTUALLY NOT A POLICE DETECTIVE , 2070 01:22:12,193 --> 01:22:13,459 HE IS "CONSULTING DETECTIVE," 2071 01:22:13,495 --> 01:22:15,962 NOTHING HELPING THE POLICE 2072 01:22:16,031 --> 01:22:17,898 I CAN BECOME CONSULTATION DETECTIVE? 2073 01:22:17,966 --> 01:22:19,298 NO. 2074 01:22:19,334 --> 01:22:20,767 He said NO. 2075 01:22:20,802 --> 01:22:22,569 TOO MUCH LIABILITY. 2076 01:22:22,604 --> 01:22:24,738 BUT HE WANTS TO THANK YOU, 2077 01:22:24,806 --> 01:22:26,806 AND LET YOU KNOW, MOVING FORWARD, 2078 01:22:26,842 --> 01:22:28,975 NOT FOR THE KILLER CONFRONT. 2079 01:22:30,245 --> 01:22:31,511 SERIOUS. 2080 01:22:31,547 --> 01:22:32,612 WELL... 2081 01:22:32,648 --> 01:22:35,782 WITH RESPECT OF FROM THE HATCHER BUILDING... 2082 01:22:36,985 --> 01:22:38,685 BOEUF BOURGUIGNON. 2083 01:22:38,720 --> 01:22:40,286 WOW. 2084 01:22:40,321 --> 01:22:42,689 WHAT IS FRENCH ABOUT BUILDING HATCHER? 2085 01:22:42,724 --> 01:22:44,724 GOOD, ADRIAN BERNARD THE ARCHITECT IS FRENCH. 2086 01:22:44,793 --> 01:22:47,427 AND I FOUND AN EASY RECIPE. 2087 01:22:47,462 --> 01:22:48,294 > 2088 01:22:48,363 --> 01:22:49,696 [CHUCKLING] 2089 01:22:49,731 --> 01:22:52,198 LOOKS GREAT. 2090 01:22:52,267 --> 01:22:53,466 Good, here FOR MY BEAUTIFUL TOURISM, 2091 01:22:53,501 --> 01:22:55,134 ANYONE PUT THE PIECES TOGETHER 2092 01:22:56,271 --> 01:22:58,872 AND THROUGH OTHER MYSTERY. 2093 01:22:58,941 --> 01:23:00,941 I don't know HOW DOES IT DO IT, 2094 01:23:00,976 --> 01:23:02,408 BUT I WILL DEFINITELY DO IT CHILDREN'S KEYWORDS ON THOUGHT. 2095 01:23:02,444 --> 01:23:03,743 AND KEEP CRIMES OF CRIMES? 2096 01:23:08,050 --> 01:23:10,650 SAFELY.